#because if they actually did that it would make the entire concept of their practice pointless

[sanstropfremir]

OMGGG the backhanded art comment 💀🤡 I wanted to say thank you sooo much for adding your input because comments like that are the reason why I have the urge to rip my hair out everytime I enter the comment section of an MV/Dance Practice like wdym "it's not dance, it's art" ?? what did you think dance was??? How little do you care about dance then?? You're literally the first person I know to address it which was kind of unexpected but very much needed (Sorry if you can feel the frustration radiating of this ask, but that's how much I despise it)

kljlkjflkjflksda well i did go to a very prestigious art school so i do have the experience to back up my backhandedness. i have to thank @exo-s-victory-lap first bc if they hadn't posted that comment on the birthday dance practice i wouldn't have said anything, bc i never read the comments on any kpop-related videos as i don't need the headache. but you're right it is a thing that very few people talk about, mostly because like i said, there's a mass lack of education around the different types of 'art' beyond painting and sculpture, and what even is 'qualified' to be called art in the first place. to be honest dance gets the most of this pseudo-'complimentary' offensive garbage because the average person in the west just does not interact with dance as an artform like, at all. the most common types of dance at the moment are street dance based/whatever shows up on tiktok and they've become so ubiquitous that people have ceased to see it as a skill and connect it to being worthy of being called 'art'. the convention of what constitutes 'art' in a lot of the general public's eyes is western eurocentric forms that have 'historical' backing, but only those that have been approved by the 'elite' as the ones acceptable. and very very few forms of dance have made that cut, so relatively few people recognize it as such.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[hello-nichya-here]

As much as I love the fact the incest vibe between Ashley and Andrew was so undeniable that even their mom noticed it and just could not believe that they WEREN'T screwing already, the way she acts like wanting to fuck her is the ONLY reason Andrew could ever have to side with her and sacrifice their parents to the demon pisses me off the more I think about it.

Renee literally made Andrew parent Ashley, went out of her way to make it so Andrew was the person she'd rely on for any kind of emotional support, had them share a bedroom their whole lives, then literally sold them and did not give a fuck that they would starve and die in a cruel way, having no one but each other to turn to during that torture because they could not leave the apartment.

Yet she's surprised that Andrew not only resents her, but also feels a sense of obligation to Ashley and actually cares about her in his own fucked up way - aka she failed to do as a parent because she simply could not be bothered.

She simply doesn't understand the basic concept that Ashley could have any vallue as a person, even for someone that was forced to stand by her side his entire life. She doesn't accept that Andrew could ever resent HER for everything he had to endure instead of just blaming Ashley and no one else. She doesn't get that they are trauma-bonded because she doesn't believe she traumatized the fuck out of both of them.

Also the NERVE and complete lack of self-awareness this woman has for calling Andrew disgusting for the incest, even though it was all caused by her own screw ups as a parent. Again, they slept in the same bedroom, their whole lives - childhood, adolescence and first years of adulthood. Then she had them be locked up in the apartment together. Alone. Even though she was already getting weird vibes from them for a while.

She's practically forcing them to cross that line, then gets mad when she thinks they actually did it.

[bloodbenderz]

there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )

it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too

sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill

everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.

many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.

in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.

what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.

which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.

all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.

yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.

it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance

Anyways. in conclusion. it was bad

[yesimwriting]

Would bestie reader just say that she and felix are soulmates?

For example: her and farleigh are talking about the future and what they want to do and she just says "i would probably work and move somewhere sunny because felix doesnt really like the rain". " You want to live with felix?" " OFC, hes my soumate"

Felix: 🥺

yes yes yes! omg they so would pull the platonic soulmate card

You don't know who decided to label group study sessions as 'productive', but you're convinced they've never actually been to one. As a concept, they're the perfect way to balance social needs and academic responsibilities. It's a way to focus on your school work without isolating yourself completely.

In practice, group study sessions are an academic-hang-out purgatory.

"Y'know how you asked to not be interrupted until you finished your organic bio reading, unless there was an emergency?" Farleigh's voice has now yanked you out of the world of protein and enzyme molecules.

You sigh. If this is him giving into his inability to not snark at you, you might have to pick up your text book and hit him over the head with it. "Is there an emergency?"

The dryness of your response does little to dissuade him. You lift your head slightly. The reading break that's being forced onto you is an opportunity to get ready to copy some bullet points into your notebook. You reach for your highlighter, but before your fingers can grasp it, Farleigh's pulling it out of reach.

You straighten, back pressing into the wooden back of the library's chair. He ignores your glare, thumb pushing the neon pink cap upwards before snapping it back into place.

"I'd be careful, Farleigh." Felix's chair shifts with a soft groan, all four of the chair's legs fully settling on the ground as he sits up and flattens his feet. "That's not one of her nice looks."

"You'd know."

You frown, some half thought out sarcastic retort balancing on the edge of your tongue. Felix beats you to the punch. "You'd know if you had any real friendships."

Farleigh presses down on your highlighter's cap, a quiet click interrupting his silence as it clicks into place. "Friendship. Is that what we're calling it?"

There's a knowingness to the comment that has a hint of warmth attempting to tinge your cheeks. You're used to the jokes and little comments about you and Felix, especially from Farleigh, but his tone hints at a sharpness you're not in the mood for. Sometimes he feels like pushing, turning his jokes and comments into something more. You've been in the library for some time now, you're sure the stillness is making him restless in a way that will only add to that.

"Is this the emergency you interrupted my reading for?"

He shakes his head once, forearm moving to rest against the table in front of you. "Theoretically," he starts, the single word drawn out in a way that has you rolling your eyes, "If Madison was seen leaving a party with Abigail's ex-boyfriend, would that count as an emergency?"

No way. Your jaw drops. Madison and Abigail, roommates that seem perpetually trapped in the outer orbit of Felix's friend group, started the year as total best friends. Then, one day, for reasons that no one you know has been able to figure out, everything turned into a sort of unspoken competition between them. It's such an odd dynamic, you and Farleigh have to talk about it every time there's an update.

"What?" You set your arms over your textbook, leaning forward to better listen. "Why didn't you say anything?"

"You wanted to read organic bio."

Farleigh knows exactly what he's doing. He sat on this piece of information and only dropped it when it became convenient to have something worth saying. "You knew before I said that." You turn in your seat to look over at Felix. "Did you know?"

"I spent the entire night with you," he says, "I know what you know."

Yeah, you and Felix were particularly invested in your own world the last time you went out together. The two of you spent most of the night trying drink combinations you'd normally never get, Felix laughing as your negative reactions grew more theatrical as the night went on. "Well, you're not very invested."

It's not an accusation. You know Felix well enough to know that he's rarely particularly interested in most gossip. A part of it might come from the fact that everyone goes out of their way to present themselves in certain ways when around Felix. Rumors about palpable passive aggression seem a lot less real when the people the rumors are about are constantly trying to gloss over any imperfections in his presence.

"You two are too invested." He turns his head to look at you, a small smile playing at his lips. "You only get along when you're gossiping."

You straighten, lifting an arm off of the table to poke Felix's arm. "We all need hobbies." You then turn your head forward to look at Farleigh, "Okay, tell me everything and do it in less than 5 minutes, or I'm not going to go back to studying."

Farleigh's eyes briefly drop towards the textbook in front of you. "You worry too much." The way he says it feels less concerned and more like an observation of something he finds grating. "We all know you're going to end up at John Hopkins." It lacks any type of inflection. It feels like fact. An inevitability.

Graduate school is currently a foreign, distant concept, and you'd like to keep it that way. You're not sure why, but picturing your future education isn't as easy as you had hoped it would be. It's as if there's some kind of mental wall blocking your ability to connect with the next step in becoming a doctor, when all your classes will revolve around the subjects you don't love and you'll have to dissect and watch more surgeries than ever.

You tap our fingers against the wooden surface in front of you. You're not sure what the right kind of response to this type of thing is. "Uh--realistically, John Hopkins is far from everyone I know, and I don't think Felix would like Maryland, so..."

Farleigh raises an eyebrow as he finally sets down your highlighter. "You're factoring in Felix?" The question is still registering as Farleigh gestures in Felix's direction. "You want to live with him?"

"Yeah." While a lot of your future is blurry in your mind, Felix is clear, certain. "Yeah, he's my soulmate."

Farleigh's eyes widen slightly at the candidness of your admission. It didn't feel that heavy when you said it. There are a lot of ways for someone to be your soulmate.

"You want to--to live together after this?" You turn your neck to look over at Felix. He's already facing you, but his eyes are focused on his lap. "Like with me?"

"Yeah..." You admit again as you pull your hands towards you. Maybe you shouldn't have said anything without thinking. "Do you not want to live with me?"

"No, I do," he forces out the words quickly, his gaze briefly falling towards you. "I didn't realize you were--" He clears his throat, forcing himself to straighten. "Soulmate." Felix's hand reaches for the underside of your chair, pulling you towards him with no warning. "I'm your soulmate."

You're never speaking without thinking again. "There are a lot of ways to be someone's soulmate, so don't start."

His fingers move up the edge of the chair before finding your knee. He's beaming. "'M not starting anything."

----

taglist; @vader-is-hot @spiritofbuddha @getosangie @freyafriggafrey @ilovehyperfixating @aryiannarae @willowpains @ker0senebunny @lilyrachelcassidy @khxna @imbabycowboy

[miraculouslbcnreactions]

When I first saw a Miraculous Ladybug salt post it was the usual Lila takes away all of Marinette's friends Adrien does nothing Marinette becomes super successful Lila gets exposed blah blah blah

When I see posts like the ones you post where people give actual constructive criticism about the characters and not favor one character over the other has made me realize that these are fictional characters and its not their fault they are the way they are. Also they're 14 what kind of 14 year old makes good choice's? Especially when they have the fate of the world/universe on their shoulders

If anything the character I really blame is Master Fu. He was obviously meant to be some sort of mentor figure for them or at least Marinette's mentor. He was the one to tell and encourage Marinette to keep everything a secret from Adrien. Comparing him to other mentor like figures in the world of superheros he isn't really all that helpful.

Compared to DC Ladybug and Chat Noir do not have any adult superheros to help them. In DC younger superheros have entire superhero families to help them out and if not that than they have other adult superheros to help them or they have an actual team. We know that other miraculous holders exist and the order is back I have a vague idea as to why they can't help but I still find it weird as to why they are around if not to help. Like phones and the internet exist do they not?

Sorry for they rant, I want to know what your thoughts are on this?

Your rant was fine! I don't think that I've talked in depth about mentors as a concept and I should both because I love mentors and because Miraculous has completely failed to give us any good ones. This is a writing failure not because good mentors are required, but because the show chose to have mentors characters and then not use them.

Before I get into the topic at large, I want to start with a brief discussion of mentors in shows aimed at young children as Miraculous' intended audience is young children and that fact is worth keeping in mind when discussing what Miraculous did wrong and some of the ways that you can fix it.

Shows aimed at kids generally avoid adult characters in major roles for the very obvious reason that the intended audience is kids, so you want the kid and teen characters to be the stars. This doesn't mean that adults aren't allowed to save the day or have important roles. It just means that they should be used sparingly. This is why mentors are a great addition to kids shows. They allow adult characters to be deeply involved with the plot without anyone expecting them to intervene because that's not their role in the story. They're not here to be the hero. They're here to guide the hero.

One of the powerful things about this setup is that it allows the writers to give the real kids watching at home real advice about real life problems. For example, if Marinette comes to Fu to talk about feeling alone and overwhelmed, then he can give her real, practical advice that would apply to anyone who is feeling alone and overwhelmed, but no one expects him to directly intervene because he's supposed to say hidden.

A lot of these elements apply to mentors in media aimed at older audiences, the rules just apply for different reasons, so I'm going to stop reminding you that Miraculous is for elementary school kids and focus on the failed mentor issue as it would be an issue no matter what Miraculous' intended audience was.

When it comes to bad mentoring, a lot of people focus on Fu and I get why. At first glance, he's the classic wise old Asian man who is supposed to be there to guide the protagonist on her mystical journey (not getting into the racism issue here, just know that I'm aware of it and that Miraculous dropped the ball on this in a lot of ways even though they absolutely could have made it work.) But Fu isn't the main focus of my ire because, while the writers seemed to have designed him around the mystic Asian trope, they never actually wrote him like a mentor.

He doesn't train Marinette and Adrien in the ways of the miraculous. He just sneakily gives them their miraculous and then disappears from their lives for quite some time. So he's not around to get them properly started on their hero journey. That's strike one for the mentor role.

Strike two is the fact that we never actually see him mentoring Marinette. I don't think that she ever went to him for advice? If she did, then it wasn't a big element of their relationship. When I think of Marinette and Fu, I picture her going to him to grab a miraculous or two before booking it back to the ongoing fight and that's about it. The guardian training she supposedly had was all off screen, so we have no idea how close they were or what he even taught her outside of potion making. Even that wasn't really him teaching her something. It was them working together to figure out a puzzle because Fu never completed his own training, making it impossible for him to properly train a successor.

Strike three is the fact that - outside of the King Monkey incident - Fu never gets directly involved in helping team miraculous. He's never gives them feedback on fights or works with Ladybug and Chat Noir to strengthen their bond. He doesn't even help them track down the two missing miraculous or hand out the temporary miraculous on Marinette's behalf, a choice I still find super weird. "This fight is super hard and we need help, so I'm going to leave Chat Noir to fight alone while I go get said help!" is absolutely nonsense logic and one of the many examples of the writers desperately needing to let Marinette hand her responsibilities off. Why wasn't this Fu's job?

This brings us to fix one: if you want the guardian to be a mentor - which is a role they arguably should have - then the guardian needs to be actively involved in Marinette and Adrien's lives in an on screen way. For this to work in the context of Miraculous - a show that really wants to focus on the teen characters - then the guardian probably needs a teenage apprentice who isn't Marinette and that apprentice will be the one doing the mentoring.

My pick for this is Luka for two big reasons. The first one is that his calm personality is perfectly suited to a mentor. The second one is that it seems insane to me to have the snake be a temp holder. The snake should be watching every fight, but staying out of the actual fight so that they can use their power whenever it's needed. That's the perfect role for a mentor character to fill. Someone who is active in the plot, but only ever as a support because their power stops them from getting more involved.

Moving on to the bigger issue.

As I said up above, Fu doesn't actually get my ire. While I wanted him to be a mentor, he never once filled that role and he didn't really need to because the show already had mentor figures that it was actively using and using poorly. Those figures are the ancient magical creatures that follow our heroes around, dispensing terrible advice whenever they feel like it. That's right, as much as it pains me, Miraculous' biggest mentor failures are Tikki and Plagg.

The miraculous did not need to have magical creatures associated with them. They could have just been magical jewelry that Fu handed out and explained. Instead, the writers chose to give us the Kwamis and I don't disagree with that choice. I like the Kwmais! The problem is that they're used in the most lackluster, asinine ways you possibly could.

The Kwamis are not presented as oblivious to the world and unable to give advice. They give lots of advice! The problem is that advice tends to suck! I can think of many examples of times where the Kwamis made everything worse, but let's look at the one that grinds my gears the most: Plagg's actions in season four.

In Rocketear - the episode where Nino gives Adrien an incredibly inaccurate picture of why he knows Alya's secret identity - we get this:

Adrien: I still can't believe Ladybug entrusted Alya and Nino with those Miraculous. Plagg: Of course she did. She's the Guardian. Adrien: But they're a couple and they know each other's secret identities. Plagg: So...? Adrien: So, why does she make it a rule that we can't know each other's identities but it's okay for them? Plagg: She's the Guardian, the Grandmaster Cheese Ripener, and you and I are just cheese on the platter. She decides what's on the menu.

Hey, Plagg, maybe don't tell your clearly upset and vulnerable teenage holder to just suck it up and deal with it when he's feeling alone and betrayed? Maybe encourage him to talk to Ladybug about his feelings so that he can get the full story? Knowing that they learned their identities during the Scarlet Moth incident would probably do a lot to smooth over Adrien's hurt feelings.

What's even more rich is that the episode Kuro Neko lets Plagg go off on Marinette for not appreciating Chat Noir:

Ladybug: What's gotten into him? I didn't do anything. Plagg: Didn't do anything? Well yeah, you did! You've been neglecting a very classy piece of camemebert on your plate for too long! And as a result it got runny, and moldy! Ladybug: What? Cat Noir never gave me any camembert. Plagg: Of course not, Cat Noir is the camembert! For a while now, you've been neglecting this camembert— I mean Cat Noir, and going on adventures with the all other cheeses! Ladybug: But he should be happy about it, it gives him more time off. Plagg: Cat Noir doesn't wanna have time off, Ladybug! He is in love with you! And your persistent calling on all the other heroes has broken his heart.

Dude, if you saw all of this going on, then why didn't you say something??? You and Tikki are in the same location for multiple hours five days a week. Go tell her how your holder is feeling and figure out how to fix the situation! Or be an actual mentor and encourage Adrien to talk to someone about his feelings! At the very least, cut up a wheel of cheese, sit down, and listen to your kid so that he feels less alone!

Also what exactly do you want Ladybug to do to fix the problem you presented? Let Paris burn until Chat Noir decides to show up to today's fight? Refuse to use the temp heroes even if it means losing a fight? None of those are valid solutions when the problem presented in the episode is Chat Noir missing fights. Especially when we know that he's doing it on purpose. Why are you yelling at her instead of working with her to come up with an actual solution? You are such a terrible mentor...

To be clear, I don't think any of this is intentional. I don't think the writers want Plagg and Tikki to come across as actively hurting their teenage charges via bad advice. I think Plagg and Tikki are supposed to be seen as good and helpful, but they can't fill that role because they're tools of the narrative and the narrative has really wacky views on what good advice is. Thus nonsense like the example I discussed above or Plagg and Tikki picking new holders instead of guiding their holders through an identity reveal.

I personally adore letting Plagg and Tikki be good mentors in my own stuff. It falls under the same category as Alya and Nino being terrible friends on screen. I acknowledge the problem and then delight in fixing it by writing the exact opposite setup because what is fanfiction for if not heavy self indulgence?

[sundrop-writes]

Missing You

Gar Logan x Fem!Reader x Jason Todd

Summary:

Gar misses his two best friends. When he calls the two of you, he certainly doesn’t expect to find you in such a… compromising situation.

Gar Logan x Fem!Reader x Jason Todd. Accidental Voyeurism. Smut. Canon Divergent AU of Season 2.

Word Count: 2,800

DC Titans Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Detailed warnings and author’s notes below the cut.

Warnings: there is a lot of Gar/Jason (emotionally and sexually), dubious consent - Gar listens to the reader and Jason having sex without their consent (but they don’t mind when they do find out), invasion of privacy (but again, they don’t mind it), would this be considered eavesdropping?, accidental voyeurism (and then on purpose voyeurism), Gar masturbates while listening to Jason and the reader have sex over a FaceTime call but Jason and the reader don’t know Gar is listening, Gar feels slightly guilty about being horny in this situation, lots of dirty talk, Jason is more dominant, reader is definitely submissive, Gar is (slightly?) submissive (though he is not ‘involved’ for most of the sex act), the reader uses she/her pronouns and has a vagina (though she is not really the ‘center�� of this fic), Jason has a filthy mouth, p in v sex (between Jason and reader) - actually protected sex this time (which is a surprise for my fics) (it’s my headcanon that Jason is a big proponent for condoms/safe sex), degradation kink (towards the reader), terms used to describe the reader: slutty/slut, cocksleeve, hole, fucktoy/toy, cumdump, good girl; slightly possessive Jason (but it’s clear that he doesn’t mind sharing with Gar), spanking (very light, no severe pain kink) - mention of clit spanking, mention of orgasm restriction, mentions of sexting/sending nudes. I believe that’s everything.

A/N: This is a repost. Again, to complete my Titans Masterlist on this blog. I did some tweaking to it, but it is still mostly the same. So if you have read it before, I hope you enjoy it. And if it’s your first time reading it, I hope you like it again.

...

The concept of butt-dailing was something that still mystified Gar. 

He understood why it was a thing in the 2000s, sure. A time when people’s phones still had tactile buttons on them, when you could sit on your phone in your back pocket and start pressing things by accident. But these days? Why was the term even still used? 

How can you call someone by accident? How can you have an entire phone conversation with someone by mistake? 

On that day, it hadn’t been Jason that called him - no, Gar was the one calling Jason. 

Gar hated to admit it, but he was fucking lonely. He had a soft heart and if he went too long without talking to his friends, without hearing their laughter, then he wilted like an unwatered plant. It wasn’t something that he ever said aloud, but it was something that was very easy to tell for the people who were closest to him. 

So Jason had taken to calling him on a regular basis. And ironically, because of it, the two had actually grown a lot closer in the Robin’s absence. 

Their friendship bloomed because of the long, late-night phone calls where Jason’s tired voice mumbled things to Gar as he fell asleep, admitting things about his past and the pain he sometimes felt that he never would have told anyone else. And they often spent hours on Discord calls as they kicked ass together playing COD or some other stupid game like Mount Your Friends. Even though on that day the Tower was practically empty, Gar found himself missing Jason the most. 

Ever since you had gone to Gotham to visit Jason, Gar’s other closest friend abandoning him, Gar had practically gone mad with loneliness. Rachel was off on a ‘girls trip’ with Donna, Dawn, and Kory, and Dick was attending some kind of ‘League’ business. Hank was leading a ‘be a better you’ sobriety seminar in another city, and Gar still found himself feeling like an outsider when hanging out with Rose and Jericho. 

So where did that leave him? 

Alone in his room, sprawled out on his bed. 

He had thumbed over Jason’s contact in his phone several times before he actually decided to put in his earbuds and give the guy a call. Surely his best friend wouldn’t consider him needy after the three hour long timestamps on their other calls. If Jason was busy, Gar could simply find something else to entertain himself. He could probably best his Resident Evil speedruns. Again. 

But selfishly, he was hoping Jason would pick up and talk to him for a while. Maybe you would be lounging around with Jason and he would get to talk to the both of you. That would be really nice. 

When the FaceTime call was answered on the other end, the screen was dark. Gar thought for a moment that Jason was just busy - that he was pressing his phone to his chest until he could get into another room to take the call. But for a few moments, all he heard was deep breathing, some grunting. The sound of Jason training? 

He was definitely inside Jason’s pocket. 

See, Jason hadn’t even noticed the incoming call. He had his phone on silent, and he had answered it completely by mistake. Turns out, the rapid, rhythmic thrusting of his hips had somehow successfully pressed the ‘answer’ button, even with the phone shoved deep in his back pocket. 

And Jason wasn’t really in a position to have a friendly, ‘let’s chat about COD’ video chat with his best friend. 

He was balls-deep inside of you. With his thick, hard cock out through the zipper of his pants with his phone still inside of his back pocket. He was thrusting into you where you were face down on his bed, on your knees exactly how he wanted you. 

It was a huge part of the reason you had come to visit him. The two of you had been fooling around for as long as you had known each other, and you couldn’t seem to go for very long without fucking the other person. It brought you both relief from your stressful vigilante lifestyle, and it was the best sex either of you ever had. Not that any of your friends knew that you had a ‘thing’ going on, of course. 

Gar was about to hang up the call, believing that he had caught Jason at a bad time and realizing that the guy didn’t even know his phone was on. But he froze completely still when he heard it. 

“Fuck, babe, take my cock.” Jason groaned, his voice absolutely thick with sex. “Fucking take it.” 

It was something that instantly made Gar tremble, made blood rush to his cock as he heard his friend’s voice in a way that he never had before. The sound was rough in his headphones, distant and not nearly as pure as it would have been in person. But it made Gar’s blood run hot in seconds, made him so turned on so quickly that he became dizzy. 

Gar’s hand itched to reach down and grip his cock through his pants, but he knew that he shouldn’t. He knew it was wrong. He should just hang up the call and hope that Jason never saw it in his call history. The longer he stayed there and listened, the more suspicious the timestamp would look in the call history if Jason ever saw it. 

But Gar was frozen in his tracks when he heard something that absolutely made his head spin. 

“Yes!” It was your voice. “Fuck, I fucking love your cock. I’m just a slutty little cocksleeve for you, Jay!” 

High pitched and needy, moaning out - it was you. You, screaming those entirely pornographic words, followed by a deep grunt from Jason. 

Gar let out a sharp breath. It hadn’t occurred to him who Jason might be fucking. Or that he was fucking someone at all, and that he wasn’t just alone, fucking his own hand. 

Gar almost couldn’t believe that this was happening. The two people that he had been attracted to for so long now, playing out an epic sex fantasy for his own ears. He knew that it was so horribly wrong, but he probably wouldn’t have hung up the call if someone had pointed a gun to his head. 

“Yeah, you are.” Jason replied, his voice slightly obscured from the phone being in his pocket. “You’re my perfect slut. Such a good fucktoy, aren’t you, Y/N?” 

Jason saying your name with such a deep, possessive need, paired with the way he spoke so confidentially - it forced Gar to imagine how long the two of you had been in a relationship like this. How long the two of you had been playing around behind everyone’s backs to know each other’s kinks so well without crossing any boundaries. Even with his brain so lust-clouded, his thoughts flashed through all of the times you and Jason had snuck off together, or made lame excuses to go to bed early when Jason had still been living at the Tower. 

Gar was upset that he hadn’t found out about this sooner. His brain conjured up a fantasy of him sneaking into Jason’s room late at night, and seeing you on your knees for his best friend. He easily imagined Jason inviting him to stay, telling Gar what a slut you were, how much you would love to have two guys at once. Him and Jason passing you around, your wetness making both of their cocks shine. If you were the ‘fucktoy’ that he claimed you to be, it probably wouldn’t be that far from reality. 

There was a wet, slapping sound - Jason fucking into you harder as you moaned and struggled for breath. 

Gar’s cock pulsed with need. 

Something in the back of his brain screamed that it was wrong and that he needed to hang up, but his cock screamed louder. So he untied the string of his pants with haste and racked them down over his aching balls. Just to be safe, he muted his end of the call so that Jason wouldn’t hear any noises he made. 

(If he had been thinking a bit clearer, he would have realized that any noise he made, especially echoing into Jason’s back pocket, would have simply gotten lost in the haze of sweat and sex that the two of you were making in Jason’s bedroom. But - better safe than sorry, right?) 

In his mind, muting the call seemed even more reasonable when he let out a deep moan the second he took his hard dick into his hand. More beautiful sounds from you and Jason came in through his headphones as he began to jerk himself off. 

“Fucking love how you take my cock, fucking love how this slutty pussy gets so wet for me.”

Jason’s dirty mouth continued as Gar’s hand started a steady rhythm. Gar was already leaking precum that easily slicked him up - he was absolutely dizzy at the sound of Jason’s sex-graveled voice. 

“Just a fucking hole for me to cum in.” Jason growled. “You love it, don’t you? You love being my fucking toy. My fucking cumdump.” 

The pure filth coming out of Jason’s mouth surprised Gar, just as much as his own reaction did. The way his dick jumped in his hand and his lungs released a moan, his tip leaking even more precum at the words. He had no fucking idea that you and Jason were so dirty, that you liked being… degraded so much. Because clearly you loved it, with the wailing moan that you echoed back in response. 

“I love it!” You told Jason, your tone desperate and breathy, worn with sex. “I love being your cumdump. I’m just a hole for you to use!” 

Gar tried to imagine what the two of you might look like in that moment. Were you on your back, your legs spread wide for Jason? Were you completely naked with your tits swaying with his every thrust? Were you on your hands and knees, ass out like a bitch in heat for Jason? 

Gar pumped his cock faster at the thought, his precum making it sound absolutely slick, unrestrained grunts coming from his parted lips as he continued to listen you and Jason fuck. He would feel guilty for this later, but right now, he was absolutely dizzy with lust and needed to hear more. 

“You gonna cum on my cock, slut?” Jason’s voice was sharp, demanding. 

It sounded like Jason was holding back the urge to cum himself and he needed you to get there first. There was a sharp sound - skin hitting skin, higher in pitch and less muffled than the constant pounding of Jason into your cunt. Jason had spanked you. Gar’s orgasm swelled in his belly as he imagined Jason’s hand coming down against your skin, making the fat of your ass bounce or - fuck, Jason’s hand blooming against your wet clit. (Gar hated that he would never know which it actually was.) 

“Be a good girl. Cum for me.” Jason demanded, throat strangling his voice as he drowned in his own arousal. 

And just like that, you dissolved into a fury of sounds. Gar caught you chanting ‘I’m a hole! I’m a hole! I’m a hole!’ as though it was the only thing on your mind, increasing in volume as your orgasm overtook you, but it was muffled after a moment and Gar heard Jason grunt the words ‘shut up’ in the most sharp, dangerous voice he had ever heard from his best friend. 

Gar’s mind was immediately struck with the picture of Jason’s hand on the back of your head, shoving you into the bed to quiet your whorish moaning, and this was what sent him over the edge. His stomach curled so hard that it practically made him nauseous, his body drawing up off the bed as he pumped his cock hard and fast. He pumped himself dry as cum splashed up over his (thankfully) naked stomach and dirtied him in hot, white waves. 

Gar’s body was still trembling when he heard Jason rattle out a shuddering moan, a sure sign that he was cumming too. 

Gar should have rushed to end the call. 

But it seemed impossible to move at this point - his bones were practically made out of jelly from the intensity of his orgasm. The hand holding the phone had dropped it against his chest, the sound still coming in clear from his earbuds. He was desperate to catch his breath, and his cum still warm against his stomach when he heard it. 

There was a shifting, a rustling sound - fuck, Jason was taking his phone out of his pocket. 

Gar panicked. 

But his orgasm had been so spectacular that it had knocked all the sense out of him, including his usually good reflexes, so he was slow to pick his phone back up. When he did, his heart jumped in his chest when he found Jason staring at him, wearing a wide smirk. 

In the time it had taken Gar to recover, Jason had taken his phone out - with the original purpose to check the time. Alfred always had a very specific time for dinner, and always became cranky if anyone was late. Jason certainly didn’t need anyone to come looking for you and him, seeing the compromising position that you found yourselves in. 

Jason was surprised when he found the call with Gar going. And once he had checked the timestamp on the still ongoing call, he immediately knew what had happened. 

“Did you enjoy the show?” Jason said, his voice slightly rough from the sex, but entirely confident, unshaken. 

“Uh - I - I -” Gar stuttered. 

When Jason saw his lips moving and didn’t hear any sound, he quickly spoke up. 

“Unmute the call, dickhead.” Jason told him, giving a small chuckle with the offensive, affectionate nickname. 

Right. Gar had muted it to participate in his perverted voyeurism. 

As Gar reached up to find the button, he realized his hand was still covered in cum. 

Jason licked his lips as he saw substance smeared all over Gar’s palm and saw his friend reaching for tissues off to the side. As Gar raced to clean off his hand, you appeared behind Jason’s shoulder in the frame of the call. You were wearing a bra, your skin slightly slicked with sweat and tear tracks coming off the side of your eyes - clearly from pleasure and not from pain. 

“You had Gar on a FaceTime call?” Your tone was a breathy giggle, clearly not at all upset at the idea that your friend had been listening in on you being fucked and called degrading names. “Kinky. Did you call him while you were putting the condom on?” 

Gar unmuted the call with his now clean(er) hand, but waited in silence for you and Jason to finish your conversation. He was surprised that you didn’t seem to care; that you seemed to think it was some kind of pre-planned kink that Jason had executed. Gar’s stomach twisted at the thought of it, that you and Jason had discussed inviting another person into your sex life and you were more than okay with it being Gar. 

“Don’t worry your pretty little head about it.” Jason told you. “Go get cleaned up for dinner.” 

You simply nodded, and leaned in to give Jason a kiss - a soft, gentle sight that was entirely arousing in contrast to the rough, filthy sex that Gar knew the two of you just had. It was even more arousing when you walked out of frame and Gar heard another spank to your bare skin (clearly you weren’t wearing bottoms) - and heard you let out a delighted squeak in response. 

“Look, I can explain-” Gar began his groveling, but Jason quickly cut him off. 

“Quiet.” Jason said, his tone taking on a kind of authority that made Gar’s stomach jump. “Next time this happens, we get to watch you cum, or you don’t get to cum at all. Got it?” 

Gar’s cock was quickly filling with blood again at Jason speaking to him this way, so boldly, making sexual demands over his body. His mouth was dry and lost for words so he simply nodded in response. He opened his mouth to attempt to speak - to apologize, to ask for clarity, to ask Jason when ‘the next time’ would be. 

But now that Jason had Gar’s simple affirmation, he hung up the call. 

Gar - unable to help himself - stretched an arm out and took a picture of his half hard cock and his shirtless body, still covered in his cum. He hesitated to send it, though. After a long mental debate in the shower, it came back to his phone sitting on his nightstand, and sent it to Jason with a caption that read ‘I really did enjoy the show’. 

It pinged Jason’s phone when he was sitting at the dinner table with you and Bruce. And as he looked at it under the table, he choked on his peas.

[sansaorgana]

More buck and bucky poly fic please 🥺

I need more it could be anything I just need more.

hello, love! 😘 you ask, I deliever 😉 in this one, they all live together already but Reader wants to have a baby and it causes them to have their first argument. I left the ending pretty vague because it didn't feel right to make Reader choose any of the boys since it is supposed to be a fic with them living in a threesome lol 😅

[ PART ONE ] || [ PART TWO ]

my requests are currently closed 🙅🏻‍♀️

After your wedding with Gale, you moved in together to your new house and so did Bucky, who officially was just renting a guest room downstairs as your husband’s single friend. Of course no one had to know that in fact you all shared the master bedroom upstairs every night. Well, nearly. Sometimes Bucky was giving you some space to spend time alone with your husband but sometimes you would leave Gale and go downstairs to sleep with Bucky only as well. It was a fair arrangement, you thought, and so far there had been no arguments between you three.

At least until now.

You were at a friend’s house – a neighbour living down the street that you had befriended after moving in. She was trying for a baby with her husband and all she could talk about recently was children, which was quite boring and exhausting but on the other hand you didn’t mind it as much as you expected.

“And what about you and Gale?” She asked while taking a sip of her coffee. “I mean, surely, his friend must move out eventually!”

“E-excuse me?” You asked, blinking a few times and trying not to act weird.

“Well, I assume it’s only for a while, right? I know some men after the war… It takes them longer to re-adjust. But he’s going to be gone soon, am I right? So you and Gale can plan to have your own family together,” she explained.

“I don’t know… I don’t mind John living with us,” you cleared your throat. “Gale is very close with him. They are practically brothers now. John is family and you just don’t throw family away,” you tried to sound as innocent as possible.

“I understand,” she nodded, although you could see that it was not entirely true. “But don’t you want a little baby?” She asked.

And when you opened your mouth to tell her that no, actually, not yet at least… You suddenly realised it was not true. You did. You wanted to have a little baby of your own.

But the problem was not what she was thinking that it was. It was not about Bucky renting a room downstairs. It was about the fact that your child would have two fathers.

“As you have mentioned, some men need more time to re-adjust. Gale is not ready yet,” you explained.

In the evening, you gathered your boys in the living room. They were sitting on the couch next to each other and looking at you questioningly as you were standing above them and nervously wiping your hands in the fabric of your skirt.

“What is it?” Gale asked and tilted his head slightly.

“If it’s about that small hole in the bathroom’s wall, I admit, it was me,” Bucky raised his hands up. “I’ll fix that over the weekend.”

“No, it is not about the hole in the wall…” You furrowed your brows at him. “I haven’t even noticed it but I’m glad you are willing to fix the damage,” you chuckled and John rolled his eyes.

“What is it about then?” He asked.

“I want to have a baby,” you announced and bit on your lower lip but – just as you expected – your boys did not react with excitement. They looked at each other nervously.

“A baby?” John asked and swallowed thickly.

“Yes, Bucky, a baby. You know, a small human. You should be familiar with the concept,” you nodded, trying to joke. Well, Bucky loved to joke and tease most of the time but right now it was not one of those times.

“And how do you imagine that happening?” He inquired and his question confused you.

“I am sure you know how babies are made, John,” you snorted.

“No, I understand what he means,” Buck interrupted you two and he reached his hand out to grab yours in a comforting manner. “I will formally be a father to any baby you would ever give birth to. No matter who the biological father is,” he explained. “And I am sure John would not want to be an uncle to his own child,” Buck added.

“Then I can have babies only with you,” you looked at your husband.

“So we’re talking plural now, huh?” John stood up and moved away nervously to stand by the window. “I’ve already watched you two getting married… And it’s fine, it is. You were Buck’s girl first and I respect that. Also, I’m not the marrying kind. But now I will watch you two raising children, being a family… And, eventually, we will drift apart,” he whispered while staring through the window and refusing to look any of you in the eye.

You and Buck exchanged nervous looks. You cleared your throat and let go of your husband’s hand to take a step closer towards Bucky.

“Who said we would drift apart? Perhaps it will only bring us all closer as a family?” You tried to reason with him.

“Have you thought of it thoroughly?” John turned around to finally look at you. His jaw was clenched but you know it was not anger speaking through him but pain. “How will you explain to the child that mummy, daddy and uncle Bucky are sleeping in the same bed? Or that you spend some nights at uncle Bucky’s bedroom?”

You shut your mouth at that question. Bucky was right. There were many things you had not thought through enough. The situation was quite complicated because you found it impossible to choose one of the boys. They were both equally yours now even if the surname you were wearing was Gale’s.

“I’m sorry, I haven’t thought of that… Let’s forget about it,” you looked down. “I’m gonna make us something to eat now,” you looked for an excuse to disappear in the kitchen.

Buck remained on his seat on the couch, though, and he kept staring at his friend. He felt bad because he could see the sadness in your eyes after realising that you would never have a child as long as this arrangement takes place.

“I want to have a baby with her,” Gale announced.

“I know. I do, too,” Bucky put his hands inside his pockets as he leaned on the wall next to the window.

“Then we have a problem,” Buck pointed out.

“No. I have a problem. You two can do whatever you want, you’re married,” John shrugged his arms.

“Don’t say that,” Gale sighed and stood up to approach his friend. He put a hand on his shoulder but John moved away slightly.

“I won’t be an uncle to my own child,” he emphasised.

“How about being an uncle to my children? Is it really that bad?” Gale tried to convince him gently.

“Not enough. And we’re going to drift apart, I have explained it already,” Bucky walked away and approached the front door. “I am leaving, I need a drink. Don’t wait for me tonight.”

“Just be careful,” Gale whispered and watched him leave. He was not trying to stop him because as a man, he understood.

Instead, he joined you in the kitchen and smiled at the sight of you baking cookies. It was one of your very fast and easy recipes that would be ready in half an hour. You also prepared three cups to make hot tea for later.

“Just two cups, honey. Bucky went out,” Gale pointed out and approached the counter to hide his friend’s favourite cup away. You furrowed your brows at that.

“What are you talking about? Where?” You asked as your heart skipped a beat. “Have I upset him so much?”

“Don’t blame yourself, darling,” Gale smiled gently at you and caressed your cheek. “He needs some time to think. I would do the same if I was him,” he explained.

“I don’t like that. I don’t like that he’s out there, drinking at some pub, doing God-knows-what… While we are here, at home, about to eat homemade cookies, so cosy and… together,” you sighed and shook your head. “I feel guilty… And jealous. What if he spends the night with another woman?”

“You can spend the night with another man,” Buck’s eyes sparkled and you took a step back from him.

“I meant a woman who would be outside the arrangement,” you frowned.

You didn’t like that sudden look on his face. Your sweet Buck seemed to be pretty competitive all of the sudden. You had been fearing such a day would come sooner or later but it was happening way earlier than you’d like it to. On the other hand, you were aware that it was your fault because it was your suggestion to have a baby that had awoken that in your boys.

“Just because you are my husband does not put you in a winning position, Gale. I wouldn’t be the first woman who leaves her husband for his best friend,” you warned him even though it brought you pain to even imagine leaving Buck behind.

But imagining Bucky leaving your arrangement or drifting apart from you and Gale was as hurtful.

“I know,” Buck only whispered. “But I love you. I can’t let you be unhappy because of this arrangement. You want children,” he stated.

“I would be more unhappy losing you or Bucky,” you explained and sighed at the sight of the cookies in the oven as your arms crossed. “Can you follow him and convince him to come back home? Please?” You looked at him again with puppy eyes.

Gale sighed but he decided to give up. Perhaps it was a subject for some other day. After all, you still had time to decide whether you wanted babies or not.

So, he nodded and went out of the kitchen to put his jacket on and leave into the cold night to find Bucky and bring him back home where you were waiting with your fresh homemade cookies, hot tea in three pretty cups and those sad eyes of yours.

MASTERLIST || BUCK MASTERLIST

[chloe-skywalker]

Not My Decision - Stiles Stilinski

Stiles x reader sister

Derek x reader-ish

Warnings: none

Word count: 1,085

Requested: TW imagine the reader is Stiles sister and u get into an accident and Derek turns u into a wolf and Stiles goes against ur wishes and u get pissed at him for doing so and Peter actually takes care of u - @cokecola4211

Authors Note: I enjoyed the concept behind this request, it was ajoy to write. Maybe a Part 2?

Masterlist

Teen Wolf Masterlist

******************************************************************

“Help!” Stiles yelled out carrying Y/n into the hospital. She was covered in blood and therefore so was Stiles.

“Stiles what happened?” Melissa asked as she called a team over with a gurney.

“Just please help her.” Stiles pleaded as he placed her on the rolling hospital bed. He had to watch as they rushed into emergency surgery. Scott had come running in after he had parked the Jeep for his friend. They Both sat down in the waiting room. It didn’t take long for the others to hear about what happened and soon pretty much the entire pack were in the waiting room.

Melissa came out a few hours later with a sad expression. “She’s stable for now.”

“For now?” Stiles asked with extremely worried eyes.

“I don’t know how long she’ll stay stable for.” She hated having to tell Stiles that his sister was basically dieing. Two kids she’s known their whole lives and practically considered her own at times.

“Mom?” Scott stood up with eyes that begged his mom to not say what he thought she was going to say.

“Its not looking good, hunny. I’m sorry. We should probably call your dad, Stiles.” Melissa bit her lip in solace that they’d probably all have to say goodbye.

“What if I could help? The bite.” Derek spoke up, he was very close to the female Stilinski. They were really good friends and if he was being honest he had a bit of a crush on her. Maybe he could save her.

“No. That could still kill her.” Scottt shook his head protesting, not liking the idea at all.

Derek shrugged his shoulders, trying not to show how much the possibility of Y/n dying affected him. “I’m just suggesting. It would be better to try then do nothing and lose her anyway.”

“That’s not what she would want.” Scott argued back. Truthfully he didn’t know if Y/n would want it or not but she would make comments about how it'd be hard being one would make life. Wasn’t that enough? “Stiles, you know that.”

“Do it.” Stiles didn’t care at the moment what anyone thought. He just couldn’t lose his sister.

“Stiles-”

“No Scott.” Stiles turned his head to look at his best friend. Stiles glanced down for a second before he continued. “I know it’s not what she’d want but I don’t have a choice. We don’t have a choice. Plus she trust’s Derek…”

Stiles knew Y/n probably wouldn’t want the bite, not without real thought put into it. But there was more of a chance for her to live. If they don’t do it, she dies. If Derek at least tries she might live.

“We have to try. I can’t lose my sister, Scott.” Stiles pleaded with his eyes.

“If the bite doesn’t take, then we still lose Y/n, Stiles.” Scott tried one last time, but truth be told Scott did think it was worth a shot. Y/n was like a little sister to him, he didn’t want to see her die either.

“At least we tried, because Scott we’re gonna lose her anyway if we don’t.” Stiles stated before turning his attention back to Derek. With a nod he stated. “Do it.”

“Follow me.” Melissa nodded at Derek and he followed her.

It was around 45 minutes before they came back out of the room. This time their faces looked more relieved.

“She's stable and improving.” Melissa smiled, happy to be sharing good news.

“The bite worked?” Lydia questioned the older wolf. Hoping she didn’t have to bury another friend.

Derek nodded with relieved eyes. “It worked. I can sense it. Feel it.”

After all, she was his beta now.

“Good. Good.” Stiles nodded, running his hands through his hair.

“You know she might be pissed.” Lydia looked to Stiles with a knowing look.

“Oh she’s going to be pissed.” Peter stated tauntingly, although he too was glad the girl was going to live. She didn’t treat him like the others.

“Then at least I made the decision that saved her life.” Stiles knew he made the right decision. But he really just hoped she would eventually forgive him.

Eventually everyone went home to get some sleep. Derek stayed and eventually Mr.Stilinski showed up. He showed up just in time when Y/n woke up. He was in there for a while before he asked Derek to come into the room. Which really made Stiles nervous.

Derek left the room not long before their dad did. The two shook hands and Derek left the hospital. Stiles was finally told by his dad that he could go see his sister. For a while the two siblings just sat in silence. Till Y/n spoke up.

“I’m different now. You made that choice for me.” Y/n stated looking down at her hands placed on her lap.

“I didn’t have any other choice.” Stiles stated back. Y/n nodded in understanding and Stiles was grateful that she did. But he still had a bad feeling.

“I need a break Stiles.” Y/n said looking at him with eyes Stiles couldn’t dechirer.

“What do you mean?” Stiles asked, confused, now sitting up in his uncomfortable hospital chair.

“I’m going to stay with Peter and Derek for a while. I already talked to dad about it.” Y/n explained biting her lip. It wasn’t an easy decision for her to have made but she needed space right now, and she needed Derek to help her learn to control her new abilities. Peter too, oddly.

“Y/n-” Stiles tried to interject but Y/n shook her head.

“I need time to adjust Stiles. To get used to my new life, the changes to my body and mind.” Y/n told him hoping he’d get why she was doing this. Why she had to do this. Y/n loved her brother but this? She needed time. “I also need time to understand your choice for my future. To calm down and be able to control myself. I don’t want to get angry at you and hurt you. You're my brother, we’re closer than close Stiles. We alway have been. But right now, I’m afraid I’m gonna hurt you.”

“Ok” Stiles couldn’t say anything else. She was angry at him and was afraid she’d hurt him because of her anger. Anger at him for the choice he made for her. Even though she was pissed, she was still protecting him.

Taglist: @padawancat97

[pines4thetwin]

As promised, here's that fusion post for the three people that asked for it (drops it and runs).

Ford thinks of himself and Stan as one, an extension of each other, and lowkey hates that its not true nor possible.

And Mabel really shouldn't have shown him Steven Universe because now he's obsessing over the concept of fusions and his desire to be one with stan.

Now lets say this is Pre-Weird and everything is still tense between them and they aren't exactly talking but despite that ford still wants to be close and he knows stan does too.

He can see it in the broken resigned looks Stan keeps throwing his way. And listen, Ford isn't the best at communication but he can fix this. He may still be angry and self righteous and an asshole but he can fix them.

So now he spends an even more absurd amount of time in the lab trying to making it his reality and entirely disregards his base needs to the point even dipper is concerned.

He has a journal dedicated to this idea where he keeps all his notes and theories on how to make it possible. Would he have to alter their DNA for it to work or could it be possible for them as they are?

While doing the tests and research for his fixation he remembers a dimension he briefly travelled to back when he was younger and fresh through the portal. One where this concept, his desire, his fantasy, his wish was real. A dimension where it was was their culture, their way of life. And while he did think it was interesting then, he was young and angry and raw with unrestrained hurt. Too emotional to stop and study the practice the way he should have.

He beats himself up over it now. If only he had been thinking more logically him and stan could be one already. They wouldn't have to be so... apart.

He doesn't have time to dwell on his shortcomings though. He has to figure this out. He doesn't know exactly why but he feels like he's running out of time. Like he has to do this now or he'll never have the chance again.

Eventually he has his prototype and it functions well... enough. He just has one more trial to run. Except Stan comes down to check on him. 'Worried ford isn't taking care of himself properly.' or something like that.

And honestly, Stan in his space is the last thing he expects because they have an unspoken agreement. Stan roams above and Ford stays down here. And when they cross paths they both look the other way.

But stan is here and yes Ford is annoyed at first but this also means he doesn't have to go seek stan out.

"I told you to stay- wait actually this is perfect. We'll do it now," Ford fiddles with his device, turning it on and he really isn't thinking right anymore. He know the device works and that's all that matters.

"Do what now? Stanford, what is that," And Stan is kinda terrified because Ford looks... well he looks kinda like how he did decades ago when he had sent that postcard and Stan had come running because well, its Ford.

Ford looks insane, primal and unhinged, like he hasn't seen the light of day in weeks. And Dipper had told Stan, had been worried but Stan brushed it off because Ford locking himself in the lab and avoiding everybody, avoiding him wasn't a new development.

But now Stan’s worried because that wild-eyed look is directed at him again and the cowardly little animal in him is screaming at him to run.

It’s like Ford knows what he's thinking because before Stan has a chance to decide if he's going to shut down or entertain that scared little animal, Ford is grasping at him and pulling him deeper into the dingy little basement.

Stan trips and he fully expects his back to hit the floor but fords got and arm wrapped low on his back that keeps him from falling fully. And stan's hand is also tangled in fords sweater so even if Ford had let him fall, well they would have gone down together.

But then he catches sight of that thing again and it looks vaguely like a gun and why did he have to get saddled with the insane twin? He doesn't even have time to flinch because a bright light floods his vision and he blanks.

For a second, Stan's mind goes black and there's a strange humming in his ears. But then he hears a laugh he hasn't heard in forever. Soft and joyous and for a moment stan smiles. It's Ford's laugh.

Because he and Stan become one. And everything is warm and bright and as it should be. For a moment everything is right. It feels like coming home.

His-Their eyes open and Ford's confused? No, Stans confused.

"Sixer? Lee?" Their voice says, soft and bewildered. They look around, searching for each other. Stan? Ford? Where did they go? They look down and their vision swims. Four hands, five fingers? Six? It all blurs together.

Is this me, they think as one. Finally as one. Four hands run up the sides of their one body then stretch out for their wide eyes to view. Ford can feel his giddiness rising unbidden. And a whisper from Stan, rising to meet Ford. Uncertain but matching nonetheless.

Finally

Finally together... Finally fixed... Finally right.

They spin slowly, as if that will give them a better view of what they are now, and they catch their reflection in some dim glass. Ford wants to smile but their face drops, eyes horrified.

"What did you do," Stan says, voice a cutting accusation. Nausea erupts in their stomach. And that isn't right. Why isn't it right?

Something is wrong. Everything is so very wrong. Ford's head hurts. Or is it Stans. He doesn't know. They can't tell.

"I fixed it. I fixed us," Ford says and it isn't right either. Why is it still so wrong? Stan is angry. But why is he angry? Why aren't they happy? They're together. After all this time they're finally together again.

Ford can feel Stan pulling away. It's like their mind is splitting in two. Hot searing pain shoots through their head, four eyes closing when the world starts to spin.

Ford grasps ahold of stan and refuses to let go. He can't let Stan ruin this, ruin them. He will not let Stan destroy everything he's worked towards again. They've been apart for so long- too long but not anymore. Besides, this is for them. Stan will just have to understand. They are one now. Broken and wrong but one nonetheless.

"Let me go," They yell, tugging apart furiously. Their shape shifts and distorts but doesn't split. Ford won't let them. They snap back together painfully, stumbling on two bulky legs, one that branches into two feet. Wrong.

"No! This is what we wanted right," their voice bellows, loud and angry and wrong. So very wrong. "For us to be together. Always together."

They grip at their hair as if trying to pull themselves back apart. Stan.

"Not like this. I never asked for this." they shout back, voice sharp and hurt and why aren't they happy now. They should be happy. This is right. This is how they are meant to be.

Even as the anger and hurt courses through their entire being, Ford knows he wouldn't want to be any other way. Stan's angry and scared but at least they're one. They're shattered and hurting but even then some small part burns in them, it's a tiny little ember but it's both of them and it says yes.

Another set of hands reach for the ones in their hair, pulling them out and restraining them. Betrayal spikes, scorching and increasing rapidly even after years of dormancy. Ford.

"Stop being so ungrateful! You're always so-." angry tears spill from their eyes. Decades of hurt and anger and resentment spill forth to mix into a sense numbing cocktail but most of all they feel alone. So very alone. Them.

They grapple and struggle and Ford's device glints from the corner of their eyes. Ford can feel Stan's intent before their body even moves. Being one now, it's like their minds have melded which means Stan knows the device's purpose. And he intends to separate them.

"NO!" Ford bellows, voice priggish and angry, hurt tinting the singular word so strongly that their body stalls. Why would stan- Why doesn't he want them to be together?

"Grunkle Stan?" Their head whips to the left, eyes locking with a confused and tired Mabel’s. Their focus splits, body jerking in an awkward aborted movement as Stan tries to move forward and Ford holds him back.

“Pumpkin grab that- Mabel don't-” And why can they never agree on anything. When did everything go so wrong? 

Flashes of being in this very lab, so long ago- but no, it was before that even.

Mabel stares at them, scared and confused and stan has never wanted her to look at him like that ever. But Ford doesn't register it because for a moment, one split second, Stan stops fighting him. 

They don't hesitate to rush forward, very much intent on destroying their creation before it has a chance to be used against them. To hurt them.

Two small hands wrap around it before they can get ahold of it. Mabel clutches it to her chest, watching them with something too close to fear. They freeze in place, hands raising in surrender.

"Sweetie," Falls from their lips, pleading. For what though, they aren't quite sure. Because their mind, it should be one yet it isn't. It's at odds, fragmented by a fear and necessity that clash so strongly it could tear universes apart.

“Press the green- Don't you dare-” They speak at once, words and thoughts overlapping. Large hands cover their mouth, two others gripping uselessly at wrist that refuse to budge, because regardless of whatever insanity that has plagued Fords mind to make them act this way, Stan will not let their voice- their words even hint at a threat towards Mabel.

Mabel's head bobs, looking from them down to the thing in her hands, unsure of what to do. Stan nods, eyes pleading.

Ford lashes out, angry and hurt and thrashing like a wild dog. 'Stanley please no. Why don't you want us to be-' Stan is retreating, silent and distant. 'Lee. LEE!'

Everything goes dark.

Ford rises slowly, head spinning and ears ringing. He has the worst headache he has ever experienced. He stares at his hands, splayed on the floor. Two hands, six fingers. Wrong.

His head whips up and his gaze finds Stan's crumpled form across from him on the floor. Stan's glaring at him, thick angry tears spilling down red cheeks.

No. No!

His head turns slowly and his eyes fall on Mabel. Mabel who is standing with his prototype in shaky hands looking between a separated Ford and Stan. He... failed. And now they're...

Apart.

Broken.

Wrong.

[ar-cadez]

Count Duckula Fan Rewrite!!

Recently I’ve been working on a Count Duckula rewrite that aims to give it a slightly more serious tone and semi-serialized story like many modern cartoons! It took some time, but I made redesigns of the main cast. I had fun making this project and I REALLY hope you do too! Because I’m extremely nervous that the small fan base Count Duckula does have will hate this

I haven’t actually finished the show btw so if there’s an antagonist or smth that shows up later I should’ve redesigned.. lmk! I’m open to suggestions I really like this show..

—————————————————

Basic Concept

Practically the same as the original show! There is a long line of reincarnations of a wicked vampire duck named Count Duckula, the most recent reincarnation went wrong and now the current Count is a vegetarian and much more interested in becoming famous than being evil.

Some major differences include the tone and story structure, being semi-serialized and having more serious arcs mixed in with the antics, along with a lot of changes in characterization. A big story change is also that Nanny was not hired until AFTER Duckula was reincarnated so Igor was the one who screwed up the ritual.

Tone wise I’d also like to slightly age up the target audience so it could get away with a bit more dark humour. My favourite part of the original show was moments that were just so morbid and completely brushed past. 13+ would be fine methinks.

Basic plot of the average episode would be about the count’s hyperfixation of the week and trying to get famous or profit from it. Not every episode would follow this structure though.

The grander themes of the series would be all about expectations from family and strangers and how those expectations can be completely false.

—————————————————

Characters

^^ Final lineup! ^^

Sketches (less interesting poses but shows off some things better)

Count Duckula!

What I wanted to change

I feel like Duckula from the original spin-off was already a really strong character! There is a lot to him and really all I would want from a more emotional reboot is to dive into what’s already there. I did kinda project on him a bit in this rewrite though… gotta write what’cha know!

I also changed his design quite a bit. I never thought the suit fit his personality and I wanted to go with something a little more bright. If I go back again I might saturate his shirt a bit more. I also wanted all the residents of castle Duckula to have purple in their designs and for duckula and Towser to share similar colour’s inversed

Character Traits

Hatred of his legacy

Duckula is the first member of his lineage to not be an evil vampire and he hates that role that is expected of him. This is partially what drives him to be the nicest duck he can be, in hopes of shaking off his legacy. This also causes him to reject anything that's “spooky” or has to do with vampires. He physically can't eat meat or blood due to his botched resurrection, but even the sight of either distresses him.

Attention Drive

Due to his infamy, all Duckula wants is to be liked by the general public. Everyone in his town is automatically scared of him and he tries really hard to change their opinions on him whether that be through attempting to bea good samaritan or by performing in town. (Both tend to end poorly for him)

ADHD and Theatre Kid Behaviour

Duckula is constantly picking up and putting down new forms of art and performance. This can be anything from oil painting to American football. He does tend to get frustrated or distracted and abandon projects or crafts entirely. His favourite artform is acting and music so as you can imagine he's very into musicals. His musical talents are decent but his acting is awful. He’s also known to loud and overly excited over his interests

Ego and Cowardice

Being given a position of power the day you came into existence does have the tendency to make you… immature to say the least. When in danger, if he even realises there is any, Duckula’s first move is to use his title as leverage. If that doesn't work, his second is to beg, grovel, and lie his way out of the situation. That, or hide behind his much more intimidating companions.

Rich Kid Syndrome

Having the majority of people you know be your house staff really messes with your sense of responsibility. Duckula can hardly do many basic life skills on his own because of this. It's not like he is completely lazy but he does have executive dysfunction and has yet to realise that fact, causing him to procrastinate on many things and completely forget or just get someone else to do it.

Not Naturally kind

Being his father’s reincarnation, it only makes sense that Duckula would inherit many traits from his past lives. Many of the other Counts were ego-driven cowards with desires for fame. They just went about it differently. Duckula actively tries to be kind and polite but a lot of passive aggression and snark slips through the cracks of that veneer. He would never want to admit that he has ANYTHING in common with his ancestors and he hates that being nice doesn't just come naturally to him. Being an immortal, Duckula also has a skewed sense of mortality and often doesn't understand the severity of certain injuries and situations.

This Duckula has ADHD and Autism in this rewrite and he struggles most with executive dysfunction, restricted interests, memory issues, atypical empathy (not specifically low or high), sensory issues (mostly with eating and some sound), and social cues. He also stims.

Towser!

What I Wanted to Change

Towser isn’t even really a character in the original. Just a running gag without a face. I wanted to balance out the main cast by adding another female character since I have feelings on Nanny as a character and i didn’t know if i would even be able to salvage that.

I really like what I came up with! She’s fun to me and I’ll probably flesh her out more later.

Character Traits

Family drive

Towser has little interest in birds that aren't close to her and it usually takes awhile for her to get used to new people. However, she’ll protect those that she does care about with her life. She is the castle’s guard dog and will do whatever’s necessary to protect it. This often comes at the cost of her sleep, because she feels like she always needs to be awake to protect them.

Tag Along

Following Duckula around like a puppy is what Towser does best! She might not fully understand his enthusiasm on certain subjects, but she's always up to backing him up on his newest fame seeking endeavours (though she herself prefers physical activity over creative works). She never expects anything to come of it, but hey, at least it's something to do. She also likes to hear Duckula rant to her about his interests.

Big Sister

Towser is of a much more stable mental state than Duckula, and as his only friend around his age, he trusts her more to be someone to talk to about his identity issues and issues in general. The two are a lot warmer towards each other than they are anyone else, and can also get away with messing with the other a lot more.

Big ol Lap dog

When in werewolf form, Towser tends to forget her size and often crushes them with her size. This usually wouldn't be a problem if it weren't for the fact that she's always a lot more cuddly and energetic in wolf form than bird form. This is because, as a werewolf, she's only in wolf form at night and being a fully nocturnal bird that should only be awake at night, this messes with her sleep rhythm a lot.

Igor!

What I wanted to Change

Personality wise Igor is already really strong and I didn’t change much of that. You’ll probably notice from the sketches that Igor has a skeleton hand, that’s because I made him undead in this version just to give a reason to how he’s been able to live this long since the original doesn’t really have one (which is fine)

Character Traits

Devotion to the role

Igor has been the Count’s butler since the first incarnation. He was assigned to keep the Duckula legacy alive by reincarnating his master every time he meets his fate and helping him readjust every time. Helping each new reincarnation bring misery and fear to the town they reside by with a smile… Until the most recent incarnation of course. He’ll stick it out though, because he still has hope for him.

Taste for the macabre

Whether it be killing innocents behind the back of his new master, decorating the castle with cobwebs and bones, or using his undead nature to scare and torture those around him, Igor certainly has an interesting idea of fun. Igor gets a sick enjoyment out of causing others distress and despises all things kind and cute, something which definitely frustrates Duckula, who's desperately trying to fix his own image.

Bitter Traditionalist

Having lived through the centuries in castle Duckula, Igor has gained an appreciation for the history of the place and the vampire ducks that have resided there over the years. He’s rather invested in the lives of his previous masters and is extremely cross with the newest incarnation for not only not caring about that past, but also completely disowning it. Igor tries desperately to get Duckula to be a normal vampire, truly believing it could work with enough effort. Less he spend the next few centuries with a vegetarian for a master… Igor would not have a problem with Duckula pursuing fame if it weren't for the fact that he thinks it's distracting him from true vampirism.

Tired old man

Igor has lived for many centuries and he does not feel as if he should have to babysit for an immature man child like Duckula. He would rather ignore or snark the young count rather than actually talk to him. When the two argue its a constant back and forth of passive aggression and personal jobs that they almost always forget what they're actually arguing over. Duckula is physically and mentally very young (17-early 20s) compared to Igor’s other masters due to the botched revival and he doesn't know how to, or want to, deal with it.

Nanny!

What I Wanted to Change

I’m sorry to any hardcore Nanny fans out there but this is practically a whole new character. I find Nanny to be frustrating and annoying in the original and who I personally feel is a very sexist and mean spirited character. There’s absolutely nothing I would want to write with a character who’s just “big stupid fat woman inconveniences everyone around her” it’s just uncomfortable after a certain point.

My idea for a new take was just an extremely kind older woman who’s a little airheaded but is a lot smarter than people give her credit for. This sets her up as a foil to Igor. She’s also the only non-monster resident of the castle in this version which I personally think is really interesting.

Character Traits

Only good influence

While Igor actively sets out to make Duckula a bad person and Towser couldn't care less about how Duckula acts, Nanny is the only direct influence in Duckula’s life who pushes him to do better. Nanny believes Duckula is a good person at heart and pushes him to take more responsibility in his life. She wants him to learn a good work ethic and is fully supportive of him trying to better himself.

Good Christian Woman

Nanny is, in fact, a christian. She is fully aware of the demonic nature of her companions but believes that everyone can better themselves no matter their circumstances and attempts to better those around her. Igor hates her for it but she’s totally ignorant to that fact.

Assertive Mother Figure

Though Nanny is a very kind woman, she is also not a pushover. She will assert authority over Duckula and anyone else if necessary, and most are compliant once she puts her foot down, if they aren't, however, Nanny does pack a punch and won't hesitate to use her strength to protect her family.

Smarter than she seems

Nanny is an airheaded optimist with a big heart and those traits make her come off a lot more clueless than she actually is. She may seem like she has no idea what’s going on but she’s actually very observant and is fantastic at assessing a situation and finding the best course of action.

Dr. Von Goosewing

What I Wanted to Change

I really liked the idea of the antagonist to Duckula was in a liniage of vampire slayers and that their ancestors have been fighting for generations. It gave me the perfect set up for a ✨SHADOW ANTAGONIST✨ I wanted to make this rewrite have the two reflect each other a lot more. To do that I wanted Goosewing to still be a really cooky guy but I didn’t want the public to know that.

Also I have no idea why he’s dressed like Sherlock Holmes in the original if he’s a Van Helsing parody and also an inventor. You could’ve leaned into either of those ideas but for some reason he’s dressed like a detective? so I tried giving him a more fitting outfit but keeping his colours for recognisablity.

Character Traits

Playing Village hero

Goosewing is considered a big deal in town because of his family of vampire hunters. He’s prepared his whole life to kill Count Duckula the moment he comes back and to protect the common folk from the paranormal. Despite this, Goosewing isn't actually particularly skilled at his job and usually ends up failing his assassinations due to his own incompetence. He feels like he has to play the role as a hero to continue his family’s legacy despite not particularly enjoying it or being good at it.

Overestimating the enemy

With how cunning and malevolent the past Duckula incarnations were, Goosewing expects the same from this one. Goosewing believes that Duckula is a dangerous and clever foe completely focused on causing others pain. In reality, Duckula is the most incompetent bird in all of Transylvania, aside fromGoosewing himself, of course. Goosewing also comes to believe that Duckula is only acting nice to later betray the public, a belief he is not quiet about and that keeps the public from trusting Duckula.

Mad Scientist

Goosewing definitely falls into the eccentric scientist trope with his innovative but scatterbrained nature. He would much rather be working on an invention than actually doing his job. The public sees him as a hero but while hunting vampires or when hes alone he comes off as more of a mad scientist than the hero character he plays. His intentions are ultimately good but are completely based on the assumption that he’s the wholly good protector of the people and that Duckula is a cunning villain who's out to get him and everyone else.

Shadow

Goosewing and Duckula reflect each other in a lot of ways. They both have a legacy they are expected to uphold despite not wanting to or even being able to, they both care deeply about the public’s opinion on them while the public has an incredibly incorrect view of the both of them, and they both have creative interests outside of the roles expected of them that they'd rather be persuing. Duckula fully rejects anything to do with his ancestry, while Goosewing is actively trying to fulfil despite not enjoying it.

The Murder Brothers!

What I Wanted to Change

Haha I called them the murder brothers bc they’re crows and criminals Im actually so funny… anyway. I don’t know if I should’ve even done these guys but I really like them as antagonists so!!

I gave the younger two names and a personality. The wiki said they didn’t have names but if they do lmk and I’ll just fix that. Other than that I didn’t change much except try to give ‘em a bit more depth and changing their physical designs a ton for fun.

Character Traits

The Murder Brothers, as a whole, are a tight knit family of con men crows who pull any grift they can to get their hands on some cash. Though they may act like their only loyalty in life is to money, they do genuinely care about each other's well being

Ruffles

Ruffles is the short tempered and eldest leader of the group. He’s constantly frustrated with his brothers’ incompetence and isn't quiet about it. He believes that if it weren't for them he'd probably be a lot further in life by now (which isn't true) and he’ll say he doesn't care about them, but he actually does.

Burt

If he didn't insist on helping his brothers, Burt would be the most likely to be living an honest life. As the second oldest sibling, Burt holds a position as right hand man. He’s a naturally kind and enthusiastic bird who, while a bit dumb, does openly express his love for his brothers. He takes on a lot of the abuse from his older brother and is often used by the group to talk to others, because he's so naturally trustworthy.

Reggie

Reggie is the second youngest of the brothers and the most relaxed out of all of them. He has an impeccable sleight of hand and is the go to for lockpicking and such. He’s a decent smooth talker and is often the one to break up fights, though he's not above getting angry at the others himself.

Leroy

Leroy is the youngest of the brothers and by far the least skilled. His speech is incomprehensible from under his mask (although he can see through it for the most part) and he’s often left with the worst jobs during their cons because of that. He’s the most timid out of all of them but I’m sure if you took that mask off of him he’d be really talkative.

—————————————————

Ending Words

Well that’s all I got! I spent way too long on this project that maybe two people will care about and one of them is me 💔 Anyway if I make anything else for this rewrite/au I’ll tag it with #wbcd . I wouldn’t count on it because I mighttt get burn out from this but im just so glad I finished it! I’ve thought about writing a pilot script just for fun but idk. I’d like to do more long format au stuff, I was going to make a YouTube video about this but I almost cried trying to record myself so I gave up 💔

[onedeadkitty]

Mizus Gender

He/him they/them she/her pronouns for Mizu

I know the writers of the show wrote blue eye samurai with Mizu as a woman disguised as a man in a way similar ish to Mulan but uh

They accidentally made it deeper than that ??

If you removed like 2 lines of dialogue in episode 5 you could even make an argument for trans masc Mizu. Or at the least gender queer.

Being transgender is not a concept in this time period. But trust. People have always wanted to be other genders, probably for the entirety of human history. And how someone would go about being trans in a world with no true understanding of the concept, might be similar to what Mizu IS DOING RIGHT NOW.

Living as a man. PERMANENTLY. Not temporarily to achieve some near goal like Mulan and the many other stories with this concept. Mizu has lived as a man nearly their entire life and no intention to ever live as a woman in the future.

Mizu admires their freshly binded chest in the mirror as a teen.

When alone Mizu refers to himself as a man.

When alone with Ringo, (someone who knows the secret) Ringo also refers to Mizu as a man.

Mizu threatens to straight kill Ringo at the the very use of the word “girl”.

When, and ONLY when seeing 2 MEN kiss does he think of Taigen.

Not to mention madame Kajis indelicate insinuation of gay sex to Mizu, something I believe wasn’t for no reason. OR Madams iconic line “you are more man than ANY come through my door” (I’m convinced she has an idea of Mizus true sex but doesn’t care to accuse or call them out for it)

They HAD lived as a woman in the past. Only for about a year, and they did it to get married for her mothers sake. To save her from a life of prostitution. She was able to be happy, because it IS POSSIBLE to be happy while not presenting how you like. It’s a strain and some can never be happy doing so but it’s possible and people do it all the time to make their lives easier or to keep the peace with family or for many other reasons.

Episode 5 gave HUGE VIBES of going back into the closet when living with your parents or just visiting. And Mizu looked SO uncomfortable and awkward in woman’s clothing and doing “wife things” (partly cause they have never done that before) and maybe it was my own projecting but I felt so uncomfortable FOR Mizu.

These things don’t necessarily mean being a transgender man specifically. Gender is actually really complicated and has ALOT to do with what society deems it.

Mizu is a masculine person. Being what Japan wants women to be isn’t in line with what Mizu is. A violent, practical, stoic, cold, masculine, confident and capable warrior.

dressing up as a woman with the makeup ONLY to try and make her husband happy. She didn’t WANT to. “To soften her husbands heart, the bride… danced” performed femininity FOR HIM. Only for Mikio to betray her for, in his eyes, being more masculine than him, by beating him in a physical fight.

Mizu is both the ronin and the bride. Mizu will be whatever they need to in order to achieve their owed deaths. They HAVE to be a man to get their revenge but that doesn’t mean Mizu WANTS to be a woman. (To be fair who WOULD in that time but I digress) and it doesn’t mean they WANT to be a man. They WANT their revenge. Everything is secondary to that.

Mizu is so different from other characters…

I grew up in a kinda misogynistic place and my mom really didn’t let me “do boy stuff” or dress masculine in any sense until my late teens. I my self don’t know if I can even call myself Trans. But I’m masculine, I like looking like a man and dressing as one but I don’t WANT to be a man necessarily. But I don’t WANT to be a woman. I feel like we as a society put to much distinction between the two and the people who don’t fit either side get left out at times.

Mizu is such a relatable character to me, like no other characters complicated feelings about their own sex and gender have ever come close.

They are for those who don’t have a strong sense of their own gender. Especially those who are biologically female and hesitant to lean into their sex because of the societal baggage.

Once people realize that how you dress, how you act, and what you do in reality have nothing to do with your bio sex and everything with what society has forced people to do based on factors out of our control is the day we can finally stop having these conversations.

Do what you want, gender is fake.

But Mizu is forever 🫶

[weebsinstash]

Just when I was chugging my Batfamily juice and was trying to nail down an idea for that, here comes season 2 of Invincible, "hey you wanna see an alternate universe version of Mark who turns evil like his father and when Eve rebels against him he literally PRACTICES AND PERFECTS how to non-lethally PERMANANTLY PARALYZE HER so he can stop her without killing her"

Like genuinely the actual psychotic yandere adjacent behavior and he's also gaslighting her the entire fucking time, like genuinely one of my favorite but most infuriating tropes of the "unwilling hero x infatuated villain" dynamic is when the villain is like psychologically manipulating their intended conquest with the whole, "I didn't kill your friends, YOU killed your friends when you recruited them to stop me/run away/save your planet whatever. sweetie i hate seeing you upset so why did you make me break your toys"

I know the clip is about Mark but I can just see Nolan and a human/hero darling and you're desperately trying to run away from him, break up with him, literally run away and disappear, and you've got all your friends and coworkers helping you literally like, leave the country, maybe even leave the planet, and here comes Nolan crashing in, reducing all of your friends to just PASTE and you're sitting there mourning and screaming and horrified and here's Nolan just tut-tutting at you, "why would you make me do something like that? You think I WANT to make you cry like this? You got a little scared and got your friends involved on some little scheme and now look what happened! Honey can't you see why I'm worried about leaving you alone? You need me"

It's like. It's like in Don't Worry Darling where the boyfriend would rather keep her completely helpless in an unfulfilling mediocre life when before she actually used to have significantly more agency and played a role in society but he thinks THIS is what's best for her, and inherently implying being his wife is all she needs. You could be like a molecular scientist or some shit and Nolan will think you're so cute and smart but it's in an "oh look at you and your little human tech, that's so cute, not anything like MY species though" infantalizing way. You could've been a scientist on the cutting edge of technology furthering your species and Nolan is just like, "but it's just human stuff" and thinks it doesn't matter because. I mean. He loves you but your lifespan is NOTHING like his, and your planet is already going to be conquered and Viltrum doesn't really need your work, so, just, settle into being his complacent little mate ok? Just focus on being his companion and, if you're able, he'd like to start on making a family--

I think it would be absolutely horrifying to find out you're pregnant and be trying to run away from this man with the baby because like. Fuck off if you think he'll let that happen. And in another twist, could you even imagine if you turned out to be a viltrumite hybrid or some kind of powered mutant too. Imagine being absolutely terrified and running to get an abortion and they can't even sedate you because suddenly your skin can't be pierced by a needle. Like actually on a conceptual level just, brine in the concept of not even having abortion as an option, knowing there is some inhuman hybrid growing inside of you that has now completely taken your body for itself, cannot be removed, holding you hostage like a malicious little parasite. Meanwhile Nolan is OVERJOYED because this is going to be his first baby ever and, obviously, the first baby the two of you are having together. The first of many, he hopes

I also think it'd be like. So fucked up if this is some twisted "something unrelated and unfortunate happened to Debbie" scenario where Nolan is raising Mark on Earth already as a single father and THEN Nolan falls for you because like. Imagine technically being not that much older than his son and the second these yandere aliens attach themselves to you, you've got a husband who you don't even know how old he is and a "son/brother" who's like. Maybe not even 5 years younger than you. Like can you imagine making friends with Mark and you're like hanging out and playing video games and suddenly it's just "Oh hey dude your father's been acting kind of weird around me, and-- wait what? What do you MEAN you guys want me to live here. What do you MEAN I could be like a big sister to you, bro we were just playing Xbox--"

You think of Mark as a buddy and friend and you eventually find out he and his father are straight up stalking you and starting to dig their fingers into your life and your business. You're at work running back and forth not knowing the figure floating and watching from however many hundreds of yards away amd scowling as you're worked to the bone. You grab a drink with a coworker and they kiss you at the door of your apartment and the next day they got into an accident that sent their car off the road, killing them. You vent personal private feelings to Mark because he's a good friend in your relative age group and he's running off, "DAD LISTEN--" "oh so That's why they've been like that. Huh. Good work, son." like the actual fucking levels of SCHEMING

And just when you think maybe you've gotten away and shaken them off, then you've got some third motherfucker suddenly showing up at the secret hideaway in another country you poured the rest of your money to. An old man with white hair and an unamused expression introducing himself only as Cecil as he not so subtly threatens you that he has Nolan on speed-dial and that the American government has an especially vested interest in you returning home, maybe or maybe not to pacify the not one but TWO extremely irreplaceable alien protectors of the planet, and then you've got Seal Team Six already shoving you in a duffle bag and dropping you off on the Grayson doorstep just in time for dinner

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[tobiasdrake]

Having talked a bit about both Chi-Chi/Goku and Bulma/Vegeta, I wanted to talk a bit more about Chi-Chi and Goku's relationship, and why it works for these particular characters.

As I talked about before, Goku is an aromantic character. He's also probably asexual or at least on the asexual spectrum. He's obviously not sex-repulsed as demonstrated by the existence of Gohan and Goten, but he's disinterested in the pursuit of romance or sexuality. Or any social endeavors, for that matter; Disappearing for years at a time while none of his friends get so much as a word from him was normal for Goku long before he ever even had a family.

It's a practice he retained even after he "settled down" with Chi-Chi.

"See ya later, Chi-Chi! I'm meeting up with all my old pals for the first time in five years."

This is just how Goku is. He doesn't have much of a social instinct at all. He has hyperfixations he wants to pursue, and he has varying degrees of "I do/do not like this person". but he isn't driven to socialize. The reason he's living with Chi-Chi is because he made a promise that he would live with Chi-Chi.

Yamcha's explanation here is Goku's sole conception of romance. They have to live in the same house now because that's what Goku promised her. That is Goku's one and only wedding vow.

He. Uh. He's not even very good at honoring that much.

Goku you literally only understand the barest possible minimum of what this social contract means and you're still failing at it. How do you even.

In any case, what makes Chi-Chi/Goku work is the innocence of it. Because Chi-Chi's comprehension of what they're actually doing here is as limited as Goku's is.

That's it. That is Chi-Chi's comprehension of romance. She is backest of backwoods Alabama Royalty. In this scene, she was five seconds away from letting herself be manipulated into thinking that a man that did this a minute ago was secretly in love with her:

See, it's okay 'cause he said "I love you" afterward so I guess this was all just a misunderstanding!

I'm not exaggerating when I say that Chi-Chi dodged a fucking bullet given the quality of relationship she could so easily have been suckered into. This girl was destined to be a domestic abuse victim.

...uh. Y'know.

Apart from one of the grossest jokes Toriyama ever wrote, I mean.

Point is, Chi-Chi is in the same boat as Goku. For Goku, this all started over a misunderstanding. He didn't know what Chi-Chi was talking about when she said she wanted him to ask for her hand.

For Chi-Chi, it's exactly the same. This all started over a misunderstanding. She didn't know that Goku just learned what girls are like three days ago and had a bad habit for a while of groping people to discern their genders.

Both of these kids are naive, innocent morons.

This innocence, this total lack of comprehension for what they are actually doing for both parties, is what makes their oddball contractual dynamic come across as funny and inoffensive. They aren't in love with one another in a romantic sense; They're playing house on a large scale.

The first day they met, they made a contractual agreement off of mutual dumbassery. The second day they met, the got married to fulfill that contract. Now they're trying to do the things that Chi-Chi was socially conditioned to believe you're supposed to do when you're married. That is their entire relationship with one another.

There is an innocence to all of this that allows the aroace Son Goku to be in a hetero dynamic without his partner coming across as predatory.

This, incidentally, is also why it's for the best that nothing ever came of this:

Yeah. Oh yeah. This. If it had been Bulma instead of Chi-Chi, this absolutely would have come across as predatory.

With Goku being aroace, there's essentially no possible way these two characters could get together romantically that wouldn't seem unbelievably manipulative on Bulma's part. Unlike Chi-Chi, she knows exactly what she's doing. She's super-intelligent, socially literate, and supremely amoral.

If these two got together, it would absolutely feel like she was taking advantage of Goku's naivety. That's why, though their relationship is arguably the strongest and the single-most important interpersonal relationship in the series:

It vitally remains platonic to this day.

This is, itself, the beauty of Toriyama's character writing. His plots have varying degrees of jankiness to them, his "traditional values" and sometimes flagrant sexism bleeds through his work, and there are some really gross moments here and there. But one thing he grasps well is the unique dynamics of every interpersonal relationship.

At no point are these characters simply "A group of friends". Every relationship between two characters is unique, built upon their own personal identities and histories with one another. Tenshinhan's relationship with Goku is not the same as his relationship with Gohan, his relationship with Krillin, or his relationship with Vegeta.

And they often defy easy categorization into boxes like "The Lovers" and "The Pals" and "The Besties". Goku's relationship with Bulma or Vegeta or Chi-Chi is what it is, and it is nothing else, but what exactly it is isn't easily pinned down into a neat, digestible semblance of normalcy. It just. Is.

[elvisabutler]

Austin!Elvis x reader - Elvis convinces the reader’s mom to let her stay at Graceland for the whole summer. You can do whatever you want from there.

queen of graceland

summary: your parents don't like elvis one bit. you do like elvis quite a bit. somehow you get your parents to allow you to stay with your boyfriend all summer. the two of you have a plan to make your stay permanent. fandom: austin butler | elvis ( 2022 ) | elvis presley rating: m pairing: austin!elvis ( 50's ) x female reader word count: 5007 ( do i have an explanation? no, no i don't. but welcome to why my requests take a hot minute i guess? ) warnings: p in v sex ( unprotected ). oral ( f receiving ). breeding kink. mutual weirdly wholesome entrapment. everyone is of age. going against parents' wishes. controlling parents. pregnancy. gladys' death is mentioned at the very end. mentions of elvis's close relationship with his mother. author’s note: first off anon! thank you for this request and saints preserve me i am truly sorry it took so long to get to it and it turned into- well this. so i got this before i did kinktober and blah blah we all know life is hectic around the holidays but once i realized this clearly is happening with an of age reader and all that jazz i had to pick an elvis and while i believe it can be agreed that this prompt lends itself well to a sort of dark ( or innocent tbh ) 70s elvis thing- my brain settled on this interesting 50s elvis mutual entrapment breeding kink thing that was originally a little darker but still has those morally grey tinges. i hope you enjoy anon, i did actually really like this prompt from the moment i got it. special thanks to @blurredcolour for being my 50s elvis woman always and my partners in breeding mrs. presley crime, y'all know who you are. and if you all so desire you can imagine elvis in this. but i did try and stay closer to the movie than i have lately on some of my specifically austin elvis requests as of late.

Your mama hates Elvis, it's a fact you've known since the moment she laid eyes on him when you brought him home. First it was that he wasn't good enough for her daughter, too poor, too stupid and too destined to be in the poor parts of Memphis until he dies. Then it was that he was too vulgar and too free wheeling and he was just gonna hurt you, besides what would he see in the girl he left behind at home. All the things she whispers in your ears aren't true because you know as well as anyone the Elvis is practically obsessed with you to the point of madness. It flatters you and delights you enough to make you want to keep him until the end of both your lives. It makes you want to claim him and keep him as your own, to be at home while he travels the states or to accompany him, whatever he wants and whatever brings you the most pleasure in your life.

These wants are how you found yourself practically begging your mother for permission to spend the summer at Graceland after Elvis has already plead his case. You're nineteen and an adult but you still live under your mama and your daddy's roof so their rules are law. And their main rule is one date every two weeks with you and your boyfriend. The concept of you spending an entire set of months with him is not one they're willing to easily agree to but you promise that no funny business is going to go on and besides, his own mama would rather die than have him do anything untoward to you. Nevermind that she's been pressuring him to put a ring on your finger since she realized that you were fine with how close they were, found it endearing and hoped, God willing that your own son and you would have the same sort of relationship. Granted, you were aware that it was unhealthy and all but- Elvis wasn't ever going to unwind himself from his mama so you dealt with it, you could deal with it and charm her to where she needed to be charmed.

Elvis doesn't waste a minute as soon as he sees you walking up the steps of Graceland, carrying two bags full of clothes you planned on wearing while you were there. He takes them from you despite your valiant protests and sets them down by the door the moment he shuts the front door.

"Can't believe you got her to agree to it." Elvis grins, practically bouncing on his heels. He looks like a kid in a candy store, like you've given him the best present you could have for his birthday, his Christmas, his everything. "Getcha all to myself all summer."

You move closer to him moving your hands to his hips and pulling him in for a kiss that's supposed to be chaste but- you've missed him too much to try, instead allowing your tongue to meet his and your teeth to pull at his lip earning a low moan from him as you pull away. "If you do your job right, it'll be longer than the summer, Elvis. I'll be here every summer. Every winter." You move one of his hands to your stomach. "I'll be here every second you want me and them to be."

His eyes widen just a hair before he rubs at your stomach, picturing you full of him, your stomach swelling with a baby or two he's put there. Picturing you going home to your parents only to be sent back because his child or children are growing inside you. The only thing that keeps him from pulling you inside and fucking you against the nearest surface is the knowledge that his mother and Mary and Grandma Dodger are in the kitchen but he moves closer to you anyway, pulling you inside as he nips at your ear. "That you askin' for a baby, Satnin? Askin' for me to fill ya up before ya go back to your parents? Make them see ya belong wit' me?"

You feel your arousal pool in your undergarments as you clench around air, wishing he was having sex with you already. Wishing you could feel his cock filling you up in just the way you needed. A noise of pure desire- a mix of a coo and a whine- leaves your mouth as you push him against the wall by the door. "That's me beggin' for one, El." Your own accent thickens, brought on only by the desire coursing through you at proving that you belong by Elvis's side.

Elvis looks like he's about to say something, or like he's about to lift you up against the wall- everyone be damned before he hears his mother shouting his name and he growls against your neck, allowing himself to at the very least shove his knee in between your thighs. Gladys comes around the corner, grinning and looking pleased as punch to see you even as you take just a second to grind on her sons' thigh as you smile over his shoulder at her.

"Y/N!" She shouts, starting to walk to toward the pair of you, causing Elvis to move his thigh from between your legs and turn to face his mama. "Bewbie, you were supposed to tell me when she got here!"

Elvis has the decency to look chargined for a moment, burrowing his face into your shoulder like a little boy and mumbling. "Mama- she just got here and I missed her."

"And you think I haven't?" She frowns, lightly slapping his arm and pulling you away from him. If she notices anything about his lower half she doesn't say anything, instead focusing on pulling you in for a hug. "A whole summer with us, oh- I was thinkin' I was gonna have to talk to your mama myself to convince her." She pauses and looks at Elvis. "You'd have thought she thinks my bewbie's gonna ruin you."

Elvis looks over at you as his mother just squeezes you in her hug. His teeth are biting into his lower lip as he tries not to laugh, knowing fully well that had she not interrupted you that he would have been well on his way to ruining you by the front door. Your smile back at him is full of promise and can barely be called a smile, edging more to a smirk than anything else. The idea is for him to ruin you this summer, you are both entirely aware that your parents will never let you be with Elvis as long as they live unless something drastic changes. Unless they're forced to allow him to be with you and while you like to think there's a better option, from the way you and Elvis keep looking at each other you both have come to the same conclusion, there isn't. He's never going to be good enough in your parents' eyes for their baby even if he makes all the money in the world or if he settles down and stops making that rock and roll music. No, he's always going to be that boy they don't like, that boy who'll only ever bring ruin to their baby girl. Even if that's the furthest from what he is, from what he wants to be.

In a perfect world, he likes to think he'd have you after seeing you dressed up all in white, looking a vision from the bible, all virginal and ready for him to explore in ways no one ever had or ever would after him. You'd be underneath him, writhing and panting in the way you do when you both get a little hot and heavy in his Cadalliac but he'd have you bare and so open to him. So open to be able to receive his cum, so open and ready to give him children so that he could see you swollen with him. So that he could see a little blond boy or girl suckling at your chest with you all sweaty after having brought them into the world.

in a perfect world, he likes to think the two of you would have a gaggle of kids after you got married and that he'd take them on the road with him. Get himself a bus like BB where he can just have you and his kids as a little moving sanctuary or maybe just have them at home with you taking care of them. He knows you might wanna work outside the home but he also knows that can wait, he could provide for you both and for anyone else for now. In this world though, in the world you both live in he has to find a way to even have you for longer than a summer and drastic situations call for drastic measures. The pair of you are so busy looking at each other that neither one of you are really paying attention to Gladys when she pulls away and says something to the both of you only to shake her head at how little you're both paying attention.

"Ignoring me because you can't take your eyes off each other-" She sighs a little, clutching her chest at the image. "I'll leave you two be, Elvis go take her things up to her room, show her what we set up for her."

You raise an eyebrow as she leaves and within a minute you're up against Elvis, grabbing both of your bags for him to take from you. "My room." You pause and giggle softly. "You mean the room that's just going to have my clothes in it?"

Elvis has to shut his eyes for a moment as he shakes his head, exhaling softly. "Darlin'- if you're lucky your clothes are gonna be there. I plan on havin' ya everywhere in my damn house."

A gasp leaves your mouth as he takes the bags and starts to walk up the stairs. "Everywhere in the house, El- what about everyone else."

He's silent as you head up the stairs and doesn't bother to answer your question until you're both safely in your room. The bed is simple enough, large enough for you and Elvis to be on it together easily and the room is surprisingly simple in decoration. Gladys' influence, you figure. The bags hit the floor with a thump as suddenly you find yourself being walked back to the bed. The back of your knees hit the bed frame and you let out a huff of surprise before flopping on the bed. Elvis doesn't miss a beat as he crawls on top of you, his eyes heady with desire.

"Satnin, darlin' they ain't here all the time." He starts before kissing at your neck, his hands moving to undo the buttons of your blouse with surprising ease. "And if you want to leave here with my baby in you, we gotta make sure there's enough of me in there. Gotta make sure you're full of me. Gotta make sure it stays and catches, like they all say it does."

A shiver goes through you at his words, your hands moving to undo his belt and pants, some sort of primal need overcoming your desire to say anything else. He's right and you know this. You know that there's no guarantee you'd get pregnant on the first try, that practice makes perfect and it wouldn't hurt to have him fill you up with his- release as much as he can. Yet, hearing the words come out of Elvis's mouth, hearing how he's going to fill you up has your body on edge, has it craving what he's offering. You faintly hear a chuckle as you struggle with the button to his pants and feel his warm hands- always so large- over your own, assisting you before you triumphantly achieve your goal. Your hand slips into his underwear, finding its way to his cock easily, feeling his foreskin and how dry it is before you pull his cock out. Elvis grabs your hand and spits into it, knowing that sometimes you forget to spit, forget that while his precum helps, the beginning part, this part depends on a little extra liquid.

"Don't hold back, darlin'." He mutters, seeing your lower lip caught between your teeth. "Gonna make you mine, wanna hear how you love it. How you would have sounded if we could do this proper with a wedding an' everythin'."

If you're embarrassed at the whimper, it doesn't show, the arousal starting to seep out of you becoming unbearable as your chest heaves just a tad. Elvis watches your breasts still in your bra bounce that little bit as your chest heaves and tries to focus on anything but your hand wrapping around his cock as you move your hand up and down for a moment before starting to pull back his foreskin. He hisses the second your thumb brushes against his tip. His precum makes it glide easily but- it's too much, he wants to be in you, doesn't want to waste a single drop down your throat or your hand or anywhere. Somehow his hand makes it down to your skirt, pushing it down with an ease he'll explain away later as just dumb luck. He knows fully well it's come from the few times he's had someone on the tours but he loves you- has loved you from the moment you agreed to date him but he was lonely. Somehow your underwear comes with the skirt and you find yourself shivering at the cold air against your pussy. Elvis looks down, his fingers sliding between your folds, marveling at just how wet you are for him. A growl leaves him unbidden as he moves to shoo your hand away from his cock and lines himself up with your exposed pussy, allowing himself to put just the tip in, feeling you stretch around him. He knows he should wait, knows that you've stretched yourself as much as you can playing with yourself over the phone while he pumps his cock in empty hotel rooms, but it's nothing compared to his cock inside of you.

His eyes dart across your face, asking for permission to push in farther and you nod just barely, your eyes shutting as you feel the burn of his cock in you. It's a uncomfortable but you manage, breathing through your nose as he takes his time. You figure this has to be torture for him, after all you had felt how hard he was, saw how red the head of his cock looked but he's still being gentle. He's still putting your needs so far above his own. This is what your mama doesn't see- the man who treats you like a goddess when he's fucking you for the first time. You roll your hips up, earning a groan from him as he increases his speed, taking your actions to mean he can. Whimpers and small tiny moans escape your lips, providing a small symphony of noise around you both as Elvis's lips smack against yours and against your skin and as your skin meets over and over again as his hips rut against you. Your brain floats the more you feel him, the more you feel a coil deep inside of you tightening, feel yourself inching closer to the edge. Your hands move to his back, pulling him closer into you before you hear him curse, and feel his hips rut a few times in quick succession before feeling a warmth inside you. Your own orgasm follows soon after, the moan that escapes your lips being swallowed by Elvis's kiss so as to not arouse suspicion of what you've done up here. Elvis stays on top of you, keeping his cock inside you even as he catches his breath and his hips still pump ever so slowly into you. Your ears faintly register a faint squelching noise as he does and you find that you can't look Elvis in the eyes, the noise somehow reminding you that this is an inherently filthy act. A moment passes of still hearing the noise before your vagina inadvertently clenches around him, earning a low growl and a biting kiss from Elvis.

It was like you were trying to suck him into you, trying to make sure no part of his cum or him would be free of you. You don't intend for it to be that way and yet it's how it goes, allowing you to hold him close as you both continue to catch your breath. The amount of time that passes isn't something either one of you pay attention to before Elvis starts to pull out, earning a whine from both of you as he does.

"Got me in a vice grip, Satnin. Gotta let me go, mama was cooking with everyone- gotta make sure we keep up our strength." He murmurs, kissing your cheeks, your lips and down your neck to your chest. "Gonna have fun tonight- play with those breasts of yours. Show ya how our baby is gonna eat from ya."

A low keen escapes your lips as you push him off of you, knowing that the way he's talking is going to have you pulling him back on top of you, ruining any hope you have of getting to stay the rest of the summer. Gladys may want you here but she doesn't know what her son and you have planned, how right she is about him ruining you. How with any luck, you'll be leaving with a baby in your belly that will round out your form and have your parents forcing him to marry you. A simple entrapment scheme- but one you and Elvis are privy to while either set of parents aren't.

It takes a moment before you and Elvis are put together and you hear Gladys calling for both of you as you're both smoothing out each other's hair, making sure it's just mussed and not completely giving away how fucked out you are. That it's not giving away how you feel his cum leaking out of you enough that you want to push it back in but know that it can wait. This time it doesn't need to take. Besides, if it did- why you think you'd be leaving with an already there bump, and that won't quite do. Elvis kisses you one more time, gently before grabbing your hand. "Come on darlin', gonna show ya how it's gonna be when you're here forever."

True to his word, Elvis does manage to fuck you in just about every place in the house, except for the few rooms that are off limits. Sure, the Colonel comes and has to have meetings and Elvis has to leave one week to record some music but otherwise, he's by your side unable to keep his hands off of you. Unable to keep himself from being in you the moment he can, there's even a moment while you're out on the porch with you in his lap and your skirt billowing around the two of you as he fucks you while watching the sunset. Your period doesn't come the last month you're there, and Elvis finds that any time he touches your breasts you hiss, swatting his hands away. He doesn't dare put into words what he's thinking, what you're both thinking until the hot sticky August day you have to leave. You're waiting for your father to come pick you up, sitting in the living room and Elvis finds his hand moving to your stomach, rubbing it, trying to feel out a bump he's praying he'll get to see soon.

"Ya think it took this time, darlin'? Think they're growing in there?" He murmurs giving you a soft kiss as he does. "It's out last shot, don't think ya parents are gonna let ya come back if they aren't."

One of your hands moves to cup Elvis's cheek while you place the other on top of his hand that's on your stomach. "I'm not gonna think about it that way, don't wanna talk 'bout it and then something happens. Have a little faith, El. You know I want this as much as you."

He nods exhaling shakily. "I-I know, just don't wanna think of a world where I don't get to keep ya. Where they keep ya away for good this time, ya- ya know I gotta do one of those tours soon and I wanna be able to take ya to see some places, baby."

Your lips quirk into a smile. "And you will. Faith, baby. Faith." A honk interrupts whatever you're planning on saying next and Elvis pulls away slowly, his hand reaching out to pull you up from the couch as he kisses you goodbye. "Make 'em send you back as soon as ya know, lil one. Please."

The only answer you give him is a nod as you rush out the door, carrying your bags and cooing a loud hello to your daddy.

Elvis- Elvis doesn't see you for another two months. Not intentionally on your part, mind you, but more due to the fact that your mother sees the signs and hopes and prays she's wrong. Prays that her fears won't be confirmed, that after she let herself be charmed by you and that stupid young man that he's ruined you. You've always stayed the same size, always been able to not need your skirts or your shirts changed since your waist and your chest settled into what they are. Yet, here you are, slowly filling out, your breasts pushing at the buttons of your blouses and your stomach starting to bloat. She thinks it's just your period only to realize it's not when you don't come to her as you would normally like clockwork. You're eating everything she puts in front of you and she swears on more than one occasion she hears you retching in the bathroom in the early evening hours.

It all comes to a head one afternoon with you on the couch, your hands settling on your stomach, highlighting a bump that's starting to form, that's beginning to be more pronounced by the day- that has her seeing red in her mind's eye. Her question is brusque and to the point.

"When was your last period?" She pauses. "Don't lie to me, Y/N."

In another time and place, one where you aren't secure in the knowledge that you're carrying Elvis's baby, you'd look away when you answer, too mortified to admit that Elvis got you pregnant because you wanted him to. In this time and this place, you press a little harder into your stomach, trying to protect your baby from your mother, lest she do something awful. "Three months ago. Maybe almost four, I lost count, mama."

All hell breaks loose after that, with your mama screaming and telling your father and calls to Graceland where you can hear Gladys calling Elvis's name sounding more angry than you've ever heard her. Throughout it all- despite it all, you're in your room smiling, talking to your stomach telling the baby that's growing in there that they're gonna meet their daddy finally. A week after you find yourself being driven to graceland in a coat to keep yourself warm in the cool weather while also hiding what's underneath from the fans gathered outside the gates. Your daddy leaves as soon as he sets your luggage down next to you, muttering about how he always knew that boy would ruin you and now he's gonna be stuck with him as a son in law.

The door opens to reveal Elvis looking like he's going to curse someone out before he realizes it's you. No words are exchanged as you open up your coat carefully and grab Elvis's hand to press against your bump. You're wearing a tighter blouse than normal to highlight it, and Elvis starts to breathe a little heavier taking note of just how much you've started to change in the months since he's seen you. He pulls you inside, grabbing the bags with a speed you marvel at before he pulls your coat off and takes a proper look at you.

You breathe slowly and Elvis swears he sees one of the buttons on your blouse look as if it's going to pop off before you smile ever so sweetly at him. "Mama hasn't let me get new clothes and- I wanted you to see what you've done to me." You lean forward, your lips brushing against his ear. "How you've ruined your sweet girl. Would have waited a little longer but I wanted you to see me grow."

His only answer in reply is lifting you up with a surprising bit of strength onto the dining room table, laying you out on it with your legs dangling at the edge, his head moving under your skirt. You can barely hear what he's saying as he kisses up your thighs but what you catch has you shivering in delight. "Made you better. Gave you my baby. Made it so your mama had to let you go. Get to stay with me. Be my girl, be my queen of Graceland."

You try and push him away, your brain reminding you that there's people in the house and you can hear cooking happening in the kitchen but your attempts are forgotten at the first brush of his tongue against your slit and the brush of his nose against your clit. He licks at you like a starving man, his tongue fucking your pussy like a pale imitation of his cock as his fingers play with your clit, rubbing and touching and even pinching in the way he's learned you enjoy. You bite your lip, whimpering even as you do, trying to keep quiet so that no one realizes just what Elvis is doing to you even as you barrel quick enough to your orgasm that it shocks you with the sheer force and speed it comes at you.

Gladys voice rings out as your chest is heaving and Elvis finds his way out from under your skirt, his face glistening as the door to the kitchen swings open. His mama sees you on the table and looks to her son, her eyes narrowing just a hair before she shakes her head. "Bewbie, you're- we gotta get you two married before you do anything else." Her face flushes just a little. "Off the table, Y/N. Let me see you and my little grandbaby you got growing here."

Her hands move to your stomach, feeling around like she's looking for something before her lips curl into a sad little smile. There's a moment where she looks like she's going to lean in to tell you what she's thinking before she stops herself and just pulls you into a hug. "I'm- We're gonna take good care of you here. Gonna make sure you and this baby have all the strength you need. I told Bewbie to marry you but- didn't think you'd both be so silly to do this to make it happen. It's alright- what's done is done and now we have this to celebrate."

And so life goes until everything comes crashing down with the papers and the Steve Allen show and Russwood- it all culminates in you seven or eight months pregnant, wishing you could drink as heavily as Gladys is when you hear your husband is getting shipped off to Germany. You promise to take care of his mama and promise to call him the minute you go into labor so that he doesn't miss seeing his baby born while in training. Yet, you find that you fail the first one so miserably when you come across Gladys on the stairs, slumped over, forcing you to call Vernon to help you with her. Not even the movement of the baby within you is able to rouse Elvis from his tears until the Colonel says something to him. You're hidden away from the cameras at Elvis's request. People know he's married, know that you are due to give birth any day now but beyond what everyone's already seen, he doesn't want anyone to see you, not right this moment, not when everything feels so raw and he's got to protect his only girl left- his queen of Graceland.

It's the day before he goes back to finish training when you feel the pain- when you feel your back and stomach twist and you moan in the bed, clutching at your stomach like that will help. This would be so much easier if Gladys was there, she could coach you through this. Elvis forces his way into the room, too scared to be away from the only Satnin he has left, too scared he'll lose you too if he lets you out of his sight. When you push out your first and it still feels like there's another in there- you realize just what Gladys had held back this whole time, too superstitious to even whisper to you that she figured you were too big for just one baby.

You name them Elizabeth and Loretta and Elvis promises to find a way to have you all brought to Germany with him. It takes a year but when you finally do see him again- when you finally both see each other again? You make a vow to stick to each other like glue if only because you're both so tired of being separated when there's no reason to be, no matter what the Colonel would like to argue.

And if perhaps your number of children shows that level of togetherness? Well. You can't very well be a queen without plenty of heirs, now can you?

tag list: @eliseinmemphis, @ab4eva, @blurredcolour, @aconflagrationofmyown and @butlersxbirdy, @lindszeppelin, @powerofelvis @floralcyanide seriously i never know who to tag in this and breeding kink is so iffy i apologize y'all and hey once again if you all want to be on my tag list ( in general, tbh ) just give me a heads up or a holler.