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#because he knows how important it is so maybe that might be his new purpose
platoniccereal · 1 year
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ok, i don't know why i just glossed over this part earlier.
there are some inconsistencies in what the iron bull says about his background, here and there, e.g. in what bull says was his reason to reach out to the inquisition (krem says it was bull who reached out VS bull says it was krem while mimicking him VS bull says it was on his superiors' orders), but another detail i noticed is what he says about his merry trip into the re-educators' establishment.
bull says that one day he basically woke up and found himself unfit for his role:
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one day i woke up and couldn't think of a damned reason to keep doing my job. turned myself in to the reeducators.
but what's told us as well is that he snapped and went on the killing spree, and then people were sent for him, and that's when he declared himself unfit:
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which sent him in a berserk state. when his surviving soldiers later came back for him with reinforcements, they found him unmoving, covered in wounds and surrounded by the butchered corpses of the tal-vashoth warriors. he declared himself unfit for duty and too dangerous to be around civilians, submitting himself to the ben-hassrath re-educators.
which is not the “woke up with the realization” situation at all, not a boulder suddenly crushing one's shoulders, but a snapping moment.
now, i don't think bull lies. these may as well be parts of the same true story. he did wake up in that state some day, maybe even weeks prior to his breakdown. he could just ignore that, figures anyone on that island learns to ignore a thing or two. maybe it even scared him shitless, but he kept going as he always did, because one of his main traits is incredible stubbornness. maybe he said to himself, that it's alright, actually.
and then he snaps, kills people and turns himself in to the re-educators. because he understands that the matter is way more serious, and he's reached the end point.
for me there were some things that fell into place. nothing that wasn't said directly in the canon, just got some things consistency-wise, nice logical structure.
after bull becomes tal-vashoth he keeps talking about losing control due to straying away from the path of the qun. but it isn't just something he's been indoctrinated to, or what he deduced after fighting tal-vashoth. this isn't an idea bull is scared of because he’s just going through new experience.
that's something that actually happened to him, or at least he believes it did. he strayed away from his path, ignored it, kept fighting, and then lost control. it's suddenly not just a cautionary tale.
another thing is that hissrad kept fighting for 8 years because he believed he could change something, quoting gatt: “he thinks that if he does the right thing, then everything will work. he's been in seheron for ten years trying to make everything work.” certainly, he fought to make civilians' lives better. to protect and help. hissrad stopped when he couldn't see the end goal anymore. not just because he grew tired, or due to his grief, or because of horror he felt after the attack on the school. i'm pretty sure he would've kept fighting if he still had a goal, but this absence of aim was exactly a deal breaker.
even if one doesn't see worth in their own work, to which every part of the qun's common body strives, one can always hide in that hope for a change from their doubts. i can only imagine how many times bull and warriors on seheron would turn to “eventually the tides wear away the mountain”. especially when their own grief is so repetitive they need the goal so they won't break the cycle.
so, that's exactly what bull is cut off from when he becomes tal-vashoth. it would be easier for him to become disappointed in the ideology, but bull isn't that type of tal-vashoth.
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iron bull: you mean getting exiled from my people and declared tal-vashoth? yeah, i should make a cake.
sera: you like drinking and singing and breaking beds. you’d already left.
from the outsider's perspective nothing changed in his life, save he got cut off of his own people. every companion pretty much gets it, some are happy for bull, some are sorry.
but it changes drastically for bull. he had an aim before, whether it was that he was making the world a better place from the qun's perspective, or that he wanted to prove himself to superiors and come back.
bull is a person used to devote himself, with great power and loyalty, and after he's declared tal-vashoth, he doesn't have a place to apply that might. maybe bull could find some peace in helping the inquisition with corypheus.
but after that..? in my case, the inquisitor lavellan gets it, he also had to invent the goal of helping elves and mages just to keep going, but the iron bull isn't quite invested in thedosian political games or ideologies for this trick to work.
chargers are living their best lives and doing their job well, but this hedonistic way of life is opposed to the qun's teachings. i guess earlier bull could make himself believe that even these little silly deeds helped the bigger picture somehow, this desire to help the whole society through every action being something the qun taught him. tal-vashoth bull is cut off from this bigger picture. this slot in his mind is empty.
this might be the biggest struggle for bull. he can keep moving forward, he's good at it, but that might be an aimless path for him.
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queenie-ofthe-void · 4 months
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“Led Zeppelin? Never heard of them,” Steve lies, like a liar. Of course he’s heard of them, thinks maybe Hop’s mentioned them before. Doesn’t really know the band well, and probably definitely couldn’t name a song. But the comment serves its purpose, and the trap is set.
Eddie calls it the Zep Campaign. Every day they’ll listen to one album, and Steve will pick his favorite song from each. Eight days for eight albums. On the last day, they’ll narrow it down to one song to rule them all– because apparently even Led Zeppelin likes the Mordor books Dustin doesn’t shut up about. 
Each day, Steve struggles to pick a favorite. Day four isn’t bad– doesn’t mind a song that is actually called Rock and Roll, which is just a lazy title in his opinion– but they’re only half way through and the songs are all starting to sound the same. An endless stream of too-fast guitar melodies and weird, wobbly sounds he’s sure he’s never heard before. The vocals are his favorite part, but the lyrics are vague and confusing.
Long story short, he’s not a fan.
But this growing thing between him and this ridiculous metalhead is new, fragile. So if it’s important to Eddie, it’s important to Steve. 
“Stevie, we really don’t have to keep doing this,” Eddie concedes. It’s day eight, the final album, and he thinks even Eddie might be desperate to listen to something different. “You’ve listened to every other album and honestly this one is the worst. They were all on drugs, and this isn’t even their sound ya know? Like it’s not even real metal.”
And honestly, Steve does know. He’s been listening to this band for eight days and yeah, all the songs sound the same. But these ones are different. Softer. He’s made it this far, and he’s nothing if not persistent for the people he loves.
Sprawled out on the floor next to the boy he likes, passing a fading joint back and forth, he thinks he can suffer a bit longer. 
“No Eds come on, we’re halfway through anyways. Just flip it over and we’ll smoke while we finish.” Eddie huffs a sigh, but Steve can see the slight uptick of his lips, reminding him of why he’s doing this. He flips the record and crawls back, presses himself flush up against Steve’s side.
The next song is long, too long to keep his attention. They burn down their joint and Steve leans heavily onto Eddie’s open chest. He gets lost staring at the vinyl art. A guy dressed in a fancy white suit sits alone in a dive bar, the only splash of color against a dull background. The bartender looks gruff, like the rest of the bar, making the man stand out even more. He wonders if that’s how he looks posted up at the Hideout during Eddie’s shows. Wonders if he looks just as out of place in Eddie’s life as this man does, even though he looks comfortable there too. 
Eddie shifts his arms around Steve, bringing him back to the present. The song has changed and Steve feels the slow melody wash over him.
“Wait,” Steve cries out, flailing up and out of Eddie’s arms as he registers the new song. It’s soft with a steady beat. It’s got synth-- the sound Eddie told him he likes in pop music. This song isn’t loud and chaotic like the rest. The voice is soothing and the lyrics are mostly simple enough. It’s different, and he can’t believe it but–
All of my love, all of my love
all of my love to you, oh
“This one. I like this song. Like actually like it.”
Eddie sits up and stares at him. He can see the dramatic shock and annoyance on Eddie’s face. But it’s doing nothing to hide his broad smile and shining eyes. 
“Steven. Stevie. Baby, sweetheart, this absolutely cannot be your favorite Zeppelin song. Out of all the songs on all the albums and all the hours of poetic melodies I’ve forced upon you, you choose the most non-Zep Zeppelin song.” Steve laughs sweetly as he watches Eddie fail to keep the glee out of his supposedly annoyed voice.
The cup is raised, the toast is made yet again
One voice is clear above the din
“This song isn’t even metall!" Eddie screeches. He rants and raves, waiving his arms as he regales Steve with all of the reasons he should absolutely not like this one particular song. He's shining with happiness, dial turned up to a hundred and it's all aimed at Steve. He can't help but to gaze back fondly, enraptured in the adorably obnoxious spectacle.
"It’s all synth, almost no guitar because Page didn’t even write this one! He wrote all of them except two songs, Stevie, and of course that’s the one you chose. No one who knows good music even likes this album. It’s not even metal music and honestly I almost didn’t show it to you, that’s how bad it is!” They're both giggling, leaning falling slowly into the other's space. Facing one another, their feet tangled together, Steve twists and pulls on Eddie's rings. Just to touch.
“Well, maybe that’s why I like it,” Steve snarks, taking his hand. “Plus it’s a love song.” Daring to reach out.
All of my love, all of my love, yes
All of my love to you
Eddie’s smile dims a bit, softens at the edges as he grows serious. “It’s not a love song Stevie, not like that.” He’s looking at Steve but he isn’t. Looking past him into the back of his thoughts. “The lead singer, he wrote it for his son. His kid died of some kind of bad illness while he was on tour. Didn’t make it back in time.”
He pauses, and Steve waits. Knows Eddie has more to say, hoping his patience will pay off. Eddie’s sight refocuses and he heaves a heavy sigh. His eyes glisten as they lock onto Steve.  
“My mom used to sing it all the time. While she was cooking, or putting me to bed, or pulling weeds in the garden. She’d sing it constantly. Hell, she didn’t even know all the words, but she’d still try and sing the interludes– ya know, the music between the lyrics.” He laughs lightly, a stray tear just barely hanging on. Steve tightens his grip around Eddie’s hands and presses a kiss to his knuckles. A silent sign of gentle support and encouragement. 
“Sounds like a love song to me,” Steve whispers. Leaning forward, he presses a kiss to his forehead and pulls Eddie into a tight hug. 
All of my love, all of my love, to you now
“A love song just for you, from both of us.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I've always headcanoned that Eddie loves Led Zeppelin, because he plays guitar and loves metal and reads Lord of the Rings so of course he would.
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nanowrimo · 11 months
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How to Use Meal Scenes to Develop Characters, Relationships, and Your World
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Worldbuilding can sound complicated, but why not make it a little more simple by focusing on food? It may be the domestic touch you need! NaNo Participant Lacey Pfalz talks about using meal scenes to develop your world and your characters.
There’s one thing that remains a universal human truth: we love food! While our perspectives on food might differ, people all across the globe gather together during mealtimes — and thus, mealtimes are made memorable.
Meal scenes can also help your story in a few key ways, especially if it’s fantasy, science fiction or historical fiction.
Meal Scenes for Worldbuilding
If we’re using food for worldbuilding purposes, does that mean we can say we’re worldcooking?
Just kidding! Worldbuilding, especially in historical fiction, science fiction, and fantasy, is an integral part of what you must do as a writer (In truth, it’s also important for writers from other genres, but we’re specializing in these three today).
Meal scenes can be an important part of the worldbuilding process. Food is intrinsically tied to a culture or a country, or even a small region. That’s why it’s important, when building your own world, to take time to figure out the bare minimum of what your characters will be eating.
Let’s do an example. Your world is fantasy, your kingdom set beside a wide river. Perhaps your capital city, where much of the action is located, is surrounded by wetland.
If this is the case, what types of food would likely grow there? Seafood, fished from the large river, might be your characters’ staple proteins, while rice might grow better than another grain because of your kingdom’s wetlands. Fruit, perhaps even coconuts, might be the sweet stuff your main character loves to devour.
Remember that your world directly affects what types of food your characters will be having: is there coffee in space? What about in Byzantine Turkey or your new riverside kingdom?
Shannon Chakraborty does a phenomenal job with this in her fantasy series The Daevabad Trilogy, which is set in the eighteenth century across the Middle East. Her first book, The City of Brass, is especially good at showcasing the often-fragrant dishes of the various cultures across this region of the world (some copies of the book even have a short list of recipes from the book that foodies can try whipping up for themselves).
While her book is set within the fantastical world of the Djinn, her food is based upon recipes that have been preserved for centuries.
There’s one small reminder with all of this: it’s important not to get too caught up in describing each dish so much that you end up taking the focus away from the characters in a meal scene. Meal scenes can be breaks from fast action, but they should also continue the plot.
Meal Scenes for Developing Characters & Relationships
Character development can be hard, especially if you have a handful of characters that you love! But in order to make your readers love them too, you have to show them interacting with the world around them.
That guy we love to hate? Maybe he’s a loner who has grown up eating by himself. Having him forced to sit and eat with a group of people who have known each other for years might be an awkward moment for him, but it helps readers to learn more about his own worldview — and it might just help get him out of his shell, or at least off the love-to-hate list.
Besides helping you develop a single character, writing meal scenes with some of your characters can also help readers learn more about the relationship between your characters.
Let’s say you have your main character, MC. MC leans over and steals a French fry from her best friend. There’s no issue, right? That’s because they like each other, and the best friend has likely eaten with MC before, and knows she enjoys stealing food from other people’s plates.
But when MC tries it again, this time with the guy sitting next to her, he whacks her hand to stop her from stealing. This sparks an argument that seems, at least to everyone else watching it, pointless, but readers will know from the rest of the story that they’re the enemies-to-lovers trope. This argument is just one of many before they finally acknowledge their feelings towards one another.
See how that worked? A meal scene wasn’t useless; it pulled the story along by giving readers another taste of the enemies-to-lovers trope that so many enjoy reading.
If you need a more visible example of how this can play out, try watching a movie like Pride & Prejudice, (the book is amazing, but I’m suggesting the movie as a visual aid). The movie does a great job showcasing just how different the members of the Bennet family are individually, how they act around each other, and how they act around company.
There’s often little action in meal scenes, so they’re not meant to be overused. The plot should also still be there — take the cringey proposal scene between Mr. Collins and Elizabeth in Pride & Prejudice, for example, which follows directly after a meal when the rest of her family abandons her. In this case, the plot (and Mr. Collins’ advances) ruin her meal.
Perhaps your meal scene is the much-needed respite in between battling fierce aliens for planet Earth, or the first time your main character’s enemy-to-lover has entered her home. Either way, meal scenes are an important way to immerse your readers in what kind of world they’re imagining as well as showcasing how your characters act and — more importantly — how they act around each other.
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Lacey Pfalz is a travel journalist by day, hopeful author by night. She belongs to the class of graduates she dubs the Class of COVID-19, having graduated with a double major in history and writing at Wisconsin Lutheran College in 2020. Her writing passions include fantasy, science fiction and historical fiction (with a little bit of romance, of course!). As someone with a physical disability, it’s her dream to write a fantasy series featuring a main character like her. Header Image by Jack Sparrow
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thesuperiorrobin · 8 months
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Potential love troups? With a twist?
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Friends to lovers ~
A classic love between two best friends as they try to hide their feelings for one another afraid it might ruin their friendship. Damian is brutal when he tries to hide his feelings—and sometimes wonder why you’re still friends with him. He falls in love with you because you understand him and aren’t friends with him because of who his father is. You fall in love because he’s a kind person despite being ruthless to everyone else. But to you he won’t return the feelings, will he?
Enemies to lovers~
Another classic expects it’s between the love of two sidekicks. You two fight around the city in the middle of the night while he’s on patrol. He hates how you’re always involved in everything and you hate how he stops you from everything. Won’t be a dull moment between the two when you aren’t throwing punches at each other. Until one day something bad happens and Damian dressed as Robin gets himself into trouble that leaves him bloody and bruised. You saved and cared for him—still keeping his identity a secret. He appreciated it.
Fake relationship~
Rumors going around about Damian dating this woman whom he does not like— so to steer clear from the news headlines he asked you, his long-term friend, to be in a fake relationship to get out of it. It works, but now the headlines are about you two, so you two play along for a few more months. Everything was fake. The dates that you purposely planned to get caught. But we’re the kisses fake too?
Forced marriage~
A marriage planned by your parents and his mother. Damian’s older now and now leads the League of Assassins with the burden on his back. You aren’t important to the league — and your only purpose is to give the Al Ghuls another heir after Damian. So you stand in the shadows, behind your husband everywhere he goes. Damian Al Ghul is a brutal man outside those doors, yelling at the people below him to work harder, a brutal man on missions he’s assigned. But behind closed doors, he’s a gentleman, towards you that is. A part of him pitty’s you. You didn’t ask to be married to a man like him. But you reassured him countless times you don’t mind it. A heavyweight leaves your shoulders when he promises to keep you safe. Maybe this forced marriage won’t be bad after all.
Soulmates/Best friends to lovers
An AU of mine where both you and Damian were married 100 years ago, so in love it made everyone jealous. You two were soulmates in another life, but that life was cut short after your lives were taken away from you. Now your souls are reincarnation to today's world. The world where you too are not a couple but rather best friends. There was some sort of connection when you two met and you instantly clicked. But you both have a small feeling you two should be something more than friends. “You think we were best friends in our past lives?” “I highly doubt that…”
Secret dating!
Can go both ways! You’re dating Robin, the vigilant sidekick that rides alongside the Dark night of Gotham. Ideally, you keep it a secret. For everyone—that includes Batman himself (but he knows) for many reasons the main one being He’s afraid of losing you. Some so many people want him and Batman dead and if they found out about you, you were as good as dead too.
Or
You’re dating Damian. You two agreed on keeping it private. Paparazzi doesn’t know what boundaries are in the world and Damian wanted to protect you from them. That was his main goal—that and keeping you a secret from his family. They’re embarrassing, to say the least, and if they found out about you he would never hear the end of it. Although Alfred already knows who you are.
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meraki-sunset · 7 months
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i have a question about hiveswap as im just getting into it, considering that the events of hiveswap and hauntswitch both take place in the late 1900s, whats the point exactly?
we already know whats going to happen and that all of the characters are doomed fail on their goals and then die no matter the outcome. the caste system is never abolished, HIC stays in power, both earth and Alterna get destroyed, and doc scratch continues his plan without a hitch
none of it seems to really matter or serve any purpose other than worldbuilding for 2 already doomed worlds (3 if you count the cherub portal implying a lost society of cherubs)
Well, it is. It is worldbuilding, that’s what precuels are. They add extra context to events you already know will happen, they add to how they happened, how we got there. That doesn’t make them pointless.
It may seem irrelevant at first glance, but Hiveswap actually has a very important role.
It sets the stage for the arrival of the players on both Alternia and Earth-A
The events of Hiveswap are happening with an equivalent distance in years between both Alternia and earth
Which means the Beta children are about to arrive in their meteors (1995 - 1996) a little after the time when Joey and Jude are having this adventure (1994), which means the Alpha trolls will get to Alternia soon too.
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Both timelines are mirrored in time, they both have the same exact amount of time before the end.
We know the Beta kids hadn’t arrived yet to earth during Hiveswap because it’s 1994, and that the Alpha trolls hadn’t arrived either because Trizza is the heiress, and there can only be one at a time, so Feferi isn't there yet.
This series of events are necessary for Doc scratch’s plan, otherwise he wouldn’t have intervened, giving Xefros a surveillance free communication channel, so Joey and him aren’t detected by the authorities.
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He needs them under the radar so they can (while trying to send Joey back home) connect people with each other, cause necessary problems, kick start important events.
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All which will set the stage for the 12 troll player’s arrival.
What do I think it’s the most important event Doc Scratch needs Joey and Xefros to make happen?
Trizza has to die. There can only be one heiress at a time, and if Feferi is about to arrive, then Trizza has to go.
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The events of Hiveswap/HauntSwitch will cause the death of the heiress, either fighting against the Condesce, at the hands of the revolted trolls Joey and Xefros will influence, crushed to death by Feferi’s own meteor, who knows. But if this is the "equivalent to 1994 on Alternia" and all that is happening it’s really happening as a mirrored version of Earth’s timeline, then the 12 trolls should be to arriving at different dates during the following year. Which means she doesn’t have much time left, as we know Feferi was the only heiress on Alternia during Homestuck. And we’re 13 years away from the end of the world. It needs to happen now.
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It's the same tactic Doc used with Rose, Vriska and Terezi
The only reason he ever “helps” anybody it's because he needs them to make things happen.
He needs Joey and Xefros alive, he needs the rebellion to go through (even if it fails, it'll fail in a way that it's usefull for him), he needs Trizza gone so Feferi can come to Alternia and so the final stage of this plan of millions of years connecting dots and manipulating people to create a hostile planet for the new players to grow stronger that their predecessors, can begin. The rise of the new players.
I personaly think Tyzias might be the one to intercept Karkat or at least be involved in it.
It could be her, Joey or maybe someone else, but whoever intercepts him will have to know about the signless and according to Tyzias’s password (69) she already knows about him and she knows his symbol, and seems to be a follower in the down low. Tyzias also must knows how the singless promised that there would be another troll like him, and according to Doc scratch's explanation:
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The followers of the summoner decreased enormously, but the Doc said himself that there were still some of them hidden and I think he was talking about Tyzias and her alies.
Sometimes we forget that there was intervention from the suferer's followers to ensure Karkat's survival
That’s why he has the sufferer’s symbol, someone who knew it gave it to him. And we know Tyzias knows.
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The ectobiologist and team leader also seems to always be the last one to turn 13, (as well as the last to wake up as their dream self) so Karkat should be the last one to arrive, ending that chain of events.
Of course this all means that, by the time the end of the world happens, and asuming they’re all still alive, all Hiveswap trolls would be adults carrying duties off planet and would die the day of the apocalypse during the Vast Glub along with all troll Civilization.
The same would happen to Joey and Jude, assuming Joey is successful and returns to Earth. They would die on the 13th of April 2009 with the rest of humanity, not knowing they had a part in it or that their lost brother was the detonator of the end of the world.
It’s tragic in the end, but it’s necessary. Someone has to play that role.
They are the stagehands who prepared the stage for the first act of the play they were never meant to see.
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And who knows, it may not be the end of them, maybe we’re too quick to assume they didn’t get saved somehow. By some random paradoxical event or deus ex machine that teleported them away from danger. We’ll have to wait and see how it plays out.
It's been a while since i wrote an analysis, i really missed that ^u^
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beaulesbian · 3 months
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[egghead spoilers, up to chapter 1110]
Sanji's humanity & Zoro's strength
(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.
So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.
Yes, this whole post started because of these few panels: (" ...!!")
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After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.
Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.
There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!
It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).
In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.
Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:
Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):
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^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,
and only again was in chapter 1031 - where his eyebrow changed:
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and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.
Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!
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Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):
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(still the "bad eyebrow" - he had that the whole chapter 1031).
After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.
1036 & 1044 (hearing Luffy awaken his powers):
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All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -
ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:
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ch. 1078, protecting his crew from Seraphim, bad eyebrow:
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in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:
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and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:
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interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):
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and the next page he still has the bad eyebrow:
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in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:
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Which leads me to the point from above with Zoro.
chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)
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I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.
These words (in my opinion) were chosen on purpose for multiple reasons:
First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.
When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.
also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.
Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.
The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:
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Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.
The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.
I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:
One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."
was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:
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When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:
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and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:
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Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).
Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"
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which goes through to Sabaody arc.
Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)
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Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.
It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:
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Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.
He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")
There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:
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and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:
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The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.
Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.
And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:
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Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:
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Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)
So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.
To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.
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The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.
So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.
It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.
To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.
260 notes · View notes
noiryinn · 3 months
Text
study sessions
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pairing(s): oblivious!itoshi sae x flirty!male reader
summary: you are giving one too many hints that you like sae, but he gets none of them and assumes you two are a bit too close for friends. you decide to take matters into your own hands and be his secret admirer
warnings: none!
word count: 4.5k
a/n: thanks for the support on my last post i love you guys!! it’s like one of my biggest headcanons that sae is oblivious to things such as romance cuz the only thing he canonically knows abt is football 😭. i had no idea what to write for the notes so...yeah. also, i didn't intend for it to be so long, i just kept writing. anyways enjoy this mess of a fic! <3 (not proof read)
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you sat in class, leaning on your right hand, thinking and a bit annoyed. how hasn’t sae taken the hint? you don’t just flirt with your friends, dammit! you probably couldn’t even ask him out cause he’d just assume you were joking. you don’t ask friends out as a joke either do you? friends…that word left a bad taste in your mouth. you were so blatantly obvious, but he couldn’t take the hint? you started thinking of plans that might work. then you settled on one. be sae's secret admirer, then reveal who you are! the more you thought about it, the more the plan seemed like a good idea. it was around a week from his birthday too, maybe that'd be your gift to him, a new boyfriend. you grinned in excitement, this was gonna be fun!
after you got home, you decided to write him a note and put it in his locker. you changed your handwriting while you were writing the note, not wanting him to discover who it was immediately. it was pretty simple, but kinda (very) directed at his obliviousness, but it was nothing out of his comfort zone. the note read "i think you're pretty cute, but you can't take a hint. maybe start paying attention to how others act around you!". you wondered if your plan would work, but only time will tell.
the next day you arrived early and put the note in his locker. you hoped that he wouldn’t throw it out like the other love letters and confessions he got. your prayers were answered though, as during lunch, when you were sitting at your guys’ desks, he said something. “i got a note in my locker today,” he said bluntly. “yeah?” you grinned, “and you didn’t throw it out?” you silently celebrated. “no, something about it was different.” he gave you the note and crossed his arms before leaning them on the table. “what did she mean by ‘start paying attention to how others act around you’?” his eyebrows furrowed in curiousity. “she, huh? you think it’s a girl?” you looked in his eyes. “are you implying it’s not?” sae raised an eyebrow. “just saying, ya never know” you smiled.
you stared at the note a bit longer. “kinda funny how they say you’re cute but then say you’re oblivious,” you chuckled, “can’t blame ‘em” you flirted, but the tone was quite subtle. “what’s that supposed to mean?” sae looked at you curiously, “don’t worry ‘bout it” you waved off. “seriously—nevermind. you’re impossible anyway” he sighed in defeat. you grinned at him, “yeah, i know.”
you looked over at the note again, “honestly, i think it’s a sign to think about anything other than football.” you remarked as you toyed with the edge of the note, your fingers tracing the words as you tried to gauge sae's reaction. “football is not the only thing i think about. it's important to me, though.” sae said, his tone a bit offended. “you literally don’t pay attention in class because you’re thinking about it.” you stared at him with an eyebrow raised, “that’s why we go on like study dates all the time.” you put the word ‘date’ on purpose, wondering how he’d react. “i guess you’re right.” he said indifferently. no reaction... “hey, we gotta test tomorrow, right? let’s go to my place and study for it!” you suggested, “but we have to practice for our upcoming practice match after midterms…” he protested, both of you were on the school’s team and often practiced together. “well you won’t play if you don’t keep up your grades!” you protested right back. “…fine. i’ll go over to your house.”
after the school day was over, you waited at the gates for sae so you two could walk home. he was late, which made you annoyed. so you decided to text him. his contact name read ‘sae ❤️’ which he never commented on, for some odd reason. you texted him “where r u?? i’ve been waiting for like 10 minutes”. after 1 or 2 minutes he responded with “sorry, some girl confessed to me. i think she was the one who left me the note.” oh how wrong he was…
sae finally met up with you and he was as stoic as ever. “well well well, look who showed up,” you got up from the wall you leaned on, “betcha you rejected that girl without hesitation as usual, didn’t you?” you smirked, seeing how she was clearly upset and tearing up. you hoped that wouldn’t be you… “i wouldn’t say without hesitation…” sae shoved his hands in his pockets. “yeah right! you totally did, she’s crying cuz of ya, playboy!” you snickered a bit, “it’s not funny, l/n. and don’t call me ‘playboy’” he looked at you coldly. “you’re such a buzzkill, it was a joke anyways, handsome.” you teased with a coy smirk before putting an arm around his shoulder. “ugh, don’t call me that either, what’s even the point of calling me that?” he replied with a grimace. “ah, just saying cause you are, and all the girls seem to think so too.” you smirked. “don’t joke around like that.” he said, a face of disdain became more evident. “see? a total buzzkill…”
you opened the door to your house before turning and speaking to him, “so, you wanna tell me what happened with that girl?” your curiosity was out of this roof. “she confessed to me like any other girl. but i think she was the one, cause she handed me a letter and the handwriting was pretty similar.” sae mentioned. “that so? and what if it doesn’t stop?” you asked, already knowing the answer. “try to find out who it is, i guess”
the two of you went up to your room. it wasn’t messy but it wasn’t clean either. you grabbed an extra chair, put it at your desk and you two started studying together. you regularly had the urge to stare at him for long moments of time, and “accidentally” brush your fingers on his when grabbing a pen. sae's gaze flickered to the folded paper on your desk, a curious expression crossed his face, “hey, what’s that?” you looked at the note, it was the second letter, but you couldn’t ouright tell him that, “uh, it’s a grocery list my mom gave me for tomorrow, cause she won’t be here.” and he took it, like that. “oh, okay.” then shrugged it off…
“hey, can you help me with this question?” sae asked, you already knew all the material, since you actually payed attention in class. “sure,” and you leaned over, a bit too close (on purpose), and started helping him with the question. “you get it now?” you asked, after some frustration. “yeah, thanks. you’re actually kinda smart.” he remarked backhandedly, “hey! what’s that supposed to mean? i’m very smart thank you very much! i wouldn’t even be in this situation if you actually paid attention in class. stop focusing on football so much!” you hit him on the head lightly, but in a playful manner. he tried to hit you back, but you dodged, right before your chair tipped backwards and you fell. “guess you could say i fell for you— ow!” then your head got hit, not as lightly by sae. “don’t say stuff like that.”
you faked a sulk for the rest of the time he was there, maybe he’d feel bad for you and kiss you or something. “you gonna keep pouting?” he asked, “yeah. maybe you should leave, you’re ruining my vibe with all this negativity!” you didn’t really mean that, but of course he thought that. sae really didn’t get social cues. “wait! i didn’t actually mean that—” then he shut the door. now you were actually sulking. stupid sae…didn’t even give you a kiss either.
it was day 2 of your plan, you bought a cute little seagull plush keychain and wrote a note to go with it. it read “hey, handsome! just wanna say, you’re a bit dense for not even getting one clue. but keep it up! i believe in ya!” maybe he’d get that ‘handsome’ was something that you’d often say to him…yeah probably not. it was a stretch. you did the same thing, go to school a bit early, put the things and his locker and pretend nothing happened. a part of you wanted this to continue, but the other didn't. there was an urge to tell him you liked him and get it over with. but where was the fun in that?
as you sat in class, you finished your test, which was fairly easy. but you seemed to zone out after that, your mind occupied on how to get sae to realize that it was you. the thought got you frustrated, but pumped out as you wondered what sae's reaction would be to your note. after class, there was a few minutes before the next teacher came in. "hey." sae said as he sat next to you, "soo...what'd ya think?" nudging him playfully with your elbow, his expression nonchalant as ever. "about...?" he asked, "about the test, silly! you think you passed?" he had to be fairly confident, i mean you helped him out. "uh, sure. it was kinda easy." he dismissed it, as always. "it's totally cause i helped you out, right? right?" you teased, "...right, whatever you say."
something seemed to be on sae's mind. maybe it was about the notes. your suspicions were confirmed when he said something, "i got another note today," he mentioned, his expression puzzled. you couldn't contain your excitement as you took the note from him and examined it before giving it back, "wow, another one huh?" you remarked casually, trying to conceal your eagerness. "what's it say?" you asked, your breath hitching in your throat. sae shrugged, clearly confused by the note's contents. "it's just… encouraging me to pay more attention to things," he replied, his brow furrowing in confusion. you tried to avoid yourself from smiling inwardly, knowing that your plan was working. "maybe they're trying to help you out," you suggested playfully, hoping he would catch on to your subtle hints.
despite your frustration, you found it impossible to not admire how clueless sae was, it was adorable, in its own irritating way. you tried to drop hints and flirtatious comments, but he seemed to brush them off without a second thought as you just "joking". but as much as you wanted to reveal the truth, there was a part of you that hesitated. what if sae didn't feel the same way? what if it ruined the friendship you had worked so hard to build? despite all this, you didn't want to give up either. you were so deep into this already.
so, for the rest of every period, your gaze remained fixed to him. thinking on how to confess to him, also admiring him. after a bit of thinking, midterms were the day after sae’s birthday, unfortunately. must suck, must suck even harder because all club activities were canceled for the rest of the week due to midterms too! but, there was a good part to it too, maybe he won’t focus so much on football. after school, before he was going to walk home, you called out his name.
“sae! wait up!” he turned around to see you jogging to him, “what?” sae snapped at you, not too rudely though, a bit annoyed he couldn’t be alone. “you wanna come over to my house to study for midterms? cmon, i know you’re not learning anything in class, as always!” you could see him be reluctant before sighing. “fine, but not today. i’m busy.” fair enough, it was fine, as long as if you got to confess to him on his birthday. “you better not be saying that so you can play football!” you turned to look at him and you saw he was avoiding your gaze. “you’re totally obsessed…” not like you could say anything. you were pretty much obsessed with football too (and him), but not as much.
the atmosphere was kinda awkward after that, so you decided to say something, “did you get another clue to who that person was?” you asked casually, trying to read his expression. “not yet,” he admitted, “but i know it’s someone closer to me. how else would they know seagulls were my favorite animal?” he wondered holding up the keychain, admiring it a bit in the light. “you gonna keep it?” you looked at the keychain as well, hoping he said yes, “yeah, it’s pretty cute. i don’t want to throw something like this away either.” you eyes naturally set on the way his lips curled up ever so slightly, the way his hair fell on his face and caught the sunlight. your face flushed as you scrambled to look away. if you didn’t realize it before, but now was when you realized how much you actually liked him.
“so, this one’s different, huh?” you tried to change the subject, “what do you mean ‘different’?” he asked, raising an eyebrow in curiosity. you fumbled for words, as you thought about if he caught you staring or not, “i mean, normally you throw out any gift and reject every person…what’s so different now?” you swallowed nervously, hoping your words didn't come off too blunt. "i just meant... well, you usually don't keep stuff like this. but this time, you're actually considering it," you explained, trying to sound nonchalant. sae nodded slowly, seeming to think about your observation. "yeah, I guess you're right. It's just... different," he admitted, his gaze shifting to the keychain in his hand. he beat you to saying something else before you could, “it’s like, they’re close to me, right under my fingertip and i want to know who.”
“yeah?” you smiled at him again, admiring his features once more. “hey, hypothetically, if the person was a guy, would you care?” you asked on a whim, “i guess...not really." he replied with a shrug. "why do you ask?" you shrugged nonchalantly, but secretly felt relieved. at least he wouldn't out right reject you. trying to keep your nerves at bay, you tried to justify yourself, "just curious, y'know? it's interesting to think about." sae nodded in agreement, but you could sense a hint of suspicion in his gaze. it made you wonder if he was starting to suspect something, if he was beginning to piece together the puzzle of his secret admirer.
you waved him goodbye as he walked into his house. tomorrow was the weekend, so you couldn't outright give him anything, but you'd still hint at it when he came over to your house to study. that night, you tossed and turned in bed, partly from the thought of confessing, but also how good he looked on the walk back to his house. you rolled around in bed, almost like a middle school girl in a shojo. it wasn't your best of times, but you refrain from the thought of him, and him piecing together the puzzle had you biting your bottom lip in nervousness and excitement.
when saturday came, you paced back and forth in your room, thinking of what to say and do when he came. you felt pretty damn tired, too from last night, barely got a wink of sleep. you mumbled 'don't screw this up' over and over again when you heard a knock at the door. "sae! you made it!" you said with a sigh of relief, at least he didn't ditch you to watch game footage or anything like that, "yeah, i did." you tried to go in for a hug but he quickly dismissed that.
after an hour or so of studying, you got bored so you decided to hint what you were doing for his birthday. “sae, your birthday’s coming up right? october 10th?” you tried to put in the conversation casually, “yeah, why?” he looked at you with some suspicion, "i'm just asking. but, i'm sure you'd love me for my gift" a small, yet cocky smirk crept onto your face, "don't you mean i'd love 'it'?" he expressed, some more suspicion in his tone, "oh no, i know what i meant, you're gonna love me." he sighed in defeat, he knew there was no point in pushing it further.
so, that's basically how it went for the next few days. him being stupidly oblivious, you trying to drop the hint even further. you got nowhere, on wednesday, the day before his birthday, you decided to give him a flower. not an overly big bouquet, you'd probably save that for the actual confession, instead, you opted for a single flower. it was a flower he'd seen before, and that you knew he liked. there was a vase with a single flower in your room, his eyes consistently focused on it. it was a light pink hydrangea, it was beautiful, so you understood why he stared at it often. maybe he'd understand then. you decided to take the one that was in your room, when he came over that day, maybe he'd ask why the vase was empty and get the god damn hint already,
as per usual, you went early, dropped the gift off, and went off. there wasn't any note this time, as you were kinda sick of writing them. plus, the big day was tomorrow, you'd save every pent up emotion for then. you waited for him in the courtyard, when you spotted him in the courtyard examining the flower you went up to greet him. "hey, sae! looks like you got a flower now, huh?" you wrapped an arm around his shoulder to break him out of his trance, "yeah. this is the same flower that's in your room, right?" at least he got the hint, you pretended to study it for a bit before replying, "hm, yeah, it is. funny ain't it? maybe they know you really well." you looked at sae to gauge his expression, he did a simple nod and kept his blank expression. you clenched your fists in frustration as sae brushed off your flirtatious comment, a knot forming in your stomach. whatever, he'd have another shot when he went to your house anyway.
you were right, because when he went to your room, he noticed the empty vase immediately. "the flower is missing." he pointed out, "gave it to someone real special" you looked at him as you said that, "it was a nice flower, you should've gave it to me...but i can't really complain if they're that special to you..." you were instictively drawn to the way sae's expression softened when he talked about the flower, a hint of vulnerability shining through his normally neutral face.
you stared at him in a 'are you serious?' look. well yeah, you did give it to him, and he was special, "sorry, was that rude?" sae took note of your expression, "oh no no, it's something else," you quickly went back to focusing, "let's just cram for midterms" you muttered, hoping to divert the conversation away from your failed attempt at dropping another hint. you couldn't help but feel a twinge of disappointment that sae didn't seem to catch on to your subtle gestures. but you pushed those feelings aside and focused on studying for midterms.
nothing special happened, just some plain ol' cramming. but, you failed to focus on it. all your thoughts went to the day tomorrow. the thought had you feeling all sorts of emotions. sae noticed your unusual quietness and said something on the matter, "is something wrong? you're being awfully quiet." you felt yourself tense up, "just nervous for midterms...don't wanna fail...haha..." you made a pathetic excuse of a lie, he narrowed his eyes a bit, trying to examine your actions before ultimately deciding to drop it. at a desperate attempt to change the subject you decided to point something out that you noticed, "hey, the bracelets you normally wear, you don't wear them anymore," you pointed out, "oh, i lost them. hadn't gotten the chance to get new ones." you kept that in mind, you'd probably get him a new bracelet for his birthday.
you could barely sleep that night, you stayed up thinking what'd you say, do, act. everything had to be perfect, it probably wouldn't end up that way, but you tried your best. a voice popped up in your head that made you not even want to confess in the first place. it said the same things that made you reluctant before, 'what if he didn't like me back? what if i ruined our friendship?' what if this and that. but what if he actually liked you back, and everything turned out even better than you hoped? every thought was about the next day, it made your head spin. after a bit of staying up, you realized being all tired and having eye backs wasn't cute and a good look for a confession, so you forced yourself to sleep.
on the morning of sae's birthday, you woke up with a flurry of emotions swirling inside you. today was the day you would finally reveal your feelings to him. you couldn't focus on anything else, not even the midterms the next day. every thought was consumed by sae and the confession that awaited. as the day progressed, you found it increasingly difficult to contain your excitement. you kept glancing at the clock, counting down the hours until you could see sae and tell him how you felt. It felt like time was moving at a snail's pace, each minute dragging on endlessly. you went to his locker and put in the last note, 'meet me at the rooftop at 7:30'. it was short and straight to the point, no cryptic messages or hints.
you stood at the rooftop, your back leaning on the railing. your palms felt sweaty and you could hear your heartbeat get louder. your mind was full of feelings you wanted to get out. you were looking up at the sky to get your mind off of everything. the scenery was beautiful, you were lost in it until you heard the sound of the door opening, and there you saw him. the man you've liked since forever. his face was a mix of a lot of emotions, it was hard to read, to be honest.
as sae stepped onto the rooftop, the setting sun casting a warm glow around him, your heart skipped a beat. you felt the breath get sucked out of your lungs, he looked stunning, more than usual, actually. "hey, sae," you began, your voice trembling slightly with nervousness but filled with anticipation. "i'm so glad you actually came." his eyes widened in surprise, his gaze flickering between you and the breathtaking view spread out before him. "it was you?" he breathed, his voice tinged with disbelief. you chuckled nervously, your fingers fidgeting with the delicate bracelet you had carefully chosen for him.
"surprise…? if it wasn't obvious enough…" you paused, your heart pounding in your chest as you took a step closer to him. "there's something I've been wanting to tell you," you confessed, your voice soft but determined. with trembling hands, you slipped the bracelet onto his wrist, the cool metal contrasting with the warmth of his skin. "i really like you, sae," you whispered, your gaze locked with his. "it's been this way for a while, but I never had the chance to say anything." you reached out, presenting him with the bouquet of pale pink hydrangeas, their soft petals illuminated by the fading light. "these are for you," you said softly, a shy smile playing on your lips.
taking in a deep breath, you continued, your voice filled with sincerity and vulnerability. "i've been dropping hints since the beginning of time and i was hoping you'd catch on, but i realized i had to take matters into my own hands. i needed to tell you how i felt eventually. sae's eyes softened as he listened to your heartfelt confession, his expression shifting from surprise to something warmer, something more tender. "i…i didn't realize," he murmured, his voice barely above a whisper. "i never knew you felt this way." you took a step closer, your heart pounding in your ear with anticipation as you reached your hand out to gently cup his cheek.
"i've been waiting for this moment for so long..." you admitted, your voice barely audible over the soft rustle of the breeze, "to finally tell you how much you meant to me. so please, can i be your boyfriend?" you gazed directly into his eyes, waiting for the dreadful answer. as you waited for sae's response, the tension in the air seemed to thicken, every passing moment feeling like an eternity. sae's gaze softened as he took in your confession, his eyes reflecting a mixture of surprise, uncertainty, and something else you couldn't quite place. you held your breath, your heart pounding in your chest as you awaited his answer.
finally, after what felt like an eternity, sae's lips curled into a gentle smile, a warmth spreading across his features. "know that i know how you feel, i don't want to waste anymore time." your heart skipped a beat as you felt a surge of hope and anticipation wash over you. could it be…? "sae," you whispered, your voice barely audible over the gentle hum of the wind, "what do you mean?" a soft chuckle escaped sae's lips as he took a step closer to you, his eyes sparkling with newfound clarity and determination. "i mean… i want to be more than just friends," he confessed, his voice steady and sure. "i want to be with you, too."
you felt excited and shocked and every other emotion there was out there. you uttered a single word, "really?" your heart felt like it was about to explode out of joy. sae nodded, his smile widening as he leaned in closer, his forehead resting against yours. "really," he whispered, his breath warm against your skin. "i've been blind for so long, but now that i see… i don't want to let you go." you wanted to cry, that's what. "you're so stupid for not seeing this...i never want to let you go too..." your voice trembled, you sniffled while saying it too.
"i'm sorry. i really am." he admitted, and without another word sae closed the distance between you two. time stopped, it was as simple as that. everything went to a halt as you tried to process what happened. the kiss was sweet and simple, just as you two liked it. in that moment, surrounded by the soft glow of the setting sun and the gentle rustle of the breeze, everything else faded away, leaving only the two of you lost in the sweetness of the moment. you pulled away after what felt like ages.
"happy birthday sae," you said softly, your voice at a barely audible level. "you're right, i did love you for this gift. thanks for everything." he smiled, his face totally different from his usual unemotional look. "no problem and," you held your breath for the next words you were about to say, "i love you." you felt at peace, you finally said what you've always wanted to say, "i love you too."
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flaneur001 · 5 months
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Headcanon…let’s go~
YANDERE male celebrity x GN Manager Reader
[TW- mentions of stalking]
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YANDERE CELEBRITY! Acts like a brat around everyone but you. His makeup crew and stylists have a hard time getting him to behave. But when you are around he switches the act and is pretty docile.
YANDERE CELEBRITY! Needs you with him all the time, on set when he is shooting, when he is touring, when he is modeling. He doesn’t care for your schedule or work hours, he wants you like an emotional support pet human. Going as far as refusing to shoot if you don’t accompany him.
YANDERE CELEBRITY! Calls you in the middle of the night crying because he thinks he is being stalked. Himself puts threatening letters around his house and asks you to stay over because he is afraid the stalker might break in.
YANDERE CELEBRITY! Clings closer to you when swarms of his fans approach him, saying that he is scared. He just needs an excuse to thread his fingers with yours.
YANDERE CELEBRITY! Lavishes you with expensive clothes and accessories that is sent to him by luxury brands, he loves loves loves dressing you up. He sometimes secretly sends you the unwashed items that he wore during shoots. The idea of you wearing something of his thrills him beyond words.
YANDERE CELEBRITY! Gifted you a penthouse in his apartment building on your birthday, because he wants you to assist him whenever he wants. He is a top artist, now you wouldn’t want to make such an important person wait do you? .You don’t need to know about the multiple well hidden cameras around the expanse of your penthouse. Afterall how would he take care of your safety? Or watch you sleep
YANDERE CELEBRITY! Keeps tabs on your dating life, and crashes EVERY SINGLE DATE YOU’RE on. So you had to go to others for attention? Wasn’t his love enough for you? Fine if you craved the attention so much, you wouldn’t mind handling multiple press releases the next day. He smiles with a mean satisfaction when his fans hover and scream around you and your date. This will teach you a lesson to never leave his side.
YANDERE CELEBRITY! Is very popular and always surrounded by admirers. But his eyes are always trained on you gauging your reactions whenever he is asked out. Are you jealous? Do you feel the same way as him? Is he on your mind like you are on his? Because you occupy his every single thought. The thought of you leaving his side even for a moment, makes his insides clench Maybe he should just tie you up
YANDERE CELEBRITY! Always wears light clothes, so he has an excuse to ask for your coat/sweater. You are annoyed because he never returns them. And if you ask him to return it, he simply buys you new clothes. Afterall he needs your clothes to hang beside his in his gigantic walk-in closet, he loves the idea that someday you will share every aspect of his life. And until he gets to hug you to sleep, he is content with cuddling with your clothes for the time being. Your scent placates him.
BONUS- YANDERE CELEBRITY! When he was playing a cop for a movie, he “accidentally” handcuffed himself with you for an entire day. Obviously he hid every key beforehand he is not a novice. So what if the shoot had to cancel? He had a ball staring at your pretty face all day. Especially when you fed him (he had purposely handcuffed his dominant hand)
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nerdranttheories · 11 months
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Okay I’m going to geek out about Toshinori’s costume designs because I’m an English major and analyzing tiny details in text is what we do and also I love??? The designs! And each one tells us so much about All Might and his focus during each costume.
Costume 1 (Young Might):
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So first off, despite young All Might’s longtime dream of being a hero, his suit is mostly black. A stark difference from comics books and his later self which tend to be bright primary colors. The few dashes of primary colors he has are desaturated, even in the second instance where we see this costume. This would have likely been the only costume Toshinori designed himself, as David became his designer in college.
Obviously, others have pointed out the similarities to Nana’s suit, just like how Izuku copied AM’s, so I don’t think it will be necessary for me to point that out. But this suit is also very practical. Something the flashy All Might isn’t really known for, but let me point the details out. He has boots, gauntlets, as well as what appears to be protection for his upper torso, and even for his neck. A decent balance between more protection and more weight, which would slow a hero down. Also, unlike Nana’s suit, his extends completely down the arms. The only skin surface available is that of his hands, something that stays the same through all of his costumes and as such, must be something he personally insists on. In media, gloves often represent someone with secrets, or a guarded personality. All Might not wearing gloves shows how open he is, not just with his friends but strangers too. And it’s humble, too. It’s not an unfeeling, covered hand extending to you when you’re in danger, it’s the bare-handed reach of a friend, and I fully believe that’s why Toshi goes without gloves. Also it’s possibly a sensory thing for him as well, which goes with my canon-supported theory that this man has ADHD, but that’s a nerd rant for another time.
The colors are important because while obviously they mimic Nana, you can practically see through the color choice that Toshinori is not in his right mindset here. While later the oversaturation of colors serves to show how his own heroism has made him into something Else, and outside of his own head, leaving the man inside to shrivel away, these muted colors show that Toshinori has not yet blossomed. Also in the brief scenes we see of him when he is younger, Toshinori is very solemn. The one scene we get of him smiling when he’s young is when Izuku is comparing them at the same age, and even then, it’s more of a smirk as opposed to the signature All Might grin we all know and love. Black also is just a reasonable color for something like crime-fighting. Black shows the least grime/dirt, so he could reasonably spend more hours out in this costume without having to come home and wash it/trade it out. (Which is something that I love that this series includes, by the way!)
Costume 2-ish:
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Toshinori adds some shoulder pads for the fight with AFO, probably expecting to stand side-by-side with his mentor. I could give a more full-body image but this is really the only difference I could pick out.
Costume 3 (College Might):
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This is the first costume of All Might’s that is designed by David Shield.
First off, props to David. He’s an awesome designer. He not only made a new design, but incorporated several choices from AM’s previous suit, and definitely conferred a lot with Toshi on how he wanted his suit to look while still ensuring its functionality.
Black is traded for a dark, unsaturated blue, giving AM a more peaceful look, as navy blue is considered to be a calming color. (Even Endeavor wears it! But maybe copying AM and not wearing it for the same purposes?) All Might’s cape is also changed from red to blue, taking away the dark look and making it the color of the sky, again adding to that Symbol of Peace idea that is Toshinori’s dream. The gauntlets and boots remain, but the chest-piece has been removed, offering up more mobility. The yellow of his belt has been brightened, and added in place of the blues on his gauntlets and boots, giving him an overall more friendly look as opposed to the more subdued one he had before with the blue accents. The red has been removed as well, and by moving it to his body, it gives the impression of veins and the blood that is pumping away through the heart of this hero, which is fantastic for someone who cares as much as Toshinori does. White was also added vertically on the sides of the suit, thinning out the very intimidating form of Toshi and making him more approachable, while adding a more pure look to his overall form. This appears to be in part, a stylistic choice on David’s end that follows through to the other suits, though it’s hard to know if it remains on the Bronze Age Suit as well.
Overall the brighter colors telegraph that Toshinori is doing much better mentally at this point. He now has A Friend, and for the time being, is safer from the troubles at home, until he has to return.
Costume 4 (Bronze Age):
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We don’t even get a full look at this suit, indicating that its time in use was likely short-lived. As I’ve seen others suggest, it seems very likely that when All Might returned to Japan, he went straight down to business and began doing vigilante work as he tried to track down AFO. However, possibly due to a combination of not finding him and All Might’s rising popularity, he seems to abandon this track and move on to a different form of heroism, which his suit symbolizes. I’ll briefly point out that Toshinori returns to the primarily black suit he had as a teenager, as well as the shadows of his face that add to the idea that as soon as he got back to Japan, he reverted to the mindset he had when he left.
Costume 5 (Silver Age):
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This suit indicates to me that this period was All Might’s prime, despite his later suit being considered the Golden Age of All Might. (And even though it’s my least-favorite design.) He has the typical cape of a hero, and the bright colors are now fully of typical comic book style. The circular design on his chest indicates a target, but with being cast in white and surrounded in red, gives the impression that he himself is not the target, but the villainy around him is. Or at least, that is likely the thought process for this design. Other than the dashes of white here and there, the colors are very solid, possibly indicating a more stable, but single-minded train of thought, something AM is notorious for. No offense to Dr. Shield, but I would have mixed the colors better in here, and the cape connection is too bulky for someone who’s as jacked in the shoulders as Toshinori is. Alas, I am not the designer. We shall move on.
Costume 6 (Golden Age):
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I love this suit. Plenty of analysis has been done on it already, but I think it’s a fantastic representation of how Toshinori’s been crushed under the very image he had originally wanted to create. His shadows are darkest and most severe here, reminiscent of how body-builders dehydrate themselves to get the best appearance of their musculature. His posing is also more inward, as opposed to the silver age, with the angles of his elbows being less directly out and more in, and instead of appearing confident, it’s more of how a cat puffs out its hair to make itself appear larger when it’s scared. I had a long bit to go with this but it was eaten by the Tumblr gremlins. Basically I believe this suit was made post AFO-battle. All Might is declaring he’s not finished yet, all while knowing his time is running out. This suit has several callbacks to the original suit David designed for him, with the navy, though more saturated base and the red lines running throughout the form, though the gauntlets and boots from before have been integrated into the suit itself. This could reflect David’s mindset as well, as he reminisces about the days when Toshinori was healthy and happy, when now Toshinori’s health is rapidly fading.
Anyway, here’s my costume analysis! I think it adds a little more insight to Toshinori’s mental state and situations in the years outside of the show as well as in them, and I hope you enjoyed this read! I’d love to hear other ideas too, if anyone has them!
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sarcasmo-mexicano · 11 months
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Relax 🔞
Pre-Collider Jonathon Ohnn/The Spot x AFAB!Reader 
There's no doubt that your boyfriend, Jonathon Ohnn, is a really hard worker.
His work is extremely important and as such he puts the extra effort in anything he does; Its because of this that he is one of the top scientist at Alchemax.  
The thing is, when Jonathon focuses on his work, everything else is a secondary task and it means /everything/.  
You have to constantly remind him to eat because if you dont, this man can go without eating actual food for days and will try to survive out of energy bars and redbulls.  
He has been so absorbed on his work that he sometimes will collapse from exahustion in top of all the papers he has been reviewing.  
He also tends to ignore you.  
You know its not on purpose but still kinda hurts.  
When he gets into a new project, you feel lonely.  
You are tired of waking up to and empty bed, eating dinner alone, watching the shows you were supposed to watch together, alone.  
Between the loneliness there is also the concern for his well being; How many nights has he stayed up until the crack of dawn, working so much that his eyes are all red?  
Has he eating? Drink water? Shower?  
Its not only this hyperfocus period but the burnout you know its coming after.  
So the next time he announces he will be working on yet, another of his projects, you take matter into your own hands.  
This time, this man will relax, even if its the last thing you do.
When you get home, already late into the night, you find Jonathon hunching over some papers. His desk is already a mess: piles of open books and papers laying everywhere, tools scattered around.  
You toss your bag and coat to the ground and make a bee-line to him, squeezing his shoulders as you give him a peck on the cheek trying not to disturb him too much.  
"Hey" You quietly greet him, giving him another kiss on his temple.  
He answers you with another "hey" his lips curving in a quick smile before going back to work.  
"Did you eat lunch Johnny?" He nods as you tuck some stray hairs behind his ear, he barely reacts at your touch. "Water?" Nods again. Well at least, he did eat. You sigh "Im gonna go shower ok?"  
"Ok, honey" He says without looking at you, writing something on a notebook.  
Frustration builds inside you but no matter, this time he will take a break.  
You hop in the shower, warm water cleaning the stress of the day away; The soap you choose today is his favourite scent: eucalyptus and lavander, you still remember the first time you used it, how he was all over you, his nose on the crook of your neck.  
"You smell so good" You remember how his voice had soften and how his arms  around you, holding you close.  
You hope it has the same effect this time around.  
You wrap yourself with a towel, barely drying yourself, you might want to be a little wet for what is about to come.  
In front of the mirror you take a good look of yourself, inhaling deeply.  
Honestly you feel a little excited, a familiar tingling forming on your belly.  
"Ok, Go-Time"  
.
It's about the third day he has been working on this project.  
Or is it the fourth? Maybe a week? Jonathon doesnt really know, his perception of time kinda blurrs when he works.  
What he does know if its that, if he doesnt finish these schematics  tonight he is gonna lose it.  
It shouldnt be this difficult.
He sighs in frustration, pinching the bridge of his nose, rubbing the exhaustion out of his eyes.  
Its only then when he notices its dark outside.  
Oh wow, is it night already? Wait, yeah it is. He vaguely remembers your figure standing next to him, asking if he did eat that day.  
He glances over his shoulder, have you got to bed already? Probably, it is quite late.  
Guilt strikes him right in the middle.  
You always take care of him when he dives on these kind of projects; He knows how difficult he may get, so focused he deliberately ends ignoring you.  
But dont you misunderstood! He /is/ grateful for all the help you give him. He notices how you make home-food everyday so he doesnt have to eat junk, or how there's always a filled water bottle near him but far any papers or blueprints he might have around.  
You are the most wonderful partner ever, he doesnt deserves you.  
"Dinner" He thinks as he goes back at the papers he has been writing. "Dinner on a nice place, a fancy one. Flowers, maybe chocolates? Those black chocolates they like"  
Jonathon's mind drifts between his work and plans to apologize properly to you, so focus that he doesnt hear the door of the bedroom opening or your footsteps approaching.  
His body shudders in surprise as you put your hands on his shoulders, giving them a soft squeeze.  
"Johnny?" You call him "You coming to bed?"  
"Hmm? Oh, no. Im so sorry sweetie, I- still have some things to do here." He replies apologetic, crossing something on the margin of a paper and writing another. Honestly there's nothing more he wants that being on bed with you, your soft, warm body entangled with his. He misses you too. "You go without me, I will be there soon"  I hope, he adds on his mind.  
But instead of going, you put your arms around him, pressing your chest against his back. "Johnny" Your lips brush the shell of his ear and he holds his breath. 
"Y-yes, Honey?" His hand trembles as he writes a sidenote.  
"You been working so hard lately Hun"  
"I- I have! Yes! Im, ehm, sorry about it. B-but! Im almost done! I swear!" He stutters. Its been a while since he had being embraced by you, you smell divine its distracting.  
You whine into his ear and he swallows, his cock twitches. "You should take a break baby"  
He coughs almost choking, he has stopped writing for a while now. "I-I-I cant, really. I need to- eh finish these"  
Surely you would understand right?  
"I been lonely Johnny" You whispers, pulling yourself from him and he quietly whines for the lost of contact. However you force him to turn around to face you and his eyes go wide. Oh God. You are only wearing a -rather short- towel, your wet hair framing your beautiful face. "I miss you"  
"You have?" His eyes dart on every patch of exposed skin, from your legs to you shoulders, the way is only your arms what is keeping the towel on your body.  
"Uh-huh" Your pretty lips accentuate each sound, they look so pretty and pink, he catches himself salivating. "Im tired of sleeping on a empty bed John" You close the distance between you, carefully climbing on him as Jonathon leans back, hands holding the arms of the chair.  
"Fuck,fuck, fuck" His mind is speeding, math, formulas and what not already tossed on the back burner, he is already packing a tent on his pants and you havent even touch him.  
"I know you are a very busy, bright man" Your voice is like silk, so soft, sending chills all over him "But even bright minds-" Your hands move slowly, removing the towel in a nice, fluid, movement, letting slide to the floor. /OH FUCK/ "Need breaks" You finish, pressing your wet body against his chest.  
At this point Jonathon has forgot how to breath.  
Every nerve on his body is on edge, his cock its so hard it hurts.
And when he thinks he cant take anything more, you sit on his lap.  
You sit /right/ on his clothed dick and you let this sound, this exquisite sound as you slowly, so ruthlessly slow, grind on him.  
"Ahhh- f-fuck-" He moans, breathless. His head thrown back, eyes closed, knuckles white as he digs his hands into the arms of the chair.  
Is this real? Or did he actually pass out for all the overwork?  
"Johnny" His name rolls out of your tongue in the sweetest voice, just like honey, cold hands cupping each side of his head, kindly forcing him to straighten. Out of habit, he leans into the palm of your hand, whimpering into it.  
With your free hand, you fix his hair, fingers combing the stray hairs. "Johnny" This time he opens his eyes only to be meet with your naked body, your beautiful eyes staring into his. "Arent you tired baby?" Your hand caresses his cheek, fingers tracing a line until it meets his lips, giving them a small tap. Jonathon can only nod, he has forgotten what words are at the moment. "Dont you want to rest a little?" Your finger drag his lips -ah- side to side, your body pressing more and more into him as you rub his lap.  
He nods again, weak sounds coming from his part lips.  
"Use your words John"  
"Y-yes, I want-oh, I want to-oh god, to relax" His voice cracks, already so weak.  
You give him a little smile, leaning completely against him, your lips barely touching his. "Dont worry honey" You whisper, taking both his hands and placing them on your hips "Im going to take good care of you"  
Even when Jonathon was waiting for the kiss to come, he still is taken aback as how sweetly you press your lips against his, before giving them a tempting lick. He moans loudly now, opening his mouth and letting your tongue in. He kiss you desperatly, with a hunger he didnt knew he had until now. Every sound you let out its turning him on, hips bucking up, frantic to be inside you.  
Your hands find their way to his hair, sinking into his wild locks, pulling it until he cries out of pleasure.  
When you break the kiss, he whines in discontent and you cannot help but to chuckle a little, he’s so cute. 
You take his hands -at the moment busy grabbing your ass- and slowly drag them all over your body, his big brown eyes following, until they make their way to the edge of your breasts.  
"Mmmh" Johnathon whimpers, his thumbs shyly brushing them. He looks at you, asking for permission and how could you say no, really? You giggle and nod, guiding his big hands until each one is holding you. You feel his hips buck again, cock surely twitching inside his tight pants. He kneads them softly, thumbs brushing your hard nipples taking a whine out of you, his hands feel so warm on your body.
"Oh- they are so pretty-Fuck! You are so pretty" Without a warning he pops one of your tits inside his hungry, hot mouth. You thrown your head back, heat already forming on your belly. He sucks on your nipple, while he plays with the other, occassionally mumbling a muffled "so pretty" and "taste so good", he works you so good that you forget for a moment that you are supposed to make /him/ feel good.
Clumsily -the chair creaks and bends very dangerously- you slide your hand to his pants, the tips of your fingers tracing the tent he is packing. When you do, he sucks harder on your nipple and you wail.  
Trembling you look for the fly of his jeans, carefully opening them, hooking a pair of fingers on his underwear, sliding them down.  
His cock springs free, hitting you in the back.
When you glance over, you see how it gleams, already covered on pre-cum, it twitches needely, the tip red.  
Your mouth waters.  
You lean back a little, a hand grabbing his hair, his mouth still sucking on you as you wrap your free one around his boner, squeezing it a little.  
"Oh-fuck!" He cries, popping your nipple out of his mouth. You dont need to see it to know he has already leave a mark around it. He thrust weakly, moving his cock up and down your hand. "Your hand feels- ah! so good!"  
You giggle, he already looks so whipped.  
You pump his lenght, thumb rubbing the tip. Your hand slides nicely thanks to all the pre-cum he is oozing.
All the sounds he is letting out, turns you on, you can feel how wet you are, probably soaking Jonathon's lap.  
"Please-!" He cries, his chest rising and falling at how quick his breathing is. "Baby, I- I cant! Please! Inside, I want to- ah! Be inside!" And to put emphasis on his need, he thrust his hips again
Honestly, you want him too, now.  
"Anything you want Johnny" You say with a sly smile.  
Rising your hips a little, you lead his tip to your soaked entrance, rubbing it, one, two times -"¡Honey, please!"- and let it in, slowly, insde you, little by little, until you take him whole.  
The two of you moan, overstimulated and sensitive.
You stay still, adjusting yourself to his size, shaking. "You feel so-mnhh! Big!" He feels even bigger than before, already hitting your good spot.  
"Can I move?" Jonathon asks, his arms around you, face buried on your chest, legs trembling. "Please, let me move"  
He's just too cute when he begs. "Please Johnny" You voice its coated with lust, you want him to ruin you just as much as he wants you to do the same. 
He doesnt even waits for you to finish, already pounding you so hard that it makes you scream, surely the neighbors can hear you but you dont give a single shit, let them hear how hard he fucks you.  
"Thankyouthankyouthankyou" He chants as he pounds into you, already so pussy-drunk. The wet slapping of his cock sound so obscene, blending with your moans and his whinning. "You are-fuck! so tight! Your pussy is- oh fuck, oh fuck! so good!" He moans against your skin, nibbling at whatever he can put his teeth into.  
"Johnny! Oh God! Johnny!" Your voice cries desperate, the knot inside you, growing tighter and tigher. "Im-Im close!"  
A gasp escapes from your mouth as Jonathon grabs you from your waist, pulling himself up from the -poor- chair carrying you with him.  
He grunts at the sudden feeling of being so deep inside you, a hand swating papers and books and tools off the table.  
For a moment you grow worried. "Johnny! Your notes! What are you-AH!" You are manhandle, your body resting against the now, empty table, papers, books, blueprints on the floor now. You are about to protest when he thrust into you, filling you up, making you scream. He feels so much bigger, so much deeper.  
"Doesnt matter" He growls, big hands pushing your legs until they are up your ears. "It can all wait, right now, fuck, right now I need to fuck you, I need you so badly!" With renowed energy, he rams into you, taking the air out of your lungs, his balls slapping against your cunt. "So good! So good, ah- for me! Only for me, yes?"  
You nod rapidly, bitting your lip. When you look at him, he's nothing but a mess,  glassy eyes, lips trembling with a moan.  
"Yes-" You pant, its so hard to talk right now. "Just for you, only for you Johnny!"  
He grunts, letting your legs go, hands cupping your face as he dips for a rather, needy and sloppy kiss. You hold him, digging your nails into his back, your legs around his waist, bringing him impossibly closer.
He moan into the kiss, his pace becoming more erratic, barely taking his cock out.  
He's close. 
You bring your lips to his ear and shakely, whisper the magic words.  
"Inside, cum inside"  
"GNHH!-!" He grunts, jaw tensing. "Oh fuck! Oh Honey! Im cumming, fuck! Im cumming!" He cums between moans and curses, pumping load after load of hot and thick cum, his body on top of yours, your face tucked on the crook of his neck, his hand sinking into your hair. Fuck you smell so good, your pussy is milking him so deliciously good, oh fuck.  
You stay like this for a moment, or maybe longer, you are not completely sure. Time flows different when you just get fucked into another plane of existence.
"Are you-ah- ok babe?" Jonathon ask, voice cracking.  
You chuckle, kissing the side of his neck. "Perfectly Johnny"  
"Ok, good! Im gonna, eh, pull out ok?" You nod giving him the get go. Slowly he gets up already missing your embrace. Your body trembles as he slides his cock out and  the moment he does a thick trail of cum follows, spilling all the way down. "Oh. Wow. Thats, wow, a lot" He coughs awkwardly, his face feeling hot.  
You glance at him from the table, his face red and eyes wide, surely staring at your sore cunt. When your body pumps out the excess of his cum and you whine, you see his lips move, muttering to himself a quiet: "holy shit".  
A tiny smile cross your face. "Admiring your work, Doctor Ohnn?"  
He clears his throat, clearly embarrased of being caught, like he didnt fuck your brains out just a couple of minutes ago. "I didnt- Its not like that!"  
"Really?" You tease him, spreading your legs further.  
He bites his lip, eyes darting between your smug face and your dripping pussy. There really is a lot. "M-Maybe I am" He says, defeated.  
Your little devilish smile only grows wider. "I like it, Piccaso!" You say in an exagerated manner, twirling your hand.  
Jonathon stares at you dumbfounded before wheezing. "Oh! You are the worst! That was terrible!"  
"But you are laughing!"  
"Cuz its so bad I cant help but laugh!"  
You both stare at each other before bursting into laughter.  
You are wipping the tears from your eyes when something catches your eyes.  
"John?"  
"Yeah?" He says, the remains of his laugh on his voice.  
"Are you still hard?"  
He abruptly stops, body going still.  
You prop your torso up, looking down on him. Yep, there it stands, still as hard and angry red, covered on a still wet layer of cum -both his and yours-.  
Its your turn to be astonished. You didnt know he was so- pent up.  
"John-"  
"Its ok!" He cuts you up, pushing his shirt down to cover himself. "I- I will take care of this myself, yes? Later, in the, ehm-In the bathroom. Right now, we should clean you up"  
You frown.  
Oh. 
You dont think so.  
Not happening, not today, nu-huh.  
Carefully you get down of the table, your legs shaking.  
You take a moment to compose yourself, straigthen your body as you lean into him.  
"Sit on the chair John"  
He blinks at you, confused but a little turn on.  "Excuse me?"  
Hands on his hips, you guide him towards the chair, pushing him little by little, until his ass is sitting.  
"I told you didnt I?" You say, kissing the mole above his lips -the one you like so much- and trail down his neck, leaving little wet kisses as you go. "That I would take good care of you"  
"You dont have to-" He mutters, eyes half-closed.  
"I want to" You growl against the skin of his neck, sucking his adam's apple and he sobs. "Besides, I cant let you go like this. Can I?" You wrap your hand around his needy cock, it feels hot on your grasp. Jonathon let out a shaky moan, unconsciously bucking his hips. You smile against his neck. "Relax baby, let me make you feel good"  
You kneel down, making yourself home in between his legs.  
You feel his hot stare on you and sure enough when you look up to see him, his eyes are glued on you, a trembling hand covering his mouth, the other resting on the arm of the chair.  
Oh, someone is eager.  
Without breaking eye contact, you give his head a tentative lick. He squints his eyes, quietly whinning into his hand.  
You smile, toungue tracing down from his head to the bottom of his lenght, licking the cum clean.  
"Ooooh" He moans, he must be very senstive, you feel his cock twitching as you go up again, giving the head a little kiss before wrapping it with your lips, sucking just a little, moving your toungue along the slit. "Oh-fuuuuck"  
You push his shaft slowly, saliva dripping from the corners of your mouth. You are not used to have him, to feel him so big like this.  
The tip is already hitting the back of your throat.  
You feel drunk.  
Drunk on his smell, on his flavour. Everything is a little too much but at the same time is not enough; You want him, need him, just as much as he does want you.  
You can feel yourself getting aroused again, your pussy clenching, missing the shape of his cock.  
Like this, you move your head slowly up and down, licking the rest of his cum along. It taste salty, it taste like him.
Jonathon's legs shake, groaning loudly. "Oh God-" The sounds he lets out are so- enticing. You love when he gets vocal, when he lets himself go and be drown on pleasure. You bob your head a little faster, tongue licking, tasting his pre-cum. He throws his head back, hand placed on your head, keeping you from pulling out. You dont mind, you want him to feel good, really good.  
You hook your hands on the hem of his pants, tugging them down until they are in the floor, leaving him completely exposed.  
Hands rest on his thights, slowly moving to his crotch where you grab his heavy balls, dragging your thumb by the edges. His whole body jolts up, hips bucking, burying his cock deeper inside your mouth, hot tears form in the corner of your eyes.  
You let him fuck your face at his own rythm, your hands occupied with his balls, squeezing them, massaging them.  
"Oh God- babe!"  
Thats right, you think, let yourself go.  
You feel his cock twitch, thrust becoming a little faster now.  
"Babe-!" He calls you, breathless. "I think Im-"  
Oh you can feel how close he is.  
You suck harder, faster.  
Jonathon shivers, his whole body at flame. You are sucking him so good, he loves to see your pretty lips around his cock, the feeling of your hands tugging and squeezing his already full balls.  
God! He wants to cum so badly! 
The moment you moan, your mouth so full of his dick that it comes all muffed, its the moment he loses it.  
He cums screaming your name, fists full of your hair and hips thrusting hard.  
In an instant, your mouth is overflowing his hot cum, its so much its choking you, forcing you to swallow to be able to breathe.  
Your own orgasm hits you, its all way too much, so much that your vision goes blurry.  
Its only when you feel his hands go limp on your head, that you pull out.  
His cock keep twitching as it softens, a string of cum still coming out of the tip.  
Your damn jaw feels numb. A small price to pay, you think, if he's able to relax.  
"Johnny?" You say, putting your hands on his thights to help you stand up.  
"I fucking love you" Its all he says when he meets your eyes. He looks like he just ran a marathon, sweaty and trying to catch his breath. You smile, taking a sit on his leg, moving his hair out of his face. "I love you so-so much"    
"I love you too Johnny" You say back, giving a quick kiss. You glance at his work table, a mess within another mess. Papers and tools on the floor, piles of books discarded. You dont even want to see if any of the papers on the floor had been....stained. "Should we...Clean that?"  
Jonathon follows your gaze.  
He groans, covering his eyes.  
"Not today"
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Text
Bruce Wayne | Quality Time
Love languages headcanons
Pairing: Bruce Wayne x reader
Word count: 0.6k | AO3 link 🩵
This man runs a whole conglomerate, dozen different charity foundations, has to play into whatever current political ploy is to earn information, (might have, like, 20 children), is a founding member of the JL, on top of being The Batman and trying to prevent Gotham from imploding – trying to make this unfixable city heal.
He nearly doesn't have enough time for himself – heavens know how many times Alfred shoot him with a horse tranquilizer – and time to you??
All his responsibilities are half the reason why quality time is his love language.
The other half is that he didn't have enough time with his parents. They were snatched from him, a child, and this time (his childhood) is something he'll never be able to have back
Not gonna lie, he's harsh. He won't prioritize you. Not on purpose, not because he doesn't love you, simply because there's people out there that need to be saved. And, after so much time without a proper relationship, maybe Bruce also doesn't know how to cater for you – and because he's way too awkward, too dense to a detective, even if he can play cool at times.
But the tiny things are like love letters:
Strikes to me as the guy that'll be in utterly destroyed, broken ribs and concussion, and still try and get up and have breakfast with you, just to be with you
His personal quiet time is important to him. It helps him organize his thoughts. Yet he'll try to be, at least, in the same room as you.
Bruce will sit on the same room as you, in complete silence, and stay. Maybe you're working and he is there on the couch of your office, sitting with a concussion and sixty percent painkiller, statue-quiet.
I love you, so I'll take the burden of not doing this super important other thing – like resting – to sit with you in silence.
Will stare at you, motionless.
Eventually, you'll learn that this face he's making is lovestruck-ness. Don't comment on it.
And if his love language is all about undivided attention, it means he'll learn how to organize his time to have together time without all the distractions. A walk around the Manor Garden, a quiet dinner in front of the tv, cuddling; might do the trick.
Stays awake to talk with you, even if it's after a case frenzy where he didn't sleep for a week. Crash with him in the couch after a long day.
If I could stay with you here forever, I would. He can't get this words out, a lump on his throat, so he just stay as long as he can
Can't tell me he won't marathon Grey Ghost with you. At the end of every episode will dump on you all the details about the production. It's important that you listen even if you don't find it all interesting. Connection bids, y'know?
Ask him about forensics if you want to know more about the whole Batman deal. Or explain the new additions to the batmobile.
Getting to explain something he loves to someone he loves counts as top-quality time in Bruce's books.
Sometimes will find you just to start explaining a current case he can't crack. Either to see if you have any intelligent idea, but mostly because saying it aloud helps thinking.
And he doesn't know how to have the steady heartfelt conversations, so he'll listen to you talk. About your day, your plans, how much you worry about him, about what you ate today.
A great listener. Will hit you with follow up questions so you can keep talking about what you love. Never talks about him but at this point you know the drill – you have to ask for him to talk.
Regular week preplanned dates. Will do all in his powers to not postpone it. Will be completely heartbroken when this inevitably happens. Will look like a kicked puppy.
He's not distracted with you, all his mental attention on you and you only.
That's it 👍
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A/N: If you like what I do, please consider supporting me and buying a coffee!
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pawpunkao3 · 1 month
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Yknow what since we're doing discourse on Irredeemable Teens I wanna share with yall some thoughts on Penelope Everpetal
Penelope is a wild magic sorcerer. It seems so random. With a name like Everpetal, wouldn't you expect her to have something more elegant, like divine soul sorcery? Storm sorcery, like her best friend Sam? Hell, even draconic sorcery has a certain villainous finesse to it, especially considering that she's working with a dragon. But instead, she gets wild magic. The subclass that new players get told to avoid because half of its features nerf your character. The subclass that has a 0.1% chance of killing you and everyone in a 20ft radius every time you cast a spell.
People like to joke that sorcerers don't work for their magic---I mean, they call the sorcery teacher "just a guy who hangs out with students and talks about how cool their powers are". But that's ignoring the other side of magic---not power, but control. While wizards and bards fought to learn to cast even basic spells, Penelope struggled to reel in her magic. It was a battle that nobody saw, and when she lost it, it would end up humiliating at best, and devastating at worst. Combine that with the fact that she seems spoiled and entitled---maybe the type of person to believe being born with magic made her better than other casters---and it's easy to see the conflict. Her sorcery should have made her glamorous, desirable. Instead, it only burdened her.
Maybe that's why Kalvaxus picked her as his future prom queen.
I imagine he found her in her freshman year. She'd had a surge in class and grown a big beard of blue feathers---not cute. Not pretty. Humiliating. So there she was, behind the school, sobbing and tearing them out in big bloody fistfuls and muttering about how she was going to kill everyone who ever laughed at her because she was the best most powerful sorceress ever, and, well. Kalvaxus normally wouldn't care about some idiot student being sad, but something about her fury intrigued him. It seemed...exploitable.
So he blew a puff of smoke her way and made her sneeze the rest of the feathers out. Told her she was right---she WAS better for being a sorceress, and it wasn't fair that people made fun of her for something she couldn't control. Penelope wouldn't have noticed the contradiction. She was only fourteen, and more than a little dehydrated. All she wanted was for someone to hear her problems and not laugh, and he did just that.
And so Vice Principal Goldenhoard became her special friend (don't tell mom and dad---they wouldn't understand that he really was just her friend, you know SOME teachers would be using her confidence for nefarious purposes. Not him, though. Never him). If she had a bad surge and Sam was busy, he would even let her eat lunch in his office. He made a confession: he wasn't a dragonborn. He was a true dragon, kept in this form by a wicked curse. She agreed that Aguefort was evil for trapping him. He should be principal, really. Maybe (when he suggested it) he should even rule the world.
As Penelope grew older, she and Kalvaxus made an agreement---she would help him rise to power, and he would make sure nobody mocked her and her friends ever again. He introduced her to some new friends---one of the paladin students, a party girl from Hudol, a warlock with a cool car. She started campaigning for prom queen. But there was one little thing: for the plan to work, he needed sacrifices. Nobody important---that stuck-up nerd from the library, the cringy horse girl who made everyone so embarrassed (she forgot how bad it felt to be in her place whenever she surged), a bossy jock. Kalvaxus had her pick out the next one---an annoying activist type, someone nobody really liked, someone who she might even be able to convince to give up her life for the "greater good". Kalvaxus was so proud. They took that brash cleric without a hitch, but it was harder to get her to budge on her best friend. Suddenly her good friend Kalvaxus turned scary---she couldn't back out now. She'd already helped kidnap five girls. Did she want him to turn her in? Besides, when she was queen, everyone would want to be her friend. Who is she to question him when he tells her to sacrifice this one?
Penelope didn't protest when Kalvaxus picked a random freshman as the last sacrifice. She'd already done the worst thing anyone could do.
By the time the Bad Kids charged into that gym, she was too far gone. She'd steeped too long in Kalvaxus's lies for the stain to come out. She genuinely believed that being herself gave her the right to be queen. She'd sacrificed so much for it, after all. Maybe eventually she realized she wasn't going to win. But hey, she came this far. Might as well go down swinging.
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nori-the-cat · 2 months
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Wonbin's perfect type s/o and Sungchan perfect type s/o - how they imagine their ideal partner/perfect girlfriend for them... like, this person's physically, personality, mentality and etc
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It's important to remember that tarot readings are open to interpretation, and these cards provide possibilities, not absolutes. This reading is also based on my interpretation and intuition. This is also for entertainment purposes. Take it with a grain of salt.
Sungchan's Type:
Personality & Mentality:
Cards: queen of cups, eight of pentacles, queen of wands, and seven of wands.
He is drawn to someone who is caring, understanding, and emotionally mature. So, imagine someone who is well-behaved and spoken, feminine, emotionally in tune with herself, and put together.
He is most likely interested in someone with ambition and motivation, someone who matches his own goals for achievement. I say this because he's also ambitious and puts a lot of effort into everything he does. He needs someone who can match this energy of his.
He needs someone confident. Someone confident, ambitious, and has a good sense of who they are might be the type of person Sungchan is drawn to.
Although I do think he would prefer a submissive or obedient type, I think he's more attracted to honest and straightforward women, someone who can keep him on his toes and offer new ideas. Basically, someone he can share his thoughts and opinions with.
Visually & Physically:
Sungchan might like someone with an aura or embody the energy of Ive Jang Wonyoung, Aespa Karina, SNSD Yoona or Seohyun. These people don't imply or suggest they're his type, but a close representation of who he might be attracted to in the K-pop industry.
As I've mentioned above, Sungchan is most likely attracted to tall and slim-looking females. Someone tall, lean and fit. It is likely he looks at a female's body first and then their face. He's probably into legs and the upper body area. Maybe the bust area?
I think he's also into beautiful hands too. The kind of hands that are long and dainty.
Someone with medium to long hair. I think straight or wavy hair is something he would like to have in his partner. The kind of hair that is natural yet looks like a Pantene ad.
Sungchan seems to favour partners who are highly popular and considered celebrities. Ideally, his partner would complement his appearance and social status. Actresses might be more appealing to him than idols, but he could also be interested in idols who have transitioned into acting or those with significant influence, similar to the examples mentioned.
In terms of height, I'm seeing 165cm and above, but not taller than 175cm. He still wants to feel like he's protecting them.
In terms of style, he might like someone who dresses like BlackPink Jennie. Someone who looks put together yet laid back.
Wonbin's Type:
Cards: knight of cups, nine of wands, three of wands and ten of swords.
Personality & Mentality:
Wonbin would like someone who is loving and expresses their emotions openly. Someone who is warm and shows their feelings directly might catch Wonbin's eye.
Wonbin needs a partner who's like, they have their shit together and independent, you know? Someone who doesn't need a man to complete them, but totally supports his dreams and stuff. Basically, the ultimate hype-woman.
He likes smart girls. I think the book smart kind or at least someone who knows something he doesn't. Someone who can, like, out-strategy him or hold their own in a deep convo? He thinks they're hot. But then again, maybe he's more of a vibes kinda guy, you know? Prefers someone independent and keeps a little bit of mystery to them.
He needs someone whom he can trust. Trust here is important to him. But also someone a little adventurous yet familial and traditional. Something like an unexpected early morning drive to a nearby town for breakfast is his kind of jazz.
Visually & Physically:
I would say he's the type to not have a type but he does have a type. (What?) Well, you know how some guys go for different girls and the people around them wonder what is their type, but the type is the "vibe". That is Wonbin.
Physically, he might like short to medium hair. Someone who doesn't really do much to their hair. So someone who he thinks is naturally beautiful.
I can't think of any idols. But if I had to choose it would be Aespa Ninging or Winter, F(x) Krystal, Red Velvet Joy, Kep1er Xiaoting, IU or anyone who has the 'vibe' he's looking for. A little mystery with a touch of unexpected cutesy.
Soft-spoken ladies.
Height-wise, I think he's into short to medium height. Someone whose height is around 155 to 165. I'd say 170cm too. But that would sort of bruise his ego.
Something about the eyes, he likes them more. I think it's because he tends to look at people's eyes when they talk and he seems to gravitate towards the eyes.
He likes them stylish or at least knows how to dress well. They don't have to keep up with the trend. For him, identity seems to be a thing.
Probably someone who is into the arts, but not the painting kind. Someone who is musically artistic is the vibe that I'm getting here.
Additional note: I have no idea why. But I got an energy implying these two were probably hurt in the past. Maybe an unrequited love, they were lied to, or some kind of romantic disappointment? They both want different things in a partner yet still retain certain characteristics or values that they deem as important.
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babyangelsky · 4 months
Text
Non is the hidden character and in this essay I will—
—endeavor to make a really good case for it.
This theory is predicated on the possibility of Non still being alive so for my purposes, I'm going to take that as fact. I'm taking a few liberties in places (to varying degrees of clownery) but that central point doesn't change.
This is a long one so get comfy. Okay? Okay.
As of episode 9, we can now be reasonably certain that none of the creepy shit the boys saw was of supernatural origin. They were hallucinations induced by the drug that New/Tan had them smoke in an attempt to get them to spill their secrets about what happened to Non.
Which brings me to Por.
We know two things about Por. One, that something—or someone—lured him out of the house and two, that he saw a ninth person on the house's CCTV.
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Was the ninth person a hallucination? If he hadn't been lured out of the house, I'd say maybe. Since he was, let's assume he really did see someone for a second on the cameras.
Now, whoever it was didn't just get Por out of the house. He was specifically led down a predetermined path. When he gets outside and goes to the spot where he saw the figure, he looks down and sees a trail of blood.
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He follows this trail and we all know what happens next. He gets deeper into the woods, away from the safety of the house, and starts to hear noises. He turns around, sees a hooded figure following him, and gets chased into a sharpened branch.
Even though New and Phi, although to a lesser extent, are the masterminds behind this little trip to the vacation house, at this moment they are both accounted for. New is playing jenga and getting high with Top and Fluke and Phi is up on the balcony having his dick bitten by Jin. They weren't the ones who lured Por and chased him.
Non did.
What, we're meant to believe that Por just happened to hallucinate a chase that happened to lead him right into a conveniently sharpened branch? And that of all the gin joints in all the cities in all the world, he just had to walk into mine the bad luck of encountering the one branch that was at the perfect height to impale him?
Which is, coincidentally enough, the exact death scenario that Non wrote in his script?
BE SERIOUS.
The only way Por meets this exact death is if Non was the one to kill him, and that leads me to the wire that ended up decapitating poor dead Uncle Dang. A wire which I truly don't think that was meant for him.
Let's follow this line of reasoning. We know that Top and Tee took the road when they went to get help for Por on the bike. This would ultimately fail as they got a flat tire and had to go back, having themselves a hallucination a piece along the way.
At that point, there was no wire stretched across the road. Once they got back to the house, no one would come outside again until morning when they heard Uncle Dang approach on his bike. The wire could've been strung up at any point after the boys got back.
Let's say that after ensuring Por got impaled, Non stuck around to see the aftermath and saw Tee and Top on the bike. Wouldn't it make more sense then for him to have strung up the wire to prevent anyone from leaving as opposed to stopping anyone from coming in?
Because if he is following his script then...
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"But Leah," I hear you ask after having humored me thus far, "How would Non even know that the boys would be at the vacation house?"
This is where I sit back down at my vanity mirror in the dressing room at the circus and start taking some liberties.
For Non to have lived, someone had to help him. I mentioned yesterday that I was hopping on the Perth helped Non train and after giving it more thought, I'm doubling down. It's not only possible that Perth helped Non, he had to have done it, and not only because I want Non to be alive so very badly.
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Why would Perth and his cheekbones be on the promotional poster for the finale (BESIDE NON I MIGHT ADD) if his character weren't important to the plot? Why would he be there if his only role was to massage Uncle Joe's shoulders?
Allow me to posit a Wild Ass Theory a la @respectthepetty :
If Perth's character helped Non and Known Criminal Keng escape Uncle Joe, that means the video where they were captured getting on a bus was authentic.
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But because Uncle Joe and the mafia are still a threat, they can't just go chill somewhere. They have to go on the run and into hiding somewhere they won't be found.
Somewhere like a rarely visited vacation house in the middle of the forest with no contact with the outside world.
Or, alternatively, a creepy temple near that rarely visited vacation house.
Think about it. Non had already been to that house, he's familiar with it, he knows it's empty for long stretches of time and exactly how isolated it is. A terrified teenager fearing for his life is going to want to go somewhere familiar and that house (or the temple) is the perfect place to hide.
I don't think Non went to hide there with the intention, or the hope rather, that he'd get an opportunity for revenge one day. I think he just took advantage of a situation that fell into his lap.
The boys arrived in the afternoon and shit didn't start going down until later that night. That's plenty of time to sharpen a branch, lay down a blood trail, and put on his mask and cloak.
We know all the movie props and the camera and everything were still at the house so it stands to reason that Non had access to them. And we know he had access to the house because White found the knife that was used to cut Por's arms in the closet in the kitchen. The only way that knife could've gotten there is if Non put it there.
Not just any knife, by the way. It was Non's knife, the one that he brought to the house when they came to film and then used to cut Top.
I can't say with any certainty whether Non is acting on his own or with help, but I lean more toward him acting alone. Even if he escaped with Keng, it doesn't mean Keng is still with him all this time later and besides, I much prefer to imagine that ol' boy got eaten by a tiger.
One last thing. This isn't really part of my theory, more like support for it, but when Por is agonizing on the couch, he keeps saying sorry and trying to talk about what he and the boys did three years ago. It could just be a coincidence or deathbed guilt, but I don't think it is. I think Por knows exactly who killed him and that's why he kept apologizing and trying to confess.
In conclusion:
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Hope you don't mind being tagged for the DFF round up @slayerkitty ! 🙏🏼
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ellecdc · 2 months
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Mother, serious question mainly for my own self-esteem 😮‍💨😅
How do you think the boys (any of them really) would view a partner with like all sorts of facial piercings and like rat tails in their hair and funky colors(truly best describes as a queer little gremlin lol). Cause I know Marlene and Sirius have an alt rock aesthetic (I don't think I spelled that right) but as much as I love these characters I never feel like I would have fit in with them if I was really there ya know?
Idk it's kinda stupid but just curious on you're thoughts on this. They're just so cool and I would hope they would like me enough to at least be my friend if they were real 😮‍💨😖
okay first of all, love the title queer little gremlin; let's all capitalize those letters and add them to surveys when they ask you how you identify plsss??
Here's my take:
James:
I love (and follow religiously) the headcanon that James is pansexual but I believe that expands beyond just gender identity, if that makes sense?
It doesn't matter if you're male or female or anywhere in between or beyond or both or all
and I feel like it doesn't really matter what you look like to him
I feel like he loves people for their hearts, their minds, their interests, etc
I feel like he'd maybe be worried because....those had to hurt??? you do that on purpose? doesn't it hurt terribly? his poor sweet angel????
I also see him as the type of bf who would be like "oh! are we changing colours? which one's? can I help?" and will dutifully like, adorn gloves and sit in the bathroom breathing in dye fumes and chatting away with you while the two of you talk about everything and nothing - I think he'd love spending that time with you and it would be special bonding time
(also, have you seen the James fan art with him with a nose ring??? fuck me sideways)
Sirius:
you're so right re: alt-rock aesthetic etc
I think he'd find the facial piercings awesome tbh, you might even have inspired him to get one or more of his own
I think he'd make it almost a competition of who can dress the most grunge that day hahaha - but the two of you would make quite the couple
also? you look like the kind of person his posh, prissy, stuck up parents would hate seeing him with - that's totally a bonus
I see this guy as someone who loves hair care and would be horrified at how much/often you change your hair colour and would insist on helping you/buying the more expensive products/ensure you're doing it right to save your hair from too much damage
that's the only 'problem' I see him having
Remus:
idk, I kind of see him a little bit like James tbh; looks would be a little less important to him? like he doesn't care how you express yourself in terms of style and clothes
what would be important to him is that you're kind and patient, that you're openminded and considerate of others
I mean...he's littered with scars, is he not? He doesn't exactly look "normal" (derogatory) and would probably feel very similar to what you've described; like he doesn't feel he particularly 'fits in' with his friends
I see him having like, not long hair but like a decent head of curls, and he'd totally love if you braided a few little pieces of his hair like your 'rat tails'
I think he'd find the hair fun; you'd show up one day with new colours and I could see his face lighting up like 😃 "that looks great love; so fun"
Regulus:
he's tricky because he's so posh and stuck up lmfao
BUT
people also ship bartylus and I see so much Barty fan-art somewhat similar to how you've described yourself and if Reg likes Barty - he'd certainly like you too
Barty:
as mentioned above, I could totally see him having like a green streak in his hair or something
perhaps some piercings (I think he'd get piercings down below.....), tongue piercing, nose piercing, eyebrow piercing - I feel like he'd be down for it all himself, so he wouldn't mind it on you at all either
and again, as a guy with daddy issues, he'd be a lot like Sirius and think the better chance he has at dating someone who would sooooo piss of his dad - the better!
thanks for your ask babes <3
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wolfscarr · 2 months
Text
Helluva Broken Narrative and the most useless character..
Disclaimer: Not saying you can't enjoy this show folks. Enjoy it all you want, this is just a rant about the lack of a cohesive narrative!
I really was completely dead on posting, but I just can't get this out of my head.
I feel people should be acknowledging this far more than it has been, this is extremely important. This goes beyond just episode pacing, this goes beyond the characters....this is something that without it? There is no real show, which is....
Helluva Boss has a BROKEN NARRATIVE.
Some fans wanna claim it has this 'complex' writing and I'm sitting here going like "really? Where?"
It doesn't sorry and know why? Because Season 2 of this show, basically broke the narrative that Season 1 was building.
These past posts of mine, will show you why the narrative is broken.
Now can they continue on with the story they are telling? Yes of course they can, but it won't fix the fact that it's not coherent to Season 1, that it's not needed.
Wanna know who the most useless character in the show is now? If you guessed Stolas, you're correct! In the meaning of making Stolas this guy who did nothing wrong and who's sad....they took away his character purpose.
Stolas has ZERO purpose being within the show now, given how things have played out.
But you might say
"Well he's needed to give Blitz the Crystal and end the deal!"
Except....no, he wasn't. They could have just delivered the crystal to I.M.P. They have Blitz’ number, just call him, get a servant to send it etc.
Remembering my posts above, where you can have I.M.P. killing in Hell as a Season 1 thing?
Maybe they're just getting started with their company? So Blitz wants to supplement with killing in Hell by killing those up top so he goes to see about getting an Asmodean Crystal?
See let's backtrack here folks, the episode Oops it was mainly about Blitz and Fizz reconciling right? Which they do at the end of the episode. Now follow this, if we take into account the above, Blitz' dialogue could be.
Blitz: "Fizz look, I know what happened to you was horrible. I don't...expect you to forgive me, but I'm struggling to support myself, my daughter and my employees with my company. I....if you can just think on it, perhaps I could get one of those Asmodean Crystals?"
The scene ends and Fizz goes back to Ozzie, while along the way he's thinking about Blitz' words and how he was saved by him where in the end, Fizz agrees to send Blitz a Crystal because he's earned it from saving his very life.
Or here's another scenario, Blitz has a Crystal from the start(which he took from Verosika when they were dating), but as things get far more hectic up on Earth with more dangers. The Crystal ends up shattering after I.M.P. gets back to Hell after a job, thus Blitz goes to actually confront his past and reconcile with Fizz in order to try and get a new one.
See how easy it is now, to just remove Stolas entirely? They took away a character's purpose of being in the show....that to me, is completely disappointing. Characters, especially those that are suppose to be IMPORTANT, should have a purpose...without that? You may as well just delete them entirely.
Blitz could have had 2 whole Seasons with relating to the past and those that he hurt, that he TRULY hurt(Verosika, Fizz and Barbie) that would actually matter to him as a character. But instead, all these characters are instead shoved to the wayside, for a character who doesn't matter anymore and only actually matters because the writing is FORCING him to matter.
You can write the narrative in so many different ways with what Season 2 gives us, that completely destroys what Season 1 told us. Are we now expected to just....IGNORE AN ENTIRE SEASON?
Even still you DON’T EVEN NEED a Crystal considering I.M.P. was killing in Hell before. Which isn’t HB supposed to expand upon Hell anyway, because Hazbin was taking place in one location? Wasn’t that one of the reasons why it was made? So you make a show that's suppose to explore Hell, yet some of the episodes...don't even take place within Hell?
They can do this whole "sad Stolas is sad and Blitz is hurt and Stolas is going to give him a crystal." Thing all the way to 'try' and fix things, but it'll fix nothing....because the deal between them was retroactively made completely pointless.
The show will continue obviously, but in the back of the minds....it will be a broken narrative and Season 1 is basically buried 6 feet under. As a writer, this really annoys me....because they had how long between Seasons to nail this down? How long have we all waited just in-between episodes? This shouldn't have happened.
Yes, is storytelling hard? Obviously, none of my stories are perfect....but at least the narrative is coherent from beginning to end.
Anyway...I just...had to get this out of my head, because it was really frustrating and I want it to be acknowledged more. The narrative is important folks, if it's broken...that's not a good thing.
I'm still watching this show....if only because I'm knee deep in it now and I still somewhat actually like the characters, but what I don't like...is this broken narrative that is still hanging around with a pointless character that doesn't matter to the show anymore.
Narratives, coherent narratives are important to a story, without it? You don't have characters and you don't have a story.
^ For Part 2.
^ For part 3.
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