#because they mirror each other SO MUCH

[autisticrosewilson]

"Oh Steph wouldn't like Jason just because they have similar backgrounds because he kills people/is a criminal/fights the bats!!"

This is in the 90's BEFORE he even tortured her. She doesn't go through with it, but she sees the evil he's capable of and its enough for her to justify it. She only doesn't because it "goes against what Batman taught her" but well.

That's the same man who would let her dad's friends infest her house for MONTHS until BLACK CANARY came to Gotham and handled it

A grown man who would go on to verbally degrade her, withhold the tools he gave everyone else, keep her intentionally isolated and then use her lack of resources against her.

So yeah. I'm sure Steph's faith in Batman and his teachings have wavered plenty. Just because DC casually discarded the way she was treated so she could play happy family with the boys, but she has NO REASON TO. Before she was aged down there was definite tension between her and Tim, and while Babs worked to get that relationship back, Bruce did no such thing. "Oh I'm just as proud of you as I was with the boys" when he thought she was dying doesn't fucking change how he treated her.

And of course, there's her own forray into betraying the family and being a criminal in The Next Batman series.

That's without getting into how she was compared to Jason, the way she watched a murdered east end kid be toted as another violent, reckless, idiot who didn't think and got himself killed.

"Oh but he tried to kill Tim!" First of all, you didn't read that comic. Jason was TESTING him, they were 2 years apart MAXIMUM, and Tim FOUGHT BACK. Jason gave him a little cut and a nose bleed that he slapped a bandage on and was fine. Damian also started his first meeting with Tim antagonistically and even though he was actively hostile to her, Steph still formed a close sibling bond. Her first meeting with Tim she threw a brick at him. He spent a not significant amount of time belittling her and telling her she wasn't cut out for hero work when she came back. This is the same guy who hallucinated Jason just so Jason could be like "Oh I got myself killed don't be like me!" Can we be real she doesn't give a shit. I guess you could count Hush but. I know they retconned it so that was Jason but when the fuck would he have had the time to do that between death, catanoia, the All-caste, and his murder tour.

Stephanie understands better than anyone that desperate circumstances lead to desperate people who do bad things. Stephanie understands being belittled and compared to a rich white boy who never had to fight to survive like you did. She understands being isolated from the hero community. She understands the evil that exists and the ways the system is corrupt, and that the bad guy never STAYS caught. And it's not like she has any big problem with people who kill, Babs said in 90's she would fucking LOVE Joker to drop dead and Dinah has killed multiple times. She literally switched places with Lady Shiva? These are both women Steph looks up to. You don't think Steph would feel any admiration at all for someone who gave Bruce a taste of what it feels like to be shown up? Someone who made Roman's life hell? Someone who made Tim put action behind his shit talking? An alley kid who came back and refused to be another statistic, who showed everyone who spent the last decade calling him stupid and reckless EXACTLY how cunning he can be? None? At all?

I just find it a little hard to believe.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[7pink-prin-cess7]

Everyone listen to me!!!!!!

MC who starts hating demons with a burning passion. Demons treat humans as lesser life forms, as filth under their feet or as food. Demons did things to MC that have left them scarred for life. A demon killed them.

So it's no surprise they start treating the demon race like scum driven only by the evil in their hearts. After leaving devildom they gradually cut off all contact with the demon brothers and Diavolo while still being tortured by flashbacks and nightmares about clawed hands crushing their windpipe. And I imagine that it will take a loooooot of time for Belphegor to get over his hatred for humans - so if he and MC ever meet again then it'll be like looking in the mirror. Two pairs of eyes conveying nothing but detestation for one another.

[that-ineffable-devil]

There are a lot of reasons we need Dead Boy Detectives S2. A LOT.

But what I need, desperately, is Charles Rowland's Season of Perpetual Bisexual Panic.

You know, to balance out Edwin Payne's Season of Perpetual Gay Panic.

[hopefully-helpful-daemon]

I'm always on my Bruce acted like Damian when younger shit, but I'm also on my Oliver was eerily similar to Cass when young bullshit

Look, that man might have been stranded on an island for a year(s) but no other person would get into that situation and decide that the most reasonable choice was to dismantle the drug ring on the island with nothing but a bow and barely any training.

So I like to think that Ollie was always a little fucked, just uncomfortably wrong in a way that most people wouldn't understand. that actually being why Bruce likes him when they first meet.

Him being unnaturally quiet, not when speaking of course, it's Oliver Queen, no one can get him to be quiet when speaking unless he wanted to, but quiet in the way of being able to sneak up on people without even trying. Just appearing in a room and scaring everybody, even when someone is keeping an eye on him, he'll inevitably slip away and reappear a few hours later in a place that he's not supposed to be.

when Bruce and Ollie first met, Bruce liked him because he kinda scared the shit out of him, there was a look to him that just set off of the warning signs in Bruce's head and of course that means that he needed to friends with Ollie immediately.

And later, when Bruce's mouth inevitably got him into trouble, he never had to worry about what would happen after he won because Oliver would always jump in first. people learned very quickly that you can't fuck with one of them without the other being there too.

in the first few months of Oliver being the GA, Batman comes to Starling for something and tries to slip away after being spotted, but Oliver is able to hunt him through the city. No matter what Bruce tries, GA is always two steps behind and getting closer. finally Bruce is able to lose him at the edge of town (Oliver doesn't lose him, he just knows that Batman is leaving and sees no reason to keep going after him) and decides right then that the Green Arrow is never allowed within Gotham, that no other vigilante is allowed in Gotham.

Years down the line, after the JL is up and both of them are in it, Bruce questions whether he should tell Ollie that he's the Bat, but Oliver already knows, has know since the first time that they fought side by side, because no one has fit so perfectly beside him since those days in school. the days that he was the blinding sunlight in front, the fist that everyone paid attention to, so no one noticed the dark shape in the shadows Oliver had cast, the knife that you didn't even realizes was there until it was being pulled out of your ribs. of course Oliver knew that Bruce was Batman, he would have shot him with an arrow on that first mission if he hadn't.

[mobius-m-mobius]

(insp) // (mirror set)

[birdiegray01]

BBC Merlin is a Orpheus and Eurydice retelling and no one can tell me otherwise. Merlin failed because he loved Arthur so much he made the choices that lead to his death just as Orpheus did. Merlin would look back and Orpheus would set Mordred up to betray Arthur accidentally. So maybe not a retelling but definitely singing the same tune.

[fading4ngel]

AUGHHGH??? my brain is so fucking awful like why did i just imagine johnny in the temperance ending not long after taking over v's body laying in bed cradling his face.

just like,, curled up, hands on his own cheeks like he's holding v's face in them.

[asavt]

[ Reflection ] About yourself.

Was listening to Shunkan Sentimental by SCANDAL at like 10 p.m. and stayed up until 4 a.m. to work on this. I didn't finish it right away tho, I still had to sleep.

Two extras below read more!

[guest-1-2-3]

jet and zuko mirroring each other as being full of raw anger at the world and fueled by flawed ideas of justice but they both care so damn much and their motives are good even when their end goals are wrong. the way both of them see mistreatment and don’t hesitate to fight back and the way they’re willing to do anything to do so. the way they’re both so stubborn and take matters into their own hands without listening to their loved ones and end up self destructing as a result. the way zuko had the time to rework his worldview and heal but jet died fighting and angry inside

[poorly-drawn-mdzs]

Bestie Deficiency

[First] Prev <–-> Next

[agenderduck]

This is one of many posts I have planned on electricity. For this post specifically, I’m touching on the lack of autonomy the puppets have, and the unhealthy coping mechanisms and regression they fall into. If you listen closely, duck and red are talking about stain edwards, specifically how they had been used as a replacement for duck, in the background while yellow is preparing to climb the staircase. Considering the bigger boys actions later on in the episode, this feels more significant than just a joke or a piece of background dialogue (it probably is, just bear with me for the sake of over analysis). It’s a detail I don’t see brought up often, but an interesting one nonetheless. Not just because it’s funny, but because it serves as insight for what’s to come. This conversation is barely audible as yellow stares up into the black abyss above him. A divide between the trio is set up here, they are not on the same page. As yellow scales the staircase, base level red and duck fiddle with electricity. Theres a lack of care for the objects, or even living things around them showcasing that have that potential to do worse like the big and bigger boys. On a smaller scale, yes, but there’s a colder quality to the scene. Electracy warns them that what they’re doing is too much, but they are ignored. This ultimately leads to the power outage, spurred on by the two’s reckless over usage of electricity

The limited use of technology, and by contrast overconsumption is intentional, as it showcases a real lack of freedom. The puppets are stuck in a cycle regardless of what they do. They desperately want to feel in control of something even if it’s trivial. When they’re not doing that, the trio find themselves waiting for things like having access to a computer once a year. It’s worth noting that Colin is an older model of computer, as is pretty much every other piece of technology in the house. Interestingly, the trio do actually own a laptop, which is a lot more modern in appearance. They are never seen doing anything with it however. The few things that do take on a more modern appearance are either unusable or serve as a distraction. So the choice of duck having a hand held device in the void feels significant. It’s almost like a reminder to the audience that in theory, knowledge is right outside of their grip but they will never have it. Everything they do is limited.

The fridge scene is a rare moment where we see the puppets speak their genuine feelings, no strings attached. Not at all one sided or hollow. Duck and Red sit beside each other in the fridge scene knowing this is not something they’re allowed to have, but you can tell they want to scoot closer. They live in an unforgiving routine where the mere act of looking at each other feels like rebellion. They’re something more tangible and warm than their bigger counterparts, even if through skin made of cheap felt and faux fur. Compare this to the cold emptiness of the big and bigger boys and how duck and red seem to grow further apart despite always being paired together. Even if they’re sitting at a similar length in both rooms, the bigger boys seem to be magnetically pulled apart rather than together. The big boys sit side by side with their limbs tangled, in defiance maybe, but they don’t question their environment anymore and the walls have gotten smaller. The bigger boys live in a pseudo- futuristic prison. They have become the technology seen being fiddled with before. They play into each other’s antics, but lack any real emotion which greatly upsets yellow once he comes across them. He watches as they poke and prod at a suspiciously stain edwards shaped hunk of meat as their only source of entertainment, thinking that this is as good as it gets. Technology prodding at flesh. A parallel between Stain Edwards and the puppets can be drawn here.

Stain Edwards, in their initial appearance clearly craves more in life, but their sole purpose is to be moldable, to be shaped into anything the hands that grasp them want them to be. The trio are the same way, though they don’t know it. They’re obviously not aware of their true situation, but each of them have their own level of awareness, albeit in different areas, but that’s a different post for a different time. Red and duck comply and mold to their environments out of fear, a fear of losing that false sense of control. So, the bigger boys become the perpetrators of violence. They let bitterness consume them until they’re unrecognizable. Their egos get the better of them, fully encompassing them and leaving nothing but mechanical empty husks behind. Red and Duck are tricked into believing they’re in control, when in reality they’ve dug themselves into an even deeper hole than before. They expect yellow to join them, as this is just the way things are, and this horrifies him. Here before him are creatures that sound vaguely like his friends but in a completely unrecognizable form. Ultimately, no matter what form they take on, yellow’s urge to search for answers will always scare them. Yellow’s batteries means change, and change means bad things will happen. No more false sense of control. Yellow literally has his awareness stolen from him time and time again through his batteries. Without them, not only can’t he properly articulate himself, but he also can’t remember what happened before.

Yellow loves his friends, he knows that they’re flawed, and he can’t help but scale back down the staircase time and time again to help them. They’re all he has. He knows that they’re smart to an extent, but is that enough? Will they be able to handle it this time? I think he knows the answer to this already, though he desperately wants it not to be true. He knows that it’s not their fault that they get like this, but also maybe it is. Because truthfully the two like to let it get worse. Yellow sees the good in Duck and red and he wants them to do better, even if his efforts are in vain. Because the puppets do not have autonomy. He shreds the book because he can’t bear a reality where his friends don’t love him, but also because that’s where his strings are pulling him to begin with. He looks to duck as he does so knowing it will make him happy, as if to say he’s not wrong anymore. All he ever wants is to please him. Truthfully, that book had nothing that could truly help them , as such a thing doesn’t exist. Still there’s that small thought in the back of his mind that it could, and ultimately he chooses his friends over knowledge every time. It was never his choice to begin with. It was inevitably going to end this way, and a small part of yellow knows that, even if he can’t express it. The puppets are prisoners here, prisoners to another prisoner. She too participates in the same routines everyday, she too has strings that hold her back, but that’s a post for another day.

[playing-pauls-mel0dy]

y'know. at least a couple of times now, i've seen the theory that, potentially, Rainer was another victim of Marvin's (whether that be of rebirthing or just abuse in general). and my brain has decided to latch onto it for some reason.

so uh. There's That.

[snowangeldotmp3]

anyway. au where wanda tells agatha she can bring nicky back in westview so agatha can be happy there. agatha still has to get wanda to take the hex down, but….would it really be so bad to live in the fantasy for a little while? just so she could see her boy again?

[mmelolabelle]

1x01 & 1x08 — season one being bookended by Sally Jackson and Poseidon’s love for Percy and their determination to keep their son safe – whatever it takes

[youhavethesun]

I neeeed a kreese/tory interaction about tory dealing with her mum’s death in s6 pt.3 I am so obsessed with their fucked up pseudo-father/ daughter dynamic it is so special to me !!!