#as long as you don't read these tags

[elizzsush]

The Mask | Jason Todd X Reader

Red Hood X Villain Reader

— in which you, a shy nerdy vigilante/Wayne family obsessed barista- is actually a villain that torments the Red Hood at night.

AU: Soulmate (bc I can)

Rating: Sfw

Note: Y/N is based off of Furina from Genshin bc I thought this would be fun and I saw a prompt somewhere, I think? It’s just my interpretation of it as to not step on anyone's toes!

Also, this isn't really a imagine. It's more of an Idea I was thinking of and needed to get out of my head! So that's why it's kind of not finished? Most of my stuff is WIPs anyway so this isn't really new.

_________________________________

You were a popular villain.

People loved you. Maybe not the theft and distraction you caused but hey- we all have flaws? “I will teach this city the true meaning of Justice!” You’d boldly claim standing on the stage that was Gotham city’s tallest building- scarily close to the edge. “Join me- and together we’ll cleanse this city of its evil and corrupt ways!” You’d state so boldly.

You loved for the attention, the lights- cameras and reporters. That’s why the red hood could only shake his head. Another psychopath spewing their ideology like it should be praised- like it was the absolute truth.

Spoiler alert, it wasn’t.

The world wasn’t black and white enough for an ideology to trump all the others and ‘cleanse this city’. Fuck, not this city- not even close. Gotham was just in too deep. Too much crime, too much of a drug problem or a poverty problem- too much of everything. The joker was a prime example of that. The evil of this city boiled up into one twisted person… Anyway, you were an attention seeker, classic villain profile. Does it for attention- maybe mommy or daddy didn’t give you enough love? It didn’t matter. What happened was you were breaking the law and Jason was still on Bruce’s keep an eye on list. So, he’d keep his hands off the bigger more horrible criminals.

Still sometimes, only sometimes, he'd find himself listening a little too closely to your ideals- Like you believed in the death penalty for Gotham hardest to kill roach: The joker.

So, while Red Hood was chasing you... Well, it'd started off small, you’d steal from the rich of Gotham- sometimes even Bruce Wayne himself. -Those days Jason found himself chasing after you slower, not that he’d admit that. It was a classic Robin Hood situation and Jason… didn’t know how to feel about it. On one hand you were breaking the law, in the other, power to the people. Eat the rich.

Jason knew how it felt to grow up struggling so too see you helping people? It was almost nice.

What annoyed him though was your loud, for the people persona. “I will judge all of Gotham! Batman himself can’t escape my judgment!” Okay, slow down… you were fast and agile, but Batman would be able to catch you. And if Jason really put his back into it, he could too. Still, that never stopped you from making bold claims. It garnered attention, it was bold and daring and just what the people wanted. Your ideal matched up with what so many people were fed up with the batman for.

Eventually your behavior began to escalate. He didn’t know how much longer he could keep the Bats eyes from you. “This is a cult...” He muttered while he hides away on the roof of an abandoned building you holed your followers up in for a speech.

“My loyal follower!” You’d greet them with a smile and a bow. You’d put in stage performances. Sometimes with Jason, except he never knew, and the performance was just you and him fighting on the stage. Most days, some days it seemed it was just you acting and being alive on that large stage. Others you were preaching your words to the cult your loyal followers. You were building an empire and catching the attention of other criminals.

An empire that while he agreed with, went against the bats no kill rule. The longer you stood on that stage the less safe from the bat you were.

And no matter how much he wanted to agree with you, a small part of him still wanted... something from batman. You would be an issue.

“How much longer do I have to do this…?”

Red hood was no detective, but he was raised by the greatest one. So, while he was lacking in that department compared to the rest of his family (Even if it was just by a smidge.) He still noticed how after a speech or a fight- your smile, no, your persona dropped.

It was a persona you probably garnered for attention.

but still...

So how…

…That just didn’t make sense.

“Can I have your autograph…? Please?” A civilian would ask shyly, hiding behind a Batman themed phone case with a Robin themed charm hanging from that same phone.

The worst part of it all? You didn’t ask for the Red Hoods autograph. You asked for Jason Todd’s autograph, you were a fan of the Wayne’s. Gotham's golden family. No actually, it was the way you jumped up and down eagerly when you thought he was far enough way and did a dumb victory dance.

He sighed and leaned against the alleys stone wall as he watched you leave. A sense of worry invaded his mind as he watched you in your nerdy and totally lame Superman shirt walking away. All while staring at your phone.

He was surprised you recognized him. He was never in the public spotlight- maybe here and there when he was younger. Not now, not anymore. His death and how vague it was left question. Ones people didn’t ask when he wasn’t there, dangling in front of them like bait to a fish, they’d ask why and how and while they had a cover up: One the bat, the world's greatest detective made up. It still was messy. You must be a real fan.

He wasn’t even sure if that was really you…

It had to be though, there was no mistaking it. So, with your civilian name in his head, he walked back home.

“…so… lonely…” `

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[lavb-b]

Part-time Roller-dinin'

Sorta a continuation from this post!

Wonder how many plates they've broken in one night

[housederiva]

Is it just me or is there way less fanart being made for this game than the previous ones? Kind of makes me sad, I remember with dai I could check the tags every few hours and find something new weeks after launch, now I only can get away with only looking a few times and week and miss nothing.

I don't think that's Veilguard exclusive.

Things I and my mutuals draw now are getting less notes/reblogs than they did even one year ago, regardless of the fandom. Fanfiction is getting less comments and kudos on ao3 too (not that they were getting many comments in the first place) Less gifs are being made because gif makers weren't getting reblogs. Hell, most of the post I make have a huge discrepancy between likes and reblogs and add polls into that? A thousand people voted on something and only a dozen people reblog it. It's a hollowing feeling when you realise you're calling out to an empty void, I don't blame people for creating less art because of that.

I don't see a vast majority of the people who follow me in my notes because I have likes disabled. Multiple times someone has sent me an ask apologizing for spamming me with likes and I don't understand it? That is not a bad thing And unless you reblogged anything along the way, I didn't even realise you were doing it in the first place. And the people whose notes I do see are not annoying in the slightest, I love the tags you add and I'm sure the original poster does even more so

I'm not trying to shame anyone Into interacting with the fandom spaces they're in but the whole point of Tumblr and what makes it a blogging platform and not social media is that this is a show and tell website. You're supposed to look at something you think is cool and then wave it around for your followers to see and then they pick it up and do the same regardless of how old it is

When you reblog an ask game from someone it used to be common courtesy to send that person one of the asks from it. Folks used to leave comments analysing paragraphs from stories people wrote and theorising about what would happen next on every chapter. We used to send each other asks just asking about our ocs unprompted

If there's no interaction or community when you create something, then what's the point of creating it? It sucks that fandom is morphing into something to be consumed and thrown away the second it's more than a week old unless you're one of a handful of blogs that got lucky and picked up traction at just the right moment

I'm sorry for the rant but I get emotional when I think about the decay of fandom spaces for too long. And this goes without saying, but you guys can reblog anything on my dash if the button isn't disabled on it

[poorly-drawn-mdzs]

I haven't read these books at all, but your art is so fun and cute that I like seeing your comics a lot regardless. Fantastic Silly Little Guy energy.

Thank you for enjoying my silly little guys and my comics B*)

[erinwantstowrite]

what are your thoughts abot how Damian and Tim's relationship is portrayed in most fanfics?

personally, although I like the angst part of their relationship I wish there was more fanfics where they're closer and have real siblings dynamic (like u know they 'hate' eachother but they would destroy anyone who would want to hurt their brother)

oh, boy, do i have a lot to say about this one. buckle in, folks.

i feel like a lot of the time, if they're in a fic together and the fic author doesn't like one of them, the other is going to be mischaracterized to hell and back. sometimes... both are mischaracterized.

i'm all for a fanon interpretation of a character- obviously, because i have fanon interpretations in my fic too at least a wee bit- but sometimes it goes too far and it no longer feels like we're reading about the same character

let's talk about Tim.

Tim doesn't have a good view of himself or his standing in any emotional aspect. which is often misconstrued about him believing that he was Jason's replacement (neither he nor Bruce thought this, but it was Bruce's fear), or that his worth as Robin wasn't enough. that's not true at all. i'll say it again here: Jason didn't nearly kill Tim at Titan's Tower, nor did he go there to kill Tim. and Tim fought him back. he even told Jason to his face:

"you can't be that good" "I am."

he knows he's a damn good Robin! he trained with the best, he helps lead the YJ! he doesn't doubt that he was the best person for the job. but when it comes to the emotional aspect of Robin, i think this is where Tim stutters

this is because of how Tim's parents showed their affection.

i think canon neglects that aspect of his trauma, which is why so many people hang onto it. in the comics, Tim is shown to have a lot of friends both in and out of suit. he's abrasive and isn't afraid to ask the hard questions. but he is riddled with self worth issues. his parents were barely around him, they didn't know him well at all. and they loved him, but from a distance.

Tim now sees himself as someone that can receive love from a distance. he is incredibly self reliant, and has been from a young age. he sees all of his accomplishments as obligations. he does well at school because he had to. he takes care of himself because he had to. and in his mind, taking up Robin was partly another obligation. he does his job well because he has to, and he might doubt this sometimes like anyone else, but at the end of the day he is confident in his ability to get shit done.

now, the emotional part of Batman and Robin is where i believe i enjoy a fanon interpretation more. he actually does have a good relationship with Dick, but I'm not too sure about Bruce at this point. this topic is nuanced because Batman writers make him so diabolical at times to the point that i would consider it ooc. but other times they're very close and Bruce admits this. so i replace it in my head with a more stable and realistic version that i've seen written by fic authors very well.

Tim views himself as someone who is there for a job: help Batman. but there is a lot of wonder and awe there. his favorite Robin was Dick. (I'll say this again so everyone hears me: his favorite Robin was Dick. yes you are allowed to have nuance and put Jason in there as someone he looked up to as well, please do. but put some respect on Dick's name!) now that he's working with Dick Grayson, someone he admires so much, as well as getting the honor to wear the Robin suit, he feels more like himself than he has in years. he's good at this, and it's also fun. he meets so many people and he gets to make a difference in the world. yes, it's a job, but it's also very freeing

he never did this be Bruce's son, or to replace Jason. his relationship with Bruce started off extremely rocky, with Tim forcing himself into his life in some way because he believed that Batman was going to get himself killed or get someone else killed, or Batman would cross the line. and Gotham would lose the only person who had such unwavering optimism for them. he and Bruce come to an understanding of being partners but not father and son. Bruce doesn't want to open himself up to that hurt again. but we all know Bruce, and that's not what ended up happening. Bruce would never be the same person he was before, but he is not incapable of love.

Tim would not understand that change. I'd get more into this but i don't want this post too long and i wanna save it for when i'm not supposed to be sleeping and when i'm writing one of my Tim fics for once. all we really need to know is that Tim's emotional intelligence is dogshit, and him coming to see Bruce as a father, and Bruce seeing him as a son, would baffle him. because his parents love him... at a distance. and Bruce sees him every day. that's not how it's supposed to work, right?

so.

sometimes, Tim is treated like a porcelain doll who can do no wrong. many aspects of his canon has been altered by fanon to be "worse" than it is. his neglect by his parents did, indeed, happen, and it affects him deeply. but his parents weren't like. beating him, or leaving him without food or shelter or supervision. Tim was clever enough to get around that supervision all on his own. which is why they should have been there in the first place. (they should have been there regardless). and emotional neglect is still a very real issue??? no one has to make it "worse" by making the Drakes out to be monsters. i think Jack often emotionally manipulated Tim when he was around, and I don't know if Jack was even aware that he did so. (which is why i can see some people delving into that nonexistent relationship that DC gave us, and finally giving those implications more depth. there are a lot of good fics that go over this)

often it's hard to read a fic for Tim because they go too hard into making Tim an anxious shy ball of sunshine. Tim is weird, and he stalked the Bats, he stalked Nightwing, he broke into Titan's Tower before he even became Robin. he's a weirdo. he fits right in with the Bats for that reason. some people make him out to be the victim or some kind of damsel in distress, and sometimes we get to see a phenomena where other characters talk like a book about emotional intelligence that their therapist gave them. which is... fine, if you're just writing to write it, maybe helping yourself. but let's take a step back and see Tim is not like that. he is a very capable person, and his not some "uwu, woe is me, i'm so shitty at everything and if you even look at me wrong i'll cry." i honestly believe that Tim is the type of character to hate crying in front of someone and even if he was actively dying he'd be holding back those tears.

whereas Damian? gets the opposite treatment??

granted, i don't actually know too much about Damian, but i at least try to understand him and his background

he's the youngest of them, and i think many people forget that Damian isn't a reader of the comics like we are. he wasn't going into that family with the emotional connections to these characters and their backstories like we did. he was taught about these people, the idea of them. like how we could be taught in class about people from a long time ago. and i can ensure you that Damian was not taught proper emotional intelligence, nor would he have the best grasp of it himself when he was younger than 9 years old. imagine all of your teachers and also your mother told you about these people and their accomplishments, and then told you that the person all of them look up to is your father. the person that you want nothing more than to know, to see, because the people around you talk about him so highly. someone you haven't gotten to meet yet, because you aren't "worthy." can you imagine being told all your life that you are not worthy to see your father yet? and not knowing if he believes that too?

but one day, you are going to be by his side as his son. i don't want to get too into the culture of the Al Ghul family because i don't actually know that much (i'm sure someone would know more about this, feel free to add on if you want to), but this is important to Damian. it's important to his mom. it's important to his grandfather, the leader of an extensive organization that stretches hundreds of years.

then he gets dropped off in a different country, culture, language, and family and he finds that things are not as he had been told his entire life. his father has many flaws, they do not believe the same importance of a blood tie as his family back home does. they question his entire upbringing to his face many times, they question his mother who he loves deeply. he's nine years old. imagine yourself in that position. you don't know yet what role you're playing in an adult's life, but you want to. desperately. you want to know where you stand. you want a hug. not to mention that Damian actually is a very emotional kid. he was taught to shove that deep, deep down, and not let that out.

too many people write Damian as if he was a "feral" kid which is kind of not something to put on him? i don't like it both because he wasn't feral, he was an asshole. there's a difference. and because it feels like a microaggression?? at times?? because once again... the culture that he is from... is important.

they have been racially profiled for many many years... and yes, everything that you read is political whether you want it to be or not. the act of reading is political. you should definitely be aware of what a writer's goal is when they were giving something to you. you should be reading deeper. again, i'm not from his culture and i can't say if it is an insult/insensitive joke or not, nor am i saying everyone who's made the joke before is a bad person. i have made jokes about Tim being a feral kid before and whatnot. i'm saying that no matter who you are, it is your responsibility to think critically about your media and kindly about other people. it feels uncomfortable to me because i know how wrongly the Al Ghuls (specifically Talia) have been treated by writers in the past. and Damian is an extension of that bias. just look at how many times they try to push Ian Wayne on us. or how they'll pull back on Damian's character development when talking about the Al Ghul family.

this probably isn't my topic to write about, at least not before i learn more about it. but since i get a fair amount of viewership, maybe someone will listen to me that won't listen to someone of color that has already pointed this out many times. with the comics fandom, and Batman fandom specifically sometimes, people don't care to think further about why the characters of color are so often and conveniently left out or forced into an archetype. take that as you will

so! he has spent his entire life believing he had to live up to two great legacies, both of which are VERY different. the intricacies of the Al Ghul family are often boiled down to pure evil by both fanon and canon writers, which dulls Damian's resolve and reasoning for what he had done, or makes it hard to connect to him. he has since learned more about who he wants to be and has come to respect his family in many ways. excuse me if i'm wrong, but i think part of why Damian came so hard for Tim was because Tim had everything Damian wanted. he had a place by Batman's side as both his son and his partner, and was very well respected by Batman and Nightwing both. he's older, more mature, he has stature in both this society Damian now has to fit into and within the family dynamic. considering Damian grew up in an assassin cult that solved threats to their dynamics or positions in power by murder, it wasn't a far leap for a child from that environment to make. he was modelling what he had been taught his entire life.

think about the mistakes that you made as a kid. and i don't mean something silly or funny now, i'm talking something that makes you feel ashamed. embarrassed. hurt. something that perhaps now as an adult, you reflect on as being totally uncool. and i want you to think about if maybe your environment had a role to play in that. maybe you made an insensitive joke that your mom or dad would have found funny, and someone pointed it out and reasonably made you feel like a jerk. shit happens. but you hopefully grew from that.

now imagine that mistake was you hurting someone.

yes, he was annoying. he was bratty, at times. he could be a little calculating shit. he hurt people with both his words and his weapons. Tim obviously had many many many reasons to be upset about his treatment- but I fear that most of his anger ended up directed at the older people in their lives that were supposed to be the ones to do something about it!

and though i hate that Tim went back to being Robin (it feels redundant), i have seen panels that show that the two of them working side by side after Damian and Tim both went through some life and perspective altering events both together and alone, has made Tim see Damian as his little brother, and vice versa. Damian has grown so much and many people just... don't care. no matter their reasoning for hating Damian, it's unfair to not look further than those cutting words written decades ago, or to bring up his mistakes every time you want to be mad at him. and i think it does a disservice to Tim to make him a bleeding heart about this when he has clearly forgiven Damian and cares about him. he rags on Damian like any older brother would, and Damian makes remarks like a younger brother would. personally, i think the two of them are doing pretty good right now

the development of their characters is actually so interesting within the canon aspect, even if they can fumble the ball every now and then. and the mischaracterization takes away the value that their canon relationship has. i personally love reading fics that have Damian and Tim teaming up. in aus where one thing changes and Tim and Damian become brothers later, i think it's actually so silly and fun when Damian respects Tim or thinks he's cool. or even without the au aspect! just like, a fic where the two of them are working together and it's either silly or serious, Damian having a begrudging respect for Tim and Tim being protective over Damian, etc etc, is sooooo much fun

[zillychu]

woke up from a dead sleep last night realizing I could make soroku flavored pitch pearl and no one could stop me

edit: you know what? I'm feral and I won't apologize. more under the cut bc this is my house

I slammed this out all at once so I apologize for the quality but I'm having EMOTIONS

so imagine. bc of the way Danny was quickly resuscitated, his ghost only barely started forming. With the excess blast of ectoplasm from the portal being created, that little whisp was given form even after Danny's soul returned to his body.

except this ghost (Phantom) slowly comes into consciousness while trapped in Danny's body. they're separate entities sharing one body, but Phantom doesn't really have a sense of self right away. he pieces together vague fragments of Danny's memory to get a basic understanding of the world, and is mostly just observing like a backseat passenger.

Phantom starts reflexively protecting Danny, his powers and instincts bleeding through when his emotions are high. Danny doesn't really transform, and his personality doesn't totally shift that much at first because Phantom’s mind isn't complex yet. but as time goes on, and Danny has tense conversations with ghosts, Phantom realizes that's what he is. he's a ghost, somehow trapped in his old body. and even now, this early on, he already feels separate. he doesn't have all the memories Danny has.

this slowly turns into horror. into rage. sorrow, mourning a life he never got and will never get to have. forever trapped behind the eyes of someone else, never able to interact with the world. Phantom's rage eventually boils over until it allows him short bursts of taking over Danny's body. it starts out small–a stray hand moving without his consent, knees locking up, ghost abilities going awry. Danny can start feeling emotions that don't belong to him. get vague impressions, almost hears a voice inside him.

and eventually, Phantom is able to fully take over. this is when Danny “transforms". at first, Danny blacks out because his consciousness isn't used to being shoved into the back seat. but eventually, he's awake for these “episodes", trapped in the back of his mind while Phantom controls his body. this only happens when ghost stuff is happening, when Phantom feels threatened enough. he's not protecting Danny, he's protecting himself. Phantom knows instinctively that if Danny dies, he dies too. he's not a normal ghost, he wouldn't be freed. he'd simply disappear.

at one point after a fight, Phantom can feel Danny struggling to take back control. and he talks to Danny for the first time, acknowledges he's there. asks how it's fair that Danny is the one that gets to exist. but Phantom is tired and weak, he slips back into the passenger seat.

over the next few days, he's able to start talking to Danny even while he's not driving. though he's not chatty, it's only when necessary. and Danny knows, can feel it across the link between them–Phantom hates him. the ghost he created is desperate to find a way to take over completely. and as time goes on, Danny realizes with horror that it might actually be possible for Phantom to do that. he grows stronger every day, can stay transformed longer, controls Danny's body with much more ease.

it's only through a chance meeting with Frostbite that Danny and Phantom fully learn what happened to them. Danny feels sympathetic towards Phantom now. this isn't a malevolent ghost, it's a person who was never given the chance to live. who's trapped. who has to watch someone else live a life they're just as deserving of.

and Phantom feels that emotion from Danny. is so shocked by it, he doesn't know how to handle it at first. it takes him a while to contemplate, to talk to other ghosts like Frostbite. until one day, Phantom realizes… he feels sympathy for Danny, too.

neither of them asked for this. both of them deserve to live. Danny didn't do anything wrong. they're both villains to each other's story. and if anything… doesn't Phantom owe his life to Danny in the first place?

Phantom takes over less often. Danny doesn't feel hatred from him anymore. anger, yes–but not aimed at him. in fact, Phantom starts controlling their body in little ways in order to protect Danny from things that aren't even dangerous. just to avoid pain that would only affect the human tethered to him.

it isn't long before they're separated, either thanks to another ghost or Danny's parents. they're thrown apart in the middle of a horrific fight, and when Danny sees Phantom's equally shocked expression, he's terrified.

this ghost that hated him for so long–at best, Phantom would leave him defenseless. at worst, surely some part of Phantom still wants to kill him for stealing away his chance for autonomy.

and yet, when fire rains down on them, Phantom risks it all to grab Danny and get them both to safety. they're still both shaken and stunned this is even happening, but Phantom is able to nervously be like shit shit shit okay stay here don't go anywhere or I can't protect you, okay?

after the fight is over and dust settles, Phantom offers Danny his hand. they stare at each other and god if this isn't the weirdest thing. like, uh, okay, what now? they decide to go see Frostbite, who confirms that they're fully separate now. they ask if there's any chance of merging again and Frostbite assures it's impossible.

Phantom asks, even if I overshadowed Danny? or stay real close? yes, it's nothing to worry about. they leave, and back in the quiet of Danny's room, they talk. Phantom isn't sure what to do. now that opportunity is in front of him, he feels paralyzed. Danny does his best to let Phantom know that… they might be separate now, but if he ever wants help or even just a friendly ear, he's here for him.

Phantom is quiet for a while. then says maybe he just needs to rest first. he'll think about it tomorrow. they're both exhausted and injured. Phantom asks quietly… if he could rest in Danny for the night.

Danny's shocked, and–really confused. Phantom blushes and is like I don't know what my haunt is yet, I don't know where to go, but I know… you're kind of my home. now that I know I can leave whenever I want, it's not something bad anymore. I miss feeling your heart next to my core, just a little bit.

and Danny is just as surprised when Phantom overshadows him, then quietly nestles into the passenger seat again. he didn't realize how he got used to feeling Phantom with him. it's a feedback loop of contentedness, and Danny sleeps easily. (they also find out while sharing a body, Danny gets to reap the benefits of Phantom's supernatural healing)

anyway that's all I got for now thank u for coming to my ted talk

[squidling2005]

last night i had a dream about mouthwashing and it started out with the scene where swansea has the axe raised above daisukes head, and swansea says "close your eyes, daisuke." and so he closes his eyes and the axe comes down, and then he opens his eyes and shoots up into a sitting position and finds himself alone in the room, and he's like "...was that a dream...?" and anya appears out of nowhere and sits next to him and is like "you're ok now, daisuke." and daisuke is all freaked out and crying "i was so scared"

and anya hugs him and says "i know, daisuke." and they hold each other for a while, and then daisuke is like "where is everyone else..?" and anya smiles sadly and stands up, holding her hand out, and daisuke takes her hand and follows her out of the room and into the med-bay and he finds swansea crouched in front of something leaning against the wall, and curly is in the bed and jimmy is there too ig.

daisuke looks relieved and says "swansea! you're ok!!" and swansea turns and looks at daisuke and he has this heartbroken look on his face and daisuke is like "..whats.. going on..?" and jimmy isn't reacting to anything they're doing, but when daisuke looks over swanseas shoulder he sees himself, leaned up against the wall with his head caved in from the axe. next to him is anya, her face bloody, and swansea, with bullet holes in his head. and daisuke stares, not quite grasping what he's looking at, and the anya that walked in with him puts her hand on daisukes shoulder comfortingly, and swansea looks away, looking guilty, and daisuke is on the verge of a panic, not understanding, and he's like "n-no, i. i woke up, right? it was just a dream, right??"

and then i woke up. and it was just a dream.

[mothhue]

Responses to asks/requests from @jackthesilentgentlemenshark and @flower451 :D

Apologies for taking so long to get around to these, I was distracted by other stuff for a bit! (I cut the asks so it the post won't be too long, hope you don't mind <:] they're under the cut!)

[lil-lemon-snails]

"I can't ignore what's under dancefloor boards, The rhythm of my heart a dead-as-disco beat, But I still move my feet, to slip out of this groove, I'm free" ~ 2econd 2ight 2eer, Will Wood, The Normal Album

I have been plagued with visions of LDR Sun every time I listen to this song and I NEEDED to get this out of my system @spadillelicious when do we get to smooch the boy pLEASE

v textless version and close ups under cut!! v

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[unhinged-snake-jaw]

patroclus in tsoa:

oh... i accidentally killed sarpedon??? i'm not built for violence, really. that's achilles. i guess he's always protecting me... i love him, i can't make myself argue with him— i'm so in love with him i don't know to be angry at him. ever.

patroclus in the iliad:

*invents gamer's rage by killing clysonysmus*

{kill count: so high that homer's just listing names at one point}

*kills sarpedon and then KILLS ANYBODY WHO TRIES TO TAKE HIS BODY* (the dead man's father ended up intervening i believe)

"hey patroclus... you're crying like a girl what's wrong??" "what's wrong? what's wrong??? what's wrong is yOU MOTHERFU—"

*knocks hector's charioteer onto the floor with a stone that fucking kills him* 10/10 my guy that was a perfect dive!! trojans seem awfully good at diving out of their chariots, don't you think??

"on my own? i would have killed TWENTY hectors, and you know that."

[ahollowgrave]

Then and Now

July 2021 -> December 2024

][ Tagged by: ][ @lilbittymonster and @elliewiltarwyn thank you!!] ][ Tagging: ][ You (: ][

I made Odette in 2020 but sadly I don't have access to my very first attempts at gposing! I really wish I had them, early vanilla Odette is an extreme cutie. I had played FFXIV a few times before but the game had never stuck until her. Odette has changed a fair amount since I've had her! Thanks to crimes but also because of lore! I've only fanta'd her once and it was to make her chest smaller and change her eye color.

When I decided to lean into the ghost stuff I changed one of her eyes to purple. As a way to signify her coming into her abilities, so it is also the eye she sees spirits out of.

Her hair has always been white, in canon it has an iridescent sheen to it which is one of the reasons the convent thought her blessed. Early in 2024 Odette had a mini arc of realizing she had strayed from her vows. As part of her renewal of them she cut her very long hair.

She's had scaling from the moment I knew about it. Use to have to apply it in ana with each gpose. I'm certain the first screen has one of my first attempts at scaling her applied. When I finally got C+ I was so excited to see her scaling all the time, plus it makes it so easy to adjust it on the fly. It's the thing I miss most when its gone!

Rue body... body hair... belly piercing...

Her piercings (belly and nose) were small acts of rebellion! And my friend Esh ported a nose chain over for me I think just this year, too!

Her gap teeth !! Precious to me. Thank you Onei ! If I could figure out dimples she'd be even more perfect.

Dawntrail's graphics update left me incredibly happy. I loved Odette before but she feels so much more Right to me, now! She has new makeup, new face scaling, i just like her so much...

I've rewritten her entire backstory, made her undead and a powerful psychopomp, gave her a long-lost twin sister and then turned the twin into a possibly evil ancient and undead great-aunt (whew), made her a paladin, started to think of her as an actual WoL... She's always been a love nun, though.

[sleepymim]

Ok so this is going to be my attempt to put all of my thoughts about Silco and Vander and their relationship and how they might achieve reconciliation into one coherent post because I cannot! stop! thinking about them!

As we see in s2e7, reconciliation between them is definitely possible. However, I think it definitely wasn't easy, and it wasn't motivated by a single event like Silco finding Vander's letter or Vi dying. I think a million little things needed to perfectly align for them to find back to one another. As others have already said, and I agree with this, I think the "happy" timeline is a statistical anomaly for them.

So what was needed for them to find back to each other? And like, disclaimer that this is obviously only my own interpretation of events.

First of all, I think one of the prerequisites for reconciliation is that Silco doesn't start working with Singed and doesn't get into Shimmer, which is supported by his eye having healed normally in the alternate timeline.

I also think that Vander's letter could only ever be a starting point for their reconciliation, something that would get them in the same room to talk again. After that, I think they'd still need a long, long time to get back to how things were.

Vi's death imo has absolutely nothing to do with whether they reconcile or not, because in the alternate timeline she dies during what would be Act 1. Silco is already past the point of no retunr here, he doesn't give a shit about Vi or the other kids, he's deep into his Shimmer business. He's literally planning to kill all the kids in episode 3. He would not give a fuck if Vi died in that explosion. If Silco and Vander are to reconcile, it needs to happen pretty soon after the betrayal.

But I think the most important aspects for their reconciliation are violence and ideology.

Obviously the actual betrayal is horrifically violent and traumatizing. Vander actively chose to drown Silco which is just like, such a brutal way to die. He does this because he puts the blame for the bridge fight escalating on Silco. This is unjustified, and the show wants us to know that Vander was in the wrong here. Vander himself admits in s1e3 that he has regretted what he did to Silco since it happened. In general episode 3 in my opinion very clearly communicates that Vander overreacted and that what Siclo did (throwing the first molotov) does not justify Vander's reaction (violent murder).

However! Vander also clearly still thinks Silco is dangerous and despite regretting how he reacted still puts some form of blame on Silco.

In the apology letter, he says the blood is on both their hands. The letter in general is shit considering the weight of what Vander did, and what it shows is that even though Vander feels bad about what he did, he does still put the blame for the bridge fight on Silco.

In act 1, Vander also says there are worse things than enforcers in the Undercity while looking at his brace that covers the scar Silco gave him while escaping. This is, presumably, before he knows Siloc has been funding Shimmer development and getting into human experimentation. He thinks Silco is worse than enforcers based on whatever happened between them in past. With s2, this is explicitly Silco's escalation on the bridge.

So obviously despite the time that has passed and the fact that Vander can admit what he did was unjustified, he does still believe Silco is dangerous based on their differing ideology. Benzo, too, obviously still holds a grudge against Silco for what happened.

So really the crux is that even though Vander feels sorry, he does not change his stance on non-violence being the right way forward for the people of Zaun, and thus he can never truly forgive Silco for what he did on the bridge - he still believes that Silco is responsible and that his own way is the right way.

I think as long as Vander keeps his ideological stance, reconciliation between them isn't possible. From both sides, because Vander thinks Silco's ideals are dangerous, and from Silco's side because he thinks Vander is a coward and a sellout.

Then let's look at Silco's side of things a little bit.

I think there's two aspects to his forgiveness/reconciliation with Vander: the violence and the ideology.

Canon pretty much tells us that Silco is willing and able to forgive the violence Vander inflicted on him. We see this not only in the alternate timeline, where they're obviously close again, but I think s1e3 tells us the same. Silco kidnaps Vander, but still offers him the chance to join him in the fight against Piltover again. I don't want to talk here about Silco's methods at this point in time, but he's obviously willing to put the murder attempt behind them IF Vander is willing to switch to his side again. He even says that his hatred for Vander passed with time. I think this implies that, somehow, eventually, with time, in a nicer timeline Silco could really forgive Vander for trying to kill him.

However, and I think this is the much bigger issue for them, there's still the matter of ideology. Vander betraying their shared goals, turning towards a pacifist, more passive approach to revolution and ultimately striking a deal with Grayson is what really drives the wedge between them.

This is what Silco despises Vander for: For turning his back on violence. Silco encourages Vander's violent tendencies, he wants him to become the person he used to be again, wants him to embrace that part of himself again. I think this supports the assumption that Silco would forgive the violence inflicted against him much easier than Vander abandoning their shared dream. Until the end, he wants Vander to embrace that violence again.

And a Vander who is committed to non-violence is a Vander who stands in the way of Silco's goal of a free Zaun. So as long as Vander stays firm on his ideological stance, Silco is always eventually going to get rid of him. There is no way for them to find back to one another if they remain on opposite sides of the struggle they used to fight together.

This is, I think, the crux of my interpretation of them:

Reconciliation doesn't only depend on Silco coming back to Vander and forgiving him for the violence Vander inflicted upon him. It also depends on Vander coming back to Silco, internalizing that the bridge figth was not Silco's fault, and being willing to compromise his non-violent ideology and take action again for their shared dream.

It's about the two of them coming back to each other.

[queenlucythevaliant]

Just to clarify my thoughts (since I've had a number of people ask me about it) re: Job and cursing God. There's a big difference between cursing God as used in Scripture and how we generally would think of cursing at God today.

Cursing someone, in the Bible, has a lot of depth to it. It's not just saying "screw you " in anger, it's got a sense of forsakenness to it. It's the opposite of a blessing, a removal of blessing. If the blessing is presence, your face shining on the person you're blessing, then a curse is absence. In some translations, Job's wife tells him to "renounce God and die," which I honestly think makes a lot more sense to modern ears.

Job says a lot of unpleasant things to and about God in his anger and grief. So do the Psalmists. A number of the Prophets. So can we. God can take it if we come to him with honest expressions of our emotion, including those not-so-nice ones directed at him. I don't think there's anything wrong with getting mad at God and saying, "How dare you, you bastard" when you suffer unjustly. You can say much worse, I think, without sinning, though I don't feel particularly inclined to give examples. But as long as it's an honest expression of your heart, I think you're doing exactly what prayer is for. You're presenting him your heart with an open hand. He can use that. Opposite of love is not hate but indifference, etc.

Job doesn't renounce God. Neither should we. But I think when you're truly suffering, you're gonna have those feelings toward God either way. He'd rather you address them with him directly than try to avoid them. Cursing at God in the modern sense is actually a great way to keep the relationship strong and not end up cursing/renouncing him in the Biblical sense.

[messiahzzz]

thank you sm for the ask!! 💕 i’m glad you enjoy my posts and it is not a strange request by any means!

note: this is merely my read on gale’s sexual preferences/kinks. i don’t want to police anyone on their headcanons or claim they are “incorrect”. since the game doesn’t provide too much detail, many things remain up to interpretation. (and lest we forget fanfiction has always encouraged the exploration of dynamics that may not be present in canon.)

gale is a character who isn’t interested in walking the straight and narrow route. he is all about new experiences, favoring non-traditional means, putting his own spin on things, and the thrill of seeking the forbidden. the sheer romance of the uncharted and the unknown. he is enthusiastic in almost every aspect and possesses an infectious zest for life. in regards to his sexual preferences, this translates into an eagerness to explore, witness new sensations, and reach new heights together. while approaching the topic of sexuality with a generally playful, adventurous attitude.

if you’re looking for harder kinks, however — i don’t believe gale is the character for you. and in case it needs to be said again: there is nothing wrong with being vanilla.

initially, i see gale as a switch, who gravitates more towards assuming a dominant role, due to his ever-present desire to give and to impress. i do think he enjoys giving up control, yet you still have to actively convince him to let himself go and be spoiled for once. his first focus will always be to fulfill his partner's needs and drown them in his all-encompassing love and adoration. i also believe that gale will grow more comfortable with being the center of attention, once their relationship has reached a point of total security (and he had ample opportunities to show in just how many ways he can wow them). gale is not a strict dom, nor a sub. in his ideal relationship roles would be discarded entirely, deeming them too restrictive in his expression of intimacy with a trusted partner. it’s all about variety and ridding oneself of the shackles of the worldly, after all. melting into one perfect whole, not knowing where he ends and his partner begins.

gale: we are all sensual vessels. illusory magic lets us sail farther, and feel more deeply.

gale: [..] i could use the weave to make us feel sensations beyond reckoning.

based on what we know about gale, these could be some of his kinks:

lots of praise (this is non-negotiable), sensation/temperature play (waxplay, electrostimulation/all the many perks magic has to offer), sensory deprivation, light restrictions and bondage, the occasional roleplay, katoptronophilia (self-explanatory), altered mental-states (hypnosis, psychedelics), orgasm control & denial, body worship, olfactophilia and given his propensity towards verbosity: narratophilia and some very inventive dirty talk. as for my own self-indulgent take: due to the recurring emphasis on hands during his romance, as well as his being the main tool in how he shapes and navigates the world: quirofilia.

nodecontext: flustered, standing in front of his romance partner in bondage gear. not necessarily uncomfortable with the bondage aspect, just trying to stay focused.

now, what are gale’s hard-limits?

gale, after the player received loviatar's blessing: your hide, your choice. not quite my cup of tea though.

while projecting your own kinks and fantasies onto fictional characters is fine and well, disregarding and ignoring the source material (and the character's stated boundaries) is another matter entirely. fanon!gale is rather ooc and very different from his canon portrayal, which is something that tends to irk me. although this remains a common fandom phenomenon.

personally, i don’t see gale as someone who enjoys pain of any kind, be it giving or receiving (with the exception of spanking and light choking, if a certain mood strikes. although it is kept mostly playful). contrary to what fandom may claim, having self-worth issues, being loquacious, emotionally expressive, and vulnerability-seeking (as well as being commonly perceived as arrogant and insufferable) doesn't automatically equal having repressed masochistic tendencies. he could be convinced to dip a toe into sadism, but only upon his partner’s insistence. although i doubt he himself would find enjoyment in that.

the same applies to degradation/humiliation. i doubt that a character who is still very much struggling with inherent self-worth issues and a general feeling of being defective/not worthy would derive sexual gratification from being degraded. yes, it can certainly be healing for some, but gale doesn’t strike me as someone who would find particular enjoyment in that. quite the contrary, actually. nor would he like to do the degrading for that matter (he would vehemently refuse. all he wants to do is sing your praises.) gale wouldn’t enjoy being leashed and/or collared in any way either. the prospect of being tied up or restricted is rather intriguing, cause it serves to center one’s vulnerability while also allowing for more intense sensations. anything that taps into the puppy play/slave territory tho? he would find it demeaning… and, quite frankly, silly.

gale is also not a voyeur, nor a cuck. the entire scene with the drow twins leans way too much into dub-con territory for my tastes. the only way you can get him to participate at all is by rolling a persuasion check with DC 25. in every other dialogue option, he immediately (and explicitly) declines. even if you do manage to pass the persuasion check, he is still very hesitant about participating.

gale: i might enjoy watching you tangled up with the drow, as long as i was five paces back.

he then immediately runs from the room, because sending a simulacrum in his place was the only way to somewhat remove himself from the situation while still being able to please tav. because of course he wants to please and clearly this is important to tav so he might just… have to discard his reservations and... just go through with it?!

gale: well i suppose it would do no good to back out now. let us begin this little anthropological study, if we must.

i am aware that fandom uses the fact that his “orb lit up in telltale excitement” as a justification that persuading him was the right choice, as well as confirmation that he was secretly into it and “just needed a little push" to explore his desires/get out of his comfort zone. that implication alone is very suspect and goes straight into the sort of logic abusers often use. you can be physically aroused by certain scenes, images, or sounds, even while being visibly uncomfortable with the presented scenario. it is a natural response that you can’t often control. which is what he is showing throughout the entire scene: discomfort. he was coerced into this situation, without any prior discussion or an opportunity to talk about his boundaries. furthermore, this is what he has to say if you approach him after the threesome:

gale: ahem. i hope you're not here to ask about our recent, erm, activities. i'd rather those were consigned to the footnotes of our romance, if it's all the same with you.

since he is strictly monogamous, any arrangement involving another person is also a no. he made this rather clear when tav sought him out after receiving halsin's proposal. him being monogamous isn't solely rooted in his trauma, it isn't something he has to “overcome” in order to heal, nor does it mean that their relationship is any less fulfilling. call him greedy, stubborn, or old-fashioned, but he cannot comfortably agree to that.