#because I don't think there's been an exact science for these things

[margridarnauds]

The most funny thing about people complaining about DracMina is that there are not actually hoards of DracMina shippers running around, creating ship content or highjacking discourse about Dracula, Mina, novel and such. Yet those complainers are acting as if they are personally oppressed by those shippers while it’s not the case, and it wouldn’t be the problem at all if they were not so obsessed with the shippers or the ship itself tbh.

That's always been what's most bizarre about it because ???? Where are all these Dracmina shippers? Do they have a secret discord server where they talk about Victorian gothic villainfucking? And they didn't invite ME? Can I join?

But like. The truth is that even pre-DD, there wasn't a TON of Dracmina fanfiction/general content, whether it was romanticized and fluffy or not. I've been circling around the Dracula fandom since 2011, scoured for fanfic, and...there was maybe ONE really good series that was dark. ADAPTATIONS are overwhelmingly pro-Dracmina, fine, BUT. A lot of the problems that people complain about. Are only really a major Thing. After Bram Stoker's Dracula. Which imo indicates a broader problem of people getting their first taste of Dracula from that film + its subsequent adaptations and then expanding it to cover ALL Dracula adaptations/interpretations of Dracula. I've ALWAYS seen this kind of endless complaining about Dracmina as if that's a way to prove that you're one of the Real Fans who understands that the Vampires are Bad. Like, congratulations, you read the book! You know that Dracmina is not canon in it! Now go and make content for something you actually DO like! Have some useful conversations about the novel and the themes in it! ANYTHING.

And so many posts are framed as like "instead of Dracmina/the reincarnated wife thing, here is what they SHOULD DO" instead of framing it as "I think it would be really cool if...!" Because even when they're talking about THEIR ships, it's almost inevitably about Dracmina. J0nmina shippers are more obsessed with Dracmina than *I* am. (I wouldn't say I aggressively ship it so much as I hold a little bit of fondness for it thanks to that teen girl who loved the sweeping, gothic romance of the idea of it, especially the musical tbh.)

I see posts about one of my favorite musicals and it's inevitably "Dracula the Musical was kind of good...except for the DRACMINA!" Like, literally no one is forcing you to watch a musical that flopped on Broadway in 2004. (I have my OWN complaints about the musical and how it fails and Wildhorn's general problems with writing plots/women, but like.)

And...I do think that there are valid reasons for supporting Dracmina. Just. As a general thing.

For some people, they might genuinely like darker, fucked up ships. Even the reincarnation thing could be interesting IF it was played up for being as horrific as it should be. Having someone else's memories, someone who Is or Isn't you, being the target of that kind of obsession.

For some people, they might like the idea of "let us be monsters." I see that idea being applied MORE to J0ncula, re: queerness, and, for what it's worth, there is some Victorian literature on the vampire that ALREADY leaned into this. Like, you have (subtextually) queer vampires like Carmilla and Ruthven, who are the highest profile non-Dracula 19th century vampires, but you also have (confirmed) queer authors who were clearly using vampires as a way of discussing queerness like, for example, Eric Stenbock's Count Vardalek, which is an example of a tragic, tortured vampire who is doomed to kill what he loves. (There is also a LOT going on in THAT short story, a lot of which makes it highly uncomfortable for a modern audience, but that's another story.) I've written queer Dracula fic with the idea of the vampirism representing that kind of "I am determined to prove a villain, And hate the idle pleasures of these days" acceptance of the Other and of the Otherness that is present in the Self.

BUT. At the same time, it isn't as if there's ever been a golden age in which women have been allowed to just. Love monsters. It has always been radical. Even today. Women cannot read romance novels or lust after villains openly without handwringing over whether it is Moral or Proper or Whether We'll Get Dangerous Ideas from it. It was the case in the early days of the Gothic genre, when there were concerns over them being amoral (and, I mean, in partial defense of the pearl clutchers...a lot of the early Gothic novels make the later novels look tame in their gleeful use of murder, satanism, incest, and decay, thank you to The Monk.) And I can see the appeal of Dracmina on that level.

And all this is complicated by the racism implicit in the novel, of Dracula as the Evil Foreigner, with his ties to the past and his ancient lineage, who is acting as a threat to the Modern Anglo-American world. How do you grapple with that? It isn't easy. For some people, I know they choose to just. Ignore it. Or try to reframe it as Stoker somehow being progressive. And while I can get the appeal of, say, a black or Catholic Irish Mina, or a black or Mexican Quincey...for ME, that approach isn't satisfactory. I'm not saying it isn't satisfactory for ANYONE, or that it's Problematic or Wrong, but that it doesn't vibe for ME. *I* don't like it because I feel like it de-problematizes the novel, makes it about a multiracial queer polyamorous group trying to take down the Evil White Man. (And also still, unknowingly or not, plays into prejudices around people from the region usually defined in the west as "Eastern Europe" that are still present to this day and which are often invisible.) And, again, some people might like that! I'm not going to police how people recontextualize the novel so long as they understand why other people might *not* like that approach.

For me, I personally choose to aggressively love the Other. And I'm fully aware my approach isn't SUPERIOR, especially when you're dealing with the coded SA in the novel, both against Mina and Jonathan. I understand that some adaptations have slid into rape apologism/denial category. But I also think that some things I've seen come about re: for example, DD is people not really thinking when they say "we want to see Mina be sexually traumatized by an Eastern European monster so that she and her English husband can destroy the Foreigner." Foreigners or people who are not white or not considered to be white, in the Victorian Era and now, are a convenient scapegoat for sexual violence -- at the time that this is being published, lynchings are already happening in the States against black men who are accused of raping white women. Nine years before, while the figure dubbed Jack the Ripper instigated his reign of terror, graffiti appeared that said "The Juwes are the men that will not be blamed for nothing" -- while Ripperologists have debated the meaning of the graffiti, I have the very mundane explanation that an antisemitic Victorian decided to blame the Jews (TM) for the killings. One of the chief suspects of the crime was Aaron Kosminski a Polish Jew whose major sin, with Assistant Commissioner Robert Anderson claiming the main reason that he was never caught was that Jews would not testify against one another. People WANTED the Ripper to be an Eastern European Jewish man murdering and killing English Women (even in the case of the thoroughly Irish Catholic Mary Jane Kelley, her Welsh connections were emphasized over her Irish.) (Also in partial defense of white British men at the time, there were several people were like "hold up, this is kind of antisemitic.")

And I know this is dark stuff, but it's IMPORTANT to ground the depiction of Dracula as a sexual predator in the context that he was being written in, as a character, and why I personally...don't like an uncomplicated SA story. I don't want Mina to lie about it, either (I've seen this with Miranda/Caliban, which is another example of a classic of a classic with Problems with race, and I hate that as well). It's a delicate, delicate line, and I don't think a lot of adaptations have done it WELL, but I also don't think it's SIMPLE to just say "Dracula is a rapist, if you ship Dracmina, you're shipping a rape victim and her rapist." I'm not saying people have to like it or be comfortable with, but I'm asking people to understand like. Why people might go the OTHER way into it. Because the imperialist overtones of Dracula really are the elephant in the room.

One alternative would be to dig into Makt Myrkanna (aka Icelandic Dracula, which also has an earlier Swedish version), where Dracula is an active Eugenicist. It would still be uncomfortable, especially if someone kept the vaguely Lovecraftian ape cult under his castle. (...yes. Really.) BUT it would establish that Dracula isn't inherently a monster because he's a foreigner, he's a monster because he sees Vampires as a master race (which could also be interesting if the protagonists have the Victorian-typical attitude that White Westerners are the pinnacle of civilization, seeing those attitudes turned around on THEM.) I'm not opposed to that. But for me, I prefer vampirefucking.

The thing with classics is that...if they truly deserve the term 'classic'...they will touch people in different ways. Particularly the Gothic genre which relies on extremes of emotion and inner torment and family curses and decay. With the novel Rebecca, people often get into fights on whether Maxim or Rebecca was abusive, whether either or both of them were terrible people, whether Maxim was a misogynist or just an abuse victim lashing out, etc. etc. and the thing I quickly realized is that almost everyone who got really invested in it had a deep personal reason for interpreting it the way they did, and I could see the reasons for WHY they interpreted it that way even when I disagreed. (I still think Rebecca was abusive as a fyi.)

For some people, I know that Jonathan as a victim, as a potentially queer man, who is able to fight against his oppressor in whatever ways he can is really powerful. For some people, Renfield is really important as a mentally ill (again, potentially queer) man who is abused by the medical establishment. For some people, Seward is really important. For some people, the Harkers are important as an adorable, stable couple. For me, as a general enemy of the adorable, I'm neutral. I've read one analysis of vampires as a class thing, and I don't LIKE it because I still feel like it falls into the mistake that bad Leftist analysis generally makes of reducing everything wrong in the world to capitalism (in the same way that bad feminist analysis makes everything about misogyny). Etc. etc. etc. I'm invested in the women. In the women being happy, in having agency however they see fit. This can include with Dracula, with Jonathan, with Van Helsing, with each other, with any other number of options. (But I also want vampirefucking.) If something turns Mina into JUST Jonathan's girlfriend/Supportive Wife or JUST Dracula's bloodbag or even JUST makes them into Wholesome GFs, I'm not invested. I'm not invested in J0nmina, as a ship. I like it best when Jonathan says he'd become a vampire for her, when he's getting a little bit fucky with Victorian norms (though then there's the question of what "Victorian norms" are since, even though I don't think "I would give up Christianity for you" would be considered to be SOCIALLY ACCEPTABLE for real people at this time, it's also definitely not out of place in general gothic lit at this time, and clearly those had an audience so...) I don't particularly find "Middle Class English Couple Has Children" is really that enthralling of an ending, when the ending is middle class domesticity. I understand it from a trauma viewpoint, but it isn't really my vibe.

ANYWAY, my point is, at the end of this essay: I agree with you, people should leave Dracmina alone, it's never been the norm in the fandom, I get tired of it being treated as the Root of All Ills in adaptations when there are usually worse things afoot, there are reasons for people to ship it, be careful with how you talk about Drac because it quickly can slide into bigoted territory with baggage that you might not even be aware of. Also most of the adaptations still suck because they don't let the women be people with agency. And if you reduce Mina to Jonathan's GF I hate you because you don't really care about misogyny in the adaptations, you just care that your blorbo has his supportive wife who cries and acts as a madonna figure for the men to huddle around.

[qqueenofhades]

hi I hope you don't mind but I would love to hear your long tired historian rant you mentioned in your tags on that one post, if you feel in the mood to share? (no pressure!)

(also thank you for existing, you do wonderful work and the world is a better place for you being in it)

Aha. Well. For context, the mention of said rant was in relation to this post:

Basically, this post struck a nerve because of how it exactly encapsulates the anti-intellectual, anti-academia, anti-historical, anti-reality thinking that is absolutely rampant in social media spaces, even and especially spaces that identify as leftist, liberal, or otherwise "superior" to the right wing when it comes to identifying fake news or misinformation. (Example A: anything ever written by a self-proclaimed leftist on Twitter.) We all know that there are huge problems with the American public school system (and the people writing this are almost always American) and the American practice of education in general, and that yes, there are many things that happened in the past (or y'know, the present!) that are not taught very well, or at all. But because the American public school system is so decentralized and largely autonomous, incredibly dependent on the temperament of local superintendents and/or school boards, taxation and funding, availability of teachers, requirement of useless standardized tests, etc., it is very difficult (if not outright impossible) to claim that this is the result of a Unified Grand Conspiracy To Not Teach Real History To The Youth In Order To Make Them Mindlessly Support Capitalism. That is the exact sort of deranged conspiratorial thinking that the right wing does and fits everything into a sinister narrative about how "They" are planning to keep you ignorant and therefore nothing harmful that you ever think or do is really your fault. It's not good.

(Whoosh. That was very calm and reasonable of me. For the rest of this post, please just picture Captain Holt "apparently that's a trigger for me" dot gif.)

Also: even in public school, and despite the Republicans' best efforts, there are plenty of opportunities to study complex or "controversial" subjects. For example, I spend a week every June grading AP Euro History exams with a lot of other educators in a giant windowless steel box (woo-hoo, fun times!) Every year, there are questions on the exam about women's rights, imperialism and exploitation, slavery/race relations, the development of capitalism and the current economic model, religion and science, the history of labor, and other topics that would be considered "controversial" if you're an idiot. This is an exam taken by high school students in all grades from across the country, and there are also AP World History and APUSH (US history) exams every year which are doubtless making an effort to address similar themes. This is an advanced program, yes, but it's widely available to many schools and is not a result of a sinister plot to keep the youth from discovering the truth. Also: you live in an era of absolutely unprecedented access to information. Put down the ChatGPT bullshit generator and visit a goddamn public library. Or even open Wikipedia. The tools are there for you to start educating yourself and they are so easy to find!!!!!

The "Historians Are Hiding The Truth!!!" narrative becomes even more ridiculous in university-level or professional academic historical-study spaces, especially when historical educators and associations (such as the American Historical Association) have been at the forefront of pushing back against right-wing efforts to censor history, punish teachers, and remove culture-war subjects from classrooms. Also as someone who has advanced degrees in history, has taught/worked in several universities in different countries, writes and publishes historical research, and otherwise participates professionally in the field: trust me, we aren't "hiding" shit. There are vigorous debates and disagreements on various bogglingly obscure subjects and points of clarification and so forth, but that doesn't mean we're not talking about them (trust me, we're often talking about them too much). If you're issuing confident blanket statements about how "historians are conspiring to hide x," you're an idiot.

This also has dangerous repercussions in the field of, say, politics and civics, where a lot of absolutely braindead Online Leftists have spent the last four years posting deranged nonsense on social media and then, whenever they're called out on it for that not actually being how anything works at all, whining that "I was never taught this!!!" (And yet, it somehow never actually changes their perspective or their theories....) They whine about how "they didn't know this" and it was someone else's fault, they make up total fantasy about what the Biden administration did or should have done and now are still happy about Trump coming back because "It will teach the Democrats a lesson!!!" and otherwise accelerating us oh-so-quickly down that slippery slippery fascism slope. Their weaponized ignorance and their magical fantasies about what "should" have happened often come back to this same learned helplessness, where it's everyone else's fault (especially Capitalism's) that they're total wankers. Look: I'm not a goddamn fan of capitalism either. But we all grew up in this same system, and some of us aren't raving idiots, so at some point, you have to take the tiniest modicum of personal responsibility for the information you seek out, the content you consume, the opinions you propagate, and the people you surround yourself with. Shocking.

I've said it before and I'll say it again, Online Leftists are actively and unrepentantly enabling American fascism and should be treated in the same way as we treat MAGA when it comes to deciding what is good or worthwhile information. This is because their entire political philosophy (insofar as their beliefs can be dignified with the term) is based on the "make shit up and remove it from any basic empirical references, grounding in reality, or 'should I run the most basic Google search and see if I'm completely talking out of my ass in a distorted social media echo chamber? Nah I'm good' " technique. This is, as the original tweet above references, trying to retcon sheer malicious laziness and stupidity into grand ideological theories about how it's actually "better" that they don't know a damn thing and won't shut up. It's your evil history teacher's fault, or "academics are all rich and elitist" (ask any academic-precariat person like me and we will laugh hollowly and then throw monkey poop at you), or "They" wouldn't let you learn this, or on and on. Even in our terrible, awful, no-good very-bad timeline, there are still ample tools to educate yourself, to learn how to filter out bad information and junk news, and otherwise gird yourself even a little for the even-more-massive assault on empirical reality that we are about to experience in the next four years (ugh). I suggest you take advantage of them.

[yumeka-sxf]

Well, seems like something that was just a theory before has come very close to truth...

Because of this major revelation, I wanted to take a deep dive into what we know about Donovan so far and how hints throughout past chapters could indeed indicate that he can read minds. While we still don't have concrete proof for this other than Melinda's word, I don't believe there's anything that discredits this idea, either. In fact, many things throughout the series support it.

First we have Loid's encounter with Donovan way back in chapter 38. I always found it strange that we never got insight into Donovan's thoughts throughout that whole exchange. We always get to know what characters are thinking, even without Anya's mind-reading support. It's not an uncommon storytelling mechanic in general after all, especially for manga. Yet, Endo chose not to give us any insight into what Donovan was thinking. I figured this was simply to avoid spoiling anything about what his exact plans and motives are for future stories (also why Anya was absent for this). But now it seems like this could have also been to hide the fact that he can read minds. If he can read minds, certain things he said during that exchange take on a more ominous meaning. For example, what he said below about how people can never truly understand each other.

It's been a headcanon of mine that the reason why Anya, and perhaps Donovan, were given mind-reading powers, stemmed from the desire for world peace...the idea being that if people could read each other's minds - in other words, always know what others are thinking and feeling, sympathy and understanding would abound.

We learn later on that Donovan had ideas like this even as a kid when he made a similar comment during his debate competition speech. He said that it's impossible to know the true intentions of others so people will forever doubt each other, thus war is inevitable.

We also have the little detail in today's chapter that Donovan did not have the scars on his head during Melinda's flashback (of course, he didn't have them as a kid in chapter 99 either).

Now this is totally my theory, but if we take Melinda's words as the truth, without any misunderstanding, then sometime in Donovan's adult life after he married and had a child, he was experimented on and was given mind-reading powers, perhaps by force but most likely by choice. Now that he has these powers, his laments about people not being able to understand each other are no longer true, at least not for him. Perhaps the experiments done on Anya were preliminary tests that he put together to perfect the mind-reading implementation science before actually doing it to himself. Again, totally just speculation, but not out of the question.

Then we have Demetrius...we learned in chapter 93 that Anya has trouble reading his mind.

If we put that together with Melinda's comment in today's new chapter, that Demetris also took note of Donovan being able to read minds...

...then perhaps Demetrius conditioned himself to think in ways that would make it difficult for his mind to be read, specifically to thwart the "alien" that's impersonating his father. I mentioned last time that I don't think Donovan is actually an alien, and that this description is the only explanation Melinda could come up with to explain his mind-reading powers. If this is true though, it really does make the Desmond dinner scene all the more telling...that throughout all those panels without dialogue, Donovan was absorbing the deepest inner thoughts of his family members (and again, no insight into his own thoughts, just like in chapter 38).

But if the "Donovan can read minds" theory holds true, then the most disturbing idea of all is that Donovan knows that Twilight is a spy. He knows that he's the target of Twilight's mission, and that Twilight seeks to thwart him. Not only that, but depending on what he's read of Damian and Melinda's minds, he knows that they're fond of Anya and Yor, respectively - people who are close to Twilight. Mind-reading powers in the hands of a child are one thing, but in the hands of a shrewd and power political figure...I'm both excited and anxious to find out what Donovan's next move will be!

[legobiwan]

This is such a telling page for Ford. Not only does he detail his social missteps and admit to being lonely in Gravity Falls, despite the scientific wonder of the place, but he also uses what I call "Fordese 2," a scrambled version of the "Fordese 1" code we were first introduced to in Journal 3 to label himself a "six-fingered freak" and to state that "Stanley would have made her laugh." (Her, being the waitress Ford tries out his nerdy science joke on, which goes down like a lead balloon despite the fact that it is legitimately funny, given the right audience).

It's like Bill says. "Ego of a king. The insecurity of a circus freak. And totally isolated..." (Funny enough, Bill could probably turn those exact words on himself, as well.)

Ford so wanted Gravity Falls to be the place where he'd finally fit in, the puzzle to his misshapen puzzle piece.

And as we see in the missing Journal pages from BoB, that was not to be the case. And worst of all? Ford blames it on his hands at first, but the reality is that he says that "Stanley could make her laugh," meaning Ford's "freakishness" (as he would put it) has less to do with his six fingers and much more to do with Ford's personality and the way he interacts with others.

This is actually worse. Fingers, you can fix, if you want to. By the time you're an adult, most people probably wouldn't care. But to Ford, his fingers seem to be more a manifestation of something internal, something he feels is fundamentally broken about him and that's just the absolute worst hell to be stuck in.

So yeah, it's hardly surprising Ford fell so hard for Bill's shenanigans (and you can define "fell so hard" however you want, although that karaoke page in BoB is especially damning). Here's an interdimensional being who not only can guide you to unlocking the secrets of the universe and propel you towards scientific fame and glory (and thus shoving every taunt, invective, side-eye, and eye roll ever hurled at you over the decades down your tormentors' throats) - but he's (on the surface) completely glib about being a freak himself.

For Ford, this must have been like finding a shady, sparkling oasis after thirty years of trawling through the desert (especially after Stanley's "betrayal" - Stanley, who along with Fiddleford, being the only person Ford felt like he could be himself around and still be accepted as a human being).

Now, is Bill trying way too hard to show how much he doesn't care? Uhhh, yeah. Bill has almost the same hangups as Ford. Labeled a freak for a genetic mutation and ostracized by his peers. Has a rare gift in that he can see not only into the third dimension but can see even past that, into possible dimensions and futures, which is a wild skill to have. Compare this with Ford's gigantic science brain and academic overachievement. Same deal. And not only this! Bill, in an attempt to prove what he can do with his "freakishness," to prove his worth and place in the universe - he tries to show off something to the denizens of his dimension (we don't know yet what Bill did), only to end up slaughtering his entire dimension. Ford was a hair's breath away from doing the exact same thing with the portal. Because we know from Journal 3 that part of his motivation is to be famous and get accolades for his work, and that maybe "girls will finally talk to me." (Which, Fordsy, let's be real here - I don't think you're actually into these "girls" for real, but you want the acceptance that comes with fitting in with societal standards, and getting a state-sanctioned girlfriend is exactly the type of thing Ford would want to make himself feel "normal.")

Anyway, the point being that if Ford had succeeded with his initial portal attempt, he would have basically wiped out his own dimension. Just. Like. Bill. And it makes you wonder - yeah, yeah, Bill wanted to party, Bill needed out of the Nightmare Realm, Bill's a psychopath who enjoys destruction.

But honestly? I think part it all was that Bill wanted someone like him. His own puzzle piece. Another monster. A being whose collateral damage in the quest to justify their existence in this universe ends in wholesale slaughter.

And Ford had the capacity to easily fit that mould.

[catboybiologist]

I'm 3.5 months in progesterone. Did it make my boobs grow? Let's look at some data!

So. This data has problems, of course. I've added disclaimers at the bottom. This isn't science, this is personal curiosity.

But anyways.

My HRT progress has been in three distinct stages:

1, sublingual pills, with on and off spiro. Suppressed T, E struggling to get up. Month 0-7

2, Injections, no progesterone. E goes to appropriate levels very quickly and fluctuates within cis female ranges. Month 7-13.

3, all that plus progesterone. Month 13-16 (current).

For the purposes of simplicity, lets look at breast growth only.

Let's take a look at some of those sublingual numbers:

All in freedom units, bc I hate myself.

I mean hey, not bad! There was absolutely some growth and breast bud formation as well. I pretty clearly got to tanner 2 here. But there's an obvious, clear plateau in growth. We can see it graphically as well:

Ignore the blue line, that's different data (waist:hip)

So what broke the plateau? Well.

The blue measurements are taken when I'm on injections and good levels, and the green one is as well (it was my progesterone start date). Apologies for the data jumping around, there were gaps. Also worth noting that I was ~20 pounds lighter on that final measurement.

So after plateauing with sublingual, my E around 100, the only thing that broke through that barrier was dropping spiro, switching to injections, and keeping my E at 200-400.

It is at this point I added progesterone (data in green).

holy FUCK

I genuinely would not have believed it myself if I didn't have pictures, as well as measuring myself now, and also y'know. Lived all of this.

Lets see that graph, shall we?

You can so clearly see the three stages here. The sublingual plateau, the injection bump upwards, and the progesterone fucking moon rocket. The gap in data is when I was backpacking- on injections, no prog. I think the drop in my W:H is also because of the weight I was losing.

Also yes, linear regression is kinda stupid here. I was just curious.

Anyways. I think I might be plateauing again, just based on how my breasts have felt a little less sensitive recently, which is also what happened on my sublingual plateau. But its absolutely wild to see what progesterone (probably) did in such a short time.

So in conclusion:

Yes. Absolutely. And so did injections, and proper levels.

When I encourage people to take an active role in their transition, this is what I mean. Keep track of your levels. If you're plateauing, think about what might be happening. Make sure to coordinate closely with your doctor. Amazing things can happen because of it.

Disclaimers and admissions of data sloppiness below:

This data is sloppy, and rounded to the nearest half inch most of the time. I've also fudged it based on what I reasonably thought was error in retrospect- eg, at one point I thought my underbust had shrunk a tiny bit due to variation in fat and coastal cartilage, but it's all just flickering between 35.5 and 36", so I just put it all at 36 bc that's likely more accurate.

The measurements don't really cleanly correspond to clothing measurements- I've been doing it wrong since the beginning, and kept doing it wrong for consistency. don't infer my cup size based on this lol. This is for internal comparison and trends.

The rounding also makes it more susceptible to "jumping", and there's several instances where a rounded down data point to a rounded up data point makes a more dramatic leap than it would in practice.

And of course, I'm measuring myself, this is one data set, yadda yadda. It's gonna be sloppy.

But yeah. The trends are clear enough that I hope they can be taken as trends at least, even if they're not exact numbers.

[bogkeep]

in which i tell you about medieval timekeeping methods

ok we gotta start with BABYLONIAN TIME and SUNDIALS because this is the Foundation. this is what they used for thousands of years. pretty much every structure we have for understanding and conceptualizing time is based on The Movements Of The Universe - years, months, days, this is how we understand Time to pass. the sun and stars were used for keeping time since Always!!!! there were also multiple ways of keeping time with the Shadows of the sun, not just sundials, but also tablets to measure the length of shadows. And Such

BABYLONIAN TIME is twelve hours daylight, twelve hours nighttime. this makes very good sense considering Sundials, you just split the indicators into twelve parts. don't know why Twelve specifically other than that the babylonians liked it, but it is a very nice, divisible number, and its been kept as the base for all the hour keeping systems i've read about so far.

but yes this does mean that a babylonian hour does not have a set, static length like a modern hour does...! it changes with the seasons and the place, so a babylonian winter hour is different from, say, a winter hour in northern norway. it probably helps to be closer to the equator and reliable sunny weather.

until the invention of mechanical escapement clocks, babylonian time was The main, foundational understanding of timekeeping, BUT...!!!!!! the church put a spin on it. what the monasteries needed to keep time for was Prayer Times, which they had seven of and were based on the passion of the christ. so they signaled the Seven Canonical Hours, starting at sunrise, ending at sunset. church bells is also how people kept time, because you could hear them out in the fields. timekeeping was a bit of a wibbly wobbly art but accuracy wasn't That important.

the various methods used to keep time in addition to sundials included: the cock's crow, candles, hymns, incense, and water clocks. not hour glasses, as they were invented around the same time as mechanical clocks. isn't that wild!!!!!!!

WATER CLOCKS, also called clepsydra, are a diverse category of clocks ranging from a container with water dripping out of it at a steady pace, to complex hydraulic mechanisms with weights and stuff that i honestly have yet to grasp. the simple versions were used in classical greece + rome in the same way you'd use hourglasses, to keep track of speech time, watch time, et cetera. the islamic world + china were the ones to develop the complex water clocks. there's documentation of a water clock in gaza that had like, moving automata and stuff around year 500. there was a water driven astronomical clock in china around year 1000. water clocks made a comeback in europe around the 1100ds, and were getting more widespread use. like at least they work at night, unlike SOME dials

"mechanical clock" is a bit of a misnomer since water clocks were clearly also mechanical, and the exact time of invention of what we think of as mechanical clocks is Vague. the word "horologia" was used to refer to any kind of timekeeping device, including the noble rooster, so it's a bit of a semantic haze.

they had astrolabes, which Could be used to tell the time, but weren't used to do that in the daily life. scientists wanted to make an automated astrolabe for like, the Science, they just needed to invent the perpetuum mobile first and then combine them. obviously.

the missing piece for the MECHANICAL CLOCK was the escapement, the mechanism that regulates the time with which the gears turn. once they got this going, probably early 1300ds, they got the shows on the road. the shows being: the astronomical clock, and the public striking clock. these were considered different things, you see.

the astronomical clock is the Automated Astrolabe. it shows the movement of the sun and moon and stars and as a consequence, the Time. they had dials that people could read the time from, but they were generally considered objects of prestige and god's glory, kind of like cathedrals. they often had moving figures and such.

now, public clocks that mark the hours with sound, THAT'S a timekeeping device. they didn't even have clock faces at first, and it really is so interesting to think about how looking at a clock wasn't considered the main way to tell the time. these clocks seem to have originated in italian cities and spread from there, and this is where we get ITALIAN TIME.

to show babylonian time with a mechanical clock is impractical. the machinery is good at regular movement, to show babylonian hours you kind of need the astrolabe. so italian hours were static and unchanging in length. you had twenty four hours in a day, and the cut-off point was half an hour past sunset. that was the end of the twenty fourth hour, and a new calendar date begun.

of course, the time of the sunset keeps changing all the time As Well, so these clocks had to be adjusted for that Continuously. which was annoying but they still did it until the 17th century. this method was used in italy, bohemia, silesia and maybe poland? i'm unsure what they used outside these spaces at the time, if they stuck to the babylonian hours even with mechanical clocks and did complex maths about it.

at least the NUREMBERG CLOCK had its own take on it, even if it didn't spread beyond southern germany at all. they used babylonian hours, but instead of changing the length of an hour, they changed the amount. eight day hours and sixteen night hours in december, opposite in june. the tables needed for how many days with how many hours were very complex and annoying also.

the concept of starting a new calender day at midnight, and never needing to constantly adjust day hours or when the sunset begins, WAS known but only used for scientific and astronomical purposes. like that's such a weird way to split the day!!!!! twelve at MIDDAY?? WEIRD. some travellers noted that this was a very practical and elegant solution, though, but travel and far flung communication was still very slow, so mismatched timekeeping was more annoying than inconvenient. but anyway that's for the future to figure out

[botanyshitposts]

Hey! I'm not a botanist, but I'm in circles where it's a bigger thing and I'm kind of curious about something.

So, from an outsider's perspective, the genus Garcinia has a lot of weird and messy classifications. For example, common species like G. intermedia and G. gardneriana are really similar to Garcinia brasiliensis, to the point that it's pretty controversial if they're actually separate species. The Garcinia species colloquially known as "achachairú" also appears to bear a lot of similarities to that trio (although much less than they share with each other), HOWEVER it's almost exclusively referred to (in cultivation and in studies) as G. humilis, a Carribean species with small oval-shaped leaves, despite actually having very long lanceolate leaves and being exclusively found in the Andean foothills of Bolivia. Also, multiple frequently cultivated species like Luc's garcinia and Russell's sweet garcinia haven't actually been described yet, despite for example the former having a decent amount of scientific interest and frequent genetic testing done on it.

All of these odd classification things and even more others have been pretty well known in my circles for the past 15 years-ish, but still nobody seems anywhere close to a conclusion for them. How long does it usually take for a genus to get organized when it has as many species as Garcinia does? And how do they do it? Do they go around testing every single species or only a few at a time? If a species is currently not named, do the same people usually describe them as part this endeavor, or just leave them for somebody else? I saw Plinia and Artocarpus recently got reshuffled a lot because of some prominent genetic studies on them, and several new species and even genera were added, but it just seems alien to me how stuff like that even ends up happening. There are so many plants out there!

Sorry if I'm asking the wrong person here, but I've been wondering about how this stuff will eventually be resolved for yeeeearrs

There are so many plants out there!

ok im kind of surprised i can offer a few possible answers to this question despite having never heard of this but i think i can. if the question is 'why aren't some plants actually described', this is the primary reason why.

when i was in plant anatomy class in college, the person teaching us was a plant anatomist who assigned us different plants from the greenhouse to dissect and describe in a paper for her, and she told us that we might find something that hadn't been described before, which was pretty shocking to me. what do you mean i could potentially find a new-to-science thing? has nobody in history looked at this plant that's just growing in the greenhouse upstairs??

what she said was that no, sometimes not. there are so many plants out there that it's difficult to do one exact in-depth description and published examination of each species, so what botanists end up doing is doing or finding one in-depth examination of one species in a specific group and assuming that all the others in the group are at least similar, if not the same. which is good because it saves time and works as a shorthand, especially if there's not much funding, but also sometimes it has the potential to overlook more nuanced differences that can go undiscovered for a long time. but that's just botanical species in the conventional sense, which i don't think is as straightforward in what you're describing.

another answer to this question that's more specific to the species you're talking about here is that plants are having sex. they have so so so soooo much sex. few things they enjoy more to be honest. and given that the most conventional (but not only) definition for different species is 'can't have sex with other species because it's too different from them', the lines get blurrier to deal with, and one thing botanists do when the lines between species get too blurry (because of all the sex) is to just assume that they're all part of some kind of hard-to-describe genetic soup with individual plants falling along gradients or spectrums of similarities or differences, and in this case you'll see botanists just name the most prominent species among them and call it the '[most common suspect] complex', which groups together all the ones that happen to be having sex with each other at the same time, just to make them easier to talk about. this typically doesn't mean that they're species-less, but more that they can be thought of as a group with a few distinct points where they can look very distinct, and those points are the species, if that makes sense; see the citrus sex graph at the end for an example.

i also see from a cursory google search that people seem to be planting and eating these in a more widespread way, and people are talking about them on forums and stuff. this is one of the cases in botany where things get tricky, because a person looking for traits in a fruit that's having tons of sex might not actually be looking for the same things botanists are looking for when describing a species-- it might seem easiest to just find which species or few species are the tastiest and grow those, but if it's a genetic soup then all you can really do is do it the old fashioned way and breed individual plants for the traits you want. which, who knows, could end up being a hybrid between all of them.

case in point: again i am not completely up to date with the lore here but i found a forum thread where people were debating which species to plant and the consensus was just to plant multiple species at once, which is fine but is also really funny given that it DOES facilitate even more sex, thus blurring the lines even further and-- if the posters decide to plant the resulting seeds from the fruits-- will create even MORE hybrid plants of no discernible concrete species in the plant soup. the hybrid of a hybrid of a hybrid of a hybrid or whatnot. when does one stop calling it a hybrid between two species and start calling it 'the tree in grandma's backyard that's the tastiest of the berries i've tried'? that is the question, truly, one humanity has had for millennia in the search for the tastiest berry, and at that point it might just be easier to call it a variety or cultivar, which are horticultural terms for just that-- a distinct 'kind' among the same species that taste good subjectively and can be reliably rebred and harvested, like all the apple varieties people debate about.

another reason is that plant phylogenies are hard and brain-twisting and plant taxonomists and systemisists are among our strongest warriors. it's not uncommon at all in botany to be researching something and to find out it's been reshuffled because of a new breakthrough on the case a bunch of people more qualified on the subject decided made more sense like a decades later. sometimes species themselves will even change names multiple times if it turns out that it was described earlier by someone else considering the new circumstances. if you're a really unlucky or just controversial plant all this can happen over and over again until, finally, the trees of math have been resolved in a way that makes sense. how long will it take? surely there is a concrete end to the madness? nah. lol

finally, if you're looking into studies on this, you should know that some phylogeny stuff is opinion-based or subjective, especially at first. what counts as a new group for one group of researchers might not count as one for another. so when you see stuff where people are inventing new categorizations or genuses or whatnot or merging multiple ones together spontaneously, it'll depend on how well supported their reasoning is and what the evidence seems to show, and the larger community of plant taxonomists will, overtime, decide what they want to do with that information-- which may include verifying it or refuting it with more evidence. what researchers are proposing when they split stuff off or merge it together is a new or updated model for thinking about existing information, and that model may be more or less useful than the existing one for the means of actually learning more about the plants.

anyway in short there are lots of reasons why this might not be sorted out and the more sex these plants have the longer it's gonna take. i'm strongly reminded of that one citrus sex graph (its this one) (screenshotted to see it on night mode):

[hwaslayer]

wildfire (cs) | 7.5

—spotify playlist | series masterlist

—summary: assistant professor in bioengineering, incredibly attractive, lonely and divorced; that’s how most people describe san. but despite the events that have happened in his life, san has a lot going for himself. he’s a successful, sought out professor due to his brilliant contributions to science at just an early age of 32. he worked hard to get where he was now; head deep into his research, his publications, building his lab and creating a name for himself. everything was good and smooth sailing— until it wasn’t. because when he meets you, a bioengineering grad student interested in rotating in his lab, he finds himself ready to risk all the blood, sweat and tears he put in throughout the years just to keep you close— his need for you spiraling out of control like a wildfire.

—pairing: asst. professor!choi san x grad student!f. reader

—genre: (18+ - minors dni) strangers to lovers, grad school au | fluff, angst, smut

—word count: 1.2k

—chapter content/warnings: not much here!!, cussing, mature language/sexually implied content, subtle flirting (in san's and oc's terms lmfao)

—a/n: hi! just a friendly lil reminder that these half chapters are random scenes/bits that couldn't really fit into a chapter or stand-alone as one. they're mostly in the past and will not always follow the exact timeline of the previous or upcoming chapter!

San booked off most of his day to help Christopher with this symposium. Well, actually, most of the group has [minus a select few others] in order to make room for the quick tech rehearsal and run through before its official start time in the next half hour or so. The staff is now bringing in the fruit, cheese and other pastries, along with coffee, tea and juice— setting them outside of the conference room on a long table. The symposium is supposed to be 5 hours, being that everyone keeps to their 20-min presentation + 10-min Q&A times. San is off to the side speaking with Jongho and Chris, while Mingi and Zara are fiddling with the AV system to test their own presentations for the final time. Even though this is the one time most of their schedules worked, Yeosang had to skip out due to heading overseas for a conference. As San sips on his coffee, Yunho and Iseul walk in alongside of Namjoon. Per usual, he keeps greetings to a bare minimum:

AKA, a very subtle smile and nod to both. One that Yunho reciprocates, one that Iseul doesn't like to acknowledge.

But, whatever.

"Did you guys tell your labs about this?" Chris nervously wipes his hands on his dress pants, nervous about how his first symposium is gonna turn out.

"Dude." Jongho laughs and pokes fun at him. "Relax."

"I bragged about it way too much, I don't even know if people wanna come anymore." San teases, making Chris shake him by the shoulders. "Relax! They'll come!"

"What if no one shows up? We'll be giving presentations to each other—" Chris laughs, but a few people start trickling into the conference room; providing him with a sense of relief. "Oh, thank god." The three start giving small nods to the students and other faculty dipping in, greeting them just as they set their things down and grab some food.

"Can't believe you actually thought people wouldn't come. Think you might need extra chairs." San points out as more people flood in.

"Shit, I did it." Chris beams from ear to ear, shifting his attention to two more familiar faces. "Oh! Hey Y/N, Jiung!" He says as the two of you walk towards their group, giving them very curt bows.

"Hi." You smile at all, especially San. He bites onto his straw, trying his hardest to hold back his smile.

"Thanks for coming."

"Of course! Got a good lineup, excited to hear all the presentations!" Jiung tugs on his backpack straps.

"In that case, send me a full report on it tomorrow." Jongho jokes, making Jiung playfully roll his eyes.

"Do you see how he treats me?" Chris and Jongho laugh.

"Nah, he's been talking a lot about the work you've been doing and how you're probably the best person to help get the rig together for our optical electrophysiology project."

"Aw, really?" Jiung looks at Jongho. "You mean it?" Jiung has stars in his eyes and Jongho can't help but deny the allegations. He has said it time and time again; Jiung is definitely doing great work and Jongho doesn't want him to go anywhere. If he could keep him for good, he would. He hopes he can.

He'd just never say it out loud cause he's like that.

"Hey now." He shakes his head. "I never said anything, I don't know what he's talking about." 

"We have a few minutes actually, let's talk about that real quick and follow up in another meeting later on." Chris looks at you. "Sorry to have to pull him away from you, Y/N. Professor Choi #2 can keep you company?"

"All good." 

"Be back." Jiung looks at you. "I'll save us those chairs." He points towards two end spots near the middle section. You awkwardly watch as Chris, Jongho and Jiung approach another professor to talk about said project, leaving you with San. 

"Hi." He says shyly. You've never seen him this way, and he's too fucking cute, too fucking charming. It makes you replay the dinner events in your head, only pushing your curiosity of what he'd be like if you two were completely alone. 

"Hi. Is that your nervous face poking out? Are you nervous?" You tease a bit.

"Me?" He playfully scoffs. "No. Dinner was more nerve-racking than this."

"What, why?" You giggle.

"Because it's you. I have to be extra careful with you, remember?"

"Right." You tuck a strand of hair behind your ear, heat rising to your cheeks as your eyes glaze over his figure; he's dressed nicely in a white button up, tie and grey vest. They're all dressed nicely for the occasion, but it's definitely an extra weakness for you seeing San like this. 

"You're cute." He mutters as he bites his straw again and takes a sip of his iced coffee, eyes looking around the room to make his flirting not so obvious. And it isn't, except Yunho has been watching from the side while he waits for Iseul to finish up working through some presentation issues with IT. He didn't mean to, but his eyes gradually glazed over to the two of you smiling and laughing.

He can't help it, but the interaction feels different. The only time he's ever seen San that shy and flustered is when he was courting Iseul. It almost feels like he's watching something unfold all over again. 

"All good!" Iseul says, knitting her brows together when Yunho seems to be preoccupied. "You okay?" She asks, Yunho finally returning his attention to her.

"Yeah, sorry. Was just people-watching." Iseul looks over, eyes also falling on San but she doesn't necessarily get a chance to think much about it before Yunho is chiming in again. "Let's go grab some food before it starts." He laces his hand with hers and leads her to the end, front row seats.

Meanwhile, you've been too busy keeping your attention on San to care about everyone else. You're so tempted to nudge him, be a little affectionate with him. And it's taking everything in you to remind yourself who you are and where you are at.

"Stop it."

"Glad you actually made it, though."

"I told you I'd come."

"And I'm glad it wasn't just something you said to brush me off in the hallway." You laugh.

"No, never." Jiung wraps up his talk with the other professors, his eyes meeting yours with a small nod towards the seats he sat his bag down at. "Well, guess they're done. I'll see you later? Goodluck on your talk, Professor Choi." He smiles toothlessly at you.

"Thank you, Y/N." He watches as you walk off and meet Jiung, plopping down onto the seat as he debriefs you on his impromptu meeting. 

"Hm." Jongho hums and clears his throat, slowly walking over to his bestfriend while sipping his coffee.

"Yes?"

"Nothing." Jongho squints his eyes at him, a small chuckle leaving his lips. "Productive conversations going around, I see."

"Mhm." San chuckles, knowing exactly what Jongho's hinting at.

"Hey!" Zara comes over with a bright smile on her face. "We saved you some seats." She points at the front row on the left side, waving them over. "Come." 

"Sweet, thanks." Jongho leads the way while Zara tucks her hair behind her ear and walks alongside of San.

"Ready?" San shrugs as he looks at her.

"As can be."

"I'm sure it'll be great like always." He smiles.

"Thanks." He lets her slip into the seat next to Jongho before sliding into the end seat, eyes quickly glancing over at you before he gets situated and switches modes for the symposium.

Though, you are incredibly distracting, and he can only hope he can get you alone sometime soon just to show you exactly how he feels.

—taglist: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @vcutparis @chngbnwf @struggling101 @sanhwalvr @angelqueendom @barbielibra @brown88 @choisansplushie @yunhoswrldddd @hyukssunflower @vickykazuya @lucid-galaxys-world @jaytheatiny @pommelex @thespiffynerd @vixensss @santineez @nopension @domfikeluva @in-somnias-world @my-atiny-kookie-rkive @mountiiny

[thewulf]

Not Just Pals || Jake "Hangman" Seresin

Summary: Request - Hello darling! I have a request for you if you don't mind... It's a hangman x fem! Reader pen pals to friends to lovers kind of thing. Like maybe when he was in the academy someone put his name in this program to write to college students but joke on them because he got paired with reader and they hit it off almost instantly... Read Rest Here

A/N: Whew! This one was for whatever reason really tough to write! I changed it up a little bit but I hope you guys still enjoy it. :)

Pairing: Jake "Hangman" Seresin x Female Reader

Word Count: 3.9k +

T/W : Self-doubt

October 9th, 2014

Hi There Y/N,

I’m not sure how you’re really supposed to start one of these things? How are you supposed to go about talking to somebody you’ve literally never met before? Although the Navy/Army pen pal thing could be interesting. I’ll be honest, my buddy signed me up and I didn’t think I’d actually write anything down but then I got the email with your name on it, Cadet Y/N Y/L/N. Consider myself intrigued.

What’s it like up in New York? Is it cold? Do you get a lot of snow? It gets awfully cold down here in Maryland, so I have to imagine how cold it gets up there. I’m from Texas so I’m still adjusting to this weather… four years later. It’s not easy. I think it’s the hardest part of living in the northeast. I’d rather run a marathon with a thirty-pound pack on than sit outside in the snow for more than twenty minutes. I hope to get stationed somewhere warm when this is all set and done.

Your ‘about me’ says you’re going into the Air Defense Artillery after West Point… which is the exact opposite of what I’m doing. Consider myself doubly intrigued Cadet. What do you do? Fire missiles and rockets at jets? That can’t possibly be as much fun as firing them when you’re in the air. It’s cool just not nearly as cool as what I do, know what I mean? Maybe a close second though.

Have you even been in a jet before? I bet you’d like it. I obviously don’t know you, but I haven’t met many people who didn’t like it. There’s something so freeing about flying 1,000 miles per hour in a tiny silver tube. You should try it sometime. If this whole thing works out maybe I’ll even take you up one day, who knows?

I guess that was my attempt at 20 questions. Hopefully you didn’t find it too annoying. Hope to hear back from you soon!

Jake Seresin

November 23rd ,2014

Hello Future Lieutenant Jake Seresin,

I’m thrilled you actually decided to write. I’m glad my name was all you needed to pick up that pen. I have to admit you made me giggle a few times. You seem effortlessly funny Mr. Seresin. Even for a soon-to-be Pilot.

I find it comical you’re asking me about the weather of all things, Midshipmen. Isn’t that what you’re supposed to do on an awkward first date? But to answer your question, yes it’s cold as all get out up here. But I’m from Indiana so I’m used to it. Doesn’t mean I didn’t wish West Point wasn’t in Georgia or something. Why’d they have to put all the Military schools in the north?

What was it like growing up in Texas? Did you ever see snow? One of my favorite memories from this place is watching my roommate (who’s from Florida) see and play in snow for the first time. She froze her ass off but had the day of her life. She also hates snow now. So, it looks like you warm people have that in common.

To sum it up I guess you can say we fire rockets and missiles. My professors always say, ‘If it sounds like rocket science, it is’. Basically, we need to protect the ground troops from the flying bastards aka you. Although we do love our American flying bastards. So, I guess that doesn’t knock you down too many pegs in my book. Do you think they matched us up because our jobs are the antithesis of the other? If so, somebody had a hilarious sense of humor.

I’ve never been in a jet, and I have no plans to either. I don’t think I’d enjoy it if we’re being honest. You’re talking to the girl who gets sea-sick on cruises and had to take a motion pill if we’re going to an amusement park. My lil brain can’t handle the motion. A character flaw as they say. I also have a sense that you wouldn’t go to easy on me, being Army and all. I’ll stick to my calculations and rockets.

Don’t tell anybody I wrote this, but I do think what you guys do is so badass. I work with a bunch of jealous Cadets who couldn’t make it into the Army Aviation division, they’re just bitter. When I was little my dad used to take me to the Blue Angels shows in Chicago whenever they made their way across the States. Kind of the reason why I wanted to be in the military in the first place. But only my dad knows that. And well, I guess you now too. So, keep my secret safe Mr. Seresin.

I know the weather is less than desirable, but I do hope you’re finding things you love in Annapolis! There are some of the best crab cakes I’ve ever had there.

Thanks for the smiles after a long week!

Your New Friend,

Y/N Y/L/N

February 16th, 2015

Future Second Lieutenant Y/N Y/L/N,

That has a right to it doesn’t it? Your name sounds good with a Second Lieutenant in front of it. Sorry it’s been so long since I wrote. Getting busy with graduation coming up and practical’s and all. It’s a lame excuse I know, but it’s all I got. I hope you know how big I smiled reading your letter to me. I read it about fifty times before I could write a decent response to you. You have a way with words that I haven’t read in a long, long time.

Was your father in the military? None of my family was. I also loved the Blue Angels when they came down to Houston for the air shows. I’d always beg and plead and finally my mom or sister would give in and take me. They’re also the reason I’m here. So, I guess we should thank them that we got to meet. Neither you nor I would be in these academies without them. Your secret is locked away in the drawer and safe in my head too. It’s super safe with me.

I’ll be honest, the food here is so damn good. I sure do miss my Texas barbeque, but the spread is better up over here. Plus, the snacks? I didn’t know there was different brands sold across the states and you guys have better girl scout cookies! That’s just not fair. I could’ve gone my whole life knowing that there were two versions of girl scout cookies and I got the worse version. I’ve enjoyed the move far more than I’ve regretted it. It’s the best thing I’ve ever done for myself. It doesn’t guarantee I’ll be a pilot, but it means I’m one step closer to getting there.

What all schooling do you have to do after you graduate this spring? Are you up for deployment soon? I’ve got a lot left to go. If I get picked after I’ve got a few years of flight school ahead of me. Then I’ll really be off. Wish me luck I make it!

With Love,

Jake

March 13th, 2015

Mr. Seresin,

I was getting worried! I thought it was something I had wrote. I’m glad it’s your negligence and not mine for the lack of communication. I forgive you though. It’s been stressful up here in New York as well. I luckily don’t have any practical’s I need to worry about. Just a few nuclear engineering classes are standing in between me and graduation.

I just have a year of Officer School (if I get selected that is) after this is all set and done come June. We have to apply this April so I’m getting a little anxious about the whole thing. I don’t really have a backup plan that I’d actually like to do so I really, really hope I get selected. Enough about me though, let’s talk about you. You’re going to get picked! Don’t let any bad thoughts get in between you and your goal. I think you’ll make a fine pilot Jake. You seem to have your wits about you which is the first step a lot of people miss.

My dad was in the Navy, like you. Don’t gloat though, it’ll ruin the finely crafted image I have of you. He was a deck hand or something like that. I wish I could ask him some more about it, but he passed when I was just thirteen. I just remember he loved being in the Navy. He loved everything about it. He made it seem like anything was possible with a passion.

I’m glad you’re enjoying the food and the girl scout cookies. It took me by surprise when I got Peanut Butter Patties instead of Tagalongs when I was down south for a winter. I’m so glad I grew up where the real GSC are sold.

I hope this letter brought you as much joy as yours brought me.

With the Same Love,

Y/N

(P.S. – Here’s my number if you’d like to text instead of write. No pressure!)

It had only been a week since you sent the last letter. Sure, you hadn’t really known the guy all too well but there was something so exciting about sending written mail. You felt like a little kid on Christmas waiting for a response from him. Who knew throwing your name in something so silly for your class would bring you so much joy.

You sat down on your desk setting your computer out front of you to study. Jake was right. It was an awfully busy time of the year. Applying for your future. Studying for you exams. When you felt your phone vibrate in your pocket you truly didn’t think much of it. It was only hours later when you finally closed the laptop shut that you went to check it that your face scrunched in confusion. You didn’t recognize the area code. It was then that it clicked that it could be him.

No pressure at all text! Hi there (it’s Jake).

You grinned reading it over and over again. That was quick! Maybe you made an impression? You sure hoped so. You hardly even knew what the guy looked like. You might’ve gone digging a little when you got his name. He was cute. Handsome even. But he seemed like that type. That arrogant pilot type. But even in just the two letters you received from him you got the hint that he wasn’t that type of guy at all.

I didn’t think you’d actually text me. It’s good to hear from you.

The messages between the two of you were infrequent at best as the semester ended. But he never failed to put a smile on your face. When you needed a pick me up you went through and read the messages that popped up.

On your graduation day you sent him a picture of you and a few friends in a cap and gown with the text: Beat you! You’re also looking at your newest Officer Candidate too!

You didn’t have to wait long for a reply. Your face only grew with glee seeing his response: Congrats Second Lieutenant. And future Captain. Knew you’d do it. You look beautiful as always.

Typing a quick reply, you hid your smile away just knowing your friends would make a stupid comment about the mystery man that always had you so smiley: You’re making me blush all the way up here in New York. I better get a picture next weekend when you do the same, future Lieutenant.

He came through on your request. When you got the text you could only smile. You spotted him in the picture immediately, your eyes drawn to him. He was so damned handsome. How lucky were you to get paired with a guy like that? Your smile grew further when you read the message: Lieutenant (and future pilot) Jake Seresin reporting for picture duty.

The messages occurred naturally between through the years as you were deployed, and he was in school. Some months you texted more and some you didn’t hear from him at all. It never bothered you. The silly little thing called life happened for both of you.

Still, the two of you often made time for phone calls when the time was right. The first time you talked on the phone you thought you were going to quite literally throw up you were so nervous. But in typical Jake Seresin fashion he made you feel cool as a cucumber. You talked and talked and talked into the morning. It felt so normal. Like you were catching up with an old friend. Jake Seresin. Who was this man that was making it hard to date? He was quite literally everything you wanted and needed in a partner. The universe had a funny way of working sometimes.

It had been six long years since you received that first letter from him. He was off on a mission now. A dangerous one he couldn’t tell you much about. But he wanted you at his arrival back home in San Diego and you promised him you’d be there. Assured him. That’s how you ended up in here pacing in the hotel room contemplating whether you should really go or not. It felt too intimate, like you were intruding. But he did say none of his family would be there, they had other things going on as the mission was a bit of a surprise to everybody. The pilots were all instructed to keep it as quiet as possible.

Your hands were shaking as you parked your car in the overcrowded lot. Gripping the steering wheel, you took a long breath in. You could do this. You had to do this. For him, for you. You stepped out of the car and made you way to the dock. The aircraft carrier was already docked by the time you got to the meeting site. You stood back and waited. Watched and waited. It felt like an eternity then finally the men and women started pouring out in their Navy Whites. You’d always thought they looked the sharpest of the bunch, but you’d never tell Jake that. He’d make fun of your Army uniforms or something like that.

It felt like both an eternity and seconds later that you spotted him amongst the crowd of sailors exiting the ship searching high and low for you. You promised you’d be there. And here you were. He either felt your eyes on him or had an uncanny sense of timing as his eyes locked with your own. His smile had melted you right there on the spot. You felt helpless as you willed your brain to move but it wouldn’t. You only began to panic a little as he moved with ease through the crowd making his way right to you.

He stood in front of you. Jake Seresin stood in front of you, much taller than you thought, “I knew I recognized you. First Lieutenant Y/L/N.” His eyebrows raised as you gaped at him with wide eyes as if he wasn’t really there. Closing your mouth, you knew you needed to pull it together but that sounded much easier said than done. Jake freaking Seresin, your pen pal was really standing in front of you in real life. He was more of enigma in your mind at this point. Somebody you could have deep life conversations with so easily but never having actually met the man it was hard for you to grasp he was really real. And standing in front of you.

“Jake.” You smiled hoping it sounded somewhat normal. He was so much more handsome than the photos he sent through the years. How was that possible? Wasn’t it supposed to go the other way? You continued once your head finally could form coherent sentences, “Well it’s actually Captain now. Got promoted a couple weeks ago.”

He turned his head to the side just slightly, “You didn’t tell me that.” Almost looking offended you hadn’t told him.

“Never felt like the right time to divulge. With this mission and all. Had to keep you locked in.” You looked up to him now studying his face as you gained more courage talking to him. He was something your dreams couldn’t make up.

He nodded not daring to take his eyes off you. He too thought you were even prettier than he could have envisioned. You’d sent pictures and he’d followed your social media, but nothing could’ve prepared him. Especially in your civilian clothes, he was a sucker already. Deep down Jake knew you were the reason he was so non-committal before. He was looking for somebody just like you and couldn’t find her. Yet here you stood in front of him. You were so funny and witty and smart, and yet he couldn’t put it all into words. You are the whole package and so much more.

���You still could’ve told me. We talked enough before I left.” He grinned seeing that the tension was already easing from your shoulders.

You shook your head, “Wasn’t about me Seresin. I just wanted you to stay focused and safe. And thank goodness you did.” You admitted a little more than you wanted, but he just made you feel so gushy. Like you were a sweeter version of yourself you could hardly recognize. And the words just kept flowing out when he gave you that look with those green eyes.

“Oh yeah?” He challenged you a bit sensing that you were starting to feel a bit more comfortable with him already, “Didn’t think you’d be so relieved darlin’.”

Ignoring the sweet term of endearment you shook your head, “And waste six years of my life on nothing? Jake that’s so inefficient. Of course, I want you safe.” The words came fast, and they were snarkier than you intended. But you truly couldn’t help it.  He had you relaxed within the first five minutes of talking to him. You felt like you could just be you.

He threw his head back in laughter. That same weight had lifted right off his shoulders when you snapped back at him like he was waiting on it, “There she is. My favorite mouthy girl.”

He said it so nonchalantly you thought your heart was going to combust on the spot. Your cheeks surely gave way to your reaction to his words. His favorite mouthy girl? Christ. He was trying to send you into a coma or something! Your brain quite literally short circuited as it failed to form any coherent sentence. He only chuckled in response seeing your cheeks heat up in a blazing blush.

“It’s so nice to actually see you in person. You know I’ve always told you this, but it rings even truer even now. You’re quite a stunner, Captain.” His eyes met yours before you looked away quickly feeling as though you were going to faint at those words. You weren’t sure how this interaction was going to go initially. But you really didn’t think he’d come right out and say that he found you stunning. The occasional letter and texts in between had grown flirtier the longer you had known him, but it never crossed your mind he’d be so outright with it.

You turned away out of sheer bashfulness. Never had a man been so bold with you before. It was foreign. Not uncomfortable, no. Nothing could be with him. He made it easier than seemed possible.

“You flatter me Jake.” You grinned up at him hoping your makeup would hide the darkening of your cheeks, “I should say the same for you. Handsome as ever.”

“Now you’re making me blush, Cap.” Sure as hell the faintest pink dusted his cheek, but he seemed much stronger than you. He kept the eye contact going.

You shook your head trying to bite back the big smile you had on your face, but it showed through anyway. How was he doing this? Making you feel so giddy just by looking at him. You knew this man but for the first time it actually felt like you might actually love him. You’d had the deepest conversations with him. When you needed a laugh you texted him. When you craved advice you called him. He was the guy you turned to. And it dawned on you that he never failed to answer you. He wanted to take your calls and answer your texts. He looked forward to it. He too had fallen for a woman he’d never met before.

You needed the change the subject and fast or more words would be tumbling out, “How was the mission? Everyone make it out okay?” You asked having no idea what you were getting yourself into. Jake hadn’t told you much about what they were doing, couldn’t tell you much. But now that it was over he couldn’t wait to tell you every nitty gritty little detail.

“I’ll tell you if you let me buy you a drink?” He gave you a smirk that sent nerves racing throughout your body. Jesus. This man was something else.

Giving him a curious once over you nodded, “Shouldn’t I be the one buying you a drink sailor? You coming home and all?”

“Absolutely not. I’ll never let you buy me a drink darlin’.”

Gosh, Jake was actually going to be the death of you. He was so good making his words come off so easily. You felt terribly high strung next to him, “And why not?”

“Because I’m trying to woo you sweetheart. When I get you to go on a date with me I have to impress you. Inevitably that’ll work and you’ll become my girlfriend. And I can’t have my girlfriend paying for my drinks, no. And it’ll only get worse when I get the pleasure of marrying you. If my wife thinks she’ll pay for a thing she had another thing coming.” He gleamed at you as if he didn’t just say all of that.

You gulped before a stupid smile grew on your face. Of course, you knew he was forward but again, he just took you on an entirely new adventure with that statement, “That’s quite a bold statement Jake.”

He shrugged, “I thought I should make my intentions perfectly clear. I think you’re one of the most beautiful women I have ever seen. And you’re perfectly you. Sharp as tack. Funnier than ever. You’re you. And I really like you.”

You let out a breath not sure if you really believed all of that, “So not just pals, huh?” It was all you could think of quickly but that did it for him. Sealed the deal. He knew he was going to marry you right then and there. You’d complete him in every way he needed you and vice versa.

He shook his head taking his arm in yours, “Not just pals.” Leaning into his gentle embrace you led him to your car where he would not let you drive. He insisted that it was a gentleman’s job even if he was only running off four hours of sleep. You’d appeased the man who was on his very best behavior. Not that you minded. Nope, not at all. You were thrilled that Jake was exactly who he seemed to be. Your Jake. Not just pals indeed.

Jake Seresin/Top Gun: Permanent Taglist (If you'd like to be added to any or all works please fill out the form here: Taglist Sign Up) @loving-and-dreaming @kmc1989 @memeorydotcom @matisse556 @buckylov3r @taygrls @ah-blossom @mamachasesmayhem @hardballoonlove @rosiahills22 @djs8891 @illisea @jessicab1991 @guacam011y @dempy

[commsroom]

this is a sensitive topic for me, so i really hate that i have to make this post, but unfortunately it keeps becoming relevant: stop infantilizing hera, and stop making excuses for it.

"well, she's literally four years old" she's been fully conscious with an adult mind for most of that, awake for most of that, and in multiple places at once for most of that. do you think that is comparable to a child's life experience, or is it maybe representative of something else?

i assume you understand why it would be wrong to call lovelace "literally two" because the fact that she is a clone is textually representative of the trauma she's been through. i also assume you understand why hera occasionally making flippant or frustrated comments about her own struggles living as an AI is different from the text telling you who she is or how you should regard her. it's science fiction, and it's a show that uses science fiction concepts in ways that resonate with real ones. the ultimate fact of the matter is that hera could've been in a lab for 30 years, or for 200 years, in a different setting, and be written the exact same way: as a sheltered, isolated adult woman without real life experiences.

hera is not a child or teenager in a natural stage of development. she is an adult who never went through the usual stages of development or life milestones, who has adult friendships and responsibilities, but who feels she is permanently ill-equipped to handle her life because no one ever taught her how, or gave her the space to make mistakes. if you don't understand why this distinction is important in discussing her trauma, that there are real, adult people who feel the same way, people who feel they've only been alive for four years, women who were never girls... then i really don't know what to say to you.

and i guess i have to say it: it's inherently infantilizing to say her peers see her the same way they see an actual child, or to say she needs them to be parental figures, especially eiffel of all people. "adult women have parents too" not ones that are 30 year old men! and parents have responsibilities to children, even adult children, that are different from the responsibilities two unrelated adults who care about each other have. it fundamentally reframes hera's most equal relationship in a way that diminishes her autonomy within it. (and if you're arguing it's all equal anyway, then what does it add? why don't you consider friendship as important?)

i know some people will dismiss that point because i view eiffel and hera romantically, but i've never argued you have to. if you want to go down that road, it says some pretty awful things about the couple of writers and actors who also view it romantically if you think she was meant to be viewed as a child, much less comparable to his child. you're inventing problems that don't canonically exist.

i just don't understand why you would make it about eiffel at all - and eiffel does not have the right to be a parent; the only thing that will heal his relationship with his real actual child is in relation to his real actual child - instead of discussing what a disabled, isolated, traumatized adult might be able to offer a disabled, traumatized kid. isn't the whole point of hera not being like pryce about breaking cycles? why make her a passive figure in her own story when her entire story arc is about taking control of her life?

there's no utility to this line of thought that doesn't further demean and alienate her, while implying she isn't ready to be a fully autonomous adult person. i don't think most people mean to be ableist, but hera is canonically a disabled woman, and i don't like where that line of thought leads. and yes, she's just a fictional character and can't be hurt by it, but everyone brings some real-world biases to how they engage with fiction. she's written as a marginalized adult person, and her womanhood is textually tied to defense of her personhood and autonomy (as well as a parallel to lovelace, also a marginalized woman.) to paraphrase minkowski - "you are going to show [that woman] some goddamned respect."

[mysticheathenn]

Messages From The Art of Not Giving a F*ck

Hi, Hexlings!

This pick-a-card reading is all about messages from things that you should not be caring or giving a f*ck about. This could be you having the fear of being seen. What does the world think of you at the gym? Basically, petty things that stop you from living your life.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

MasterList

Patreon Link

Pile l:

What should you not give a f*uck about? Tarot: 8 of Cups, 7 of Wands (reversed), Awakening, 9 of Cups, The High Priestess

The opinions of others concerning any and everything you do. You are meant to shine and show up as your most authentic self pile l. You do not need anyone's permission, advice, or even guidance on knowing who you are or what you should do with your life especially if these people are doing the exact opposite of what they try to preach to you. For some of you, I am getting that there is a family member or even just family in general who likes to dictate everything that you do and who you are. While I can't tell you what to do and can only provide you guidance for your situation, please ask yourself are these people happy? Do they ask anyone what they should do with their life and who they should be? Are they paying any bill of yours or financially supporting you? If you have answered no to any of these questions, my suggestion and only suggestion and opinion is to stop paying attention to anything that comes out of their mouth when it regards to you. I have a story for you once upon a time a little mystic heathen had parents and family who would dictate and tell little heathen what to do up until it got time to actually put their money where their mouth was and would back out while telling little heathen still what to do. Little heathen wanted to major in English while her parents medicine or computer science. It wasn't until little heathen saw that no one was paying the bills but herself that the only opinion that mattered with what she majored in, where to move, what career, and who I should be friends with was the opinion of her own. She broke free and stopped giving a dam because once you give someone the power to mold and control you it never stops. Unless the opinion from others saw red flags that I did not see everyone's opinion or suggestions could fuck off. Again this is all a suggestion and my opinion as you're an adult and can make your decisions for yourself but if you have been looking for a sign as to what you should do, this is it. Be free and release yourself from the holds of others that hold you at a standstill or make you unhappy.

Pile ll:

What should you not give a f*uck about? Tarot: 10 of Pentacles (Reversed), 2 of Cups, Queen of Cups, 5 of Swords (reversed), Knight of Cups, Queen of Wands (reversed)

Validation from romantic partnerships. I get the strong feeling from this pile that you love to watch and read future spouse pick-a-card readings. No matter the topic of love when it comes to tarot you are there waiting to see what it has in store for you. It is also similar to how you are in a relationship. You see the validation from your partners that you are good enough. Some of you might even have a small bit of pick-me energy. Whenever your partner says jump you don't ask how high you keep jumping and ask them if this is good enough and if it's not you keep jumping higher until they are satisfied not realizing that you, darling, are the prize. People should be jumping through hoops for you and not the other way around unless the energy is being reciprocated but I need you to understand that you are powerful just you alone without the opinion or approval of a love interest. You don't need anyone by your side at all. I know you're thinking I know I don't need anyone but I want someone...do you know pile ll. Do you really know that you don't need anyone? You are the Queen of Wands and the Queen of cups pile ll, you turn a house into a home, food into a cooked meal, etc. Anything someone gives you, you multiply it and tax interest and you are out here answering questions like "What do you bring to the table?" as if you aren't the table, the napkins, silverware, plates, and whole packaged deal. See yourself through the lens of a goddess/god. You are powerful, start acting like it, and stop putting yourself through hoops for someone who wouldn't do the same or doesn't even wash their own ass not knowing their shit stinks, they are no one special.

Pile lll:

What should you not give a f*uck about? Tarot: 2 of Cups, 3 of Swords, 6 of Cups, 6 of Pentacles, The Wheel

Pile lll you may have also been slightly drawn to pile ll as both your piles kind of go hand in hand. Pile ll is all about validation from being in a romantic relationship while yours is simply you acting as if being single is the worst thing in the world. As mentioned in Pile ll you probably watch and read a lot of love and Future Spouse pick-a-card readings because you have a hard time being by yourself. If not pick a card readings you read a lot of romance novels. Your favorite authors are probably Emily Henry, Ana Huang, Ali Hazelwood, Lauren Asher, Elsie Silver, etc. You watch as others around you fall in and out of love and you want that for yourself. If romance was oxygen you would die the moment you're not with someone within .5 seconds and I need you to release the need for romance just for a split second. Enjoy singlehood and realize that not everything is about love. There is more to life than being in a partnership with someone. You may not think that but have you tried and I mean really tried to enjoy being single? Travel to other places, dining out alone, watching a movie all without someone constantly talking or ruining the moment with spoilers. This message is only for a small few of you as it is very specific but you need to leave your ex alone. Stop thinking, dreaming, looking at their social media, or even reaching out to them. What's done is done...don't let someone tell you they don't want you more than once. This also goes out to those who are in situationships wanting a relationship from their person. They are telling you with their actions for some time now that they don't like you they just want you for your body and the things you can do for them. You are a placeholder until they find that person they want a commitment from. That was a specific message for those who resonated with the message but to continue on with the general reading love is beautiful, kind, and sweet, but it's not the end of the world if you don't have someone by your side. You are free to live life beautifully without someone else there to witness it. You remind me of the era when everyone would always post that they were going to the gym on Facebook and the meme was "If you don't post that you're at the gym, did you even go." If you have fun without someone being there with you to also have fun...did it even happen. Yes...yes it did pile lll. One day you will find a beautiful and harmonious relationship but until then enjoy singlehood. Also, give the love readings a break. Go outside and touch the grass for 30 mins everything will be fine.

Pile lV:

What should you not give a f*uck about? Tarot: 3 of words, The emperor, Ace of Swords (reversed), Page of Swords (reversed), The Empress (reversed)

Pile lV You are my only pile where I have to tell you to give a f*ck about something. You've been through heartache, after heartache, and loss to the point you have closed off your heart to the world because of how many times you have been hurt. This is leading you down a path where sometimes you can't focus or make the best decision because you have closed off your heart to the world or even love in general that anything where you need to involve feelings, showing a small bit of compassion, or even empathy goes out the window. Sometimes even logic goes out the window because you are so strung on not getting yourself tangled up in anything where it could lead to heartache or betrayal. For most of you I am getting this is a relationship or several might I add. While others of you probably had a shining light. You were a lighthouse pouring your beautiful light, energy, and guidance out onto the world for others to take advantage of you and make you cold, aggressive, or deemed in the eyes of a few, an asshole. I need to remind you that it is okay to open your heart to others or even love again Pile lV. I get it, it's scary thinking about the chances of being hurt again but I have to remind you that, this is part of life. You get knocked down and you get back up again but don't harden yourself off to the world. Not when the world needs so much kindness and love right now. There is already so much hate and lack of compassion in this world, open yourself up again even if it is for a little bit or for certain situations. The things that happened to you weren't meant to harden you up but to teach you lessons about boundaries and having self-respect and love for yourself. Instead, you hardened up instead of doing the work that is necessary to establish standards and boundaries for yourself. Do the work. Open yourself up again. The world needs your kind and gentle heart the way it was always intended.

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

[sili-redwing]

you ever just think abt Them

the mall video, the way moon followed sun, the way he immediately decided the yellow yogurt dispenser was for sun because it had his colors, the way he gave him a coconut popsicle because he wanted sun to be able to try it as well.

the way he knew sun wanted to buy things, and immediately gave him all the coins he found in the mountain so he could buy whatever he wanted. ("Moon! I want to try everything, Moon."

"Okay.")

the laboratory video, with how excited he was to show the things he made off to sun, the way he allowed sun to use them on him in turn for the fact he used them on him.

("Moon, we can't just become a common crimina-- what's this?"

"A chocolate popsicle."

"A...chocolate popsicle?"

"I made it."

"Oh! Like a homemade popiscle? :0"

"Yep."

"Oh my goodness, thank you Moon- I knew you cared about me deep down!"

"Sure.")

-.-

("Don't worry. If you ask, I can make things for you, too.")

the video where they first met monty, where moon told sun that he'd be the one to lie for him, because sun wasn't comfortable doing so himself.

another thing i may note with this episode is that monty never once physically hit sun; he hit moon because he was in the way, but other than verbal threats, he never actually did anything. this carries on to later episodes, too, i believe.

("We can't lie to people, Moon!"

"Yes we can."

"Why?"

"I can. You don't have to; I will.")

he treats FREDDY better than he does SUN. which i find particularly strange because both sun and freddy have the same exact traits.

they're considered the dumb ones, too kind, a bit naive. but in the episode they upgraded freddy, moon was so soft towards him while threatening sun the moment before

("Your joints are connected by screws, I will take off your limbs."

"Freddy, help me! He's threatening to kill me!"

"Uhh..don't kill him, please."

"Freddy, you are a sweet baby boy, move out of the way.")

sometimes i think about how bewildered and offset sun seemed when moon was suddenly being nice to him, the way while happy about it he still chose to keep his distance because something was obviously wrong with moon.

("You're so good at this job."

"...I am?"

"Yeah! You're the best at it."

"..Okay! [nervous laughter] Let's just- now go downstairs!")

moon clearly holds sun in a bit of a higher care than he acts like he does. hell, he panicked when sun was 'missing', and told monty he'd do anything as long as monty gave him back (even if it turned out that monty had nothing to do with it, and that sun was just sleeping.)

("I don't have a ringer! I don't even know what a ringer is! Why are you hitting me?!"

"Because I just had to go get a necronomicon because I thought Monty kidnapped you!")

i will say that the demon and angel episode added a lot of insight on how moon does feel about sun. my only gripes is that it feels like NOTHING WAS DONE ABOUT IT.

("I don't think we should be yelling at him--"

"You're right! i shouldn't be yelling at him! I SHOULD BE BEATING HIM TO A BLOODY PULP!

"I'm sorry! I'm sorry! I just wanted to share my cool science with you.."

-.-

("It's not like you try to get along with me!"

"I don't try to get along with you becase the first thing you ever did was just saying 'Oh, you're so annoying and dumb and stupid!' What do you mean, try?!")

-.-

"I've been trying my best! That's why I've been bringing you along for my adventures!"

-.-

("I made your favorite..."

"I want you to tell me right now what my favorite is."

"Gingersnap.")

it feels like after they got foxy, it went downhill. or maybe it was after roxanne on her own. maybe that isn't fair to them, maybe it is. i don't know. but there was definitely a shift in moon's behavior, to me at least.

because it feels like foxy brought a surge of violence...

("Hey, by the way, Monty? Sun ran onto oncoming traffic."

"I'm not too surprised, the way you treat him.")

...which only seemed to spiral further once they got bonnie.

("You just- he just hit me with the bottom of his gun, Moon!"

"Let the Sheriff do what he needs to do."

-.-

("It doesn't matter anymore, no one likes me."

"If no one likes you, then you'd think you'd try and be a little different."

"Why- why should I at this point?! Screw you, Moon.")

moon considers sun one of his best friends, which we know from freddy of all people because sun's name is literally part of the password to their internet.

("It's the names of his three best friends! Himself, you, and me!"

"I- I don't think you can be friends with yourself."

"Moon's very self-oriented!"

"Yeah, I know that one...selfish guy."

"No, not selfish! Self-oriented.")

can i just say that it's a terrible fact it can even be part of a bar when this is one of the few episodes moon doesn't physically attack sun, and that's only because hes too focused on investigating?

("So you're saying that Sun's the problem because he keeps getting caught!"

"No, you are in fact still the problem, Moon."

"HA!")

that entire conversation with foxy and roxanne both in the video that sun finally, perhaps rightfully if not in the best way, snapped.

("Just drop the gun, Sun- just drop the gun and we'll be okay- this isn't you- this isn't you, dude-"

"This isn't me? YOU MADE ME LIKE THIS! I'm going to enjoy watching you dissipate to nothing.")

-.-

("Why do you want to kill Bonnie so bad?"

"He has done nothing except torture me ever since he has come here!")

i don't know what moon was expecting, when trying to confess to him. moon, bestie, i think the first sign that you fucked up should have been the very moment he assumed that it was a prank. that eclipse was messing with him.

("I'm in love with you-- what?

"So Eclipse is doing something to you, right?"

"What?"

"Eclipse is doing something to you?"

"…n- no?"

"Yeah, okay, I get it. Eclipse, this some kind of big prank trying to get me to say I like Moon in some romantic light because he treats me like garbage all the time? Eclipsee?-- oh.")

that something was wrong with you.

-.-

("...Because I like you?"

"That's not possible. Improbible!"

"I mean, you're a good person, you're nice, you're kind."

"YOU LITERALLY BEAT ME UP EVERY DAY!")

the fact monty was surprised that moon liked sun. which says a lot because it feels like monty's one of the few moon hangs out around, besides foxy and bonnie.

("Yeah, it's because he doesn't believe i'm in love with him."

"Pardon?"

"Byeee.")

the fact that freddy's been trying to talk to moon about it. been giving moon advice. and moon hasn't been taking it whatsoever.

("He's been talking to me about it. He didn't know how to go about it because he thought you would hate him."

"I do hate him!"

"Yeaahh…I know. But I wanted him to learn his own way."

"He literally started beating me for some trivial reason-- for no reason??"

"Yeeeahhh… I know. I wanted him to learn from his own mistakes.")

while roxanne was..close to being a friend to sun, she's also- as much as i hate to say it- more of an...observer? like she doesnt have the- yknow- courage to actually prevent it outside of words. she was on that route of "she has the spirit, but she's too weak-willed to actually do anything about it" i think. because she like,, she did try! but she never actually followed through. all she said was "maybe we shouldn't do that?" and then never actually tried to stop them

and freddy- while he isnt actively doing things...did turn a blind eye to bonnie's antics in the carnival video. he, too, has never once actually said anything about how sun was treated.

the only one who EVER said anything about it was monty, and that was offhand. that and the fact monty said he cheered when sun pulled the trigger on foxy and bonnie. which honestly might as well be the closest person to an almost-friend sun has! because while monty hasn't been particularly helpful, he hasn't outright hurt him either!

for all the times eclipse has tried to send people after sun and moon to kill them (which so has bonnie! so has moon!), at least he hasn't once went under the guise of actually caring for sun. he hasn't lied to him or anything. also!! that time on the roof, with him and bonnie? while eclipse didn't say anything, he didn't dismiss sun either as he ranted about all the things bonnie did to him. he never once interrupted, let him get it out of his system.

which maybe thats the bare minimum! but honestly? despite all his faults, i'd still think sun was better off with him. because at least he knows eclipse doesn't outright care, and so he can't get sucked in that continious cycle of mixed feelings.

this is all just mostly my opinion though so. feel free to disagree, this is just from what i noted, and honestly i might not have worded it the best but its the best i got rip

i dont even know what im trying to say with this tbh. they are just... idk. i miss what they used to be. i wish things were better for them.

[stedes-tarty-pink-robe]

The finale has me thinking about Laszlo and how much kinder he's allowed himself to be as the series goes on. As he said in episode 9, vampires aren't supposed to show care, and besides his open fondness for Nadja and Sean, the Laszlo of the first few seasons fit that mold. He was a creature of self-involvement and pleasure. Then Colin was about to die, and for the first time, Laszlo placed someone else's interests before his own. He befriended and later raised Colin as his own. Sure, he still struggled with opening himself up to Colin and listening to his wishes, but the care was there. And then Baby Colin grew up overnight and forgot their time together. Yet Laszlo couldn't do the same. He couldn't go back to not caring, so when Guillermo was in trouble, of course he helped. I don't think it's a coincidence that he tried to hide his concern for Guillermo under the veneer of scientific curiosity just like he did with Baby Colin. But truth is that he didn't want ANY of his housemates to get hurt, and he liked guiding Guillermo through the vampiric process. He was even gentle with Guillermo in his own Laszlo way, encouraging his powers and even trying to apologize to Guillermo for not being able to fix things. I cannot imagine Season 1 Laszlo apologizing for anything. That's vulnerability. That's opening himself to potential ridicule and pain because Guillermo needed to hear it. All throughout the season, Laszlo's been doing little kindnesses like that. He let Nandor feel important during their night out when he didn't need to. He noticed enough about the Guide to remember the exact date they all complimented her. He helped Guillermo get Derek to the Necromancer when it would have been easier to keep out of it. Laszlo cares, and the longer the show goes on, the harder it is for him to pretend he doesn't. He's more than just a hedonist and questionable man of science. He can be a good friend, too.

[miss-musings]

"Omega Needs You Both": A Deeper Look at Crosshair's Plan 99 Monologue

So, I had an interesting exchange with someone on Twitter about the 3.15 "change of plans" scene and what exactly Crosshair meant -- specifically by the line "Omega needs you both."

I figured I'd share my thoughts here, and do a breakdown of the dialogue in this scene.

We start with Crosshair seeing Tantiss' defenses and his hand starts shaking uncontrollably. But, he clenches his fist and gives his brothers an update:

Crosshair: They've got heavy patrols guarding the perimeter, with lurca hounds. Wrecker: Told you we should've brought Batcher.

Wrecker, who was mauled by a jungle creature in the previous episode, has basically been running on a combination of adrenaline, determination and med patches for at least an hour. As Wrecker says this line, he chuckles and then groans with pain from his wounds.

Crosshair notices and gives him a look that Wrecker can intuit even under his helmet.

Wrecker: Stop looking at me like that. I'm fine. Crosshair: No, you're not.

Crosshair sees the situation they're in: Their five-man squad is down two people already.

Tech is dead. (RIP, bestest boy! 😭)

Echo is inside the base, but they can't coordinate with him. For all they know, he might've been captured or killed after deactivating the science vessel's sensors at the end of 3.13.

And now, on top of Crosshair's own hand tremors, Wrecker is severely injured.

Clone Force 99 is down two people already, two of the remaining three aren't at full strength, AND they’re going into Tantiss without any (known) back-up. 😬

Even if they manage to get past the patrolling stormtroopers and lurca hounds, they still don't have an easy way in. (Of course, the Zillo beast solves both of these problems about two minutes later.)

So, knowing full well what they're going up against and seeing the bad shape his squad is in, Crosshair offers a solution:

Crosshair: Change of plans. You two head to the communications array and try to contact Rex. I'll infiltrate the base myself. Hunter: Not happening. Wrecker: Yeah, we've handled worse situations than this countless--

Wrecker of all people knows that their squad isn't invincible. But, I think he's trying to infuse some optimism into the conversation and convince Crosshair not to do something rash.

Meanwhile, Crosshair basically tries to do the exact same thing to Wrecker, but in a much harsher way:

Crosshair: Wake up, Wrecker! Clone Force 99 died with Tech. We're not that squad anymore.

Crosshair says what they're all probably thinking:

Clone Force 99 charged into every battle in the Clone Wars with full confidence and zero hesitation. Maybe they weren't exactly stupid about it, but they were definitely reckless.

Crosshair is trying to tell Wrecker that they're not that invincible squad anymore. They lost their MVP in Tech. They cannot afford to go recklessly charging into battle like they used to, which he believes Wrecker is suggesting.

Crosshair: I've been inside that mountain. I know what we're up against. If we all go in, we're not all making it out.

Again, even if they manage to get inside, Crosshair knows exactly how well-defended Tantiss is. He's trying to convince his brothers to get to safety, because he knows the odds are stacked against them and he doesn't want to lose them.

He wants to keep them safe. He wants to protect them. So, he uses the best logic he has to try to convince them: 🥺

Crosshair: Omega needs you both.

I know a lot of people look at this line and interpret it as: "Crosshair thinks Omega doesn't need him (like she needs Hunter and Wrecker)."

There's definitely an argument to be made for that.

Crosshair has major self-esteem issues throughout Season 3, and he definitely feels like he failed Omega after missing the shot to track her ship in 3.11.

I do think he believes that Hunter and Wrecker matter to her more.

I also think he doesn't know or fully accept exactly how much he means to her.

But, he must have some sense that his well-being is important to her — that she cares about him.

She refused point-blank to leave Tantiss without him. She spent five months telling him, convincing him, that they were going to escape together. For all his efforts to push her away, she never gave up on him. And when the opportunity finally came, she kept her word and freed him.

Between 3.05-3.11, Omega spends a lot of time with Crosshair.

She helps him reintegrate back into their family and reconcile with Hunter. She doesn't like when he suggests taking on CX-2 by himself. She tries to help him heal his hand and his mind. When she tries to convince them people can change, she reminds Crosshair that she never gave up on him.

She also told him multiple times in Seasons 1 and 3 that he was her brother. Omega always saw him as part of her family, and she wanted him in her life.

(EDIT: It’s also totally possible that Crosshair realizes Omega cares about him while ALSO believing she doesn’t need him. “She cares about me” =\= “she needs me,” especially compared to how much she needs Hunter and Wrecker. He is still weighed down by guilt and insecurity, after all, and feels like he failed her in 3.11.)

Again, I do think Crosshair underestimates and/or doesn't fully accept how much he means to her (or how much she needs him).

But, I think he’s ultimately trying to tell his brothers: "You two can't die, because Omega needs you."

Crosshair knows how much they care about her. He probably thinks they'll agree to anything -- no matter how stupid -- if helps guarantee her safety.

Omega is the best reason he has to convince them they need to live.

In general, Tech went through a similar process in 2.16.

He first told his family to "sever the connection hinge now," and Wrecker refused. He called for Plan 99 and Wrecker still tried to talk him out of it. So, he shot the connection hinge himself, because he knew they'd never let him go even if it meant they’d all die too.

(RIP. He really was the bestest boy and the squad's MVP.)

Crosshair is doing the same thing: he's trying to convince his brothers to let him sacrifice himself to ensure their safety. 😭

Now, Tech's situation was different. It really was "either he dies or they all die." There was no way around it.

But that's not a guarantee here in 3.15, although Crosshair thinks it is. (And as we see later, he's basically right. The CX operatives could've and would've killed them, but Hemlock apparently wanted them alive.)

Anyway, let's close out Crosshair's monologue:

Crosshair: So, I'm doing this alone. It's-- It's what I deserve.

Pairing this with his previous statement that Omega needs Hunter and Wrecker, it can definitely sound like "I don't matter to Omega (like you do), so I need to sacrifice myself." Again, there's an argument to be made for that.

(EDIT: I really think DBB’s delivery of “Omega needs you both. So, I’m doing this alone. It’s what I deserve” is a BIG part of why people interpret it the way they do. And they’re arguably not wrong to do so. It does feel in-character for Crosshair.)

But, I'm guessing he means that sacrificing himself will finally atone for everything he's done -- hunting down and nearly killing his family, killing all sorts of people for the Empire, failing his loved ones, etc.

He's telling them: "I've made so many mistakes. Let me make up for it now by keeping you safe."

Thankfully, Hunter and Wrecker talk him out of it.

Hunter: Don't even think about Plan 99, Crosshair. Omega needs all of us, and so do those clones. Wrecker: We've always known the risks, and so did Tech. We do this together.

Hunter affirms that Omega needs all three of them. He's using the same logic that Crosshair tried: "Don't throw your life away, because Omega needs you too."

And Wrecker tells Crosshair more clearly that he knows their squad isn't invincible anymore. But, if they're going to do anything, they're going to do it together.

I honestly wouldn't be surprised if Crosshair planned to keep arguing with them, but then they got distracted by the Zillo beast. 😅

In summary

If I had to rewrite Crosshair's monologue so it would more clearly convey what I think he's trying to say, it would go something like this:

Crosshair: Wrecker, we're not wild Clone Wars frat boys anymore. If we go rushing into Tantiss like we used to, we're all gonna die. You two need to live for Omega's sake. So, stay here and stay safe, and let me sacrifice myself. I nearly killed you all, and did a whole bunch of other bullshit, so I need to make up it.

As I said, I think a lot of these points are open to debate and discussion. But, I wanted to offer alternative interpretations for some of these iconic lines, because I feel like everyone keeps landing on the same (wrong) ones.

Feel free to comment/reblog with your thoughts!

[blingblong55]

Keep Driving -Simon "Ghost" Riley

Based on a request: When or if your requests are open can you do Ghost taking care of hungover f!reader please? Thank you <3 ---- F!Reader, fluff, established!relationship, hangover, boyfriend!Ghost ----

You were out with your friends tonight at some pub. The night was more than great, and it's been so long since you got to go out and catch up with your friends. Simon stayed back and was just your designated driver for the night and when you called, he excitedly drove to you.

Within ten minutes, he was there, getting out of his car and with a soft and warm hug, he guided you to the car. "Had fun, lovie?" he softly asks and you nod. Before you reach for the handle, he swats your arm away. Always a gentleman, his mum would remind him. He laughs when you pout, something so adorable but so funny to him. Once in the car, he notices how you were falling asleep and he knows a thing or two about falling asleep after drinking, so he won't let you fall asleep so quickly. "So, what did you talk about?" he asks as he keeps his eyes on the road. "…Old drama from school…with updated news," you mention and smile. Always the gossiper, you and he the listener to those stories.

"Any updates on that girl from science class?" He had to admit, he was invested in that story from day one. "Yes, and it gets better," you say and he nods. The whole ride home, the rundown of the drama was given to him.

Once he got you home, gave you something to eat and then made sure you got cleaned and into your comfy clothes. His big shirt on you and that warm and soft blanket that you like. Your head hurts as you begin to sober up. Simon knows this and he sighs, "You can drink the pill so your head doesn't hurt, lovie," he mentions and kisses your forehead, you groan.

"Si, I don't want to drink some pill," you wrap your arms around him and bury your face in his chest. A low chuckle escapes his lips, "Lovie, you need it, or else you'll cry like last time," he brushes your hair with his calloused fingers. "I hit my head while walking in, that doesn't count," you mumble and he smiles. Stubborn little thing you are, he thinks.

Was it scary to think he loved moments like this?

By morning, as he slept, he heard and felt you trying to get up from bed. But his strong arms snake around your body. It was like they were meant to hold you this way.

Your head hurts, your mouth dry and your eyes barely tolerate the light from the early sun. "Fuck, what did I do," you curse under your breath and just on cue you hear his laugh. "Told you so," he mumbles into your neck.

"Shut up," you lean into him. His body getting comfortable in this position.

"Pancakes?" he asks and you nod. "extra syrup please," you ask and he kisses your shoulder, a small yes from him.

It was his cure for hangovers. Maple syrup, coffee, pancakes for two, hash browns because you loved them and his terrible jokes.

The whole day, he kept himself beside you. Not a clingy man when he's home, yeah…sure.

It's a sunny day in Manchester, weird but beautiful that it happened today and what's more nicer is the fact he and you get to eat breakfast in the backyard. The warm sun and those yellow sunglasses of yours complement this great day.

He stays shirtless, his soft muscles letting the sun hit them. You, still in his shirt look at him. It was as if a symphony started playing when your eyes met his body. He is handsome, beautiful even.

Oh…you fell in love, didn't you?… Is that why your heart is beating fast? why now the sight of him has you blushing like a school girl? Why do you feel so many beautiful things for him? It's love, it's him, it's unique and peaceful.

For him, it was three days ago, when you two had gone on some road trip and instead of going home, you turned to him and said, "Keep driving, Si." That was how you ended up in his arms at some petrol station, blushing as you heard him whisper words he meant at that exact moment. "I'm falling in love with you, Y/N- what i…what I mean is…I love you," a nervous chuckle escapes him as you so gently kiss him.

Tags: @liyanahelena @uniquecroissant @goldenmclaren @ghostslillady @moonsua1 @rvivienner @Krinoid24 @iruzias @frazie99 @night-mare-owl-79 @saoirse06 @vampsquerade @alxexhearts @Juneonhoth @tiredmetalenthusiast @jinxxangel13 @strangepuppynightmare @defnotlpuluvyou @enarien @Simonssweetgirl @luvecarson @nellsbobells @willowaftxn83-87 @ikohniik @nobodys-coffee @strawberrychita @sae1kie @queen-ilmaree @pbcartii @Llelannie @Macnches2 @bbyfimmie @avidreadee123 @talooolaaloolla @skelletonwitch @bittermajesties @Nyx_Flower @1234beeandpuppycat @sparky--bunny @honestlyhiswife @who-can-appease-me @ghostwifeyy @@konigssultwithghost @pinkblossomsworld @kaoyamamegami @beansproutmafia @soapybutt17 @asianbutnotjapanese @a-goose-with-a-knife @@foxface013 @anonxasian @born4biriyani @thegreyjoyed @mychemichalimalance @marshiely @sleepyycatt @believeinthefireflies95

[secondbeatsongs]

how to make neon signs in inkscape!

I lost my mind and spent a large amount of hours yesterday perfecting my methods and figuring out how to do this, so if you're interested in making something like this:

here's how to do that!

step 1: cover your workspace in a dark grey rectangle, and lock that layer down.

I've been using 80% or 90% grey - you want this so you can see your neon effect, but you don't want it entirely black at this stage, or you won't be able to see your shadow layer.

step 2: create some text!

pro tip: rounder sans-serif fonts look the best for this, because think about what a neon sign is made of - it's tubes, bent into shapes! so if your font or design looks too sharp and pointy, it'll feel unrealistic when you make it neon.

(this is, of course, a perfectionism thing on my end, so feel free to ignore any and all rules in order to make the thing that you want to make. as with all art, you can do whatever you want forever!)

bonus pro tip: if you, like me, have over 1400 fonts installed and programs tend to lag when you browse through all of them, nexusfont is a great free software that lets you sort your fonts into categories, search them, and preview what any text looks like in different fonts! I love it. it is my best friend

now I'm going to do this with a few different fonts, so that you can see how it works with them. so today, I'm picking Futura Round, Harlow Solid Italic, and then to challenge myself, Beauty School Dropout and Block

make the text white, and also select the text and go to Paths -> Object to Path, because some things don't work right if they're not paths.

let's start off easy with Futura Round!

Step 3: duplicate your text layer

now bear with me here. but you need to take the text you're working with, and either right-click duplicate or copy/paste the layer until you have seven total copies of the text you're working with.

arrange them like this, making sure the top one is the first layer on the list (and so on), and then in the layers tab, label them like so:

pro tip: if you don't have the layers tab open, go to Objects -> Objects and Layers, and that'll pop it right up

Step 4: blur time!

switch to the Fill and Stroke tab, and make these changes to the paths:

glow small: 15% blur, 100% opacity

glow medium: 20% blur, 90% opacity

glow large: 50% blur, 70% opacity

glow xlarge: 70% blur, 70% opacity

your workspace should now look like this:

this is good!

pro tip: these numbers are just loose guidelines! at the end, mess around with everything to make sure that the glow looks right to you! nothing is an exact science

Step 5: shadow and outline

for the shadow layer, make it solid black, and then change the opacity to 50%

for the outline layer, we're doing something fun and weird. so right now it's a fill object, but we want it to be an outline instead! so let's hit the X in the lower left to make it empty, and then shift-click on...for the sake of this, let's say blue. to make our nice blue outline.

now's the weird part

now. use the align tool (Objects -> Align and Distribute), select the outline layer and the main layer, and align them so the outline text is exactly centered on the main one.

then go to Paths -> Path Effects, and when the tab opens, select just the outline layer, then click the drop-down arrow in the Path Effects tab and select Offset

here's our goal right now:

we want to offset the outline until it fits inside the text underneath it, and also mess with the stroke layer settings until you have a nice thick outline that doesn't overlap itself.

mess around with the plus and minus buttons. there are no exact numbers here; you just have to know when it looks good! but for me, the settings were a -0.34mm offset, with a stroke width of 0.700mm

this is roughly what you want it to look like:

now, with the outline layer still selected, blur it out just a bit until it looks fuzzy, and like the white center is a highlight rather than a separate layer. for me, the right number was about 8.3% of blur, to get a result like this:

Step 6: layering and changing colors

okay! at this point your work should look something like this:

you now want to select every layer except the shadow layer, and use Align to center them all on top of each other.

pro tip: make sure to untoggle "move/align selection as a group", otherwise this will not work.

you should now have something that looks like this, with the shadow layer sitting all by itself somewhere off to the side

now's the fun part: colors!

since we've decided that this neon light is going to be blue, it's time to change the glow to reflect that!

here's what it looks like when you change all of the glow layers to be that same, #0000FF blue as the outline layer

and here's what it looks like when you take the glow small layer and make it just a bit lighter (#4343FF) using the stroke and fill tab

in general, mess around with the layer colors until you like how they look! I find that it generally looks better if the glow small layer is a bit lighter, and the glow medium layer is as dark as the original color. everything else is fair game.

also the main layer can stay white (if you want it to seem very bright), or you can make it a very very light blue if you want it to be a bit more subdued.

Step 7: final steps

take your sad, neglected shadow layer, and move it slightly up and to the right of your main layer, so that it works...well, basically like a drop shadow.

then take your original rectangle, and switch it to 100% black.

now. gaze upon your masterpiece

that's a good neon sign if I've ever seen one.

but now. now's when we lose our minds

Steps 8-??: perfectionism and nonsense

so let's move the Futura one aside (and hide it! inkscape lags if there are too many blurry layers visible at once, so hide anything you're not using!), set the rectangle back to grey, and move on to Harlow Solid Italic.

I've sped through a few of the steps here (out of order) so you can see what I'm doing. I've added outlines to the large glow and xlarge glow, and bumped them up a bit so they'll have a larger glow area in general

this time I've made the large glow a little bit lighter than the xlarge glow and medium glow, and made the main layer a very pale pink instead of just white. I also blurred the outline layer just a bit more, because this font needed a bit more fuzz to make it look good.

hell yeah. this rocks.

now, one detail for perfectionism: in neon signs IRL, if you look closely, there are wires attaching them in the back, often connecting each letter to the next. so...let's do that!

get your pen tool, set it to spiro path, and then make little droopy lines connecting each letter.

make these thin, 100% opacity, and a very light (almost white) grey color. then group all of them together, and move this group under the small glow layer

pro tip: some of the cords might go mostly through the shadow layer. if this is the case, just put the cord group one layer above the shadow layer instead, and then it'll be fine. but you might make the cord color a pale-greyish pink to make it look like there's glow hitting it.

ultra advanced technique: duplicate the cord group, make it black and 50% opacity, position it slightly up and to the right of the original, and then move it one layer below it. you've got cord shadows babey!

lookit that. stare at that beautiful perfection. I love it. this brings me joy.

and now: the one that will be the most work

let's gooo Beauty School Dropout!

this one I'm using as an example for what to do with a font that's a bit too pointy to look realistic

this font is really fun and bendy, but the ends of the letters are flat instead of rounded, and the corners are a bit too sharp. so...let's fix that!

now, there are several ways we can do this (after doing Object to Path ofc).

one way is to edit the path yourself, going slowly, and making sure everything is perfect, editing the nodes individually.

or, you could select the text layer using the node tool, then click the button in the top bar labeled Add Corners LPE, and then drag the little circles and triangles around to smooth out the corners

I've decided to do the LPE method, but the problem here is that if you apply the LPE effect before making sure all of the corners look good nodes-wise, it's hell to try and fix it. so before LPE-ing, look at all the spots that you're going to apply the effect, and make sure each has one point at each sharp corner, with no weird overlapping bits. okay? okay.

also for the line beneath the text, it looks like it's made up of a bunch of different segments

and since I want to keep this line because I think it looks cool, we're going to have to deal with that, and make sure that it's all one solid piece, otherwise the outlining won't work. so I've gotta delete all the extra segments, and then move the points on just one of those segments until it's the full original line width, before rounding those corners as well.

basically I've got my work cut out for me here, this will all take a bit.

...aaand an episode and a half of Supernatural later, here's this!

look at how nice and round that is! perfect for the rest of the neon process

and with cords, shadows, layering, etc

hell yeah.

more things: it's block font time

let's make an outline-style neon sign!

my seven layers:

for all but the last two, I've not used the fill option with them at all - I have simply used the stroke outline.

now don't be worried! the stroke-to-path still works just the same way even using an outline to begin with! so it's easy to get an outline of an outline, and do the offset thing just like you did before

however, because this font is more complex-looking, there will probably be some errors when you offset it

for example, it didn't fully outline the second half of the Os, so I just copied the left halves, mirrored them, and replaced the right half with the complete left half

pro tip: keep in mind that you have to re-apply the offset to any bits that you add to the outline layer!

doing the same steps as last time, editing the glow blurs as I see fit, once again we end up with beauty and perfection.

another thing you can do: turn off the lights!

I'm going to use Beauty School Dropout and Harlow for this, but after making your beautiful neon signs, here's how to make it look like a turned-off sign, for if you want to make...idk, a gif of a light turning on and off, or a burned-out sign, or something like that.

so start with (ideally, duplicated copies of) your neon signs:

and then simply delete every glow layer, change the outline layer to 90% grey and your main layer to 70% grey, change the cords' color to a darker shade of grey than whatever it already is, and lower the opacity of the shadows by about 10-15%.

doing that, you end up with this

bam! lights turned off!

last thing: logos and other stuff

you can make neon signs with images as well as with text! the steps are essentially the same, though you may have to do more editing to make it look good, and use simplify on the path if it's too detailed.

and if you're using anything besides an .svg, you first go to Paths -> Trace Bitmap to turn your image into a vector! but unfortunately I've already used 29 images in this post, so here, just look at this Keith Haring thing I made as an example:

is it messier than the text? yeah for sure. does it have some pointy bits I could smooth out more? definitely. but, I've watched three episodes of Supernatural today, and that is more than enough time spent on this. so this is what you get.

but yeah, that's how I make neon signs in inkscape! I used to do it in GIMP, but this works much better, and looks so nice and clean! <3

(man, graphic design really is my passion)