#because he knows how important it is so maybe that might be his new purpose

[platoniccereal]

ok, i don't know why i just glossed over this part earlier.

there are some inconsistencies in what the iron bull says about his background, here and there, e.g. in what bull says was his reason to reach out to the inquisition (krem says it was bull who reached out VS bull says it was krem while mimicking him VS bull says it was on his superiors' orders), but another detail i noticed is what he says about his merry trip into the re-educators' establishment.

bull says that one day he basically woke up and found himself unfit for his role:

one day i woke up and couldn't think of a damned reason to keep doing my job. turned myself in to the reeducators.

but what's told us as well is that he snapped and went on the killing spree, and then people were sent for him, and that's when he declared himself unfit:

which sent him in a berserk state. when his surviving soldiers later came back for him with reinforcements, they found him unmoving, covered in wounds and surrounded by the butchered corpses of the tal-vashoth warriors. he declared himself unfit for duty and too dangerous to be around civilians, submitting himself to the ben-hassrath re-educators.

which is not the “woke up with the realization” situation at all, not a boulder suddenly crushing one's shoulders, but a snapping moment.

now, i don't think bull lies. these may as well be parts of the same true story. he did wake up in that state some day, maybe even weeks prior to his breakdown. he could just ignore that, figures anyone on that island learns to ignore a thing or two. maybe it even scared him shitless, but he kept going as he always did, because one of his main traits is incredible stubbornness. maybe he said to himself, that it's alright, actually.

and then he snaps, kills people and turns himself in to the re-educators. because he understands that the matter is way more serious, and he's reached the end point.

for me there were some things that fell into place. nothing that wasn't said directly in the canon, just got some things consistency-wise, nice logical structure.

after bull becomes tal-vashoth he keeps talking about losing control due to straying away from the path of the qun. but it isn't just something he's been indoctrinated to, or what he deduced after fighting tal-vashoth. this isn't an idea bull is scared of because he’s just going through new experience.

that's something that actually happened to him, or at least he believes it did. he strayed away from his path, ignored it, kept fighting, and then lost control. it's suddenly not just a cautionary tale.

another thing is that hissrad kept fighting for 8 years because he believed he could change something, quoting gatt: “he thinks that if he does the right thing, then everything will work. he's been in seheron for ten years trying to make everything work.” certainly, he fought to make civilians' lives better. to protect and help. hissrad stopped when he couldn't see the end goal anymore. not just because he grew tired, or due to his grief, or because of horror he felt after the attack on the school. i'm pretty sure he would've kept fighting if he still had a goal, but this absence of aim was exactly a deal breaker.

even if one doesn't see worth in their own work, to which every part of the qun's common body strives, one can always hide in that hope for a change from their doubts. i can only imagine how many times bull and warriors on seheron would turn to “eventually the tides wear away the mountain”. especially when their own grief is so repetitive they need the goal so they won't break the cycle.

so, that's exactly what bull is cut off from when he becomes tal-vashoth. it would be easier for him to become disappointed in the ideology, but bull isn't that type of tal-vashoth.

iron bull: you mean getting exiled from my people and declared tal-vashoth? yeah, i should make a cake.

sera: you like drinking and singing and breaking beds. you’d already left.

from the outsider's perspective nothing changed in his life, save he got cut off of his own people. every companion pretty much gets it, some are happy for bull, some are sorry.

but it changes drastically for bull. he had an aim before, whether it was that he was making the world a better place from the qun's perspective, or that he wanted to prove himself to superiors and come back.

bull is a person used to devote himself, with great power and loyalty, and after he's declared tal-vashoth, he doesn't have a place to apply that might. maybe bull could find some peace in helping the inquisition with corypheus.

but after that..? in my case, the inquisitor lavellan gets it, he also had to invent the goal of helping elves and mages just to keep going, but the iron bull isn't quite invested in thedosian political games or ideologies for this trick to work.

chargers are living their best lives and doing their job well, but this hedonistic way of life is opposed to the qun's teachings. i guess earlier bull could make himself believe that even these little silly deeds helped the bigger picture somehow, this desire to help the whole society through every action being something the qun taught him. tal-vashoth bull is cut off from this bigger picture. this slot in his mind is empty.

this might be the biggest struggle for bull. he can keep moving forward, he's good at it, but that might be an aimless path for him.

[pipermca]

New AO3 Tag Wrangling Policy and the Transformers Fandom

Edit in the event people come back to the original post: Please do not email AO3 about this issue. See their response about this issue!

(This is a long one, folks, but I think it's important.)

A new tag-wrangling policy on AO3 has the potential to create some massive confusion and chaos in the Transformers fanfic community, with regards to fandom tags. There is a Reddit post about it here with a focus on anime fandoms, but I want to give some concrete examples for the Transformers fandom on why we DO NOT WANT this, and why I think it's a horrible idea.

The Problem

Basically, AO3 is looking to get rid of the "All Media Types" fandom tag across the board, either by dismantling them or just not maintaining them. The Transformers - All Media Types tag has been an all-purpose tag that you could select when your story doesn't fall into any one specific continuity. Additionally, all most (see below) TF continuities on AO3 are considered a subtag of the Transformers - All Media Types tag. For example, if you look at the link above for all works in the All Media Types tag, you will see fics that are also tagged ONLY with Transformers: Animated, because it falls under the All Media Types tag.

One exception: With the upcoming Transformers: One movie coming out imminently, there will likely be a big influx of stories tagged with Transformers: One. In fact, there are several already. However, it hasn't been linked to the larger Transformers - All Media Types tag yet. I wasn't worrying about it though, because I know these things can take time.

With information about this new tagging policy, however, I'm now wondering whether it'll EVER get linked to the All Media Types tag. If that happens, and when more continuities are developed in the coming years (since you know Hasbro loves creating new universes) this has the potential to cause massive confusion when looking for stories to read.

Searching for Stories with the New Tagging System

So let's say the All Media Types fandom tag isn't accurate anymore, because it no longer includes ALL of the continuities (such as TF:One). You will need to include ALL the Transformers continuities when browsing for TF fics.

How many tags is that? Well, here are all of the tags currently listed under the Transformers - All Media Types tag:

Note that this doesn't include Transformers: One since it hasn't been categorized yet.

You will potentially have to have 40 or more different fandom tags in your search, just in case the author tagged their story with something you weren't expecting.

This massively decreases the findability of a story.

Tagging with the New System

The email response from the Tag Wrangling group (see the linked Reddit post above) seems to be a bit flip in the response to the user's concern. "...encourages creators to tag with the media they intend."

While I appreciate what they are attempting to do, this policy change feels like a solution in search of a problem, especially in larger fandoms with multiple continuities, versions, and media types that are all cross-pollinated in both canon and fanon. While I'm focusing on Transformers fandom, imagine a creator in the DC comic universe writing a story that incorporates bits and pieces from a dozen different reboots.

For example, let's say that I am writing a fic about Ratchet. I am using the setting of the original G1 episodes, but I also am using the characterization of him as a bit of an old man grump. That characterization originated in the Animated continuity, but I want to incorporate bits of pieces of his other characterizations as well (old friend of Optimus from TFP, Ratchet ran a faction-free clinic like he did in the War for Cybertron series, he's got a Decepticon boyfriend like in IDW1 - or maybe even Cyberverse, etc.)

With this new tagging structure, I might potentially have to tag the story with ALL of those continuities. So instead of just slapping down the "All Media Types" tag (and maybe one other fandom tag that matches the characters as best I can), I'll have to analyze my story and try to figure out how best to tag for the characters I used.

And what if you're doing a completely AU version of the story? For example, a humanformers story, or merformers? Using the All Media Types tag along with a Alternate Universe - Human or Alternate Universe - Mermaid tag worked perfectly, since you weren't writing the story to fit into one specific continuity. But now, that might not be an option.

What To Do??

The first thing I would suggest is to contact AO3 (using the Feedback and Support page) and let them know (nicely) that you think this is a horrible idea. Give them some examples on how you use the All Media Types tag to find stories to read, or to help you tag a story. People outside of the Transformers fandom don't always appreciate how absolutely tangled the continuities can be with each other, and providing examples might help them see why this would be a really messy change.

Readers: Be aware that when you are looking in the All Media Types tag, it will no longer show newer continuities. And if AO3 starts dismantling that tag like they suggested they are doing, be aware that some stories won't show up in that tag like they used to. You can also create and then bookmark a custom search page that includes all 40+ continuities. REALLY annoying, but it's a workaround.

Writers: Until they start dismantling the All Media Types tag, ALWAYS ALWAYS tag your stories using Transformers - All Media Types... Especially for newer continuities. This will be especially important if you are writing a Transformers: One story. Right now, anyone who is only browsing the All Media Types tag will not see a story tagged only with Transformers: One. Make sure you're aware of how tags work and how they can affect the visibility and findability of your story.

Epilogue

Ugh. That's a lot of words for a long-weekend Saturday. And maybe I'm overreacting a tiny bit. But my work involves information architecture, and this change just absolutely baffles me. It's almost as though they want to make it harder to find stories. Considering that AO3 won a Hugo partially because of its fantastic tagging system, this change seems like AO3 is doing its best to shoot itself in the foot.

When you have a square hole, a round hole, and a rectangular hole… Yeah, you DO want each peg to go in the "right" hole. But if all of the pegs fit in the square hole, who cares? You got the job done.

I love you @ao3org, but please reconsider this change... Especially for IPs that are as old and are as varied as Transformers.

[everytimewetouch-dot-mp3]

cang qiong dragon god shen yuan is probably like so old that time doesn’t have meaning? like he transmigrated into pidw as a dragon and and the system gave him a few missions that functionally amounted to ‘claim this mountain range as your territory and defend it from demons’

sy didn’t realize that he was actually laying the foundation for cang qiong mountain sect before its creation. some terrifying demon demigod (one of the first heavenly demons, maybe?) pursues a band of cultivators to his mountain range, and he protects them. they settle his mountains and start cultivating, and because they’re protected by a literal god (who they call lord canglong, and they name the mountains after him) people want to study there.

so cqms is born, and sy takes a nap. when he wakes up, those cultivators he saved bring another group of cultivators, all named 'wen' to his mountain, and they ask his permission to lead the peaks next. another nap, and he wakes up to the wen generation asking his blessing for the ming generation, so on and so forth up until the qing generation. this time he recognizes names: qingge, qingfang, qingqi. this generation's leader, qingyuan. and the one whose bow is shallow and perfunctory, qingqiu. ofc sy isn't super pressed about standing on ceremony or whatever—he's only experienced like six years in this world, and most of them were spent either establishing the mountain as his territory or helping his little cultivators fight off some world-ending cataclysm or other. but he remembers the scum villain’s name, and he’s not a huge fan of the way sqq’s already proving himself to be an arrogant old shit

just like every other time, after he’s met and blessed this generation of peak lords, shen yuan falls asleep. shit!!! he meant to stay awake this time, but the system putting him to sleep is just too powerful! he’s probably missed luo binghe, damnit!!! what’s the point of transmigrating into this shitty novel if he doesn’t even get to meet the only character worth the pixels it took to type him into existence??

but as soon as he sees that fluffy-haired boy curled up in one of his caves, bruised and weeping and wondering what he’s done to be so universally hated, shen yuan knows. that’s his protagonist, and he’s really too pathetic like this. he’s really just a child. and shen yuan might have been easily annoyed by the concept of kids in his first life, but this isn’t just some whiny kid. this is the protagonist. so he does his best to calm tiny lord luo down.

and at first when lbh realizes it’s the fucking dragon god canglong speaking to him, the poor kid falls on his face kowtowing and apologizing for the intrusion, but lord canglong just…asks him what’s wrong. and then listens. and then he allows binghe to…to touch his hand???? not only that, he pats binghe’s head?? and tells him it isn’t his fault??? that one little head-pat is filled with so much spiritual power that binghe almost passes out, and soon after he recovers, lord canglong sends him back down the mountain with a renewed sense of purpose. lord canglong said binghe wasn’t stupid, wasn’t incompetent, wasn’t a failure, and binghe was determined to prove himself worthy of the sect’s guardian deity’s kindness.

and when luo binghe turns to walk down the mountain back to qing jing peak, that google translate voice pipes up in shen yuan’s ear with an update he hadn’t realized he was waiting for.

[Congratulations! Congratulations! Congratulations! Important things must be said three times! USER_002 has completed the quest {From the Ground Up}! B-points +500 USER_002 has initiated the quest {Master of Masters}! New skill [Shapeshifter] has been unlocked! Would USER_002 like to activate [Shapeshifter] now?]

shen yuan slammed the bright glowing [YES] faster than any quest the system had ever given him. that’s how he learned that he was, in fact, just naked in front of luo binghe, and the [Shapeshifter] skill didn’t come with an auto-clothed setting. thank fuck he’d already sent the protagonist away!

[primofate]

Warning: angsty

You've been isekai'd to Teyvat.

For whatever reason it is, and whatever fantasy you've had of being whisked away into another world.

Maybe you woke up one day under the tree in Windrise.

Maybe you hated your life so much you wished so hard to be somewhere else and when you opened your eyes you were in the streets of Liyue.

Or maybe it was an unfortunate accident and you found yourself floating in the seas of Fontaine.

Regardless, you choose who picks you up.

Is it Diluc, who somehow finds you passed out in his vineyard?

Kinich who catches you when you just start falling out of the sky?

Alhaitham, who thinks it troublesome that he has to get you acquainted with Sumeru and the Akademiya?

Scaramouche who was suddenly led by the Aranara to where you appeared in the forest and slept?

You might think that going to a new world, Teyvat, of all places, would be exciting, but in reality, it would be frightening too.

No friends. No family. Monsters are out to get you. Nowhere to live.

Your chosen person, however, manages to keep you safe. Manages to get you more familiar with the world. Manages to build your life up in this unknown place.

They've taken care of you, have become your friend. Have become a lifeline for you.

Though some of them may bark and complain about how you know nothing at all, or seem to scoff at your problems. (Scaramouche, Xiao, Alhaitham)

And some might be hot or cold. You don't know if they care or not, cause sometimes they're nice, and the next they pull away (Diluc, Dainsleif, Kazuha)

Then there's ones who genuinely have taught you about Teyvat. Have integrated your existence into their every day life. (Tighnari, Neuvillette, Baizhu, Kaveh, Thoma)

And the ones who gave you purpose. Since you're here now, it's important to feel that you belong. (Wriothesley, Zhongli, Albedo, Cyno, Kinich)

In some ways because they were the ones who found you they do feel responsible for you. Inevitably, you spend a lot of time together. Where he goes, you usually go too, sometimes even in dangerous situations.

And so, what happens then, when, one day, out of the blue, you tell him:

"I found a way back home,"

By that time he might have already forgotten that you weren't from this world. That you had somewhere to go back to. That you could actually disappear just as easily as you appeared into his life. That next to him was not really your original place.

So, what then?

(I'd write this for every male character if I had the time)

[sp-ud]

And while I'm on my Mouthwashing analysis arc, I had some realizations about how I think Daisuke's character plays into the message Mouthwashing is trying to tell about the cycle of rape culture, inaction, and how workplace environments are a key part of why the cycle is in place.

So my realization started with me complaining about how people often go "If Daisuke had known what happened to Anya he would have-" because we don't truly know what he would have done. Then I realized, actually maybe that's the point of Daisuke in Mouthwashing.

What I mean by that is he's the youngest of the crew, not only that but he literally has no other real job experience. He's incredibly new to all of this, he doesn't know the culture and is looking at those around him, his superiors, for direction and guidance. He's a young adult who still has starry eyes and is trying his best to live up to the expectations everyone around him has even though he feels personally directionless and unsure where he wants to go in life.

Things I think a lot of Mouthwashing's audience can relate to those aspects of Daisuke, or at least significant parts of him. And I think that is the key to understanding Daisuke's purpose in a story like Mouthwashing, to be someone likeable that the audience can see themselves reflected in.

Bringing this back to how I think this plays into the message of Mouthwashing. I think the fact that we ultimately don't know what Daisuke would do if he learned that Jimmy raped Anya is important.

Because we can't 100% say that he would do anything. Because his actions within the story honestly indicate it could go either way in my opinion. Specifically what he does when Anya has locked herself in the medical room.

On one hand, we have the fact that despite him having a better relationship with Swansea and being unsure if drugging him is okay or not, he still goes with it as it's what Jimmy, the current acting captain, is saying to do. He questions it but he doesn't protest or take a different action. He deferred to the highest authority in the situation, even though he wasn't sure if it was the right thing to do, even though it involved tricking his mentor who he clearly looks up to more than he does Jimmy.

But on the other hand, we also see him directly going against what Swansea told him about not going near that vent because he could get hurt, for Anya's sake. Willing to ignore what he was instructed to do just to have a chance at saving Anya. And even after he was hurt he still kept going, he still pulled himself up and unlocked the door.

So, if Anya had told him, what would he have done? Would he have risked his own standing and possibly even his safety with the higher authority figures for her sake? For doing what's right? Or would he be scared? Perhaps see the others inaction and follow their example even if he felt it wasn't the right thing to do?

What would you have done? What will you do if a co-worker/friend confides in you that someone else you know, perhaps even a higher up, sexually assaulted them?

And that's why even though what prompted me thinking about Daisuke's role was me being annoyed at people who focus on "What Daisuke would have done if knew?", I now see it differently. As people reflecting what they hope they'd do if in a similar situation on to Daisuke, and I think that's the point of his character in Mouthwashing and why we aren't given an indication of a clear answer.

To have us acknowledge that no, in reality, it can be hard to do what's right. That sometimes we will play into these toxic and harmful cultures even if we know it's wrong. And sometimes we might do it without even realizing it.

But that doesn't make anyone a bad person. Because we do want to do what's right, we don't want to be compliant in this cycle anymore. And acknowledging that it will be hard isn't saying that we shouldn't even try, it's just acknowledging that it'll be hard.

Daisuke represents the hope that things can improve while not ignoring the uncertainty many people have if it's even possible for things to get better.

[queenie-ofthe-void]

“Led Zeppelin? Never heard of them,” Steve lies, like a liar. Of course he’s heard of them, thinks maybe Hop’s mentioned them before. Doesn’t really know the band well, and probably definitely couldn’t name a song. But the comment serves its purpose, and the trap is set.

Eddie calls it the Zep Campaign. Every day they’ll listen to one album, and Steve will pick his favorite song from each. Eight days for eight albums. On the last day, they’ll narrow it down to one song to rule them all– because apparently even Led Zeppelin likes the Mordor books Dustin doesn’t shut up about. 

Each day, Steve struggles to pick a favorite. Day four isn’t bad– doesn’t mind a song that is actually called Rock and Roll, which is just a lazy title in his opinion– but they’re only half way through and the songs are all starting to sound the same. An endless stream of too-fast guitar melodies and weird, wobbly sounds he’s sure he’s never heard before. The vocals are his favorite part, but the lyrics are vague and confusing.

Long story short, he’s not a fan.

But this growing thing between him and this ridiculous metalhead is new, fragile. So if it’s important to Eddie, it’s important to Steve. 

“Stevie, we really don’t have to keep doing this,” Eddie concedes. It’s day eight, the final album, and he thinks even Eddie might be desperate to listen to something different. “You’ve listened to every other album and honestly this one is the worst. They were all on drugs, and this isn’t even their sound ya know? Like it’s not even real metal.”

And honestly, Steve does know. He’s been listening to this band for eight days and yeah, all the songs sound the same. But these ones are different. Softer. He’s made it this far, and he’s nothing if not persistent for the people he loves.

Sprawled out on the floor next to the boy he likes, passing a fading joint back and forth, he thinks he can suffer a bit longer. 

“No Eds come on, we’re halfway through anyways. Just flip it over and we’ll smoke while we finish.” Eddie huffs a sigh, but Steve can see the slight uptick of his lips, reminding him of why he’s doing this. He flips the record and crawls back, presses himself flush up against Steve’s side.

The next song is long, too long to keep his attention. They burn down their joint and Steve leans heavily onto Eddie’s open chest. He gets lost staring at the vinyl art. A guy dressed in a fancy white suit sits alone in a dive bar, the only splash of color against a dull background. The bartender looks gruff, like the rest of the bar, making the man stand out even more. He wonders if that’s how he looks posted up at the Hideout during Eddie’s shows. Wonders if he looks just as out of place in Eddie’s life as this man does, even though he looks comfortable there too. 

Eddie shifts his arms around Steve, bringing him back to the present. The song has changed and Steve feels the slow melody wash over him.

“Wait,” Steve cries out, flailing up and out of Eddie’s arms as he registers the new song. It’s soft with a steady beat. It’s got synth-- the sound Eddie told him he likes in pop music. This song isn’t loud and chaotic like the rest. The voice is soothing and the lyrics are mostly simple enough. It’s different, and he can’t believe it but–

All of my love, all of my love

all of my love to you, oh

“This one. I like this song. Like actually like it.”

Eddie sits up and stares at him. He can see the dramatic shock and annoyance on Eddie’s face. But it’s doing nothing to hide his broad smile and shining eyes. 

“Steven. Stevie. Baby, sweetheart, this absolutely cannot be your favorite Zeppelin song. Out of all the songs on all the albums and all the hours of poetic melodies I’ve forced upon you, you choose the most non-Zep Zeppelin song.” Steve laughs sweetly as he watches Eddie fail to keep the glee out of his supposedly annoyed voice.

The cup is raised, the toast is made yet again

One voice is clear above the din

“This song isn’t even metall!" Eddie screeches. He rants and raves, waiving his arms as he regales Steve with all of the reasons he should absolutely not like this one particular song. He's shining with happiness, dial turned up to a hundred and it's all aimed at Steve. He can't help but to gaze back fondly, enraptured in the adorably obnoxious spectacle.

"It’s all synth, almost no guitar because Page didn’t even write this one! He wrote all of them except two songs, Stevie, and of course that’s the one you chose. No one who knows good music even likes this album. It’s not even metal music and honestly I almost didn’t show it to you, that’s how bad it is!” They're both giggling, leaning falling slowly into the other's space. Facing one another, their feet tangled together, Steve twists and pulls on Eddie's rings. Just to touch.

“Well, maybe that’s why I like it,” Steve snarks, taking his hand. “Plus it’s a love song.” Daring to reach out.

All of my love, all of my love, yes

All of my love to you

Eddie’s smile dims a bit, softens at the edges as he grows serious. “It’s not a love song Stevie, not like that.” He’s looking at Steve but he isn’t. Looking past him into the back of his thoughts. “The lead singer, he wrote it for his son. His kid died of some kind of bad illness while he was on tour. Didn’t make it back in time.”

He pauses, and Steve waits. Knows Eddie has more to say, hoping his patience will pay off. Eddie’s sight refocuses and he heaves a heavy sigh. His eyes glisten as they lock onto Steve.  

“My mom used to sing it all the time. While she was cooking, or putting me to bed, or pulling weeds in the garden. She’d sing it constantly. Hell, she didn’t even know all the words, but she’d still try and sing the interludes– ya know, the music between the lyrics.” He laughs lightly, a stray tear just barely hanging on. Steve tightens his grip around Eddie’s hands and presses a kiss to his knuckles. A silent sign of gentle support and encouragement. 

“Sounds like a love song to me,” Steve whispers. Leaning forward, he presses a kiss to his forehead and pulls Eddie into a tight hug. 

All of my love, all of my love, to you now

“A love song just for you, from both of us.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've always headcanoned that Eddie loves Led Zeppelin, because he plays guitar and loves metal and reads Lord of the Rings so of course he would.

[nanowrimo]

How to Use Meal Scenes to Develop Characters, Relationships, and Your World

Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.

There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.

Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.

Meal Scenes for Worldbuilding

If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?

Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).

Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.

Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.

If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.

Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?

Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).

While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.

There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.

Meal Scenes for Developing Characters & Relationships

Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.

That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.

Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.

Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.

But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.

See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.

If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.

There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.

Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.

Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow

[bloop-bl00p]

When you forget there’s sin in Seven Deadly Sins

[I guess this could be treated as part two of my rant about Hell’s ruling class.]

The Seven Sins are the embodiment of their vice, in a modern setting, they will probably be seeking to indulge in harmful activities themselves since they are immortal and can’t face consequences and influence others into falling into dangerous lifestyles. I can even see a scenario when each of them tries to make propaganda through the internet with platforms like Instagram or TikTok, like Beelzebub promoting Bezzle Juice except that it’s purposely made to be extremely addictive and one shot of it gets you hooked forever.

We’re gonna start with Lucifer, the only angel of the Seven. He’s a dreamer quirky cutie patootie with dePwezIOn that just wanted to give humanity Fwee Wil🥺.

What were Lucifer’s plans/dreams for humankind in the first place? He was dismissed as a troublemaker, okay…? What portrayed him as such? He’s a socially awkward silly guy but honestly, that’s all there is to his character. But I won’t get too deep with these questions maybe we’ll get more answers in Hazbin. However, what I can ask is…

How did Lucifer manage to find himself so close to The Garden of Eden? If I’m making something important I ain’t letting the petulant kid get close to it because… you know he might ruin it.

Elder or not Lucifer is still a Seraphim, did he not know that giving Free Will to humans would mess up everything? Even if HE didn't know what about the others? Were the angels even aware of Evil as a whole? If yes, why didn't they warn Lucifer before giving him access to Eden? Like “Hey dude the glowing red Tree in the middle of the Garden is bad news don’t let the mortals near it.” was it that hard?

Can someone explain to me how is this the embodiment of Pride? I personally don't see anything prideful in his attitude at all. Pride is the belief that you don’t need God in your spiritual journey, in a worst-case scenario, you think yourself above him. In the Bible, Lucifer was too Proud to bow before mankind and tried to overthrow God which led to his banishment. But since Viv totally changed the story and forgot to add the Pride elements, there’s nothing justifying Lucifer’s title as Pride incarnate.

TW: Mention of sexual assault/rape and a brief mention of other sexual practices.

Following with Asmodeus, why is he like this? Don't get me wrong, I can understand why he isn't a fan of rape as a whole, rape is rarely, dare I say never, about sexual craving, it’s about control. Val doesn't rape Angel Dust, and his employees because he feels needy, he assaults them because he knows that’ll break them psychologically and physically which makes them vulnerable to manipulation. Sexual assault as a whole is never about lust.

It makes sense if we drop out of the fact that Lust isn’t just physical but religiously speaking just an intense craving for something, like power or control. Viv took the easy way and reduced it to a physical craving so Asmodeus could be anti-rape I can’t blame her for that, it’s her ✨interpretation.✨

So Asmodeus is Pro Concent and it kinda makes sense. Since he’s the Prince of Lust, he technically should have influence over the culture in the Lust Ring and other species like Succubus should at least be weirded out by innuendo of non-consensual sex.

Well, shit.

“OooOoooOOH But Tiz is Not Rape!”

Compare the succubus’ abilities to aphrodisiacs and it all makes sense. Increasing someone’s libido without their consent alone is sexual misconduct proceeding to have sex with them later is rape. And it’s not the only instance of succubus assaulting people.

[Context: Ep3 S1, Verosika’s crew basically made condescending comments on how Moxie was cute and how they wanted to kiss him despite his discomfort and the fact that he mentioned being married. They still eventually kissed him by force and it was treated as a joke. “I care about male victims.” Sure we believe you.]

So Asmodeus is a hypocrite for giving succubus and incubus a way to get to Earth while knowing they are raping as many humans as possible.

“D3mOn @re BAAAAAAD Pweple So |t makse sense.☝️🤓”

I know, I wouldn’t complain that much if Asmodeus wasn’t painted as this cutie patootie lovely doe who is so in love with his lovely cute good boy partner.

Talking about partners, why does the Prince, no… why does LUST INCARNATE have ONE partner? The dude’s sex drive should be higher than the Olympus Mons and you’re telling me he doesn’t have a harem at disposition and he’s FAITHFUL?!! No free relationship, no hookups, no polyamorous relationship, and no mention of orgies he organizes to test the efficiency of his toys! Hell, we’re talking about Lust shouldn’t he be more inclined to have exhibitionist behavior (In recent episodes Lust’s citizens were desensitized about voyeurism so showing a bit of skin shouldn't be a problem)? Or, I don’t know, the ability to change his appearance and sex to appeal to a larger audience. Maybe the smoke secreted by his fire can serve as an aphrodisiac he only uses to put his partners in the mood (With their consent if she’s so attached to that idea.)

Viv, with two shows whose humor is mostly based on sex you certainly lack representations in terms of positive sexual activities, every time sex is mentioned in both of her projects it’s either a joke or diabolized. I’ve seen teens on Wattpad and AO3 writing foul smut with sexual practice so taboo it’ll make you gasp out loud! Take an example! (This was obliviously a joke but seriously, smut’s writers scare me with their tags.)

This leads us to Beelzebub, she’s supposed to be…. an animal tamer? She did not give off this vibe at all, she’s a party girl at best, stop saying things on Twitter Viv, and show it in your shows!

Is there a reason for her to be so nice? What do you mean you don’t want Bliztø to lose himself in alcohol and sex, you’re all about overindulgence. If anything she should actively invite people who are mentally distressed as they’ll be more willing to drink excessively in a “forget my life’s issues” type of way. This could also explain why so many people in her parties are minorities, Hellhounds and Imps are treated like shit by Hell’s society so being invited to one of Queen Bee’s parties will be a great honor and a way for them to forget how difficult their life is.

“E3RmS Actoualli, Bee ite the Viiiibe! S0 ze kant let Peple b3 s@d or ze will be sad too. ☝️🤓”

Ah… okay, still don't explain why she can’t be a bitch about it. Since she “eats the vibe” and feels for her people she could be affected by Blizt's destructive behavior and be absolutely furious someone is ruining her parties for her! Then she could have gotten to Loona and been like “Look your dad doesn't have the vibe I’m looking for so get him out unless you wanna learn what happen to party pooper.” implying that she will most likely kill him (or eat him) and that this isn't the first time she offed someone for that. But I guess we can make another EMBODIMENT OF SINS a decent girl, it’s Viv ✨interpretation.✨

Going forward with Mammon, Viv humanized the Sins mentioned up there, so you would think Mammon would also get the humanization treatment?

“T3re Is NOO g0od s|de to GrEed!!!!! 😡”

Okay.

What’s Greed, it’s a selfish desire for more than what you already have (money, fame, etc...) The mention of selfishness doesn’t give Greed a positive connotation but you forgot…. This is Viv ✨interpretation✨ she reduced Lust to craving sexual intimacy just so she could make Asmodeus Pro Concent. Beelzebub doesn't need food she eats the Viiiiibe so she can’t let people self-destruct! Here she’ll politely ask you to go away because she caaaaaares. And Lucifer isn’t Prideful at all.

She removed part of the definition of each Sins so she could make them good people and you’re telling me that she couldn't do the same for Mammon?!

“But H0w can ze posibli m@ke Greed Pozitif?”

If you remove the selfish aspect, Greed is wanting something more. There’s nothing wrong with that, like wanting more recognition, and more money when you’re poor. Mammon could have been this guy who worked himself at the top and his money could have been the fruit of his hard work.

So why, of all the Sins that got turned down was Greed the only one who got the “I’m pure Evil” treatment?

The Seven Deadly Sins aren't supposed to be decent beings. They represent the worst of what humanity can do and they are embodied by equally bad entities. With a setup as shitty as the Hellaverse, where there are little to no rules, slavery, classism, and drugs available everywhere I was expecting them to be a tad bit vicious, purposely making the life of everyone worse for their benefit. Mammon could have been the reason for this capitalist society as it’s the perfect environment to develop other sins and his. Yet, Beelzebub is friendly to the Hellhounds while letting them be treated like lesser than how we treat dogs. There’s even rehabs in Hell, Verosika and Barbie were in the same one.

Asmodeus will sue you if you rape someone unless you’re a succubus. Ironically he said that he’s against love potions when that’s literally what the succubus do with their abilities, get you in the mood without you knowing.

Lucifer is the number one silly guy and he even has an attraction parc for others to have fun.

I know it’s Viv ✨ interpretation✨ but you have to make it make sense. You can’t have demons this high-ranked being nice portray them as good people in the narrative when they are responsible for Hell being so unfair to the lower class.

As for the other sins…

Traditionally speaking Wrath isn't just unjustified violence but hatred and a desire for revenge. I think that’s one of the main reasons Satan and Lucifer are treated as the same person as Lucifer is both prideful, hates God, and seeks revenge. I don't see how Viv’s Satan could be vengeful as they were no war with Heaven to begin with.

Envy isn’t wanting something that someone else has (it’s jealousy), it’s hating someone because they have something that you don’t. Which often results in trying to make the life of this person worse but that’s another thing. I didn't see anything about Sloth and judging by the Sloth Ring, Beelphagor is going to be medical-themed, we know he makes drugs and has a brand of anti-depressant named “Happy Pills.” (Nothing to do with the circus aesthetic she was going for.)

I don’t know if Viv really has a good grasp of what these Sin are traditionally as she claims but we have to see in future episodes. My guess is no.

[meraki-sunset]

i have a question about hiveswap as im just getting into it, considering that the events of hiveswap and hauntswitch both take place in the late 1900s, whats the point exactly?

we already know whats going to happen and that all of the characters are doomed fail on their goals and then die no matter the outcome. the caste system is never abolished, HIC stays in power, both earth and Alterna get destroyed, and doc scratch continues his plan without a hitch

none of it seems to really matter or serve any purpose other than worldbuilding for 2 already doomed worlds (3 if you count the cherub portal implying a lost society of cherubs)

Well, it is. It is worldbuilding, that’s what precuels are. They add extra context to events you already know will happen, they add to how they happened, how we got there. That doesn’t make them pointless.

It may seem irrelevant at first glance, but Hiveswap actually has a very important role.

It sets the stage for the arrival of the players on both Alternia and Earth-A

The events of Hiveswap are happening with an equivalent distance in years between both Alternia and earth

Which means the Beta children are about to arrive in their meteors (1995 - 1996) a little after the time when Joey and Jude are having this adventure (1994), which means the Alpha trolls will get to Alternia soon too.

Both timelines are mirrored in time, they both have the same exact amount of time before the end.

We know the Beta kids hadn’t arrived yet to earth during Hiveswap because it’s 1994, and that the Alpha trolls hadn’t arrived either because Trizza is the heiress, and there can only be one at a time, so Feferi isn't there yet.

This series of events are necessary for Doc scratch’s plan, otherwise he wouldn’t have intervened, giving Xefros a surveillance free communication channel, so Joey and him aren’t detected by the authorities.

He needs them under the radar so they can (while trying to send Joey back home) connect people with each other, cause necessary problems, kick start important events.

All which will set the stage for the 12 troll player’s arrival.

What do I think it’s the most important event Doc Scratch needs Joey and Xefros to make happen?

Trizza has to die. There can only be one heiress at a time, and if Feferi is about to arrive, then Trizza has to go.

The events of Hiveswap/HauntSwitch will cause the death of the heiress, either fighting against the Condesce, at the hands of the revolted trolls Joey and Xefros will influence, crushed to death by Feferi’s own meteor, who knows. But if this is the "equivalent to 1994 on Alternia" and all that is happening it’s really happening as a mirrored version of Earth’s timeline, then the 12 trolls should be to arriving at different dates during the following year. Which means she doesn’t have much time left, as we know Feferi was the only heiress on Alternia during Homestuck. And we’re 13 years away from the end of the world. It needs to happen now.

It's the same tactic Doc used with Rose, Vriska and Terezi

The only reason he ever “helps” anybody it's because he needs them to make things happen.

He needs Joey and Xefros alive, he needs the rebellion to go through (even if it fails, it'll fail in a way that it's usefull for him), he needs Trizza gone so Feferi can come to Alternia and so the final stage of this plan of millions of years connecting dots and manipulating people to create a hostile planet for the new players to grow stronger that their predecessors, can begin. The rise of the new players.

I personaly think Tyzias might be the one to intercept Karkat or at least be involved in it.

It could be her, Joey or maybe someone else, but whoever intercepts him will have to know about the signless and according to Tyzias’s password (69) she already knows about him and she knows his symbol, and seems to be a follower in the down low. Tyzias also must knows how the singless promised that there would be another troll like him, and according to Doc scratch's explanation:

The followers of the summoner decreased enormously, but the Doc said himself that there were still some of them hidden and I think he was talking about Tyzias and her alies.

Sometimes we forget that there was intervention from the suferer's followers to ensure Karkat's survival

That’s why he has the sufferer’s symbol, someone who knew it gave it to him. And we know Tyzias knows.

The ectobiologist and team leader also seems to always be the last one to turn 13, (as well as the last to wake up as their dream self) so Karkat should be the last one to arrive, ending that chain of events.

Of course this all means that, by the time the end of the world happens, and asuming they’re all still alive, all Hiveswap trolls would be adults carrying duties off planet and would die the day of the apocalypse during the Vast Glub along with all troll Civilization.

The same would happen to Joey and Jude, assuming Joey is successful and returns to Earth. They would die on the 13th of April 2009 with the rest of humanity, not knowing they had a part in it or that their lost brother was the detonator of the end of the world.

It’s tragic in the end, but it’s necessary. Someone has to play that role.

They are the stagehands who prepared the stage for the first act of the play they were never meant to see.

And who knows, it may not be the end of them, maybe we’re too quick to assume they didn’t get saved somehow. By some random paradoxical event or deus ex machine that teleported them away from danger. We’ll have to wait and see how it plays out.

It's been a while since i wrote an analysis, i really missed that ^u^

[emilyyyts]

Chapter 17 foreshadowing/why I think Fushiguro Megumi might be in love with Itadori Yuuji

I've never understood the reason why Gege will add that line of Todo (i mean the special mention of the "it can be a guy")

The idea could've been perfectly understood even if the line wasn't added, but Gege purposefully sat on their desk and decided to draw this panel and add that specific line.

This means opening the possibility of Megumi liking guys, right?

I might be overthinking this, but text and dialogs are super important in mangas. Practically everything that it's said has (or should have) a purpose .

Dialogue scenes move the story forward, for instance, by giving important information about the characters, their relationships, the milieu, and the evolving events; they can also build suspense and reorientate the narrative.

So why then adding this?

We've seen several times that Fushiguro often thought of Itadori as a kind person—even since the beginning.

(It's literally Itadori being described)

If we go back some chapters, we can easily notice this is how Itadori is first introduced in the Manga: as a compassionate person, a good person with the intent of helping others.

In fact, Compassion its a highlighted feature Itadori has always showed through the entire series.

Even at Sukuna's final moment, he shows himself compassionate offering help to him.

Many had thought Itadori fits that description of Megumi, and now I'll explain why I think this is a possibility.

We know the relationship between them its centric in the story —it practically started because Megumi decided he wanted to save Yuuji.

We've see them caring for each other over and over again, many decisions they take are influenced by the thought of benefiting/trying to help the other.

And then we got Itadori really trying hard for an entire arc to save Fushiguro, and when the opportunity comes, he tells him it's okay if he doesn't want to live anymore, but at the same time addmiting he will miss him if he goes.

This scales to the point its practically the love they hold for each other that helps to completely defeat Sukuna

I would also like to add this panel and why I think Fushiguro was projecting himself with the desire of his sister being with someone like Itadori.

The line is Fushiguro stating he wanted his sister —a person we know he LOVES and thinks very highly of— to be with someone as good as Itadori.

He thinks very highly of the two of them.

Theyre both good persons so they deserve each other?

Therefore, he projects himself that way:

He might think it's Tsumiki who deserves to be with Yuuji because she was good, and Yuuji is good too, so logically they deserve each other, right?

He loves Yuuji, but he might not be worth his love because it was him who introduced Yuuji into the jujutsu world (a painful life full of lost and worries).

But maybe someone else might be worth, maybe his sister.

This is how he imagine a perfect peaceful life, he's trasmitng and projecting his desires.

It's not her who wants to be with Yuuji. It's you.

So gathering all the pieces together gives us the big picture, and Megumi's words might feel more like a foreshadowing of their relationship rather than simple words for introducing Todo in the Manga (tho it works in both ways). The response Megumi gives open the possibility for such feelings between the two of them.

So basically, everything we saw to this point that involves the two of them has been development and profundization in their relationship for this last punchline we got of Megumi realizing that he wants to keep trying because its worth living out of love

After all, love IS a centric theme in the story. It's mentioned several times along the series. Gojo describes it as the worst curse, Itadori thinks Sukuna acts that way because of the lack of it. And if we add this new layer, Megumi thinks its woth living out of it.

Ultimately, what's going on between them is inherently love— aside if it's or not romantic

I can't fully explain my ideas cause i can't put them in orden, sorry :/

This is just my opinion btw 🤷‍♀️ also there's only 3 chapters left so I might end up as a big fucking clown 🤡 literally anything could happen but we'll see

Anyway, tell me your thoughts on this 👇

[beaulesbian]

[egghead spoilers, up to chapter 1110]

Sanji's humanity & Zoro's strength

(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.

So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.

Yes, this whole post started because of these few panels: (" ...!!")

After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.

Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.

There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!

It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).

In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.

Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:

Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):

^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,

and only again was in chapter 1031 - where his eyebrow changed:

and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.

Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!

Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):

(still the "bad eyebrow" - he had that the whole chapter 1031).

After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.

1036 & 1044 (hearing Luffy awaken his powers):

All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -

ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:

ch. 1078, protecting his crew from Seraphim, bad eyebrow:

in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:

and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:

interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):

and the next page he still has the bad eyebrow:

in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:

Which leads me to the point from above with Zoro.

chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)

I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.

These words (in my opinion) were chosen on purpose for multiple reasons:

First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.

When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.

also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.

Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.

The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:

Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.

The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.

I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:

One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."

was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:

When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:

and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:

Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).

Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"

which goes through to Sabaody arc.

Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)

Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.

It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:

Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.

He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")

There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:

and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:

The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.

Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.

And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:

Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:

Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)

So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.

To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.

The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.

So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.

It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.

To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.

[gatorbites-imagines]

Hello! I hope you're doing good

I saw your post the other day that you were accepting requests but I don't know if you still are, but if you are, I was wondering if we could get some Nolan Grayson content👉👈

Nolan Grayson NSFW alphabet

I was given the chance to write anything, so alphabet time. This is post season 2 Nolan, cuz hes my bbygirl, and I think hed be a better partner in general.

A = Aftercare (what they’re like after sex)

I don’t believe viltrumite culture really does aftercare. They sleep together to have offspring, or maybe as a dominance thing, but I can’t see them doing a lot of healthy kink stuff, or just cuddling afterwards. He probably did something akin to it with Debbie, but its only after leaving it all behind after season 1 and getting with you that he would start to see more importance in it, especially when you give him a lot of aftercare whenever you are in charge. Hes not the best at it yet, but he does try.

B = Body part (their favorite body part of theirs and also their partner’s)

On his partner, Nolans favorite part would be any muscularity they have, or if you happen to have a beard. If you have neither then its his partners thighs and hands. On himself its his muscles, especially his torso and arms.

C = Cum (anything to do with cum, basically)

I hope you got a bucket, viltrumites get the kryptonian treatment in this house. Which means, theres so much cum. Nolan produces even more than Mark. Mostly because hes older and is in his “prime” if that makes sense. Unlike Mark though, Nolan doesn’t see the amount he makes as an annoyance, since hes still quite prideful. You do catch him puffing out his chest a little if you mentioned its something you find attractive though.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Has always had fantasies of being dominated or defeated in battle, whereafter the enemy will have their way with him. He has never once acted on these fantasies, but now that he’s with you and has gotten a reality check he might little by little try to step out of his comfort zone. Has had a few fantasies of being defeated, captured, and made into some kind of trophy wife, think like Leia in the slave dress type situation.

E = Experience (how experienced are they? do they know what they’re doing?)

Theres no way to know how old Nolan is, but its assumed hes thousands of years old. This doesn’t mean hes got a lot of experience, since like I mentioned before, I believe viltrumites only do it to reproduce or for dominance. Hes probably gotten more game on earth than most of his life up till that point, so theres things you’ll have to teach him.

F = Favorite position (this goes without saying)

Any position that puts you above him or has you pinning him in some way, especially loves any position where you choke him in some way, be it your hands or with your arm. When hes feeling more dominant himself you better except him to pull an amazonian position or something like that.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Nolan is serious in most situations, and the bedroom is the same, especially since part of him feels a little strange just doing it for fun like this. But also because Nolan thinks he has to pay attention and learn, to make up for his less stellar experiences in the past.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Nolan doesn’t shave any of the hair on his body, except for his beard to get his usual stache. Viltrumites I believe would take pride in their bodyhair. He does keep it neat and tidy though, kinda like a controlled chaos.

I = Intimacy (how are they during the moment? the romantic aspect)

Nolan doesn’t really know how to be way too romantic in the moment, since being in love without a purpose is still so new to him. He has his moments though, where he just kinda looks his partner in the eyes with the most love filled eyes. Saying it, is still difficult though.

J = Jack off (masturbation headcanon)                                                                                                                                       

The normal amount for viltrumites his age, which I believe would be once a day or once every two days, just to keep themselves from backing up too much of it. up until recently hes probably mostly done it for his health, but after getting with you he starts to do it for fun.

K = Kink (one or more of their kinks)

Doing it in the suit, or just his cape for that matter.

Strength and power in general.

Blood kink, pain kink, what comes with fighting.

Sparring and training with his partner.

Powerplay

BDSM

Sensory deprivation

Asphyxiation and choking

Edging and overstimulation

Breeding (secretly, on him)

Roleplay (like the slave Leia and owner type roleplay. Getting this from him will be almost impossible though)

Dom/sub or master/slave

L = Location (favorite places to do the do)

Nolan could honestly do it anywhere, he doesn’t have a preference. That comes with being his age and having an ego like viltrumites tend to do. Hes a preference for doing it on battlefields or wherever you guys spar though.

M = Motivation (what turns them on, gets them going)

Its not that hard to get Nolan going, but hes much better at containing it than Mark, but that’s more because of age and life experiences. The easiest way to get him going is to get his adrenaline up, so sparring or even outright fighting. That, or just jerking off somewhere nearby, cuz he will hear and smell it with ease.

N = No (something they wouldn’t do, turn offs)

Share. Nolan wouldn’t share himself or his partner with anybody, he is very possessive. Especially other viltrumites. It would be like putting to male hamsters together, one of them dies before its over.

O = Oral (preference in giving or receiving, skill, etc.)

Didn’t have much of a preference in the past since it wasn’t really anything he paid too much attention too. But with Debbie he preferred receiving, since it was the more “dominant” role. But with you he learns that he quite likes giving, he just has a hard time in the beginning getting on his knees below you.

P = Pace (are they fast and rough? slow and sensual? etc.)

Depends on the situation, but most of the time its slow and hard. But if its after you guys have sparred or fought, its faster and even rougher. He loves when you treat him roughly too. But there are times where its more slow lovemaking than anything else.

Q = Quickie (their opinions on quickies, how often, etc.)

Nolan doesn’t have anything against quickies, its just not his favorite. If you both are in the mood, sure he enjoys it, but he prefers when you guys can take your time. But this also stems from viltrumites having so much damn stamina that one quickie doesn’t even scratch the itch.

R = Risk (are they game to experiment? do they take risks? etc.)

Nolans for trying most things, even more dangerous stuff, unless you are vulnerable like a human or something else in that genre, he wouldn’t want to accidentally crush you with his thighs or anything.

S = Stamina (how many rounds can they go for? how long do they last?)

More stamina than you could imagine, you can’t even dream of keeping up unless you are a fellow viltrumite, like Allen, or some other species like that. Could probably go nonstop for days, if not a couple of weeks without having to slow down. In the end, even If you are a fellow viltrumite, you guys probably just stop more out of boredom or because you have other things to do than exhaustion.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Doesn’t own toys, and doesn’t really see the purpose for the most part. Of course, he still has fantasies where they fit very well, but Nolan won’t admit it even if you can tell hes thought about it from his blush.

U = Unfair (how much they like to tease)

Depends on his mood for the most part. If you guys are alone, I could see him getting handsy or mumbling the raunchiest of things. The type to “accidentally” rip your clothes just right, or his own clothes for that matter, just to show off a little. He loves when you tease him too, he’s just still very bad at waiting it out.

V = Volume (how loud they are, what sounds they make, etc.)

Not very loud, even if you’ve somehow gotten him deep into subspace. He’s mainly grunts and groans, and he clenches his teeth a lot, meaning you’ll have to put something in his mouth. But if you do put something in his mouth, you might get some gasped moans and whimpers if you’re lucky.

W = Wild card (a random headcanon for the character)

Has written multiple very successful adult novels under a penname when he lived on earth. One happens to be an extremely popular series based around his own most shameful (in his opinion) fantasies, involving a muscular warrior put under the boot of an even bigger and more muscular warrior. He’s not good at it, but Nolan likes to draw. It tends to mainly be doodles, but he’s surprisingly good at vehicles and landscapes.

X = X-ray (let’s see what’s going on under those clothes)

Very big and thick, like, you are so lucky he turns out to like bottoming the most. How Debbie took it, you’ll never learn, but that woman deserves a damn medal. Both a grower and a shower, you think he’s big when he’s soft, you’ll be in for a surprise when he gets hard. Veiny and uncut.

Y = Yearning (how high is their sex drive?)

Its always been quite average for a viltrumite his age and position, meaning he was fine taking care of himself up until now. Now Nolan finds himself fumbling every now and then, because he feels like an uncontrollable animal at times with how much he wants it. Nolan is able to suppress it though, more for his own pride and dignity than anything else.

Z = Zzz (how quickly they fall asleep afterwards)

Nolan doesn’t really fall asleep afterwards on the regular, its only if you’ve really wrung his dry mentally, by for example putting him in subspace or similar. But its almost impossible to get him physically tired enough to sleep. He does like to cuddle afterwards, even if he doesn’t like to admit it.

[thesuperiorrobin]

Potential love troups? With a twist?

Friends to lovers ~

A classic love between two best friends as they try to hide their feelings for one another afraid it might ruin their friendship. Damian is brutal when he tries to hide his feelings—and sometimes wonder why you’re still friends with him. He falls in love with you because you understand him and aren’t friends with him because of who his father is. You fall in love because he’s a kind person despite being ruthless to everyone else. But to you he won’t return the feelings, will he?

Enemies to lovers~

Another classic expects it’s between the love of two sidekicks. You two fight around the city in the middle of the night while he’s on patrol. He hates how you’re always involved in everything and you hate how he stops you from everything. Won’t be a dull moment between the two when you aren’t throwing punches at each other. Until one day something bad happens and Damian dressed as Robin gets himself into trouble that leaves him bloody and bruised. You saved and cared for him—still keeping his identity a secret. He appreciated it.

Fake relationship~

Rumors going around about Damian dating this woman whom he does not like— so to steer clear from the news headlines he asked you, his long-term friend, to be in a fake relationship to get out of it. It works, but now the headlines are about you two, so you two play along for a few more months. Everything was fake. The dates that you purposely planned to get caught. But we’re the kisses fake too?

Forced marriage~

A marriage planned by your parents and his mother. Damian’s older now and now leads the League of Assassins with the burden on his back. You aren’t important to the league — and your only purpose is to give the Al Ghuls another heir after Damian. So you stand in the shadows, behind your husband everywhere he goes. Damian Al Ghul is a brutal man outside those doors, yelling at the people below him to work harder, a brutal man on missions he’s assigned. But behind closed doors, he’s a gentleman, towards you that is. A part of him pitty’s you. You didn’t ask to be married to a man like him. But you reassured him countless times you don’t mind it. A heavyweight leaves your shoulders when he promises to keep you safe. Maybe this forced marriage won’t be bad after all.

Soulmates/Best friends to lovers

An AU of mine where both you and Damian were married 100 years ago, so in love it made everyone jealous. You two were soulmates in another life, but that life was cut short after your lives were taken away from you. Now your souls are reincarnation to today's world. The world where you too are not a couple but rather best friends. There was some sort of connection when you two met and you instantly clicked. But you both have a small feeling you two should be something more than friends. “You think we were best friends in our past lives?” “I highly doubt that…”

Secret dating!

Can go both ways! You’re dating Robin, the vigilant sidekick that rides alongside the Dark night of Gotham. Ideally, you keep it a secret. For everyone—that includes Batman himself (but he knows) for many reasons the main one being He’s afraid of losing you. Some so many people want him and Batman dead and if they found out about you, you were as good as dead too.

Or

You’re dating Damian. You two agreed on keeping it private. Paparazzi doesn’t know what boundaries are in the world and Damian wanted to protect you from them. That was his main goal—that and keeping you a secret from his family. They’re embarrassing, to say the least, and if they found out about you he would never hear the end of it. Although Alfred already knows who you are.

[reccyls]

Don't Look at Anything Except for Me (Victor story)

My translation of Victor's story for this collection event

---

Standing in the otherwise empty lounge was a tall box with a handle.

(It looks big enough to fit an entire person inside. I wonder what it's for.)

Just as I was going to open it...

Victor: Looks like you found it.

Surprised, I let go of the handle, and and approached the wryly smiling Victor.

Kate: What's this for?

Victor: A prop for my next magic trick!

He enthusiastically pulled open the box, revealing nothing inside. Just darkness.

Kate: It looks like just a normal box to me... What kind of magic trick can you do with this?

Victor: I'm very glad you asked! A trick where you can escape after being shut within a perfectly ordinary box.

Kate: Ooh, I've seen a magic trick like that before!

Victor: Since Vogel has arrived, I've been thinking about welcoming them with a little magic show. Victor: And I might as well take the chance to add a new trick to my repertoire.

Kate: Vogel did say that they want to build a closer relationship with us. Kate: I should also be talking more to the three of them!

(I am concerned about Harrison's warning, but it's important to know people, too.)

I suddenly realized Victor was staring at me...

Kate: What's wrong?

Victor: You're very kind. Always extending grace to anyone you meet, no matter who they may be. Victor: But... I want you to know more about Crown, as well.

Victor turned his gaze downwards, and his shoulders fell slightly. He looked lonely.

Victor: And of course, more about me, as well.

He gave me a playful wink, as if to say not to mind what he just said.

Victor: And now, to make sure I don't lose your attention, allow me to monopolize your time! Victor: I've never done this trick before, so I'd like your help to practice. How does that sound?

Ecstatic that he wanted to practice with me, I nodded vigorously.

Kate: Absolutely!

I stepped into the box, finding it wide enough to fit me comfortably.

Victor: There's a switch on the inside. If you flip it, the back panel should slide out so you can escape.

But inside the box, I couldn't find the switch.

Victor: The manual said it should be in there. Let me see...

Victor stepped forward, half his body leaning into the box. I watched him intently search for the switch, and then-

Kate: Ah, is that it?

Victor: ! Yes, that's the one!

Finding the slight knob, Victor met my eyes and smiled as he pushed it. And just then--

Victor: Eh?

Kate: Aah!

The door slammed shut, and trapped the two of us inside the box.

Victor: That was a shock... Kate, are you all right?

Kate: Yes, I'm fine...

(What do we do? He's way too close...!)

Our bodies were so close that I could hear the sound of his breathing clear as day. He had his hands pressed up against the back wall, so there was a bit of a gap. Perhaps it was due to the darkness, but I felt as though any slight movement in any direction would lead to us being pressed flush against one another.

Kate: Y-you know how to escape from the inside, right?

I tried to hide my nervousness with a question.

Victor: .......Unfortunately, I don't.

His answer was exactly what I didn't want to hear.

Victor: I thought that switch was supposed to be for that exact purpose. Victor: We may have no other choice but to wait until someone lets us out.

Kate: No way...

(Maybe if we press that switch again?)

Kate: Let's try pressing the switch again! I'm pretty sure it was somewhere around here...

Victor: Ahhh!

My finger poked into Victor's side, and he let out a yelp I'd never heard from him before.

Kate: S-sorry!

Victor: It's fine. I was just surprised, that's all.

Perhaps the cramped conditions were getting to be a bit too much for Victor, because he bent an arm. I stifled a gasp at how close we had become. A lock of his silky hair brushed across my cheek. His voice carried the soft texture of a cool night's air. For some reason, my face felt hot where his hair had fallen across it.

(If we don't get out right now... My heart isn't going to be able to take any more of this.)

I ran my hand along the wall again, in the hopes that I'd find something that could hasten our escape by even a single second.

Victor: Kate?

Kate: Maybe I can find the switch by touch.

Victor: That's a good idea, I'll try too-- !!

Kate: Ack!

Because of our movements, the box began to wobble, throwing me off balance. In a panic, I tried to stand, but only ended up with my legs around Victor's, almost as if straddling him.

Victor: Sorry for this. I'm going to try to get us out of here, but I'll need to move a little.

Kate: W-wait a second-- mm....

I tried to scramble for a better position, but there wasn't any space inside the cramped box. Victor's knee pressed between between my legs, digging right into where I was most sensitive...

(Oh no, I can feel my body start to respond--)

My toes curled as Victor's movements caushed his knee to continue to rub in between my legs. I gripped his shirt, trying to endure the sensations.

Kate: It's fine. Please stop moving.

Victor: !

I heard his breath catch, before his knee pushed me back.

Victor: ...I'm sorry.

As I looked up, there was an apologetic expression on his face. And then with a crash and a hard impact, throwing my face upwards. My lips brushed right against the mole at his lips.

Kate: --The door's open...?

Beyond Victor, I could see the familiar sights of the castle's lounge. Unsteadily, I made my way out of the box and collapsed on the spot out of pure relief.

Victor: Are you hurt?

I looked up at Victor's worried expression, his hand extended to me to help me up.

(Right at the very end, I almost kissed Victor...)

Embarrassed and uncomfortable, I couldn't meet his eyes as I took his hand.

Kate: ...I'm okay.

Victor: If we'd been stuck in there any longer, my heart might have exploded.

His tone was light as he turned to look back at the box. That was when I noticed.

(Huh...?)

Amidst his flowing black hair, his ears had turned faintly red.

(Maybe I'm wrong? But, if he realized what happened too...)

Victor: Kate?

The voice that called my name carried just a hint of seductiveness. And I could feel the heat we shared while trapped in the box stlil lingering.

[ashton-sano]

Blue Lock Characters in: Being Jealous

(Characters Inclu.: Yoichi Isagi, Meguru Bachira, Seishiro Nagi, Reo Mikage, Chigiri Hyoma)

Trying to get into the habit of posting more often, so have these headcanons. A Bit short but I hope you enjoy

Yoichi Isagi

-Somehow the worst one on this list

-He's likely to give the nastiest glare to whoever you're wasting your time with (of course when you arent looking)

-Post Blue lock Isagi is kinda the same, Just a lot less subtle. curses and maybe a fight or two if its Kaiser. 

"That blonde asshole has no place talking to you, you're mine.."

-Don't be alarmed, he's unlikely to take his jealously out on you

-Unless you're teasing him on purpose, then he might get a bit agitated with you

- "My dear, I'm not too fond of how you let him touch you just then, please stop that."

 

-He's a two way street, either a sweetheart who tries to dodge around it or a straight maniac who will plot murdering whoever it is.

    -Nothing to mistake, he isnt brainless, so theres always a chance he wont care

-He's mostly secure in your relationship with him but could use reassurance in times like that

Meguru Bachira 

-Relatively tame for the most part

-If anything, he may get clingier

-He honestly doesnt even acknowledge the person youre talking to at first, he's too invested in you

"Oh, Baby! You busy today? I wanted to try this- hm? Oh, you're talking to someone...? Anyway, its this cool bakery I saw, we should try it!"

-If you aren't giving him your attention, that's when he'd get pouty

-He's a child at heart, naturally he's gonna get upset if you aren't paying him mind, no matter the reason

"Babyyyyyyy, gimme attention...! I dont care who youre talking to, love me!"

-Its cute so you usually give him his way and stop what youre doing

       

     --> Little do you know, he does it on purpose because it always works

-Definitely a michevious little bumblebee

Seishiro Nagi 

-Another rather tame one

-Hard to tell if he even cares with how lazy and laid back he is 

-It usually never bothers him since he does trust you 

"Hm? Your friend asked to hang out today? Sounds cool.." 

-Like Bachira, he only cares when it cuts into your time with him, now its something of note for him

-How could you leave your boyfriend for some lame hangout? Playing Video games with him is much more important

"You want me to get off..? No...Not until you promise you'll stay and hang out with me..."

-Please just stay, he might actually cry if you leave (he wont, but it always gets you because you believe him)

     ->A 6'2" babi, why wouldnt you want to give him what he wants?

- Eventually he makes you forget why you were trying to leave in the first place

Reo Mikage

-Have you seen how he gets with Nagi? Safe to say he wont be very happy

-As mad as he'd be, I doubt he'll make sure you see that

-All smiles and grins when you look at him, what do you mean you swear you saw him scowl at the guy behind you? You're just seeing things love

 

"Dove, who's this? A..friend? Ah, well im sure we'll get along well, real well...."

-We all know how privledged he is, he would be appauled that you want time with anyone besides him, what could they give you that he cant?

-Granted, he wouldnt give it much thought at first but as you keep focus on this person, itll eat away at him more before he's pouting and begging for you to give him your undivided time

"C'mon Dove, how bout we go to that new cafe you were talking about, hm? No, im not trying to distract you, how could you say that..?"

(Thats definitely what hes doing)

-Eventually he'd bribe or sweet talk you into giving him what he wants 

    -"Dont ask about where that guy went, hes not important....Now lets go get some ice cream, yeah?"

-A tad creepy and overprotective but with all that money, who is to stop him?

Chigiri Hyoma

 The most tame on this list, and by a rather large margin too

-This pretty boy knows you'll eventually give him your attention, nothing to worry about

-If anything, he encourages you to allocate your time doing what you want and speaking to who you wish

-That can change if the person is too touchy with you, however

"Pretty sure they asked you to take your hands off, keep them to yourself."

 

-He trusts you entirely, its the people you hang around that can overstep and agitate him 

-Hence why he's almost always hanging out with you, your friends are his friends right? What better way to show them that you're happily taken then to bring your sweet, beautiful redhead with you?

"Going out sweetheart? Mind if i tag along? I mean only if you don't mind."

-Truly a man who knows his worth, but it would help if you told your especially pushy friends to mind their manners when he's around 

    -A few of them have actually attempted moves on him once or twice

-We stan a Pretty King 👑 

[p1zzaparty]

a very small, tiny, itty bitty detail i love to see in other peoples drawings of the Losers, especially as adults or young adults even, is what kind of fashion is given to them

like its almost a given that everyones Richie has some weird collection of shitty t-shirts with some nerd thing attached to it. Or brightly colored button ups with polka dots and stripes.

Eddie seems to stump everyone because i've seen him from everything to sweaters, to expensive formal wear, to neon rainbow tank tops. Personally i always saw that guy, with his bright pink and blue polo shirts and simple plain tees, as just a mixed bag of beans. He still dresses like mommy picked out clothes that she thinks would look super handsome on him, with his little stiff gelled combed hair to match. But he rarely, probably has anything that has actual words or icons on his shirts. Maybe a national park sweater here and there, that guy probably loooves gift shops. I think now with his big boy money he'll stray away from his usual get up, splurge a little, buy something branded, something new and expensive. Also something stupid, like shoes that are way too expensive. He's a fake sneakerhead, only really investing in brands he THINKS are cool or trendy. Not that he cares too much about being trendy and cool, like Richie probably does. Just...gets an ear worm sometimes, whispering to him about how they aren't that bad looking, and that he's buying it for himself, not because some jackass on tv wore them. Maybe a shiny new watch too, and maybe even a band shirt for pj-only purposes. Otherwise he's pretty strict on his expenses and just buys what fits and works as a shirt, pants, etc. Comfort over design, squarish in appearance, boxy and casually professional. I don't see him wearing a suit outside of work or waltzing into his nearest cheap café with a confident blazer and matching ironed pants. I doubt that guy even owns an iron, probably forgot to even buy one after mummy-kins passed. Even after she screeched and raved about it too, and he just ignored her tangents, assuming it wasn't even that important, all while his shirts became crinklier and sadder much like him. Sometimes i see people make him almost tooooo strict and formal and buttoned up, to y'know match Richies more casual and stoner-dork like style that's sometimes assigned to him. But Eddie, to me, is always a business casual kinda guy. Like, paid business trip to a golf course casual. Throwing on what's comfortable, giving a healthy amount of thought to what people might think of you. You will NOT find this man dressed to the nines at home, but he does, in fact, have a little pocket protector on his stupid shirt. With a pen or pencil thrown in just to make use of it, an old candy wrapper he forgot about and WILL get washed with it, or a few crumbs from his earlier microwaved breakfast burrito he had to scarf down before Myra had something to say about its ""toxic"" ingredients.

His clothes probably vary in size by a very small margin. Knowing a ball park guess of his pants and shirt sizes, always forgetting to add in it going through the washer, or how a size 30 is a size 31 in Canada or whatever. Probably because he was so used to mummy buying everything for him, even into his early 20s in college. Now he's free from her suffocating grasp, he still copies her sense of fashion and rarely does anything outlandish or fashionable. I think later down the line, in the cannon he survives and goes off to live a happily ever after with Richie, that he'd begin to explore a bit more. Getting that sugar baby money helps, and he'd have to try and buck up with Richie, trying to copy him slightly in terms of fashion.

He's a bland man Sarah, a BLAND man!