#because this is some evil clown behavior

[piratefalls]

i’m not on this website for one damn day and some top tier bullshit goes down

the actual audacity of some people, holy fuck. to feel comfortable saying something so deeply cruel. i hope whoever said that - and the people who support it or won’t denounce it - never have a cool side of the pillow again. i hope your socks are always wet. i hope you stub your toe at least once a day every day for the rest of your life. i hope every pencil you try to use breaks. i hope you always feel like you have to sneeze but never do. but mostly i hope you find it in yourself to stop being an asshole. because none of what you’re mad about is real, but the way you make people feel is.

[eldritch-nightmare]

Hi hi !! 🎀 anon here! May I get some HCs of Laughing Jack, Tim Wright/Masky and Jeff the Killer with an affectionate clingy s/o please and thank you! 🥹👉👈

(An unrelated note regarding last time: My job and boss is actually super cool and they said I can dye my hair!! I’m so stoked eek! <3 magenta highlights, once again, after so many years, here I come! They have been missed…)

a/n: omg yay!! happy you get to dye your hair!! <3

with an affectionate and clingy gn!s/o.

includes: laughing jack, jeff the killer, and tim wright.

warnings: uh... none... i don't think.

LAUGHING JACK.

Out of all three, Laughing Jack is definitely the most stoked about having an affectionate and clingy significant other.

My guy has terrible abandonment issues, and he can be a bit clingy himself if the mood calls for it, so to have someone who doesn't want to leave his side? Might as well return him to heaven or something, because nothing will ever get better than that.

He is equally as affectionate if we're being honest.

Yeah, he's a big scary evil clown and all that terrorizes children but he knows how to be nice to the people he likes.

Knowing that you cling to him the way you do, it helps reassure him that you don't intend on leaving anytime soon. I mean, if you wanted to leave him, then you wouldn't be clinging to him like you always seem to do, right?

And so long as you keep clinging to him like you do, then his abandonment issues will rarely ever show up and everything will be all good and a-okay.

JEFF THE KILLER.

Hm... he can't decide if he likes you being clingy or if it annoys him. He won't lie, he loves the attention and it feeds his ego whenever you praise him or call him beautiful. You being affectionate is something he knows he likes. But he's not sure if he's fond of the clingy part or not.

When he first met Nina, she was pretty damn clingy as well, and that made him grow to hate her. To be fair, he didn't harbor any feelings for her. He does harbor feelings for you, however, and it feels different when you cling to him.

There are days when he can't stand you clinging to him, and he'll make it known in a rather rude way, to be honest. But there are also days when he wants you to cling to him because sometimes, your clinging to him feels a lot more genuine than your affectionate words.

He's very 50/50 on it, and it can change by the hour, to be honest. But he's fine with it more often than he's not. Only because he likes you.

But will he ever actually tell you that he likes it? Probably not.

It'll be fairly obvious though. Jeff may be rude, but he's not exactly the best at hiding his emotions around people he feel comfortable with.

TIM WRIGHT.

Please give him time to adjust because holy shit there's no way he'll be immediately comfortable with you clinging to him. He can barely take a compliment without feeling uncomfortable, so there's no way he'll be fine with physical affection right off the bat.

He'll tense up whenever you throw your arms around him, and it'll be very awkward because he's not entirely sure what he's supposed to do. Does he hug you back or does he just stand there? He's never been super close to people like this before, so it's all still very new to him.

If he becomes too uncomfortable, he'll let you know and will definitely put some distance between the two of you until he no longer feels that way.

He doesn't feel suffocated by your affection and clingy behavior, it's just something he's struggling to get used to because, I mean, Tim does have the mindset of 'I don't deserve this type of love' so it's very hard for him to accept it.

He'll definitely distance himself from you entirely during the events of Marble Hornets because there's no way he wants you getting involved, and he already blames himself for everything that's happening. He doesn't want anything to happen to you.

And if you're still around after the events of Marble Hornets, then honestly he would need your clinginess to ground him.

[batmanfruitloops]

Alright long but silly post, going into the reason why the furry versions are the animals they are. A few choices are influenced by the Teenage Mutant Ninja Turtles v.s. Batman, some choices are already associated with the character (Catwoman, Penguin, etc.). Most choices are an uneven mix of visual, symbolic, and behavioral. So some have more thought put into them than others but it's all for fun.

Batman (Bruce Wayne) -Vampire bat

A pretty obvious choice. I think specifically a vampire bat is fitting, they are very stealthy and aware. They come built with the perfect tools for lapping blood and cause little harm (excluding diseases). Just as Batman always comes with what he needs and only causes as much damage as necessary. Bats are also social creatures and thrive in groups, so there is a bit of irony there. Bruce can put on a good face for the public and business but isolates himself and therefore goes against his nature. He craves family but keeps his loved ones at arm's length in fear of losing them.

Joker (John Doe) - Red-banded spitting cobra

This is a choice influenced by the TMNT v.s. Batman. Also haha Lego Batman clown snakes. I chose this because I'm tired of both snakes and clowns being seen as evil. John is already the way he is because both Sarsee and I agree clowns should be silly and whimsical instead of how more modern media portrays them as creepy and scary, which also includes the Joker. Snakes are my favorite animals. So keeping Joker as a cobra represents what we have set out to do with the au in the first place.

In terms of behavior, John acts mostly the opposite of what you would expect. Snakes are mostly solitary and overall not very social. John is a very outgoing person and extraverted, but he's social skills are stunned from both being autistic and his childhood. So not quite fitting in but he enjoys standing out. Though cobras are a more intelligent species of snake. John is very clever but most wouldn't guess that. As the Joker, John relies on the element of surprise and subverting your expectations. As a bonus spitting venom is similar to a clown's flower spraying water.

Two-Face (Harvey Dent) - Puma

A partial TMNT chose. Instead of just a cat, I went with a puma. Pumas are not classified as big cats but are the largest cat in North America. Despite not being a big cat their presence demands respect. Even when you do not see them if you are in their territory you would be wise to be careful. Pumas know how to pick their fights, taking on challenges with strategy and retreating when they know they are outmatched.

I think these things fit Harvey and Two-Face quite well. He may not be as high on the social ladder as say, Bruce, but he is no less of an important figure in his community. You know when he is in the room and you think about him when he isn't there. He is intelligent and strategic. He's never to be underestimated and most fear and or respect him. These things apply as a rogue or as a candidate. These strengths are what put a target on his back and thus becoming Two-Face. I also do not know enough about this but pumas are not as solitary as other cats. Which fit with Harvey's ambivert personality.

Harley Quinn (Harleen Quinzel) - Spotted Hyena

This one is also an obvious one I would think. Spotted hyenas are a matrical species, meaning the females are in charge. Harley as a character I think usually represents feminine strength at least in recent years. Hyenas are very strong, they take what they want and fiercely protect what is theirs. They have a nasty reputation but live in a pretty unforgiving environment. Hyenas actually do hunt and have to protect their prizes from animals like lions. They have good reason to be the way they are.

Harley is a pretty unpleasant person but she has her reasons. Having dealt with a lot throughout her life. Her actions come from a place of pain though ruthless. She is not satisfied with what she does at the end of the day. She knows she has a lot work to do and a lot to figure out. Scary as she is.

Poison Ivy (Pamela Isley)- Orchid mantis

Another animal associated with feminine power. Mantis are fierce and confident, they stand their ground even against other animals much bigger than they are. They are not very fast and can't fly very well, but are a top insect predator. They have no need to chase, just sit and wait until the opportunity to strike comes to them. Of course, they have the reputation of eating the head of their mates, but that's actually common for insects. Still fitting.

Ivy is a powerful person literally and personality-wise. She has incredible control of her environment as long as there are any plants around. She is beautiful and deadly. Anyone who can get close to her is very lucky. She's pretty content keeping to herself and her plants and is laid back when she is comfortable. She takes opportunities when they are presented to her with full force. Best stay on her good side and give her space. She makes a wonderful mantis.

Bane (Antonio Diego) - Grizzly bear

Bears are incredibly strong but it's not just brawn they have brain too. Bane is not just a brute, he knows how to use his strength well and is incredibly strategic. A bear can be a very scary animal but also fun to observe. Some find them cute, and some find them terrifying. Bane also comes off in a similar way, it just depends on what you know about him. He is someone you can have deep and philosophical conversations with but most would be too scared to approach him. Unfortunately, his addiction makes him unpredictable and behave in a way he would not want to. Bane does have a code he follows and will return the respect you give him. Just a bear will respect your space if you know how to behave in their territory.

Catwoman (Selina Kyle) - Domsitic long-hair cat

Yeah, Catwoman is meant to be a cat in person form so, I don't think there is much to explain. She comes and goes as she pleases and does what she wants. She likes to bother those with no interest in her. The whole shebang. Not bad but not good, just her own brand.

Mad Hatter (Jervis Tetch) - Arctic hare

Arctic hares are one of the largest species of hare. They mainly live alone but come together for warmth and mating. I'm still not too sure about this, I haven't found much on this yet but it seems like rabbits are much more territorially and aggressive than hares. Either way, most think Jervis is a rabbit and not a hare, because of his height and demeanor. Hares are often seen as crazy and generally have a wild reputation, and Jervis is pretty demure. This instead comes out as passion for the things he loves. However, if he is pushed too far all of his pent-up emotions and frustrations will come out in an explosive response. Despite his appearance, he's very fit and strong. He has metabolic issues that make it difficult to lose weight so in his efforts to lose it he instead makes himself stronger. A similar effect to powerlifters. I thought specifically an Arctic hare was fitting because of this reason, as an arctic animal it's incredibly important for them to gain weight to survive the harsh weather. Something that others believe including Jervis himself thinks is a weakness actually becomes a strength. He does become more comfortable with himself eventually, but he has a lot of trauma to overcome to fix his own self-image.

Riddler (Edward Nigma) - Domestic rat

Rats are very social and intelligent. Despite media depictions, they keep themselves clean and are very affectionate. Ed is very much an extrovert and hates being alone, though he can be overbearing at times he loves those close to him very much and gives as much as he takes. Rats are great at getting around being able to squeeze into most places and can tread water for a long time (ironically Ed cannot swim). Ed can also squirm his way into anything be it physically or finding information. Rats enjoy causing mischief and are often high-energy, they need a lot of enrichment. Ed is functioning at 100% and crashes to 0% once he's out of energy, he has to keep himself busy and do little evil genius tasks until he's completely exhausted himself.

(I drew these on stream and Marxtheimpish asked to give Ed a cheerio, and Jervis lettuce, Ed is mad he only got one single cheerio.)

Scarecrow (Jonathan Crane) - Milksnake

A pretty biased pick since I mentioned snakes are my favorite animal, and Scarecrow is my favorite rogue but I have a good reason for my choice. First of all, as someone raised in the South, I associate milk snakes (and therefore corn snakes and rat snakes) with the country. They can often be found on farms and are great pest control and that also makes me also associate them with scarecrows. Milksnakes mimic coral snakes to scare away predators. Jonathan does something similar and comes off as scary and intimating but for the sake of his own protection. Snakes really want to be left alone and so does Jonathan. Snakes are often misunderstood and seen as something evil (especially by some religious people), but they are anxious skittish creatures and will stay out of your way. The religious association is another reason I picked a snake. Most people assume the worst in Jonathan because of his appearance and aloof disposition. He's pretty tired of trying to prove them wrong and has convinced himself he can't be anything else. But know this, there is no such thing as an offensive snake there are only defensive snakes.

Music Meister (Darius Chapel) - Golden-breasted starling

This one is mostly a visual choice. Darius is a pretty boy so of course he should be a pretty bird. Starlings are also a songbird and incredible at mimicking sounds. Just as Darius is an incredible singer and has a wide range of expressing himself musically. I think starlings are sometimes seen as pests or nuisance, I've only heard that in passing. If that's true that fits with Darius. Some people find him annoying but he's a very pleasant person.

Polkadot man (Abner Krill) - Spotted newt

Spotted newts are poisonous and their spots and color advertise that. Just as Abner has dangerous spots. This is mainly the reason why I chose a newt for Abner. I think aposematism, when an animal is colorful because it is toxic, is a really cool thing that happens in nature. I couldn't pass up the chance. Newts are also very cute and humble animals so all the more reason.

Mr.Freeze (Viktor Fries) - Polar bear

Of course, Viktor is a polar bear. Polar bears are solitary animals, especially the males. They only need themselves, and can only afford to care for themselves in the environment they live in. Viktor is a very independent person. He's confident in his abilities and can do almost anything by himself. Nora is an arctic fox, I bring this up because arctic foxes often follow polar bears around. So they are a perfect match. Polar bears are very formidable, you do not want to get in Viktor's way. Though he may seem cold, he is a good person with a big heart.

The Penguin (Ozwald Cobblepot) - Emperor penguin

Yeah, penguin. Emperor penguins care very deeply for their families and don't much care for anyone else. They will brave harsh weather and dangerous waters all for the sake of their families. Oz does not like anyone besides his family. He'll go through any extreme he needs to, no questions asked. Just a cranky old man that wants to give his loved ones a good life.

I'm much better at expressing myself visually than verbally so I'm not sure if this was comprehensive enough. I don't feel like I got out what I had in my head properly. So please feel free to ask any questions. Also, most of these facts are from my memory and may be inaccurate, but I did my best to fact-check myself when I was unsure of something. So if I got something wrong please correct me, I love learning more about animals. Otherwise, enjoy this word vomit infodump.

-Fluffy

[godrestyescarygentlemen]

Thinking and taking some inspiration from dark shows/movies because I am invested on writing regarding Terrifier and Art the Clown specifically.

Certain plots in my head are mostly related to the Lore of the franchise, taking things from the 9th Circle short film by Leone but also trying to pinpoint Art's personality without writing him out of character, and man is *hard*.

I am not very interested in writing him soft or out of character but I mostly overanalyse this fella, especially his motivations and behaviors, and the more I do the more is like the dude has no agenda beyond wanting to mess with the life of people he finds on his way.

Is af if death has become such a norm around him he has lost respects for the living. Something I have realized is that his personality runs through a spectrum from childish fascination, to serious as fuck and focused on his work ahead, and then absolutely unhinged.

He is evil, that is for sure, but I do believe the movies makes you believe he is the ultimate evil, when he is not, makes you forget even when powered by demonic forces he is still human at his core until the writing says otherwise.

Other thing I realized about him is the contradictory information we have had from his actions alone, he seems to have some type of OCD which people has taken as a sign of him being "civilized"; he mops the floor in the laundromat, cleaning after himself, cleaning his clothes and also cleaning his dishes, he also flush the urinals and cleans his hands after going to the bathroom, drinks a glass of water in Allie's kitchen, as well as to knowing how to prepare a good mashed potatoes in Sienna's house (you know the scene). He seems to be very methodical in what he does, and does it for himself most of the time, as a preparation or even to relax after the job is done.

He is also annoyed by people, annoyed at their society and even their emotional connections, he finds it funny. But what I found interesting is how he found Vicky, a literal demon, annoyed af when she seem to find the rats on his hideout cute and started playing with them.

My theory is that maybe Jonathan is wrong, maybe is not the fact that Art is a serial killer what attracted the demon possessing Vicky to this world, is something else entirely, this is a distraction. Art is some type of bridge.. the same way Sienna is for a celestial force, why?

Because both of them might be half human even if they don't even know they are, and the key is on the short film The 9th Circle (2007) by Damien Leone.

That would explain why they are the only ones seeing the Little pale Girl aka a Demon on this world, why Art, an antisocial psychopath, tries to fit into society doing mundane things and laughing with people, until he finds is too boring and kills everyone around him, to the point he laughs at human's mannerisms and reactions to HIS reactions, to the point he finds alien and uncanny.

A lot of people tries to analyze Art as if he does not understand or does everything so bizarrely wrong regarding human behaviors, but what I see on him is that he does understand quite well human behaviors, social connections, reactions and also mannerisms to the point of mocking them in his own performance, or even using it at his advantage.

But also he still is antisocial, being annoyed even at the mere company around his hideout. This is because he might have stopped caring long time to really fit, he plays with people, he plays around with humans, until he finds them too much, too annoying, this is a man who found even a demon annoying and only interacted with them/her when realizing he could have an advantage in killing more people, I don't even think for a minute Art really thought in following Vicky's orders beyond his own interests.

I have others theories as well and I might want to analyze them more and fresh them out before posting them here.

[roachliquid]

Before I get going into season 3 of Danny Phantom, I feel a need to take the time to enthuse about my all-time favorite antagonist of this series to date. I mean to tell you, this guy dethroned the Box Ghost, and he's still sitting at a solid #2. Though with that being said, it probably won't be too surprising when I tell you who unseated old Boxy, since this dude is so absurdly threatening that so far, he's only been deployed twice.

Yep. I'm talking about the man, the myth, the incredibly attractive legend himself, Freakshow.

Don't try to embarrass me; I've got no pride.

But uh. Moving past my taste in evil would-be clowns, I will admit that Freakshow is a classic example of Danny Phantom's derivativity. Creatively, he's blatantly heavily inspired by other cartoon villains - Jafar and the Joker being the most obvious ones - and visually, he's like if Richard O'Brien decided to work for the circus. Which I'm not remotely complaining about; it's a combination that works very well - it's just, y'know, classic DP creativity.

Anyway, the thing that I find whenever Freakshow shows up is that I am genuinely a little bit scared of him. Not in a "I am no longer aware that I'm watching a silly cartoon for kids" way, necessarily, but in an "oh shit our heroes are in real trouble" kind of way. Which sounds impressive for a guy who has no powers of his own, but... I think that's a big part of why he feels so threatening.

See, while Danny's faced a goodly number of powerful and high-stakes villains, I rarely find myself feeling like he's truly out of his depth. At the end of the day, most of them are ghosts, and he can usually defeat them by doing some kind of ghostly activity, such as shooting them with beams or taking a trip to the Ghost Zone. The few exceptions include Dan Phantom, a guy who could only really be defeated by Danny choosing not to become him, and then this motherfucker.

As I mentioned before, Freakshow is a normal human, a fact that he has a way of using to his advantage. Not because it exempts him from being blasted with beams or anything, but because he isn't constrained by the behavioral patterns or weaknesses of your average ghost. He doesn't have a consistent, unified power set that can be memorized and predicted, nor does he have a convenient Achilles heel sitting somewhere in the Ghost Zone just waiting for some hero to find it. Instead, he exhibits the far more worrying tendency of just having whatever powers he was recently able to get his hands on, and being more than prepared to get his hands on them whenever the opportunity arises.

That's the thing about Freakshow, is that he plans. And not in the grandiose, elaborate habit of Vlad Masters, who puts all his focus on a singular plan at the expense of flexibility. Freakshow's plans are simpler, but generally more effective - he looks out for potential opportunities, and does whatever legwork he can so that by the time one arises, he's ready to seize it and hit the ground running. He is, to put it in a word, adaptable.

And that's genuinely worrying. Because when someone is that flexible, you can never be too sure what they're capable of. Combine that with the absence of conventional ghost weaknesses, and you create a problem that Danny is just... not equipped to solve.

As badass as ghosts can be in Danny Phantom, I treasure those moments that show that they have their own disadvantages. Freakshow is a stellar example of that principle, a guy whose greatest strength - unfortunately unbeknownst to himself - is simply being a human being in a situation where that isn't the norm. Especially to a fourteen-year-old whose biggest non-existential threats are ordinary humans, that's a pretty big deal.

[seaskate]

I know that it's been theorized who from the ada is going to the PM because of the deal and everyone has been drawing parallels and ideas on who it could be, but one thing that I dont see may people looking at is behavior.

Personally I think that it will be Dazai that will go, he's the logical choice and would act as the best bridge between the ada and the pm, especially since Kunikida was named to become the next president and Dazai is his partner, so if Dazai were to go back and become boss at some point then that relationship is already there and is better than Mori's and Fukuzawa's from the start.

There has been a lot of points made about Dazai not being with the Agency when they are all gathered together (like that one manga panel or the party after the Guild or Kyouka's party) and how he appears more with or parallels Mori more in the intro than before (all of which is true) but we dont talk enough about how his behavior had been changing since episode one.

Dazai in episode one was only serious for maybe a small handful of seconds of screentime during the tiger debacle in the warehouse, when no one else was around to see. We can easily assume that home acting like a class clown happened more often than not from the way that he acts in the series. However, ever since the introduction of Atsushi and the Port Mafai in the series, Dazai has been slowly acting more serious than before.

In the first season alone, He sets it up so that the Azure Poet is killed and doesnt show any emotion when Kunikida tells at him for it. He bugs Higuchi and listens in on her and then basically goads Akutagawa into declaring war. Small instances, but close together.

When the Guild came there were more. There was the Q incident at the train where he all but threatened to kill the child and then slapped Atsushi out of a panic attack (which pain is actually one of the easier ways to remove someone from a panic attack, which is why people often dig in their nails or snap bands at their wrist when they feel one coming, but that's another argument to be had) which was effective but anyone else in the ada would have attempted another method. There was the Moby Dick and how he acted with Akutagawa there. And the meeting between the Ada and the pm where Dazai talked about war strategy. He blew up Lovecraft and allowd Chuuya to kill countless Guild hired guns when they ambushed him during that same instance.

None of those actions were things that someone at the ada likely would have done before the current arc. But now Dazai is continually acting in such away more often. Acting less like a detective and more like a mafioso.

He's relying on the mafia more often too.

Dazai had gone two years without any mafia contact while at the Agency, but now he's going to art museums with Hirostu and met with Akutagawa in the woods. That's not counting Chuuya and how they have worked together three times now in as many months, if you count Dead Apple, this current time in which Mori even helped with the fake vampire teeth. Not only that, but Dazai still calls Chuuya his partner. Not former partner, current.

Dazai dances on a fine line between good and evil, even as he believes in neither, but if it means that he could save those that he’s come to care for then he doesn’t hesitate to cross it (murder isn’t exactly condoned at the Agency, yet that’s exactly what he did to Fyodor - I know that he came back, but still - and has set up for Chuuya to do to those that had stood in their way since reuniting. Like the prison guards). Mori - who still has the executive seat waiting for Dazai to reclaim it, and had told Oda four years ago that Dazai would likely be boss in a few years time - knows this.

Yosano thought that this deal was a ploy for Mori to get her back, but she wasn’t the only child that he lost to the Agency. If we adds this to the paraless in the opening that exist and the fact that Dazai had been acting more and more like the Demon Prodigy with each season, Chuuya, and his place as an executive, it wouldn’t be surprising if he was the one chosen.

[franzkafkagf]

Just a little disclaimer I’m not asking this question to try to come across as hurtful or anything like that. But I was wondering how as an Aegon-stan his treatment of women can make you have a very nuanced opinion of him? :o

- Personally I’m TB but do have empathy for some TG-characters. I do like Aegon as an antagonist and I do feel for his very toxic and harmful upbringing but due to his violent behavior towards women.. I just can’t really connect that well with him 🫣

Hi! Thank you for your ask :) Super interesting question actually! I have written some things for him in the past, talking about what exactly fascinated me about his character so much ( exhibit one, two three, four and five )

I also urge you to listen to Tom talk about Aegon; this man gets him as a character so well and says it better than I ever could. Some interviews found here, here and here

I can understand not being able to connect with him because of his treatment of Dyana— it's an unforgiveable thing he has done to her and might have done to others. But in spite of that, he is still just a character. Everything he does is meant to inform us about his certain traits he has, even the ugliest of things.

What does it tell us about Aegon? He is entitled, doesn't take things seriously, he is indulgent and does not see Dyana (or other smallfolk for that matter) as a real person (succession reference wink wink)

I wouldn't call his behavior towards women in general toxic though— I actually think he is somewhat demure when faced with women like his mother, Rhaenyra and also Helaena. He seems to kick down most of the time, while trying to get recognition from the ones he sees as peers or above him.

If you look at the culture he was raised in, it's not really a surprise he turned out the way he did, seeing women beneath him as something he can just take if he likes to. Westeros is cartoonishly misogynistic; traditions like First Night or the prevelance of brothels filled with women working under harsh indentures show that.

Young men of noble origin seem to see visits to brothels (again, filled with women that do not want to be there) as a normal past time activity; it's so prevalent that it's surprising if a young nobleman does not participate. Now, I do not want to excuse his actions, but seeing the culture he grew up him and the influences around him? -> He probably thinks this is normal behaviour, disturbingly.

On a bit different note, I want to talk about his relationships. A thought I see often echoed in the fandom is the headcanon that Aegon is violent towards Helaena when that... was never stated anywhere? Now I'm probably biased because I'm a big Helaegon girl but I don't see him being violent with his sister.

People say he impregnated her at 13 when.. he was also just a 15 year old boy? He did not want to marry her! Both literally did not and could not consent to what happened to them, I think it's so sad that people try to demonize a child who just did what was demanded from him from all the adults in his life :(

(like yes tell me about how one of these KIDS forced himself on the other out of fully selfish desire and pure evil. you're so smart and do not lack media literacy whatsoever)

The dinner scene literally shows Helaena laugh at Aegon's antics until he goes a step too far w Baela, and what does Helaena do? She clowns him in front of everyone with her toast. And what does he do? He just takes it... not the behaviour of an evil abusive man but the delulus will swear otherwise.

People will also try to twist her crying at the coronation as some depressive moment for her where she realizes that he will have the ultimate power over her when that's LITERALLY just a (very boring) headcanon. It's hinted at in the text and literally written out in the script that she is scared, because she knows what crowning him means; the dance cannot be stopped. That's all, that's why she's crying. She feels like their end is near.

All in all I think no one can change your mind on how you feel about Aegon; what he did IS unforgivable, but I hope you see a bit of my pov here too. Seeing the nuance in deeply flawed characters and digging to find hidden depths in them is something I'm very passionate about! My Aegon girlie mutuals and me will be feasting come season 2 🙏

[c-rowlesdraws]

final very superficial appraisal of the live action one piece show:

👍:

-the set design was wonderful and had a cool sense of unreality to it (as in, the environments feel like built sets and it’s part of the fun), it was colorful and theatrical and captured the manga’s blend of piratey genre aesthetics (wooden boards, sailing ships, rolled-up old maps) and “modern” elements like t-shirts and neon signs in a really pleasing way

-the show clicks to the top of the first rollercoaster hill at the end of episode 3 and then goes at the start of ep 4 and it’s just one breathless ride to the finish. I didn’t want the show to end. I do not care about one piece and started watching kind of for the bit but now I’ll actually be really upset if it doesn’t get a second season. That’s how good the second half of this show is.

-I love how all of the characters with colorful hair have clearly-dyed hair where their roots are showing (as opposed to wigs), and in flashbacks to a few of them as children the child actors have the exact same sort of imperfect dye job. It’s wonderful. It adds to the theatrical energy of everything, like “we know you know this is artificial, but we trust you to suspend your disbelief and enjoy this fiction with us”.

-with very few exceptions, all of the actors’ performances are great. They are all cool and fun to watch and there are lots of sweet and funny and emotional moments that work because the writing is sincere. Nobody rolls their eyes for the audience’s benefit at how weeeeird their world is— they live here! I love that.

-the trap beat they did for Arlong’s theme music rules

-this story with its global ocean and seafaring/island-based societies is kind of like “what if Waterworld was like a big colorful carnival” and I love that

-the Snail Phones 🐌

Things I liked less below the cut - 👎:

-Zoro’s backstory bff being depressed because “a girl can beat a boy, but no woman can beat a man [in a swordfight]” was a disappointing line to hear two characters just… play straight in a world that up to that point had seemed pretty non-sexist? But this girl sincerely believes that, and this boy doesn’t push back at all. In this world of self-dismembering clowns and people with axes for arms, you’re telling me that there are no champion swordswomen for little kids to admire? Not one?? From skimming the wiki, it seems like in the manga Kuina’s views are influenced by her sexiest dad, but the show doesn’t include that context.

-Kuina dying offscreen in “an accident” was the only tragic thing in the show that didn’t land for me. It’s just so blatant and funny. You’ve got to get rid of her so she can motivate Zoro, because she’s dead in the manga and that’s how you motivate male main characters, with dead women, but… how? Doesn’t matter! There’s been an accident. Typical backstory girl bff behavior. Call that Fridge To Terabithia.

-Iñaki’s energy as Luffy didn’t always work for me. Some character behavior works in manga and anime, but seems awkward and jarring in real life. It’s very difficult to pull off wild limb-flailing anime exuberance in live-action— live-action Cowboy Bebop’s glimpse of Ed comes to mind. But also, I never really liked Luffy in the parts of the manga I read, either, so maybe I’m just not the target audience for a Luffy in any medium. Iñaki seems like a friendly and chill dude and he certainly gave this role 100%— and also Oda himself loved him for the role, so that says a lot.

-the whole thing with Arlong and his Fishman crew where they’re part of an oppressed and formerly-enslaved minority, so of course they have beef with humans (“but slavery’s been abolished!” shouts a human character), but they’re taking things too far and not just fighting for equality, but domination, which includes extorting, killing, and enslaving humans, starting with this poor little girl here. And since this group are clearly evil and have these big evil plans, it’s cool and great actually for the heroes, who are all humans/members of the majority, to kick their asses and kill a bunch of them. Like… I get there’s a whole thing here with Arlong being twisted by hatred into the very thing he says hates, and maybe we’ll meet more Fishmen later in the story who are just people and not bloodthirsty evildoers, but it’s not a great fictional look?

It takes me back to hbomberguy’s critique of RWBY’s portrayal of the Faunus, and the problems with making your bad guys out of an oppressed ethnic group who, the story says, might have a point, if they went about things peacefully, but are just taking things too far with this domestic terrorism stuff. The Faunus and Arlong should really be writing to their congresspeople instead!

[gods-third-eye]

Killer Klowns from Outer Space and Clown Husbandry:

Qualifications: I am an avid clown lover and perhaps a bit of a clown myself. I sleep in a small circus tent and eat fresh cotton candy regularly. I am also working on my third home-made clown suit.

Anyways, with the intro done, let's get onto the meat of this.

I was recently gifted KKFOS t-shirt and I figured if I want to wear it I should at least watch the movie, right? I was apprehensive because I am a fan of sweeter clowns and putting respect on the clown name. I was worried what this movie was going to entail, but after watching it I have lots of opinions and thoughts!

Firstly, I should say that I think the movie was done very well. I am a fan of the plot and props. I enjoyed all of the references to horror movies. I enjoyed learning about how the Klowns operate and what their machinery looks like. However, I am conflicted on the killing.

I have a few proposals for the clown husbandry community to consider before writing this movie off as inappropriate:

These "Klowns" are not the clowns that we are all familiar with and deserve their own understanding as a separate creature entirely. Now, this may be the most obvious choice, but it is still worth bringing up. This theory is supported because in the movie, Mike Tabacco (the policeman) says, "They're not clowns. They're some kind of animal from another world that just look like clowns... maybe they're the ancient astronauts that came to our planet centuries ago, and our idea of clowns just comes from them." Now, I don't know if I believe that they are where our idea of clowns comes from, but I certainly could see them being a completely different species from our clowns. The Wikipedia for the movie also describes them as "a clan of evil extraterrestrials who resemble clowns". They are from space, afterall. Now, these both come directly from the source material, but I still have more thoughts on the matter.

What if they ARE clowns, but they got sick with some illness that has caused them to be blood thirsty? Now, this one might see a bit far-fetched, but we are talking about Killer Klowns from Outer Space, right? Well, this movie seems to understand lots of points about the culture of clowns: the importance of noses, love for cotton candy and popcorn, bright colors, silly noises, entertaining folks with goofy gags. So why are these Klowns killing? Let's look at some of the clowns themselves.

They have puffy and deformed skin that looks like that from an allergic reaction, they have yellowing teeth and eyes, enflamed lips, and their eyelids are droopy. These look like sick clowns!! Perhaps you might argue that they are simply scare clowns, but to that I say shame on you! Scare clowns get the same treatment as pitbulls, they are not inherently harmful, they only get that way from maltreatment. However, I don't think these Klowns are scareclowns. Scare clowns have traits like "salivation, staggering, growls and hisses and bluff aggression" as well as a diet that may consist of balloon animals and a more solitary lifestyle than other clowns (according to the fandom wiki and many husbandry tumblr accounts). But the Klowns shown in the movie (I have not interacted with the game yet) are quite normal other than the killing, they take care of balloon animal dogs,

and they are almost always seen in packs. The Klowns are often shown displaying friendly and inviting behavior before, during, and after the killings, so why are they doing them? I think that they are sick. This would also explain why the culture and lifestyle (other than the murdering) is so similar to clowns we know and love.

3. Now, this point could be seen as tied to the last point, but I think it deserves its own bullet-point. This whole movie could be a clown-loving informational piece on the dangers of sick clowns! If these truly are classic clowns that happened to get an illness that caused them to be murderous, perhaps this is an informative video on what to do and what not to do, as well as a warning to care for clowns properly. This movie is clearly made by someone who knows the intricacies of clown culture, as stated previously. But if the cultural depictions aren't enough to prove that, then just think about how many sweet classic clowns are used as logos throughout the town. Jojo's ice cream truck

and Big Top Burger

to name a few examples. This town loves clowns. And again, Tabacco says that they can't be clowns. He cannot imagine them as the same clowns we know and love because he knows healthy clowns don't murder. So, this is a clown-lover's way of saying "Killer Klowns are not clowns. Clowns don't kill".

4. Now, this one might be the silliest take of them all, but what is more silly than a clown? What if this is just a clown's comedic take on a horror movie? We have seen numerous horror movies about people, but we know they are far from representative of all humans. Why can't this just be a clown's horror movie? Of course we watch it and laugh, thinking it is just a B-movie horror film, but think about a clown watching this. A clown would be scared and horrified, both for the Klowns and the people in it. We see this movie as silly and cheesy, but clowns might get a real fright out of it! Maybe that's why clown lovers get so riled up over it. Besides, it seems like a goof because it has ripped off some of the most famous cliches in horror: the Psycho shower scene,

the girl not believing the killer,

and the car filled with cotton candy, reminiscent of the Blob. Actually, the whole movie is reminiscent of the Blob. Why? Maybe a clown found out about scary movies and wanted to make one suited to scare a clown!

Well, that's it. Those are my explainations for the movie Killer Klowns from Outer Space. Believe what you want, but these are some of my ideas. Like them? Or maybe you have another take. Please share your ideas! Thank you for reading through this ramble.

Clown bear for your patience!!

[mcrcki]

here i come with another MASSIVE event plotting / starter call (this time with over 20 characters bc who even am i) !! before i get too much into event stuff, i just wanna put up some housekeeping things so i'm not just repeating myself over and over in the discord : i will be dropping almost all of my pre-event threads. meaning, i will only be keeping the thread if it is an active plot that needs to be continued because we aren't at a place to infer the ending. i am just so utterly overwhelmed with my number of drafts that i really need to just start fresh, so i'll be using this as my chance to spam the heck out of y'all's calls and get way more threads that i actually have muse for. i'm sorry if we had a thread you really wanted to continue, i just need a fresh start. now for housekeeping for my call, as always this will be capped. i wanna write with everyone but i can't if i get a million requests from one person so!! the cap is three starters per writer!! blind date starters will not count towards that cap. otherwise, please LIKE for plotting messages, and REPLY for starters (pls specify muses unless previously discussed!!)!

in the meantime, if you wanna see what my clowns are wearing, please follow this link to my pinterest :))

alani tiure | star wars | blind date w. cami o'connell ( 3 / 4 )

she/they pronouns : imma be so for real and say that they think they're absolutely too good for this lmao, their dad is a crime lord in the city, and really they're just here to take advantage of some free drinks and maybe check in on some clients. her date is going to have to be okay with her being slightly stuck up but will absolutely be down for some dancing despite it. potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : sofia robbin sloan torres, ellie williams, cami o'connell

beatrice | over the garden wall | date w. wirt ( 1 / 4 )

she/they pronouns : going with her favorite boy loser, wirt. definitely here just for the free party and to do something fun, now that she's human again she's taking advantage of all the things they missed out on as a bird. will definitely be here to make friends, they're a little rude at times but i promise they're kind when you get past the kind of rude exterior !!! down for shenanigans !! potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : xiao chiye

branwen | a court of thorns and roses | blind date w. enola holmes ( 1 / 4 )

she/her pronouns : winnie LOVES THIS, she hasn't gotten to have fun in pretty dresses in ages, she was still young the last time they were able to have any kind of formal party so they're really enjoying this. she wants to see everything this party has to offer so she'll be dragging her date around everywhere, wanting to take it all in potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : he xuan

daniela dimitrescu | resident evil | blind date w. jeremy smith ( 2 / 4 )

she/they pronouns : ok tbh, daniela only came to this and signed up for a blind date to possibly grab an easy snack. they're a man-eating monster idk what anyone expected here. but tbh, once they saw the girl she's actually simping over (and will not make a move yet for one reason or another) they're going to be flirting and going so far to make her jealous, it doesn't matter with who tbh. also open to some absolute chaos if you wanna do something Bad potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date (for murder purposes)

starters : myri tiure, henry creel

danika fendyr | crescent city | flying solo ( 3 / 4 )

she/they pronouns : listen danika like.. just got here, she's just getting used to the city and her memories again with her friends, since so much happened back home. she's spending the majority of her time crashing her bestie's date, for various reasons, but will be out on the floor dancing and drinking as much as she wants, enjoying the hell out of a free party potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : bryce quinlan, apple caramela, hunt athalar

elain archeron | a court of thorns and roses | date w. lucien vanserra ( 2 / 4 )

she/her pronouns : this is elain's first ball in the city, and she's very much looking forward to a night where she can just dress up in a beautiful dress and dance with her husband. things have been... rough with her family unit so she's just happy to let loose a little bit and enjoy everyone's company and dance the night away potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : lu junyi, lucien vanserra

evangeline ennar | throne of glass | blind date w. choi nam ra ( 2 / 4 )

she/her pronouns : evangeline grew up in a high fantasy world, getting dressed up in fancy clothes for a ball is all she could've hoped for coming here, and now she's old enough to really enjoy it, she is going to be having the best time for real. will be helping her mom glare at her not dad, but other than that, she would love some friends so just dance around with all night potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : choi nam ra, aedion ashryver

kaya dura | star wars | blind date w. lola flemming ( 2 / 4 )

they/she pronouns : kaya is not really in the dating and dancing mood, they are still getting over their ex after a very hard breakup, where her ex killed her and all that fun stuff. so, they're really trying to like.. get themselves out there and get over her, so they signed up for this blind date and are forcing themselves out into public again. will probably get drunk for the first time and just want to forget everything to have fun potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : kaiden monsula, kasil monsula

keelan cardulo | fourth wing | date w. mira sorrengail ( 0 / 4 )

she/they pronouns : lowkey her and mira's first public appearance as a couple, especially after everything that happened back home that resulted in keelan's death, she is very much looking forward to getting to dance with their girlfriend and just enjoy that. is a bit anti social if they don't know you, so when mira is inevitably somewhere else, find them hanging to the shadows potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters :

leia organa | star wars | date w. han solo ( 3 / 4 )

she/her pronouns : mom and dad night out!!! leia's a mom of six now, and while ya know four of the six are adults with some having children of their own, and the other 2 are less than six months old, she just wants to have a little fun. the past year has been.. hard. and despite being the president and having to be here for this ball, she would so much rather be home right now, avoiding all the memories that valentine's day now brings out in her mind. last year was the worst night of her life and she will in fact be drinking a lot to forget all that bastilla did a year ago. #thereturnoffloorgana potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : din djarin, ahsoka tano, winter celchu

louise vance | harry potter | date w. thea hughes ( 4 / 4 )

she/they pronouns : a party???? hell yeah lou is gonna be there, they love this whole vibe. will 100% be testing the limits of security and trying to ride the t rex skeletons and any other shenanigans they can get into. they're here with their best friend in the whole world, thea, and they're definitely just friends, if you see them slow dancing really close that's just what besties do potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : thea hughes, emmeline vance, bucky barnes, willie

marlene mckinnon | harry potter | flying solo ( 2 / 4 )

she/they pronouns : marlene lowkey is working this, and will be having fun but trying to stay focused on her job. she's unaware currently so, they'll just be hanging around with whoever is kind of hiding in the outskirts of the party, could absolutely be convinced to dance/will flirt given the chance, but mostly just here to have a fun day at work potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : dora tonks, esther mckinnon

morrigan | a court of thorns and roses | date w. cassandra dimitrescu ( 2 / 4 )

she/her pronouns : this thing with cassandra has been a bit of a whirlwind romance, and she's found herself really swept up in the other, and will absolutely be spending a lot of her time in their arms. but considering how her family life has been lately, she will also be checking in on family and doing what she can to make sure reporters aren't going too wild with everything going on with rhys and her family. potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : cassandra dimitrescu, rhysand

omega archeron | star wars | date w. kirei monsula ( 1 / 4 )

she/they pronouns : if i had a nickel for every time one of my muses is on a date with their best friend and convincing themselves it's not a date, i'd have 2 nickels-- anyways, omega will be here, fulfilling her role as senator archeron's messy as hell kid, and drunk as shit nearly getting kicked out for shenanigans around the maze, and also perhaps drunkenly making out with their best friend kirei that they've been pining after for years. potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : hunter

rosemary winters | resident evil | flying solo ( 1 / 4 )

she/they pronouns : now for my girl that knows she's in love with her best friend but her best friend doesn't know her and is here with another girl!!!!! honestly rose will be in a corner getting so drunk, glaring daggers at mouse's date and wanting nothing more than to be the one dancing with them. please come try to drag them out of this slump they are sulking HARD potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : lyra ayala

rowena ravenclaw | harry potter | date w. hunter ( 1 / 4 )

she/her pronouns : rowena is uneasy after the last masquerade that happened in the city, and last valentine's day, and will be spending a fair amount of time at hunter's side until she realizes that this is actually safe, that things are normal and she can cut loose a little. will be spending a lot of time dancing and mingling, happy to talk to anyone who needs some friendly conversation, even if she may just info dump at you. is VERY excited that this is at the museum and may spend more time wandering the exhibits than actually dancing. potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : arnold

sella palpatine | star wars | date w. allana solo ( 4 / 4 )

she/her pronouns : oh sella is LIVING FOR THIS. valentine's day is her fucking holiday and she will be making up for how hellish the last one was. considering the fact that her and allana have yet to have a single good date on a holiday, she is going to be spending as much time as possible making her girlfriend twirl her around the dance floor. if anyone needs a dancing partner, sella will also let you spin her :)) she is just here to get a little tipsy and enjoy all the love in the air potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : rey palpatine, steve rogers, sion val palpatine, allana solo

sophie hatter | howl's moving castle | date w. howl pendragon

she/they pronouns : once again, sophie has been dragged to one of these parties because their husband loves these things far more than she does. howl dressed them, and as long as he agreed to a babysitter, sophie agreed to come to this. they are not the biggest dancer, a bit too self conscious to put themselves out there like that, she doesn't like drawing attention to herself. which is difficult when your husband is wearing a glittery pink suit but... potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : cindy moon

sorrel blackbeak | throne of glass | flying solo ( 2 / 4 )

she/they pronouns : i am planning on letting sorrel get their memories back during the event so she's going to be having a little bit of a time trying to find the rest of the thirteen and reunite now that her memories are back. once that's sorted though, she will be a little anti social but if someone asked her to dance, they're not one to say no. potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : asterin blackbeak, manon blackbeak

tatum riley | scream '96 | blind date w. conrad fisher ( 2 / 4 )

she/her pronouns : tatum is just trying to put herself out there, to enjoy some good things in the city, even if she's a little on edge with just throwing herself into a blind date roulette, she knows she's gotta get out of her comfort zone so she's going to make the most of this party and enjoy the heck out of it. even if that means someone's gotta drive her ass home cause she's gonna be gone potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : sam carpenter, jake wheeler

vesta starkos | star wars | blind date w. riley matthews ( 1 / 4 )

she/they pronouns : listen vesta is unaware and super normal right now, and she wants to dance with a pretty girl. even if she's a little sus of all the people who keep staring at her like they know her, they just wanna dance and have a little fun, to cut loose instead of thinking about school. is up for some shenanigans and drunken adventures if people are down potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : ramona flowers

victoria sutherland | twilight | date w. james witherdale ( 2 / 4 )

she/her pronouns : vic will never pass up an opportunity to dress sexy and dance on her mate, she has absolutely zero shame and does not care who is watching them. she also loves to use these events as a perfect little hunting ground. vic will probably be upset that it's not turning into a nightmare but, she can make it a nightmare if she really gets that bored. until then? she will be annoyingly hanging all over her mate all night. potential plots ➛ drinking (not alcohol) || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date (for a drink ;) )

starters : heidi volturi, bella swan

violet sorrengail | fourth wing | date w. xaden riorson ( 2 / 4 )

she/her pronouns : did violet show up to this ball 90 minutes late, looking very flushed? yes. is she going to talk about it at all? absolutely not, her siblings are here and her friends can infer what's going on. now that she's here, vi will be happy to dance and enjoy the party with her friends and just get a few moments of normalcy considering the ticking timebomb her life has turned into, she is going to be savoring any moment of normal young adulthood with her family and friends thank you potential plots ➛ drinking || dancing || looking around the museum || general chatting || anti social food/bar behavior || attempting an escape || flirting || chaotic shenanigans || stealing your date

starters : sgaeyl, xaden riorson

[obscurori]

A Really Really Long Shang Tsung Tangent

HIIIIIIIIIII ~ <3

I've mentioned it on another post but I feel like getting it out there with more explanation. This is my first sort of think piece or character analysis I'm posting publicly so bear with me lol.

The TLDR is there are villains, there are people who are bad, and there are people that could do better but have a lot of trouble doing so. Not all of them are disordered or have something afflicting their decision making. But Shang Tsung, in my mind and given all the factors, is a villain with ASPD/Anti-social personality disorder.

While ASPD can contribute to what is medically considered 'psychopathy' and 'sociopathy', and from my anecdotal experience those who experience ASPD do not shy from the words, I personally will only be referring to the disorder itself.

I also got a comment about how much of this is him being disordered and how much of is a choice. I want to make it absolutely clear, while my theory of his tendencies stand, all his actions in the game are his choices nonetheless.

I still clown on him for not being able to just grin and bear the cards dealt to him and/or make a friend because... yeah he really just should have. This ramble is me acknowledging that many villains don't fit the description of ASPD, but he's one that definitely is rife with enabled anti-social behavior.

I think a lot about the second chance Liu Kang gave him. The parallels they gave Shang Tsung and Raiden are evident. People born in small pockets of their world, unassuming and uneventful until someone of great power (titans, no less) approach them with a task.

The difference is how they handle it. What is there to handle? Well... a lot, if you have as severe problems with empathy and collaborating with the rules of society as Shang Tsung does. His pre-game biography lists him as 'too lazy for labor' and 'too shifty for honest work', but he can work hard for the right promises as is evident in the game.

Gritting his teeth and doing the work handed to him would have been easier. While Outworld has its issues (prominently, the remnants of the royal's imperialist stand-offs and the ableism that looms in various Outworld characters' narratives), the general wellbeing of the working class doesn't seem to be one of them. But as a huckster, he's isolated, consistently having to rely on his lies, and receiving the consequences.

To be honest, I don't think Shang Tsung didn't try. I can believe it not working out very fast, but I don't think he simply ignored that standard work is out there. He can be arrogant and bratty, but he doesn't dilute his options.

Symptoms of ASPD such as lack of empathy, ignorance to the result of his actions, and disinterest in performing standard work/social obligations are already evident, and would impede on his life whether he is a powerful sorcerer or a nobody. These impact any friendships he could have, his impulse control, and how he regards anyone up to and including himself (who he deems untrustworthy).

But we are social people that want to feel, want to be happy. Anti-social behavior isn't extreme introversion, in fact many people with ASPD are very extraverted and social. It's less about being around people and more about the reactions they're capable of while with said people.

Not all villains have a disorder, obviously. Some have motivations deemed reasonable, and some are just delightfully evil. Shang Tsung starts off very disordered and not entirely villainous, though hardly good. He was someone who couldn't do what people around him thought was so straightforward.

He's in distress over his life as a scammer, but not really how it impacts others. He's unable to connect to them and has a sense of grandeur over them, but honestly most people are doing better than he can. People, to him, are inherently isolating and alienating. He's aware this isn't normal, and can only answer to it with apathy and more lies.

Most people with ASPD don't go in for that diagnosis. They do so because of comorbidities: mood disorders like depression and bi-polar, anxiety disorders such as OCD, and other personality disorders such as BPD. I do think this would have been the case for Shang Tsung as well, if Outworld was a sort of place that would pick these things out about him, but it isn't.

Damashi's approach is so glaring to me as a result. I can make all the wet cat jokes in the world, but it is sad to me that he cannot process the consequences of his actions, only that he is forced to feel them. He expects so badly out of others that he doesn't bother giving them anything good or better from him, which gets him punished, and the cycle starts all over. That's what he figures the woman is about to do.

And that woman could have been anyone. That's already the lesson there, as she is Titan Shang Tsung in disguise. He was given the right words by someone equally manipulative and was just as vulnerable to tricks, lies, and abuse as anyone else would be in his position.

You gotta remember, if she was there just to pummel him into a pulp, he was about to let her.

His decision to follow her is one of desperation and likely depression. Depression manifests differently to those who find themselves alienated, and do not understand people's sympathy and overt emotional responses.

From my anecdotal research, there's a set of words that come up a lot that doesn't show up on many articles or bullet points about ASPD. Numbness and boredom. It's not a normal boredom where you can occupy yourself with an activity or friends. It is a complete lapse of emotional connection and stimulation. If you aren't angry, you are bored. If you aren't bored, you are numb.

Which moves us into the topic of: sensation chasing.

"Damashi" teaches him real sorcery, and what ensues is his development into the conniving and cruel Shang Tsung we know and dread. A true testament to Shang Tsung's wit and manipulative tendencies, along with this new position dissolving his impulse control. Now that he isn't held down by a lack of magic, he treats people like objects toward his greater goals with even less regard than he had in the first place.

Good L-rd you are short.

People are the subject of his curiosity and how he chases off his boredom susceptibility. "Damashi" has a plan set in stone, but Shang Tsung's horrific laboratory is unrelated to "her" demands. The lab isn't just dedicated to his own research, but his sense of morbid novelty. He can already manipulate and use people - creating hybrids out of those already existing is a very "because I can" thing.

Syzoth is one of Shang Tsung's biggest victims of this. Shang Tsung exerts control of him first for his shapeshifting, but proceeds to keep him around and hang his family over his head... because he can. And because he can, he thinks it better to do so. But the more time he kept Syzoth in the cold, cruel, and dark, the more chances he was giving him to fight back or sabotage Shang Tsung - something that ends up happening.

Shang Tsung killed Syzoth's family very early into this. Perhaps even the day the Syzoth agreed to stay in the lab. What does he get out of hiding that? Perhaps it was a sort of inside joke, a chuckle he got with each and every visit. It wasn't for control, and it wasn't to get anything out of Syzoth besides a reaction. He gave himself something by doing it this way, no matter how cruel it was to Syzoth.

There's a lot of other examples obviously about how Shang Tsung treats the people around him, but I think that one's the most important to get out of the way. This post's long enough already.

More evidence of Shang Tsung having ASPD is his primary motive: revenge against Liu Kang. Shang Tsung doesn't dare question why he couldn't fit into a normal life, he only applies new faces to the life he detested and blames them for his problems. Taking responsibility and accountability would mean processing his social faults and how to improve them... something he absolutely refused to do.

When Shang Tsung is faced with "Damashi"'s true identity, he's more angry about being manipulated and outsmarted than any of the plans falling through. He's told, to his face, he isn't the best or smartest. He was a tool, running errands while being conspired against. Instead of registering that and empathizing with the people he used before this reveal, it fuels his internalized cruelty.

When he collaborates with Liu Kang's crew, he clearly tries to suck up to Kuai Liang and even Raiden. But these are people that run on empathy. Caring about people as a whole and having faith in them doesn't mesh with Shang Tsung's view that this whole world runs on fraudulent transactions. In that moment, he fits in with the people around him just as poorly as he did while running a travel cart.

Alan Lee, the voice actor of Shang Tsung, mentions that "Damashi" approached Shang Tsung with a cheat code to life so potent that it makes Shang Tsung determined to own up to his depravity. He describes him as a "madman with pandora's box, mixed with a child to the keys to candyland." He's unpredictable, not just by standard villainy, but because nothing else has appealed to him in life.

Now that Shang Tsung has burned nearly every bridge he had, he wants to own up to that. Because to him, the only other option is the quiet. Boredom. That numbness again. If he spent any longer in that travel cart, he may have frankly committed suicide out of the sheer droll.

He will lie, steal, and carve his way into and out of any problem as he was enabled to under Titan Shang Tsung, and in a way has initiated a new, sad reality of chasing that Titan's shadow.

[hellsvestibule]

Seee if nobody else got me I know @zeravmeta got me. Please please pleaseee….I…insane clown p-ussy...

I think in his interactions w Anyone really. he needs to be read as pretentiously playing the “devil you know.” Like, as you mentioned here for Jeanne this takes the form of like, an unhinged desperate man turning to her for forgiveness. But he changes his personality up a bit w everyone he talks to in a way that mirrors their perceived insecurities. All of its genuinely Him because he has a strong personality, but he also has very strong paralels to every character I can think about him having any sustained interaction w. I can’t even really get into all of them cuz I’d be here forever but I’ll rant a bit about some scenes he has w Jeanne, mash, the one valentines scene w Kama, his general shtick w nursery rhyme. And how murder at the kogetsukan is actually imo important to understanding who he is at heart.

The thing is in each case I can think of where he does this, the reality is he’s more similar to the person he’s trying to disturb than the person whose evil behavior he’s imitating. Or is equally similar to both and kind of bridges the theological gap between them a bit maybe. Like, w jeanne, it’s not just that he’s behaving like Gilles, he is also situationally a lot like Jalter, he himself is some weird horny old man’s botched lab experiment out to avenge himself and others like him, but also, his approach to this feels more abstract and inhuman than Jalter , more adjascent to jeanne herself, and I think that’s meaningful bc she sort of theologically distances herself from Jalter but here is a guy who is batshit in both ways. He enacts good will through force of evil deeds which distance him from being able to hold normal relationships, the type of morality I don’t think Jeanne who holds tight to goodness for goodness sake, or even most normal people, can really begin to comprehend, but it’s also, the same way others can’t comprehend her insistence that she’d hold tight to goodness no matter what is done to her. Both are simultaneously, totally reasonable for latching onto the abstract concepts of good and evil within their own perspective. But totally incomprehensible to anyone who isn’t also. like that. Sure Mephy may have the “selfish” Jalter adjacent motives of a victim lashing out to avenge himself in an undignified attempt to gain dignity. But also, like, fatalistic understanding of the will of god as something he serves at his own expense, means he kind of is a saint and martyr in his own weird way. When I say serving the will of god I don’t mean happily so, he even says to guda he wants to help them kill god, bc. Well, he’s the worst Big Daddy upstairs of them all. But he’s still a big daddy who can smite you like an insect, so you have to play by his rules. Mephy wants to make everyone think he’s evil, bc he wants to become a real devil, bc that’s what he thinks he exists to be, what will give him power to avenge himself, and so he’s purposely denigrating himself to an inhuman construct to achieve it, and a portion of the audience apparently buys it, bc just being an arrogant asshole dressed like a creepy clown is enough to rub a lot of people the wrong way. But imo he holds a similar type of arrogance as Jeanne’s in this regard. He’s holding himself to an impossible standard of both good and evil so he kind of had the right to call it out in her even if he’s a hypocrite, which he is in every interaction w everyone. And also, even the parallel to Gilles has multi tiered meaning, since Faust is often portrayed as a child abuser, and so is mephisto in the Goethe play, and he sort of ends said play lamenting his obsession w innocence and purity and inability to ever possess it being his downfall... and like, our Mephy, i would guess, despite the conflicting framing of him, probably doesn’t want to become that, but might sort of think this is his natural disposition or fate, simply bc the things he’s implied about Faust or at least how he perceives him. So only Jeanne can save him from becoming and committing evil like that right? But like. No. She can’t. Bc he’s not her devil. And she shouldn’t even really be held responsible for Gilles, or any other unhinged guy needing her forgiveness. Mephy is pointing out how many people approach her w this whim that she can make them fucking normal if she just hits them hard in the head w a brick. This is normal to her but it’s pitiful it’s normal and she accepts it as such, which he probably wants her to admit, bc his repeated theme across these interactions is that he just wants people to be happy and reject creeps like him, but tells them in the cruelest way possible. which brings me to. Mash!! Bc it paralels his behavior towards her too.

When he first meets Mash in garden of order, he says a bunch of things that are brought back as specific notes of contention within her dynamic w Beryl during the lostbelts (and also Pepe and Kadoc to some degree) He says he’s like her big brother in an attempt to get her guard down, which Fujimaru chips in instead of letting it fly as ironic or cruel like yeah yeah, you’re like her big brother, encouraging him in a positive way bc Fujimaru believes in everyone’s capacity to be equals, flying in the face of mephistos assumptions Fujimaru only likes mash bc her lack of agency and rebelliousness, so they would consequently hate him for being. Not a nice sweet submissive person. This is true of Mash in this point of the story, she has little agency in the earlier chapters, and if you understand his character you understand he actually relates to this and is genuinely horrified on her behalf, but is phrasing it more like it’s in a pitiful inconvenience than w the kindness it actually needs to be said, the same thing kadoc did which is why I point out it’s not just beryl even if it’s mostly beryl.

Bc he also says he watched his roommate repeatedly sever the arms of his family members every night, and due to his conditioning by Faust sacrificing humans (supposedly to aid in his creation) doesn’t know if this is done as an act of abuse or love, specifically adjascent to what beryl does to her and what she asks after. At this point in the story you haven’t met Beryl, but Mash still clearly dislikes this, she becomes visibly uncomfortable and for a short bit after that is slightly hesitant towards mephisto, but she also like, gets over it really quickly after she sees him attack his “bad” selves, stepping in to be like, oh, ok, I see you are trying to become a better person despite having been mislead and used as a proxy for other peoples violence. She Gets it. She’s the first to sort of commit to the repeated theme w Mephy, that everyone he attempts to harass is actually hesitantly accepting and compassionate towards him and willing to relate to him, he’s the one who most struggles to accept this possibility of having normal loved ones who care and understand him and not just bc they are naive and mislead by him. Bc if everyone trusts him not due to naïveté but due to recognition of everything he embodies. He loses power as a (theoretical) devil. He is obviously, regardless of his status as a know it all, mostly just a petulant traumatized child, with no real power over anyone. That’s both the sad and hopeful thing. Power is bad for him, it’s the corrupting force which will help him actualize into a real devil. But conversely he’s the easiest villain to defeat and in some ways purposefully so, because deep in his heart he doesn’t actually want to win. He just wants to be innocent, if someone does not give him any power over them by reacting with violence or hate, he utterly flounders. Devils only exist if you will them too, but nobody here wants the devil, they want Mephy to be whoever Mephy actually is, some sort of, weird pathetic clown guy who is sort of sweet and sort of an asshole? and that’s incredibly agonizing to him bc he doesn’t know who the fuck that is without Faust. He has very little personhood outside of Faust and yet constantly boasts his independence and freedom, for understandable reasons.

Preoccupation with avenging lost innocence is a good segueway to the valentines scene with Kama I think. Also note, I use Kama and Sakura sort of interchangeably here but I recognize they still separate characters. To me this scene reads as the character Kama wanting to offer something nice to the character child Sakura. But I sort of mush them together when discussing them.

IMO if you don’t understand these characters backstories still haunt them, this scene might fly totally past the radar as anything important, because Kama is trying to downplay her engagement in any of these scenes, so it’s played for silly and awkward in context. But that’s just any scene Mephy is in, and you have to look past it for what it really is. Kama is pretending to be a child at the park w her dad, sort of, mimicking maybe one of the last happy memories of childhood Sakura has, and Mephy is clearly here to play the villain, he doesn’t even really have to Try to be sakuras devil bc he’s already at glance an amalgamation of the worst traits of all the family members who hurt her but. Also. He’s a stranger,,, or more so, they sort of imply they concocted this scenario ahead of time and are just really bad actors motivated by the same wants, who are using each other as pawns for each others evil ends (showing the hypocrisy central to their approach).

However. Your feelings of dread are kind of mitigated by the obvious fact no one here wants to play out a depraved or traumatic scenario bc it clearly hits them too close to home. I think the implication given by their backstories is they are waiting to see if you are a creepy or innept dad towards child kama, because Mephy as we know from how he talks about Vicky Frank in London, is basically itching to smash literally every shitty dads shitty face in. but of course guda isn’t a shitty dad, so they’re left w nothing but a really awkward setup they’re trying to play off as meaningless that kinda screams like, this isnt meaningless and petty at all actually, both really wish their fucking parental figures had taken them to oniland instead of committing human rights violations. They did not get to have normal childhoods and so they implicitly. want this nice little fantasy to play out for child Sakura. without phrasing it as such bc that kind of open admission of vulnerability is forbidden, so mephisto, as usual, will play the villain to his dying breath, bc he won’t ever directly admit he’s traumatized. Neither will Kama of course, but this is -their- valentines scene, which necessitates them revealing more than he does. It goes to show how hard mephisto will self denigrate until the other party confronts their inner demons, and that’s bc the clown in him that exists to be humiliated and despised, which Kama has to give in to bc a god of love can only go so far in that capacity. So it feels like Kama is both. Irritated by the pretentiousness of this . He ends up being less like shinji or his father or zouken and more like Kariya, and that’s still shitty and traumatizing in its own way. Mephisto prefaces this scene as him being creepy but what he’s really doing is going oh poor baby whatever you’re going through is more important than having my own similar problems be understood. And of all things, that’s what fucks this scene up. She’s trying to brush off why this scenario or any of these scenarios exist bc she’s never dealt w this pain and assumed she could preface all of this w ironic detatchment. But still! Going to a park is something kariya and her mom used to do w her and her sister, showing she might not have actually totally forgotten what this type of thing means and holds sentimental attatchemt to the idea of it (a theme park just ups the ante and the fantasy aspect of it) But also do you really think Kama would admit they want this sort of sentimental thing unironically? So Mephy the clown must prove he is a worse more traumatized asshole than Kama , so she can admit by proxy she just wants to act like a normal innocent kid for a day, she doesn’t have to thank him for this role or even care about him, but she still points out hes not evil, that he does this as a pretentious part of being what he is, and she focuses on the one thing that’s Not familiar. Clown. he’s sticking to the act of a horrible despicable clown, even on Valentine’s Day, bc hes a very pathetic man scared of being loved, and would probably sooner die than admit that. kama does the big person thing, accepts the shallow pretense they brought you here w for the paradoxical depth it has, this is a normal scenario of a little girl at the theme park with her dad, who had a brush in with a creepy clown and just wants to feel protected and loved. Both of them are too detatched to tell Why you any of this was necessary, it’s the context of what they’ve said and done before now you need to read into, It actually makes me really sad to think about.

Also this is why I’m convinced Mephy is concious and self aware in murder at the kogetsukan. Even the naming convention and setup follows everything you see from the established patterns of interactions, the names of the violet family have a lot of biblical conventions which feel too convoluted to ignore the symbolism of. (Also, that dancing with Eve and Lilith is something he and Faust do in the play, and gorgon taking Margaret’s face in the same scene, there’s just a lot of weird little meta bits in here) Mephy’s character is named Cain, which imo gives him an excuse to break the fourth wall 4th wall and literally just be a self possessed actor rather than narratively lacking self awareness. Named after Gods grandson, whom God dismisses because his sacrifice of plant instead of meat is deemed less significant, and so he becomes possessed by the devil and enraged, and imo this is paraleling mephistos preoccupation w his doll body, how it implicitly makes him feel inherently objectified and worthless and inhuman. Like. Valentines day he gives you a pet which will explode and simulate artificial death, and tells you he wants you to see it as a mascot more worthy than fou. Or when you give him chocolate he’s like (clown screech) my heart valve is pumping. Constantly reminding you he isn’t human and feels awful about it. He thinks his own life and death is meaningless because he is artificial which is why he’s a self sacrificing individual. While maybe not concious and self aware. Ignore everything Moriarty says abt the faces not being significant? They are, Lancelot is cast as and is subsequently the perfect father to this stand in for mephisto bc he’s also struggling w these same feelings and told it all to kariya back in fate zero, and he’s worried he’s a bad dad who would objectify or traumatize his kid, something you see Moriarty needle him for in grand carnival albeit played for laughs at the fact that usually Lancelot is the one who ends up objectified, but Moriarty is also someone who needles peoples trauma when trying to help them. But Lancelot’s like, not what people assume him to be, he’s a genuinely loving person, and so is his character by proxy, so the second “Cain” realizes this, he has a massive sentimental breakdown where he says he loves his family and wants to save them, and I think this is important not to distance the characters 100% from the npcs in this moment bc it shows major facets of Mephisto and Lancelot that often get ignored or misunderstood, and lets mephisto actually commit to his genuine issue of just wanting a dad who loves him normally and showcases that Lancelot actually is so good he wouldn’t care if he’s in a family unit wher he’s a cuckold or his kid is a crazy loser like him, the things people sort of assume he’s preoccupied w being like the possession of another man’s wife or having the perfect child, but like, no, he genuinely just wants to love the people he’s with in the moment but is hesitant to attempt it. the event isn’t totally uncorrelated to the faces the npcs have at all. For some people at least (Mephy, Lancelot, Moriarty, and Mordred off the top of my head) all had some deep seated desire or other fulfilled by this scenario . (Sherlock npc dies, mordred npc has a dick) I can’t really rationalize the others but these 4 at least are super obvious, and it’s part of why I want to “blame” mephisto bc I think out of everyone his reasons for wanting this and ability to put it into place as a mythological wish granter who concocts dreams, makes the most sense motive wise, and also, the deadly fever guda falls under as well as the fantasy concocted are both things mephistos poison is capable of in faust. But I might be missing something, it’s possible like the drama Cd or something I don’t remember revealed a culprit behind the “it was all a dream” thing, but I just think it’s notable that for mephisto there is no barrier between dreams and reality.

Also I should probably mention the importance of his dynamic w nursery rhyme mirroring the absense of what he and Kama don’t have? She calls him uncle mephy and is clearly like, trying to talk him out of his nihilistic suicidal outlook of reality. Bc well whatever, they are both helpless broken dolls but also, she has reason to form sentimental attatchment to clowns, they -are- familiar to her, Faust was one of the first plays put on by pantomime, clown theatre, as was the goose that laid the golden egg, a story about sacrificing something loyal to you so you can reap the immediate benefits of its labor. and I think the latter was one of the performances where mother goose went from a folklore figure to having a canon physical appearance (and you can see as of fgo she still does not, she’s still using Alice’s appearance) and there’s even more nameplay going on w the paralels to kariya she’s invoking w the uncle Mephy shtick making them like kariya and Sakura, kariyas name means “wild goose” and being sent on a wild goose chase is a euphemism for becoming lost in pursuit of something you desire. Mephy doesn’t seem to accept anything in reality as anything but nonsense and farce, yet he constantly imbues every attempt at nonsense and trivializing peoples problems w a huge load of painful sincerity. mother goose is, itself, a book of mostly nonsense. But its sentimental purpose as a familiar children’s book and folklore brushes against his, saying “you have a home here” something he’s obviously in severe denial of wanting but also manages to make 90% of his personality. Mephisto at the start of faust is literally just a lost dog looking for a home. @zeravmeta mentioned how little of Mephy is even allowed to be himself, and he exists mostly through others and like, yeah! There’s more paralels than there is Mephy at a certain point. every “joke” scene Mephy is in is actually majorly sad and fucked up the moment you take a minute to dissect it. Bc he’s convinced trauma makes him funny, when it only paradoxically makes him funny by sheer force of how unfunny he is.

[shakebelton]

let me be serious for a sec about adam and blake and their images and fame and online discussion that goes with it and why i even care...

the thing about adam levine is that it's damn impressive how resilient he is. i would just be fucking evil now if i were him, but he's chilling. in retrospect, knowing all the facts, 2018-2022 was just a really messy depressive spiral for him (i'd like to think i would've picked up on it if i were following his life in any way at that point but who knows really) and it's just insane how he got (and still gets) dragged to hell and back for every minor messy thing he did. i think the public should forgive him, but also like i think there's nothing to forgive. it's just clown level discourse, everything that's been happening around him these past few years especially.

i cannot even imagine that every single one of my, however slight, fuckups, is ridiculed by millions of people for months at a time. once, i cried at an airport at 5 am when i found out from a tweet a person hated me (it hurt more that they admitted it wasn't really for any discernible reason). if i had 10% of the things that happened to him happen to me i would've straight up killed myself or been full on evil by now. and like, i'm not really seeing the jerk people talk about. god knows i've dug around in his life for two years now and i'm not seeing a bad person. and granted, he's literally Just Some Guy with flaws to me, not an "adorable kitten who must be protected" as 2013 tumblr seemed to believe, but also i'm not seeing an asshole. and yeah maybe he's somehow shittier than i think, there's so much private stuff i might not know about, but what i know is, every public thing of his that i've seen criticised is just horribly misconstrued, like it's just plain wrong just about all the time. like i'll be looking at him talk about his workout and he comes across fine, funny and down to earth, and then i'll read the comments and it's people saying he's full of himself. i'll see him recoil in shock as a fan he didn't see approach runs into him on stage and all the people are saying he thinks he's better than everyone. it really makes you think... like whenever i see something about people saying he was a jerk when they met him, i really question the truth of that, because i've seen what they label 'jerk' behavior from him and they are straight up wrong, straight up.

and it's not like i even want to like him either. he's too rich, too talented and too good looking, and lives at a level of comfort i cannot even imagine if i try, and it pisses me off. but goddamn it if it isn't downright impressive/commendable how he can go on with his life with the amount of hate thrown around. he's stepping back, shutting up, minding his own business in the face of ill intentioned insanity, and it's almost incomprehensible to me.

it's somewhat similar when it comes to blake too, by the way. the shit that man's gone through and is still going through about everything related to his divorce with miranda and him getting together with gwen, i cannot even grasp it. and unlike adam's, blake's situation is even more crazy in some ways, because so much of stuff about him is just lies, like just completely made up by tabloids things, or full on delusions. and it's hard for me to imagine carrying on with my life, calm and silent, in that face of things like that potentially happening to me, and i applaud them for it.

so when it comes to me writing fanfic about them, i started out with mostly fun things, like pretty much on the crack side, just because their stuff on the voice is mostly banter and it's funny and you naturally try to replicate that dynamic in your writing. but lately i've been trying to explore angsty writing more, and the truth is that i can't even scratch the surface of it, of the level of low i perceive them to have experienced. some of it's really just drawn out hell, and i can't stay there long enough, story wise, to give it the justice it deserves. but i'm gonna keep at it, because the bad, upsetting things they've gone through just astonish me, and it's just endlessly fascinating to explore complex human emotion like that, and some of it even helps me work through my own trauma or figure things out in my own life. so at the end of the day, it's not all about them, it's about me, but sometimes i just can't stop thinking about their stories.

[mable-stitchpunk]

How would you do a fanservicey or sexy character in a way that is not in poor taste?

Oh! I got this question before and then wrote up a draft for an answer and never finished it. Whoops. XD

That draft was exceedingly long, so I'll try to shorten it down into something much less ramble.

Firstly, no daddy issues or uncomfortable dynamics. Trying to sexualize a character who is not under their own control brings up some creepy implications that detracts from them as a whole. I'm not saying they can't have some issues, but you should probably pick and choose ones that don't bring up those implications.

Secondly, a functional personality beyond just being sexy for sexy sake. Characters like Toy Chica and Ballora aren't just walking around in coy cloying positions for people to ogle at. They are allowed to be scary and creepy without concern that it'll detract from visual appeal.

Toy Chica and Ballora also have quirks to their behaviors. Both have lines that implicate flirtatiousness, but Toy Chica's is as a guise to lure in victims- she is actually depicted as quite vicious- and Ballora's are more elegant (and threatening) with an edge of enticement. This gives them more defined characters, so even though they might be fanservicey they are still distinct.

Third, designs go a long way. Toy Chica and Ballora's designs are enticing, but are not overly sexualized. Sure, Toy Chica only looks like she's wearing a bib for a toy and Ballora is busty, but they do look like functional animatronics.

Or, specifically, they look like they were designed for more than just sex appeal. Toy Chica looks like a mascot built to be 'the hot one' and Ballora looks like a ballerina. In a meta sense, there's more depth than just 'this character was made as eye candy for the audience'.

In contrast, characters who I frequently get on about being oversexualized- Vanny, Hot Charlie, Baby (I'll touch on later too)- are usually sexy just for sexy sake.

Vanny is a possessed woman being forced against her will to submit, who is possessed by a masculine rabbit ghost. She shouldn't be in a skin tight bodysuit, she should be in a scary rabbit costume. And she shouldn't be doing coy little poses. There was a cut crawling animation that, uh, looked a lil sus to me too. Not only that, but because Vanny leans more towards sexy than scary, she's not actually threatening. She's a (likely) 120 pound woman of average athletic build in a skinsuit, which is very obvious by design.

Hot Charlie, Charlie's overly sexy fourth form (who is also Baby in a weird way) is descripted wearing low cut skintight dresses and makeup, something Charlie never wears. But Baby is supposedly trying to disguise herself as Charlie, so why would she do this? The same reason she's flirtatious and forcibly kisses people- not as a ruse, because it never works, but to depict this sexy character who's sexy because she's evil, because sexy and evil are typically depicted hand in hand. She's the bad girl, so she's doing all this bad stuff. Except there's the daddy issues and the storyline with Charlie infantilization and yeah, you made something unintentionally uncomfortable.

While Toy Chica and Ballora's designs are versatile, there are some that simply are not. To the point where they actually go against the goals of the character they are supposed to be.

Bust and hips and flirtatious words aren't the problem. It is, again, how much a character is worth beyond that. The problem isn't when a character is sexy, it is when they become a sexual object.

ESPECIALLY WHEN THEY'RE SUPPOSED TO BE THE VILLAIN.

Finally, one last thing. I would steer clear of Baby.

I've went through it before, but what they've done to Baby- oh my God. It is just downright baffling to me that Baby was suddenly turned into a sexy character.

The idea that someone looked at this seven foot manipulative clown with a tragic backstory, daddy issues, and a child-like design and said, "Oh yeah, let's make her the fanservice character," is a total wtf.

I don't want to beat a dead horse, but oh my God.

Oh my GoooOOOD.

And yes, I know this is Eleanor. But why Eleanor was created to be a skinnier, more human sized Baby is beyond me anyways if she's supposed to be a completely different character.

Okay, so, final point!

How to do a sexy or fanservicey character that is in good taste?

First, come up with a creepy idea for a character. Find a way to make them sexy that doesn't detract from that creepiness. Make sure they have some form of a personality either outside of that sexiness or uses that sexiness to its advantage- I.E. Toy Chica's luring. Try to resist the urge to write in uncomfortable daddy issues.

What you have is a sexy character who will likely still fit into the universe as a functional character.

Or just make another Daycare Attendant. People really seem to like them. 😏

[blue-bower]

Just a bunch of Silly Little Guys

So some of yall have probably noticed I've had a tiiiiny bit of a hyperfixation on clowns and jesters for a while now. 

It really started becoming apparent to me when I latched onto Jevil in 2018, but I've honestly loved clown characters for many years. I think the earliest I may have realized I might have a thing for them was that scene from The Brave Little Toaster, and the Toon monsters from Yu-Gi-Oh. I think I was just, in denial or hadn’t fully realized it. And I’ve thought a lot about all the reasons they appeal to me.

1.) Laughter: Laughter and comedy is fucking amazing. I love to laugh, I love hearing and making other people laugh. Everyone deserves something that can brighten their day, and I love that there’s a bunch of gremlins out there whose entire job is to bring laughter. And I enjoy all the methods they use to loosen people up: Pranks, tickling, general goofiness, appealing to one’s inner child, tickling (x2), making someone absolutely loopy and laughter-drunk with bouts of lunacy and ridiculousness, giving playful scares.

2.) Design: I think clown & jester designs are so much fun and so freaking cute. I love elaborate, colorful outfits, I have mad respect for people who can tolerate wearing facepaint all day, I love seeing people who can absolutely own a mismatched, extravagant, goofy outfit.

3.) Fear factor: I enjoy how much they creep people out. I'm a little shit that loves scaring people, and I myself am an adrenaline junkie that enjoys spooky & unsettling things. It fascinates me how so many people have a phobia for silly little guys in facepaint.

4.) Personality: I've always taken a liking to characters that are unhinged and chaotic with way too much energy. I don't necessarily like blatant Evil/Killer Clown stereotypes (I could honestly care less about Pennywise, and the Joker leaves a bad taste in my mouth due to my ex and an abusive POS ex-friend) But I enjoy characters that don't give a fuck what society thinks about their oddities. Characters who just enjoy being pranking little shits, who just want to be seen and enjoyed for the manic goofballs they are. Characters who are on the verge of finally fucking snapping after being misunderstood for so long, because heaven knows I can relate to that.

5.) Commentary on society: Jesters especially are meant to tear down societal conventions, to mock and point out the shortcomings of the upper class. And I eat that shit up, as someone who absolutely hates societal expectations, corporations, biased dictation over how people should behave, how they should view people who exist outside of heteronormativity, gender norms, race & neurotypical behavior. Clowns are often seen as the butt of the joke, and in that sense, they show a sadder side of how society acts towards people who don’t fit their mold, showing the effect that emotional abuse can have on the psyche of someone who just wants to bring joy.

6.) Relatability to myself: For a long time I’ve loved to entertain people, I love making people laugh, I enjoy being in the limelight when in costume and acting as a character, I love impacting peoples' moods in a positive way. That being said, for a good majority of my life, I felt like I was the clown that everybody mocked and laughed at. I was constantly bullied, humiliated, blown off, looked down on. I was the clumsy, ditzy, undiagnosed neurodivergent that everyone in middle & early high school unanimously agreed was a prime target for projecting their need to feel superior. I've always had the worst luck, and to this day I feel like I jinx everything I say or do. Life tried to make a clown out of me. If the song “Circus Hop” existed in my teen years, I would feel it to my core.

But, now that I'm finally more confident in myself, I choose to embrace the klutzy, silly, manic inner gremlin that craves to see the downfall of massive corporations and bigoted, entitled, joyless prickheads. The side of myself that refuses to let harsh realities and cynicism stifle my childlike imagination & creativity and my passion for fictional worlds in "childish" animated media. And I won't let people look down on me for it. I won't let people see me as a laughingstock anymore - not unless it's on my own terms. I'll choose to let people laugh at me, and laugh with me, for reasons that highlight my good traits, not because they think they can throw pies at my face whenever they want.

[the-haunted-office]

I was thinking about misogyny in the rp community and wanted to give some examples of my experiences and some other examples I've seen. I think people should be aware of these sorts of behaviors and ideas because they are very harmful. They translate to harmful ideas on a larger scale that impact women in society, because I think a lot of times people aren't aware they're saying or doing something that is misogynistic. The more you're aware of it, the better people can work towards change.

One of the most prolific examples of misogyny I see throughout the rp community - and even outside of it - repeated over and over and over, is hate against female OCs. You will see it everywhere. I especially see it whenever a female OC is overtly sexual. People will complain about how she's just a slut or is too sexual, all she wants is sex, or all the mun is looking for is ships, etc. You see people put female OCs down for the same coy behaviors that male muses are praised for and even sought out for. There are tons and tons and tons of blogs and rp ads out there for MxM ships or people looking for male muses or people jumping on male muses just for existing, and yet female muses are the ones being slandered the moment they show even a hint of wanting sex or interest in a ship.

Of course, this does not apply to everyone. There are plenty of wonderful people in the rpc who are not like this. I'm calling attention to the fact that it is a pervasive ideology that I've seen echoed in many corners of the rpc, not that it's been echoed in everyone.

Now, some of my personal examples of things that have happened to myself and to my muses?

I've had Thursday used as a stepping stone for plots to assist with others achieving their MxM ships, without my permission or even asking if I wanted to be involved first, and then leaving Thursday to deal with the emotional fallout.

I've had Thursday praised as the "only braincell" of the group of muses, where she was the only female at the time, and treated as the "mom" of a group of "stupid, rowdy boys who just don't know any better" so she can come clean up after them whenever they make a mess. Because that's all women are useful for, right? Cleaning up after men?

Thursday was never allowed to get close to any of the male characters as anything other than a friend. Any time any sort of romantic feelings were developed, the male muses would use those against her harshly in situations that would advantage them in their MxM ships with other muns. Again without my permission.

Thursday was never allowed to feel any emotion other than being the silly clown of the group. She was basically shit all over by all the male muses and any time she felt any sort of emotion, we were brushed aside and told we weren't "owed" any interactions. I had to create plots to play out by myself to "fix" her from basically falling apart. Some people did stick around, yes, but not many and it was made clear in the end how little anyone actually cared.

When I introduced Doomsday, she was demonized from the very beginning for her behaviors. She was actually very different at first. She was more mysterious and aggressive than goofy and mischievous. I had to put trigger warnings in her profile because some people took her behaviors as straight up bullying and took it personally. Meanwhile, there were male muses who exhibited the exact same behaviors who were literally lusted after and were excused, forgiven, called "babygirl" and everything.

My muse Aurora - who is pretty much never seen because she's in the background - was also demonized for the exact same thing that her twin brother Cyrus was excused for. The two of them together created the plan to trap the Dampening mist in the Office that damned and killed all the employees. Yet Aurora was demonized and called evil for it, while Cyrus was sympathized with because he ended up as the Narrator while Aurora ended up in the background and upheld the plan. Their positions very easily could have been swapped.

I know there are some examples I'm missing, but these are the ones that stick out to me right now. This post ended up longer than I thought it would, but man was this all sitting on my chest.

Please think about how you, the mun, react to female muses, even through your characters. Misogyny is so ground into our society, we may be employing it without even realizing it. And yes, women can say and do misogynistic things too.