#as they would be actually most effective

[shetterry]

Hi, I hope you're doing well. I'm writing to you with a heavy heart and an urgent request for help. My family is in a very danger situation due to the ongoing war, and I've launched a GoFundMe campaign to save them. Could you please reblog my campaign post from my profile? Each share could be a lifeline for my family. 🙏 Feel free to share it in any other social media platform if you would like. Our campaign has been verified ⭐️ by operation olive branch, and is entry number 26 on their spreadsheet. Also with ⭐️ Project watermelon,line 249/(212) on their spreadsheet. From the bottom of my heart I want to thank you in advance for all of your support and kindness.

Ya'll beware of this one it doesn't seem legit despite being on "Olive Branch Operation"' 's spreadsheet That company is not recognized by any government or Charity websites and it's most verifying source is Wikipedia It's money going to to some scammer's pocket so please keep yourself safe

[captainjonnitkessler]

Do you guys notice how when Shawn Fain, president of the United Auto Workers union, started planning a general strike, he did it by a) targeting his messaging towards unions with the ability to safely and effectively strike in large numbers, b) laid out a clear, actionable plan for those unions to follow (setting contracts to all expire at the same time, since many unions cannot strike while under contract), c) is using union contracts to set clear, actionable demands that can be met in order to gauge success and provide an end goal, and d) started organizing FOUR YEARS before the proposed strike date to give people the chance to plan accordingly, because it takes a really freaking long time to get tens of millions of people organized?

You notice how he didn't do it by slapping a message on Twitter saying 'hey nobody go to work on Monday, that'll really show 'em'?

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[poorly-drawn-mdzs]

Dungeon Meshi: The RPG

[zoe-oneesama]

Wait uh I think missed something, why's the statue scene getting so much hate? Like yeah it's horrific second hand embarassment but practicing a love confession with what she thinks is a fake statue of her crush is like. The most normal thing Marinette has done wrt to her cringe teenage crush

Season 5 likes to pretend that it's the moment that Adrien started falling for Marinette:

Since we already hate the scene for the cringe level of second-hand embarrassment, them forcing us to make this scene important 2 seasons later is mega-annoying. Like, 2 Seasons ago Adrien's "feelings changed"???? Because it sure didn't seem that way to anyone watching!

And I'm extra dead because they had the scene in Season 4 where Marinette gave her genuine love confession to "Buttercup" and you can literally see Chat Noir be touched and moved by it and THAT SHOULD'VE BEEN WHERE THINGS STARTED TO CHANGE-

[fusionsprunt]

me when my meteor-powered robot gf attempts to murder me 😳😳

[rawliverandcigarettes]

Thinking about Mass Effect, as you do, and how I'm kind of sad that the way it's been engraved in pop culture has more to do with the way internet reacted to it at the time than what the actual game is about. Yes sure, it's about romance (and not that much all things considered) and it's pulpy (but not solely because of hot lady aliens), but it's also intricate worldbuilding that touches on a lot of sharp ideas, and a complicated tug-of-war between a genuine and vulnerable belief in reconciliation and community VS post 9-11 US military propaganda and steadfast belief in heroic exceptionalism, and the melancholic yet energizing mood, and the daring narrative systems, and so so much more than the 'We'll Bang OKs" and the "There's No Shepard Without Vakarian" and the whole ME3 ending situation

It's all there, but I'm sad the impact of the series is often reduced to (what I think is) the least interesting parts of its sum

[elcucurucho]

“the federation is going to imprison BBH” “BBH is going to get brainwashed by the federation” the federation is going to send BBH to a second, smaller island where streaming is illegal to take a vacation from his vacation. they’re gonna give him a fruity drink with one of those little umbrellas in it and make him listen to jimmy buffett songs on loop

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[gamebunny-advance]

"Let's Dance"

(Loop the video for the intended experience.)

Even though I actually forgot that the 1st was Mayday's birthday, I got the sudden urge to draw something like this. It's a little belated, but let's call this birthday art anyway~

As frustrating as it is, I booted up AnimeEffects for this one to get a little bounce on 'em. It's a little scuffed, but I'm kinda tired of banging my head against a wall trying to make it better~

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[crimeronan]

been thinking about the rabies condition in writing lately, which is a GREAT post about stakes and characterization. basically exploring how if there's a 100% chance a character is doomed, then they can and will do extremely dangerous/damaging/contraindicated things for the slimmest hope of survival. which is one of my Favorite narrative devices

but while we're using health metaphors, i've been thinking about another somewhat complicated means of introducing character stakes, which i'm tentatively calling 'the autoimmune condition' for reasons that are. obvious

the premise itself is simple: the character has Something that they need to survive. they either can't live without this thing or they will lose something vital about themselves if they lose this thing. there is no replacement or alternative for the thing. what's most important are that the consequences for losing it are Extreme, rabies-condition-style

in the real life allegory, this is the immune system. which is great for being alive!

then the problem is introduced when this thing starts killing the character.

the character still needs it to live.

so: there is a 100% chance that you will die if you destroy the thing killing you. if you impair it through other means, there is a 100% chance of consequences, though the severity of those consequences is up to the author. (these are medication side effects in the real life allegory.)

if you do everything you're supposed to then you'll PROBABLY survive, but you're gonna have to play lifelong tug-of-war to balance everything, and you are often going to have to choose between two shitty options. bc there is no alternative.

this is a counterpart to the rabies condition in terms of stakes; with this condition, your character has to make complicated and difficult decisions about what they're sacrificing for their future. it's not the immediate life-and-death stakes of rabies, it's a slow decay instead.

what side effect consequences are they willing to take on?? and what are they NOT willing to take on?? where do their priorities lie in terms of symptom management?? what other solutions are they looking for?? what are they willing to sacrifice??

and perhaps most importantly: what exactly do they need to lose before they'll Accept the side effects / sacrifices that used to terrify them?? how high do the stakes need to be??

at what point is this character going to look back at the choices they've made up to this point, and realize that they no longer recognize themselves??

[thegreatyin]

okay. so.

if you asked the scoundrel what her name (and by name, i mean her title as mr cards) translates to in correspondence, she'd show you this sigil:

assigned by the masters themselves, of course. she's very proud of it. she'll flaunt it to anyone and everyone who makes the mistake of asking.

the thing is, well. she's wrong. the real translation is significantly different.

it's an insult. an offense. basically the correspondence equivalent of calling yourself butthead. she has no idea what it actually means, and if you were to tell her, she'd probably refuse to believe you. violently.

as for how this mixup even happened, well,

let's just say her coworkers do a little bit of trolling.

[gophergal]

The Kings Of Hell

In celebration of fixing my laptop screen, I gave @cursed--alien first dibs on a request and they wanted post-Snowblind SubScorp as rulers of the Netherrealm

(also loosely inspired by Be My King by @laismoura-art )

[sometimeswritingsometimesdying]

i've had a vision of aiden and black magic by little mix and now i'm knee deep in a modern magic au where aiden sells cheesy love potions by being hot (it's a scam)