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#ask this old house
why aren't there more mysteries that take place in nursing homes & retirement communities. i want to watch a group of deranged retirees-cum-amateur-detectives combine their powers of:
decades of life experience
boredom-fueled busybody shamelessness
access to the most gossipy next-door-neighbors in existence
"I am too old to be arrested and/or give a shit" attitude
and solve crimes. this should be an enormous subgenre.
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anbuselvi1 · 2 years
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Getting rid of moisture on the walls of the house
Getting rid of moisture on the walls of the house
Getting rid of moisture on the walls of the house Many homes suffer from the problem of moisture appearing on the walls of the house, and this is either due to poor ventilation or lack of ventilation in the house and the lack of sunlight entering it sufficiently, perhaps because it is in the basement, and sometimes because of the presence of a house in a coastal city where the humidity is high,…
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hedgehog-moss · 3 months
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Do you know much of the history of the town you live near? I noticed some very old-looking stone buildings in your photos from the cow parade - does much of the town look like that or were those heritage buildings?
Unfortunately almost every town has some Ugly Modern Houses, but they're usually in the outskirts, while the centre is quite preserved. It's mostly ~200yo houses though, with the occasional very old house (like, 17th century). The towns that used to have a castle often still have a mediaeval layout, with a cluster of houses and narrow streets; sometimes (remains of) ramparts. And every village worthy of the name has the mandatory mediaeval church in the plaza (except mine which has a modern Victorian Gothic church that's like 150yo, but we have the ruins of a mediaeval monastery to make up for it)
One little local history fact I know is that this town that had the cow parade was named after a Central Asian tribe that invaded the region ~1,600 years ago and later helped fight off Attila when the Huns were invading! The cows don't know that. I love knowing where place names come from (unless they mean stuff like "by the river" which is boring.) I went to visit a Gallo-Roman site recently and there was a sign displaying some text by Julius Caesar in which he listed all the Celtic tribes he defeated here, and I thought it was so cool that some of these names are still familiar because they are preserved in place names. The Roman invasion days, two millennia ago, already feel quite faraway but by then the Celts had already lived here for centuries—I wish the specific Gallic tribe that started farming around here in the Iron Age could know that 2,500 years later people are still farming in this place that's still named after their tribe.
Your question made me realise that what I associate with "appreciating local history" is like, going to see the ruins of some 2nd century Roman thermal baths or temples or learning that a town was named after a guy who owned the place in 847 AD, and I don't pay enough attention to the 16th century houses near my dentist's office or the 12th century church in front of the vet clinic. I should appreciate these time periods more! I do love the look of mediaeval towns with their tiny tortuous streets that make life difficult for people who drive stupidly big cars. And I love mediaeval castles, though I've only visited 2 of the 150-or-so castles (not counting the ruins) this region boasts (I use 'boasts' ironically, there's another region nicknamed "the 1001 castles" so our score is pitiful.) (They don't actually have 1001 castles, they're lying, it's like 600, plus some glorified manor houses that don't count)
Last-minute addition: I drafted this reply last weekend and today I saw some ruins in a town where I went to have my spring water analysed, and decided to pop by the town hall to learn more. I learnt that the ruins are what remains of the town's castle, which "successfully resisted many English attacks" (that's what they always say) and was then offered by the King to a courtier in the 1450s, and the courtier hated it because it was 400 years-old and cold and draughty and falling apart so he never lived here. The town hall lady was so unimpressed by her town's attractions it was funny—I imagine if I'd been a tourist she would have tried to sell it to me more but knowing I live nearby she was like, well our town has a 13th century church like everyone else and here's our "castle" that's a ruin now and that was already a ruin in Joan of Arc times. To add some fun fact about their castle she said that a Valois Queen had slept there for a few nights at some point and I said eagerly "Queen Margot?" and the woman said "... no it was in the 1300s. Queen Margot went to [better castle farther North]", in such a humble tone that I felt bad for accidentally pointing out that unlike [Rival Town] they got one of those obscure Valois queens no one cares about.
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mortysmith · 5 months
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first time meeting
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sunnyirry · 2 years
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post full of gay people [click pic for better quality]
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frownyalfred · 9 days
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Thinking about Bruce always feeling insecure about living up to his parents legacy, thinking about him feeling unworthy of using the master bedroom when he returned, thinking about him as Brucie uncounsciously taking his hookups to other rooms in the mansion, never to his (parent's), thinking about Bruce welcoming his kids in the master bedroom with open arms whenever they have nightmares, the same way his parents did to him, thinking about Clark feeling insecure about Bruce's true feelings towards him, thinking about Clark being totally oblivious to how big of a deal it is that he's alowed to sleep beside Bruce in the master bedroom.
The sanctity of the master bedroom is SO real. I grew up in a house with separate living quarters for staff (old old house) and the bedrooms for children were in a wing, and then the master suite and guest suites were in another section of the house. The implied distance between those sections is huge, even if they're only one closed door or a few feet away.
Bruce slowly accepting his place in the master suite -- now that's a fic I'd love to write. Keeping the hookups and random encounters to another equally lavish but different room or wing of the Manor, even. Somewhere that's easy to shuttle people in and out of, maybe near the laundry chutes or the servants' stairwells. Sleeping there even when he doesn't have guests, because the ghosts in the master suite are too much.
But maybe, once Dick is living with him, he can't justify it -- the master suite is near the children's rooms, and sleeping on another floor, away from a traumatized child, seems like a terrible idea. Alfred's rooms are too far away, nestled somewhere in the servants' quarters even though Bruce keeps trying to get him to take a guest suite.
So he takes over the suite, making it his own slowly but surely. Yet leaving portions of it untouched -- maybe the old floor to ceiling drapes, with their antiquated trim and beads. The double sinks in the en suite, made for a couple. He removes the four poster bed for a california king, modern enough to dispel any mental similarities. Big enough for a kid to come and hide, after a nightmare.
Clark being allowed in that room, even near that portion of the Manor? That's a huge step forward, a huge display of vulnerability and trust. It's not just Bruce's room, it's his parents' room, it's just off the children's wing, it is in many ways the heart of the residential portion of the Manor. All hallways, servant corridors, etc, lead there. And the more people that stay there, the more that suite is viewed truly as the center of the Manor itself, outside of the Cave and maybe Alfred's kitchen + butler's pantry.
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Is there anything support the populat interpretation that old valriya and valryians in general are more feminist, and progressive than the rest in Asoiaf?
Anon, thank you! I've been wanting to address this for awhile, so I'm going to actually answer this really fully, with as many receipts as I can provide (this ended up being more of an essay than I intended, but hopefully it helps)
I think there's in fact plenty of evidence to suggest that Valyria and the Valyrians in general were anything but progressive. Valyria was an expansive empire with a robust slave trade that practiced incest based on the idea of blood supremacy/blood purity. All of these things are absolutely antithetical to progressivism. There is no way any empire practicing slavery can ever be called progressive. Now, the Targaryens of Dragonstone have since given up the practice of slavery, but they certainly still believe in the supremacy of Valyrian blood.
And I'll see the argument, well what's wrong with believing your blood is special if your blood really is special and magic? Which is just-- if anyone catches themselves thinking this, and you sincerely believe that GRRM intended to create a magically superior master race of hot blondes who deserve to rule over all other backwards races by virtue of their superior breeding which is reinforced through brother-sister incest, and you've convinced yourself this represents progressive values, then you might want to step away from the computer for a bit and do a bit of self reflection.
And remember-- what is special about this special blood? It gives the bearers the ability to wield sentient weapons of mass destruction. It's also likely, according to the most popular theories, the result of blood magic involving human sacrifice. So there is a terrible price to pay for this so-called supremacy. Would any of us line up to be sacrificed to the Fourteen Flames so that the Valyrians can have nukes?
And if you are tempted by the idea that a woman who rides a dragon must inherently have some sort of power-- that is true. A woman who rides a dragon is more powerful than a woman who does not ride a dragon, and in some cases, more powerful than a man who does not ride a dragon, but that does not make her more powerful than a man who also rides a dragon. Dragonriding remained a carefully guarded privilege, and Targaryen women who might otherwise become dragonriders were routinely denied the privilege (despite the oft repeated "you cannot steal a dragon," when Saera Targaryen attempted to claim a dragon from the dragonpit, she was thrown into a cell for the attempted "theft,"words used by Jaehaerys). The dragonkeepers were established explicitly to keep anyone, even those of Targaryen blood, from taking them without permission. Any "liberation" that she has achieved is an illusion. What she has gained is the ability to enact violence upon others who are less privileged, and this ability does not save her from being the victim of gender based violence herself.
Politically speaking, it is also true that Valyria was a "freehold," in that they did not have a hereditary monarchy, but instead had a political structure akin to Ancient Athens (which was itself democratic, but not at all progressive or feminist). Landholding citizens could vote on laws and on temporary leaders, Archons. Were any of the lords freeholder women? We don't know. If we take Volantis as an example, the free city that seems to consider itself the successor to Valyria, the party of merchants, the elephants, had several female leaders three hundred years ago, but the party of the aristocracy, the tigers, the party made up of Valyrian Old Blood nobility, has never had a female leader. Lys, the other free city, is known for it's pleasure houses, which mainly employ women kidnapped into sexual slavery (as well as some young men). It is ruled by a group of magisters, who are chosen from among the wealthiest and noblest men in the city, not women. There does not seem to be a tradition of female leadership among Valyrians, and that's reflected by Aegon I himself, who becomes king, rather than his older sister-wife, Visenya. And although there have been girls named heir, temporarily, among the pre-Dance Targaryens, none were named heir above a trueborn brother aside from Rhaenyra, a choice that sparked a civil war. In this sense, the Targaryens are no different from the rest of Westeros.
As for feminism or sexual liberation, there's just no evidence to support it. We know that polygamy was not common, but it was also not entirely unheard of, but incest, to keep the bloodlines "pure," was common. Incest and polygamy are certainly sexual taboos, both in the real world and in Westeros, that the Valyrians violated, but the violation of sexual taboos is not automatically sexually liberated or feminist. Polygamy, when it is exclusively practiced by men and polyandry is forbidden (and we have no examples of Valyrian women taking multiple husbands, outside of fanfic), is often abusive to young women. Incest leads to an erosion of family relationships and abusive grooming situations are inevitable. King Jaehaerys' daughters are an excellent case study, and the stories of Saera and Viserra are particularly heartbreaking. Both women were punished severely for "sexual liberation," Viserra for getting drunk and slipping into her brother Baelon's bed at age fifteen, in an attempt to avoid an unwanted marriage to an old man. She was not punished because she was sister attempting to sleep with a brother, but because she was the wrong sister. Her mother, the queen had already chosen another sister for Baelon, and believed her own teenage daughter was seducing her brother for nefarious reasons. As a sister, Viserra should have been able to look to her brother for protection, but as the product of an incestuous family, Viserra could only conceive of that protection in terms of giving herself over to him sexually.
Beyond that, sexual slavery was also common in ancient Valyria, a practice that persisted in Lys and Volantis, with women (and young men) trafficked from other conquered and raided nations. Any culture that is built on a foundation of slavery and which considers sexual slavery to be normal and permissible, is a culture of normalized rape. Not feminist, not progressive.
I think we get the picture! so where did this idea that Valyrians are more progressive come from? I think there are two reasons. One, the fandom has a bit of a tendency to imagine Valyrians and their traditions in opposition to Westerosi Sevenism, and if Sevenism is fantasy Catholicism, and the fantasy Catholics also hate the Valyrian ways, they must hate them because those annoying uptight religious freaks just hate everything fun and cool, right? They hate revealing clothing, hate pornographic tapestries, hate sex outside of marriage, hate bastards. So being on Sevenism's shit-list must be a mark of honor, a sign of progressive values? But it's such a surface level reading, and a real misunderstanding of the medieval Catholic church, and a conflating of that church with the later Puritan values that many of us in the Anglosphere associate with being "devout." For most of European history, the Catholic church was simply The Church, and the church was, ironically, where you would find the material actions which most closely align with modern progressive values. The church cared for lepers, provided educations for women, took care of orphans, and fed the poor. In GRRM's world, which is admittedly more secular than the actual medieval world, Sevenism nevertheless has basically the same function, feeding the poor instead of, you know, enslaving them.
Finally, I blame the shows. While Valyrians weren't a progressive culture, Daenerys Targaryen herself held relatively progressive individual values by a medieval metric. She is a slavery abolitionist, she elevates women within her ranks, and she takes control of her own sexuality (after breaking free from her Targaryen brother). But Daenerys wasn't raised as a Targaryen. She grew up an orphan in exile, hearing stories of her illustrious ancestors from her brother, who of the two did absorb a bit of that culture, and is not coincidentally, fucked up, abusive, and misogynistic. He feels a sexual ownership over his sister, arranges a marriage for her, and even after her marriage, feels entitled to make decisions on her behalf. It is only after breaking away from Viserys that Dany comes into her own values. Having once been a mere object without agency of her own, she determines to save others from that fate and becomes an abolitionist. But because Game of Thrones gave viewers very little exposure to Targaryens aside from Daenerys, House Targaryen, in the eyes of most show watchers, is most closely associated with Dany and her freedom-fighter values. And as for Rhaenyra in House of the Dragon, being a female heir does not make her feminist or progressive, although it is tempting to view her that way when she is juxtaposed against Aegon II. Her "sexual liberation" was a lesson given to her by her uncle Daemon, a man who had an express interest in "liberating" her so that she would sleep with him, it was not a value she was raised with. In fact, she was very nearly disinherited for it, and was forced into a marriage with a gay man as a result of said "liberation." She had no interest in changing succession laws to allow absolute primogeniture, no interest in changing laws or norms around bastardy despite having bastards; she simply viewed herself as an exception. Rhaenyra's entire justification for her claim is not the desire to uplift women, bring peace and stability to Westeros, or even to keep her brother off the throne, it is simply that she believes she deserves it because her father is the king and he told her she could have it, despite all tradition and norms, and in spite of the near certain succession crisis it will cause. Whether she is right or wrong, absolutism is not progressive.
And let me just say, none of this means that you can't enjoy the Valyrians or think that they're fun or be a fan of house Targaryen. This insistence that Targaryens are the progressive, feminist (read: morally good) house seems by connected to the need of some fans to make their favorite characters unproblematic. If the Valyrians are "bad," does that make you a bad person for enjoying them? Of course not. But let's stop the moral grandstanding about the "feminist" and "progressive" Valyrians in a series that is an analogue for medieval feudalism. Neither of those things can exist under the systems in place in Westeros, nor could they have existed in the slavery based empire of conquest that was old Valyria.
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If you’re still taking prompts, how about Eda taking bets with the other Owl House parents on which kids will be proposing first?
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"Willow," Darius said, like it should have been obvious. "Of course it'll be Willow."
"You're betting against our son?" Camila demanded, eyebrows raised.
"Yes," Darius said.
Alador nodded. "Yeah, my money's on Willow," he said.
Camila threw her hands up. "Am I the only one who has any faith in him!?" Camila vs Hunter's sort-of-dad and sort-of-step-dad; it wasn't a battle of wills that Eda expected, but it was one she enjoyed watching.
"I agree," Perry said. "I'd say Willow."
Raine looked contemplative. They hummed, tapping a rhythm on the table, but didn't offer a side yet.
"Actually, I side with Camila," Lilith said slowly. She looked like she was thinking hard. Weighing the pros and cons would be Eda's bet. "Hunter is shyer than Willow, but he loves her dearly and he's brave. He can be very determined. I can see him proposing."
Darius and Alador exchanged dubious glances. Camila smiled smugly.
"Well, what about Luz and Amity?" Raine asked, tapping their chin.
"Luz," Camila and Eda said.
"Amity," Lilith said.
"Honestly, considering their track record, I expect them both to propose on the same day," Alador said with a shrug. "Or they'll try to anyway. Hopefully without Hooty's involvement this time."
"Is something wrong with Hootsifer?" Lilith demanded.
"You don't want me to answer that."
"Okay," Darius cut in quickly. "What about Gus and Matt?"
Perry snorted. "They'll need to actually date first," he said. "And my hair will be entirely grey by the time those boys sort themselves out. They're both painfully oblivious."
"Are they still calling it a rivalry?" Camila asked sympathetically.
"Unfortunately," Perry sighed.
Alador snorted into his apple blood. Eda gave him and Darius her most shit-eating grin.
"Yeah," Darius sighed. "We'll all be waiting a while on those two."
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housecow · 1 month
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Now that you moved, are you still in Texas?
still in texas (deeper in fact, i live in the middle of nowhere now :3), not done moving!!! i just have some time today finally haha
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francy-sketches · 1 year
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This is like 3 years old but I just realized I never posted it and I still kinda like it so
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dailytraingirl · 2 months
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when you cycled by
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here began all my dreams
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the saddest thing i’ve ever seen.
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maybe-a-dinosaur · 6 months
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matsukawa issei one of those guys that just walks in the rain. no umbrella no raincoat not even a hood motherfucker just gets wet. it’s not because he forgets to check the weather he is fully cognizant that it is raining he just accepts his fate and steps out the door into the downpour. he leaves a trail of water behind him when he walks inside and wrings out his shirt like a cartoon character his shoes squelch when he walks he has to empty them in the sink his hair is Dripping he shakes his head like a dog his splash zone has a 6 foot radius.
no one understand him his mother won’t let him sit on the couch she’s like what the fuck kid if you get water on the rug one more time you’re sleeping in the rain. oikawa is unimpressed “it’s your funeral” asks issei if he’s thought about investing in a lifejacket. takahiro insists that drowning is “so this year” and issei looks “chic” when he’s shivering. iwaizumi walks beside him on the sidewalk under his own umbrella he does not offer to share issei does not ask there is mutual respect. he doesn’t jump in puddles or anything like that’s too childish or whatever but he Refuses to wear appropriate rain attire he would rather be damp and uncomfortable than inconvenienced.
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monstermonger · 6 months
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Small update!
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So, I'm extremely amazed and lucky to have gotten lots of support on my art lately.. thank you so much ;; Admittedly I'm pretty behind on looking at the notifs, and notably for asks: i want to answer them all in a single post, so it will be a little longer til there's a response there. I appreciate the patience :")
Lots more art incoming as well, I just like to spread my pieces out a bit.
Thank you. Hope you're well :"D
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v1codn · 25 days
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you should draw wilson carrying house bridal style maybe
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pretty princess
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koroart · 7 months
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Old man yaoi doodle I was hiding away amidst my work load — they keep me sane 🥰💚💙✨
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novembermorgon · 3 months
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could you tell us more about myrielle and aerion’s twin sons?
YUPPPPPPPP!!!
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whew . ok .
left is maegor right is aenys . maegor is a few minutes older than aenys
neither of these guys are anything like their namesakes. maegor from birth is small and weak and sickly - he's pretty easy to get along with and agreeable by targaryen man standards, very polite and soft-spoken. to me he's almost like a rapunzel figure in that myrielle keeps him inside most days because she fears he'll get hurt or sick - she dotes on him and cares for him but never truly offers him much freedom to do as he wishes, the way she does aenys. he wants to go out and wants to experience new things and be more bold like his brother but every time there's sort of a block in that he doesn't have the courage to or myrielle convinces him that he can't. he, in a sense, is raised more like a princess than a prince and sort of falls into that role despite his status. i feel like he's drawn to more feminine ways of presenting himself and more ladylike activities; dancing, singing, sewing, reading ..
whereas aenys is the complete opposite - he's essentially just a copy paste of his dad LOL definitely aerion's golden boy . he's strong and bold and good at fighting, does all his dad asks of him, goes off with him to hunts and tourneys and charms people at court without really needing to try . of course being a copy paste of aerion targaryen also means he's kind of an asshole and if youre hanging around at court and you think about him being a prince with real power for too long your stomach probably hurts a little . aerion telling him tales of how he aimed for the horse during one of his jousts once to win and aenys going ohhh!!! yess!! so cool!! i also want to be in the business of fighting dishonorably. gets a little too heated in the training yard with the other lord's sons and knocks someone's teeth out and they have to put him in timeout once a week.
they're. hmm. i think there's an inherent sort of resentment there between them that begins as soon as they're born, just by virtue of being so different, and by being named Maegor and Aenys. you cannot escape your fate you cannot escape the cycle of your family etc. and i think that there's a lot of things here that kind of work against them .... aenys resenting maegor for just so happening to be older and therefore being heir despite he himself feeling as if he's better suited, maegor wanting the freedoms that aenys is given by virtue of being their father's favourite and being a second son with less responsibility. they can find a thousand reasons to hate each other, but at the same time they do love each other and know that they are, inherently, tied together by virtue of being twins. the twins we see in asoiaf are very insistent on the fact that they are tethered, they are one soul in two bodies, they will never truly be apart.
aenys hates maegor for being weak and for being heir even though their father doesn't like him, even though he has none of the qualities aenys loves about himself, even though he's more like a daughter than a son - and even still, he loves maegor, he wants to keep maegor safe from the horrors of the world before anybody else ruins him and takes all that's good about him away from him. maegor hates aenys because he's rude and terrible to him, because he's never respected him, but loves him so dearly because he's the only person in the world who will look on his flaws and be able to feel some sense of genuine pity or affection - the only person who will always feel a responsibility to love him so entirely and wholly because they are twins and have that bond that will never go away no matter what.
in my mind the themes of gender in asoiaf is very interesting especially in relation to the targs in that their relationships are .. a lot stranger .. in a lot of cases. you are twin brothers, but your brother is more like a girl than a boy. you know that if things had been only the slightest bit different, you would most definitely be betrothed to each other because your family traditions demand it of you. how would your love be different, then? would it be any different at all? would that be better? would it fix any of our problems? what am i meant to feel for my brother when every part of our family history is built on a wife's suffering, an incestuous misery that never has an end, when we are so nearly brother and sister ...?
they're complicated . and difficult to describe ... a relationship built on shame and not understanding each other and not understanding what you feel for each other .
i'm a little undecided atm what to do with maegor .. he is a bit of a mystery in my mind but when he's ~15 give or take aenys suffers a little (bad) jousting incident and ends up with a bad leg that he pretends isn't there because he doesn't want to be deemed weak by his father or by court and a case of head trauma that makes him Worse . sort of henry viii esque . he eventually marries a velaryon girl ...
there's also the secret third sibling (bastard sister) but i'll discuss her some other time ....
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