I'm rewatching all the videos since October and I wanted to see if I could pinpoint when the shift happened. I really thought it would be after Halloween baking but it's actually after the Wii sports video. I'm not sure if they had a conversation after that video and decided that they were in this for the long run (considering they brought back Dan vs Phil) and talked about being more open at the same time or what. But the next video is Golf with Friends where we got that wild moment of Dan implying he gave Phil a blowjob after the last golf video and then it just keeps getting crazier after that.
OOOOOOHHH anon thank you for the investigative work!!!! omg...... what are the implications of this?? do we know if anything significant had happened / was happening in their lives at that point?
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STEWY: ken! i'm glad you're alive, but i'm sure you'll understand if i don't shake your hand.
KENDALL: oh—the anchor. it's, uh, not contagious, don't worry.
STEWY: 'the anchor.' ooh, scary. to me it looks a lot like you've got a smaller version of the breach tearing apart your hand, but the maker works in mysterious ways. is that how you talk to andraste? can you stick your ear through into the fade?
KENDALL: look, stewy. i need you. i've sent word to my family, but you know my dad. he's not going to throw me a bone until i've, you know, killed the hart myself. i'm going to close the breach, but the inquisition needs friends, supplies, an army. you can help me get all three.
STEWY: right. and why should i do that?
KENDALL: uh, to help save the world?
STEWY: of course. it's just when you're talking to an orlesian marquis who had all his cousins assassinated to get the title, they do love the idea of the world getting saved. everybody does. they just want someone else to do it in a way that doesn't endanger any of their precious gold.
KENDALL: right. but you can convince them to pitch in a little. i don't need a lot from any one person. i need a little from everybody. we're all fucked if the breach doesn't get closed.
STEWY: and you can close the breach?
KENDALL: if you help me, yes.
STEWY: if i'm going to start calling in favors to get you an army, ken, i need to know there's a plan.
KENDALL: it's—i have—i'm working on it. i have what i need to make a plan. my advisors are the best in the fucking business, the templars—
STEWY: the drugged-up choir boys? what are they going to do, wave their swords and chant at the hole in the sky?
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just watched a clip of the final fifteen (GOs2) again by passing and ended up balling my eyes out. a literal year has passed and it still hits me as if i were seeing it for the first time - which is, in a way, incredible that it still evokes that level of reaction, but leaves me pondering once again with the concept of grief and how it continuously takes it’s hold on you.
no matter how many times i look at the scene - with different perspectives, interpretations, pov’s - it does not take away from the devastation of the situation, the emotions that we, the audience, experience alongside the characters, and the utter power and importance of storytelling (how our voices hold power, influence, and can make an impact)
It doesn’t take away the fact that we can’t change the course of the events, even if we wanted to (and believe me, all we want is for our favorite Angel and Demon to get their well-deserved happy ending); and we have to make peace with the fact that waiting is a part of the journey - both in ours (as the audience) and in the lens of their relationship. It could be argued that the concept of “Waiting” has been a 6000+ year foundational element to Crowley and Aziraphale’s relationship, even if we aren’t looking too deep into that aspect. Waiting for change, waiting for the day where they could truly be together, to choose one another without complications, without fear - you name it all.
And that in itself is also full of grief, isn’t it? The drive and impact of fear. That unknown territory, everything that can be missed and lost due to waiting? Everything that you risk losing, everything you do lose? The way our actions can be governed so by its influence, and we may not even be aware of it either.
and, as per usual, i cant help but think about how special Crowley and Aziraphale’s dynamic is, because it’s not just made up from one concrete thing/applicable fandom trope. it’s all so, well, ineffable (<3), and it really reminds me of how special it is to be impacted by characters and storylines like this.
There is so much love put into stories like this, and the fact that we can feel the collective grief because we are deeply impacted by it all - is pretty special
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the point of all this rambling? not quite sure myself, but
- grief is so intricate
- i want crowley and aziraphales happy ending so bad right now, but part of that waiting is also making peace with the fact that there is grief written in between the lines, and it’s something that just comes with the process
- im rambling so ok byee 🫡)
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Do you know this (noncanon) ADHD character?
Evidence below the cut!
Feels emotions INTENSELY
Can't focus on boring things
Seeks quick dopamine fixes through food and games
Easily distracted
Accused of talking too much
Struggles in school
Disordered sleeping
Often accused of being "lazy"
Hyperfocuses on new things that catch her attention
Incredibly forgetful
Can't sit still
Constantly needs validation
Often feels like she's failing others
Easily overwhelmed
Is either indecisive or goes with the first thing she thinks of - no in-between
Rejection. Sensitivity. Dysphoria.
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