#because I'm using brain power on this show that I should not be using
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tunemyart · 3 days ago
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So I've just watched the finale and I'm feeling... Weird. I think part of it is because this show started with everything I like in a story (cool badass ladies, a queer romance, found family, redemption, etc etc) and ended up being... Not all that (most characters die, the romance is doomed, and I guess the redemption mostly happened but wasn't entirely satisfactory to me). Also, I'm someone who as Trauma (tm) with death so, I guess my brain's first reaction is "fuck that I just want them all happy and safe" and it takes me a while to accept when stories take these paths, however well written they might be.
Still, I thought it all went a bit fast in the last 2 eps, with parts of the show ringing just a little bit more hollow than I would have expected? I'm left feeling like the characters of Alice, Mrs Hart and Jen were treated a bit superficially (Lillia's story felt more complete). I also wished we had seen more of Agatha's past because spending centuries just conning witches then killing them is... a bit boring? (maybe we learn more about her in WandaVision, I haven't seen it). And obviously I wished we had seen more of Agatha and Rio. It's like the show couldn't decide if it was about Agatha or about Billy (partly because, I'm guessing it's setting up a 3rd show about him?), and with this short format we ended losing a bit on Agatha's part.
Anyway, curious of what you think of all that because your analysis are always super interesting, and like I said my own brain might be a bit biased towards resistance with this one. And obviously would love to read your fanfic(s) should you write any!
So, I've started and restarted a reply to this a few times, but I think what my answer boils down to is: we're meant to have multilayered responses to this finale. We're meant to sit with it. It's meant to change our experience of the show we've had to this point.
I think the best metaphor for this is the fact the revelation that Rio is Death. Bear with me, because I know this got spoiled for us way early on and we all knew it and were all just waiting for the revelation to drop - but imagine for a second that we didn't know that Rio, Agatha's ex-girlfriend and spooky fun vaguely-a-psychopath as played by the delightful Aubrey Plaza, is death. Your perception of Rio would have been turned on its head. Your perception of Agatha would have been turned on its head. Your perception of the Witches' Road and what we're even doing here with Death walking alongside us as a tourist would have been turned on its head.
Now, we all had an incredibly fun time even with the knowledge that Rio is death before we should have had it. But I think some of the power for what it meant for the story - and our perception of what was really happening - was muted.
Jen, at the beginning of 1.08, says, "She told us who she was from the very beginning."
Sit with that - because the same is true of this story.
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It turns out that the Road is a metaphor for death. This isn't fully illustrated for us until Nicky, the author of the Ballad, walks down the road with Death's hand in his, and we go, oh. Oh.
Agatha tells us in the beginning that the Road doesn't exist, a rare instance of her giving anyone unbridled truth. And sure - the Road that our coven walked down doesn't exist. The Road that all the witches Agatha lured to the deaths believed in doesn't exist. It's a fiction. But it's significant that Agatha lured them all to the Road and killed them. They wanted to walk the Road. They died. Not "they died instead" - it's a two-fold statement. They wanted to walk the Road and they died. In a gruesome way, Agatha's been taking witches on the Witches' Road since the 1750s.
I don't think the significance of that is lost on Agatha, either, especially where we pick up at the beginning of 1.08. Lilia's dead, and everybody's reeling.
Perhaps Agatha more than anybody.
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I also want to quickly take a look at Rio's accusation of Agatha regarding Billy.
"The bodies are really piling up." "Did you doubt me?" "Yeah, I did. I thought there'd be a trick in there somewhere. And there was! You were distracting me from him."
Because this is a revelation about Agatha's actions toward not just Rio, but any audience watching her - i.e., us the viewers. She's been distracting us! Not from who Billy is, we know that of course, but with regard to what the Road itself is. Agatha's known the Road isn't real the entire time. She's been protecting Billy from that knowledge. She's been protecting Billy from Rio. She's been protecting the coven itself from disintegrating. And, the biggest con woman move of them all, she's been distracting us - with less and less success as the show goes on - from the fact that she is not even the slightest bit in control.
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So I definitely want to circle back to what you said about how the show started out with everything you like in a story, because oof, yeah, I felt that. I felt that hard in the finale. Coming off the impact of the incredible storytelling in 1.07, and the queer jokes and campy Wicked cosplay balancing out the sad, I think many of us spent the next week expecting some kind of emotional resolution that probably involved the remaining coven banding together in some more of that found family we've felt them becoming along the way.
Here's where things starts going wrong, right off the bat: they don't. Instead, they splinter. Not only are you aware of just how few of them are left (Jen, Billy, Agatha), but Jen and Agatha can't handle Lilia's death. Jen's distraught. The close up on Agatha running away out of the trial and back onto the Road, alone, shows her looking hunted and wild in her guilt. Everything that follows has its seeds in that moment of rending that began with Lilia's death.
From the beginning, the point has been that Agatha Harkness is a covenless witch. It's something we've seen her revel in - maybe simply because she has no choice but to own it. But the fact is that here, for the first time in centuries, she had a coven. She didn't intend to have one - she intended to kill them all in her basement and not think twice about them again. But events transpired the way they did. They became her coven. And one by one, they all died on the Road.
Rio, of course, has the words to cut right to the quick: "Your coven is shrinking," she teases Agatha cruelly. Agatha looks wild - because she's right. The worst thing is that she killed Alice - and she didn't mean to. She didn't want to. But she did, and in exactly the same way she'd intended to kill her at the beginning, the same way she's been killing witches for hundreds of years. "Your coven is shrinking," and it's Agatha's fault. It's Agatha's coven. It's Agatha's coven.
Hold on to that, too.
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One of the things that I've been mulling over most is Agatha's character. She's so much fun in the beginning. We're all fucking charmed by her. We also don't have the full context of just how much of a serial killer she is.
So for me, at least, watching 1.08 and not only not getting found family, but getting an Agatha so far away from a "redemption" story that she only just barely is willing to not sacrifice Billy for herself, was kind of a rude awakening. Agatha's a lot more of a villain that I was prepared for. Surprise!
Agatha's so far away from "redemption", in fact, that she's only just barely starting to feel empathy for other witches. She's just starting to be affected by people who aren't #1. And that's a trauma response. And it's so, so, so deeply rooted in her that she's only just starting to be able to conceive of the idea of people who care for her. Of the possibility of being able to live in community. She's not ready for a redemption arc. There was no way that the kind of redemption arc she'd need could fit into nine episodes, because so much of it would for her be predicated on a mental shift that Agatha just hasn't arrived at yet. She's still so angry. She's still so traumatized. She's done almost none of the work. And even at the end, even with the final gesture of sacrificing herself for Billy, that's not a final act of redemption, oh Agatha's now a good person/forgiven/insert word frame of choice.
What this show did in terms of redemption for Agatha was set her up to be in a place where she might want it - where she might want to do and be better for Billy, and someday, for Nicky.
And it's significant that that point comes for Agatha in dying… and after death.
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This show is about death. The Road is about death. Death is a character on the show.
Like, okay, you're saying. Fine. But what about my gay fun times? What about my queer romance, my found family?
And please know that I'm there with you.
I'm not hugely in touch with what the larger fandom is saying and how they're reacting because I have my little echo chamber here on tumblr and a few friends who have actual social media, but even here I get the sense that we're all kind of :/ for fairly similar reasons. What happened to the show I fell in love with?
And for me, the last few days, I think it's been important to realize that the fact that the show I fell in love with didn't suddenly become a different show. It didn't pull a bait and switch. No twists were in bad faith. Everything has been right here in the text of the show from the very beginning.
And I think it's important to see the story that Jac Schaeffer et al. were actually telling vs. our expectations of what they were telling, or worse, what we wanted them to tell. For just one example, I was convinced we were going to see Alice again - maybe Lorna Wu, too. I wasn't expecting it to be for the sole purpose of recognizing that not only is she dead, but to give Alice herself the space to say that it wasn't fair, that she wasn't ready, that she'd just broken her family's curse, that now she can really do something with her life! Because, ugh, yeah! It's not fair, for all those reasons! But that's also death. Likewise, Sharon's just dead, and worse, her death was pretty much meaningless. Lilia rediscovered herself again, and she chose her death to save everyone else - extremely meaningful. But at the end - she's just dead. We don't see her again. She's gone. She, like the others, walked the Road and away with Death.
I loved these covenless witches. I loved them finding themselves together. I loved them bonding around the campfire and discovering community. I miss them all, so so much. But they told us from the beginning how haunted by death all of them were: Alice and her mom, Lilia and her coven in Sicily, Billy and William Kaplan, Agatha and her son and her ex-lover. And of course, Death herself. Forget haunting these individuals - she came to actually join the temporary coven. Like, fuck. They told us what this show was about.
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This show is about death, but it's more complicated than that: we'll take our cue from Rio again, who, in being Death, is also the original Green Witch. In short, this show is about Green Craft, "growth and decay in constant flow."
So yes - almost every single witch in the coven dies. Yes, it's permanent. No, the queer romance isn't resolved happily. No, Agatha doesn't have a redemption, satisfying or otherwise. And no, none of it follows what we've come to expect from found family story trajectories.
But the focus shouldn't be solely on the decay. There's a whole cycle of growth coming up after it, even now, and it's being made possible by the death and decay that we just witnessed. And most importantly, it's confirmed that this isn't the end of the story - just the end of "Agatha All Along."
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I'll finish by actually answering your question - I've been sitting with the finale for a few days, because I also felt weird about it. And I think that's the right word: "Weird." Very spooky season-esque, first of all, but also not tipping all the way right into "bad".
The first thing to acknowledge is that no story is perfect - they were limited by nine episodes by what they had the space to show, and finales are really hard to get just right. The second is that you're allowed to not like any or all of it, especially when something happens that asks you to change your entire understanding of the story thus far, i.e. the Road isn't real, or when you have a particular trauma around death and it turns out that that's what the whole show is about in ways we hadn't fully realized. The third is that it's worth sitting with stories sometimes and seeing how they marinate and develop in your brain and your soul over time. All of these things can and should coexist.
This isn't my first go-round with a series finale that initially made me ???, so I was fortunate in that I felt like I had a cheat sheet. I've still got some marinating to do to see how this continues to change for me. But it's helped me to realize that my ??? reaction is what the story wanted me to have - that the characters are reeling right along with me. Not just Alice in shock about her death, but also Billy at the implications of his creation of the Road regarding his responsiblity for what happened on it. We're meant to feel this way… and then we're meant to reconsider the journey we've been on, the Road we've walked with all of them and the death we've died alongside them, and see it anew for what it really is.
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miraculouslbcnreactions · 12 hours ago
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Since reading that ask about Chloe where you linked Sara Z videos, I wanted to ask, if you'd be willing to share, what you plan for Chloé in your rewrite of the show. I'm not asking if you "think she should be redeemed" bc that is a child in a cartoon lol-but I mean to ask how you'd write, well, whatever happens in her story. Growth or not or a roller coaster of ups and downs.
Overall I really enjoyed your changes to the world and characters and I think about that version of Miraculous often. The scenes where Adrien tries to talk to Chloé about her behavior really stood out to me. I'm just curious to pick your brain a little lol.
(Post in question)
I am a total sucker for a good redemption arc. I like seeing people change for the better! However, just because I like a redemption arc doesn't mean that I'm going to throw one in for no reason. This is especially true for Chloé since redeeming Chloé is not something that you can do with ease. It eats up a lot of screen time because Chloé is not an easy character to redeem. She needs a lot of active attention. That's a problem because this isn't her story. It's Adrien and Marinette's, meaning that the only reason to redeem Chloé is if you want to tie her into one or both of their character arcs.*
That's why I don't blame anyone for ignoring Chloé or only hinting at redemption. Unless you're making her the main character or giving her a big role in the lead characters' story*, you really shouldn't redeem her. The show actively shows why! Felix, Sabrina, Nathalie, and Gabriel's "redemptions" all fall incredibly flat because those stories lacked substance. They needed a lot more screen time to work and a formula show is never going to be able to pull that off.
Now that I've given those disclaimers, let's talk about why I would absolutely take the time to redeem Chloé if the format allowed for that kind of story. The answer is quite simple: Adrien needs an arc focused around setting boundaries and learning that you can't live your life focused on making others happy. An arc where he learns how to decide when he wants to give someone a second chance and when he wants to give up on them. He also needs to learn that giving up on them is okay. That you can't set yourself on fire to keep others warm.
This arc cannot be about him and his father. Adrien is too young for that. The power balance is too stacked against him. He can't cut his father off at fifteen and the arc can't happen after the terrorist reveal makes cutting Gabriel off a possibility in spite of Adrien's youth. That's way too much way too fast. You need a less serious relationship to give this arc to so that it can take its time to be messy and complex. When you embrace the hinted at childhood friendship between Chloé and Adrien, she becomes the perfect fit for this kind of arc. A person who Adrien has equal power to and who he can muddle his way through things with, letting them both learn and grow into better people, setting the stage for Adrien to avoid completely falling apart when he learns the truth about his father. That's why Adrien so desperately needs an arc like this. His naive little sunshine self simply isn't ready to face the Gabriel reveal until he's done some major growing up.
Obviously you could use this setup to give Chloé a damnation arc, but as I said above, I'm a sucker for a good redemption. I want Chloé to be a better person and find happiness! There's also the fact that a damnation arc doesn't work as well as a redemption in this context. It's important for Adrien to be able to make the choice to give Chloé another chance and to have that choice be a struggle. Something he really has to work through. If he abandons Chloé and never looks back or welcomes her back without a second thought, then you're not setting him up to deal with the fallout of what's coming with his father. Chloé needs to feed like a proper proto Gabriel. You want her and Adrien's story to end in a way that makes you feel like he really is as ready as he could ever be to face his father.
It's also worth noting that, if Chloé really was Adrien's childhood friend, then she should have some sort of relationship with Gabriel and/or Emilie. She should know the Agreste's family dynamics way better than any of his new friends, which is another reason why I like redeeming her. I want Adrien to have someone who really gets it.
*If Miraculous was the kind of show where side characters consistently took center stage for a while, then Chloé being redeemed without a clear tie to the leads could work. It's a nice way to pad out the run time and is what I originally thought the show was doing with her. But Miraculous has no interest in giving anyone a proper story, not even the leads, so I'm still baffled by the choices the writers made with Chloé. I will never fully get what was going on there.
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respectthepetty · 5 months ago
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I am way more invested in OMG! Vampire than I should be because I latched onto the parents mentioning that the governor is gone and the general dismissing that the governor would do anything, so now I want to know who the governor is and where he's been.
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Because I have not forgotten Pat has a force field or something around him, so vampires can't bite him even when he is distracted.
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But also, this show IS color coded,
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So I'm just going to use that as an excuse of why I like this show so far.
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Phum is light coded.
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Pat is dark coded.
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And when Phum borrowed Pat's clothes, all he wore was black because that's all Pat has.
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When he finally settled on a normal outfit, he combined the light and dark.
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But there is also that red.
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So I think Pat is the governor!
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He wears all black like the other vampires do in Thailight (I cannot believe I wrote that without a hint of irony).
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And the red keeps following him just it does the vampires.
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Finally, how does his special drink serve as an alternative to blood?
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Although the governor could be Kin because I don't think he is dead. I think he took his twin's life and tried to change his color.
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Because next week he shows up in BLACK right in-between the color-coded boys (in love).
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Like I mentioned, I'm way too invested in this show, but I don't care. Pat, are you the governor? Blink twice for yes.
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omarwolaeth · 6 months ago
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It's such a tiny innocuous thing that really doesn't matter, but I feel like calling duel monsters a children's card game (when it's fundamentally baked into everyday life, and your social existence is judged by what you play and how you play it so very intensely, for everyone in-universe) is an absolute injustice to what it is for that universe of people.
#marwospeaking#The following tags are a rant. please skip if you are not interested in reading a whole rant#to be clear. actual real life ygo sure. you can call that a children's card game (even if card game is just easier anyway)#but. in universe you Would Not call it a children's card game. not even sure you'd call it a game at that point#ygo worldbuilding fascinates on different levels. and to be honest this thought came to be via the abridged Shun compilation video#because he does mention children's card game (paraphrased) often earlier on in reference to in-universe duel monsters#but. for some people it literally defines if you die or not (Shun Was/Is In A War). for others it's your ticket to not go to jail because#you're too powerful to not be let off the hook (survival of the fittest kinda stuff really)#if you even dare not show up to a match. with crowds Equal To A Football/Soccer Championship. your family is in social ruins (Yusho)#these cards house spirits. and can be used for so many varied things between ending the world. starting the world. and coldblooded murder#and treating all of that as though its below a character. not because they're untouchable. but because of an age demographic#I feel misses a point about Arc V that I'm not sure I can quite articulate without sounding fully manic#in other series too! Synchro causes the world to end because it attracts some giant anti-synchro bois (meklords)#Numbers can either possess or take the form of someone's personal desires and feelings (Titanic Moth and Hope Harbinger are the same card)#(just different monsters because two different people used the exact card)#The God cards. the sacred beasts. the whole of GX's dimensional shenanigans and most definitely Yubel and Winged Kuriboh#Even in Vrains. which is very mild compared to the previous 3 installments. its still baked in their society. Its just aggregated#into cyberspace. That's not mentioning the Tortures that revolved around duelling to train AIs on children's brains so you could have..#.. cyber immortality. and then you choose to kill the AIs that you see as like children to you - mentioned directly to your biological son#ANYWAY. tldr. Having an in-universe character calling Duel Monsters a children's card game outside of DM specifically is a fundamental..#.. misunderstanding of how important it socially is in-universe. and it'd be much more understandable for someone whose life isn't dictated#by how well he can play it to say anything along the lines of 'its beneath me!!' than fuckign Kurosaki Shun are you kidding me.#We won't make an actual point at how the social lives of people don't seem to be solved by talking as much as duelling. no. we'll say..#.. its for children so we can point and laugh at how weird it is!! Buddy I Have Fallen Asleep.#in other news exploring the navigation of a world where talking out problems would be weird without a duel to communicate should be..#.. done way more often. This world is as anti-talk no jutsu as much as it is very pro-punch no jutsu.#arc v#< because part of this was inspired off of some of Shun's abridged lines early on
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queers-gambit · 2 months ago
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Shadows of the Past
prompt: the High King recruits you personally for the expedition headed by your intended, Herald Elrond. your company encounters the darkness and Galadriel portrays an apology to her friend.
pairing: Elrond x betrothed!female!reader
fandom masterlist: The Rings of Power
word count: 5.1k+
note: wonky brain can think of nothing but this show right now i'm so sorry
warnings: cursing, spoilers, another reader insert for the haters, depiction of character injury, emotions are hard, small canon complicit angst, literal hurt and comfort, established relationship.
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"Tell me again," your brother-in-law asked, "why you're not leading this company?"
You smirked, stepping over a fallen branch, "Because the High King has bestowed the honor to Herald Elrond, Daenor."
"Then why enlist you, too?"
"I am a mere emissary of the King. Besides, skills are required for this quest, Daenor, why would I not be employed?"
"Right, of course. I guess my question should be, what skills do you possess?" He teased, laughing when you shoved his shoulder playfully. "But truly," he asked, "why would the King send you both, so close to your wedding day? Why send you, too, if not to lead this company?" However, before you could answer, the air turned serious when the procession you followed came to a rather disturbing discovery upon the laid path.
You leaned on the intact stone while listening to Camnir discuss with Elrond possible paths forward after intending to cross a bridge over the gorge, only to find it in ruins and rubble. Elrond originally questioned the force that could've brought the ancient stone down in such a harsh and violent manner, thinking perhaps lightning, but another voice refuted this idea by claiming it was the Dark Lord, Sauron.
This familiar voice was that of Lady Galadriel - and while you've known her to be a fellow Commander, you were unsure of her title now. Yes, she was technically lieutenant of this company, and that was what she was addressed as, but you knew how stubborn the Elleth was and that she would not be so easily demoted.
You said nothing. You just listened as Camnir told Elrond they could take one of two paths: one so out of the way, it would add two weeks to their journey, and the other, down the same darkened path the Dark Lord laid.
Upon mentioning the path before them through the Hills of Tyrn Gorthad, Lady Galadriel twitched. She had been daintily ghosting her fingertips over the charred and mangled metal of the lanterns set on the imploded bridge, seemingly stuck in thought, then freezing. You couldn't see her face, only taking note of the brisk tension mounting in the Elleth's shoulders.
She spoke, "There is evil in those hills." The group shared silent looks, each with varying degrees of mistrust or caution. "Ancient, and full with malice," Galadriel glared at the landscape before her. "Sauron means for us to go that way. We must go another," She informed the group as if she were in a position to give orders.
From the crouch he took to observe the damage done to the stone, Elrond rose while speaking in a firm tone that overpowered the Lady's, "The Enemy is doubtless watching both roads." His eyes flickered over yours last as jetting over each of his soldiers, clocking the way you nodded in agreement. To you, it seemed common sense: of course, the bad guy was watching the paths that would lead the good guys to him! He was evil, not stupid! Elrond reminded his people, "This collapse makes it more critical than ever to reach Celebrimbor at speed."
"We won't reach anywhere with speed if we walk into a trap," Galadriel argued; the two friends (and distant cousins) held each other's even stare for several moments.
"What say you, Commander?" You asked, hoping to break the tension and little trance they were locked in. No, no, not out of jealousy, but out of protectiveness; wanting to break the ice for the sake of Elrond's authority.
"We go South," Elrond decided, turning from the fragmented bridge stump, ready to lead his company on, when Galadriel spoke again - from the same spot she had yet to move from.
"Commander, I must protest."
You did not move when the others did, you waited when Elrond paused and replied, "Your opinion on the matter has been heard."
He went to walk away again when Galadriel growled with a rolling tongue, "Elrond!"
You flinched to a halt in blinding irritation, upset by your peer's very audacity. Everyone halted around you, Camnir even shifting in his stance out of nervousness from the heat of your glare not on him. Your fiancé turned back to glare at his friend, ending with finality, "Opinion heard, lieutenant. We go South." He gave an encouraging command in Sindarin, leading only a few strides before pausing. When you automatically halted yourself at his side, he nodded and spoke softly while seemingly mindlessly grabbing your hand to give an affectionate and reassuring squeeze, "Lead them on, love, stay on the trail."
You glanced back at Galadriel, who was finally moving to keep up, and whispered for only his ears, "You sure?"
"I'm sure, go on," he confirmed, nodding again and offering a soft sort of half-smirk. His eyes, though, were squinted; indicating he was genuine in his displayed gentleness. With a squeeze to his hand, you offered one last stale look at Galadriel, who expertly avoided your eyes, then let go and walked forward to lead the way.
Behind you, Elrond snarled his scolding of Galadriel, insisting she shape up, forgo trust in the Ring of Power she wore, and if that wasn't possible, she needed to excuse herself. The Commander of the Northern Armies rebutdtaled that she did not desire to see any member of the company slain - a veiled response to her stubbornness to not abandon their quest and refusal to ignore her ring.
Forward, you marched.
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Though you seldom showed it, you felt fearfully nervous when the night fell and your company crept further into what felt like infected wood. The ground turned spongey, a particular stench permeated the air, the darkness shadowed most all you saw. The trees loomed tall, the moon casted a bright silver light, and dead leaves crunched under booted, lithe steps. Elrond shared a nervous look with you, his hand only briefly brushing yours; a way to say he was there with you without being overly affectionate in front of his soldiers.
From the corner of his eye, Elrond saw your head tilt back in wonder before a fell voice hissed on the wind, "I am waiting for you." But in truth, nobody was sure about what they heard or did not hear. Perhaps they did not want to know, but still, the voice made the area further darken in suspicion, and once in a small clearing, all came to a halt to survey the surrounding area. There was a threat somewhere, but where exactly was yet to be determined.
Daenor questioned sharply, "What is this place?"
"Tyrn Gorthad," Camnir answered. "Known to men as the Barrow-downs."
You chimed in softly, "In ancient days, this was where they laid their lords and kings to rest."
"I feel no rest here," Daenor grumbled. "Even the trees seem ill at ease."
"Fear not," Vorohil chimed in, sounding amused while stepping up to (and through) your group's observation deck. "Dead men are no threat."
"Well, we've lived very different lives," you scoffed under your breath.
However, after Vorohil, Elrond followed; casting a look at the lot of you and reminding, "Keep moving."
You let the others pass ahead of you, trying to shake off your nerves and mentally prepare yourself for the hell you were walking into. Something anchored your feet, refusing to let go; every nerve in your body on fire and begging you not to wade into the dark. Your name was spoken gently, Galadriel's hand on your shoulder startling you.
"What is it?" She asked quietly.
"We shouldn't be here," you whispered, Elrond doubling back when he noted your delay. Not wanting a confrontation, Galadriel sighed and patted your shoulder before slipping away as your lover approached you.
"Are you alright?" He asked softly but urgently.
"There's something sinister here," you told him stiffly, stepping half a step closer, "watching us."
He took a breath, "If Galadriel's ring - "
"It's not that!" You insisted. "I feel it, Elrond, not the ring, not anything Galadriel said. I feel it."
Elrond's brows furrowed at the tips, like something hooked them to yank towards his nose. "Then stay close to me," he decided.
"We should move on, quickly," you snatched his hand to prevent him from parting; his gaze turning worried. "Please, listen to me."
"My love," he spoke softly, squeezing your hand, "it is a gravesite, nothing more. The dead cannot harm us."
"It is the living's influence I fear."
He sighed and nodded, "We will not linger." His forehead found yours to rest, "But do not stray from my side, it is of great comfort."
"To us both," you agreed, letting him pull back. Yet he did not relinquish hold of your hand, keeping it tight in his and leading you into the clearing the others were surveying.
"Commanders," Rían called, standing over the corpses of two horses... Attacked seemingly a time ago, and upon inspection, discovered the pairing bodily remains of an Elvish party.
Elrond questioned your name when you squatted, brushing aside debris. "Their barding is from Lindon," you told him, gently ghosting the leather with your touch. You looked up to meet his eyes, glancing over to see Galadriel, predicting, "The King sent a dispatch to warn Celebrimbor."
Galadriel nodded in confirmation as Rían discovered the encased message from the King in a decorative tube, asking, "This dispatch?"
Slowly, you stood from your position and held a silent hand out, being given the tube for inspection; all eyes on you, waiting for whatever your overly keen (even for an Elf) eyes would see. After confirming the contents, your eyes locked with Galadriel's, and she spoke what you both were thinking: "We must go from this place."
Elrond appeared ready to agree, tension mounting as your company seemingly felt the blanket of panic being thrown over them all. From the dark, a set of rotting chains shot out to coil around Daemor, yanking him into the toxic, spongey earth and across the clearing.
"Y/N!" He shouted in shock, and without thinking, your hands slapped into his as if in an effort to anchor him... But you were both yanked off your feet. "Commander!"
"Daenor! NO!"
"Help me! Y/N, Y/N, please!"
"Hold onto me!" You begged, being drug on your belly.
"Sister! Sister, please, help me! Help me!" He sobbed in fear, a vice grip on your wrists and hands surely to leave blemishes. "Don't let go! Pl-eeeeeaaaaaase!"
"Daenor!" You whimpered, struggling as the force that held you both hostage was too strong to maintain a safe, secure hold permanently - meaning, saving him was futile.
Your name was bellowed, being drug towards one of the opened tombs; but at the last moment, the tether that kept you and Daenor together was broken and he was pulled into the abyss of the grave. You whimpered in fear, slowly lifting from your belly and to your knees as Daenor's screams were silenced... In fact, the entire area turned eerily quiet.
Behind you, the others rushed to the scene and Elrond immediately dropped to his knees, wrapping his arms around you. "Are you hurt? Hey, hey, look at me, are you hurt?" He demanded, fearful that the chains might shoot out again to finish the job to swallow you in the dark. He checked for any physical injury, but the tension was too great to ignore; the mouth of the tomb glaring at you, forcing Elrond to silence himself.
You flinched back into his hold when the gruesome sounds of crunching bone and squelching flesh was heard; indicating whatever was inside, whatever claimed Daenor, had disposed of his living body.
Elrond took advantage of your flinch to rock you back onto your feet, standing as a group as a voice hissed, "Cold old be hand and heart and bone, And cold be sleep under stone, Never more to wake on stony bed, Never, till the Sun fails and the Moon is dead." Galadriel brandished her sword as the wights first emerged, revealing their zombified forms. You encouraged the group to form together in a circle as the demons emerged. The Voice continued, "In the black wind, the stars shall die."
"Prepare yourselves," Galadriel warned, the group arming themselves.
"What are they?" Rían trembled.
From perfectly between Galadriel and Elrond, you answered, "They are those who laid in the tombs, the Lords and Kings of old... Lore calls them Barrow-wights."
The creatures surrounded your company, leering, growling, sizing you up. In Sindarin, Elrond commanded, "Attack!"
In tandem, the group lunged; weapons striking the ghoulish foes but they merely disintegrated in air... Then reformed. It seemed that fighting only served to irritate the enemies, their collective hissing and screeching making stomachs curl and skin to prickle in fear. Galadriel clocked this first, warning Rían, "Still your arrow!"
But the Elleth was already locked and loaded, the string slipping from her grip to fire at a distant wight. But it only soared through the zombie's face, not stopping, directing towards Camnir - but Elrond intercepted, swiping his sword to cut its path and save his soldier. The creature rejuvenated.
"They're impervious to our weapons," Camnir voiced, fear inking his tone.
Elrond's eyes found yours, seemingly connected by a string of similar thought; remembering the old wives tales you once read a lifetime ago, ancient lore about Barrow-wights dating back to the time of Melkor. So, he sheathed his sword and told his soldiers, "Hold fast." To Camnir, the closest to him, he demanded, "Come with me!"
"Where are you going?"
"Help me open it," Elrond told him, trying to pry open the sealed tomb as you swiped at another wight's skeletal hand reaching for you.
"What?"
"Hurry!" Elrond barked in Sandarin.
Back in your group, Rían muttered nervously, "Commander?"
"Ease yourself, remain calm..."
"What do we do?"
"Make no sudden movements. Stay together, fend them off but don't engage a fight," you advised, "hold strong - "
A gasp cut off your words when chains coiled around your ankle; securing in a tight zip that knocked you off balance and back into the toxic dirt. You scrambled for purchase on anything, finding only wet leaves; and suddenly, the chain turned taunt with tension before you were being sucked back into another tomb.
"Commander!" Vorohil shouted, trying to reach for you, but just missing as you were reeled back over the dirt.
"Y/N!" Rían cried, alerting Elrond and Camnir of your situation. You whimpered in fear, sobbing as you couldn't fight the force; couldn't save yourself; only able to helplessly submit to your approaching doom after clawing unsuccessfully for salvation.
"No! No!" You yelped, trying to remove the chains, but another tightened around the first chain in a horribly tight, vice grip that strangled breath from your lungs from the pure burning sting. With the last of your air, you screamed, "Elrond! Please!"
You heard Vorohil sprinting after you, freezing in your escape attempt when a grisly, decayed hand extended from the ebony shadow of the tomb towards you. There was a panicked finality to your blood, fear clogging rational thought; never seeing Elrond, only focused on the threat pulling you in. But the half-Elf you meant to marry in only a few weeks time came surging onto the scene, sliding on his knees at the mouth of the tomb and swinging a sword to sever both hand and chains.
"Y/N - "
"Fuck's sake!" You snarled, unintentionally cutting Elrond off; shoving the chains from your leg, scrambling to your feet.
You were just about to thank Elrond when he instead encouraged, "Here, take this." He held out one of the ancient weapons excavated from the tomb, nodding with increased vigor before turning away when it was in your grip. You hacked and stabbed the wight that came after you, Elrond and Camnir tossing the rest of the company weapons to cast down the surrounding enemies.
"How?" Rían asked in shock, seeing the wisps of the last wights waft into the wind.
"According to lore, only the blades with which they were buried with will return such creatures to rest," Elrond explained.
"But the men buried here have been entombed for over a thousand years," Camnir trembled, turning to his companion.
Vorohil seethed, "I think it is safe to say that something has awoken them."
"No," Galadriel argued, glaring down at the wight's decaying body. "Someone... Awakening evil. Across all Middle-earth."
You ignored the conversation and slowly took a seat; leaving your weapon in the dirt while focusing on hiking up your trouser leg after discarding your boot. With a clenched jaw, you revealed the wight's chains left sizzling lacerations; the metal seemingly enchanted to burn damn near to the bone, creating craters, indentations, dimples to your otherwise pure and unblemished flesh.
You winced when fabric stuck to the wound, bearing your teeth while hissing through them; breathing turning staggered as the pain became biting. "Commander?" You heard Camnir question softly with concern, others turning to set their attention on you.
"It's nothing," you insisted, observing the wound and deciding a tourniquet was required.
"You're hurt," Elrond growled, surging forward and unintentionally knocking Galadriel's shoulder - but the Elleth didn't take offense. The others wanted to close in around you, but Galadriel held them back after witnessing you before. As Commander of the Southern Armies, you had seen many battles with Galadriel, and sometimes, you sustained injury; she's witnessed how you turned akin to a panicked animal when accosted with attention - no matter how genuine the concern.
"It's nothing," you repeated, reaching for one of your belts, "I'm fine."
"You're not - "
"It's a burn, Elrond, nothing more," you sniffled, feeling how far up the chain had gone; deciding to tie the tourniquet above your knee.
"Let me," Elrond whispered, laying his hands over yours that shook and trembled without abandon.
"Elrond - "
"Just," he snipped, needing to pause and take a breath, "please, let me help you."
Behind him, Galadriel ushered the others away to a short distance; deciding to gather whatever belongings of Daenor they could to honor his lost life. You met Elrond's worried gaze and nodded, sniffling, "Okay. J-Just above the knee, here," you showed him.
"I know, love, I've got yah," he breathed, shuffling closer and kneeling beside you while taking the belt. You pulled the material of your trousers straight, grimacing when Elrond first wrapped the leather around your thigh. "All right?" He checked, seeing you nod rapidly; no words used because you were holding your breath to prevent yourself from crying out. When Elrond first tied the leather, you whimpered and his eyes turned teary. "It's gonna get worse, love, just hang on f'me - " He warned you before suddenly tightening the tourniquet, making you yelp painfully. "I'm so sorry, I'm so sorry, I know it hurts, I know, I know, I'm so sorry," he repeated, your hands latching onto his forearms out of subconscious need to feel him for comfort while he secured the leather belt. When done, he reached for your cheeks and pet hair that escaped your braids behind your ears, encouraging, "Breathe for me, just breathe, love. You're all right, there you go. Breathe. Good, good, I've got you, I'm so sorry, just breathe, just breathe... Oh, I, uh..."
"What's wrong?" You worried when he trailed off; eyes full of tears and his mouth half opening while retracting his hands that you held by his wrists still.
"I've blood on my hands..." He splayed them in display between you two.
"It's okay - "
"Got it on your face," he frowned.
"It's fine," you insisted, sniffling sadly, "it's my blood, anyway. We should be moving - "
"You're hurt."
"I know, but it's not life threatening, I don't need coddled."
"I'm not coddling you - "
"You are," you half smirked, "because you're worried."
"Of course, I am," he scoffed, using his sleeve to wipe your cheeks and temples free of blood. "How can I not be? You..." His voice quaked with emotion, "You are my starlight, my fairest friend, my sweetest love. Seeing you hurt..."
"I know," you whispered, bringing him close so your foreheads met, "but I'm okay."
"For now."
You sighed, pulling back to respond, "Don't say that, don't even think it. Optimism is our only friend in this situation, else, what is the point of going after Sauron?"
He needed to take a breath, sniffling his own emotion. "Fine. We should rest until morning... Regroup, give you time off this leg for now."
You nodded, "You sure?"
"I think we could all use the reprieve," he admitted.
"Does that include you?" You asked while caressing the coils of chestnut off his forehead.
"I'm fine - "
"As I am?"
Elrond paused, then scoffed a small laugh and nodded. "I'm managing..." He trailed off, shaking his head.
"Hey," you whispered, bringing him back to your forehead, "you're doing an excellent job of leading this company. But we all have limits and tonight was a lot, you deserve the time to breathe."
"Time is something we don't have."
"We have enough for now," you insisted, more or less forcing Elrond to relent.
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As Daenor's belongings were pulled from the tomb and buried in the scorched earth his killers had rose from, the company each offered you hollowed words of condolences for your loss. Beside Elrond, it was known, you and your brother-in-law were great friends - being the reason he met and eventually married your sister. His sword was embedded in the ground as a marker, the company gathered to silently pay their respects while their commander stood at the riverbed's edge in deep, solemn contemplation.
You held one of his daggers, intending to keep it in reminder; pocketing a few pieces of jewelry, intending to give it to his wife. However, all was interrupted when from a distance, you heard the booming rumble of drums. Not just any drums, but the beating sounds of a marching procession; something ominous and daunting. You perked up, standing to your feet as something dark and familiar started in your chest before sinking to your gut. By looks of your company, they, too, heard the drums and shared your worried thoughts; sheathing Daenor's dagger to your belt and surging for where Elrond stood speaking to Galadriel.
"Forgive my intrusion," you bid the pair, Elrond turning instantly.
"Are you all right?" His hand reached for your hip instantly, trying to help stabilize you - if you had been off balance.
Your hand laid to his cheek, answering swiftly, "I'm fine," before dropping your hand to rest on his bicep, "but we've heard drums - in the deep. Sounds like there's a host on the march."
This sent the company into action, tracking the sound of the enemy over leagues of wooded area. By the end of the day, at dusk, you all gathered slowly on a darkened clifftop; watching in horror as legions of orcs marched down the beaten path to the sounds of their war drums. "Orc treachery," Rían cursed upon sight.
"That trail...?" Elrond questioned, letting go of his secure hold on you to lower in a squat, "I gather it leads to - "
"Eregion, my liege," Camnir confirmed.
"We came in search of Sauron," Vorohil narrated everyone's thought and question, "And instead, we find Adar?"
"Could they be in league with each other or... Perhaps at war," Elrond thought aloud, you shifting on your bad leg for a moment to readjust your stance among the trees.
"A legion of Orcs have marched into Elvish lands," Galadriel spat in anger, glaring at Elrond. "We are all of us at war."
Elrond agreed, "Word of this must reach the High King before our host sails for Mordor."
The silence was calm in a resolute sort of way, everyone just pausing to bask in their shock and awe. This was shattered when a distant Orc shouted, "There!" An arrow thunked into the trunk of the tree behind you, a horse neighing shrilly as it galloped through the forrest towards freedom and away from its pursuers. Just as the company turned to face the enemy, another arrow flew through the air almost inconspicuously, finding its mark in the soft part of your chest just beneath your sternum.
You grunted when the arrow landed, taking half a step back and wanting to cry out. Instead, you just held where the arrow embedded itself in your flesh. You felt dizzy suddenly, clothes and hand saturating with blood as the arrow had pierced through the aorta artery to cause major damage. Irreparable damage. Fatal damage...
In a whisper, Elrond told his soldiers in Sindarin, "Hold!"
In the distance, the Orcs were heard complaining about the horse escaping while a few random arrows were fired off again in a last ditch effort to wound the animal. If you did not move, the mangey creatures did not notice, smell, or sense you. But you couldn't form a full coherent thought, just understanding your injury, the looming grace of Death soon to kiss you, that breath was becoming increasingly harder to come by, and the pain - the pain was aching, soon spiking.
You did not mean to, but your fear was too great to ignore, and you stuttered in a whimpered gasp, "El-Elrond?"
His head snapped over, seeing the arrow protruding from your chest and feeling himself crumble inside. You were choking on blood, trying to remain silent - and they all saw that effort. How blood came splattering from your nose as you tried to subdue your noise, but that only made it harder to breathe; inadvertently choking, a groan strangled from your lungs just as Elrond reached you. He held you to him with his chest and single arm anchoring your waist, the other lifting to lay his hand over your mouth as Galadriel glued to your other side for added support.
The company moved back several yards, covering ground swiftly before laying you down behind a natural outcropping of protective rock. You were struggling, unable to fight it any longer; hacking a cough, blood spewing, splattering, streaking down your neck, the pain insurmountable. Elrond's one hand cushioned under your head, tears in his eyes as he could only hold you as the Orcs were heard closing in, other hand once more clasping over your mouth.
Still, Galadriel was sandwiching you, wincing when Elrond's hand stifled your groans of pain as he strained himself to peak over the top of the rocks. When he lowered himself, your lover leaned his forehead on your temple and hushed in your ear, "I'm so sorry." Upon lifting, he met Galadriel's eyes, who had been examining your wound, only to find her's full of sadness. Her head shook with muted words - telling him whatever she saw wasn't good.
You whimpered lightly. The Orcs could smell an Elf.
You wrangled Elrond's hand from your mouth, "Lis-Listen to me - "
"Hush, do not - "
"Shut up and listen!" You hissed, keeping hold of his hand, "'M not makin' it outta this, love, you've gotta go. L-Leave me - "
"No!"
"Elrond. Leave me," you insisted, "and they'll k-know 's m-me they smell. Y-You have t'warn the H-High King."
"I'm not leaving you," Elrond grit.
You smiled sadly, "And I love y-you for that. B-But you h-have t-t-to."
"Not in this lifetime," he begged, a few tears falling. "Just give me time to think, I'll figure something out."
"Time... Is something we don't have," you repeated his words from earlier. Suddenly, Galadriel just knew something without words; a feeling; a sort of understanding that she could help in this moment. She heard you whisper, "I'm so sorry, this wasn't supposed to happen. W-We should've had so much more time - "
"Please, don't say that," Elrond begged quietly.
Galadriel took a sobering breath and moved her hands to the base of the arrow; pressing enough to make you wince and breath in sharply. Elrond went to tell her to back off, but paused when The Ring of Power she wore twinkled in the dark night - seemingly pulling you out of that fatal twilight. Your breathing turned slow... Eyes clearing of hazy pain... Life breathing back into your flesh...
The arrow fell out, making all three of you gasp. Galadriel's hands fell away as your own shot to where your wound had been - finding it healed between the fabric the arrow tore. You looked at the Elleth in shock, breathing, "You healed me...?"
She just nodded, Vorohil speaking in astonished Sindarin, "Amazing."
"You're - You're, you are - ?" Elrond stuttered in shock.
"I'm okay," you confirmed, caressing his cheek as he beamed down at you in pure glee. "I'm okay, love, I'm okay; Galadriel, she healed me," you sniffled, looking to your friend. "Thank you, my friend."
"Of course," she breathed, the Orcs heard shouting in the distance to overturn every rock. With a look of shared understanding, Galadriel told Elrond over your body while you tried to mop up some blood, "Get to Lindon. I will occupy them as long as I am able. Get her up."
Elrond huffed through his nose, but did as bid - not like he needed to even be told in the first place. He gathered you into himself and stood, making sure you were stable before looking back at Galadriel; slowly squatting again as she wriggled the ring from her finger. "Take it," she breathed, presenting Elrond with the band of jewelry. When he made no move, she snatched his hand and folded the ring into his grasp, "Take it, Elrond!"
"What will you do?" He asked begrudgingly, storing the ring in a leather pouch for safety.
"Something foolish, probably," she smirked, nodding in meaning. "Now, go. Go!"
"Elrond, love," you whispered, holding your hand out for his and heaving him to his feet. "With me, c'mon, quickly," you advised the others, beginning the trek down a new path in the woods. As you moved, you realized that Galadriel's ring hadn't just healed the arrow wound, but the Barrow-wight's chain, as well, which helps remedy your limp.
A semi-safe distance away, there came a decently loud and abrupt boom behind you, and upon looking, saw the trees up in flames. It was where Galadriel must've been battling the Orcs alone.
In earnest impression, Camnir narrated, "She scarified herself to save us all."
Elrond came to a halt when he realized his company members were captivated by the sight of heroics in action. So he interrupted their dreamy thoughts by calling, "No, you are mistaken, Camnir." He stalked forward through his delegates, telling them in their native tongue, "She did not do it to save us."
Tension simmered over each member.
"What?" Camnir questioned.
Elrond turned away from the spectacle with Galadriel's fire, consulting the dark again, speaking with ramped distain in Sandarin, "She did it to save the ring." His hand reached for yours again, the two of you leading the company forward with him calling over his shoulder in the Common Tongue, "Hurry!"
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requesting rules and masterlist
TROP masterlist
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dukeofankh · 9 months ago
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Trying to find progressive masculine community is so exhausting.
I've flipped through local men's groups, trying to find places to explore masculinity in a chill, progressive setting. First of all, they mostly seem to be modelled after AA, and like, my gender isn't a debilitating addiction, it's part of my identity actually, but also, the invite and description of the event have maybe a short paragraph tops actually waving vaguely in the direction of what the purpose of the group is, and then ten to twenty paragraphs breaking down the rules. One spent longer talking about the hand signals he would use to direct conversation than he did describing what the conversation would be about. Another had a full paragraph explaining that if the group thought you were evading what they thought your "real" problem was, they'd probably "call you to take accountability". Like...I don't even know who these people are yet and they're already letting me know that they view it as their right, no, their duty, to bully me into seeing things their way. Like, this is in the invite.
...and this warning is there instead of any sort of breakdown of like, I dunno. Whether you should be a feminist to show up. Whether it was a safe space for queer men. What the hell they wanted to talk about. Joining a men's space is on some level inherently submitting yourself to the authority of the leaders of that group, and you don't usually get a particularly clear breakdown of what the values and goals of those leaders are, because on some level the answer is always going to be "whatever I want"
And like, unfortunately you do need to filter men to build a men's space. You do need to remove or chastise men who act in ways that are toxic or disruptive or misogynistic. If you don't things turn into an MRA chapter pretty quick. But the sort of emergency powers that leadership takes on as a result of that...just kind of naturally end up reproducing masculine heirarchies.
MensLib, the only online community of progressive dudes talking about masculinity that I'm aware of, is...on Reddit. So there is a moderator system. In theory, a moderator is there to...moderate. This is a space where people are going to be talking, and mods are there to make sure things don't get too toxic or off topic.
The issue is that, on some level, that is technically a leadership position. In a sub trying to rehabilitate masculinity. So you've got a bunch of folks who view themselves as the leaders of this bastion of goodness standing against the depredations of the misogynistic internet, guiding the hapless smooth-brain neophytes towards The True Way.
In practice, this looks like 95 percent of the posts submitted for the subreddit being rejected. That isn't hyperbole. On average, the sub has about one new post per day. Almost all posts directly relating a personal experience are deleted immediately, in favour of articles written about masculinity in traditional media publications, which are considered more trustworthy than the sus lived experiences of the guys in the sub. The post I wrote here about the effect of purity culture on male sexual shame that's sitting at about 15K notes was based on a 10K word post I wrote for Reddit that was deleted because "I didn't cite any sources to prove that there is a link between purity culture and male sexual shame, or that my experience was anything more than anecdotal". I get comments deleted on a regular basis, and after paragraphs of protesting in modmail that my comments are both fully in line with feminism and not against the rules, the mods have just finally told me that the rules don't actually drive their actions as a team. They delete anything they feel leads the conversation in a direction they personally feel is unproductive. The rule cited at the time of deletion is really just the broad category of why they decided to hit the button that says nobody is allowed to read what I wrote.
The issue is kind of twofold. First of all, progressive men do not trust other men. A good dude knows that he, individually, is a good person, but literally any other man external to him is on thin ice. Do you really want to tie your wagon to that guy? Do you trust him, really? How do you tell the difference between a guy criticizing an article because it's factually incorrect and criticising it because a woman wrote it? Probably best to play it safe and delete it. Weight of the odds, he's probably a misogynist, right? This is the internet.
And thats the other half of it. If you view yourself as part of the leadership of The Good Guys, and you're getting hatemail from incels and facists all day, you get to the point where most of the time people challenge your authority it's because they're a terrible person. It is very, very easy to get to the point where someone challenging you is seen as evidence that they are a bad person. And now someone is challenging you (and therefore bad), in an environment where you are in charge, and you have a "make your opponent disappear" button.
I know. A Reddit mod was rude to me and now I'm butthurt. It's petty and stupid. I'm just feeling like there's nowhere else to really go, and I'm pretty despondent that literally every space I've seen that even looks like it might be for progressive men has the same deeply hierarchical structure and constant status-oriented squabbling as patriarchal spaces.
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theshitpostcalligrapher · 10 months ago
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please tell me this manga/comic/show exists i do not wanna have to make it
okok I've posted about this before but I'm watching animation content on youtube again while getting work done and by GOD I WANNA TALK ABOUT THIS AGAIN
There's a specific concept I want to consume as content/art so badly but it came to me in a stupid dream. BUT. Sometimes, a dream means I DID see a hint of it somewhere and my brain accidentally plagiarized it which provides me with the teensiest sliver of hope that exists already and I don't have to work on it
It's a kind of a reverse isekai, right? But instead of an instant portal, it's time passing. And what I mean by that is that it's a Sun Wukong story, but the branch off is that after the main events of Journey to the West he gets either water temple'd or trapped in magic sleep again, not for a few hundred years but a few THOUSAND.
He wakes up to an incredibly far-flung China that remembers his myth and only his myth.
The art style that operated in this dream was sort of. Textured but 3D? Think nimona's buttery lighting but instead of emphasis on light and shapes to operate with the stained glass and solarpunk-medieval style the models are textured in a way that just invokes traditional brushwork and colour bleed even in a more cyberpunkish setting. Think like. Whenever there's a night scene the astigmatism glow of lamplight bleeds a little, like ink feathering on paper.
It's a little bit of a Steve Rogers treatment in a way, the world has moved past him, but also completely mythologized and capitalized on that mythology. Rather than treat that man out of time narrative as an aspect of backstory, it's the MAIN character narrative, because this ISN'T a world that needs him. This world is doing pretty okay, actually.
This a story about him.
Not about his feats or how cool his powers are or the 8 gajillion things the magic staff can do but just.
How ya doing, bud?
From the vaguely coherent notes that I could garner from my sleepily typed googledoc, it seems that I wanted this to be a love letter of sorts to the Asian diaspora experience? A specific sort of loneliness? Where the world you experience has a sort of disconnect in that it makes plain you belong there but you also don't, you never have, and there's no way to go "back" but going forward feels like groping blind through the muck. How much right to the past does he feel like he has? When it's been built into something he can't recognize and is clearly important to other people.
I want the pickup of the plot to gain him friends, family, maybe even a conflict or two but the stakes should never elevate vis a vis physical enemies to battle.
It'd be about 2/3 of this sort of narrative drawn story and the other 1/3 just hogwild worldbuilding and design
I've looked at a few other journey to the west adaptations but they mainly just use him as a funky lil action figure hero that's there to be cool as hell and save the day
99% likely this is just a thing my brain is made up and I'd need a several million budget and about 25 additional skills to start the ball rolling but hey, worth it to ask yall again
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greenwitchfromthewoods · 4 months ago
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the letter. l General Marcus Acacius
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Summary: One letter changed everything.
Warnings: secret relationship, kissing, mentioning of sex, some stress and talking about death
A/N: So that's it. One weak idea and what grew up around it. I hope you can read it. I haven't written anything in a long time.
Your hands were shaking and your throat was tight with unbearable pain. The short and hastily written letter that you had been holding for several minutes was getting stuck in your brain, and its words were almost screaming at you.
"...disobedience..." "...the senator felt rejected and disgraced by your refusal..." "...friend of the Emperor..." "...they demand your head..." "... someone will be sent..." "...run..."
You lifted your head and looked around the room, gasping for breath. Your heart was pounding in your chest and your whole body felt numb.
When the messenger showed up at your door that evening, you didn't expect it would be your last day on earth. A kind friend, someone who didn't wish you harm, but had heard a lot decided to warn you.
And that was it? Is this how you were supposed to end? Killed on the Emperor's orders just because some stupid senator felt hurt when you rejected his intrusive advances and marriage proposal?
"Gods, have mercy on me..."
You should have expected this. Claudius was an arrogant ignoramus who considered himself far superior to any other man except the Emperor. You shouldn't have teased him. Even though you were sure that your refusal was polite and you never let him know that you were happy with his advances...
"Stupid male pride." you muttered to yourself, crumpling the letter in your hands.
How much time do you have? Would you have time to leave Rome? Perhaps you could dispose of the estate, give orders to the servants. What if some Roman legionary is already coming to you to free you from this corporeal shell?
You've never felt so alive before. Almost...
An unexpected noise coming from the entrance reached your ears, and after a while your doorman rushed into the room, bowing low.
"Lady, General Acacius has arrived." he said quickly, "I told him that..."
The man didn't finish because the General unceremoniously rushed into the room, pushing him aside. You stood up abruptly, seeing the sword he was holding in his hand and the madness in his eyes.
"Gaius, leave us." you said quickly.
“My lady…” the man looked at you with fear.
"Now." you glanced at the older man's scared face, "Please."
Gaius quickly backed out of the room.
"General Acacius." you nodded. “I didn't think the Emperor would send you, but maybe it's better. At least death will be quick.”
Has your voice trembled? Your heart was trying to jump out of your chest like it was a little creature, you must have forgotten how to breathe. Every second lasted an hour.
And Marcus? You saw his chest heave with each deep breath that filled his lungs. The hand still gripped the sword blade tightly as if they were one. Even the fire in his eyes and the ferocity of his rush into your house didn't scare you as much as his silence.
"Marcus?"
"You already know?" he croaked.
"Yes, I know. And I'm really glad it's you..."
The loud clang of a sword falling to the floor made you almost jump. In one brief moment, this strong and powerful man walked up to you and fell to his knees, hugging your legs and burying his face in the folds of your robe.
"I just found out. I was rushing to you, afraid it would be too late and I wouldn't see you again." he muttered, "Gods! You don't know how scared I was."
You placed your hands on his shoulders, tenderly tangling your fingers in his soft and damp hair.
"So it's not you?"
"I would rather stab myself with a sword a thousand times than ever lay a finger on you. How could I? Tell me how could I?"
"Who did the Emperor send?"
"I don't know, but if he shows up here, I'll cut him to pieces as soon as he looks at you."
Marcus stood up and you saw that his eyes, although shiny, glared at you with fury. He was a brilliant general, whom thousands of legionaries would follow into fire, and whom all Rome's enemies feared, but you... You knew the real him.
When you met General Acacius for the first time, you felt repulsed by him. A strong and portly man, dressed in white and gold. Favorite of Rome and the Emperor. His skin was kissed by the sun and his brown eyes could tell you about the hundreds of places he had seen.
Maybe this is what fate and the Gods wanted? You couldn't fight it because the reward was so sweet.
His lips roaming your body. Strong hands exploring every inch of your skin and bringing out the sweetest sounds to his ears. The breaths were one and the bodies fit together so perfectly that there was no doubt in your mind. You were meant to be together from the very beginning. Since the beginning of the world.
But you couldn't talk about it openly. Not when wars were still raging in the far reaches of the Empire and Marcus had to serve your Emperor.
But he's finally back, right? He was again a hero loved by crowds. His name was heard on the lips of the inhabitants like a prayer, like a sweet song.
Marcus Acacius, Marcus Acacius, Marcus Acacius.
His warm hands held your face as he rested his forehead against yours.
"I was talking to the Emperor. He was telling me about it with amusement, and I felt like... Fuck! I had so many thoughts in my head, I thought I might explode." he said quietly.
"Hush, honey." you whispered, placing your fingers gently on his lips, he kissed them without thinking, "We knew this would happen. It was just a matter of time..."
"I should tear Claudius apart with my bare hands." Marcus hissed furiously, "But we still have time. There's still something else we can do."
He pulled his face away and looked at your weak smile playing on your lips.
"I will speak to the Emperor." he said in a determined voice, "I'll convince him that..."
"Claudius is his friend." you interrupted him, "You can't..."
"And I am the hero of Rome. Haven't you heard what the people say? The Emperor will give me what I want."
"And what do you want?"
He didn't have to answer anything. When his lips crushed against yours, that was his answer. He kissed you madly, like he was fighting for every breath, like you only had this one moment. You were falling apart in his arms into a thousand pieces. How could you feel dead when Marcus actually made you live? He was your sun, your everything, more than life.
"You can't go to war with the Emperor, with all of Rome, just for one woman." you stuttered, intoxicated by him. “This is insane.”
"You're more than all this. Take it." Marcus pressed his ring into your hand. “I will tell the Emperor that we were married secretly.”
"Marcus..."
"He may be mad, but I can handle it. I will say that we did this before I left. You were married when Claudius courted you. You didn't break any law."
"I can't."
"You have no other choice, Y/N. I won't let you die, do you understand? Even if I have to fight the entire Empire, I will drown it in blood for you."
And you knew Marcus was telling the truth. You pulled him towards you, kissing him deeply. If this was to be your last time, you were grateful for that hope.
"Expect a rider." he said as he picked up the sword from the floor. "If I fail, I will send a trusted man to you. Then you will leave Rome. As far as you can."
"And you?"
"I will find you. No matter what, I will find you." he walked up to you, kissing you one last time. "If everything goes well, I'll come to you myself."
"I trust you, Marus. With all my heart."
"I know. Stay safe, love."
And he left, leaving you completely devastated. You were still clutching his gold ring, your last hope.
Marcus' plan was crazy and you knew it. The Emperor would have to be in a really good mood to believe the story about your secret wedding. Will this enrage him? Even so, he could only take your life. And what would life be without the love you carried in your heart? You were more afraid for Marcus, for his life, for him not to do something stupid.
"Your love is making me crazy." he whispered to you so many times at night.
Eventually you will meet again someday. In this life or another. This is what the Gods wanted, this is what fate wanted.
You couldn't fight it.
General Marcus Acacius surrendered the moment his eyes first landed on you. He was powerless. He made you his Queen and you couldn't refuse him. He was like wine, like incense in the temple, which numbs the senses. He was your beginning and your end. You were grateful to the Gods for this love, but you were also willing to give it up to keep Marcus alive. You were...
The sound of hooves echoed in the yard. You pressed Marcus' ring to your lips and placed it on your finger in anticipation.
☆☆☆
Thank you for your time.
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mackjlee9 · 2 years ago
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Mammon x Demon!Male!Reader [Smut]
Warning; stuck-in-a-wall trope, overstimulation, mind-break, master kink, fwb au.
Masterlist.
Game; Obey Me: Shall We Date?
Requested by Mister "A" on AO3.
(M/n) was a well-known demon in the Devildom, whether it was because of his looks or magic it didn't matter that much. He was powerful, almost as powerful as Lord Diavolo, why? No one knew, but they knew not to mess with him.
Everyone knew of the unspoken rule, but did Mammon care? Not one bit, that's for sure. Even so, it brought him so much fun and... a good fuck every once in a while.
The way they met wasn't extravagant or anything, Mammon was working in Hell's Kitchen after he fucked up and Lucifer scolded him for it, taking his dear Goldie away until he learned from his mistakes... kinda useless, Lucifer should know by now that Mammon would always be Mammon. He met (M/n) there, a man that looked rich, even if he didn't try, his demeanor and behavior screamed "rich bitch" everywhere you looked.
And Mammon just took the chance.
That chance took him to (M/n)'s bed, ending with him thoroughly fucked and almost unable to move on his own.
He kept encountering him, and with time, they just turned into friends with benefits.
But now, Mammon is really questioning the reason he came over, watching through the invisible wall how (M/n) walked closer to him, unbuckling his belt.
I'm fucked...
//////
(M/n) had received a text from Mammon telling him he had been gambling and lost a lot of money, so he needed to hide from Lucifer and the people he owned money to for a while, just until he was able to get the correct amount, or have someone else pay for it.
He doubted for a few seconds, painfully aware of how Mammon would take someone's expensive belongings to sell and continue gambling, he has a really bad habit of stealing and losing it all, so, even if he's not used to using his powers unless he absolutely needs to, (M/n) went around his apartment, placing spells around anything that could catch Mammon's eye, specifically leaving the expensive stuff in plain view.
He trusted Mammon would never steal from him, he's never done it before, but this time, he was hiding from Lucifer and who knows how many other people, so he couldn't be sure.
The most valuable stuff was in his room, and leaving a good amount of money on the desk, he placed the biggest trap on it. The other spells would only zap him or create a wall of protection, but this? This was gonna trap Mammon until he decided to break the spell.
A few minutes later, the bell rang and Mammon's voice could be heard through the door.
"(M/n), open up~!" He said in a cheerful voice, making the male show a small smile as he rolled his eyes.
He opened the front door, being greeted with a hug from the white-haired male before he made himself at home.
They didn't do much, they watched a movie, a few chapters of a popular series, and talked a bit, unusual behavior for them, since they only met up to have sex, but not this time.
"I need to use the bathroom, excuse me," (M/n) muttered setting his beer down, standing up, and going to his bathroom.
"Sure~ I'll wait," Mammon said looking down at his phone. He heard the bathroom door close and he stood up, searching around to find anything he could take without (M/n) noticing, "Nope, that's too obvious," he whispered while looking at the big black vase holding a bouquet of flowers, "Well... it looks really expensive-"
He bit his tongue and turned around before he decided to take that, and he kept swiftly looking around, soon spotting (M/n)'s bedroom door open. His mind flashed with all the small but valuable things he has seen in there while getting his brains fucked, and taking a deep breath to steady his speeding heartbeat, he walked in.
Mammon didn't have to search around for long, because on top of the desk, very obviously in plain sight, there was a small pile of cash. He didn't think much of how it was placed, it was almost as if it had huge arrows pointing at it, and a megaphone repeating 'Money! Right here, Mammon!' over and over again.
Everyone knows that Mammon isn't the brightest of the bunch, and he's aware of that, and tries to be better, it just... never works.
Rushing without a care in the world, Mammon placed his hands on the money and grabbed it, but before he could react, the trap had been activated, the money disappearing as it was never there, he tried to move closer to look around to find it, but as he bent over the desk, he got trapped in a spell. A magic wall.
Now he realized he fucked up.
(M/n) came out of the bathroom, and saw the living room empty, so he knew his plan might've worked, he just had to find Mammon, and by the sounds coming through the slightly open door of his room, he didn't have to look for long.
There, he saw Mammon struggling to try and break free from the grip the magic wall had on him, but it really wasn't working, even more, since the spell (M/n) used disabled the abilities of who it catches, so Mammon really wasn't getting out of there. And while trashing around, Mammon had seen over his shoulder through the invisible wall.
And that takes us to the present.
"(M/n), how nice it is seeing you! Could you please help me?" The (h/c) haired demon stayed silent for a few seconds, enjoying the flustered look on Mammon's face after being caught, and soon a smirk grew on his face, reaching his hand down to unbuckle his belt.
"You need punishment, love."
//////
"M-master, please... I-I can't cu-cum anymore~," Mammon's words were slurred, his eyes rolling into the back of his head with every hard thrust inside him, hitting and stimulating his prostate endlessly, his hands gripping the desk, leaving the scratch marks of his nails on the dark wood.
(M/n) kept a tight grip on Mammon's hips, using his magic to create a phantom hand that would grip his white hair, pulling it and keeping his head up.
"You should've thought twice before trying to take my money, darling," (M/n) slowed down his thrusts, his hips flushed against Mammon's, every inch of his cock buried deep inside him.
"Fuck~!" Mammon's voice came out an octave higher, his legs trembling, his dick twitching and oozing cum, "I'm sorry, please! I won't... I won't do it again, Master~"
(M/n) made the phantom hand turn Mammon's head a little toward him, their faces almost pressed together through the wall, "You mean it?" Mammon nodded frantically, tears filling his eyes and drool slowly dripping down the corners of his mouth.
"Please, I'm sorry... please please I can't-" his words were mumbled, sounding almost like a babble, and (M/n) was enjoying the view of an overstimulated Mammon, maybe a little too much.
"You want me to let you go?" Mammon whimpered and nodded, whining a small 'yes~' as his hands desperately gripped the desk harder, his legs were trembling so much he was glad (M/n) and the wall was holding him up, "Make me cum then."
(M/n)'s words were followed by hard, deep thrusts, filling every inch of Mammon's pulsating insides, making him cry out with pleasure, cum just leaking from his cock and his body shaking from the feeling of his prostate being pounded. He was fully crying now, tears sliding down his face and neck, some drops falling to the ground he was standing on.
Mammon's mouth was wide open, releasing lewd moans and whines, his eyes closing every few seconds, his eyelashes soaked with his tears.
What a pretty sight~
The phantom hand released Mammon's hair, sticking its fingers in his mouth instead. Mammon moaned around the digits in his mouth, and with slow motions, the hand started finger-fucking his mouth, making the demon choke on his moans and drool.
Knowing about Mammon's small oral fixation was a nice detail (M/n) casually found out, and hearing Mammon's muffled moans, getting louder and louder just made him feel accomplished, especially when he felt Mammon clenching around his cock every time the fingers went to far back in his throat.
He really liked this fucked dumb Mammon, so maybe he'll start leaving money out everywhere where the greedy demon could try and take it. Just maybe.
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(What the fuck did I just write 💀 this is the worst)
(I ran out of ideas, if you didn't realize 🙃)
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sugardolle · 1 year ago
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my new routine to life. 💋
how i get everything i want + succeed. 🎀
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first off i don’t use subliminals neither do i participate in affirmation challenges. i use to but i grew to feel that it’s unnecessary. on my account you won’t see neither of those.
i know about affirmations, i know about non dualism, i know about states. however something about all of this did not sit right with me idc, my brain didn’t like it. all of this information and you’re bound to be confused especially with the arguments about what and what, literally for weeks. people take “do what works for you” for granted.
i didn’t throw all of these ideas and concepts away however i shaped tf out of them to fit what feels right with me, and that’s what a lot of people don’t do, hence all of these arguments for no reason ! a bunch of mad people and for what.
a @/nazdoll.e original post ( insta ).
ONE ) i know that what i want will show up for me now or what society called the future. time doesn’t exists to me, my future is my present and so is my past. manifesting on a time crunch doesn’t exist either in my book. because if i already had it, is it really a time crunch? you can’t want something so bad for it just to not show up. when you know you have this much power, whatever you want can’t not show up for you. it’s bound to at this point.
TWO ) when something isn't 'showing' up, it isn't because of me. because i know once i become aware that this thing exist in my life at some point of "time." knowing time does NOT exist. it exists now. i can easily decide on when to have it. just because i became aware of that fact. and for two; the 4D & 3D are the same exact thing. they can't exist separately it's one complete thing. so whatever it is that i want it has no choice but to show up.
THREE ) i can't fix a broken person, i'm not their momma nor a therapist. i feel like a lot of ppl should hear this! i will never take my train of thought, etc., to 'manifest' back dirt ass people !when i can use that energy to put a better person into my life that didn't fuck me over the first time. cause friendship wise i thought about it before but i thought to myself do i need this past energy in my life again?' like nooo. it’s a fresh breath of air manifesting someone new and i find it more comfortable and easier. i’m too good to do myself dirty.
FOUR ) life is effortless once you know you have zero limits, and become aware that you are in control of your own limits ! i promise just sit down one day & close your eyes and become aware of the fact that you can control the limit(s) that you think you have. you can literally erase it.
FIVE ) my mindset has no labels. if it seems correct to me, i will take this and that and follow it. what most of us need to do is relearn and go back to the "basics". the first thing we learned that got us to wherever we are now. it helped me so much, and got rid of any clutter in my mind.. with the information i have, i know i got hella options and so it was just a big spot of ink in my mind. i threw away some stuff and kept some.
i’m now one of those one people who just write down what they want and decide that i have it. fuck a state, fuck an affirmation, that’s literally how it is. obviously i’m educated about those things but i don’t take up all of my time trying to “get in a state” or “how long should i saturated for?”
if you can’t be a spoiled brat about what you want then i don’t know what to tell you. because that’s what it basically it is. 🎀
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signing off — vixendolle ( kaydolle ). 🍭 ⋆ ˚。⋆୨ ʚɞ ୧⋆ ˚。⋆
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sirfrogsworth · 12 days ago
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So, ever since my dad started using an oxygen machine, my brain has grown accustomed to the mechanical white noise it emanated. We ended up putting the machine in the same room where I slept. And then I got so used to falling asleep with that white noise, I could not sleep without it. I literally get terrible insomnia if I don't have the machine running. I tried other noise. I tried a recording of it. I tried a box fan. But nothing worked nearly as well as the oxygen machine.
After my dad died, the rental company took the machine away.
So I bought a used one on eBay. I cannot get it any other way because you need a prescription for a new or refurbished one.
Unfortunately, these things have a limited lifespan. And the one I bought is starting to show signs of death. And because sleep is pretty much the most important thing I can do for my health, I decided to buy a backup unit.
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This listing was from a well-reviewed seller. It said the unit powered on and it even had a video of the item functioning properly—but only for 30 seconds or so.
As you can see above, it says under the "condition" section that the item description would list imperfections.
When I got the item, I plugged it in, and after 3 minutes a loud beep sounded. And the beep continued for 20 minutes and never turned off. Every time you turn it on, after 3 minutes, this alarm sounds. The manual indicates a red light with a continuous beep means there is a serious system malfunction.
This seems like a malfunction that should have been disclosed.
And yes, it is possible that the issue was exacerbated by FedEx dropping the box. But it is not possible for that to be the direct cause of this issue. This item had to have already been in rough shape for something like that to cause a malfunction.
And it is also possible the seller was not aware of the issue. Perhaps he never turned the unit on long enough for this alarm to sound. But that doesn't mean he is excused from selling a damaged item without being responsible for it. The item cannot arrive in a different condition than shown in the eBay listing.
(But also... he knew. I'm like 90% sure he knew. And I think the following will give you that impression as well.)
I wrote to the seller...
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Apparently after 3 days I can appeal to eBay. So hopefully I can get this resolved one way or another. But this seller hanging onto this technicality is so frustrating.
If it were me, I'd want to make it right. I mean, if I accidentally sold a broken item I would feel awful and do everything I could to take care of the person I sold it too. And it just sucks that not everyone is that honorable.
But the fact that he worded it like this and is using this defense so adamantly really makes me feel like he knew this was an issue. But I don't think any reasonable person is going to be satisfied with this defense. He's like those debate bros that think if you catch someone in a debate fallacy they automatically lose the argument.
eBay's rules say you can't deliver a damaged item without fully disclosing the damage. It just sucks he's going to make me do this the hard way.
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mademoisellegush · 1 year ago
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On the Emperor and *that* scene
so i went and looked at some of the branches of that conversation -he basically reacts by reflecting and amplifying whatever energy the player gives him. Whatever you say, he will not contradict you.
You reject him, violently? He'll show you how right you are, how much of a monster he is. You reject him, preferring to "stick to business"? so does he. You agree to see him as a potential partner? Not a one-night stand, you are "bonded and it is time to consummate love with war".
Something to keep in mind, however (pun intended) is that "to best protect yourself from illithid manipulation, pay attention to its actions, not words."
tldr: i think the emperor is a very neat character.
The first branch is the disgusted rejection - the one where the player calls him a freak. his reaction is to show you how right you are. a mind controlled Stelmane, how the partnership was puppeteering. "you are my puppet", he tells you. "You have no other choice, if I must, I will force you."
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he does not force you to do anything, after that. the threat is there, of course, but it's hollow. empty.
should this be taken at face value? can we trust him, even now, that he is telling the truth? it is certain that he mind controlled stelmane, yes. But was he the one who made her ill?
two items put that into question. a) stelmane's portrait, hung up at his desk along all his treasured possessions from before and after he became an illithid (balduran's butter fork, to go with the butter knife. his old sword, a recipe for fiddlehead soup, his dog Rascal's collar. the emperor's outfit, container for brains, chains for his "meals".)
If he's a liar about everything, why does he have a framed picture of Stelmane? He would not have been able to physically go back and set things up in a Knights of the Shield secret hideout while he was stuck inside the Astral Prism in our pocket from the hells, down to the Underdark, unless i'm getting the timeline of this story majorly wrong.
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and b) an account of stelmane's illness.
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Stelmane's condition got worse *after* Balduran/the Emperor disappeared, captured by Gortash and the cult of the Absolute.
Make of that what you will. Is this an actual testimony, or something he somehow planted there for you to find, despite the logistical difficulties in doing so? You decide.
2. The violent rejection is the only branch where he does not tell you how big the elder brain has grown. I think that is because there is an actual reaction on his end; something vicious that he's unused to feeling. Not the cold, calculating pragmatism he was praising in the player character three lines ago. Compare the first branch to the following two paths:
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What i think is: Balduran uses you. The sole thing he cares above all else is his continued survival, any power gained that way is a side benefit to his goal. If you even get the Orphic hammer, even "as leverage," even as you threaten him, he does not "force you" to do anything, as threatened above. Ansur died, yes, but is self defence murder? Neither Ansur nor Balduran deny that Ansur tried to mercy kill Balduran as he slept.
What I also think: you have to succeed at perception check, in the third guardian dream, to figure out that "the hurt runs deeper than they're willing to show you." then, an insight check (something that requires wisdom, what you use to resist, or lean into, the tadpole's hivemind) "beneath the resilient veneer, a touch of fragility. they need comfort." This allows you to hug them, if you desire - something they say "it has been a very long time since someone did that. for [me]".
Make of that what you will.
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skylersprompts · 1 year ago
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DC x DP Prompt *12*
Phantom knew that all of this would end badly, really. But as soon as he heard that Skulker was trying to get the pelt of the Superman he knew that he didn't really have a choice.
So he flew to Metropolis to rescue the struggling hero. When he reached them, it was worse than he thought.
Skulker was wrecking havoc without regards for the civilians, while he tried to catch Superman. The hero on the other hand was at least still standing and evading the ghost. But he also couldn't land a single hit. If Danny would let them be, this fight would go on forever or till Superman tired out.
So while Skulker shot another Missile at the Kryptonian, Danny flew invisible behind him and shot an ectoblast in his back. After a short fight with a lot of banter, Skulker found himself in the thermos and Danny and Superman landed on a rooftop.
"Thank you for your assistance! I don't think I recognize you, but I'm glad that you came to my aid against this unknown enemy", the Man of Steel smiled at him and really, Danny should have just nodded, gone invisible and fly of. But... Superman was a real life alien! A founder of the Justice League! Someone who had been to space missions! So yeah, he was a little starstruck.
"No problem, really! It was somewhat my fault... We just talked while fighting and somehow you came up and he just flew straight here, because he wanted to add your pelt to his collection. Normally he only really hunts me...", and his brain to mouth filter didn't work again, great Fenton.
Superman looked concerned for a moment, before he hid it behind an awkward smile. "I suppose he is one of your rouges then? I'm glad to see that someone with your abilities uses them to protect humanity like he should."
And that was enough to shift his expression of Superman. Just because he had these powers, didn't obligated him to protect anyone, except his own hunt and subjects! And Skulker was more of a friend nowadays, he just had become to excited because of a super rare alien and his obsession had kicked in in full force, because they hadn't really found a healthy outlet yet. Just hunting Danny every few weeks when the young adult had time between college classes wasn't really enough.
"You should consider joining us and show us how to defend ourself against a rouge like this", the superhero said, without realizing the shift in Danny's demeanour.
"He isn't really a rouge anymore... It's just a bit of a work in progress still. I also wouldn't really qualify as a member for you little team, since in terms of my species I'm still a literal baby. And I don't think that all of you will still be around when I'm considered an adult or even a teenager. So the answer is No, I won't be a child soldier for the League, nor will I tell you how to hurt my friends", Danny huffed with crossed arms, just to turn invisible then and fly off, not caring for the fact that the other hero seemed to be blue screening.
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respectthepetty · 5 months ago
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Am I writing about OMG! Vampire to avoid thinking about all the other shows with color-coded boys in love? Yes. But in my defense, I actually like this show, especially when a red line (of destiny?) connects the color-coded boys in love.
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Because there have been small dividing lines between them.
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So those small vertical barriers that separate them made the one horizontal red line stick out to me even more.
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Especially because I think the color red signifies vampirism.
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However, I now think there is something happening with yellow too.
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The bar's light are red and yellow, so I hadn't thought much about it.
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But then those exact colors showed up in Sen and Run's room as Sen, on the floor, still tried to maintain the boundaries they had as vampires while Run, on the bed, started to accept their human forms more.
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Yet after their quick chat, they embraced (their feelings for) each other in the yellow as they accepted the love and life their human forms had with each other.
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So I think red and yellow signify the connection between the vampire world (red) and the human world (yellow).
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Which means the red line between Phum and Pat would mean more than just fate, and also the red lighting Kin entered the bar in would be something more as well.
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So this man with the red tie UNDER his collared shirt (unhinged behavior) might be the big bad who should be dead yet isn't.
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Kin is a vampire who also should be dead yet isn't.
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And Pat is the governor vacationing in the human world for *reasons*
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Can't wait to see how wrong I am!
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lemonhemlock · 3 months ago
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I think a thing that bothers me the most is how fragmented TG (the fandom) is now. After season one, many of us had issues with character writing, but it still felt like we were largely on the same page. Now, some people can accept Aegon got bad writing but not Aemond, Alicent, or Helaena. They are all “good” or “bad”characters depending on how much they hurt Aegon this season. I’m so glad he got the time to be well rounded, and that TGC delivered on all his scenes, but I think people forget Aegon has received some poor writing as well even this season. His whole outburst about Jaehaerys’s death is not about his son, but the impact on his legacy- I thought this very odd at the time, but realize it’s because they can’t have him mourn Jaehaerys for a long time either. Nobody on TG is allowed to focus on this dead child, least of all his mother! Aegon goes out drinking with his friends next episode 😭 seemingly unconcerned. But somehow only Alicent and Aemond are called out for this, when it is a clear problem that Daemon is more affected by this loss than the greens. It feels like such an uphill battle to even discuss the faction and family anymore.
This is such a good point!
I know I am so contrarian about this rn, but I have had some issues in connecting with Aegon's grief scenes over Jaehaerys this season. And it's such an opinion I DON'T want to have, bc I'm fully on the Aegon/TGC bandwagon and I do think TGC is a competent actor.
But it's something about the general clownery of the framing, how everything is gloomy and dark but at the same time no one gives that much of a shit over Jaehaerys? It's very weird to describe. I know Olivia also shows Alicent crying and swallowing sobs and trying to conceal her grief, but, if you think about it, Alicent is just Kind Of Like That in a lot of her scenes anyway. Big doe wet eyes, filled with regret and unspoken emotions etc so that her acting similarly after B&C kind of doesn't hit as much?
And, in that context, having Aegon rage over this event is rendered kind of.....hammy and, honestly, comical. I'm reminded of the scene of the small council where everyone is somber and quiet and he kind of looks like he's pretending to cry. In other moments it's fine but there are frames where I can't take it seriously and it registers in my brain like a parody.
I realise how I sound right now, like I'm not satisfied with the subdued performances, but I'm not satisfied with the expansive ones either. IDK. I have a huge problem with the framing and direction this season, I think it's a huge impediment in making me enjoy the supposedly emotional scenes.
All of this to say that I agree, Aegon has also received some bad writing this season, especially him ALSO being kind of over Jaehaerys the next episode. But people tend to overlook it, because when you draw the line, the writing for him is still so much better than what he got in S1.
And, yes, this is why I can't really join the choir in blaming Alicent and Aemond for how they act with him, because it's not a naturalistic and organic progression, it's shoehorned in with little buildup or motivation and not even drawn to its natural conclusion. For example, Aemond should have been toast the minute Aegon woke up, because Prince Regent or not, Aegon is still the King and has the power to remove Aemond if he fears him. He doesn't have to justify himself in front of anyone, just give the order to arrest his brother and name someone else as regent, then just go back to sleep.
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l0stfoster · 1 month ago
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Handing you guys an entire canvas of just Cursed Paul bc he hasn’t left my brain.
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As usual, some little doodle content stuff teehee
- We retconned it so that the socs only stopped attacking Paul because Soda’s terrifying ass showed up. Umbra (Paul’s familiar) ran home looking for Darry and found Soda. He's her favorite of the gang so she's like 'good enough' and starts SCREAMING at the dude to get him to follow her. - The socs didn't know if Paul's power was physical or if he could use his voice like Soda so they choked him </3. They would've killed him in the process if Soda didn't show up. Imagine being in this dark ass alley busy jumping a guy and then you're faced with a fae who has this low-ass growl, with glowing eyes and fangs. Not to mention this looming shadow of a cat the size of a Caracal growling at you too. I'd be scared - Soda bursts their eardrums as he should (new power we decided on teehee. Supersonic whistle type shit, can break glass) - Some Parry bc Paul may be beat shitless but he's still Darry's pretty boy <3 - They can't get married but they have wedding rings. Paul's is a little one made of vines w/ a pretty little flower bc Darry couldn't afford a real one yet. Pony made it actin' like he didn't want to but made it literally gorgeous and one of a kind. Darry's is an actual ring because Paul saved up for that bitch for ages. Darry had an aneurysm when he saw it bc that bitch had an authentic diamond on it, Paul will not tell him how much it was. - Dally is the only one allowed to beat up Paul and will be very loud about it. Local New Yorker haphazardly slams fist over the head of this witch dude who probably has a concussion more at 5 - This isn't in the doodles here but I'm saying it as a fun sneak peek at some future art/writing for those who read this; Paul's magic is tied to his life force he will die if he ever loses his curse,, also blood rituals are dangerous <3. - If he's too frantic, Paul's magic can falter. Not very good when you're being jumped by a fuck ton of your old friends. - Paul is THE fucking cat dad ever. Umbra is his baby he birthed her /silly. She can do no wrong and he's her #1 defender.
I'm so sorry to the people who don't care for this au I'm insane rn.
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On another note, that Greaser Design Lineup should be out soon!! Waiting for my Art Block to go away before I start the proper Justice For Tulsa frames bc they're more complex than quick little doodles!!
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