Actors who are used to doing live action work aren’t incapable of doing good voice work and they never have been, it’s just that voice acting requires additional skills that they probably haven’t learned or had time to practice. The real issue comes when that live action actor has to decide if they are going to try to learn those skills and give a good voice performance OR if they’re just going to cash a paycheck, and so far it’s very fucking clear which actors in the Mario movie are trying to give a good voice performance and which ONE is just cashing a paycheck.
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Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...
You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.
And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?
(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)
Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?
You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.
You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.
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one thing that especially irks me about cullen's so-called redemption is the attempts to redeem him through cole's words.
templars' abuses affected cole so badly it damaged his connection to the fade and his own nature. he was a spirit of compassion and witnessing what was happening in white spire turned him into a killer. he murdered lord seeker lambert in cold blood for what he did and most of the time he doesn't regret it — and then he just. drops the "he's not like the other girls" lines about cullen.
and this is such a lazy and annoying move. another thing that is established about cole is that you particularly can't lie to him — about your real feelings and intentions at least. whatever he states about other characters must be true and it is often used as a tool to deepen the characterizations of the main cast and in cullen's case it is just. blatant apologism. there's literally a banter where cole talks about atrocities commited by the templars and then he adds "oh no but cassandra and cullen aren't like that" and never elaborates. the game itself doesn't elaborate either.
like please don't tell me that the spirit who was shaken by knowledge that an innocent boy can die from starving because his jailors simply forgot about him would look in the eyes of a person who used to be meredith fucking stannard's right hand and still thinks that her methods were just a little too harsh but necessary and justified and say yeah. this guy is such a friend of mages. if only there were more templars like him
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"c'mon, sweetheart. studying's for nerds."
"Consider me as a nerd for now, then."
"no can do."
"Why's that?"
"your more fun than a nerd. and it'd be a waste if we don't get some fun, doll."
"And it'd be a waste of time and effort just to pleasure ourselves. And plus, I need to study this for tomorrow."
"C'mon.. a bit of fun won't hurt."
"...Fine."
|| Second week in school and shits are getting more difficult from one subject to another lmao. And this big guy is constantly going around my mind during class hours help ||
But then suddenly I had the motivation to draw this shit sooo.. here's another one for @didderd <3 Your boy is 100% distracting me from my studies but I couldn't care less 🤌
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Not sure if you answer these types of asks but I have Oberon brainrot and I was wondering how do you think Guda and Oberon would make out?
Oh I will absolutely answer this type of ask.
The answer is that they contain multitudes though. First/second ascension Oberon still acts out his prince role, he hates every second of it but he'll still play into it. Think romance movie kisses, the too-perfect-to-be true kind. Looks idyllic to onlookers! Kind of hollow for both participants.
Third ascension doesn't care, so it's a lot messier because honestly he's frustrated to be in this situation in the first place and even more frustrated to not be hating it. There's teeth, there's claws, there's also swatting the occasional bug that wanders out of his cape and into Guda's hair but that part isn't intended.
And Guda after all that? Guda's not taking any shit from either Oberons. Guda has tamed worse - have you seen their Servants? They're the epitome of "shut up and make out with me", whether it's "shut up (you're being annoying)" or "shut up (stop thinking so much)". It's not an aggressive kind of kiss, but it's insistent and it works wonders.
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@notwowee requested: Mettaton
There is so much to say about this robot but let me start off with my initial thoughts on him.
For like, a good good while I wasn't sure what Mettaton's gender was? In all fairness I was raised in a hella conservative country and Undertale was the first piece of media I'd ever interacted with that even depicted queer people, so for a bit I assumed the pink meant he was probably female. That wasn't helped when I discovered that Mettaton was Blooky's cousin with the locked pink house.
Luckily for me he was discussed enough that I eventually realized my mistake before I ever had to admit it. That would have been emabrassing.
Anyway I absolutely adored this robot and his style, his quizzes were cool and he had the most charming attitude that made me smile whenever he was there (not to mention the quizzes were funny, too). Don't get me started on the musical. Or when he hits you with the puzzle you've almost certainly forgotten the rules for. Hotland is very well done, even if some people dislike having to deal with Alphys's messages there (personally I thought those were neat).
Despite all this I have to admit that I initially thought he was a lot more shallow than expected. I didn't realize he was the type of person to actually care about his love ones, and I probably would've believed anyone who told me he treated Alphys like shit (okay maybe I'd have been a little skeptical, but you get the point).
Nowadays, I'm honestly pretty fond of his relationship with Alphys, as he's probably the one person she relied on the most during her various fuck ups. Also, his... his worries about Alphys in the ending where he becomes king... ah, that still makes me tear up a little. You can tell he cares and regrets not being a better friend to her.
This is only partly related but I dislike Papyton. For no reason, really, I just don't like it, and I disliked having to see it so often (until I learnt filters existed, anyway). I couldn't tell you why; the ship's perfectly fine. Yet if I see a fic with it I click out. Oh well, maybe I'll get over it one day.
I could totally see a world in which I become as attached to Mettaton as I am to Cagliostro from GBF. I'm not trans by any stretch (perhaps I'm non-binary, given I don't actually care much about my own gender in the slightest, but for now I'll stick with cis+ until I actually feel like I should consider it more) but I do have admiration for characters like them who strive to be their best selves in terms of appearance and are absolutely confident in it. I suppose if I was born a girl, I'd be more attached to Mettaton than Cagliostro, but eh. Who knows.
Mettaton's importance (or rather, lack of) in the genocide run is saddening, though I have come to terms with it because in terms of the game's writing it's a pretty damn good decision. I do love that he got fangames giving him an actual battle though, it's lovely to see him actually get that chance to fight back.
I feel the need to restate once more that I adore his relationship with Alphys, and seeing works explore that relationship is always great. I think Mettaton is one of the least fan-explored of the game's main cast, so it'd be wonderful to see more works. It's a shame I'm too busy thinking about Sans, Frisk and Chara to do that myself, though.
One more thing: Until I wrote this post, I always wondered why Mettaton didn't just fight the human in his indestructible body instead, especially in the genocide route. I mean, it's obviously because his other forms are the ones actually designed for human eradication, of course, but I also like to think it's because he likes those forms a lot more than his box form, as he sees them as a proper expression of who he truly is. I just think that's neat. Sure, he's indestructible when stuck in the closet, hiding who he truly is, but it's restricting, and wouldn't you prefer to simply be you? Even if it could mean you could get hurt? I think that question is somewhat inseparable from Mettaton's character as a whole, as his overly confident and theatrical personality could perhaps be one answer to that. It's fine if you get hurt a little, because in the end you'll be much happier for it.
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Smuffin PFP Artwork
Here's the full image for my profile picture. It's of my, "blog mascot," of sorts, Smuffin. Like I've stated in my blog description, I do not give any permission for my work to be reposted within or outside of this site, edited, claimed, traced, or used for any program, NFT, or AI.
Ignore my shoddy linework. Like I said, I'm still very new to digital art and I'm not quite used to pen pressure and all that. In the future as I get better, I'm going to try cooler patterns on his beanie. I'm not quite sure what happened with the transparency outline of the signature, but I'm guessing it has something to do with the anti-aliasing. I'll test it out in my next piece.
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