#because Not Visual = Not In Mind a lot of the time

[miscellaneousramblings]

Maybe???

Ig that separating the two seasons feels like a cope but I have trouble reconciling them in my head rn.

Season 1 was fun to watch because its animation is literally mind-boggling and revolutionary, but it also had some genuinely touching, dare I say even thought-provoking moments. Not everything was perfect and fandom actually had fun poking at the holes because the show didn't have the time to say everything, but at the same time all the clues and more importantly the character beats were present. So even if we had to infer some stuff it still rang true I think, because it was actually supported by the text.

In season 2 the text is weak because there is no time at all. We go from personal stakes to cosmic stakes in less than 10 episodes. Even the most skilled writers can't pull this off. So with a few exceptions we are left with scenes that don't feel earned, dialogue that feels marvel-ised and a shitton of stuff that gets straight-up skipped over (as in "oh yes, this happened but we don't have the time to give you dialogue. have one visual cue instead"). It really shows with the "music videos" (too many of them) and the music itself too, which was way better in s1. So fandom will still probably have fun filling the holes but at this point each of us can make up our own version of the show, the relationships, the characters' motivations, etc. because the canon "skeleton" has become paperthin. Also personally I didn't have a lot of fun watching this season, especially Act III.

Those are my two cents anyway.

stating to think there’s an inverse correlation between how good media is and how easily fandomizable it is 😁

[the---hermit]

how I take notes on non fiction books

I recently made a post on my study method, and decided to make a whole separate post on my note taking method. The structure of the notes I write doesn't vary too much from my lecture notes to things I might have to read. A couple of useful informations you might want to know before I start actually talking about note writing is that I am mainly focused on studying history (tho I have had other humanities exams in my degrees), and that I study for oral exams in which the material is mainly composed of non fiction books, but sometimes include articles as well as lecture notes. Somehow I have also failed to mention that I am speaking about HANDWRITTEN NOTES. I only do handwritten notes, I don't work well digitally, so keep that in mind. And with this being said brace yourselves for a very long post. The bullet points I will be making are not really in a specific order and I will be including a few pictures too.

The first step when I am working on the materials for an exam is to figure out in which order I will be reading (and writing notes) the books. This hasn't really much to do with the notes themselves, but it's important to know which of your materials is more general and what other things go more in depth, so that you don't struggle too much while studying. Another plan related thing I always do is to write down each chapter of the book I have to study on my bullet journal and how many pages it is so I can plan my studying more comfortably. If the chapters are very long, and divided in subchapters I sometimes also write those down.

The goal of the notes I write is to fully take the place of the book, so they tend to be very detailed and long. I do this because the very act of writing is part of my study method, and working on things I have written down in my own words is just much better for the type of learner I am. So basically I read the book only once, then it goes back on the shelf and I work exclusively on the notes. This means my notes need to be detailed and well organized.

My method is to read a chapter, underlining important stuff as I am reading, and then right after I am done reading I work on the notes for that chapter before moving onto the next. I do this because it makes the note writing more effortless, I am fresh with informations I just read and I basically just need to skim over what I have underlined.

On underlining, since it is so important. I underline everything I will be including in my notes, it might seem much as sometimes it consists of full paragraphs, instead of key words. But this is okay because my notes I don't just copy and paste.

To create useful notes you need to be re-elaborating the informations. You need to read, understand what you read, and be able to write it down using your own words. That way the notes will be easier to review, they will often be composed of shorter sentences, and by doing so you are also actively making writing part of your studying and not just a mindless activity.

Personally I don't work well with full pages summaries, I need the text to be visually broken into sentences/small paragraphs, and I use a lot of symbols as well as abbreviations.

Symbols and abbreviations are in a way part of your very own language when you are writing notes, you tend to develop these with time, but they are so useful. I personally use different types of arrows, all caps words, position of the text in the page, different methods of highlighting and abbreviations (usually for words that come up often like country names, for example Italy becomes ita, France becomes fr, etc.).

Your notes need to be useful for you, they don't have to necessarily be comprehensible for another person (which means you can and will fuck up sentence structure because sometimes skipping a couple of words makes the notes shorter and still understandable), and they do not have to be pretty. They should be as tidy as possible, but again that might change from person to person, I have some very messy looking notes that make total sense to me. With time you'll learn what works best for you.

I have a visual memory so as I mentioned titles, highlighters, all caps, the placement on the page and other similar things are very important in my notes. I cannot fully exapain some of these things because some definitely only make sense to me in the moment (like the words I choose to write in all caps, or the way I highlight things).

I like to have a clear chapter and subchapter break (so that in case I need to refer back to the book it's super effortless). I like to write those with a red pen, usually the chapter title is in all caps and the subchapter in coursive, but it really depends.

I use only two highlighters in each set of notes yellow for dates, and the colour I associate with the book/the subject of the book (I have synesthesia I don't make the rules when it comes to colours). This of course might change depending your preferences and on the element of your notes you want to focus on. I like to have spacific colour for dates and time periods, because of course while studying history that is a fundamental element. If you are focusing on other subjects you might want to have a specific colour for names, or other elements.

I like to leave a big side margin to add either key words (especially in lecture notes since they might be messier and jump around informations more often), or additional information in a second time (sometimes it happens, after you read another book, or attended a particular lecture you have to add a couple of sentences and I rather have a blank space that never gets used rather than no space at all for emergencies).

I honestly mentioned everything that came to mind right away, but since note writing is now basically a mindless skill I have been practicing for years I surely forgot about something. I might end up adding to this post in the future or write another one. My note-writing method has also changed a lot thought the years from high school to university, it's a skill I have been perfecting for the past decade. This to say that depending on what you are working on things might change, and by experimenting with different things you might find out things that work very well for you. If you have any questions on specific things I didn't mention or that wen't clear my inbox is always open and I am more than happy to help.

Since this post is already very very long I am adding the pictures below the cut

Example of a page of notes before and after highlighting

Example of symbols and structure of the notes and the way I highlight things (in which you'll hopefully be able to understand my handwriting, and in which there might be some spelling errors but alas that often happens in my real notes as well so if there are any it's for the sake of accuracy lmao). If I end up adding informations on the margins I always use a pen of a different color so I can tell which informations I got from what source (ex. main notes from lecture, colorful notes from additional article).

Example of messier notes in which the main text in black are the notes I took during lectures and the additional colorful text was added while writing the materials (I rarely do this, it usually happens when the lectures follow a book precisely, which happens when we have to study books or summaries written by the professor). As you can see I often use post it notes to add more writing space, and sometime I even use them to create visually separated sections. If I end up adding some drawings I also usually like to have them on post it notes so they stand out more (and if you are wondering why the hell would an history student need drawings it's usually either because I need a map or a region/state to mark things out, or when studying for archaeology exams I often needed visual references, for example to identify different types of vases or decorations).

[salemlunaa]

Hi Sai. I have some questions about SATS.

First, is it feasible to mix visualizations and affirmations? When I'm drowsy, sometimes I unconsciously use visualization and see what I expect to be dark, but sometimes I use affirmations.

Second, Neville said,

“A most effective way to embody a desire is to assume the feeling of the wish fulfilled and then, in a relaxed and sleepy state, repeat over and over again like a lullaby, any short phrase which implies fulfillment of your desire, such as, Thank you, thank you, thank you, until the single sensation of thankfulness dominates the mind."

But I lack that sensation of thankfulness most of the time, is it okay to use affirmations in this case?

Finally, I found this:

https://www.tumblr.com/voidsuccessarchive/721116247292510208/how-i-woke-up-in-the-void-using-sats-i-knew?source=share

and this:

https://youtu.be/8f0CfMLSk-M?si=eL9AiuZYuaFjPm-x

i think this method is helpful.

I'll bring my success story soon!

luv sm

you don’t have to feel a sensation all the time when thinking about your emotions. A lot of people feel insecure because they don’t “feel it real”, but you don’t have to feel a million emotions and be brought to tears every time you think of your manifestation. it’s natural, you can feel absolutely and still get everything you’ve ever wanted.

and during SATS, yes you are allowed to mix affirmations with visualisations, you’re not bound to one method, you can do quite literally anything. Even affirming “I AM” during SATS can have you waking up with everything, there is not template of what to do during SATS.

[adultemophase]

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

[heyftinally]

Some words to keep in mind with ballet are floaty, graceful, strong, elegant, and precise. These elements basically define the style as a whole.

The vast majority of classical ballets are well known stories told through a set arrangement of elements. For example, if your protagonist is a classical ballerina, she won't likely *only* be dancing a pas de deux - that part is usually danced by the two principle (ie main/star/highest rank) dancers, who are usually also the main characters of the story. Classical ballet are a combination of solos, pas de deux, and group dances done by the corps de ballet (essentially the ensemble) to tell one big story, and it's more common than not that one dancer will learn multiple rolls if they aren't the lead (for example in The Nutcracker, dancers from the opening party scene will also likely learn one or more dances in the Land Of Sweets in act two).

Certain steps are more likely to be used in one context over another. For example, a fondue is almost never going to be be included in an allegro. Likewise, en l'air is rarely specified outside of a teaching or rehearsal space, because saying "grand rond de jambe en l'air" multiple times in a row is a lot. So once the choreography has been taught, it would likely be shortened to "rond de jambe", which means circle of the leg.

All this to say, ballet is very technical. If you want to dive deep into it, it's a beautiful and amazing art form. But that also means doing a lot of research.

Otherwise, it might be better to keep it vague. Talk about the quality of the movement (graceful), the story (I definitely recommend picking a specific ballet and watching it, even if you never mention the name, so that you have a visual reference to describe), and have the dancer looks or feels, depending on your narration perspective.

hi! I have a question, how do I write the movements of a ballerina? I'm writing a novel and now I'm at the part where my protagonist is dancing ballet for an audience in the theater. Could you help me with how to write her movements? I'm in doubt about how to write this

Some Ballet Vocabulary

Adagio: “Slow tempo.” In ballet, a tempo in which the dancer moves slowly and gracefully.

Allegro: “Brisk tempo.” In ballet, a tempo in which the dancer moves briskly and excitedly.

Allongé: “Elongated.” An adjective used to describe poses that are stretched and elongated, like an arabesque.

Arabesque: A pose in which the dancer stands on one leg—either straight or demi-plié, and either flat-footed or en pointe—while extending the other leg straight behind at a right angle. The shoulders are square with the arms held to create a long line from fingertips to toes.

Arriére: "Backwards." A move that indicates backwards movement or motion.

Ballón: “To bounce.” A light jump. Used to indicate the delicacy of the movement or jump.

Chaseé: To slide.

Elevé: A rise upward onto the toes.

En l’air: "In the air." Indicates a movement or leg position that is held in the air.

Fondu: To melt (a melting action).

Frappé: To strike (like lighting a match on the floor).

Glissade: To glide.

Jeté: To throw.

Pas de deux: A “dance for two,” or duet, in classical ballet.

Petit saut: A small jump.

Pirouette: A complete turn of the body on one foot, either turning inward or outward, with the body centered over the supporting leg, the arms propelling the turn but remaining stationary during the turn, and the eyes “spotting” a fixed point while the head quickly turns.

Promenade: A slow pivot of the body while standing on one leg.

Rèvèrence: “Bow”. Traditional port-de-bras and port-de-corps showing respect and gratitude to the ballet master or audience.

Tournant: “Turn.” A term paired with a movement to indicate a body turn.

Variation: A solo in classical ballet.

Although ballet actually began in Italy, it was formalized in France in the 17th century. Ballet terminology has remained largely in the French language. Ballet dancers across the world learn and can communicate with this universal ballet vocabulary.

Sources: 1 2 3 4 ⚜ More: Word Lists ⚜ Dance

Hope this helps with your writing! If I wasn't able to include the right words you need, you can go through the sources. Still, remember your readers when describing the scene — perhaps some of them might not be familiar with these terminologies.

[spinnysocks]

do any other neurodivergent people feel like you're in autopilot mode. especially if you have a daily schedule that's rarely broken, you're kinda going through the motions, such as working then trying to ignore all your distractions to relax? cause like. i just realised i haven't responded to 1 friend and 3 family members in weeks 😭

[pierogish]

I grew a spine

[holopossums]

There's a lot of very emotional scenes in the ROTTMNT movie, for sure. But one of my personal favorites is the silhouette of Casey Jr. as he is slumped forward on the ground, Leo's lost katana cradled to his forehead.

Like wow. This is a powerful shot. You don't have to see his face to know he is full-on weeping, his posture says it all. It's panned out to show the crumbled city landscape and it dwarfs Casey, giving a sense of just how small and helpless he feels. Casey's form also blends in with the dark foreground, giving the impression to me that he feels he might as well lie down on the ground and give up.

Of course, he doesn't really end up losing present Leo, and everything turns out alright in the end. But in this moment, it's the emotions of losing the one he loves and most admires all over again that just yanks your heart out.

This shot looks like what grief and brokenness feels like. I think it resonates with anyone who's ever lost someone close to them. And I love it for that.

[spotaus]

YEAHHHH!!!!!! >:D

Ancha I am SO glad you liked it because. Ough. I started writing it at like 11 at night and just. Kept going??? I was so so pumped!!!

I'm gonna try and follow where you went with the ideas, gimme a sec-

Okay so, yeah! Nightmare, at this point, views the training has his relax time! Kinda how someone can spend all their time doing work, say writing reports, and still enjoy writing stories in their free time! It still challenges him and interests him, but it's in a way with low stress. His knights can improve inch by inch now that their foundation is stable! And the training room is one of the most secure rooms in the castle, thanks to reinforcing it to withstand magic attacks!

And I really really wanted to take on idea of each of the guy's strengths! You got it perfectly so I'll try not to linger, but I kinda wanted to run off that original idea I had for the Knights knowing eachother and being in sync, but now it's more fitting to their personalities since I've gone into more depth with them! Killer has greatly influenced the others, in the way they fight and the way they act on the battlefield. It's like setting loose a feral animal on all these Knights who are Not Ready for dirty fighting. (Dust was used to diplomatic scuffles gone wrong, usually with the use of enchanted weaponry, Horror just. Did not fight prior to this. Abd Cross, as mentioned, was a muscle-memiry routine combat kinda guy!) And in the same breath, Killer learned from them too! Night might be their mentor, but Killer was committed to being a good influence on them, even if it didn't register to any of them-

A lot of that was also me trying to get a grip on how they'd behave in such a space alone with Night. Killer the most relaxed, Cross the most nervous, etc! And the little banter between them was fun!! (I also was trying to use technique I learned recently so combat reflection was a good opportunity for it, haha!)

One of my favorite bits in the beginning I think was, like you mentioned, Nightmare making sure they left training on a high note! I took the idea from your Q&A drabble actually, when u mentioned Night looking for ways to better keep hold of his knights? Yeah, he ensures to be even more vocal about what he noticed everyone doing well, just so they know! And Cross takes the praise the best visually, but he can tell the others at least seem pleased by it <3

Lastly!!! Yes, the bed-time was meant to be sorta a hint to the incoming turn of events, but it's also just meant to be a cute lil cameo too!! I think a few things never quite left his habits (like, his body getting more tired around Bedtime even though he regularly skipped sleep all together anymore) because. Y'know! Adult body still has Kid Night in there running the show! And because of the weird suspended state of his mind, it left him with odd quirks!

Okay, okay, hearing that you enjoyed the drama bit makes me SO happy, because this time I wanted to go with sonething that felt a bit more Nightmare-accurate. Night was always a quiet kid, a fawn rather than fight or flight, he kept his emotions tight to his chest because so few people cared in the first place. So, when his magic (the thing that made his moves for him, before he could freeze up or downplay or smother his feelings) Leaves? He's exhausted, and confused, and scared, and frankly out of it. He fawns again!

And the magic leaving, this time I wanted it to feel like it was in a moment of lull, no tension, no stakes (aside from a stinky Killer) and no sign for Night that anything was wrong. It all just dipped at once, and as it left his awareness it left him dizzy, disoriented, and!!!! I'm glad that you caught that he couldn't feel anything because the magic refused to work with him anymore!!! So the normal input didn't transfer to him!!! That weird lack of senses was also sort of my excuse to let the Knights start freaking out! Because idk how clear it was (intentionally not very if I did my job right lol-) but when Night's balance starts to screw up, Killer turns around. But it's Night initially who reaches out and grabs his arm, and then Killer has indirect permission to support his weight further and grab hold of him! Night subconsciously reached out to Killer, even if he didn't realize it in the moment. And ofc that's Killer being like 'oh that's not normal'.

And!!! Like in the og drabble, Dust goes on high alert immediately, but this time Cross and Horror hesitate! There's a part that Nightmare misses where Horror expresses worry and suggests he should grab the first aid and take a look, and Killer tells him no. Because Night (in that moment) is unresponsive, and Killer doesn't think Horror coukd help even if he tried. He might make it worse. And Horror tries to press his offer, before Night comes-to again to hear Killer snap at Horror to get Ccino! And like you said, Killer has no idea what's happening, but he's sure if anyone could help it would be Ccino! And in the meantime he just tries to keep Nightmare close, keep him steady. He doesn't like it one bit, but he knows he has to keep watch because Dust doesn't sense/see anyone, and Cross doesn't either as he guards the door!

And, ofc, Killer was horrified to find what was basically a babybones in his arms when all the goop left, but he was also shaken because. Well. That's the Prince from the tapestry. Night doesn't make the connection, but he'd seen images of Nightmare a few times, abd certainly images of his twin, enough to recognize that. Yeah. That's the same guy. And he can't explain it, but since Dust chimes in with magic loss, Killer makes some leaps in judgement. (Also!!! Dust isn't good with magic usually, but Nightmare's was so impressive it was always looming. The moment it was gone he spoke up. He's also OBNOXIOUSLY familiar with symptoms of magic loss. For. Obvious reasons 🙏)

Nightmare, in his fawning, couldn't decide whether the voice in his head reminding him that these Knights were kind, loyal souls was right, or if the instincts telling him to get away NOW were winning. He compromised in the firm of 'can't really move anyways so I'll sit here and be scared'.

And!!!!! I'm glad u liked Killer telling Cross to hold onto the magic! Killer's smart, and a fast thinker, and Cross was the nearest thing with any chance if keeping his king from??? Melting??? And to Cross' credit he DID grab it! He did great! (He feels awful about it after because from what *he* saw, it didn't help. It did! He just doesn't know!)

And. Ccino's piece in this was probably the part I was least certain on. Because Ccino assumed the Knights somehow set Nightmare into one of his worse episodes. Or, worse, he worried Night accidentally hurt one of the Knights and panicked. Horror was pretty vague about why he needed to hurry. And Ccino gets there and- well.

He hasn't seen that little skull in seven years, and it's got a big crack, and it's trembling, and one big eyelight is looking up at him. Nightmare was always his little brother, and yet all at once his instincts kicked back in. This was no powerful bomb waiting to be nudged just too far before exploding, not some otherworldly tyrant. This was his Nighty, somehow back to the way he was the day he protected his twin and swore into the prophecy. This was HIS Nighty.

So, for the first time in a while he drops pretenses. There's no effort to hide him away, Ccino knows well enough that trying to remove Nightmare from the Knight's vision right now would possibly get them both in hot water. So he does what he can, throws open his arms, and coddled his little brother tightly. So, so tightly. He has no idea how, or why, and obviously it's the same Night who'd spent the morning writing laws, but it was so surreal that he just had to get him close!!!!!

And Night, yeah, he just feels safe with Ccino, and irrational mind running off of a huge magic-drop? He deemed Ccino's arms a perfect place to shed some tears and then pass out-

If I had to do a follow-up it'd definitely be either a Ccino or Killer chapter following either the moment Night is free of the goop (Killer) or the moment he enters the training room (Ccino) and then the conversational aftermath! (I also think they move the whole party to Nightmare's room eventually, and somewhere along the line Dust brings up that lighter foods might help-) just lil silly details haha! But it's basically a force of nature making the Knights and Ccino agree to a pact of sorts just to agree to help Nightmare. He's still the king. He's just... young now. Again.

Okay I got a lil wild but- I'm just so so happy you enjoyed it!!! A healthy balance if shenanigans for the boys, panic for Nightmare, and an unexpected surprise for Ccino!!!!

New Age AU (The Magic Retreats)

Hi guys!!! So, I wrote this one in a fit of passion, but here's a brief take 2 on the most important chapter of the fic and the first one I posted! (In which Night becomes Tiny again :] ) As always this drabble is unedited and un-checked so uhh. Good luck!

(HI @ancha-aus , @papiliovolens , and @mutzelputz welcome back!)

   The days felt like they were growing longer again. Maybe it was the change of the seasons, or the workload ramping up again making his nights bleed into his mornings. No matter the case, Nightmare was lucky to have moments of rest from his endless piles of debts and taxes and laws and requests that were strewn all about his office. They were nice, neat, piles now, but they seemed to be an endless cycle. He'd solve one problem and it would result in a new report of catastrophe somewhere else.

   Often, he wondered whether it was that his Mother's ruling style had truly worked, or if she'd ignored it. After all, she'd been a God amongst mortals, why would she care for a few challenged livelihoods amidst her paradise?

   The sharp clash of metal on magic drew Nightmare's attention back to the present. Against all odds, he'd managed to convince Cross to start training his sword again. When Cross had first started getting lessons to properly control his magic, harnessing even whisps of Nightmare's own spells on occasion, he'd quickly neglected his physical training. Over the last few weeks, Nightmare had voiced his worry that Cross might find himself up against another foe like Dust. One who he couldn't simply control. He needed to re-learn his old battle tactics. Only then, he'd promised, they would move on to harnessing both at once.

   So, now, he was sparring against Horror in the training room. Nightmare sat off to the side on the benches, Dust and Killer on either side of him watching intently. Two of his tendrils hovered readily before him, ready to pounce to intercept any wayward attacks or truly dangerous intent, though he trusted his Knight to not put his newest comrade in any real danger. The other two tendrils lay lax behind the bench, curling comfortably beneath where his other Knights sat at his sides.

   These were the sorts of daily distractions he enjoyed. Which pulled him away from the stress of the papers and the outside world. He could focus solely on his charges and how best to help them. They helped him so often, he just wanted to return the favor.

   His eyelight followed the movements, as Horror stayed more or less right on Cross's tail. His axe swung slower than normal, and it was obvious he was taking the training seriously without giving Cross a heart-attack from the force of his normal blows. It wasn't often Nightmare allowed them to pair up precisely because of that. Horror had no magic for Cross to control, none that would help him at least. Meanwhile, Horror's brute strength could snap Cross like a twig if something were to go slightly awry.

   A swing of the axe, Cross's longsword cracking against the handle as he blocked. A push-off, sending Cross back a few steps before he swung. Missed. The axe was on him again, this time towards his side. Cross jumped over it, swung his sword. Missed again. The axe came in again, from above. A narrow block, one which forced Cross to his knee, before Horror let up.

   Horror was simply a marvel of physical combat. He hadn't been a good fighter when Nightmare met him, but he'd learned very quickly. From watching the guards, from listening to Nightmare. Though, Nightmare was almost positive Killer had actually been his biggest influence. Killer, the cockpit, single Knight at that time. He'd taken Dust under his supervision at the time, practically heading the dismantling of the crime rings Dust knew so well all on his own. Meanwhile, Nightmare was working with Horror to understand how to fix the farming situation across the kingdom. Once things settled, and Nightmare expressed interest in having Horror stick around, it was Killer who showed off in combat training. Horror spun off his feet and pushed off his hands in the way expected of a much smaller, leaner, monster. Very similar to how Killer fought when he was playing around.

   It was evidently too unfamiliar for Cross. He'd been taught formal swordplay, but here in this kingdom? That was about as useful as playing with a slingshot and trying to operate a trebuchet. It seemed similar, but it could only get one so far.

   Cross had been steadily improving, of course. Just a year or so ago, Cross had been besting all the rest of the royal guard out on the training field. But placed against Killer, the best of the best at practical combat, no holds bar? He'd fumbled. Now, Nightmare knew Cross could hold his own against his proudest Knight. That meant a lot in such a short time. Pride filled his chest at the thought, as he watched the two of them clash again and again.

   He knew his time was running short for today. He'd had Dust and Killer work on their team-building and attack him earlier on in training while Cross and Horror were warming up. As he already knew, they were chatty, but very efficient in their coordination.

   "On your left!" Killer would call out. Dust would simply duck as Killer instead vaulted over his head as though emerging from the shorter Knight's shadow, knife in hand, glowing red with energy.

   Killer's use of deceptive verbal cues was a talent he'd come up with all his own. Nightmare remembered him pestering Dust over it every dinner for a week after he'd first thought of it. Dust had seemed annoyed at first, but Nightmare could tell after the first session of them trying it out, against him? He'd been unaware, and if his magic didn't work separate from his mind on occasion, they would have gotten him in the first two minutes.

   They'd used it again earlier, and even after several years it still kept Nightmare on his toes. He figured that was why he felt tired as he watched the two locked in mock battle before him. The cognitive challenges did tend to make his socket heavy with sleep. And he hated to admit it, but he always knew about when to end their afternoon trainings, because it lined up with when his mind would start to lag. Even years later, his body still seemed to respond to the familiar draw of a long-discarded bed time.

   He'd let them exchange a few more blows, before calling it off and ushering them all off to clean up before dinner. Even if he knew only Cross and Dust would go wash up. Horror would go change out of his training gear into clean clothes, he hated to look messy at the dinner table, abd Killer would simply stick to his side like glue.

   It never was a point of complaint, he appreciated the commitment, but sometimes he really did wish he'd at least take a moment to swap clothes. Sometimes he tracked all sorts of dirt and scraps of magic out of the training room and into the halls.

   Mm. The clashing seemed to have reached a rhythm. That meant Cross had gotten familiar with Horror's movement patterns again. It never lasted long, Horror was very adaptable, but it did mean that Cross would be locked into the stalemate now, or it'd be an easy defeat for Horror. Better to call it now and send them off with a bit of praise. They never ceased to impress him, they'd all grown so much.

   "Alright, end the match." he called. It didn't take hardly a moment for the order to register after his voice carried to the two monsters.

   Cross was the first to pull away, with Horror letting his swing fall short and his Axe's momentum swing up and into the air. He caught the grip and almost immediately stuffed it back into its own holster along his back. Cross sheathed his sword, and while a bit out of breath, he still grinned triumphantly and bowed amicably to Horror. Horror returned it with a nod. Their little ritual.

   "Wonderful work today, all of you." Nightmare announced, his front two tendrils slinking back to his sides as they no longer had danger to be hyper aware of. To defend against. "Tomorrow, I want to see you two spar again, I believe you are making great leaps in progress, Cross. Dust will provide you both with terrain obstacles in the form of erratic magic attacks to simulate a more turbulent battle field and provide Horror with more opportunity to practice dodging." The suggestion seemed well-recieved, and Nightmare let his good eyelight turn to Killer, who sat grinning beside him. "Killer, you and I will be doing more endurance training for your magic."

   "Looking forward to it, my Lord," Killer replied.

   That made Nightmare chuckle a bit. Once upon a time, Killer would tense up at the premise of magic training. Then, as he grew bolder, groan at the mention. He was not proficient in the sort of magic Cross, Dust, or he himself relied on, but his preferred weapon was a knife or two summoned by his own soul. Since it was magic, Nightmare insisted he learn to better sustain and alter it rather than letting it atrophy in the wake of his extensive physical training. Now, seeing him grin lazily at the idea, not a worry weighing on his soul? It made Nightmare feel a lot more justified in making the rambunctious Knight do the more "boring" practical training.

   "If we understand what to expect for the afternoon tomorrow, then you are dismissed. I will see you all at dinner," he declared. Humor filled his chest at the warmth which rolled off his knights at the mention of food. Dinner was always cooked by Ccino, and Ccino was the best cook. Nightmare would know.

   He watched as Cross gave a little salute before he turned on his heel to begin to follow Horror's lumbering gait towards the heavy doors separating this room from the hall. The newest Knight's voice was quiet, but excitable as he started to reflect on his techniques to Horror. He always debriefed after a training.

   Beside him, Dust swung forward off the bench and landed silently, already moving to follow the other two. His body-language always seemed disgruntled, and his expression was hidden under his darkened hood, but Nightmare knew he was pleased with his work tonight. Content with what he had accomplished.

   "Cross is gettin' a lot faster." Killer's voice was calm beside him, and Nightmare followed the other's hollow gaze to where the other three were discarding their gear, hanging it up on the racks near the door where they always stored the supplies.

   Four spaces, one for each knight. Killer had gouged his name into the wooden base of his own years ago.

   "I agree." Nightmare let one of his tendrils wrap at the ground around a leg of the bench. "It helps that he is eager and willing to improve on his skills. And that he has others to lean on as he continues to learn."

   Killer's scoff quickly devolved into a laugh at the thinly veiled praise. It wasn't unusual of him to slip it into conversation. A quick, gentle nudge of praise. Acknowledgement and appreciation. Killer had heard to most of it, and Nightmare often worried he'd find it insincere.

   As far as he knew, he never did.

   "You should go put up your armor as well." Nightmare suggested, nudging at Killer's back with a tendril.

  

   "Yes, sir." Killer chimed, the sharpness of his laughter still on his tongue.

   Nightmare rose simply, and Killer pushed off the bench with a quick hop. His feet planted, and Nightmare waited for him to take a step towards where the others were before moving to follow. It felt right, to see them all in one spot. Relaxed.

   He moved to follow Killer's quick steps, only... All at once his vision seemed to double, and he halted himself. He could feel his tendrils lash out, moving to stabilize him against the floor of the training room. He still stood upright, just barely, but it seemed all his balance had left him. Instinctively, in a fit of habit, he shut his good socket and took a moment. The swaying feeling he was gripped by, even after a deep breath an counting to five, did not fade. The darkness which usually seemed to calm him only seemed to make the swaying worse. He could not tell if the motion was coming from him, or I the ground beneath him was shifting like the deck of a boat. Without his vision he couldn't orient up versus down, let alone find his stability again.

   Opening his good socket provided him with orientation, though his vision still danced and swirled. He was looking down, down towards the brick ground, from the space behind his palm. When did he place his hand to his socket? The view included his legs, which he recognized now were shaking, and his tendrils which were trying to hold him in place.

   And...

   He jolted at the contact he could see but hadn't felt in the slightest. He skull reeled up so that he could see who had touched him. One hand on his elbow. The other- when did he grab Killer's arm? When had Killer turned around to look at him? Why was Killer looking at him like that?

   It was Killer, who had ahold of him, though he couldn't feel the Knight's touch, and he couldn't tell if he was gripping the other's arm at all. Though he was, he could see it.

   His vision warped again with the quick movement. A desperate bid to look past Killer. Was there a threat? The blurry form of Dust shot past him, he thought. Horror and Cross still seemed to be by the door.

   The ceiling. Why was he looking at the ceiling? No, wait, the floor now. It grew closer, in the space between himself and Killer, as the opening for him to see it grew smaller. Then he couldn't see it at all, his vision replaced swiftly by- training gear. The leather smell invaded his senses as the rest failed him. He couldn't feel Killer, though he knew the knight was near to him. That, as far as he could tell, Killer had caught him. That he'd sunken to the ground under his own weight.

   Why?

   His socket wasn't being helpful. It seemed, from what he saw, that his tendrils were trying to melt away as they moved errantly to slap onto Killer's back or the ground beyond. Surely that wasn't right? His tendrils had never wavered. He shut his socket again, letting his skull sink into the training armor again.

   It didn't occur to him for a few moments, that he couldn't hear his knights, until he suddenly could.

   The voices were loud and grating, breaking his wobbling darkness once again as he tried to force his socket back open. What was wrong with him?

   "Horror, I said go get Ccino! Now!" Killer. He'd know that voice anywhere, though he didn't like the angry tone. Like fire spitting from his tongue seemingly right above Nightmare's skull. "This isn't some sort of test, I- I don't know what this is. It can't be good."

   Nightmare tried to reach out. Not physically, it felt he still couldn't control his limbs. No, he tried to sense. Did the others know what was wrong with him? Was the rising panic in his chest originating from his own emotions or theirs? Had... had one of them done something?

   No, it wasn't them.

   "Shit." Somewhere behind him, he heard Dust's voice hiss. "His magic levels are dropping. And fast."

   For a second, Nightmare was stunned. What did he mean his magic levels were dropping? Though, it made sense. Somewhere deep in his chest he could feel it, the swaying motion as his magic tried to peel away from his bones. He-

   "What do you-" Killer still sounded frustrated, and he too spat an expletive a moment later.

   Nightmare, for the briefest moment, thought he felt touch again against his skull. He let his blurry socket fall closed again, the vision only worsening as his magic rocked with unseen waves of revulsion.

   "Cross, try to grab his magic," Killer ordered.

   The familiar splattering of the young Night would've been comforting, if the suggestion didn't fill him with dread. Killer knew better than that. They'd agreed Cross could only touch on controlling his magic. Nothing more. It was too vast.

   "W-what! I- I shouldn't-" Cross attempted to stammer a defense, but Killer was quicker with words. Always had been.

   "Just try. Now. Hold it in place and see if it stablizes." The command was a lot more controlled than the previous one, but his tone was leaving no room for error. "When the King and Ccino are unavailable, I'm in charge. Listen to me."

   Nightmare had never heard Killer take charge in such a way before, and in his haze he might've written it off as a product of his imagination. All of this being some sort of weird hallucination. But he felt the invasive force of Cross' magic snake over his bones.

   He'd felt it before, a sort of blanket or hand-hold aimed at the ends if his tendrils which could make them twitch a bit with Cross's own will. This time he felt it creep up the length of his spine and dig unseen claws into his shoulder blades. He could feel it, just like he could now feel Killer's chin and shoulder, where his skull had been tucked. He could feel the hand supporting his back, the other his side. He felt limp as the forceful magic washed over him.

   Nightmare gagged.

   Cross's magic caught on something, like a hook finding the fish, and for a brief few moments, Nightmare felt like he had a ball of gunk in his non-existant gut. Something heavy and feral, trying to escape.

   For just a moment, he regained a breath of awareness. He felt his Knight supporting his weight, he felt the nakedness of his back where his tendrils had completely abandoned him, he felt the emotions of the three still with him. Fear. Confusion. Anger. He didn't like it much. He still couldn't move his limbs.

   And just as quickly as it was stable, the hold on the wild magic slipped away. Like the fish had broken the string.

   It flowed up, like the force of a dam finally released. Through his ribcage, past his shoulders where Cross's magic seemed to dissipate all at once, into his mouth.

   Nightmare regained some semblance of control over his body at that moment. As the magic seemed to rush towards freedom. He shoved away from Killer all at once, the chill of the stone hitting his palms heavily and his socket opening if only to watch as he lost it. That dark, thick, sticky magic that had marked him as a bad omen. That had gifted him the power to rule in place of his twin. Protect those he loved.

    It spilled to the stone before him, and he was stunned to watched that, as he heaved suddenly labored breaths, it sunk away. Disappeared. Just like that, instead of his familiar darkness, the protective shield, the instinctive defense he had grown to know, he was staring at the floor. And the space in which his wobbling arms hid under too-big sleeves, and from the cuffs escaped perfect, pearly-white bone. Bone he could never seem to reach no matter how hard he scrubbed with water and soap. Bones that seemed so frail in the torchlight.

   "My king?"

   Nightmare let his eyelight raise from the ground. It wasn't as wobbly anymore, his vision slowly coming back to normal. He still took his time trailing from the ground, to look at Killer's pants. He was on his knees, hardly an arm's length away. Then the edges of his chestplate. His arms were outstretched, hovering barely away from touching Nightmare. He shook at the closeness, but didn't dare try to move. Killer's soul was wobbling. Nightmare's boww furrowed at the sight. It was very small, but he'd always notice the little changes and moves. Though, he noticed an absence of something at the back of his skull as he stared. Something missing.

   Killer's face was last. He looked serious, his dark sockets not a new sight, but Nightmare hardly saw Killer so serious. He'd seen the look before. Usually when he'd see someone bothering Ccino. It had always been brief, quickly disguised under his patented sadistic grin. Killer just watched him now. As though he was sone glass sculpture ready to tip off the end of the table.

   He hated, as he stared, that he couldn't- he could feel-

   He tried to shift, to whip his head to look for the knight he knew should've been behind him. And he was right, of course. A glimpse of Dust's shadowed skull and tense body-language told Night he was on high-alert, but Nightmare hadn't been able to feel him. Hadn't sensed his presence at all. No emotions, no aura, no nothing.

  

   "Woah, steady!" Killer yelped as Nightmare felt himself tilt.

   Looking up at Dust had disoriented him. The weight distribution was different now. His body listed to the side, and he flinched when arms wrapped around at his sides and tugged his upper half onto soft fabric. Killer's legs. Killer had caught him.

   "My king, Nightmare, it's you, right?" He sounded the same. Something told Nightmare he was uncertain.

   "Y-" His attempt to speak was short-lived. His voice wasn't right. It was high-pitched and raw. All the rumble and low tones entirely missing. He couldn't be sure if he stopped on account of keeping his pride alive, or if he feared speaking in a voice he hadn't heard in years.

   It didn't help that he couldn't feel them. No matter how much he tried, the only feeling in his chest was his own solitary anxiety. Balling up tighter and tighter, an old friend come home again. If he could tell what they were thinking- if he could know if he was safe...

   He bit back his panic, holding in the weakness which was threatening to give him away. Though, what else was there to give? If he was right, then the prophecy had finally rejected him. Left him as an offering to a pack of wolves.

   Nightmare knew he was shaking, but some irrational part of him thought that if he kept his socket shut that this would all be some absurd night terror and he'd wake up cozy in his bed, or exhausted at his desk, or maybe passed out on the floor. Somewhere else. Anywhere else.

  

   "What's wrong?" That voice was deeply familiar, and all at once Nightmare felt like he had a surge of strength. "Why did Horror rush me back here? Where is our King?" It was Ccino. He sounded more frustrated than anything else, but he didn't need to feel his emotions to know the rise to his tone. The worry buried there.

   "We finished training and everything was fine," Killer explained, tone as even as he could muster, "But when we were on our way out, he just collapsed."

   Nightmare pitied him, having to tell Ccino any sort of bad news. Nightmare didn't think as he attempted again to shove himself up. If only to catch a glimpse of Ccino.

   As he peered barely over Killer's shoulder, he saw what the others did. Ccino had some sort if flour or wheat all down the front of his nice apron, and a few streaks along the thighs of hid pants from where he'd probably wiped his hands along the way. His expression was a mix of concern and fury that set Nightmare's soul into a pretzel-twist of regret, and his eyelights scanned the room as he rapidly approached Killer. Obviously looking for answers.

   Only, Ccino arrived to Killer's side, and his growing rage seemed to stop all at once, alongside his steps. He stared down at Nightmare with wide eyes. Nightmare stared up at him wearily. The king's sockets were beginning to water. Ccino's expression, the way his balled fists twitched and relaxed, the way he seemed to lose all the tension I'm his body, just getting a glimpse at him. Ccino recognized his face, no doubt about it.

   "Nightmare?" Ccino's voice was small.

   Nightmare fumbled a bit as he tried to launch away from Killer. Having Ccino so close to him simply... broke whatever had been holding back the emotional damage within. It didn't help in the slightest when Ccino crouched and immediately tugged him away from Killer and into a gentle bear-hug there on the floor.

   For the first time, in a very long time, he found that the welling of tears in his sockets didn't result in dark, tarlike, goop that fell in chunks down his skull. This time the tears were real, a transparent lilac which raced down his cheeks abd planted themselves against the fabric of Ccino's tunic and apron. He wasn't wearing his fur, he was smart like that.

   Ccino's arms wrapped around his back like they always did, and Nightmare felt himself slipping. Ccino was safe. He had always been safe.

   Nightmare didn't have time to begin sobbing as he had expected, or to even begin to hyperventilate into Ccino's shirt or curl into a ball against his chest. The moment Ccino nuzzled the side of his skull, his vision went blurry again.

   At the tightening of Ccino's grip, he heard Dust's voice again. "Magic-loss. A lot of it." Faintly rolled into his mind like a distance voice two doors over. He didn't quite catch when Killer started to speak again, or Ccino worriedly said his name. Dust was right, the magic was gone. Out of nowhere. It was a lot for his little body to handle.

[manofthepipis]

Random question that’s answer is probably very obvious, but I’ll ask it just in case:

What kind of magic does each Addison specialize in, and what do they visually look like? I remember them being used in the big Spamton NEO fight in the last few chapters, but I was wondering if it could be a bit clarified?

Like, does Click’s magic just look like a Cursor, or is it more complex?

(Also, sorry if the question’s worded weirdly, I didn’t really know how to phrase it)

it's all good! i honestly had to go back to even remember what id written for that chapter just to regain my thoughts on their attacks lol

so i thoughtd id put a fun spin on some different types of advertising as if the addisons were enemies in the deltarune universe! their attacks are meant to be visualized in the deltarune fighting format, with bullets relating to their forms of advertising.

Clicks has a variation of cursors, based on clickable product advertisements that show up on webpages, whether that be pointer fingers or simple arrows, Banner has banner ads (which i imagined like literal fabric banners with some sort of advertising on them), Survey has poll-based advertising, which can be bullets of "most likely-least likely" (or whatever poll options they summon) being used as attacks, Sponsor is those ads that shows you sponsored items that pop up first in your search engine, and he doubles as sponsor ads in internet videos, the attacks being video shields or computerized reinterpretations of random items he's had lightners search in the past. Spam's used to be mail projectiles, but he doesn't use them anymore, with the exception of being Neo.

Like if you were in the game and had to fight an army of these particular addisons, you'd be met with a deltarune-style battle of cursors, banners, polling options, and random items from the light world's town. Maybe some coupons here and there. It'd be the reverse of spamton's battle, in where you actually have to buy things to spare them.

[thedrotter]

as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit

it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now

[seriousbrat]

I'm trying to rename a house-elf character and having a little trouble so I'm going to crowdsource opinions! She's sensible, neat, dutiful, quiet, proud to serve her (awful) family, but somewhat skittish and nervous. She wears a little mophead as a dress if that helps lol.

Feel free to suggest even if you picked one! I wanted something ending in -er so that Kreacher isn't the only elf whose name doesn't end in -y. Her original name was Patter hence why most of these end in -tter.

Here are house-elf names I've already used, so I don't want anything too similar to an existing name but something that still follows conventions:

Mine: Crumbly, Tiskey, Taffy, Kreaky Original: Winky, Dobby, Kreacher, Hokey

[e-the-village-cryptid]

i’m curious if there’s a link here, please tell me in the tags if your inner monologue has subtitles, whether or not you have a hearing or auditory processing disability, and whether or not you learned to read early and read a lot as a kid

(by subtitles i mean that you automatically visualize the written form of the words you are thinking. the way this actually happens can be anywhere from the written form of the words just popping into your head to an actual subtitle-looking area. the only criteria are that 1. you visualize the written form of most or all words 2. it is completely automatic and happens without trying or thinking about it)

[the-eldritch-it-gay]

assigned he/him at work now 😔

[luneyverse]

the death of art the death of education the death of childhood the death of narrative the birth of christ as we believed he was a zombie and our father

[chenpire]

my post series recommendation is that if you've never listened to the orchestral version of hero by faouzia while thinking about Wilhelm and Simon's utter trainwreck of a romance, you should. I think you should.