#because I do see some people on here who are very specific character focused

[shininglightmentalhealthevent]

Welcome to the Shining Light Writing Event!

Schedule and other details / explanation below (Note: This is not for any specific fandom, but writing about a fandom is allowed (hence tags))

!! Warning: This event / blog talks about, references, and deals with many sensitive mental health topics, which may be triggering to some people. Interact at your own risk. Any issues that arise from this point on are on you !!

What is this event? This is an online writing event focused on different types of mental health issues/illnesses/conditions, and how styles of writing can be used to help improve & bring awareness to them!

Who can sign up, & what are you looking for? There will not be applications, instead there are open sign ups that will close once an undecided number of people have filled it out. Anyone who is 16 or older and who writes in any style is welcome to join! Poetry, short story, anything. The word range for a typical style writing piece is 300 to 3,000 words. You can focus on an original character, fandom character, or real person in your life.

When are things happening? The Discord server will open at the end of February, and a PDF of the compiled works will be released Mid-May. See the schedule graphic above for more dates, and the schedule channel in the Discord has even more specific info.

Where is it being held? There is a Discord server, the link to which will be shared in an email.

Who is running it? @th3-dark-abyss is the head mod and organizer of this event! There is a team of five other mods helping, who will be credited as well.

Why is this event a thing anyway? Abyss (that's me) is working on their Girl Scout Gold Award! It's the highest award that a scout their age can earn; it requires 80+ service hours towards a project of their choosing that has a lasting, positive impact on a community. There have been a few hurdles, but I'm pushing through and I'd really love if you applied and/or shared the posts wherever you can!

Some Rules / Guidelines ~ We will be dealing with many sensitive topics that are very real issues. Please be kind and considerate. ~ Participating in this event is for over 16 years old only. If you are younger than 16, your sign up will be deleted immediately. (Under 16s feel free to reblog and interact though, at your own risk.) ~ Discrimination or hate of any kind will not be tolerated. ~ The point of this is to spread awareness through writing, to show how creative writing can help improve mental health and well-being, and to convey different people's unique experiences. It is not to stereotype, villainize, or put issues in boxes. ~ Do not make assumptions or state things as facts when they are not. ~ Do not discount others and their experiences just because you aren't familiar. ~ The askbox is open if you have any other questions or comments!

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If you are having a mental health crisis and need help, contact 988 (National Mental Health Hotline). Here is a website with some help hotlines if you need to reach out for help. (I am in the US, so this is likely for my area. If this doesn't have one, let me know and I will help you find a line for your area.)

You are not alone ❤️

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Keep your eyes out for the sign-up form, and please enjoy!!

[daydreamerdrew]

The Avengers (1963) #3

[nobodyfamousposts]

Scarlet Lady Top 10 Favorite Characters: Number 10

For @zoe-oneesama

Okay, I realized as I was writing these that there is way way WAY too much to each of these and why to be able to put them all into one post, so I'm breaking them down into individual essays focusing on each one to keep them palatable.

So without further ado....

Number 10: EVERYONE

Yeah, I know it may be cheating but at this point it was the only choice I could make.

I came to regret making this list, specifically because I couldn’t seem to make up my mind as far as who all would be on it. I reread the entire series. I kept switching people in and out as I was reminded of characters or scenes I loved. And I came to a realization that there is no character in the whole of this series I didn’t enjoy to some extent that they didn't deserve some love in this list and I kind of wish I could have added all of them just to give them all some spotlight.

Yes, it is partly because everyone is vastly improved compared to Canon. But as I reread the series, it came to mind that if Canon didn’t exist and I didn’t have the comparison between the characters, I still very much would have loved this series and everyone in it.

Cause and Effect Exist

It's important to have a setting in which the characters and their actions make sense for the world they live in. When the setting is supposed to be modern day earth, we need the people to be able to show that they are capable of surviving in it on a day to day basis without being so massively incompetent that they would do something like accidentally ingesting poison. Or forgetting how to breathe.

I would think it would be obvious, but sometimes Canon makes me wonder. Which is never a good look for a show that is supposed to have some level of seriousness and involve superheroes.

Here’s the thing Canon can’t seem to get: when a majority of the things that go wrong in a plot are because of everyone having to be stupid to make the plot work, you have a problem with the writing. Changing the material in a story so that younger people can enjoy it does NOT mean dumbing down the characters and throwing in arbitrary lessons with no real reason to them. Even if the show itself is geared towards kids, you can’t treat the audience like they’re stupid.

In Scarlet Lady, the people aren’t stupid.

Silly, yes. Wrong, often. Overdramatic, definitely. But while they may make stupid choices sometimes, they aren’t so dumb that anyone should have concerns about their ability to function at a higher level than an overcaffinated 2 year old.

They’re fooled initially the way many of us would be with a biased story that hits the news first. Oblivious to the problems in a situation that they logically wouldn’t have much direct insight into. Prone to making mistakes and incorrect judgement the way that anyone would. That's normal. That's expected.

But they’re not so incapable as to forget things that happen right in front of them between one day and the next. Or even between one scene and the next.

Things carry over. We see cause and effect. We see consequences—bad and good. And those consequences extend not only for the episode or season but for the entire series.

Aurore KNOWs Alec cheated her before and maintains a tight control over him and prevents more of his antics.

Adrien and Alya maintain a cold attitude towards Lila for some time after her reveal as a liar. And it even remains a point against her as used by Chloe as herself and as Scar to discount what she says.

The boys of the class remember Adrien’s “love letter to Marigold” and try to win him her merch because they’re bros like that. 

Adrien himself remembers the instances of his dad being a massive prick and instead of being surprised and “sad boi uwuwu” each time it happens like it’s supposed to be a surprise that the massive prick would choose to be a prick, he very clearly moves through the stages of grief to the point of a sort of acceptance that involves planning around and even for him.

Gabriel’s horrible parenting and general lack of concern for Adrien or his wellbeing as he ends up a casualty of various akuma attacks was played off for laughs when such incidents occurred. Then they were brutally called out against him in the Finale as a way to counter his claims of doing everything for Adrien’s sake. And the big reveal of the Birthday Scarf…utilized in the last way anyone would have wanted.

And Chloe is perhaps the biggest example as her antics ARE NOT forgotten or ignored by anyone. The classmates still interact with Chloe and are relatively nice to her, but they don’t just forget that she’s treated them horribly. They don’t act surprised when she does anything horrible. Nor does anyone just laugh it off or excuse it as “just who she is”. We see follow up to her behavior—the class fully expecting her to cause trouble and actively try to plan around it. People calling her out on past behaviors. And even bigger consequences as time goes on. Such as Adrien breaking off the friendship. And a blink and you miss it fridge logic moment in Ikari Gozen when you realize that when they said she was banned from all future Gabriel-involved competitions, they meant it.

The fact that by the time the big reveal happened that Chloe was Scarlet Lady, no one was shocked.

Story-wise, this is showing the passage of time and the effect the events of the story are having. It’s showing that there is lasting impact and that what happens to the characters matters.

Meta-wise, this is Zoe rewarding us for paying attention.

Continuity exists in Scarlet Lady. Time exists. The people exist. When anyone does anything, you get the sense that they aren’t operating in a vacuum. The things they do matter. There are consequences. There is an impact. And if there is an impact in the story, there will be an impact on the audience.

Which leads to…

Character Depth/Character Growth

Usually in TV shows of this nature, if there ARE character arcs for the side characters, they only occur over the course of a single episode devoted to focusing on them before moving on elsewhere. 

Canon didn’t give us that much at all in favor of having every episode that should focus on other characters learning and growing instead forcing Marinette to be wrong in some way and learn an arbitrary lesson that often would have better served for someone else.

In Scarlet Lady, the arcs we get are impressive for all that they’re relatively unobtrusive. They aren’t big. They aren’t world-ending. And the thing is, most change in life isn’t. It can just FEEL that way.

Like the way it felt for Kim when he first found out Ondine liked him and then had his confession to her screwed up.

And the way it felt for Kagami when she lost that first match against Adrien.

Then there’s the way it felt for Chloe when she was dismissed by her mother, had her popularity go downhill, and ended up losing her Miraculous.

…or the way it felt for Adrien when he discovered his dad was Hawk Moth.

The reactions we witness are in a great part due to actions outside of the characters’ control, but are ultimately a result of the experiences they have had and the ways they have changed as a result.

The question becomes: are the characters that we meet at the beginning pretty much identical to how they are at the end? Is the world?

The answer in Scarlet Lady is no.

Whether because the characters themselves change or our perception of them does, we can see that they have all undergone some sort of events that create a difference between the start and end points.

Not all of them HAVE to undergo some big emotional arc. Not all of them NEED to. But the characters still mostly go through some sort of growth by the end that I feel make them stronger and healthier people.

You’ve got the big life-altering changes like Lila and Sabrina.

You’ve got the little changes like Nino and Ivan.

You’ve even got the most minuscule, beginning stages of change in Chloe.

You’ve got growth that creates such perfect setup with Mylene when she starts off scared and traumatized by how things went with Stoneheart then is the one who confronts him in the end. And the parallel between the finale and the beginning when she returns him to normal by kissing him just like they did in that first episode to change him back then, too! (Just….GOD, I CANNOT GET OVER THIS!)

You’ve got them reaching out and making friends and relating to people they hadn’t before.

And by the end of it all, we get characters who feel like people rather than props.

They don’t all have to change. They don’t necessarily need to go through an entire emotional arc and back again. They just need to be part of the world they’re in.

Nino doesn’t just pop into existence when Adrien or Alya need someone to interact with. Kagami isn’t just a non-horrible or non-evil love rival for Adrien or a stepping stool for him to “practice“ at being in a relationship before it’s time for him to try the “real thing” with his endgame pairing. Luka isn’t just a decent guy who is the only actual form of support for the female lead and yet only lacking that precious “male lead” title or all around just not “Adrien enough” to fill the role.

Adrien isn’t just a “sad boy” meant to be a main love interest, Villain’s Morality Pet, and the one everyone idolizes and chases after just cuz he’s the male lead and that’s how you show he’s desirable I guess. Marinette isn’t the atlas keeping the story alive because no one else is apparently capable of learning lessons and changing, or even just the bare basics of functioning as individuals. Chloe isn’t just there to be horrible for no reason and get away with it so she can continue to be horrible until the writers suddenly need her to be sympathetic.

And the rest of the classmates aren’t just some Greek chorus there to fill the background.

We see them interact. We see them making jokes or jabs. We see them even…*gasp* having different opinions!

And on something as major and life-controlling as feelings about the “Hero of the City” no less! Why, that’s the sort of thing that would break up friendships and determine who you can sit next to at the cafeteria! The horror! The scandal!

And…oh hey. This puts the characters in different groups. It links them with characters other their Canonically designated pairings and groups. This lets them disagree on things and not need to vilify any of them. This creates implications that add depth to the story and to the people in it.

The characters can disagree without being enemies. They can be wrong without having to be evil. They can make mistakes without having to be stupid. And they can change and grow—both for better and worse.

And we see both and in different ways. SO many different ways.

Adrien goes from excited and impulsive to buckling under the forced responsibility and weight of a partner who hinders more than she helps.

Lila goes from selfishly bad and self-serving to selfish but friendly with better direction of her talents in a less self-serving way.

And Chloe just goes from selfish and bad to selfish and worse..

I mean, it says something that the combination of Lila’s growth and Chloe’s fall from grace resulted in Hawk Moth being unable to use Lila as a tool for his Heroes Day plot like he originally intended.

The key is that whether they necessarily grow or become better people, these characters are still IMPACTED by the events around them and AFFECTED as a natural result of the world they live in. 

You can’t help but feel for them in some way as a result. It’s part of why I love them.

The other part of why I love them is a bit more epic though…

Crowning Moments of Awesome

If there’s one thing I love, it’s seeing characters be awesome. I love it when characters get to be awesome. I would love to see more of it. Especially when the ones involved are characters you wouldn’t normally expect or get to see have a chance to shine.

And it’s when you see these characters be awesome that you really get the sense that yes, this character would work as a hero.

Seeing Max help against Robustus. Seeing Kim help against Odine. Alix stepping in during Pharaoh, calling out her brother’s fan fiction, and helping the heroes escape the security system at the Lourve. Alya stepping in during Copycat to clue Chat in to what’s going on and later keeping Anansi distracted to keep her away from Chat while he’s trapped. Rose kicking Nightmare!Chat in the face to defend Marinette even when she’s on the run from her own nightmares in Sandboy. Luka leading groups twice to stepping in and helping the heroes deal with akumas. Nathaniel standing up for Marinette and Sabrina when they’re accused in Rogercop and then helping the heroes in Reverser.

These little moments of support make such a big different and really make it make sense that the heroes would trust these people with magical jewelry to help them in battle.

And the little moments of characters being petty or strong or smart or turning the tables or just showing off what they’re capable of. Even without superpowers.

Adrien getting petty revenge for Nino and finding a tactic to counter Gabriel in the future.

The Police Force in Rogercop just saying “Nope” to obeying an obvious akuma. 

Zoe manipulating akumas twice to help the heroes. Her two Reasons You Suck Speeches to her mom and Bustier.

Every instance of payback that Tikki gets against Chloe.

Everyone in the Finale. Just…EVERYONE in the Finale. The characters who manage to avoid akumatization by either spotting the flaws in the illusion or refusing to give in to fear and even protecting others. Nora smacking any akuma that enters the home. Claudie pulling off Power Mom and ordering Max to stop attacking the city then helping to calm him down. Prince Ali and Juleka freeing Rose by kissing her! Chris, Ella, Etta, and Manon saving Mylene! Mylene saving Ivan with a kiss in a direct callback to how they first got together in Stoneheart! (Yes, I am still stuck on that!) Ondine saving Kim! Lila and Sabrina saving Alix! Luka facing Riposte alone and unarmed and then Kitty Section saving Kagami! ALL of the Heroes making a final comeback to help take down Hawk Moth for good! Just—AAAAAH!

How could Miraculous have peaked with this in Season 2 when this is Grand Finale material? Because there are few things more awesome than getting to see ALL the characters the heroes met and befriended and helped throughout the course of the story stepping up at the final battle to help take the Big Bad down!

Like…can we just take a moment to appreciate how everyone gets a chance to stand out in some way? Not all of them necessarily good, exactly (looking at you Andre). But still stand out and be memorable. Even characters who didn’t originally get much focus. Especially characters who were originally functioning as cardboard cutouts to fill a scene.

Anyone remember Aurore? How for the FIRST akuma in the pilot of the series and one who is quite frankly the most interesting and noteworthy, we don’t really get to see her again except in the background.

In Scarlet Lady, we got to actually look in to the contest and how she lost as well as the aftermath. She wasn’t some arrogant showoff who deserved to lose to the “sweet down to earth rival”, she was a girl who legitimately tried her best and had valid reason to be upset. Seeing her get revenge on Alec for cheating and humiliating her on live TV was well worth it.

Or how about the Photographer? Just there to take photos of Adrien in the park for a photo shoot or be the school photographer, but otherwise has no personality and is only remembered for his weird “spaghetti” line.

In Scarlet Lady, his role is two-fold. He acts as a sort of supporter for Adrien in his crush. Taking really good pictures of him being happy with the girl he likes. Taking more class photos at the behest of this girl for the sake of a friend who missed out on the class picture. And then there’s his OTHER role as a sort of antagonist to Chloe. He becomes one of the only ones in the early seasons willing and capable of dismissing her tantrums.

They’re both given more character. They get moments to stand out and BE awesome. So is everyone.

EVERYONE. From the classmates and big named characters we see regularly to the side characters who only appear once or twice. They all get some good scenes and focus that give them their own identities. All of them are memorable. None of them can really be ignored or forgotten. And part of what made making this list so difficult was that I found myself getting attached to pretty much everyone as I came across each of them that I couldn’t quite make up my mind.

Everyone in this fic has done something to make me happy and warrant my approval. Even the characters I normally wouldn’t like at all had their moments to shine and elicit an “okay, that was cool” from me.

Thus I grant this spot to everyone. To all the characters I don’t get the chance to mention. To all the ones I like albeit somewhat less than others. To all the ones I know are horrible but can’t help but like regardless. To all the ones I fought with myself for THREE MONTHS over which one would get this spot.

I love all of them.

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[is-nini]

They're Good Girl

A Neuvillette x reader x Wriothesley

You'd always have a fun time between the oh-so-sweet ludex and the rough Duke.

Minor DNI!

Tw: pussy slapping, filthy words, slut calling, size kink, overstimulation, dumbification, pussy slapping, spanks(near the end), double penetration, breeding, manhandle. (Aftercare at the end) Word Count: 2k

The Duke and the Iudex rarely meets eachother. It makes sense. The both of them are in a different line of world. One is underwater and the other one is up above the water.. but, if anyone wanted to meet them both at the same time, they know who to look for. You.

No one know specifically what you're relationship between you and the two powerful man are but.. one thing for sure is they don't want to know.

The last time someone tries to make a story about your relationship and the two man, they ended up retired and never wanted to talk about the duke or the ludex. No one knew why but seeing that, the Fontaine people has a unspoken rule to not talk about you and your relationship.

Both Wriothesley and Neuvillette are a very private and mysterious characters to other people, but you.. you get a special treatment.

Of course you'd be special. Always listening to they're beck and call. Always ready to accept they're rambles and gossips about tea or about the new case that has been going around. Such as now.

"This case has not end yet though. After much consideration there are things that seems to be in the fog's" Neuvillette ended his observation regarding the newest case. He has never been afraid talking to you because he trusts you with his secrets. How could he not? You'll forgot about whatever he said an hour ago. Such a dumb cute girl of his is the only person he can trust.

"Are you listening darling?" He asked as he looks at your trembling and embarrassed form Infront him. "N-neuvie! Pl-please th-this is embarrassing" you whine as your legs are wide open for your dear ludex to see.

Your cute pussy clenching around nothing as you try your best to keep your legs wide open. Afterall you wanted to help Neuvillette to focus on his work.. you wanted to make sure that he is satisfied so that he can focus properly.

"Embarrassing? My dear y/n, I have already seen everything. There's no such need to be embarrassed" he said as he stands up and walk around the table to stand Infront your your small figure.

Such a beautiful sight. Your cute skirt bunch up around your waist as the both of your feet placed on top of the seat that you sat on currently. "Ne-Neuvi" you whimper out as his hand started to leaves ghost touches around your inner thighs.

Your body shiver as his gloved hand grazed your little bundle of nerves. Your body immediately jolts up, making the chair shake with your reaction. Neuvillette looks at your reaction with his sharp eyes as he slowly puts down your leg back to the ground.

"come here love" he gently picks you up princess style and laid your down on his desk. You hold yourself up with the both of your hand behind you as your feet dangle. His hand softly pushes your skirt upward, letting your very wet pussy be seen again.

Neuvillette sat down on his work chair amd goes back to focusing his attention on your parts. "No matter how much I look at it.. it's always so enticing" his finger picks up some of your essence from your wet parts and let's out a chuckle. "So wet" he whispers as he took of the gloves that he uses to touch your pussy.

You can feel your pussy throb again looking at his act which of course didn't go unnoticed as you gain a laugh from him. His deep laugh gave you goosebumps all over your body, making your nipple harden as it pokes out of your white shirt.

"do you enjoy my voice that much my dear?" He asked all the while he bend down and gives a little huff to your pussy. You squirm and squeeze your eyes shut, embarrassed and shy about the situation.

Being the gentle dom he is, Neuvillette pulls away and kisses your forehead with love. Kiss that is reassuring but gentle as he make a circle motion around the outer layer of your pussy.

Although he is definitely much more lenient to you, his patient is so so much higher, meaning that as long as his cock is not buried deep inside you, he won't stop the tease until he is satisfied.

"My, what an adorable sight" he sigh out, looking at the overflowing juice that your pussy made. Your body tremble and twitches, aching for something - anything to just insert your pussy. "N-neuvi! Pl-please please!" You beg as you slowly open your eyes to look at him with teary eye.

"Please what, love?" Neuvillette asked in a gentle tone with underlying darkness behind his voice. How could he not? He is slowly being hypnotized by you because you and him both know, after you answer his question, he would do anything for you to make your wishes come true.

Your lips tremble as you try to make a coherent sentence "N-need your c-cock-!" your sentence was cut off when another voice decided to join the fun.

"Oh? Starting the play without me?" A very familiar voice speaks out with a fake sadness underlying his voice. Your body jumps a little with surprise hearing wriothesley's voice suddenly joining in. "I assure you we have not started...yet. I was merely preparing her for us" Neuvillete speaks out first after you move your head to face the duke who is walking ever so calmly towards you.

"Then I owe you my thanks, Neuvillette" Wriothesley smirked and looked at you with a dangerous glint in his eye. He looks at your sensitive parts that are still being played with Neuvillete's fingers. You thought that he would also play with your pussy but your body shakes a little when he pinches both your perky nipple from behind.

"Ngh! Ha-" your chest puff up as if you're asking for more. One of Wriothesley's palm stroke your sensitive nipple while the other holds your waist down. Neuvillette is making himself busy as he slowly insert two of his long finger inside your pussy with much ease.

Neuvillette looks at the way your pussy eat his finger. He can feel your walls clenching around his finger. Wriothesley saw more and more of your wet part let's out more and more juice. "So wet. Such a slut" Wriothesley comment. "Wriothesley.." Neuvillette warns him almost with a growl. "Come on Neuvillette, you can feel her pussy clench on your finger can you? She likes it" Neuvillette will be lying if he said he didn't notice your pussy clench when Wriothesley degrade you like that.

"I feel no need to degrade when she can also clench the same way if you praise her." Neuvillette finger you faster and harder as he smile, looking at your trembling leg "Sweet girl, are you going to cum? yes?" oh the way you melt with his sweet words that brings you to the edge. "Would you like to cum sweet girl? go ahead, princess." One command is all it takes for you to just unknot the tie on your stomach. " Ngh! A-ahn! Neuvi- ha-" fat tears are pouring out like water.

Your juice splashes everywhere, wetting the table and the porcelain tile floor. "Ng-ngah! Neuvi-Neuvi!" You squeal out. Your pussy spasm and your chest heaves up and down. Wriothesley feeling a little bit left out so he stuck his mouth to the nape of your neck and suck on it. Your brain has slowly turning in to mush.

Neuvillette pulls his finger out slowly as the squelching noise filled the room. He looks at Wriothesley and step away from your pussy to give Wriothesley a sign that he is done prepping you, although you will never be used to they're size.

Wriothesley walked and changes place with Neuvillette. He looked at your cute pussy throbbing on nothing. He groaned and cup your pussy, smirking at you. "Such a slut. Look at your pussy begging for something to enter it" he then gave is a slap. Your body jolt's up as he slap your pussy as then he proceeded to give a couple of little slaps. Laughing at how your body react.

His open his pants, freeing the suffocating cock inside it. "Okay then princess. It's time for your reward" you almost perked up when you hear the word "reward" but before you can say anything, Wriothesley slowly insert his girthy cock inside of you slowly.

Your back arch and a sultry moan came out of you. You make grabby hand at the table, trying to catch a breath as Wriothesley fully insert it in. Neuvillette grabs your hand and kisses the back side of it. "Doing a great job baby. Doing a great job for us" he whisper while caressing your hair lovingly, contrast to Wriothesley who started to thrust hard and precise into your sloppy cunt.

"Good. Slut. Our. Little. Slutty. Girl" every word he makes sure to thrust deep into you. Your legs are wrapped as your eyes roll back.

Neuvillette pulled down his pants and slowly rub his already leaky cock. His cock is similar with Wriothesley in some ways but it is longer and just a little less girthy than Wriothesley. Doesn't mean his cock feels less better.

Wriothesley looks at Neuvillete while thrusting in to you. "Just stuffed her mouth Monsieur Neuvillette" Wriothesley said teasingly. Neuvillette grunt and slowly shook his head "I want to hear her". Wriothesley immediately took your waist with ease, pick you up in his arm while his cock is still deep inside you and bring you over towards Neuvillette.

"I'm sure she can take another cock inside her ass" you widen your eye and whine as you claw on Wriothesley's shoulder. "Hng-! Neuvi!!" You whine out. "She can be a good girl and take Neuvillette right?" Wriothesley whisper as he kisses your cheek. "N-Neuvii pplease!" You moaned out Neuvillette's name, desprate to try and be a good girl for the both of them.

Neuvillette rubs his cock on the entrance of your pussy and slowly pushes in. "F-fuck.." one of the rare times Neuvillette moan as you scream "ha-hng! Big-big-ah! Please! Oh-!" You babble out and scratching Wriothesley shoulder. Neuvillette looks at you with concern "A-Are you okay princess-fuck so tight.." Wriothesley laugh and shake his head "She's fine Neuvillette. No worries. She can take is like a good. Fucking. Girl" Wriothesley started to thrust again although it's not fast, you can feel absolutely everything.

Your ass is full, your pussy is full and your brain is full of the word 'Neuvi' 'Wrio' and 'cock'. They have fucked you dumb at this point.

Once Neuvillette started to move, oh gosh the pleasure is overwhelming. Fat tears came out, your tongue is hanging from your lips, and your eyes are rolled backwards. Beautiful sight for Wriothesley, making him thrusts harder. Neuvillette rubs your stomach and pushes it once in a while. He can feel Wriothesley cock deep inside your stomach and it bulges everytime he thrust.

"So beautiful princess.. keep going. Ngh-so so good baby..such a good baby" Neuvillette moans to your ear as he also pick up the pace.

They're tempo are similar but everytime Wriothesley pulls out, Neuvillette would make sure he fills you so that both of your holes would never be empty at the same time.

The tempo picked up fast. You can tell they're on the edge because you can feel they're cock getting bigger inside of you, ready to shoot. You whine as your leg tighten around Wriothesley. Your pussy are also clenching around them so sweetly. Wriothesley too your mouth and kisses you sloppily in the midst of the kiss.

Neuvillette rubs and pinch on your right nipple while still holding on to your stomach with his other hand. The pleasure is overwhelming as you spew out words between you kiss. "Cum! Wan-wan' cum! Ah! Pleaseplease" you babble out.

Neuvillette grunt and bite on your shoulder, leaving a mark. Wriothesley pulled away from the kiss, he wanted to ask Neuvillete if he's willing to let you cum now but looking at Neuvillette's flushed face and seemingly too deep in pleasure to talk he decided to take control. "Cum like a good slut come one" he rubs your clit, bringing you closer to release.

Your stomach tightened and you squirted out clear liquid as you scream hard. Your pussy and ass hole tightened a little, getting Neuvillette and Wriothesley closer to the edge. "F-fuk! C-comming" Neuvillette grunt as he thrust faster.

Wriothesley's pace also fastened as the both of them cum together inside your body. You squeal as you legs shakes because of the pleasure. "Ng-Ah!!! So ghood! Pleasepleaseplease! Fill me! S'good!". You scream out. You can feel both of them feeling you up so deliciously.

"F-Fuck- such a good girl- like being filled up by two cocks huh?" Wriothesley growled as his cum slowly drips down your pussy. "H-ah.. g-good girl. Sweet princess" Neuvillette moan out, he slowly rubs your stomach that has been filled to the brim with Wriothesley's cum. Neuvillette's cum also filled your asshole the heavily filled to the brim.

"Ngh-ha!" You let out little hiccup as you cry out of overstimulation. Neuvillette breath and huff up and down as he whisper sweet nothings into your ear while Wriothesley is admiring the way your cunt flutters when he pulls out. His cum flowing out of you like waterfall.

Neuvillette rubs your belly and pushes it slowly, his cum inside you ass also flowing out but it is so mesmerising. Wriothesley's kisses your cheek softly and gave your ass a one good slap, making your body jolt as your sensitive body take the hit. Neuvillette looks at him questioningly.

Wriothesley smirked "hold our cum in princess" he teasingly said, making you whine weakly. Although you're fucked out of your mind, he can see you try to tighten your pussy. Wriothesley laugh happily but Neuvillette just sigh and readjust your position as he carry you princess style to the sofa in his office.

"Wriothesley, please stop being such a tease" Wriothesley just shrug and smile at Neuvillette. "Ah, but you also enjoys it Monsieur" he teasingly said as he took a couple of tissue and walked towards you, he took care of your face, slowly wiping your tears and saliva so your face would feel better.

Neuvillette sigh as he knew what Wriothesley say is right. He took a cloth and wet it with his hydro power and proceed to clean the lower part of your body. He softly touches and wipes your over flowing pussy making your body twitch.

After the both of them makes sure you're clean, they clean up after themselves. All evidence pointing to sex has been taken care of. Wriothesley draped his coat on top of your body while Neuvillette also drape one of his many layer of clothing on top of you to make you warmer.

"Such a sweet girl. You have trained her good Monsieur Neuvillette" Wriothesley teasingly said to Neuvillette. Neuvillette smile softly as he proceeds to comfort your must be aching body. "I too, admit that you have given her a proper... Punishments".

They're eyes looks fondly at your sleeping figure. So peaceful and relaxed after such a rough session. While waiting for you to rest up, both of the man decided to have a nice and relaxed tea and water while talking about some cases. They kept they're voice low but even so, they're voice is calm and soothing as you fell deeper into slumber hearing them talk while Neuvillette stokes your hair and Wriothesley softly hold and message your thigh.

[theflashjaygarrick]

People have spent so much time fleshing out random background male characters and so for feminism I am going to give one of DC's under appreciated female characters this treatment . I am absolutely fascinated by Joan Garrick as a character. DC is not. But who am I to let that stop me.

So what are some things we know about Joan Garrick (née Williams). One is that she met Jay Garrick when they were both students at college. More potential context was given by Millar and Morrison in the iconic Jay focused Flash (vol 2) #134. Here we learn that at the present time she is teaching microbiology and based on the fact that in my experience a specific microbiology subject is more common in university and she's heading in for specific classes not the school day I can infer she is a lecturer/professor. These few facts paint a picture of an awesome and boundary breaking woman in her own right.

We can assume she was in college in the 1930s. This makes sense. After all the 30s was the first generation where (almost entirely white and middle class) women attended colleges in greater numbers and with more social acceptance then before. They became symbols of newfound female independence and education. But at the same time they faced a lot of obstacles , particularly in co-ed institutions like Midwestern University. She still had to navigate her way through a very male dominated institution that did not take her seriously if they wanted her to be there at all. Along with the change in female education came cultural backlash both within and outside the academy. Misogynistic (and racist) detractors viewed female higher education as frivolous, unsuitable for women's 'fragile physiology' and even saw it as the 'suicide' of the middle-class white American family. Yeah these people were the fucking worst. Anyway, being a female student at a university in that era meant dealing with and overcoming all kinds of bullshit from exclusion to outright harassment (even more than it does now).

And then there is the fact that she apparently studied biology (or microbiology more specially) in a time where most women pursued degrees in teaching or nursing (if they planned to use it vocationally) or liberal arts (if they did not). Women were actively discouraged from taking science courses and Joan would have been trying to enter an even more hostile boys club whilst fighting against even greater social pressure. But despite it all she seemingly did succeed and presumably help break barriers for women in science which is awesome.

And we can see this refusal to back down in her personality. Joan's kindness is matched by her tenacity and her 'do first, ask for permission later' personality, which whether forged through her experiences in academic or before-hand helped her persevere overcome the many obstacles she would have faced. She's an absolute badass.

Now this is not strictly relevant but she also knew Jay was the flash the whole time which is really sweet. I personally like to think she figured it out because he kept asking her really specific questions about human metabolism and the like (biology seemingly is Jay's scientific blindspot) and she put two and two together. Also he just innately trusts her with his secret which is cute considering how much secret identity drama silver age couples went through.

[ofswordsandpens]

Okay compiling my most critical opinions on the pjo show so far (episodes 1 & 2)

The Gods' Conflict, Foreshadowing, & Big Three Kids

The show has seemingly dropped a lot of the foreshadowing and threat regarding the gods impending war over the theft of the lightning bolt. In the book, Percy remarks about how the weather's been inexplicably weird and extreme. When he gets to camp everyone is on pins and needles about something and they don't want to talk about it but its still very present. By the time he's claimed as a son of Poseidon and everyone's like "oh fuck" and then Chiron finally explains to Percy that the gods think he's the lightning thief, everything clicks into place for the reader. It all makes sense why everything seems so wrong... because things are wrong. Meanwhile in the show, that doesn't carry through as much, so the reveal of the conflict between the gods and why that's a big deal falls flat in comparison imo.

They dropped/stalled the foreshadowing of the fates and the cutting of the string. They could very well include this in future episodes, and probably will, but I think the timing of it - Percy seeing this before he even knew he was a demigod - again carries some hefty significance and helped set the foreboding tone of things being wrong even from the beginning.

They did drop Zeus's attack on Percy in the minotaur battle completely, which does disappoint me. In the book, its lightning that blasts the car off the road. In the show, Sally seemingly loses control of the car. That change is pretty significant, because it's again losing the power of RR's foreshadowing in the book. The attack on Percy outside the camp borders was a duel attack from Zeus and Hades.

Finally, I don't like the changes they made to Percy's claiming scene, namely, the reaction from the rest of CHB. Percy being a son of Poseidon is a huge deal. When Percy's claimed, the attitude is very much begrudging reverence paired with genuine fear of what it means and what he represents. In the book, Percy is claimed. People gasp. Everyone kneels. Annabeth says, "This is really not good." In the show, Percy is claimed. People... stand there? Annabeth smiles - she's going to get her quest. The only person who has the most outright negative reaction is Luke. I won't go so far to say this is out of character for Annabeth, but it is focusing on an entirely different aspect of her character in the moment, and what the audience gets from Percy's claiming scene here, the tone, is now different from the book. Basically, the reverence and fear don't really carry across to the show, which I think is important.

The phrase "forbidden child" slaps tho.

2. Gabe's Characterization, Sally's Characterization, & Why the Changes do Make a Difference

I'm going to say this with great care: The show has absolutely depicted an abusive relationship between Sally and Gabe. The show has shown Sally to be a strong woman who would do anything for her child. The show has shown Gabe to be a controlling, toxic man.

What they have depicted in the show does not read like the characters and dynamic in the books.

Book Gabe is a violent, menacing drunk. He is so disgusting and vile that monsters avoid him. This is overwhelmingly apparent from the second Percy gets home in the book, even before he is aware of the physical abuse Sally has been facing. Percy has already been dealing with physical abuse from him, amongst other things (edit to be more specific: this is including verbal, emotional, & financial abuse). I've already spoke to it here, in-depth, so I'll try to keep it short but all of this has not been translated accurately to the screen. (Is this to say that a person must be overtly abusive to be abusive? No. But does this character on-screen feel like Smelly Gabe? No.) These things have shaped Percy (and Sally) in very specific ways. As others have mentioned: Percy cannot stand alcohol. He meets Dionysus and is reminded of his step-father. He gets to Tartarus and the air reminds him of Gabe.... The character on screen, while abusive, does not share this presence at all, and that makes a difference.

Edit: To emphasize once more, I am not saying that the show has not depicted a realistic portrayal of abuse. It has (verbal, emotional, & financial so far). It has also distinctly changed the tone and Gabe's presence from the book, to the extent that it no longer feels like the same character and that does have a rippling effect on the dynamics he shares with both Sally and Percy.

3. The Lack of Annabeth

Annabeth in the show is just like... really not as present as she is in the book so far, and I'm just kinda like, why lol?

Annabeth in the books is already way more involved in Percy's life. She was in the infirmary feeding Percy ambrosia after the attack (ulterior quest motives lol), she's the one who lead Percy around camp and re-explained godly parentage to him - and its a moment where she's very sincere with him, and even trying to help him! Instead these moments are given to Chiron and Luke, which I do get the merit of, but still, these were her moments!

Annabeth in the books had already surmised that the gods were fighting, something was stolen, and the something bad was going to happen, all before Percy had even been claimed. And she shared that with him! Again, the loss of foreshadowing and little bonding moments has me :(

I'm a little worried how they're going to deal with her crush on Luke because its pretty central to her character in the books! It helps Luke to manipulate her and also keeps her from admitting he's done something wrong. Also, it was very sweet and funny reading her get flustered - It drove home the point that she was just a kid with a crush that she didn't know how to handle. But in the show Luke spoke to her and I was expecting there to be some sort of reaction to it and there just... wasn't? (This is not something I'm laying at Leah's feet btw! Only the writers/directors!) We're only two episodes in tho so maybe we'll see it some more moving forward.

4. The Minotaur Battle

Again, I've already spoken about this in depth here but !!

The lack of Zeus's lightning strike, them all coming to a standstill and just chatting instead of running for their lives, Grover being awake and just sort of off to the side watching the fight, Sally being like "Promise Me Grover Swear it"... it all just doesn't ring right to me

I wanted more panic, more terror, more urgency. Higher stakes. I wanted Grover unconscious, I wanted to see Percy drag him into camp, and I wanted to see more of Percy's grief alongside his rage. Like the book did.

The pacing in the show here, and just overall, is weird

5. Other Stuff

Mrs. Dodds fight kind of fell flat too. It was honestly too sudden and Percy killing her in the show seemed even more accidental than in the book lol. Like, accidental impalement vs intentional swing of the sword.

They really had show Grover throw Percy to the wolves and not just gaslight him, but low-key have a part in getting him expelled? Not sure how I feel about it tbh.

More New York. I wish we had gotten the part of Percy taking the bus home with Grover included cause like? Him ditching Grover was funny, but it would have been the perfect opportunity to show Percy traveling through New York and establish it has his home. Shots of him looking at the city, walking the streets, interacting with people near his building.. yeah.

More Montauk too tbh. Like more shots of him and Sally on the beach rather than just the cabin.

Nectar and Ambrosia! Unless I missed it, which I might have, why have we still not gotten an onscreen depiction of it yet lmao.

[jupitermoontarot24]

👀 You vs Ex? 🍒

Hi everyone happy holidays!!

❄️ Im hosting tarotmas over on my patreon where im uploading everyday till christmas check it out! we are on day 2 ❄️

1-4

Pile 1

Hello hi pile one. welcome to your reading. okay I heard that you are a walking sex symbol. you are sex, even if you don't view yourself like this maybe you wouldn't use these words to describe yourself but maybe you should. it seems like that's what this person and everyone else are thinking. yeah I think it's the way your lips look, the shape, the words that you use to speak. even the things you say on social media, it's very sexy and alluring. it's like this is a guaranteed good time is what I heard lol. yes sex world it's like you're going to leave satisfied in some type of way how could you not? Okay I don't even think this reading was supposed to be this sexual but when I asked my guides for pictures they gave me all sex pictures so I guess that's what we're doing. Okay I don't think people know what position you play in the bedroom and that makes you even sexier. Like whats up?, are you a bottom, are you a dominatrix, are you a submissive or do you channel all of them? I feel like people believe that you channel all of those things so it's like whatever you need pile one has it. yeah that's why it's sex world, because you have everything, people see you as a triple quadruple  threat  walking. Okay not to be slut shaming but their ex was a hoe. and I mean that in the traditional sense of like they fished for people and because of that they had a lot of bodies or just they've been through a lot of people. it seems like you are more an upper echelon person. like you don't have to fish you just sit and wait,  you are the trophy so it's like they're going to come to you regardless that you would never have to fish for that. you actually give your time and attention to one specific person that you like the most so it's a lot more meaningful than somebody who purposely tries to bring people in and go fishing for them. so it's like their ex probably brought in a lot of people that weren't good people or it was shallow connections because they went fishing for it and when you go fishing for something you really only can go based off of looks. you pick who you want whereas their EX was a lion so they kind of just ate whatever was near them and they chased it at that. yeah because the exe is coming up as the king of winds so they definitely were promiscuous. you could be aiming for a person people don't even know of. like does this person even exist people just don't know with you. so your relationships could be very private because people could think one thing and it's not that people don't know where you're aiming they might think that you're aiming in a Direction but they don't know what direction or what you're aiming at. well this person had to pointers so it's like they were aiming everywhere at the same time all the time. yeah it's nothing about being caught there's nothing special about being caught by their EX. checkout the rest on patreon where

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Pile 2 🍒

Okay so you and their ex could look really different. I don't know maybe this person doesn't have a type or you are just so beautiful that they want you regardless. but in this situation you are the main star and the ex is a feature like they're a background character. They're just there for moral support is what I heard LOL. Okay yeah the X is not even important it's just that they're there because in TV shows there's usually a X or there's background characters that's all they are. I'm not sure if that's how your person feels or if it's just true. Yeah so it's like the x is there but at the end of the day your person is focused on you. yes like you know that character that random policeman that might stop the main character in a high speed chase. The policeman might think they're important ? They are hot shot but nobody cares fr that's not a part of the plot at all. your person's the main character in their story but you're really the main character because you're the person that they're trying to get with that the audience has fell in love with. The hot girl. the character that already has an audience so it's like the main character is playing the co-star in your TV show because they're trying to get with you and they're trying to get you to pay attention to them. Like scott pilgram. Yes this person is trying to roll a dice they're trying to put their money in to see if they will get with you. You are so sexy you look like a little kitty cat, a doll like you are so sexy. but yeah you're the main character.  the ex is a background character. It doesn't matter how hard, how good looking the ex is nothing they could do that would bring them any more attention than to you.  your person what you do any day they can't stop looking at you they feel like you're their soulmate they love you everybody else is dead to them for the most part. if you ask your person they would say they don't have any exes they don't even matter if they do this person only think about you they future but you didn't care about no ex. check out the rest on patreon where

IM DOING TAROTMAS 🎄 ON MY PATREON WHERE I UPLOAD EVERYDAY TILL CHRISTMAS

COME TRY ME OUT FOR 25 DAYS---> PRESS HERE ❄️

Pile 3 🐝

Okay hiya.

 so you're a lot more thoughtful than their ex. you can move slower you could just be more mindful in the things that you do, you say and how you paint a picture. Yeah even in the picture that you chose is an outline of a body on a skyline. so it's like you could leave clues you could be more mysterious with your seduction. it's like you have to find me so its a riddle, it's a maze, it's sexy it's slow and  sensual. Oh I can tell your person is cute by the way they think about you. but it seems like you just appreciate Beauty in itself so  it's not just them specifically that you like but it's all that are that type. your person is a man they just like beautiful woman/ men the person is a woman you like beautiful men/women. so your person likes feeling a part of that because they're like pile threes enjoys Beauty so I must be beautiful and they have good taste so I must be very beautiful. they must think highly of me if they chosen for me to be their Muse or something that they think about/ the consider beautiful. This person felt like their ex was the black cat in the relationship. Yeah  your person could have been the golden retriever in this relationship and didn't want to be like maybe they're usually black cat. and that's not to say that you aren't the black cat because I feel like you are but maybe they just wanted it to be balanced. so if this is a woman they rather it be two black cats. but if your person was with a man maybe they felt like the roles were reversed. so even if this was a man that could have felt like their ex was too masculine and it made them feel like the black cat. take it how it resonates. checkout out the rest on patreon where

IM DOING TAROTMAS 🎄 ON MY PATREON WHERE I UPLOAD EVERYDAY TILL CHRISTMAS

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Pile 4 💌

Okay so this ex could portray themselves as something that they're not. almost like a wolf in sheep's clothing is what I'm hearing. You hold your person hostage. it's like your person cannot Escape you they cannot get away from you. when they drink they think of you when they dream they think of you it's almost like that's a situation. this person could visit you on purpose so maybe they think about you on purpose, they get drunk just to think about you. they want to have fantasies about you. Okay so this person wants to give you all their money,  they like to work hard to provide for you. they want to have a family with you, they want to start a new chapter a new life with you. They are the type that they would give you their whole paycheck and let you spend it on what you want to, I mean other than house stuff of course. like they will give you the rest they would pay the bills and give you what's left. they're so thankful of you and you could keep a really nice house,  your house is clean, you have good Decor taste so it's like they wouldn't need anything so they would just give you money. they're really healthy with you as well as like you add life points to them. like they are very healthy. maybe you make this person want to be their best self even health-wise. sounds like whatever this person was doing before they left that in the past like even if they used to drink heavy stuff maybe now they just drink wine yeah they care about the health a lot more with you. this could be your twin flame. yes like you guys are the exact same person in different bodies that's how this person feels. it's like all their exes even their friends don't matter when it comes to you. like they rather build a whole lifestyle around you then to talk to anybody else. Okay so they're X was a hot girl and not a good way. this is somebody who would keep a rotation of people and act  single even if they weren't. so like your person might have been their favorite person or they actually were in a committed relationship but either way this  X always had another option laying around. they could have had a lot of options laying around because they pretended to be single even though they could have been actually planning to have a future with your person. checkout the rest on patreon where

IM DOING TAROTMAS 🎄 ON MY PATREON WHERE I UPLOAD EVERYDAY TILL CHRISTMAS

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[aroaceleovaldez]

i know a lot of people talk about the Cupid Scene as not being great as Nico's coming out story (which i think is a complex matter but that's a rant for another day), but I personally find it way more compelling if it's just not Nico's coming out story at all - it's the beginning of Jason's.

Because it doesn't really work or make sense to be Nico's, right? It's not Nico's pov. Nico doesn't have a POV at all in this book. And in House of Hades, the Cupid Scene is one of the first major things Nico gets to do right out of the box jar. Why introduce a character, have him be outed as gay, lead the crew around, and then leave to go travel with someone else all in one book where he's not even a POV? It's also contrary to the way Nico generally functions as a character - he's either exposition, dues ex machina, or damsel in distress. He's kind of a damsel here, but ultimately he doesn't need anyone else to save him - or even be there. He handles it on his own. Jason is mostly just a witness.

But, if you view the Cupid Scene as being about Jason, it narratively fits a lot more; Jason at this point is dating Piper, and they're three books deep into their relationship. TLH they start dating and are relatively happy with it and where they are. SoN is a skip but we know they're happily dating during that time, and then Mark of Athena we get a slight shift. Jason and Piper see Percy and Annabeth and go "Oh! They're perfect. Their relationship is perfect. We could be happier if we were more like them." Piper and Jason are also both characters who go through an identity turmoil in general - particularly about how both of them want to be perceived by others and who they are as people. The things they identify with - their parents, their heritages, etc etc. Their orientations. Piper's get more focus earlier in HoO, and Jason gets more later.

The Cupid Scene is from Jason's POV, in a book where he is beginning to struggle with his identity and what people expect from him - particularly him not feeling like he perfectly fits with "either camp." He's too "Greek" to be "Roman" but too "Roman" to be "Greek." He's not quite one or the other. He doesn't meet the expectations either has for him. (This is bi-coding, if you couldn't tell. Just replace "Greek" and "Roman" with "Straight" and "Gay.") It starts with Cupid addressing Jason first, before Nico, very directly - asking him if he's so sure he's happy in his relationship? Does he really think it's perfect? Even Favonius very pointedly asks him if he really forget that guys can date guys? Do you have some internalized bias around that, Jason? Hm? Heck, they're both specifically in their Roman forms, not Greek. Why would they appear in their Roman forms if they're there for a Greek demigod? And very notably, they have this exchange:

(remember what I said about the bi-coding with Jason's Greek/Roman identity crisis? I don't think it's coincidence that this so pointedly comes up during the Cupid scene.)

Favonius' introduction to the Cupid scene sets up Nico's portion of it, but Cupid almost exclusively speaks to Jason for the first half of it. Then Nico steps in. He diverts the conversation away from Jason and focuses the attention onto him. Nico's the one Cupid wants, he insists, not Jason. He's the target, not Jason. This is very in line with Nico's character - practically one of his core character traits is he trusts and starts caring about people very quickly, probably quicker than he should or even wants to, and will put himself in harm's way to prevent others from being hurt. The Cupid Scene isn't the start of Nico's coming out story - Nico already knows he's gay. He has no internal doubts about that. He's known it for awhile. He's just in the closet. And he starts coming out of his own free will in the next book, first to Reyna and Coach. The Cupid Scene is Nico recognizing that Favonius and Cupid are pushing Jason for something he's not ready for and hasn't figured out yet, but something Nico has and just hasn't said out loud yet. The Cupid Scene is Nico taking the proverbial bullet/literal arrow for Jason (Jason consistently describes the arrows as whizzing by him before striking near Nico, interestingly) and being outed so Jason isn't. And that presents Jason with the path to begin questioning his identity further. (Jason also then directly compares Cupid to Aphrodite, specifically her Greek form, which also ties into Jason's greek/roman stuff.)

And I don't think it's coincidence that Jason and Nico mirror each other so much, and that their arcs in HoH are so intertwined. The Cupid Scene functionally, on a meta level, establishes an explicitly queer character to parallel Jason and for him to bounce off of during his own arc. (And, also on a meta level, establishes to the audience to be sympathetic to queer struggles, with Jason's arc then proceeding to be a queer-coded struggle.) Jason is presented as having this strange level of isolation from how others perceive him in a positive way/the expectations people have of him that wraps around to something akin to Nico's ostracization as being an outsider and atypical demigod in general. Nico is a rouge - he explicitly expresses how he feels like he doesn't fit in at either camp (something he expresses explicitly during the Cupid Scene, mirroring Jason's simultaneous questioning his own place at Camp Jupiter) and a core part of his character is that he does function outside the rules and expectations of both camps. He operates on an entirely different realm to them. If the camps are an expectation of normative concepts of acceptable relationships, Nico is outside of that. And he recognizes that he operates outside of that and will never fully fit into the mold either expect of him, and he recognizes he doesn't need to fit in, even if he theoretically could force himself to fit that mold. Jason, meanwhile, is still locked within those boundaries, and grappling with this idea of how he can exist between them.

Nico hands Jason a goblet of poison and says "how much do you trust me?" and it's Nico challenging Jason to take his own advice about trusting others about their identities, and almost immediately after that Jason gives up his praetor title to Frank. Jason's Greek/Roman arc is directly tied to Nico and the Cupid scene. BoO ends with Jason asking Nico to stay at CHB so they can hang out that summer. By TOA, we learn that Nico has started dating and is staying at CHB (is exploring the niche of expected and socially accepted relationships) while Jason has broken up with Piper and is living away from both camps (rejecting hetero/allonormative expectations), still struggling with his own identity. They functionally swap places. And that's fascinating.

Anyways i think about Jason's bi-coding a lot.

[extremely-judgemental]

Subtext is completely lost in this fandom. I partly blame SJM for it. This is a rant from both reading and writing standpoint and leans towards the characters since I like to psychoanalyse them.

The one thing that tired me the most in these books is the excessive narration. I don’t mean the wordy description to support world-building but the never-ending monologues. SJM takes ‘show, don’t tell’ advice literally with the visual cues when it should apply to the characters and their personalities as well. Where subtext usually exposes depth of these characters and lets you decide who they are, SJM strips away that chance by writing it down for you word by word. The reason so many are going with 'in the book' argument is exactly this.

Here’s what I mean.

In real life, people don’t think linearly. They have an idea about themselves as much as they have about everyone else around them. There are self-imposed restrictions on their thoughts based on who they believe to be and who they strive to be. And it shows in their interaction with outside world. Say, when someone is ashamed of their actions, they will deny it for as long as possible. Someone who regrets something, they will sugarcoat it.

But in her books, her characters think clearly—way too clearly so that you latch onto the ideas she perpetuates. You don’t get to know them based on their thoughts, words, and actions, and see how these three support each other. You don't get a chance to draw conclusions as to if they are the hero/villain and good/evil based on their actions. If their behaviours match their words or if their choices are acceptable. Because SJM sets it in words for you. The characters come with a label beforehand. (Feyre, Rhysand and Inner Circle are good guys. Tamlin, Eris and Nesta, sometimes Lucien are evil.) It's why so many toxic and abusive themes are dismissed because it’s the 'good guy' or the 'morally grey guy’ who does it.

And so, her lead or ‘good’ characters fall flat since they have everything figured out. They know themselves inside out. They are never wrong about themselves, there’s no part they hide from themselves or the others. There’s nothing for you to read and identify the beauty or ugliness in the character. There’s no depth in them because they don’t contradict themselves, they don’t struggle to be someone they always believed to be. They don’t have to prove anything to themselves or others. They say what they think and they do what they say. They are very aware of their shortcomings and they all seem to know the exact consequences of their decisions.

Feyre doesn’t change in the three books. Her ‘rags to riches’ story doesn’t lead to much character growth. She starts out as an adamant, reckless child and ends up being arrogant, reckless woman with a crown. She doesn’t undergo a shift in personality but climbs up the social hierarchy. And that’s considered character development. Rhysand remains the same throughout. He starts out as a villain but later revealed as a good guy playing bad. Instead of growing into a hero—given his crimes, his ill deeds are negated with sympathetic backstory. And from there, it’s a flat line. There’s no growth.

In the end how does the character change in the aftermath of the events? Which of their beliefs are shattered and rebuilt? What is the emotional impact on the other characters? SJM does offer some closure on these regards but they are solely focused on a list of traumas and specific reactions set by SJM herself. And so readers refuse to think for themselves how these scenarios may play out and take the words relayed through the unreliable narrators who are essentially preaching SJM’s biases. Also, when they are so explicitly written down, there’s not much room for subtext. After going through pages and pages of justification, it tires you from using reason.

Even if we get past this (writing) flaw, there are other major issues. Story telling is a way of experiencing life. It helps build empathy, compassion and understanding of the world. Even in a fantasy book, when that world doesn’t exist, when the characters aren’t real, their journey are drawn from real life experiences. Relating to these characters is subjective and solely depends on the reader, but determining the rightness of their actions is not. This too is warped as SJM dictates which behaviour is acceptable and how far through her lead characters(Feyre vs Nesta imprisonment). Instead of allowing you to judge the choices, the verdict is spoon-fed through the ‘hero’. If the characters are forgiven, it’s not abuse. It’s a simple mistake. (It’s a mistake if it happens once and if there’s a changed behaviour after the apology.) If the characters are happy in the end, their acts are admissible. Unless SJM stamps the word ‘abuser’ and ‘bad guy’ in block letters herself(Tamlin), it's not even considered a possibility.

In short, in this fandom, ‘reading between the lines’ is acceptable as long as it supports what the author preaches. When it contradicts ‘it’s in the books’. Logic is valid only if you use it to justify the fan favourites and applaud them. Empathy is conditional. Compassion is conditional. Critical thinking is so discouraged that it’s pitiful.

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[brekwrites]

In Defense of Sun: Addressing the Bald Issue

So, we all know that Sun adamantly insists he is not bald and his rays are hair, despite contrary opinions from literally every other character. While this is technically true, I personally believe that the nuance of the situation is being overlooked, and that Sun DOES, in fact, have the right to call Moon bald.

Let me explain.

So, to start off, let’s take a look at Sun’s claims:

1. He is not bald

2. His rays are hair

I’ll be analyzing both separately, but before we get into specifics, let’s define our terms.

Who is bald?

The dictionary definition of bald, according to google, is: having a scalp wholly or partly lacking hair.

To meet this definition, a person must be lack hair on their scalp, meaning there is no hair there AT ALL. This is the official definition, which I will refer to as Bald (with a capital B), or True Baldness.

Two famous people that meet this standard are Mr. Clean (left), and Saitama (right) from One Punch Man.

These two individuals are Bald. This is the standard of True Baldness.

However, I would argue that there is, in fact, another definition of bald that is commonly accepted by society. To differentiate the two, I will refer to this secondary category as bald, with a lowercase b, or apparent baldness.

So, what is apparent baldness? I think the best example of apparent baldness is Seth Everman.

Seth is widely known for being bald (among other things, but I’m focusing on his baldness here). However, upon closer inspection, we can see that he does actually have hair in his scalp, he’s just shaved his head.

Thus, Seth does not meet the standards for True Baldness. He is, however, still widely accepted to be bald, as seen in his notorious youtube comment:

1.6 million people agreed with this, so it must have some merit, but Seth is not Truly Bald, so what is he? I would argue that Seth fits into the secondary category: he is bald, but not Bald.

What this means is that Seth appears to be bald, but is not truly Bald. THIS is apparent baldness.

I think the biggest factor in apparent baldness is the smooth silhouette, which I’ve highlighted here.

Seth shares this shape with Saitama. Both are bald, but only Saitama is Truly Bald. Do you feel me?

So now we have:

Bald: lacking hair on the scalp

and

bald: sharing the smooth silhouette commonly seen in Bald people; widely accepted and labeled as bald

By this definition, Saitama is both Bald and bald, and Seth is bald but not Bald. Finally, if someone who is Truly Bald wore a wig, they would be Bald, but NOT bald, since they lack the appearance of baldness.

Now we can examine Sun’s arguments.

Claim #1: Sun is not bald.

When you go by the traditional definition, Sun is Bald. He lacks hair, plain and simple. However, I would argue that his silhouette does not have the appearance of baldness.

Thus, he is not bald.

Moon, on the other hand…

Is very much apparently bald. And even if you argue that his hat disrupts the silhouette, let’s look at Pitbull, another famous bald individual.

Here we see Pitbull performing in a hat. Though the hat disrupts his smooth silhouette, we all know the truth: he is bald beneath it. Thus, Sun is Bald, but not bald, but MOON is Bald AND bald.

Whether or not the statement is true depends on the definition of bald you are using, and Sun could technically argue that he is not bald. Additionally, I don’t believe he is in the wrong for calling Moon bald either, because of relative baldness.

Relative baldness

Can Sun joke that Moon is bald? I say yes. Here’s why.

Let’s say I’m 5’5” tall, and I have a friend who is 5 feet even and one who is 6 feet even. The national height average is 5’4”. Thus, by technical definition, I am not short.

However, I would argue that my 6 foot tall friend could still call me “shorty” as a joke and get away with it. When standing next to them, I do appear short, even if I’m not technically Short in the official sense.

I can also turn around and call my 5 foot tall friend short, and I would be within my rights to so so as they would be both apparently short and Truly Short by definition. Finally, someone who is 5’2” (True Shortness) could probably still get away with calling my 5 foot tall friend short.

By these standards, I would argue that Sun has a right to jokingly call Moon bald, since Moon is relatively balder than him. This does, however, mean that the animatronics with synthetic hair, who are still technically Bald, are within their rights to joke that Sun is bald in comparison to them.

As an aside, you could also argue that one requires a scalp to be Truly Bald, since that is included in the definition. This would mean that technically none of the animatronics are Truly Bald, but the rights for who can call who bald would still default to relative baldness in this case, so the outcome would be the same.

So, to summarize: Sun is either Bald but not bald OR neither Bald nor bald, and either way you swing it, he’s still LESS BALD than Moon. On to the final claim.

Claim #2: Sun’s rays are hair.

Again, the technical answer is no. None of them have real hair that they grew from their head, but there are some technicalities here based on the same relativity theory.

No animatronic truly has hair, but if you want to define an animatronic equivalent to hair, it would probably be ‘something that is attached to or comes out of the top of one’s head.’

If we go by the attachment theory, animatronics like Monty and Puppet can be considered to have more hair relative to Sun and Moon. But is a wig truly hair?

Depending on how their synthetic hair is attached (is it a wig glued down to their head or threaded through the exoskeleton like a barbie?), it’s possible that what Sun has is actually the closest thing to hair, since his rays clearly originate from his head and are extending out from it, not just glued on top. Would you say that someone who is Truly Bald and wears a wig ‘has hair?’ They certainly appear to, but it’s not a part of them, so maybe you could argue that they don’t.

So, if Sun has the closest thing to hair, relatively, then I think he at least has more of a right to call his rays hair than is being let on, especially if we consider that he’s not apparently bald. And if Monty and Puppet’s hair is glued on, like a wig, then I would argue Sun has more relative hair privileges than them, since they are an actual part of him that extends from his head. Thus, the argument is not QUITE as ridiculous as it sounds, even if Sun’s rays are not truly hair by definition.

As another side note, you could maybe argue that Sun’s rays are closer to horns or even antennae? But I think that since they aren’t clearly defined as anything, it can go either way.

In Conclusion

Tldr: Sun is Truly Bald, but not apparently bald, and thus has the right to call Moon bald as a joke. He is less bald than Moon. Additionally, there is an argument that his rays could be considered at least the closest thing an animatronic has to hair, depending on your qualifications for animatronic hair and how Monty and Puppet’s wigs work.

[bi-badass-geek]

Hades 1 vs Hades 2 Designs

● Hermes besides Hypnos was first character that made me think when i saw him oh some time has passed since Zag's escapes indeed, makes you feel that time skip. In this particular debate between those i'm really digging both but if needed to say which i prefer would go with second. I feel it should be said he sure rolls nicely with longer hair i would say darker outfit too but that's probably because pallet that's used for levels.

Ps. I saw post that mentioned how his ring is the same as ones Charon is wearing in first game and if it's a hint at something i'm here for it!

● Zeus for this god specifically there is discourse about how his pose is less dynamic and oh boy if i don't agree with that so much. In first game you see him and his look makes you think yeah this is the king of gods while in second game man is just there with posture i take often because i'm useless gay that don't know what to do with my hands and feels like they took all this might and put it into chiseling his nipples & abs into his golden chestplate. Not to mention the detail of missing the iconic bolt! Don't think it needs to be said but 100% would pick Hades 1 design out of those options.

● Poseidon the King of the Sea another example in my humble opinion where they went with flattening that dynamic looks exchanging it for man that just standing there chilling which is good for him but where first screams cool uncle second one goes uncle that wants retirement. I really like how we can see the trident now tho and need to point out his outfit sure got more print on it. When it comes down to pointing out which one is the winner in my eyes it would be 2020 one.

● Aphrodite if she wasn't the one that got thrown into drama because people double standards and hypocrisy. Design from first game and the pose straight up makes you think of love, lust, seduction all the things that are associated with said goddess. As for Hades 2 version i have no clue why it feels like this considering it's actually the opposite because we can see armor on her legs now but she feels less covered for me, do i find it negative or in any way problematic? Not one bit let the woman show off all her assets all day long! Really love the adds of her weapon and shield makes you immerse in the store of oh fights are happening around these parts. From seduction to i stand here at the ready kinda vibe and i'm really digging it.

Ps. Another post i read was about fact that her war paint i will call it (not 100% sure if that is it or just line for the giggles) is reference to Ares and considering her myth i really like that touch!

● Hypnos was the first OG i saw and was like man not only catching up on his sleep but also got such glow up i absolutely adore the design. Not to say he looked bad in Hades 1 but there it was like okay nice to Hades 2 like Damnnn and his lil helpers that keeps him up! Love the fact that of all things they made him be tucked into his cape like burrito.

Ps. I really do hope by the end of the game we get to wake him up so he can try out that nectar that we all leave there waiting.

● Chaos so many things to say and at the same time silence says it all. Seen people focusing on fact some out there call them he or how it's a downgrade from previous but don't even elaborate why they think that because everyone has right to have their own preference but at least put it into words instead of going trash next..there was also notion how they resemble Meg and while i see where people get that idea from for sure before reading that my mind didn't went there at all. I think both designs really work with someone who is primordial originator and how time goes so can their form. I find it very fascinating that they put old skeleton with new one and adore galaxy under suit makes me think of Nyx right away and how they're connected. Can totally see how between those two gamers got major stance that left reminds them more of male and right of female beings but at the end of the it chaos is chaos. Gotta take chair routine from Meg while they at it! The face on the shoulder surely throws me in loop tho fits? Sure. Does it disturb me in micro scale? Yes. About frames and poses don't have much to say cause both caption the essence of i mind my business everything unrelevant until i say so.

Ps. I know it's about physical aspect but let me say Chaos roasting Mel about how her brother is amusing one out of two Hades spawns is living rent free in my brain.

[infizero]

silver hasn't changed - he's just been put in different scenarios (a silver character analysis)

something that constantly frustrates me when it comes to discourse over silver's character is that people either treat him as a total uwu soft boy, OR they overcorrect and treat him as some unhinged asshole.

silver's always been a mix of both, but here's why i think it feels like he's gotten "softer" to some people:

silver has ALWAYS had sort of two sides to him based on what situation he's in. he's this pure-hearted, naive kid who refuses to give up hope and who cares about people deeply.

but part of his naivety is that he's very headstrong when pursuing his goals, and tends to see things as very black and white when other people get involved ("you're either with me or against me" kinda thing)

silver is not one or the other, he's both. HE'S ALWAYS BEEN BOTH. in 06 you see scenes of him ruthlessly trying to murder sonic, but you also see scenes of his relationship with blaze, or him taking in the beauty of the nature he's never seen before.

and these sides of him are intertwined as well. the brash and aggressive way silver treats people in the rivals series, for example, stems FROM his naivety and social awkwardness. silver genuinely expects people to just believe him and let him do what he needs to do without question. so when people demand he explain himself, or get in his way because they don't understand what he's doing, he gets frustrated.

(i also just don't think that the rivals series is a good frame of reference to point to when complaining silver is too soft nowadays, considering that literally everyone in those games is like 50% more aggressive than they usually are lol. espio literally tells knuckles, his friend, to his face that he doesnt care that the master emerald is missing and won't help him find it)

anyways, getting more into specifics, 06 and the rivals games show off how silver acts when he's on a mission - he's brash, he's aggressive, and totally focused on doing whatever's necessary to achieve his goals.

his next appearance after that is sonic colors ds, where he's way more chill and casually talks with sonic. which makes sense because there's no reason stated for silver being there; he doesn't have a goal he's pursuing at the moment, so you're able to see that more relaxed side of him.

he's aggressive again in his next game appearance, generations, because he thinks sonic is an impostor - again, there is a specific reason for him acting that way.

forces i don't count because silver is so egregiously out of character there ("i'm an optimist but i'm also a realist" - dawg no the fuck you are not) but he's definitely not an uwu soft boy there

in team sonic racing he's definitely a bit softer which makes sense considering it's just. car racing. and in idw for the most part he's either chilling, or helping the others face a threat, so again there isn't really a reason for that aggressiveness to rear its head.

but we DO see it come out in idw more recently!! as soon as he thinks something's up with "duo," he immediately jumps to that anger and brashness:

these moments are pretty in line with the aggressiveness he displayed in 06 or the rivals series, which i think goes to show that his character hasn't really CHANGED.

it's just that more recently, he's usually been in lower stakes situations where that softer side of his is spotlighted, while during his earlier appearances that more aggressive side was what was spotlighted. but both sides have always existed, and both sides continue to exist.

tldr: stop complaining about silver being too soft please for the love of god

[fndmfrenzy]

I rewatched Death Note focusing on the japanese 1st person pronouns the characters use (because I'm an otaku and I find it interesting). I'm not an expert, so I'm mainly going to point out everyone's pronouns and add a little analysis/opinion based on what I know or read online about their usage. Some characters probably won't get explanations because I have nothing to say. Also: since this is a piece of fiction the pronouns can tell us more about someone's personality. Also: I can only analyze the formality of the pronouns not the rest of the speech, because I don't know japanese that well!

Warning: like half of this post is about Higuchi because he's funny to me. And I included all of Yotsuba, who are pretty minor characters.

Kira Task Force:

Light Yagami Starting with Light as the main character, his pronoun of choice is 僕 (ぼく/boku). Boku is typically used by boys and young men. It's considered polite and humble. If I'm not mistaken only 2 other characters in Death Note use boku (Matsuda and Hatori from Yotsuba). It's a fitting pronoun for the perfect student and son, Light Yagami. It also gives a funny contrast to his ego-driven Kira speeches.

There is a couple of situations when Light uses 私 (わたし/watashi) (because it's gender neutral, and more... neutral in general). It's when he acts as L or Kira on the phone with someone, so in situations where he's trying to hide his identity.

L L uses 私 (わたし/watashi). It's gender neutral and usually used by men in formal settings. L comes accross as wanting to sound polite (he always uses honorifics for people, even correcting himself one time when he forgets to do so with Matsuda).

He yells out "Matsuda", but then corrects it to "Matsuda-san". He also calls Light "Light-kun" or "Yagami-kun". It's a funny contrast that he cares about this, because otherwise he isn't very polite (especially to Matsuda).

In the anime (sadly I don't think he uses any pronouns in that scene in the manga) when he calls Matsuda (who's in Yotsuba building) and pretends to be his friend he uses 俺 (おれ/ore).

Matsuda As I said earlier, he uses the same pronouns as Light - boku. He's the youngest member of the Task Force (save for Light and L) and his pronoun gives him that youthful feeling.

One situation I've heard him use a different pronoun was when he got busted by the Yotsuba Group, and introduced himself with 私 (わたくし/watakushi) - an even more polite version of watashi. Oh, he also uses watashi on Sakura TV, for similar reasons to Light's usage of watashi.

Soichiro Yagami 私 (わたし/watashi). I don't think he's ever shown using a different one? We only see most of the Kira Task Force at work, so it's expected that they all use formal pronouns.

Aizawa 私 (わたし/watashi). Except for when he's quitting the Task Force, then he switches to 俺 (おれ/ore). Ore is a masculine informal pronoun, considered more rude and rough. He's angry at L and it shows.

Mogi 私 (わたし/watashi), I think, but he doesn't talk much.

Team Kira:

Misa Amane Misa's main pronoun is her name. She basically talks about herself in 3rd person, which might sound silly in english, so most translations don't include it. It's cutesy and childlish and she probably does this as part of her idol persona.

She also uses 私 (わたし/watashi) at times (which is basically the most common pronoun used by women). As I mentioned before, it's considered formal when men use it, but for women it can be both formal and informal. Well, she uses it formally (when it's weird to just use Misa) for example in the Yotsuba interview. And of course, just like Light she uses watashi when posing as Kira (on the tapes in Sakura TV, on the phone in the 2nd part of the series).

Here's Misa using watashi during the interview:

Teru Mikami 私 (わたし/watashi)

Kiyomi Takada 私 (わたし/watashi)

Shinigami:

Ryuk 俺 (おれ/ore)

Rem 私 (わたし/watashi)

Yotsuba Arc:

Most of my research comes from Yotsuba arc (like all the specific examples above...) so I'm including the Yotsuba Group guys. But first, others from this arc.

Aiber 俺 (おれ/ore) usually, 私 (わたし/watashi) when acting as Eraldo Coil.

Wedy 私 (わたし/watashi)

Yotsuba Group: First I have to say that we see them most of them only at work, so they're going to use formal pronouns.

Hatori 僕 (ぼく/boku), but he uses watashi once when keeping watch on Matsui.

Takahashi He doesn't use any in the Kira Meetings (because he doesn't talk much). I'm pretty sure I heard him using ore (maybe at the party?), but I couldn't find it in the manga.

Namikawa 私 (わたし/watashi)

Mido 私 (わたし/watashi)

Shimura He actually is only shown using 俺 (おれ/ore). Even at the meetings. He's a very unassuming guy, so I feel like there's a contrast with him using the informal ore with his coworkers, when most of the others use watashi.

Namikawa and Mido still use formal watashi, even when the three of them are hanging out at Mido's house. The only one using ore is again, Shimura.

I think thanks to his kind personality his usage of ore gives a sense of familiarity, instead of sounding crass.

Ooi 私 (わたし/watashi) in the meetings. In a call with Kida, he uses 俺 (おれ/ore). I want to add that in a work setting ore can be used by people that are either older or in superior positions. Ooi is the oldest in the group, and de facto leads the meetings, but idk if it means anything. Maybe he uses watashi with the group, but ore one-on-one? Maybe that's the etiquette?

Kida 私 (わたし/watashi)

Higuchi We get more scenes with him and we get to see him switching pronouns. One of them is 私 (わたし/watashi). He uses it in those situations: - talking to Rem (and/or himself). He seems to respect her so he's usually formal when talking to her. This might be also him talking to himself, but since Rem's there let's assume it's at least half-aimed at her... Anyway, here Higuchi talks about marrying Misa:

Even when giving this ego-driven speech (again, about marrying Misa and some more...) he uses watashi:

Talking with Rem in the car:

- thinking. He's kinda inconsistent because he thinks with both watashi and ore. Mostly watashi though. Maybe he uses ore when he feels more confident? Here after confessing to Misa he's Kira:

And some more:

At least in two of those he's like "my life is over, i'll lose my job... oh and go to jail and maybe die... but my job...!"

- in formal/business setting. Ok that's a stretch, but before making this post I was convinced he used it more in the series. We can assume he would in a formal situation, but it doesn't happen in the manga so I have no proof. Huh. Here he pretends to be a lost businessman before shooting Light's dad:

Then there's 俺 (おれ/ore). It's typically used by men around family and friends. It can sound cocky, and indicates a sense of masculinity. Situations where Higuchi uses ore include:

- talking to coworkers. Higuchi doesn't talk that much during meetings and if he does he doesn't use any pronouns. I was wondering if he's more like Ooi (watashi during meetings, ore outside meetings) or Shimura (always ore). I think it's the second based on these two panels:

At least I think it's him talking to Shimura? This moment was cut from the anime so we don't know who's saying it, but it fits Higuchi (and the person saying it uses ore so that excludes most of the people there). The panel below it shows him responding to Mido with ore.

Below are other moments he uses ore with coworkers, during the Misa interview and on the phone with Mido:

Like with most things Higuchi does I think he's going for nonchalant, but it comes across as sloppy and disrespectful. Just look at him here:

His chair is so far back, he's leaning in it with crossed arms. He's trying to show how much he doesn't give a fuck about this interview... Even if it's in his interest to get info about L from Misa! Talk about posturing.

- date with Misa, including his Kira confession. I think it's common for men to use ore when talking to women they're pursuing? I've read about a shoujo manga where the male lead usually uses watashi, but it's a big moment when he switches to ore with the female lead to show he's serious about her (/interested in her romantically).

- thinking. This one happens before he confesses he's Kira:

And he uses ore after making the eye deal when he's like "I'm invincible" (lol). I don't know what to get from this, but there's like 3 panels where he thinks with ore as compared to 6+ with watashi.

Wammy's house:

Near 私 (わたし/watashi)

Mello 俺 (おれ/ore). He's the odd one out when compared to formal L and Near. Well, he is a thug and works with the mafia.

Matt 俺 (おれ/ore). I was surprised to find it so easily considering his lack of screentime.

[aboringredmop]

k still don't know how im gonna post the videos (YouTube? unlisted?someone please help) but I can't sleep so I thought it'd write down whatever I remember happening!

(edit: here's the full recording! )

Becky and Joe walked on stage wearing sunglasses and red leather jackets and threw 3 of the trio plushies into the crowd. didn't get one unfortunately but it's really cool some people got free plushies :)

they made this robot child called the Inspiration Child, who's clearly meant to be a nod to ai (can learn from our show and generate it's own content!)

they explained how they met (and had some dodgy animated retelling), and how they started with small projects like commercials and music videos, until they came up with designs of the trio (and a mysterious fourth fella)

they made the designs first, then made the set, then the song and finally wrote the script for creativity. red guy was just a red mop head with legs at first ("alien squid thing") but Joe put the red guy head on for shits and giggles once and Becky thought it was hilarious so they kept it in the show

they were really not expecting it to blow up, and when Sundance called because they wanted to show creativity Becky thought it was a scam caller lol

they talked about the kickstarter and the credit card fraud kid. the mailed him saying "hey maybe dont do that" but the kid didnt know how to undo it cuz he just found a website full of credit card information and went ham, so Becky and Joe had to contact kickstarter because people were pulling out of the funding because they thought the project was overfunded (kickstarter was very difficult to contact)

they also made (lighthearted) fun of nsfw fluffybird art ((no padlock 😔) "using OUR characters to act out their SICK FANTASIES" - Becky) and theorists, especially because most if not all of the webseries is just them fucking around.

Inspiration Child also says something along the lines of "wow what a cool show with a great message of how corrupt the media is. I hate the media!"

Becky and Joe had these rules to make the show as vague as possible (no pop culture references, no names, no swearing and way too much detail put into small things)(the duck guy drag queen absolutely obliterates the no swearing rule lol)

they talk about the pilot, how they focused too much on the story because they felt like they had to due to it being on the big screen now, and how it ended up ruining the atmosphere and such of the pilot. they did show the entire thing sped up but my phone sucks ass so I could not get it to focus correctly. I'll see what I can salvage so you people can dissect frames of your blorbo you're Legally Not Allowed To See (which is also the official reason we don't get the pilot)

also pilot concept art showed that Mean Steve is in fact just called Key

they showed a whole post-it wall full of ideas for the tv show. don't know how much I got on footage, but what stood out most to me were 2 episodes called Money and Christmas. Joe mentioned "clock in a wheelchair" specifically

also really fun fact. Becky made the Lesley suit during covid, and pretty much threatened Baker into writing a human character into the show to wear it. concept art also shows Lesley with a mask made out of the same fabric, don't know if this was part of the original suit tho

they showed Warrens old models (?). he was gonna be a wayy more ugly looking silicone pug-worm thing y'all got lucky with the bald fuck

lily and todney were directly based off of some cancelled show about two porcelain doll children with panda parents. do not for the life of me remember what it was called but Becky and Joe were very enthousiastic about it (UPDATE: Candy and Andy!)

international release of the show soon!

Inspiration Child talks about what he's learned and sings a little song, then generates his own dhmis inspired content of a cult meeting in a forest at night. the dhmis Discord server called this "potential new content" but I doubt it

3 cultists walk on stage, face the screen backs to the crowd, drop their cloaks and boom! drag queens!!!

they were not mentioned on the site or during earlier parts of the show at all so they were a complete surprise. I asked Becky about it later during the night and she said she really wanted them there, so she asked and they were excited to! hope this means more official content with them soon I love them

they dance to There's Three Of Us, then Duck lipsings the shredder song which turns into a techno remix while Red and Yellow dance during the background

then Duck and Yellow make out while Red tries to undress to the instrumentals of the Fucked Up Part of Creativity but can't get out of his suit on time before the song ends

the drag queens, Becky and Joe and the Inspiration Child walk around during the meet and greet later and I got signatures from all of them! except inspiration child he didn't have thumbs

the drag queens were so fucking funny. Duck adopted inspiration child and loudly yelled at everyone to "GET AWAY FROM MY FUCKING CHILD" (their duck voice is sooo good). yellow stood in a corner staring at a wall for like 10 minutes and red was constantly awkwardly hovering just outside the frames of pictures (and also could not see shit lmao)

Becky liked my shirt! (the one with the melting trio heads) said she handdrew it

I'll post the signatures and some more stuff tomorrow because it is. 5 am

edit Heres the signatures! yellow guys is Italian I think? and means hi I love you :)

(the liyskaen is duck trying to spell my name. they got pretty close)