#at that point did you even read the comic

[illusioncanthurtme]

I was thinking about something yesterday and that comic only solidified the thought. This is gonna be a ramble, I apologize in advance, I'm sorry.

But anyway, I made a post a few weeks ago about how fiddleford must have REALLY wanted to get away from his family in order to stick around in that psychological thriller for so long. (Someone commented on that post with a fucking manuscript and it was AWESOME and they deleted it and I'm sad about it. But that's neither here nor there) The thing I was thinking about yesterday was how ***CRAZY*** Ford was for bill, if he was going to question his trust for fiddleford, his LONG TIME FRIEND he's known since COLLEGE, in favor for a fucking demon!! What!!! He was so so so down bad for bill you guys. It actually reeks of cult-like manipulation if I'm being honest. Bill really did wiggle his way into ford's brain and he set up camp.

But the other thing I was thinking about... the portal required radioactive waste to power. Fiddleford had to have known about this, since he contributed in building the thing. He had to of known how it worked. So... was Ford playing up some sort of lie to fiddleford??? That their project was actually funded and vetted by something?? That he was getting the stuff legally?? Or did fiddleford know that Ford was STEALING RADIOACTIVE WASTE?? My personal thought here is that it was a lie - even though fiddlfords home life was shaky, and he wanted to leave because his marriage was circling the drain, I don't think he would agree to doing something illegal. He still cared about his family and wouldn't want to do something that could put him in jail, put his family in a position of having their provider taken away, AND put government eyes on them.

And you KNOW that shit was illegal. The entirety of the portal. And you know dang well Stanley knew that shit was criminal, he KNOWS what an undercover operation looks like. Otherwise none of it would be kept a secret.

So my thinking is that it was a lie, and eventually that lie came out. Maybe when Ford was especially sleep deprived or weird cuz of bill. He blurted out something about having to steal the waste in the name of science. And fiddleford did a double take. But of COURSE fidds is already in so so deep, and he's pining so bad for Ford, and the thought of going back home at this point is unbearable, and they've made it this far, etc etc. Shits absolutely crazy when you think about it.

THAT BEING SAID my knowledge of gravity falls is mostly limited to the show and book of bill, so if there's info I'm missing, let me know!! Maybe I'm wrong about this. But the backstory we've been painted here with the stan twins, fiddleford, and bill is absolutely bonkers, and you can read into that shit for DAYS.

[raspberry-pastries]

Just read Batman the black mirror and oh?? My god??

James Gordon Jr is SUCH a good villain his monologue and thought process is fascinating and he’s quickly risen to my top 3 Gotham villains. Like as a babs and dick villain he works so well as a contrast and something to challenge them emotionally and mentally. The whole reveal that everything that had happened before this point had been orchestrated by him?? I was on the edge of my seat did not see it coming in the slightest. I love how he is so unapologetically but realistically evil; he was so disconcerting the entire comic they captured that atmosphere perfectly!

Also glad to see Dick is following in Bruce’s footsteps and has an enemy with a homoerotic one-sided obsession with him. Alongside being a childhood friend too like Harvey so it’s two-in-one lmao. Imagine monologuing as your sister is bleeding out behind you that you came back to Gotham for the first time in like a decade because a guy you’ve been thinking about since childhood became Batman and you wanted to break him down because you see yourself as his reflection, his opposite.

This whole scene was basically a love confession like?? This bitch is gay and evil good for him!

AND THE ART!! It’s so expressive, genuinely my favourite use of colour I’ve seen in a comic so far, the way every scene captures the emotion and tone perfectly it’s amazing!! It’s so soft but intense! Babs looks amazing as always and dick is there I guess…

One of the biggest gripes I have with nightwing stories is that they don’t establish recurring rogues or enemies very well,,, like bring James to Blud he’d love it there with the crime, brutality and corruption. It’s Gotham without the supervillains and flair.

Let Dick be a detective again and track him down, possibly as James is leaving a blockbuster-esque line of bodies of people Dick cares about. Maybe even frame him for murder like in the current TT run and make Dick try to outsmart him.

Basically please read this run!!

[jackie-mae]

with your outfit drawings for the mystreet character. im so curious about with vylad having outfits for s2-s6, if you want can you expand upon on that?

I WOULD LOVE TOO >:3c

Long and Short of it is I've always hated how Vylad was there in Mystreet S1, PDH S1 and then he just... dropped off the face of the earth after that. It always irked me a bit when it would show Garroth and Zane having brotherly bonding moments (and trauma) and always having the thought of (Man wasn't there a third brother in all this?) there in the back of my mind.

I'm now going to do some little bullet points of my Vylads role in S2-6 but this is a great time to mention I've never seen past S4 so I'm running on Wiki Lore and the gospel of AO3 and @catzgam3rz; who collaborates (Read: Infodump and Ramble) on a hypothetical rewrite with me so it gets vague and murky for the later seasons.

S1:

Basically the same as canon (as in S1 is kinda just slice of life) but instead of Vylad just travelling around the world he is an off the grid hunter that wanders the wilderness all the time (The freak)

This is based on my very fuzzy memories of MCD Vylad always kinda just being in trees as he watched Lady Aphmau in the early seasons so I just put Mystreet Vylad in trees for fun this time

Has a vaguely similar relationship to his brothers as in MCD. in the sense it's better with Garroth and more strained with Zane

S2:

Goes to LLP with the rest of the main cast (which consists of the 11 big designs I made) because season 2 is not when you should be writing out characters Jessica

He wears little rainboots and unlike Laurance (Who FYI wears cowboy boots a majority of the time) the rest of the cast did not get him into flip flops before he went trudging into the ocean (again a freak)

I like to imagine that if any drama is going on in the story you could always see him floating around on an inner tube off in the distance

S3:

Again back to slice of life so he does a lot of shenanigans with the cast here

This is the season where the shadow knights feature but for the life of me, I cannot remember if Vylad was officially a part of them or not (And his Wikia is not even a paragraph~) But if it turns out he was there'll probably be more shenanigans around that.

He ends up leaving mid-season (Fall ish?) to go on a hunting expedition

S4:

Oh hey look Vylad is back because we don't believe in writing characters off with little rhyme or reason Jessica

Vylads hunting expedition ends up being in the same area as the lodge. and we all know nothing bad happens there!

there's now a little ski village downhill from the lodge which is where Vylad is staying at seasons start. He's good friends with a lot of the people there.

He's a werewolf now... Don't worry about it!

Oh, what's this? Is that relationship building between him and Zane on the horizon? Well, that won't hurt at all, will it?

AY:

A not-alone buddy comforts his not-alone buddy (I do not know much about Aphmau's Year but know it's short so that's all I got)

S5:

As he is a part of the Lodge crew he gets to go to Starlight!

Possibly is involved in a certain shenanigan with his brothers I'll be posting a comic about that in a few days

Get's lost constantly. Figures Starlight being an island means he can't really get lost since he'll hit ocean eventually and refuses to acknowledge how big said island is.

Doesn't float around like in S2 but you can still find him wading on the shore in his boots

being a hyperattentive freak, he get's some bad vibes from the island sooner than most

S6

Gonna be honest, me and Catz have not watched all of When angels fall but are planning to soon so I'll just leave you with the fun fact that all of my season 6 designs are supposed echo my MCD's designs for the characters (Since S6 is when it was decided hey maybe Diaries is really important here now)

TLDR: Vylad was shafted in Mystreet so I'm fix it

[kimberleyjean]

What did Adam change? (Part 1)

To follow up on my recent reblog about the baby swap, I'm going to take a closer look at Adam where we leave him at the end of S1. Because, by the end of S1, Adam had changed quite a few things... and I'm going to use both the TV show and the book to provide evidence.

To become the Young's real son, I don't think Adam really needed to change all that much. He just says the words to Satan, Satan disappears, and that should be it, right? But no, because Adam goes much further, and I think he does it because he can.

Because Adam has opinions, you see. Opinions on how the world should be and what he wants to happen. Except, unlike Agnes, who needs to write a prophecy and then wait 300 years for her descendant to enact it, Adam can just make it so.

The Other Two Babies

I originally thought about putting all the things Adam changes into a single post, but instead I'm going to make this a short series of posts, because he changes a fair bit. Let's start with where we left off with the baby swap, crack open a copy of the book and discuss the changes for Warlock and Greasy first.

Warlock

Here's some excerpts of Warlock flying home from Megiddo to America (my bolds for emphasis):

It was Sunday afternoon. High over England a 747 droned westwards. In the first-class cabin a boy called Warlock put down his comic and stared out of the window.

...

And now he was going back to the States. There had been some sort of problem with tickets or flights or airport destination-boards or something. It was weird; he was pretty sure his father had meant to go back to England. Warlock liked England. It was a nice country to be an American in.

...

And Warlock flew on to America. He deserved something (after all, you never forget the first friends you ever had, even if you were all a few hours old at the time) and the power that was controlling the fate of all mankind at that precise time was thinking: Well, he's going to America, isn't he? Don't see how you could have anythin' better than going to America. They've got thirty-nine flavors of ice cream there. Maybe even more.

So it's Adam who has sent Warlock back to America, despite Warlock wanting (even, expecting) to be on his way to England. And he's controlling the fate of all mankind.

Greasy

Likewise, he has changes for Greasy Johnson too (the discarded baby who grows up to win prizes for his tropical fish).

The plane was at that point passing right above the Lower Tadfield bedroom of Greasy Johnson, who was aimlessly leafing through a photography magazine that he'd bought merely because it had a rather good picture of a tropical fish on the cover. A few pages below Greasy's listless finger was a spread on American football, and how it was really catching on in Europe. Which was odd… because when the magazine had been printed, those pages had been about photography in desert conditions. It was about to change his life.

Adam is deciding here how to alter Warlock and Greasy's paths. Warlock wants to be back in the UK, but Adam thinks America is better, while Greasy's magazine is changed to American football, which I guess is implying he's going to become an American footballer.

Now, not everyone may be aware, but these parts weren't in the first release of the novel. It only came about later, in the American edition. Apparently the changes were in response to prompting from the American editor, but they got "carried away" making those changes (source).

Season 3 (warning: speculation)

So, do you think this could be relevant for S3? For me personally, the fact that these bits were added later makes me wonder if this was helping to set up for a potential sequel. It's certainly poetic - just like the baby swap that originally involved all three, we are now implying a potential adolescent swap of Greasy, who is interested in American football, and Warlock, who is interested to return to the U.K.

If you've read at all about the hypothetical plot of the proposed written sequel, you'll know that it involved a trip to America, ostensibly to look for a lost Jesus. So, if the next book was originally meant to be about going and finding someone (Jesus?) in America, then Greasy or Warlock could make sense. It would be a switcheroo all over again if Warlock had left for the UK and Greasy for America.

Another alternative is that all three could end up converging in America, since Warlock already lives there and both Adam and Greasy have interests in going there. But if that's the intention, why mention that Warlock wants to be back "home" in the U.K.?

So, those are my possible takes on how this passage can be interpreted. I know there are some theories that either Greasy or Warlock may be the Second Coming. I've also seen a theory now that Adam himself could be a contender (both spawn of Satan and spawn of God - it'd certainly be interesting!). I'm not placing bets on any of these outcomes just yet.

In addition to this passage in the book, we also see some interesting changes made by Adam which are featured more prominently in the show - one's that have implications for the ineffable husbands.

Part 2 coming soon!

Thanks as always to everyone at the @ineffable-detective-agency (including @noneorother, @embracing-the-ineffable, @lookingatacupoftea, @251-dmr, @somehow-a-human, @maufungi, @havemyheartaziraphale, @theastrophysicistnextdoor, @dunkthebiscuit, @komorezuki, & @ghstptats).

[fanonical]

I see your point about June (and June is my favorite too). And I've definitely seen people headcanoning trans boy John out of really blatant spite, and complaining about June in a way that felt extremely pointed, like her mere existence is an insult and a source of hurt.

Buuuut on the other hand, many people loved transfem Roxy for a long time before the Epilogues, and I think it's fine and fair for them (... okay, us) to feel fleetingly disappointed that Roxy is transmasc in the Epilogues. I also think it's fine and fair to continue headcanoning Roxy as transfem, because the Epilogues were very explicitly in-text framed as one possible continuation out of many. I won't lie, I just love that t4t f/f Roxygen.

So my line of thinking is, it's probably still fine and fair to also love trans guy John, if people are inclined that way. It's more about the way that they do it? If you're finding yourself framing June as some kind of invasion on your holy safe space by the mean and terrible new writers of Homestuck, you need to take a step back and reexamine the transmisogynist bias there, and most importantly you need to stop being so goddamn rude to the people making art that just isn't for you. But on the other hand, I think simply ignoring the Epilogues and doing your own thing with trans boy John and his shaving cream trauma, that to me is perfectly in line with - and in fact respectful of - the spirit of the Epilogues.

(Similarly, I don't think it'd be bad to do a reading of the TUA comics where Vanya is a trans girl; I don't even think it'd be bad to write an AU genderswap of the TUA show universe where Viktor is a trans girl, though I'd greatly prefer if other characters' gender was changed too in that case.) (For example, I'd enjoy a full swap where A and V Hargreeves were the only "boys" growing up, and then V transitions and A is left all alone with his masculinity and he lets it steep into resentment. Also, sometimes you want trans girls with violins blowing up the world.)

Right, I hear what you’re saying but I think there’s a couple of key differences here

First of all, we know for a fact that Roxy being transmasc was prompted by a transmasc writer who was repeatedly & horribly transmisogynistic about transfem headcanons, so I don’t think it’s too much of a stretch to assume that he really did specifically hate transfem Roxy headcanons out of spite so much that he made it an impossible reading in both timelines. But even then — I do think that if somebody specifically just decided Roxy is transfem and everything else from the Epilogues is the same (or magically headcanoned away as making sense somehow) then they would be intentionally misunderstanding & rejecting the text too. Like, that’s ok, that’s literally what a large part of fandom is, but the reasons for doing this are not neutral, and they reflect hegemonies & wider values.

In the case of transfem Roxy the point is to pointedly reject something we think is transmisogynistic — we have been teased with transfem Roxy for years, it’s an obvious & clear reading of her relationship to Callie in Act 6, and so I think it’s a legitimate criticism of the Epilogues. Meanwhile, there straight has not been years of hints for transmasc John, in fact, to headcanon June as transmasc you have to pointedly ignore her already extant queer narrative.

I also think you either misunderstand or are intentionally misunderstanding how alternate realities work in The Homestuck Epilogues & Homestuck Beyond Canon. They are not just one continuation out of many — there is only the two as far as I’m aware. I’m not up to date with HSBC but it’s my understanding that reality was cleft in two.

i agree with you on the Umbrella Academy! because this is something that has been like rebooted to switch things up, those characters are gonna get remixed. i’d love to see a transfem Vanya somewhere down the line. but if i only blogged about the tv show and i was constantly & loudly explaining how i prefer transfem Vanya and how she should be transfem in the show then I think that would obviously be in poor taste.

i think what bothers me is the boldness of so many men to be like “idk i just prefer this as a man character” right in the replies of posts where transfems are gushing about/sharing their transfem headcanons. I can’t even talk about June being trans without a few people saying that, and that’s actually confirmed as 100% happening, so it’s even more impossible to escape with like transfem Link headcanons etc.

i think all in all, transmascs, trans boys & trans men should try and leave more space for their sisters in the community. it is not subversive to wish every character was a man. just misogynistic. leave room for transfems, trans girls & trans women in fandom and beyond, folks.

[autisticsupervillain]

"Bisexual Vriska isn't supported by the text because all her relationships with men weren't satisfying."

John Egbert and Nicholas Cage, motherfucker. Do they mean nothing to you?

[unproduciblesmackdown]

Lackadaisy Enrichment

[mainalias]

thinking about compiling screenshots of golden/silver age batman exclusively calling dick his ward to combat the allegations that it was “initially a father-child relationship”

[greasydumbfuck]

punisher classic fan having a normal one on discord

[agdistis-sanctified]

Did you get to read the new deadpool book? If so what did you thought of it? :D

I know not everyone feels this way about it, but I am absolutely enjoying it so far! Some very general comments:

❧ It's so so nice that we've figured out what to do with Ellie again. I love that Ellie is a real player in the story. I love that we're including the Prestons in a way that suggests they'll continue hanging around (they all get a pretty solid re-introduction!). "Bet [Wade] gave you that whole 'I don't want to ruin you' spiel" UGH, it's good to have someone to call his ass out.

❧ I always appreciate a series that spends a lot of time on Wade's interiority and can meaningfully balance what he's saying, what he's thinking, and the different ways he acts around different people. He's funny and off the wall, he's self-destructive and prone to depression, he tries to manage himself around Ellie and Princess; he feels like a person.

❧ It's always a treat to have a Deadpool run that doesn't immediately try to give itself a complete "fresh start" from the previous run(s). I know a lot of people are disappointed that he's no longer with Valentine (I feel this--I love Valentine, and it's so rare and special to have a character like them), but he still has Princess with him and has mentioned Valentine in every issue so far, which is more than, for instance, the previous run did for Elsa and monster Staten island. For perspective, this is more than almost any Deadpool run has done in its first few issues for any other Deadpool run. I expect love interests in comics to kind of just disappear sometimes between runs, and that can suck, but Valentine happened, we will always have that, they can always return (in this run or another), and this run is at least actively reaffirming the fact that they happened and how much that mattered to Wade. In comic book terms, all context considered, I am happy to call this a win, and I'm open to seeing what happens in the space this run makes for itself and evaluating it on its own merits the same way I was for the last.

❧ I have so many thoughts on exactly why it's wonderful to have Taskmaster here and why his history with Deadpool makes some of the little details here extra good.

❧ And speaking of new Deadpool comics... I highly, highly recommend Deadpool & Wolverine: WWIII to everyone that hasn't checked it out yet. Joe Kelly is back at it. I suspect this will end up being a favorite.

[bmpmp3]

ive mentioned before my like. fascination and incomprehensible attachment to mysterious ambiguously brown man characters in schlocky fantasy romance media marketed towards women and a lot of it is from like, a like. nearly anthropological standpoint as someone heavily interested in orientalism in narrative media from a visual culture and art historical point of view and a part of it is also from being mixed race and ambiguous IRL LOL BUT there is one other angle i havent really touched on thats on my mind a lot. you know that bit we all go through where someone reads something like mediocre and it sticks in their mind more than something well written? the "I COULD FIX THISSSS" curse..... im like this with ambiguously brown characters. holds loosely (LOOSELY) south asian coded love interest from some romance comic #8997485344534984875943 tenderly in my hands..... my brother i know you weren't written with this depth but i know the truth. i know about your complexities as you navigate this fantasy europe as a racialized man. i know your truth

[meadow-mellow]

Man. I'm too old for ship fighting/discourse. I ain't 16 anymore, dunno how these ppl manage to remain so stagnated mentally cause you'd expect they'd outgrow this kinda thing.

[batsplat]

hello, love your blog! it’s so fucking funny how you’re a lesbian motogp blogger who is into buffy, bc hey that’s me too but actually I first encountered your blog bc of your smallville posts. not to mention tennis (which I was only a very casual fan of thankfully afdhjkk)…….cool to know that there are several ppl like this apparently sgfhhjhjk.

anyways, buffy s6 is my beloved season and I like it for how dysfunctional it is. the only season I might like more is maybe s5. I am a spike fucker unforch

and as for motogp? sachsenring 2003 made me giggle. very embarrassing for you valentino. by 0.06 seconds??? and commentators made it worse by crowning him a winner before they even crossed the line. you just know if positions were reversed vale would capitalize so hard off this win, more ppl would be talking about it still. and well he did actually use that loss to reinvigorate himself. like valentino’s ability to make his wins (and losses too) narratively important is unparalleled. but regardless sete/vale rivalry is insane,

sadly only hot girls get it:(((

anon?? marry me??

such an incredibly funny overlap of interests sdfhjkdf well always nice to learn this is a Type Of Person who Exists. I love buffy season five!! I am very much a spike fucker!! undoubtedly one of THE great characters, him and buffy is one of those ships where I don't really seek out fics because it's like?? I'm actually thrilled with what canon gave me!! I love the slapstick, spike as a lovesick freak, the dark and toxic stuff where buffy used him as a way to punish herself, and all the more melancholic season 7 stuff where they found refuge in each other. spike is like. such a great Device to explore all kinds of emotions and themes and all that... so many of my all time fave eps are very much spike eps. love s2's school hard and halloween, s3's lovers walk, s4's something blue (also just like, so much of his s4 scenes, when they chain him up in the bathtub and against the chair and all that), s5's fool for love (!!!!!!!!!!!!! one of THE episodes, his 'death wish' monologue to buffy and then showing up wanting to kill her and ending up comforting her oh GOD), s6's life serial and doublemeat palace AND when buffy confesses to spike she was in heaven AND all their scenes in once more, with feeling, s7 the buffy/spike church scene.... spike's "all these years and there's only one thing I've ever been sure of" speech likeeeeee.... I get all the issues people have with that relationship and how it was written, I know it's not for everyone, and I don't even 'ship' them in the sense of thinking they belong together or whatever... but I just love it!! it compels me so much, did so when I first saw it and still does now!! and spike is such a FUN character, like they let him be pathetic, they let him be cool, and he's #gender enough that yeah he's very hot to me too. all those scenes where buffy's throwing him around,,,,, yes character of all time. just has a real place in my heart too idk like the emotional landscape really GETS me

sharp pivot to sachsenring 2003, which takes place a mere few months after the buffy finale......... that's as smooth a transition as I can manage yeah. thematic overlap between btvs and motogp question mark. the buffy x dawn dynamic is either a bit marc x alex or to a lesser extent vale x luca when u think about it? not just in the 'congrats you've spotted they're siblings' way, but well the siblings' respective statuses in the worlds of motogp & vampire slaying, and the older sibling often being 'prioritised' because they have a lot on their plates, younger siblings as a kind of way to keep them grounded and feeling human, also unconditional devotion to your younger sibling... plus actually all the death wish stuff, surely? the fool for love speech...

btvs and motogp both very much about the ties you need to the world, I reckon... also sports is inherently adjacent to chosen one narratives

ANYWAY sachsenring 2003, I think every detail about it is perfect!! whatever valentino says, I still reckon there's just no way he couldn't have made a move before that - and implicitly he acknowledges that by saying he will never leave it that late again. idk there's just something so deeply charming about that specific flavour of valentino to me, where he's so obnoxiously good he can get away a little bit with basically scripting his races BUT obviously that's only okay when he still ends up being the one who wins. and he gets so much shit for it!! it's so funny listening to the brno commentary like they are on his ASS and they're saying the italian press has been on his ASS and calling him washed and finished and even the commentary is going 'yeah he's been having a rough season' and it's very??

oh no! the horror!! what a flop!!

obviously in retrospect we remember it as a great season because after that he only lost one more race, but back then they didn't know that!! and at like. the perfect time of the season too, because obviously that's when you have to go off and Sit On It for the whole summer break and can't immediately redeem yourself.... but as you say, he used that!! it's part of his story now, it became such good fuel for motivation. like, the mistake itself is kinda.... I mean it's not great, but it's one of those things that also wouldn't be a massive issue if you did it five laps earlier? he basically just picks too defensive a line that ends up killing his drive out of the corner, allowing sete to beat him to the line. which - the bit that I imagine really got to him is how dumb it was. like it wasn't a riding mistake as much as it was a decision making mistake, it wasn't his race craft it was just a literal dumbass moment. it's silly!! it's both a moment that shows valentino was maybe a bit too cocky, but also kinda rattled by sete? that man got to him! he did it! he flapped the unflappable valentino rossi!

and it IS incredible how it's now not really Discussed any more, and in his autobiography it's so neatly integrated into his own narrative. like!! it's always the laguna 2008 and catalunya 2009 performances that get me - he knew those were going to be memorable victories IMMEDIATELY and he played to that!! kissing the corkscrew drives me insane because it's literally... he's doing this on the cooldown lap for something that happened LAP FOUR and wasn't technically the race winning move, or definitely not the only one!! but he immediately zeroed in on that element and his post-race narrative is unquestionably ONE of the reasons why that's something we all remember now. he gets it!!

the commentators did fuck him over though lmaoooo... I mean at least you have to say he learned from his mistakes. imagine losing a race by .06 and doing this in the very next race against the same guy

bringing back this too

sicko

it IS only the hot girls who get it but that's for the best....... only the select few can see the vision I fear

[bedlamsbard]

About 400 words written today -- still in Read Book mode today but hit the point where the books were driving me crazy and I remembered why I was two books behind on this series, which I've been doing a full reread of. I am now one book behind on this series but hey. I probably do need a change of pace after going through seven books in three days. (And I went through the first five books last month and had to take a break because because those are the five that were written before the series went off the rails in what is, frankly, one of the most blatant bait-and-switches I've ever seen and which I really resent as a reader. Though obviously I kept reading.)

[boypussydilf]

prev post is sort-of the thesis of very good webcomic “what happens next” which you should read right now although do very much pay attention to the content warnings. thank you

[todayisafridaynight]

would you guys still like me if i rambled about my cringe crackship