#at the same time not having lived here at all as an adult

[sneepity-snoop-snorpity-sneep]

I apparently come across as the same age as my younger coworkers, possibly because I am holding the vestiges of my whimsy in a deathgrip and also because they are experiencing the highs and lows of marriage and I'm not (seriously, I once had a conversation with an old lady at an urgent care where she was talking about her kids, stopped mid-conversation and went "you don't have any, i can see it in your eyes" TTvTT). If i were a cartoon I might be failing the above person's character design test

a lot of people do NOT 'look like adults'. Hell, in my experience a lot of folks look about the same if they're between 16 and 25 depending on the person and the only real way to find out where they fall on that range is to straight-up ask them

on one hand, yes, fiction and character design in cartoons specifically is meant to convey information about the characters to the audience quickly and easily - that doesn't mean shorthand like this is a good idea

visually conveying important information about your characters to your viewers is one thing, catering to the members of the audience who become viscerally uncomfy with characters not fitting in the exact boxes they think characters (and usually real people) should fit in is another thing ENTIRELY. People are gonna surprise you and do backflips around your expectations in real life just by being themselves sometimes, and frankly fiction gets better when this part of the human experience is included (at least i think it does)

like this whole complaint could've just stopped at "I don't like it when writers/designers sexualize characters whose role in the story doesn't have anything to do with their sexuality or lack thereof" and most folks would agree - like anybody from the clone wars fandom remember what they decided to have ahsoka wear for the first couple of seasons for no real reason? but that doesn't actually have any bearing on the character themself, again, see young ahsoka running around doing jedi commander stuff and having character arcs that her clothes are coincidental for at best (girl was literally in a war zone with not only no protective clothing, but not clothing at all covering at least three vital organs hhhhhhhhh)

and also, since this seems to be about hazbin hotel, I'd like to point out that there's probably some overlap OOP is seeing between 'character is being sexualized by the writers and/or fans' and 'character is in a story that includes adult themes about sexuality, lust, etc, and is shown to visibly have a sex drive/sex life/sexual experience', as many adults do.

But i still don't really see this as a bug over a feature, i mean....yeah hazbin hotel writes adults whose lives include sex-related stuff in a very different way than other adult shows which include sexuality (gonna use arcane and castlevania here, because i just recently re-watched both), but they're also all very different kinds of stories.

hazbin hotel, while not being quite the same kind of show like say family guy or south park, where you might find over-the-top sex/profanity based comedy, is the kind of adult animation that decided to have sex be a more relevant part of the setting and sometimes plot. Characters make sexual references, innuendos, jokes, etc, all the time even when there isn't any actual sex going on, while the other two shows I mention simply have sex being A Thing Adults Do Sometimes and there isn't (usually, with a particular exception *cough cough Lenore + Hector*) anything majorly plot-relevant about it.

but as far as your audience goes, that's really a difference in preference than a sign of good/bad writing or character design. Like i'm definitely more of a fan of the latter style of including sexuality in stories about adults. The hazbin hotel take on writing adults and sex isn't my cup of tea, but neither is it a deal breaker for adult media in general for me. This may be because I am Not Going To Pay Attention To Whatever Nonsense The Horny Fans Are Doing Now. i'm just not.

like a lot of the above complains seem to be rooted in how members of the audience will see the character, which is really not the greatest way to judge a work of fiction. Inevitably, at least some fans will draw porn of any character regardless of canonical age or if the story they're from actually has any kind of sexual content or not (doesn't Disney have an official vault of porn of characters from a bunch of their kids movies/shows? yeah) and if that's an issue for you you may not be curating your own online experience as much as you should. Gotta learn to think 'Do i actually want to see/engage with this or will it just make me unhappy' before u actually look at something. I regret to inform u i dont know any way outside of experiencing the consequences of NOT doing that to learn when I should. I'm talking about the moment when i see a unfamiliar word online ending in 'philia' and i take a moment to notice my curiosity before pondering if i really care to look it up

in conclusion, trying to box actual adult's appearance/behavior into boxes on who should and shouldn't be allowed to have a visible sexuality is just kinda reminiscent on the aspects of western shame culture that presume you can stop people behaving badly by making the potential targets of that behavior act so as not to encourage it.

Understandable gut motivation. Poorly thought out reaction

Alright.

At First I Was Going To Make A Joke About How Stupid This Thing Is, But Now That I’m Thinking About It This Is Just More Gross, Infuriating, And Sexist Than It Is Stupid And Funny.

Adult Are Adults.

Fictional Adult Are Fictional Adults.

I Don’t Care What Height They Are, If They Have Curves Or Not, If Their Personality Is Childish Or Adultish, Or If They Look Like A Child Or A Adult.

They Are Adults No Matter What.

Also “ProShippers Take Her And Run”… Can You Just… Not Do Or Say Anything Ever Again?

Either That Or Change Your Ways?

[sergeantbarnessdoll]

Ooo can I please request a Bucky x fem!Enhanced!reader where she is Tony Stark’s daughter (he didn’t know about her until she found him an adult and now they’re super close) and she has mind reading powers and telepathy She is also super close with the other Avengers (especially Steve and Sam). She meets and falls in love with Bucky when she does a study abroad program for a year is Romania, the same time Bucky is on the run and living in Romania. Imagine Steve’s surprise when he tracks down Bucky to his apartment and finds Y/n living there with him in a serious relationship. And imagine her Dad’s surprise when SHEILD agents not only drag in Steve, Sam, Bucky, T’Challa, but also his daughter (who is now crying in his arms wanting Bucky, her bf). And because she can read minds, she knows what Zemo’s intentions are but couldn’t stop him in time?🥺 Anyways, Tony, Steve, and Bucky all want her to stay far away from the civil war but she hides on the Steve/Bucky’s jet and follows them and stops the three of them from fighting but they accidentally really hurt her in the process? The Avengers get back together?

(Endgame never happens)

Can’t Break Up Love » Bucky Barnes/Winter Soldier

Pairings: Boyfriend!Bucky Barnes x Girlfriend/Enhanced!Reader, Dad!Tony Stark x Daughter/Enhanced!Reader with Steve Rogers/Captain America, Sam Wilson/Falcon, and T’Challa/Black Panther

Summary: Summary is what the request says⤴️

Warnings: Fluff, Angst, language, mentions of HYDRA, accidental injuries, crying, kissing, pet names

A/N: Thank you for the request @kpopgirlbtssvt 🩵 it’s so amazingly described🥰

Written on my phone. My apologies for any mistakes.

Header made by @buck-star

GIF IS NOT MINE! GIF credit goes to the creator.

Finding out you’re the daughter of a billionaire, playboy, philanthropist is something you would’ve never expected. You expected your dad to be just a regular guy, which he is in a way… kinda. All though, he is a billionaire, playboy, philanthropist, he’s also Iron Man and an Avenger, which is the coolest thing ever. After your mom told you who he is, you contacted him and met him. Now, you and Tony have an amazing father daughter relationship.

“Are you sure you want to study abroad in Romania for a semester?” Tony asks.

“Yes, dad. You know I love to travel.” You say with a smile.

“You know I’m just looking after you, super girl.” He says.

You smiled and hugged him.

“Thank you for letting me use the jet.” You say.

“Anytime.” Tony replies. “Call me when you land.” He says, kissing your forehead.

“Will do, dad.” You smiled.

———

That was a few weeks ago. You’re still getting used to Romania. You were staring down at the map to the apartment building you’re staying in when you accidentally bumped into someone, causing you to drop your stuff.

“I am so sorry!” You apologized.

“It’s ok.” The man said.

You crouched down to pick up your things and so did the man.

“I’m James, but everyone calls me Bucky.” Bucky introduces himself.

“I’m Y/N.” You introduced.

“Are you visiting?” He asks curiously.

“Yes, but I’m also studying abroad for a semester.” You tell him.

“I’ve been here for a while so if you want, I can show you around.” He suggests.

“Yes please!” You say almost immediately.

Bucky chuckles.

“Where are you headed to?” He asks.

“My apartment.” You tell him, pointing to it on the map.

“You’re in luck. That’s where I live too.” He smiles.

“That’s great! I’ll see a friendly face.” You say with a smile.

Bucky walked you to the apartment building you two live in. As if it were fate, you and Bucky live on the same floor. There’s a few apartments in between you guys.

“I’d invite you in, but I have to study for a test tomorrow.” You say.

“No worries. Hopefully we’ll see each other tomorrow.” Bucky says with hopefulness in his voice.

“Hopefully.” You say with the same hopefulness in your voice.

You stood on your tippy toes and kissed his cheek before going into your apartment. Bucky had a smile on his face when he walked in his own apartment. He felt a newfound warmth in his heart and so did you.

The next day, you were so nervous about the test. Your mind was all over the place. That all washed away when you seen Bucky in the hallway of the apartment building.

“Good luck on your test.” Bucky smiles.

“Thank you!” You smiled back.

“Can I walk you to school?” He asks.

“Sure.” You replied.

The walk to school didn’t take long. You and Bucky talked the whole walk. It turns out that you and Bucky have a lot in common.

“Thank you for walking me to school, Bucky.” You smiled.

“Anytime, doll.” He smiles.

Bucky kissed your cheek, making you blush and smile.

“That kiss is for good luck.” He says.

“Thank you.” You smiled again.

“Now, go take that test.” He says, giving you a pat on the back.

You nodded and walked in the building with high hopes that you’d pass your test.

A few days have passed since you’ve taken your test. You were still positive that you did good on it. When you got your test back, you were over the moon with the grade you got that you went straight to Bucky’s apartment to show it to him. You repeatedly and rapidly knocked on his door till he opened it.

“Give a man a chance to open the door, doll.” Bucky jokes.

You held your test up, showing Bucky your grade. Bucky took it from your hand and looked at it, smiling when he saw your grade.

“You got an A! Good job, doll!” He says with a smile.

Out of nowhere, you kissed him, surprising the both of you. Your eyes widened when you realized what you were doing. You quickly pulled away.

“I’m so sorry! I didn’t mean to do that!” You apologized.

“Why are you apologizing?” Bucky asks.

Before you could answer, Bucky kissed you. This time, you didn’t pull away. Your hands grasped onto the fabric of his sweatshirt. Bucky wrapped his arm around your waist, pulling you inside of his apartment and closed the door so no one walked by and seen you two kissing. That’s when you and Bucky started to fall in love with each other.

As you and Bucky got to know each other more, you two went on dates. Bucky asked you to be his girlfriend and he also asked you to be his girlfriend, which you happily said yes to both. Since Bucky is on the run, he wanted to have at home dates. You didn’t question it. You thought it was cute. Although, you don’t the reason why he’s on the run, you figured he’d tell you the reason when he’s ready to.

“Tell me something else I don’t know about you.” You say, maneuvering yourself so you were sitting sideways and criss crossed on the couch.

“You pretty much know everything about me, doll face.” Bucky says, laying his metal arm across the back of the couch.

Bucky found the confidence to tell you and show you that he has a metal arm. At first, he thought you’d be scared of him cause of it, but you’re not. You accept Bucky the way he is.

“I know, but I want to know more about you.” You pouted.

Bucky can’t resist it when you pout. He leaned towards you and kissed you before leaning back against the arm of the couch.

“Let’s see…” Bucky thought to himself for a moment. “Would you believe me if I told you that I’m actually almost 100 years old.” He says.

“There’s no way you’re almost 100 years old.” You said.

“I am.” He confirms.

“How?” You asked. “You look like you’re in your late 30s or early 40s.” You say.

“I’ll take that as a compliment. I was actually born in 1917.” He tells you.

“So my boyfriend is an old man?” You giggled.

Bucky playfully narrowed his eyes at you.

“I’ll let the old joke slide this time. Now it’s your turn to tell me something I don’t know about you.” Bucky says.

You hummed to yourself and bit your bottom lip as you thought of something. You finally thought of something. You never told Bucky that you have mind reading and telepathy powers. You were scared of what he’ll think when he finds out. Now is a better time than never to tell him.

“I have powers.” You tell him, fiddling with your fingers.

“What kind of powers?” He asks curiously.

“Mind reading and telepathy.” You tell him.

“How did you get them?” He asks.

“HYDRA.” You answered.

Bucky already knew your experience with HYDRA couldn’t have been any better than his without asking. Any experience with HYDRA is horrible.

“I’m sorry you had to endure the pain of HYDRA.” Bucky says softly and sympathetically.

“Thanks.” You say, giving him a soft smile.

Bucky kissed you to lighten the mood. You smiled against his lips and cupped his stubbly cheeks, rubbing your thumbs against the stubble of his beard.

“I love you, baby.” You whispered.

“I love you too, babydoll.” He whispers back.

The next day, you and Bucky went to the market down the street from where you two live. You two walked there hand in hand. You sensed something off about Bucky when you two left the apartment. You didn’t need to read his mind to know something was wrong. He was on high alert the whole time. You didn’t want to pester him about it though.

“Baby, look! They have those cookies I was telling you about you about the other day!” You exclaimed excitedly, showing him the package of cookies.

“That’s nice, doll. We should get them.” Bucky says.

“Yes!” You say, pumping your fist in the air out of excitement.

Bucky got a few plums from the fruit stand. As you two were paying for yours and his groceries, Bucky knew something didn’t feel right. It was like a gut feeling. He looked across the street, making eye contact with the vendor. The man looked at Bucky and then looked at the newspaper. It didn’t take him long to realize who Bucky is. Even in a disguise, he still recognized him. He ran out of his stand. You furrowed your eyebrows in confusion as you watched him run.

“That was weird.” You say.

“I know right.” Bucky says.

You and Bucky walked hand in hand as you two crossed the street, walking to the stand the man ran away from. Bucky picked up the newspaper, seeing his picture on it.

This is not true. How could he have done something horrible in Vienna if he’s been with you all day? Unless if someone is trying to frame him for something he didn’t even do. That has to be it.

Bucky’s jaw clenched as he looked around.

“We have to go.” Bucky says, wrapping his arm around you protectively.

“Where?” You asked.

“Home.” He says.

Little did the both of you know that Steve was in yours and Bucky’s apartment while you guys were out. Steve looked around the apartment, finding your things there. He furrowed his eyebrows, trying to figure out why your things would be in Bucky’s apartment. As soon as you and Bucky walked in the apartment, your eyes went wide when you seen Steve dressed in his Captain America suit. Steve turned around, seeing you and Bucky standing a few feet away from him. He also noticed you two holding hands.

“Y/N?” Steve asks.

“Hi, Steve.” You say.

“What are you doing here?” He asks.

“I live with Bucky.” You tell him.

That was enough to tell Steve that you and Bucky are in a serious relationship.

“Do you know who I am?” Steve asks, adverting his attention to Bucky.

“You’re Steve. I read about you in the museum.” Bucky says.

You stood next to Bucky, listening to the two men talk. You had no clue what was going on. You were clueless about why Steve was there.

“I wasn’t in Vienna. I don’t do that anymore.” Bucky says.

That when it hit you. The reason why Steve is there is to protect Bucky and also you.

“Whatever you think he did, he didn’t do it.” You chimed in, defending Bucky.

“I’m on your side.” Steve assures.

“They’re coming your way.” Sam informs Steve in his ear piece.

“Why did you pull me out of the river?” Steve asks Bucky.

Bucky’s mind was all over the place. He knew the reason why he pulled Steve out of the river, but he didn’t know in that moment.

“I don’t know.” Bucky answers.

“Yes you do.” Steve says.

That’s when something was thrown through the window. You three looked down, eyes widening when you guys realized it was a bomb.

“What the f-” Bucky grabbed you and held you close to him, picking up the mattress to use it as a shield when the bomb exploded.

Then the door was busted open and cops entered the apartment. Bucky pushed you to Steve. Not in a rude way. In a way of protecting you. Your eyes were wide as you watched your boyfriend tried to fight off the cops.

“Buck, stop!” Steve put a hand on Bucky’s shoulder. “You’re gonna kill someone!” He says.

Bucky knocked Steve to the floor and used his metal fist to punch a hole in the floor next to Steve, pulling a backpack out from underneath the floorboards.

“I’m not gonna kill anyone.” Bucky says.

Bucky shoved the backpack in your hands and looked deep in your eyes.

“Do you trust me?” Bucky asks.

“With my life.” You answered.

“Take this backpack and jump onto the roof across the balcony and I’ll come find you, ok?” He says.

“Ok.” You said.

Bucky gave you a quick peck on the lips before going back to fighting off the cops with Steve’s help. You put the backpack on your back and looked at the roof across from yours and Bucky’s apartment. You took a couple deep breathes before running and jumping to the roof. Surprisingly, you didn’t hurt yourself. You were surprised that you could jump that far.

“That was so cool!” You say to yourself.

Sam seen you on the roof as he flew over it.

“Who’s the person who just jumped on the roof from the apartment?” Sam asks.

“Y/N. Keep an eye on her.” Steve informs him.

“Got it, Cap!” He replies.

Sam flew down toward you. You looked up and seen Sam.

“Oh shit.” You mumbled to yourself.

Sam’s here too? What the hell is going on?

Something in your mind was telling you to run and you did. Bucky jumped to the roof you’re on a moment later.

“Doll!” Bucky shouts.

You stopped running when you heard Bucky’s voice. You turned around and ran to him. You gave him the backpack. He was about to put it on his back when someone in an all black suit that looked like a cat jumped onto the roof, coming out of nowhere.

You were so confused at this point. You decided to read the person’s mind. Your eyes glowed blue as you read his mind, your eyes widening what you read from his mind. The person who attacked Bucky wants him dead or locked up for something he was framed for.

Bucky managed to get away from the guy and ran, grabbing your hand. You and Bucky got to the edge of the roof. Before you could ask how you two were going to get down, Bucky wrapped his right arm around you with a tight grip and used his metal arm to slide down the wall. The guy in the all black cat suit followed you guys. Steve also caught up with you guys, running after you guys. Sam followed you guys from above.

Cars swerved to avoid hitting you guys. That’s when Bucky grabbed a motorcycle, throwing the person off of it and you two got on it. Not too long after that, you, Bucky, Steve, Sam, and the guy in the cat looking costume got stopped by Rhodey and the cops. You guys held your hands up in surrender.

“Congratulations, Cap. You’re a criminal. So are you Y/N. Your dad isn’t going to be proud of you when he finds out.” Rhodey says.

Bucky got shoved to the ground and handcuffed.

“Bucky!” You screamed.

Steve wrapped his arms around your waist before and pulled you against him you could get to your boyfriend. Bucky looked at you with sadness in his eyes. He didn’t mean for you to get involved in any of this. He was just trying to protect you and tried his best to avoid all of this from happening.

You guys got put into a transport vehicle and the right was quiet. Your face was covered in tears and you fiddled with your fingers. You also found out the guy who was in the Black Panther costume is T’Challa.

“Do you like cats?” Sam’s asks T’Challa.

“Sam…” Steve warns.

“He showed up dressed as a cat and you don’t want to know more?” He says.

“I do.” You say with a small giggle.

“Y/N wants to know too.” He says.

Steve turned around, giving you and Sam a warning look. You two remained quiet after that.

“Are you ok?” Sam asks you.

“I would say yes, but I just witnessed my boyfriend getting arrested for something he didn’t even do so I’m pretty far from ok.” You answered.

“Hang in there, little Stark.” He says, patting your knee.

The vehicle pulled up to a big building. You weren’t sure what it was. You watched as Bucky was being hauled around in a pod type of thing. You took a couple steps in his direction, but Sam stopped you by grabbing your arm and gently pulled you towards him.

“I know you want to go to him, but you can’t right now.” Sam says softly.

Your eyes teared up again. You seen your dad a few feet away. You ran straight to him and hugged him, breaking down in tears. Tony was surprised to see you and wondered why you were in the transport vehicle with Steve, Sam, and T’Challa. He didn’t question it though. He’s just happy to see you.

“It’s ok, super girl.” Tony whispers, comforting you.

Tony took you to a room that looks like a conference room. Steve and Sam followed.

“He didn’t do it.” You say after a few minutes.

“You can’t be too sure about that, kid.” Sharon says.

“No one fucking asked for your damn opinion!” You practically hissed at her.

Sharon scoffed before walking of the room.

“Bucky wasn’t in Vienna or wherever this happened. He was with me the whole time.” You tell everyone truthfully.

Steve and Sam believed you, but not so much your dad.

“How can you be so sure?” Tony asks.

“Cause I would’ve known if he did something he shouldn’t have done.” You say.

The more Tony stared at you, he could tell that there’s something you’re not telling him.

“What are you not telling me, young lady?” Tony asks in his dad voice.

You slid down in your chair and fiddled with your fingers.

“Tell him, Y/N.” Steve says softly.

“Tell me what?” Tony asks, looking from you to Steve and back to you.

You really didn’t want to tell your dad that your boyfriend is the former Winter Soldier. You already knew that he wouldn’t stop asking if you don’t tell him so you might as well tell him before he finds out from someone else.

“Bucky is my boyfriend.” You tell him after a few seconds.

It was quiet after that. You looked up at your dad to see a look on his face that appears when he’s pissed off about something. You already knew this wasn’t going to be good.

“No, absolutely not.” Tony says.

“I love him, dad! He loves me too!” You exclaimed.

“You are not dating someone who’s a criminal.” He says.

“I said no! You are not dating him!” He says, raising his voice.

Your bottom lip quivered and you stood up from your chair, running out of the room.

“Are you going to go after her?” Sam asks.

“No.” Tony rubs his hands over his face. “She’s going to calm down and come to her senses and realize I’m right.” Tony says.

“She’s in love with him. I’ve seen it.” Steve says.

Tony looks at Steve, narrowing his eyes at him.

“Who’s side are you on, Rogers?” Tony asks.

“I’m on your daughter’s side.” Steve says.

All Tony did was scoff.

When you ran of the room, you decided to wander around the building to try to find Bucky. You found him in an almost empty room. There was nothing but the metal pod Bucky was in and a table and chair in front of it. There was a man in there with Bucky, who’s name is Helmut Zemo.

Before you could do anything the power went out and a red lit up the room. Zemo started reading words from a book in Russian. You didn’t understand what he was saying, but you knew it was good cause Bucky was starting to get mad.

“Stop it!” Bucky growls.

Zemo kept reading the words. Bucky broke free from the restrains and pounded his metal fist against the door of the metal pod like a caged animal trying to get out of its cage. When he finally broke free from the metal pod, he slowly stood up with a dark look in his eyes. The whole room was silent. It was like a calm before a storm.

You decided to take the opportunity to read Zemo’s mind to see what his intentions are. Your eyes glowed blue as you read his mind. The things he was thinking about at the moment was a mission report from December 16, 1991 and he wanted to see an empire fall. You were curious to know what those two things meant.

All hell broke loose before you could do anything. Your eyes went wide. You quickly hid alongside the wall. You closed your eyes and tried to process what you just saw.

“Y/N, where’s Bucky?” Steve asks.

You pointed to the room next to you. Steve went in there and so did you and Sam. Zemo was laying on the floor. Steve picked him by his shirt and slammed him against the wall.

“Who are you and what do you want?” Steve growls.

“To see an empire fall.” Zemo says.

Out of anger, you punched Zemo in the face, giving a bloody nose.

“What the hell did you do to my boyfriend?!” You asked.

“You’ll find out soon, Miss. Stark.” Zemo says, smirking facetiously.

What’s that supposed to mean and how does this man know your name?

That’s when Bucky came out of nowhere and started throwing punches at Steve and Sam. You backed up against the wall so you didn’t get caught up in the mix. Even as the Winter Soldier, Bucky would never hurt you. He wouldn’t forgive himself if he did hurt you.

“Get Y/N out of here!” Steve says to Sam.

Sam nodded and grabbed your arm. You two started running and exited the building. Sam saw Zemo’s jacket on the ground. He picked it up and then looked around. He dropped it back on the ground.

“Stay here.” Sam says.

You nodded. You assumed Sam went back inside to help Steve. You felt like you should do something to help so you came up with a plan. You figured that the quinjet was somewhere around there. You figured if you hid somewhere on the quinjet that you could stop something bad from happening. So you found it and got on it, hiding somewhere inside of it so no one could see you. You also found a mission suit that belongs to Natasha and put it on so you blended in more.

During the flight, you didn’t know where Bucky and Steve were going until you heard one of them say HYDRA. You didn’t know which base they were going to though. The conversation Bucky and Steve were having made you tear up. The things HYDRA did to Bucky and made him do broke your heart.

What it seemed like hours, you were still hiding in the quinjet. You wanted to go inside of the base before it was too late, but not too early. You managed to sneak inside of the base without Bucky and Steve seeing you. You hid along the walls and stayed quiet. You seen your dad there too.

What’s your dad doing here?

You watched as anger bubble in your dad as he watched a video on a small screen.

“Did you know?” Tony asks Steve.

“I didn’t it was him.” Steve says.

“Don’t bullshit me, Rogers!” He says. “Did you know?” He asks again.

Steve nodded his head yes. Tony blasted Steve with an energy blast, which he blocked with his shield. Bucky rose his gun to defend Steve, but Tony blasted it out of his hands. Your eyes went wide. You knew this was just going to get worst. You needed to stop it and now’s that time.

“Dad, stop!” You shouted, coming out of your hiding spot.

“Y/N, what are you doing here?” Tony asks.

“Stopping you from killing my boyfriend.” You say.

“Kid, if you knew why I’m doing this, you’d understand.” He says.

Tony rose his hand up, blasting an energy blast at Bucky. Steve threw his shield to Bucky and he caught it, holding it in front of himself. The energy blast hit the shield and then came flying towards you. It hit you before you could jump out of the way. Everyone’s hearts dropped to the pits of their stomachs and their eyes grew wide. Bucky was the first one to be by your side.

“Doll, wake up.” Bucky whispers, gently tapping your cheek.

Tony shoved Bucky aside to get to you. Steve got down by your side too. Tony placed his hand on your chest where heart is.

“Jarvis, check for a heartbeat.” Tony says.

“Heartbeat detected, but she’s in critical condition and needs medical attention.” Jarvis informs him.

“We need to get her to a hospital.” Steve says.

Bucky picked you up bridal style and carried you to the quinjet with Steve and Tony following behind him. As Steve flew the quinjet, Tony watched Bucky closely with you. Bucky whispered nothing but sweet words to you. Seeing how sweet and loving Bucky is with you, made Tony want to change his mind about how he thinks about him.

You woke up a few hours later in a hospital room. Your eyes squinted to adjust to the light. You heard a monitor beeping and the voices of your dad and your boyfriend.

“Guys, she’s awake.” Steve says.

You turned your head to the right to see Bucky, Steve, and your dad.

“Hi, doll.” Bucky smiles. “How do you feel?” He asks.

“Like I got hit by a truck.” You winced. “What happened?” You asked.

“You got hit with an energy blast that was meant for Bucky.” Steve says.

“The doctors want you to stay here for a few days for observation.” Tony says.

After a few days in the hospital, you were able to go home. Home meaning the Avengers compound. Your dad and Bucky talked it out and he’s living in the compound. Bucky is sharing your bedroom with you. Tony, Steve, Sam, and the rest of the Avengers talked everything out and got the team back together. They even asked Bucky to be part of the team, which he happily accepted.

“How do you feel?” Bucky asks softly.

“I don’t feel as sore as I did a few days ago. Your kisses made me feel better.” You says.

“I’ll happily give you more kisses, doll” He says.

“Then what are you waiting for, Sarge?” You murmured softly and playfully.

Bucky leaned down, kissing you sweetly and passionately. The kiss was short lived when Jarvis’s voice sounded through the intercom of the lounge room.

“Mr. Stark said to get back to work, Sergeant Barnes.” Jarvis says

Bucky groaned, making you giggle.

“I love you, doll.” Bucky says softly and kissed you once more.

“I love you too, baby.” You murmured softly.

🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵🩵

-Bucky’s Doll

[beans-core]

Some batkid reactions to being hassled by the press and other PR related shenanigan (inspired by this post by @timdrakewhump, it got the brainworms shmoovin)

(edit: added a cut here because DAMN this post is fucking LONG and I know it’s clogging up other people’s pages too)

Dick: the humble founder of the batkid “troll the press” train, so he has a lot of experience and stories. As a kid, he charmed the pants off of everyone but was a handful to interview because he kept going off on random tangents. And it was just. the most unrelated and weird shit ever, like his favorite species of beetle or how he used to think when he was little that all clouds were pollution so he hated cloudy days. Things so off-topic it was practically unusable material. Bruce once asked if it was on purpose, and Dick responded “sometimes!”. He’s also the king of petty but ultimately inconsequential pranks because of growing up where he did, a place where the job was bringing joy and entertainment. If someone was an asshole to him (or anyone really) in his presence, they’d better prepare to be on the receiving end of the most manipulative, career-devastating smackdown delivered by a pink-cheeked, gift-to-the-world, curly-Q babychild— who’s now got tears running down his face because of them. It’s joever. This performer stuff helps when he’s trying not to get caught (ex: the pranks). As an adult, he wears the most butt ugly outfits (even to “important” events) but can dress stylishly if he wants. That’s usually how the press will notice which events Dick actually cares about, and Dick utilizes this to get better coverage on the more meaningful events. It’s fucking hilarious when ppl can't even really comment on the outfits because even if the clothes aren’t great, Dick somehow manages to make it look decent. When he’s out casually in public, he’s notorious for wearing shirts with puns and dad jokes on them. The shirts started ironically, but now it’s a whole thing. He gets them as presents too, Tim giving him shirts that have horrible brainrot on them. Additionally, when someone is more comfortable talking in a language other than English and Dick can speak it, he’ll switch over. But the flip side is that he knows the best insults in that language too, so if you piss him off, his roasts are both more accessible, personal, and devastating.

Jason: Snuck books to read into boring events like clockwork, and Bruce never really tried to stop him. (It’s hard to be upset at your kid for reading of all things, especially when you’d rather be doing the same too.) But Jason’s favorite activity was spreading lies and slander. He dragged everyone into it whether you were kind or bitchy, and had barely any limits. (Dick was really proud, even of the particularly wicked rumors, but tried not to show it too much else Jason go wilder.) Jason has the most fun with the gossip-distribution method of old-rich gossips who are just incapable of shutting the hell up— it’s like one big maze traversing the social cliques and making a plan of action. He gets to map out how it all works and then find the best way to wreck it, and he lives for it. Overall, he made up such an astronomical amount of bullshit that photographs were practically the only thing the paparazzi could reliably use. And even then, Jason still trolled them by wearing the same type of common plain hoodie over every outfit out in public (when he wasn’t at some special event). Present day (post-death), anytime Jason goes into the manor (not often if possible), he sneaks in. Absolutely refuses to use a door. One time, someone gets a blurry picture of Jason sneaking in, and the figure is visibly packing heat. The person who got the photo went to the police immediately, and it sent the media into a frenzy. Bruce had to make up some story about an attempted robbery and how the (non-existent) security guards he’d hired were able to take care of it. Jason thinks it’s the funniest thing ever, and can barely keep his face blank whenever he remembers it. Tim got the articles/papers printed and framed as a gift, and Jason begrudgingly accepted it (it’s proudly displayed on a shelf). He’s also secretly pissy that he can’t blatantly make up rumors for the gossips anymore because of the whole “being dead” thing.

Tim: holds grudges to hell and back if you’re not a loved one. If you happen to be more than just an average-everyday amount of douchebag and mess with him or someone he cares about, he’ll make sure you know he dislikes you by basically passive-aggressively harassing you back (when it won’t have immediate/future bad-time consequences). It’s obvious he’s being unkind only to the person/people it’s directed at, and it’s an art form Tim has been honing since the age he first understood what ‘passive aggressive’ meant. One example: once, some person said how odd it was for Mr. Wayne to keep taking in children who looked like him and “forcing them” to take the Wayne last name. The man said it in that condescending tone of people who try to imply something’s “wrong” with you without actually saying it (you know what I’m referring to). Even though Tim was visibly disgruntled in the video, it was still published. (Tim hacked the site, unpublished, and deleted the recordings out of spite… but it’s the fact that they did it in the first place!) So now whenever he sees that news station he refuses to answer them until they address him by “Timothy Wayne” (his last name is hyphenated and he doesn’t mind answering to either— usually). When Tim’s not in the mood to be passive about his aggression, he’ll just fuck with rude ppl anonymously. Hacking to mess with files/programs, deleting important info, digging up dirt and publicizing it, recruiting Jason’s help to concoct a fake scandal (Jason tries to pretend that he doesn’t love the chaos but he really obviously does), and other ways to constantly annoy/inconvenience them. Tim also accidentally adopts Jason’s habit of scoping out and analyzing the famous gossips of Gotham. It was something he’s been proficient at as a kid out of necessity, but he actually gets into it when he becomes Robin, beginning to view it like one big puzzle he can solve and use to his advantage. As a child, he’s not in the immediate focus of the news as much as you’d think. The Drake’s keep him out of the way unless he can be useful somehow (PR mostly— the Idealistic Loving Family tactic and Cute Kid Distraction are utilized often). (This becomes Pretty Boy Distraction and Desirable Man Distraction as he gets older.) They think that controlling his media presence is easier than doing damage control if he makes a mistake, as all children tend to do, which inadvertently ends up protecting him from some of the more despicable side of modern media… as long as he doesn’t seek it out himself… but as we know, Tim Drake is a very curious kid.

Damian: the perfectly behaved Wayne child, but rude without realizing (of course he realizes, but the press doesn’t know that… or won’t mention it, at least). The Wayne family PR team has long-standing beef with this kid and has had to put up with him repeatedly for PR training and other PR nightmares of his creation. He refuses to act childish in front of the media unless it’s for a mission or some other gain. (He can look like the cutiest patootie on command now, but it’s something he had to work on in his PR training, unlike some of his other siblings who have charm oozing from their pores.) The only thing that reveals Damian’s discomfort to those who know him is how he’ll stay near his family members' side, following them around like he’s stuck with glue. Once he got overwhelmed by a sudden crowd, and didn’t notice one mic coming his way until it was shoved in his face— he reacted instinctively, punched the mic (it goes flying), and ducked low into a fighting stance next to Bruce. The others poke fun until they realize he’s genuinely upset he couldn’t stay calm, so they don’t mention it again. Even though Damian loudly rebukes and scoffs at his family’s shenanigans against the press, he still secretly wants to be included. So, when he doesn’t want to be talking to someone, he’ll slowly shift into speaking Arabic and pretend not to notice. More than half the time, the listener will feel too awkward to point it out and will find some way to leave the conversation. Dick takes him to his favorite dessert place when he does this for the first time, and brags about Damian finally joining in on the family tradition all day, so he keeps doing it.

Cassandra: leans heavily into the “can’t speak” thing that she’s been mistakenly assigned just so she doesn’t have to talk to the press as much or be a center of attention. If someone does approach her she just stares at them with wide unblinking bug eyes until they back off and/or are distracted by something else. But really, she isn’t even approached that often because she sneaks around everywhere. When she is found, it’s because she feels like teasing someone that day. (It’s a bonus when her family gets all giggly seeing her mess with the press because yeah, it’s practically a Wayne family tradition at this point.) Also, everyone knows by now that Brucie will unabashedly raise hell to defend his loved ones, so even years later, when media people are like “okay wait shouldn’t she be able to talk by now??” they keep their ignorant mouths shut lest Bruce Wayne descend upon them with the power of a thousand suns lawyers. Misinformed media-people assume she’s deaf or hard of hearing all the time because of her use of sign language, and sometimes, in the spirit of trolling, she’ll feed into it indirectly. Because if you’re calling over to her for a comment and she happens to not answer, it’s your fault if you “connect the dots” and assume she didn’t hear you because she’s deaf/HOH. This also leads to her getting away with absolutely everything, because she’s a (assumed) deaf woman which means she gets infantilized, meaning she can obviously do no wrong! /s It would piss her off more if she gave a fuck about what the media thinks, but she really doesn’t, so she just uses it as another tool when she wants to cause havoc.

Duke: doesn’t get bothered too often compared to most of the others, and subsequently doesn’t give a fuck. Was offered PR training just in case by Bruce and he took it, but he could hold his own just fine before. Sometimes he’ll get approached by those sidewalk interviewers as Signal, and if he has the time he’ll stick around to quickly answer a few questions because he finds them funny. He’s always terribly vague though, and taken out of context you just have no earthly idea what he’s on about. Clarification? Duke doesn’t know her. As someone who hangs out with a family consisting of some rich white people who are often in the public eye of other rich white people, he likes to make the annoying ones squirm by interpreting everything they say to be offensive, just. Fucking with them until they’re panicking, having mini heart attacks thinking of the PR nightmare they’re gonna have. “So young man, do you think you’ll go to college?” “Why do you ask? Think a black kid wouldn’t be able to?“ “I didn’t—” “Think I’m not as capable as anyone else?” “NO no no of COURSE NOT—” Damian, Cass, and Dick think it’s genius so they take inspiration from him and do it too in their own ways. Duke usually goes straight from Bat Business to the manor, entering from the batcave but when he does visit normally, he’s pretty discreet. All that to say that when he’s first noticed hanging around the batkids + co. it’s in public areas. There are definitely some rumors going around because Duke hangs out with them like all the time. the media are left wondering where the fuck another kid came from, why Bruce hadn’t introduced his new kid, etc. Bruce comes out with a vague summary story to get the majority of the press (the ones who didn’t bother to do more research) off dukes back, and after a while, they go back their normal level of invasive.

Stephanie: will get pissy if someone calls her Bruce’s child but won’t deny being part of the family. Loves to spread misinformation like Jason, but it’s only ever fake news about herself. At one point, half of Gotham is convinced she’s some estranged Wayne (some third cousin, or was it second?) and the other half thinks that she’s the secret affair child of Martha Wayne (even though the timeline zero sense). She drives the celeb-focused conspiracy theorists bonkers by introducing herself by different names, bringing up fake relatives, sharing absurd fake stories, etc. Then, she’ll throw in an absurd truth, someone will connect the dots about that one thing being real, and it’ll start another conspiracy frenzy because wait, if that’s true, what else is??? She's also mastered how to use makeup to make her features look different for undercover missions, but will wear it out in public too so it makes sneaky pictures and videos look doctored/fake. One time, she applied some fake facial prosthetics too for fun, and a paparazzo got into hot water for trying to pass off a picture of ‘some random woman’ as Stephanie Brown. She decided to frame the best of those articles written (framing “best-of” incidents is kind of a thing now). She’ll always be excited when one of the bats comes to her asking her to disguise them for a mission because they all know that the price of her work is that she gets free reign of what the disguise looks like (as free as you can be within the mission parameters, but she finds a LOT of little ways to entertain herself).

[socialistexan]

So recently I had a blowup fight with a trump supporter cousin of mine who I, honestly, felt pretty betrayed by. She had been a good ally to me, she was so quick to accept me when I came out. She had been fairly progressive our entire lives. We drove to college together, she looked after me in my beginning stages of becoming an adult.

And then she turned around, after all this time, and become the thing that she said she hated. She told me none of that mattered because Trump was more pro-Israel and "agaisnt the terrorists Biden is funding" (she's referring to Palestinians here)

But the thing that has really stuck with me was that she told me, "I'm sorry you were radicalized against your own heritage"

Which is a wild statement to me. Because my heritage isn't a settler state that I have never stepped foot in, it's the Jewish diaspora that has survived and fought for their lives for generations against our oppressors. It isn't the race science of Zionism, an ideology that says Arabs are inherently inferior and need to be subjugated. Not in my name. Never in my name.

What I don't understand is she could see through all of this bullshit when we were young. When it was George Bush and the War on Terror saying the same things in the same ways against almost the same people.

And, I'll be honest, I wasn't exactly articulate in my responses. I was abrasive, I was mean, and I didn't get out all the points I wish I had gotten out. Mostly because it was early in the morning and I've been having a pretty bad time mentally the past few months and it's been affecting all of my relationships like my friendships, family, and romantic relationships. And I let that happen.

I wasn't able to bring up Irgun or the terrorist groups in the levant which eventually formed Israel. I didn't get to bring up the goal of Zionism was the erase the history and culture of the diaspora. How early Zionist leaders wrote incredibly awful and racist things about both Jews they disagreed with and Arabs.

All I really got in there was calling her Ben Shapiro, gesturing at Biden's funding of Israel at historically high levels, and the fact early Zionists were allied with fascists.

I didn't get a chance to bring up all the things I learned in those classes in the I/P conflict ironically in that time my cousin was looking over me, from a Jewish professor no less, because I was taken aback so much and in pain. It's an extremely important lesson for me, honestly.

How do you keep your composure when it is someone you have loved and cared about coming at you?

[liquorflower]

𝐭𝐞𝐥𝐥 𝐡𝐢𝐦 — 𝐬𝐚𝐭𝐨𝐫𝐮 𝐠𝐨𝐣𝐨

cw: just pure angst, canon divergence, post-jjk, mentions of death, gojo and you have children, plot-twist.

a/n: this is just a little writing exercise.

the table was just set at this moment. in this icy morning, water, breakfast and honey, decorate the table and coffee brewed fills the house with its well-known smell. your children enjoy playing outside with yuji, megumi and nobara. in this cold morning, you thank having bought those cozy jackets in the mid-summer. now you don’t have to worry about visiting full department stores in this time of year.

poor nobara. by the way little ike is inspecting her eye, grabbing with her tiny hands the jovial cheeks of the girl, she right now might be asking her how she got to lost her eye, how it felt like, how it is to just look with one eyeball, and other sorts of questions, that for you, are merely childish imprudences — perhaps a behavior inherited from your husband, who was about to arrive.

takeshi, by the way he seems to grab both megumi and yuji marks, may have the same curiosity as his sister.

water, for when they have finished eating the western breakfast: scrambled eggs and bacon, to refresh your mouths after the meal and children can drink milk and the adults enjoy the hot coffee.

honey, to spread it in the recently baked biscuits nanami will bring from his trusted bakery shop.

now you just wait for satoru. the kids will be happy to see their dad again and then, in the afternoon enjoy the sweets you are sure he will bring for them. though you don’t have a sweet tooth, you recognize how vile it would be to deny them a sweet treat from time to time.

“hey, there.” a cocky voice can be heard from afar.

“satoru?” you turn and that albino hair, those blue pupils, and...

why he’s not wearing any jacket, with the awful cold is making outside?

after the divorce, when nanami didn’t serve as a therapist for both of you, you managed to keep your worry for him as a formality when you were in front of the children. “have you checked your teeth?” “it’s cold outside, i think you should wear a jacket.”

“i’m glad to see you too.” he gets near and, grabs your knuckles with such delicacy, inviting you to get up from your chair.

“i can tell the same.” you look away, not wanting him to wonder what goes through your mind, not wanting your eyes to betray you. you both had to admit that there was still a spark. it’s just that satoru’s busy lifestyle didn’t allow you to consummate your love, enjoy the children. just curse there and there.

it was unbearable.

“you’ve been missing me?” he teases as always. nanami would always say things like: “i think there are things you need to solve by yourselves.” “i’m not any kind of messenger that you can use as you please.” the blonde man, in some way or another, implied how much he made you suffer, even though you asked him not to tell him that you waited for him every day, just to see if he would change his mind.

then, he notices it’s just not the way he wanted to let you know he also missed you, but also despite how you tried to hide it, you, trying not to cry and hold tears back, is present.

“i think i sounded cruel, didn’t i?” he murmured.

you gasped, as now an enormous and overwhelming sadness consumes you and can’t understand why. he’s here with you and all you want to do is to tell him how much you’ve been longing for him to come and stay with you. that doesn’t matter how much you’ll be waiting for him, the three of you will be blissfully anticipating his arrival.

“hey, it’s okay, i’m here.” he hugs you and instead of feeling any sort of comfort, it’s like a mass of ice is hugging you and that sheds more tears, accompanied by uncontrollable sobbing. “you know? could you please tell the children that they’ll live forever in my heart?” he mumbles in your ear.

“i don’t want you to leave, satoru.” you protest. your whimpers and sob crack your voice.

“hey, hey.” his frozen thumbs try to clean your tears. “i’ll be here, with you. looking after ike and takeshi, you were the most precious thing that could ever happen to me. you have no idea how much i would have liked to enjoy you more. i wish i could go back in time.”

“don’t bullshit me. you still can do it. we can...”

your hands intertwine. “tell them i would’ve loved to take them to eat all the candies in the world.”

you look at his hands. the hands of the strongest man. a vague: “yes” comes from your mouth.

and then, nanami enters with the bread and the trio of young students enters with your children. who quickly noticed your face full of tears and tried to distract the children for them.

nanami, of course knows what happened.

yeah, you have forgotten. now nanami just can’t go and tell him about how your feelings. even if you were at verge of tears, you tried to hide it from nanami, who of course, tired of other things that were happening in his life, tried not to be attached or pay attention to them.

now you just wished you could have been brave enough to speak directly to satoru and no after disgrace just happened.

[calicooken]

✧˖°. 𝐌𝐲 𝐨𝐯𝐞𝐫𝐚𝐥𝐥 𝐭𝐚𝐤𝐞 & 𝐨𝐩𝐢𝐧𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐂𝐚𝐥𝐞𝐛

✧˖°. The continuation from this post

✧ There are some thoughts that I would like to share regarding his character & some controversial topics about him in the main story

1. “MC sees him as a brother”

From what I have explained in his past timeline in previous post, MC clearly developed a crush on him growing up and she sometimes hints her own jealousy with him in some past memories. So up until the explosion I think MC does has feelings for him but didn’t wanna cross the line they have build and vice versa

After the explosion I think MC slowly started to accept the reality that he is gone. She went on to find the truth about herself. She made a new relationship & went on a mission with 4 other lis. Until she met him again in the current chapter. you can feel some tension in their interactions that clearly has a romance undertone in them. Another interesting thing here’s also when she met Zayne. He seems way more warm with her. He even flirted with her and asked her to go on a date with him next time they met. This really proves the development in her relationship with all of them. and with Caleb that she knew since day 1. The feeling is there.

I’m not gonna talk about the incest allegation because like, are we tired at this point? In Asian languages we use the same words to call our own family members to someone who’s close to us even though they’re not blood related. The fact that these people refused to learn about the Asian contexts when consuming Asian content is just plain ignorant.

2. His ‘yandere’ behavior in the main story

First thing first, as much as I want everyone to see the good side in him. We cannot deny that he’s written to fill out this trope. The developers clearly made him to be the character that is flawed and morally grey. There’s a market for this type of character and they knew that he would not be for everyone. So if you cannot vibe with his ‘Yandere’ tendencies at all no matter how much you tried then it’s completely ok. He’s not for you. it’s fine

I personally don’t really favor this kind of trope myself. but what makes Caleb work for me is- The reason behind it, how he developed all these tendencies in the story. It just make sense for me

Number 1 is his ‘over-protectiveness’ towards MC. I also felt the ick at first. But after experiencing his past I get it.

Imagine you being a child and the first memory you have is other people using you as an experimental subject. probably seen as a weapon of some sort alright? then, you probably never experience love and care from any adults ever. You also probably went through all the tortures and hell during the time in the lap. All of these make you lose your own identity and never develop the will to live as a normal human- and may I add, as a 9 years old child. Then one day when you got rescued from the lap. you met this cute kid that also got experimented on like you, maybe even worse. But because she doesn’t remember anything, She remains soft and so full of life - she holds your hand with all the love and tenderness you’ve never got from anyone in your life before. It's like nothing bad that happened in her life could really affect her pure heart. You see this kind of light and feel the need to protect it. - That’s how Caleb formed his own identity and the reason to live growing up, He never wanted her to turn empty inside like him.

Caleb grew up spoiling MC rotten like I said in his past timeline. For someone who’s already numb from any emotions. The only thing that keeps him feeling alive is taking care of you, doting on you, making sure you’re always safe and sound, making sure nothing bad could ever happen to you. YOU are the only thing that matters to him.

Number 2, His red flag behavior in the main story in which… kinda lead to the next point

3. “I don’t feel safe around him/ I don’t trust him”

yeah duh, we are not supposed to. I think that’s the direction Infold want the player to feel in this chapter

and I’m with everyone here, when I read the story I don’t feel safe at all. I think we kinda thought the same thing ‘Sylus come pick me up, I’d rather be in the N109 Zone right now’ lol. But when I take a step back and think about it I do have some thoughts

The reason why we as a player feel safer in the N109 Zone is because Sylus rules the area. You knew from the start that this man is REALLY powerful. EVERYBODY is afraid of him. nothing can really touch him. We also kinda have an idea that he’s not a human from the start.

Caleb is not like the other 3 lis (Xavier, Rafayel, Sylus) who are some kind of immortal or deity.Sure his evol is really powerful and he’s really strong but at the end of the day he’s just a man. And with all the shits he has been through he realizes that he’s not invincible. he doesn’t have a privilege to not make a choice. whether it’s an ethical choice or not. and he’s trying the best he could to make sure you are safe. even it ended up making us players hate him in the process.

I do also think that unlike the N109 zone, Even Caleb himself doesn’t really feel safe in skyhaven. He’s also an imposter, a pawn to be used by somebody way more powerful than him. and He knew that letting you out and about freely is highly risky. With all the incidents that happened in the chapter & MC involvement kinda pushed him into fight or flight mode.

When we feel really, really unsafe about something in our lives, especially related to something we cherish the most, what do most of us tend to fall onto? The need to control. We instinctively try to control situations and things to make us feel safe and predictable. Sometimes we try to control things that we will later regret about it. Caleb is in full survival mode here.

── .✦ In conclusion

With all that being said I still do not agree with what he did to MC in the main chapter. He made a mistake, He owes her an apology tbh. But seeing the full picture did help me understand him more + In the next few 5 star cards that happened after the main story he appears to be really guilty towards her. MC being MC she easily let it go and doesn’t demand an apology from him (which I think he would get on his knees for her if she asks, I mean are you kidding? He would do anything for her. the down bad is so strong here)

Their story is definitely not for everyone. there’re a lot of improvements to work on in the future. The first thing is how they both need to learn to untie the co-dependency they have had since childhood. MC needs to set a healthy boundary with him and be less reckless. Caleb needs to respect MC to take care of herself and trust her ability to handle things.

 When we look back In the latest muti-banner, the nightly rendezvous for other lis. all of them have their own development in the relationship.

Xavier finally confronting his possessiveness and MC addressing it to him

Zayne finally letting go of his ‘compose’ and ‘perfect’ facades and letting MC see his inner-child side more

Rafayel finally opening up about his fear & pain he had gone through to MC

Sylus… being Sylus lol (on his card it has to do with MC’s development more than him, so)

all of these took a pretty long time. So with Caleb I’m sure we will see some issue in their relationship being improved later.

(Even some might say. "Nope, he doesn't need fixing" with that I would say "Good for you" 😌🤌🏻)

[a-person-who-likes-musicals]

Songs that are so [Insert Character Here Coded]:

Jason Todd Edition

Millie, Warm the Kettle - Dorm Demo ~Rabbitology

"I'm tossin' turnin' in an open grave/Coined-tongued with whatever I can save/Carrying hauntings of a brand-new age—/Millie, can't you see I slide/Planchettes with my wake?"

After the Lazarus Pits, you can't say that Jason Todd doesn't feel as if he's the embodiment of "Came Back, But Came Back Wrong." After losing years of your life and piecing yourself back together amidst the LOA. When trying to establish himself in Gotham post LOA, he's effectively returning to his old haunts.

"I'm coughing up elderberry on the stage/Like your sacrificial lamb/Millie, hypnotize pain away, I beg"

When he does return to the world of the living/Gotham, he's not the same kid that he was. When he passed he was a child. So naturally not experiencing his teenage years the way you're supposed to would cause some adjustment issues and possibly affect the coping mechanisms that you think would be healthy or help at all.

Elderberries throughout history and literature have been attributed to alcohol and drunkenness, and in some runs it's pretty clear that the way that Jason manages to get his life back together is through things like drinking or putting himself in harms way. Additionally at other times when put in a situation where he can change his memory of the events in Ethiopia he doesn't shy away.

Additionally considering his canonical alternate universe where he never became Robin leads to him becoming a Catholic Priest, the religious iconography of the sacrificial lamb fits, especially since his death as Robin was a sacrifice to try to save Sheila despite her having sold Jason out to the Joker, her own son.

"I'm whisper-hissing notes on every slate/That I scribe and toss into the hungry waves/Carrying itchings for a familiar ache/Millie, can't you see I made a walking stick out of my stake?"

When Jason does come back, he is not the person that he was. In death there is no perfect preservation, its very nature is decay. One thing that he lost was some of that idealism he had, that died alongside Sheila and him. The first things to decay are the soft parts of the body, and those soft parts of him were not the priority of the Lazarus pits. They do come back eventually, but they're a scarred, more protected thing. But despite his loss of self and time lost in the worst of his pit madness he does still hold onto the things that were important to him. As Red Hood his shtick is making sure that other goons and crime lords in Gotham didn't sell to or harm kids. Or how even when his relationships with the other Robin's or Bruce himself are strained, he still will save them from certain death or team up with them for a common threat.

If he was not lucky enough to be considered worthy to be saved by someone else, damn it he'll do it himself. Yeah he's fucked up and objectively is not a fantastic person by most standards, but if he is going to be seen as a villain willing to do anything for his goals, what does he have to lose by being a villain with standards in a place where the monsters are let loose?

It's like the lady of Manderley haunted by the ghost of Rebecca; chased by Mrs. Danvers for not being the person who was there before, for not being as popular, as kind, as sweet, as lovable, as alive as the late Rebecca was in her day. But Rebecca IS dead, and she was not the saint her stained glass may depict. Now, in her place, is a young adult robbed of the chance to explore their youth and made to grow up at too young an age. Married to a life and place that killed her predecessor, she is left to gather the pieces and wear that dress that Rebecca wore, the one she is deemed 'Garish' and said to be mocking the dead by wearing the clothing picked out for her.

[lookinthymirror]

an ode to zionist women

whenever anyone (especially gentiles) thinks of zionism, they think of, idk straight white men from europe (and the world needs and thrives on this view of zionism because it's their attempt of discrediting it and they think the perfect way to destroy zionism is by emphasizing the privileges of zionist jews, making it dangerously difficult and near impossible for jews who actually care about the injustices within the jewish community to acknowledge and lessen these disparities). i want to change that because 1) zionism is for ALL jews even when *some* jews perpetuated otherwise, 2) i won't allow misogyny to continue to succeed through this idea that zionism is a man's thing and 3) i want us to deal with these harmful misconceptions and get it out the way so we can properly stride towards an improved, fair future for us all. by letting these antisemitic ideas continue, we take steps backwards. zionist women deserve to be known. we have always been here and we always will be. if zionist women can be zionist knowing misogyny exists and will most likely eclipse their efforts, i don't know why people can't get over bad people who happen to be zionists because terrible people will always exist and anything can and will be weaponized; it's not the end of the world. (obligatory "anything and everything can be pretty harmful because nothing is perfect and humans are flawed"). if we deal with this now, we can also deal with all the misogyny directed towards zionist women from anti zionists etc!

ZIONIST WOMAN OF THE DAY: JESSIE SAMPTER

born in 1883, jessie sampter challenged zionist ideals of "strong, healthy bodies", being a disabled, queer, jewish woman (as a disabled woman myself, it is wrong that these ideals existed AND it makes sense that strong healthy bodies were championed considering the antisemitic world view of the jewish body as weak and unnatural...nuance!). the antisemitic belief that zionists all blindly supported israel/zionism/etc can quickly and easily be dismantled by actually looking at zionists, especially zionist women. no person is 100% supportive of anything so this is quite laughable. zionists have always been the leaders of criticism towards zionism (no one understands zionism more than zionists tbvh). zionists constantly argued amongst each other because they disagreed with each other's notions of zionism and each had their own specific interpretation that oftentimes clashed. she sometimes wrote negatively about zionist activity in the yishuv, highlighting how zionists have always been critical of zionism and other zionists.

jessie sampter was an defining educator, writer, poet and zionist pioneer and thinker. she encouraged jewish movement to mandatory palestine and considered herself "married to palestine". she wrote in both hebrew and english of a wide range of topics such as jewish nationalism, arab-jewish relations, life in the yishuv and her experiences which included same sex relationships and homoerotic desires. born into an assimilated jewish household, as an adult, she chose judaism and zionism after spending time in henrietta szold's home (important to note: before becoming friends with henrietta she was a part of the unitarian church). she had always cared about children all throughout her life, writing for magazines dedicated to children and as a zionist, writing for jewish children even up to her death.

at the time of her death in 1938, she had spent her entire life with russian zionist woman, leah berlin who had been living with her in kibbutz givat brenner, where sampter had established a vegetarian convalescent home. sampter fell ill and was hospitalized upon her arrival in jerusalem. yet she did not see herself as a drain on the zionist cause. rather, her essays framed her experience as a celebration of zionism for her english-speaking audiences: “to me it was almost worth the discomfort of a serious illness that I might spend several weeks as a patient, in the ranks of patients, in our own hadassah hospital in jerusalem—the rothschild hospital” (“bed number six").

JUST A FEW OF HER ACCOMPLISHMENTS:

she participated in organizing and fundraising for what would become the first school for the deaf in palestine. she also worked to ensure that education was available for yemenite jews in the yishuv. noticing that ashkenazi families excluded yemenite children from kindergartens and other schools, sampter helped create a kindergarten for yemenite children, a girl scout troop for yemenite girls, and an evening class for yemenite working girls. she would later adopt a yemenite jewish girl with whom she had developed a relationship during her visits to a jerusalem orphanage.

by 1914, sampter had become a key figure in hadassah. she served on the central committee, the organization’s main leadership council, alongside szold, lotta levensohn, nellie straus mochenson, alice seligsberg, and others. together, the women were effective organizers and fundraisers, though they did experience friction with the male-run zionist organization of america. the ZOA tried to bring hadassah under its own leadership structure, and often the men wanted the women’s support “but not their minds,” as henrietta szold wrote. sampter had no trouble using her mind for hadassah, however. she helmed the organization’s education department, served as a consultant for zionist education in baltimore, and ultimately published A Course in Zionism (1915), which brought together her investment in education with her zionism. she also published articles, pamphlets, and speeches in favor of zionism. “nationalism and universal brotherhood,” for example, argued for a principled position in favor of both internationalism and zionism: “as a jew I see that the idea of universal brotherhood is the crowning of jewish prophecy. and yet the jewish prophets were all nationalists.” she saw each nation (by which she meant something like people-group or culture, rather than nation-state) as contributing its own unique values and characteristics to the whole of humanity.

she edited a textbook with another zionist woman, alice seligsberg, wrote several books on philosophy and religion and published five poetry collections. below is one of her poems, titled "the light of exile":

tell me, what is exile’s light?

is it candles burning bright,

little candles in the night?

exile’s light is this old man.

ere the morning he began

israel’s holy page to scan.

and he teaches from this page

israel’s law in every age:

exile’s light is israel’s sage.

ending notes: jessie sampter and zionist women in general fought for the inclusivity of zionism to all jews and amplified the depth and complexities of zionism by continuously expanding its definition and creating their own version due to their love of human beings, their love of their fellow jews and their dedication to tikkun olam.

[coraniaid]

I'm not sure what part of the above gave you the impression I want characters to have "textbook perfect relationships". Because I don't believe that's something I've ever suggested; not here and not in anything else I've written.

I like it when characters have messy, flawed and imperfect relationships. I like it when those flawed relationships are the catalyst for the plot to advance. I like characters who misunderstand each other, or are a little bit hypocritical, or who have a sense of themselves that isn't really accurate.

I don't at all care for the popular fandom version of Giles as somebody who is -- or should have been -- a flawless and faultless father figure to not just Buffy but all her other teenage friends. I don't think that's who the character in the show is, and I think he -- and the show -- would have been much more boring if he was.

(At the same time, I'm not sure this particular fandom reading is necessarily very modern: I've read things written ten, fifteen or even twenty-five years ago that seem to assume that Giles is best understood as The Group Dad. People were wrong about it then and they're wrong about it now, but I don't think it's a recent idea.)

I like the fact that Buffy and Giles's relationship is, at its core, a little bit messed up. That both of them care about each other more than they think the other would want them to admit; that Giles does seem to see Buffy as something like a daughter while, at the same time, being aware that he's responsible for telling her she can't have a normal life and training her to face the prospect of violent death every night. I think that's kind of the emotional heart of the show, at least for the first couple of seasons.

Equally, I like the fact that Giles never seems to notice how much Xander looks up to him and craves his approval; how he turns an almost intentional blind eye to all the hints we get about Xander's dreadful home life; how Xander remains, to him, little more than Buffy and Willow's rather boorish and lazy friend whose jokes and company he can sometimes barely tolerate. I think that makes a lot of sense for both their characters.

I don't particularly need a character to be sympathetic to find them interesting, and indeed I don't -- outside of his relationship with Buffy -- find Giles sympathetic most of the time. I've met a few people with similar backgrounds to Giles in my life, and I can't say any of us were happier for it. But as a fictional character, I do find Giles compelling. I wouldn't post about him if I didn't.

The specific issue I have with Giles and Faith in Season 3 is that there is a vast gulf between what the show is actually depicting and the story which the writers seem to think they are telling. I don't think any of the messiness or flaws here are at all intentional or that the show will ever think to do anything creative with them. I don't think the writers realize quite how dreadfully Giles comes across.

Faith isn't just some random teenage friend of Buffy, like Xander or Cordelia or Willow. She is a Slayer with a dead Watcher and absolutely no other support system, living alone in a strange town. I don't think it's possible to pretend Giles doesn't have a duty of care towards her. At the end of her first appearance on the show, Giles explicitly volunteers for the job of -- in his own words -- looking after her. Specifically, he tells Buffy that:

"The council has approved our request. Faith is to stay here indefinitely. I'm to look after you both until a new Watcher is assigned."

A new Watcher isn't assigned until after Giles himself is fired, so Giles is -- by his own request! -- the sole adult figure responsible for looking after Faith from that point until then. And what does he do to "look after" Faith? What does he try to do? The answer, as far as we can tell on the basis of the evidence provided on screen, is: nothing. He ignores her as much as possible, only trains her when she's with Buffy anyway, doesn't ever ask himself what she's up to when she's not Slaying or waiting for orders in the library of the school she isn't enrolled at, and then -- when she gets into trouble, when she does something that we know Giles himself once did as a young man (an accident after which he was supported and protected by the Council) -- his only priority is protecting "his" Slayer, the (better mannered, more middle class, more respectable) teenage girl he actually likes. He blithely talks about needing to make Faith "think" he was on her side, but ignores the fact that he literally agreed months ago to be on her side. That that was a responsibility he personally requested.

Again, if the writers wanted this to be deliberate, that would be fine. I'd think rather poorly of GIles, sure -- more so than usual, even -- but there is clearly a potentially interesting story to be had there. Only, it seems pretty clear that this isn't the story the writers think they've told at all.

At no point is Giles's own role in Faith's descent to the dark side ever addressed. There is absolutely no pay-off or follow through for the things I'm complaining about. At no point does anybody on screen wonder why Giles didn't try to find somewhere for Faith to live, or react more like the way he did last year when it was Buffy who he believed had killed a man, or why he seems to have forgotten that he not only agreed but asked for the job of looking after Faith. We are seemingly not meant to think Giles has done (or failed to do) anything remarkable.

After this season, when Faith appears on Angel, she will talk as if Wesley was her Watcher all along, and Giles was exclusively Buffy's Watcher. That Wesley is the Watcher she thinks somehow let her down. The show will act as if that is true, and as if what she's saying makes sense, but it isn't and it doesn't. In Season 3, Wesley only arrived in Sunnydale to take over the role of both Buffy and Faith's Watcher. Giles was the sole Watcher responsible for looking after Faith for months. He was the only adult in her life for the large majority of her time living in Sunnydale. In fact, Wesley was actually Buffy's Watcher -- at least officially -- for longer than he was ever Faith's Watcher. And Faith never takes him seriously as a Watcher, the way that Buffy does at first.

Giles as Faith's acting Watcher isn't something the show comes back to when Faith returns to Buffy either. In the seventh season of the show, Faith and Giles only briefly interact. We see Giles telling Faith at one point that she's "doing fine" as the group's temporary leader (she isn't, but okay...), but the only suggestion here is that Faith has reformed enough to have earned Giles' approval. There is again no suggestion that Giles ever did anything wrong by her, or that the crux of this scene should in fact be her deciding whether to forgive him.

If the writers had meant Giles's relationship to Faith to be deliberately complicated or imperfect, these all seem like rather strange choices. It seems pretty clear that we aren't meant to think Giles did anything particularly wrong or noteworthy or objectionable at all.

Only, as actually written, he did. He very obviously did. And the writers just aren't interested in taking that seriously.

The point of my post isn't that I think Faith and Giles should have had a "perfect relationship" or that there's no place for stories about Giles not being especially good at his job. I'm not suggesting that the writers should have tried to tell a different story. I'm arguing that, with a few small changes, they'd have done a better job of telling the story that they were seemingly trying to tell all along.

Anyway, I do think you can preserve almost all of the core of Faith's arc in Season 3 and still present Giles in a much more favorable light than canon with only a very few minor tweaks.

At some point, in one of the early season episodes that Faith doesn't otherwise appear in -- Band Candy, say -- in a scene featuring just Buffy and Giles together, have Buffy comment on Faith's absence, wonder out loud if being alone in her motel room is good for her, and have Giles say something to the effect of "Perhaps you're right to be concerned, but we must respect Faith's wishes. In fact I offered to arrange for more salubrious lodgings when it became clear she would be staying with us for a while, but she assured me she was quite all right where she is." Because, look, of course if an older man she didn't really know offered to set Faith up with a nicer place to stay for free she was going to say no. Of course that doesn't mean she's actually happy living in a motel in the bad part of town, and of course she's still impressed when the Mayor gets her an apartment and clearly doesn't want anything from her in return (or, at least, he's only looking for wholesome family-friendly murder and torture and treason, not what she'd expect him to want). But at least this way we can point to evidence Giles actually tried to do the right thing. The thing that he explicitly volunteered to do.

In Helpless, when Buffy complains about Faith being "off on one of her unannounced walkabouts", don't have Giles -- who at this very moment is not interested in training Buffy but instead setting her up for the events of Cruciamentum -- remark snidely that "Faith is not interested in proper training", but instead explicitly link back to the events of Revelations. Have him remind Buffy that Faith took Mrs Post's betrayal very badly and say that he's deliberately letting her take a break from training for a bit because he thinks it will give her some time to recover emotionally. And, again, Giles wouldn't be right to think this -- Faith would be better off if she was spending time with other people -- but at least we'd get less of an impression that, after Post arrived, Giles decided he was done being Faith's temporary replacement Watcher and that he didn't really care what happened to her afterwards (even after Post was exposed as a fraud).

The key things you need to have happen in Consequences are (a) Faith lies to Giles and says Buffy killed Finch; (b) Giles talks to Buffy privately and they both acknowledge that actually Faith killed Finch; (c) Wesley overhears this conversation and calls in the Council to take Faith back to England. You don't actually need Giles to suggest he was only pretending to be on Faith's side to humor her; you don't need him to be so skeptical when Buffy talks about helping Faith. You could instead have Giles remind Buffy that he himself killed somebody by accident when he was not much older than Faith, and have him say that he pretended to believe her simply because -- knowing what she had to be going through -- he thought it would be better to humor her than provoke a confrontation. Rather than just have him dismiss her as "unstable" and "unwilling to accept responsibility", make the parallels with Giles's own backstory explicit. "In Faith's shoes, I would be -- I was -- unstable. Unpredictable. I needed time to accept responsibility." When Buffy suggests she could talk to her, rather than just sigh and look skeptical, Giles could apolgetically reference his own role in the Cruciamentum a few episodes earlier, and use that as a reason why Faith might not be willing to trust him yet. Instead of just ... nobody suggesting Giles talk to her, even when agreeing that perhaps somebody other than Buffy should.

And really, none of what Buffy and Giles plan at this point really even matters, because all we need to happen next is for Xander to admit that he slept with Faith and that he assumes this means they have "a connection", Buffy and Willow to react to that, and then for Xander to decide to go talk to her alone to prove his point. And then we proceed as before to Faith attacking him, Angel coming to the rescue, and then the rest of the episode as normal (including with Faith going off to tell the Mayor she heard he had a job opening).

In fact arguably I think this version of events actually works better, because after Consequences (and before the reveal in Enemies) the show actually does proceed on the basis that Giles is willing to help Faith and supervize her post-manslaughter evaluation and recovery. It has to, because if he insists she's a lost cause and can't be trusted from the beginning there's no Enemies and no chance for her to betray Buffy and the gang. So there wasn't really any actual story-driven need for Giles to seem so reluctant about trying to help Faith in the first place, was there?

I mean, in the actual show I think nobody knew at the time what Faith's arc was going to be, and that era of the show wasn't quite as dedicated to continuity as it would be later and didn't like throwing in so many references to past episodes. And the show never actually does take Giles's role in the Cruciamentum seriously after Helpless, or have Giles mention Randall's death after season 2 (Ted is the last time he's mentioned, right?). But in hindsight I think something like this -- even if it couldn't have happened -- would better balance the actual story that you want to tell about Faith with the goal of having Giles seem rather more admirable and sympathetic than his treatment of Faith ends up making him look.

[anonymusbosch]

really truly Feelings about coming back to my hometown and seeing it as an outsider (I only knew it as a child with my motion constrained by school and parents and being under 18) and an outsider (it's changed since I've been away these last 8 years) and an outsider (showing it to my partner and finding it both familiar and unfamiliar, and special and inadequate) and an outsider (my parents and sister have all moved and my childhood home is no longer mine - staying in a building with a door code to learn and furniture still being moved in) and an outsider (my favorite places have changed, moved, closed, repainted) and an outsider (new murals! new buildings! new bike lanes) and an outsider (how the Fuck do the bike lanes on the east bank connect) and an outsider (it's changed [you can never step in the same river twice] and I have too)

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[indestinatus]

it's interesting and downright sad sometimes when your creativity wave doesn't match the interaction wave of the fandom you know you can't and won't leave but still wish the excitement of others matched yours

[somecunttookmyurl]

all the while society conflates "being an adult" with "having a proper job" and "having money to make arbitrary Adult Purchases" disabled people who can't work - or can only work part time or can only do entry level baby jobs - will never be 'allowed' to be adults

you can say "being an adult is looking after yourself you don't have to have a job!!!" all you want but most people who say that will still assume anybody who doesn't either can't or won't 'look after themselves' actually. and every 'marker' of 'adulthood' that's observable and thus actually counts or whatever loops back around to... having a job and 'contributing' something

[quietwingsinthesky]

i do love canon amy & rory but god, does some part of me wish they really had gone with the idea of the doctor picking up a child as a companion (and then later, that child’s best friend with a huge crush on her.) with the rest of the season really not changing at all, except now it’s amelia pond with an angel in her head killing her and lost alone in the woods. it’s little rory who dies and is forgotten and becomes a toy soldier. if this is going to be a fairy tale, then let it be one. children have never been safe in fairy tales.

[asterbats]

i think for the shitty scorpion family, their entire dynamic is definitely toxic (heh) but also neither dusk nor bruno is an inherently terrible person? its just that they’re a) horrible together longterm as they are and b) people who should not have had kids.

[rapidhighway]

Hnngg