#artists created these little movie characters so well

[batnanne]

I can't believe it's so difficult to find Sonic movie merch ? I was simply looking for a Knuckles water bottle because I need something cute to force myself to stay hydrated. Impossible to find. There are a few game-Sonic things, but movie Sonic ? With my cute son Knuckles on it ? Nothing. Had to design one myself on Canva 🤦‍♀️ Now we're waiting for it to ship !

[alpaca-clouds]

Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[comicaurora]

You mentioned in a previous ask about Arcane that wanting to do something better can be a great motivator, but recently I've seen a lot of discussion about fanworks created out of "spite" like Spiderman Lotus or that Transformers fan film. Do you think these come from different feelings, leading to their end result, or that the motivation just needs to be handled carefully?

Ah, I see the confusion. When you have ideas for what a story could do, and then the story goes in a different direction and bypasses what you thought it would do, that can be an incredibly useful motivator for using that unused inspiration for telling your own story. Taking someone else's completed artwork and saying "move over, idiot, I'll show you how it's done" is a recipe for hubristic self-immolation.

Setting out to "fix" someone's work has to be approached very carefully. Artistic criticism is a complicated skill, but it isn't treated that way. Especially in the age of the internet, several wildly different things have been conflated under "criticism", and I think that's why spite-motivated "fixes" almost always end up tripping on their shoelaces and falling flat.

Art critique - "fixing" someone's work - is about figuring out how to make the art the most effective version of itself. Determine what it's going for, and make suggestions for how the artist could improve the execution of that goal. Clarify a confusing moment, change the score a little to be more emotionally impactful, break up the pacing with moments to breathe, tighten up the pacing to maintain the frantic vibes.

However, the broad perception of what art critique is has been bundled together with several other forms of criticism, including snarky reviews (a judgment of quality rendered after a work is completed and aimed at prospective audiences so they don't end up wasting their money), general knee-jerk mockery (it is easy and fun to score points off of other people's sincerity via a little casual bullying), critical analysis (taking apart how a story works to learn from it, a useful approach for other artists trying to improve their own skills) and, of course, fanfiction.

Ahh, fanfiction! If you don't like a story, you can just take the characters, setting, premise, worlbuilding, and the general shape of the plot - ignoring the fact that at this point you've borrowed about 80% of the work that went into building the original story already - and then you can just make the characters do what you wanted instead. If you think Spider-Man would be better if everyone was miserable and grieving a dead buddy the whole time, you can do that! Two hours of misery for everyone!

This approach is ostensibly trying to accomplish what art critique does - to make a better version of the story. But in practice, it's almost never interested in interrogating what the story was actually going for. In fact, it's actively scornful of what the story was going for. It doesn't take it apart to see what did work, it just says "I didn't like that and I could do better" and produces something trying not to be like the original it disliked.

I kind of think of it like this. If you ate a meal and you were like "there's not enough salt in this," you would not produce a better meal by focusing exclusively on loading it down with all the salt you could find, even if you were starting with all the same ingredients. Do you understand how they were put together to begin with? How the meat was brined, how the vegetables were cooked, what seasonings went where? Do you think all it needed to make it work was salt?

So you get fanworks that do indeed focus on the part that the fanartist thought was missing. You get Spider-Man Is A Sad Jerk For Two Hours. It accomplished what the fanartist wanted, but it fails in its true goal of being Like The Original But Better, because it never actually made the effort to understand what made the original tick. Why do people like Spider-Man in his other movies? Well, there's lots of reasons that work for different audiences - he's funny, he's good-hearted, he's graceful and well-choreographed, his fight scenes are fluid and exciting, his dynamic with the people of New York is lively and comedic, he's hapless and hurting but he always tries his best, he gets knocked down but he always gets back up-- there are many reasons to like these stories. But if all you can focus on is what you wanted them to add, you'll have a lot of trouble parsing out what functional elements you'll need to carry over into your fanfiction to not lose the core of what made it actually mostly work.

If all you focus on is accentuating the bits you wanted them to do without recognizing the parts that were working fine, you end up with a heaping plate of salt.

✨ as the ask states, this post is very specifically about spite-motivated "I can do it better than the writers" fanworks and not fanfiction in general ✨

[cy-cyborg]

The Jaws Effect and what it means for media representation

The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.

Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.

This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.

If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.

This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.

Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.

But the impact of representation, of course, can go both ways.

I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.

But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.

Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.

When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.

[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]

[sir-ballister-boldheart]

Uhmm.... guys hello??? Have you seen these concept art???!!!! MY BOYS!!!

From bjcrawfordart, one of the artists behind Nimona, on instagram

And in the words of the artist:

Ballister and Goldenloin poses. My final assignment on Nimona: Explore Goldenloin’s character. But where to start?? This was a super important question. I didn’t know where to begin. I knew he was heroic, brave and from nobility. But that alone wouldn’t lead me to any interesting poses. I finally decided to ask the question… “Why did Ballister fall in love with Goldenloin to begin with? What was it about him that was so magnetic?” My starting point was to create that moment where two people meet for the first time, and in a magical way, they attract each other. And we’ve all felt that at some point in our lives… that feeling you have when you can’t know enough about the other person… and you want to spend every moment together.✨From this I created a montage of Ballister and Goldenloin spending a day in the kingdom together when they were young…and in that montage Goldenloin’s confidence and charisma really drew out Ballister’s shy personality. And at the end of that day together, they kinda knew they had something special between each other. I pitched this to the directors @itsnickbruno and @troyquane. I was so sure something like this needed to be in the movie. And like so many times in my career, I was proven wrong:) The directors did something way more impressive than a montage. What they did was drop little lines through the movie that signaled to the audience that Ballister and Goldenloin knew each other so well and that they had this past that proved they cared about each other in a way that could only be described as love. BUT… the poses I did from my first idea remained, and that idea informed every single drawing I did for Goldenloin moving forward.

[uva124]

So yeah, I finished the drawing of Asha's redesign from Wish :D, maybe I'll make some changes in the future, but I'm happy to have finished it, it should be noted that I haven't seen the movie. , so I can't give my opinion on it yet, but I found it very interesting that their fandom is mainly made up of people who rewrote or made their own version of the movie, they are all very creative and it got me out of an artistic block. that I had a few months ago, but above all I found the rewriting of @annymation which is the one I have been most hooked on, so I wanted to do some redesigns of the characters coming out of its rewriting, that's why everything that has to do with the story of this version of Asha, as well as her personality and her world on which I base my drawing are the ideas and work of this account: @annymation

I'm just making a drawing of her character and how I would design her as well as sharing part of the process I had to do to draw her because, why not?

BOARD:

The first thing I had to do was put together a table full of references that reminded me of the character and things that I would like to add to her design, so I used milanote to do it:

-Looked for some Asha's concept art and save the ones I liked the most, and add the main colors that I used in the design. -I also created notes to write down the personality of the character and some of his data to have a better guide, I did a little research and found publications that talked a lot about Asha's discarded designs and how Disney workers had put that she had tribe ancestry Amazigh on his mother's side and since his father was from the Iberian Peninsula, that's why the next thing I wanted to do is research more about their culture. -I am not an expert on this topic, nor do I belong to the cultures from which Asha has ancestry, so you can comment on any correction regarding this topic, I wanted to implement details of this culture to her design and I would really like to give a correct representation :)

HAIRSTYLE

Continuing with the theme, I saw that the hairstyles in the Amazigh culture mostly had this type of colorful decorations on their braids and dreadlocks, that's why I also posted these reference photos for Asha's hairstyle.

-Finally I decided that Asha would not have all her hair full of braids or dreadlocks, but only a few accompanied by these decorations with a great variation of colors, although it was fun to sketch the many hairstyle options that I had in mind based on these concept art and other photos that I had saved

TATTOOS:

-Another detail that I liked was giving Asha some tattoos with designs from the Amazigh culture, because I saw that it was quite common for women to get them, the tattoo on her forehead is a symbol of protection against bad influences, that's why the The middle symbol is responsible for deflecting it in the 4 directions, I also added a similar one in Asha's right hand.

ASTROLOGY AND THE SPACE:

-An important part of Asha's rewrite is her knowledge of astronomy inherited from her father, especially with the stars for obvious reasons xd, so in addition to adding constellations to her dresses, research the meaning (or something like that) of the planets. Only 3 really reminded me of the character, which were: -Mars: Symbolization of the internal conquering function of moving forward, independent, self-determined, enduring failures with new energy, courage and energy to fight for your desires. -Saturn: Maturity, effort to solidly build realistic criteria, frustrations are transformed into objectives to continue growing, critical and realistic, far from getting frustrated when an objective does not work, you strive to move forward and obtain even more resistant and solid achievements, perseverance , and tenacity (I feel like yhis it the most similar to Asha :D) -Moon: protective role, feeling very vulnerable outside your known areas, feeling of security with your ties, importance of family ties. The one that reminded me the most of Asha was Saturn, that's why I drew those Saturn-shaped earrings :).

SUITS:

I looked for references and placed some on milanote, I noticed that the concept art was mainly divided into whether the dresses have lilac colors or warm colors, I decided to draw 2 models based on the discarded designs, although at first I thought of using only one color palette lilac and bluish, I realized that the reddish colors of her dress reminded me of Mars which has certain meanings that in my opinion coincide with Asha's personality. In the end I didn't decide what wardrobe she would primarily have 😅, but I like to think that in this version of Wish, Asha would have wardrobe and hairstyle changes like in some older Disney movies.

-These are some of the concepts that I mainly used for my version of the dresses

FINAL COMMENTS:

I am satisfied with the result, it was fun to make all this, although what I researched mostly seems little, it actually cost me several hours and I did it at night, so as a funny fact the next day I was explaining all this information to my mother and I felt like I looked like that:

(Make this drawing was so funny LMAO)

(Apologies if there are errors in my writing, English is not my first language and my writing is very basic)

[goodlucktai]

Now that 2024 is coming to a close:

1) Of everything you've made this year, which ones are you the most proud of?

2) What are a few of your favorite things (art, comics, fics, etc) that someone else has made this past year?

thank you so much for the ask ! i'm going to do my best, but i just know i'm going to leave something out and kick myself for it later

regarding my own stories from this year, i would say the archer au raised on little light and my rise movie remix now the darkness comes alive are the two that i'm the most proud of. but coming in right behind them would be my orphan leo au till you can breathe on your own and post-movie rise splinter study a bigger heart grew back

as for other people's stuff from this year:

everything @remedyturtles and @dandylovesturtles writes is deserving of accolades and a million dollars each, but specifically stare directly at the sun (i say, surprising no one) and Firefight by rem, and I May Be Invisible... and emotional support water bottles by Dandy

@mykimouser wrote You could make this place beautiful which changed my life, and Forget-Me-Nots which ruined it /pos

You can have three wishes... (as well as the rest of their rise fics honestly) by @mad4turtles

London Bridge has Fallen Down by ParvumAutomaton is their latest in a line of amazing rise fics, and as always i went back for an immediate reread the first time i finished it

everything by @angelmichelangelo but definitely the brothers au !

Pod Save Manhattan by CaveDwellers is such a feel-good turtle soup for the soul type of story, i loved it immensely

two lies and a truth by TheFifthPevensieChild hurt !! a lot !! but the resolution more than made up for it

Keep the Nightlight On by @liketheletter-l is a comfort fic of mine if i'm being so honest and so is tuck your head under the covers by lasanya539, i reread these when i need to feel a shrimp emotion

The Neon Void by sugarpastels was very intense (and it gets worse before it gets better) but i just adored the ending

Martry's Mother Tongue by @mangogreent is something i will never stop thinking about (and that is a threat)

Power Up by @pickledcarrotsandradish gave me 12 brand new mental illnesses, radish knows what she's done

Growing Pains by TwiceTheTrouble is one that i've enjoyed following, the characterization of everyone in it is just chefs kiss

@soldrawss' It Keeps Us Dancing AU is so special to me and her art is beautiful and she also created an animatic for my son gio in the archer au that i have literally watched 306 times

Here There Be Turtles ( @heretherebeturtles-comic ) by @theelvishfiddler has been absolutely INCREDIBLE, the skill is off the charts, i look forward to every new post !

@wickcipher's comic You've Been Portal Jacked! is another one that's definitely worth checking out, the art style is so colorful and shaped /pos

quick departure from tmnt into one piece to add @fluffyartbl0g's fishbowl comic here because i have never been and will never be the same after it

Water is Thicker Than Blood by @where-does-the-heart-lie has brought so much joy to 2024, the character voices and the art style are so SO good

@swordsmans is an incredible writer and also bookbinder ! they are an absolute master of their craft(s) i live in healthy awe of them

and they aren't specific stories or AUs but @charcoaldustonmyfingers, @miniyunart, @irestotles, @dying-marshmallo, @lallelol, @cupcakeslushie, @notsotinyblob, @kiingbiing and @koolaidashley are artists whose work i've really enjoyed recently !

[cupcakeslushie]

Hi there, I love your stuff, I hope you don't mind but I wanted to do an ask the artist

Where are you from?

What's your favorite color?

How long have you been creating art for?

What drives you to make art?

What is your favorite piece of artwork of yours?

What is your favorite fan artwork that was done for you?

What character of yours is your favorite?

If you could go to any fictional world which one would it be?

Do you consider what will please your audience or do you just do your own thing?

What made you want to start your AU?

1. American! Southern girl, specifically.

2. You’d think it would be green with how it’s been my hair color for three years, and I’ve made it my signature on here, but it’s actually yellow! Like the really saturated, sunny kind! 💛

3. Oh lord. Um, since like 1st or 2nd grade.

4. I never really thought about it. I think I’m just a visual person. So if I have an idea, I need to get it on paper to really see it. I’m the same with movies, especially adaptations. I could never picture characters by reading them in books very well, but seeing them in movies I’m like, “oh okay, now I see what they were going for!” It’s also just fun. It’s my own story-telling method.

5. Fav piece of anything I’ve ever made would be one of my stained glass pieces, like my lemon one, that took me three weeks, and was one of my first bigger pieces. Digitally it would probably be my most recent dtiys cause I just don’t like looking at my older stuff.

6. Noooo!! I have so many, especially recently, that I’ve been gifted! I can’t choose just one!!! Seriously! I love everything I’ve ever been sent! I will say, I’ve been gifted a few fan fictions by now, that have had me like, mind blown—just because writing is such a thing that I’ve always admired and never really been able to fully grasp. If you’ve sent me art, it’s more than likely been my phone or iPad wallpaper, and if you’ve sent me fanfiction, I’ve probably read it no less than five times, and will continue to go back to it.

7. I mean, it’s Donnie. It’s pretty clearly Donnie. I try and be fair and love all the boys equally, but I’m not gonna lie, you all know it. It’s obvious. Just know, I’ll never ignore the others story wise 😜. But Donnie gets the most of my attention and my evil creative plots 😈.

8. Any world ever? Probably Fullmetal Alchemist—if I could actually be an alchemist. I mean, like come on—how cool is that? And like, yeah, you’ve got Father and the homucuous running around, but for the most part, the world is pretty chill and has the coolest rules.

9. The main chunks of my stories are really just what I want to see, but sometimes I can hear a suggestion and think about changing the trajectory of things. I’m always open to ideas, especially if I’m stumped on how it should go. I even change my opinions on the things I’ve established myself, I’m very open to changing a story if a better idea comes to me. I don’t think I’ve ever been like, scared to tell something because I think someone wouldn’t like it. If they don’t, that’s fine, not everything is for everyone, and some things only click with a few people. If I really want to tell a story, then I’m going to tell it.

10. It’s really so funny, because at the time, I was working on this short, post-movie aftermath comic about Leo learning to find a healthy middle ground between being the silly guy and a serious leader. But I was having trouble with the next part, so I decided to watch Arcane and doodle. I posted that little concept sheet, and it feels like…within days my inbox was full with people wanting to know more, and the more I answered, the more I was like, wait I wanna actually explore this. Tbh pretty much all my AUs have started this way. With just an idea jotted down, and then turning into something I couldn’t stop developing.

[untitled-tmnt-blog]

Summary of Cartoon Base's Q&A with Ron Corcillo

(Feb 10, 2024)

This is VERY long, so putting it under the cut!

Apocalyptic Future

We don't know how Donnie and Raph died specifically, but it was in combat against the Krang.

The turtles were leaders of the resistance and obviously went through some serious trauma. We don't really know how that affected them emotionally. It might be interesting to do a series that explored that timeline at some point.

Leo was the best ninja fighter. Once Raph and Donnie were gone, he was also the leader of the resistance. He also had a special affinity for Casey. He may have felt particularly responsible for Casey once his mother was gone.

Mikey probably could have communicated with Raph/Donnie/Splinter in the same way they could communicate with Karai, even though we didn't get the chance to see it.

The turtles wouldn't have had time for having their own kids or starting families. They were too busy fighting the krang, and the world was too dangerous for raising children.

They couldn't work out everyone's timelines in the bad future, but presumably, Big Mama's assistant would have joined the resistance, because what else could you do? She would have to have adopted her brothers as allies.

Mikey is definitely less cheerful and more wise, but he still ultimately has faith in the goodness of people and the world. Some things, you just can't change.

The turtles are in their early 40's, but the war has taken a toll.

Characters

Splinter spent a lot of time in the Hidden City, so he knows about more mystic things than we realize. He's developed those skills (i.e. using Leo's odachi to make a portal on the first try), but they've been dormant for a while.

Donnie can temporarily create items with his powers like the ones we see in the movie, but to make a tangible item that would last, he's have to build it physically the way he would with any of his tech.

Leo probably had the hardest time accepting Draxum, since he is the most skeptical. Mikey is the one who accepts Draxum the most easily. But they did have episodes planned where Leo and Draxum work together, so Leo would have gotten over it as well.

They had never worked out a name for the second turtle sister (the first possibly being named after Frida Kahlo), but would have chosen another female artist to name her after. Maybe Camille, after Camille Claudel.

The planned sisters would be roughly the same age as the turtles, so also teenagers. The only existing designs are what we saw on screen. They had never settled on colors for them.

CJ and present Leo is kind of a weird dynamic, when you think about it. Casey still couldn't help but see Leo as a father figure, but it must be a little different when you're roughly the same age.

Leo keeps whatever he wants in the little bags he has attached to his belt. Snacks, candy, fidget toys, body spray - this is Leo, after all.

Splinter had never celebrated the turtles birthdays in the past, because he was so depressed about his own mutation. But going forward, now that he's come to grips with who he really is, he would start to celebrate that day.

A meeting between Cassandra and Casey Junior would be incredibly heartfelt. Break out the tissues.

They thought about bringing Piebald back in Man vs. Sewer, but it didn't work out. She's definitely still out there in the sewers, so there would be plenty of opportunity for the turtles to interact with her again.

Following the movie, the most serious repercussions would be to Raph mentally. He would still be carrying some of that krang mentality. He might even occasionally pick up on thoughts of the krang. It would almost be like he had some form of ptsd.

A lot of Draxum's softening only comes from after his horrible experience of having his life force sucked away by the dark armor. He may have never seen the error of his ways without an experience like that. So, if the boys had never been taken by Splinter, he probably would have gone through with his plan to make them into weapons.

Splinter would have understood that Casey Jr became a soldier because he had to, and wouldn't have a problem with that. He would view Casey Jr as a nephew or grandson. They're all used to thinking of people as family even if they're not exactly related.

As far as mystic abilities, Mikey is definitely the most powerful. Donnie and Raph both seem to have pretty strong powers too, maybe Donnie a little more so. Leo is the one who relies the least on mystic power and the most on his physical and mental skills.

Donnie definitely seems to embrace the mystic power at the end of season 2 and in the movie. Ultimately, he would find ways to combine it with his tech for supreme power-ups.

April is 18 and the turtles are 16-18. Casey Jr is around late teens or 20.

Rise Lore

Given that the first krang that came to earth crashed into the Crying Titan, there must have been some form of historic yokai/hidden city even before the empyrean was around to introduce mystic powers. After all, someone must have built the Crying Titan. Maybe it was built by some other race that actually predates the yokai, and the yokai evolved from that race, affected by the emperyan.

There are definitely still krang out there, and most of the ones that we encounter are evil. The possibility of a good Krang could exist, though.

Before the humans, the yokai roamed freely both on the surface of the Earth and underground. They were probably a lot happier then, and somewhat more numerous. Oppression by the humans must have taken a toll on them.

There were a lot of Hamato and only so many powers you could have, so there would have been a lot of overlap in ninpo abilities across all the ancestors.

The Prison Dimension and Dimension X are two different dimensions. Dimension X is where the krang are originally from, and the Prison Dimension was just used to get rid of villains. Both exist in the Rise universe.

If there was more Rise

There weren't any specific plans for Kendra, but she certainly could have been interesting as a frenemy.

They would definitely want to get into Casey's whole history with the TMNT, his mom, etc.

They would have wanted to develop April and Sunita's friendship a lot more, and see how both of them related to Cassandra Jones.

They'd make as many seasons as they'd be allowed to! But seriously, they could easily fill at least 3 more seasons. There's a lot to unlock with the Krang, and they'd also want to expore much more with Big Mama and the Hidden City.

Cassandra might not have been part of the main group, but she would have been a regular ally.

Cassandra and the turtles would have been allies, fighting the Krang. It's clear from the end of the movie that Cassandra is now roaming around and fighting krang, so she and the turtles could connect occasionally as a running storyline.

A new season would pick up from where the movie left off, so it would be a new plan instead of what was already made.

Bishop would have to be an ally, considering that the turtles had just saved the Earth. But he might be a grudging ally, one who didn't really trust the turtles or didn't like the fact that they don't play by the rules.

It would definitely be easier to do crossovers with the other 2D animated series, like the 87 series or the 2003 series. They could have some fun playing with both the writing and animation style of those shows. Combining 2D and CG animation is more difficult.

They probably would not have mutated April, as it would be a big step. In the scrapped episode where Dale turned into a wolf mutant, it was a result of a temporary mystic curse. They could certainly do something like that with April.

The turtles would still be able to comminicate with Karai through mystic means.

They would have gotten a lot more into the history of the Council of Heads in future seasons when they explored the relationship between the Hidden City and the Krang. They are clearly among the most ancient of yokai, possibly predating the Hidden City itself.

They could have done a temporary reverse mutation via some sort of mystic spell, to give the turtles human designs. It might have been fun since it seems to be something that fans enjoy so much.

They would have had the turtles go to the krang's dimension at some point in order to defeat the krang fully. They could have encountered any of the traditional dimension x/z stuff that way.

The storyline where the boys find their sisters would probably still happen. People would want to see it, even though it's been spoiled.

They had plans to eventually visit other Hidden Cities, such as one beneath Tokyo.

Cut Episodes/Scenes

In the original ending of the movie where Casey says goodbye and leaves, he was going to find his mom.

One of the scrapped episodes had to do with Mikey taking care of the other turtles when they were transformed into toddlers. He was a natural caretaker.

They never planned on a space arc, but they probably would have done one where they travel to the Krang dimension. They also were going to travel to the prison dimension to release Karai, and they could have had other adventures there as well.

Behind the Scenes

For the episode Pizza Puffs, Ben Schwartz did his part for feverish Leo without looking at the script so he would sound confused.

It would be great if Nickelodeon released some of the finished animatics for the lost season 2 episodes that were already boarded, but unfortunately, it's all copywrited material.

All animated movies go through multiple revisions, rewrites, and changes, which is why some of the original rise movie storyboards were scrapped.

They do remote recording all the time, especially since covid.

The amount that a writer incorporates into a fight scene varies from script to script. Sometimes, there are moments in a fight scene that are key to the story. If so, they are written out. Otherwise, they would sometimes write out a fight scene but know that it would change in the board. Sometimes, they'd just shorthand it.

The writers try not to indulge in too much fanfic because there could be copyright issues if it is similar to anything they would ever do in the show.

When writing the brothers, it was important to keep them in character. You have to know exactly who your characters are, all the time, in every way. The audience will forgive you if you do things that aren't exactly logical, but they won't forgive you if you sell out your characters.

There was never an overall map done of the lairs, just individual rooms. It was always kind of tricky for them to figure out exactly how to move the characters from one room to the other.

The krang invasion was specific to the movie, so we probably wouldn't have seen it in the series at all if it had not been cut short.

Other TMNT Characters

They weren't necessarily planning to add characters from other versions yet. They still had so many areas to explore that were specific to Rise, like the Hidden City, the yokai, and the history of the krang.

There were no particular plans for Honeycutt. One character that they wanted to use but never did was Monty Moose, and they were trying very hard to figure out a way to incorporate him into a story.

They didn't have any plans for Renet, but a character like her could easily fit into the Rise universe. Obviously time travel is a big part of the movie. They could use her to explore timelines that might have happened had the events of the movie turned out differently.

They didn't get a chance to explore triceratons, so there could certainly still be some out there.

Any similarities between Big Mama's assistant and the High Mage from TMNT 2003 are coincidental. They gave her the cape and hood to disguise her identity.

They didn't have any plans for Beebop and Rocksteady, since they don't really fit in with the Rise version of Shredder and the Foot Clan.

The turtles certainly could meet Yuichi Usagi.

Usagi Yojimbo crossovers are always fun. Ron could see one where his dimension has been overrun by the krang, and he comes to our dimension to seek the turtles' help because they're the only ones who have ever defeated the krang.

Ron-Specific Questions

Ron's personal favorite episodes are "Hot Soup: The Game" and "Sparring Partner."

They were super excited when they got John Lydon (aka Johnny Rotten) as Meat Sweats, just because Ron and Russ are big pink rock fans.

When asked about favorite duos, Ron likes Raph & Mikey, Donnie & April, and Leo & Senor Hueso.

If he could only save one episode from Rise and the rest became lost media, Ron would save the four-part finale.

If he could save one cut episode or plotline, Ron would want to save the more complete version of the end of season 2, where we would have seen much more of the turtles training and bonding with Karai.

Ron was not part of the new Saturday Morning Adventures comic that has Rise Raph on the cover.

If he could make a spin-off, Ron would want to do a series where Cassandra roams the Earth fighting remnants of the krang, joined by her son Casey, and occasionally joined by individual turtles and others. Draxum might join forces with her as well.

Miscellaneous

The silhouette in a tank shown at the end of Bug Busters was meant to illustrate Lou Jitsu when he is first hit with the ooze and mutated along with the turtles. It's more of a memory than an exact replication.

The reason Raph was transformed via the pod instead of instantanously may have been because Raph was unwilling, and was more difficult to change than someone like the Foot Clan ninjas, who underwent their transformation willingly.

They never attempted to get a brand deal with a soup company so fans could get Rise hot soup, but it would be a good idea.

The photo from the movie was taken just before the krang arrived.

When asked which Rise character is most likely to be Spider-Man: none of them, because he's owned by Marvel and Sony.

When asked why Donnie likes cute bratty girls: Ron is not sure where that comes from.

In Dungeons and Dragons, Raph would be a fighter class, Mikey would be some sort of illusionist, Leo would be a clever assassin or theif. Donnie would insist on being a scientist because he's sure there would have been at least one sensible person back then. April would be the DM.

Ron doesn't know what the illegible skate ramp graffiti means, but can ask one of the designers about it.

In a coffee shop, Mikey would be the baker, Donnie would create the most efficient coffee brewing system ever, Raph and April would run the business side, and Leo would be the most demanding customer ever.

The Future of Rise

The demand for Rise merch is real. It would be nice if Nickelodeon would put out more official merch.

There are no current plans for a season 3, but we can keep trying!

All we can really do to try and get Rise back is continue to share the show and encourage other people to watch. As well as keep it trending whenever we can. Sooner or later, someone will realize that there's a very real demand for this show.

He has talked about the potential for continuing the show in a comic book or short format, or in some other formats as well.

When asked if there's any chance of Netflix picking up Rise, or for both Tales of the TMNT and Rise to coexist -- anything's possible!

Ron would love to see a Rise comic series, but it's not his call. As far as if it would be darker, Ron thinks it's important that for Rise, they keep things light-hearted and comedic. That was always the goal of the show.

Shows rarely get "cancelled" in kids animation. It can always be brought back, but the focus is on Tales of the TMNT for now. He's said before that Rise could be brought back down the road as a "retro" series, or in other formats like a comic book, movie, or shorts.

... plus one answer, that does not have the original question attached:

"She would be stunned, and probably disbelieving at first. But we would find a way (through mystic means) for her to see her future timeline, at which point she would be overcome with emotion."

[artist-issues]

I don't understand the hype around "neurodivergence." I don't get it. I don't get what you guys are talking about. What do you mean when you say "neurodivergent?" Do you just mean "thinks differently than everyone else?" Okay, well, everyone thinks differently than everyone else. We're all unique; nobody's interior world is exactly the same as everyone else's. So what is neurodivergence?

Some people talk about it like it's meant specifically to refer to people who are on the "autism spectrum" but that's not how I'm seeing y'all use it. Online, people say "autistic" and "neurodivergent" in sentences and contexts where the word "creative" or "artistic" or simply "unique-personality" would work better as descriptive words.

And what's a little more perplexing is the...romanticization of it. I just made a post about Mulan, the character, talking about how well-done her character trait of "creativity" is, and someone reblogged it and said she was "neurodivergent." When the whole point of the post is that she was creative: she solves problems with her own unique spin. That doesn't mean other characters in that movie don't also have a unique spin--Mushu ties tomatoes to her arrows to cheat at training. Is he "neurodivergent" too, or just creative? Why do you say "neurodivergent" when you mean "creative?"

What's going on here? Explain it to me, if you're more knowledgeable than I am and I'm just ignorant. Because really, I'd be glad to hear that it's not just one more case of our internet-drunk society creating an exclusive sub-culture with no reasonably defined traits to idealize and identify with.

[vulgar-mary-p-ppins]

A glorious and stunning movie, well worth going to see. Miyazaki has not shied away from talking about the war before: The Wind Rises, albeit at it’s core a love story is still about the problem of creating the kamikaze planes and how life continues even in war time. As Miyazaki’s work has matured and his son has taken over more and more of the production, I find that his stories have become darker and his story-lines more complex. As such, I am delighted to see him make something so unsettling and mature as a (extremely loose) Dante’s Inferno. This is a far, far, FAR cry from something like Kiki and Totoro.

The details in which the shadow of the ongoing Pacific War color this film lend to Miyazaki’s style of talking about calamity in the softest way possible. Barring the opening sequence in which the main character witnesses the firebombing in Tokyo, there is no other “war violence”. However, at one point, his father stores something his factory is making in their house: the cockpits of the kamikaze planes. A character in the other world mentions off hand “soon, your world will be enveloped in fire”, which is clearly in reference to the bomb. Background details show wartime propaganda posters, nationalistic symbols, and children and adults performing the volunteer work usual for late stage war time. Much like Nausicaä, these are all details of the setting and are almost never overtly mentioned or pointed out.

This is a story about grief, just as Dante’s Inferno is, but also about the processing of war time trauma by a country besieged. Mihito, the main character, means “sincere one” and, when looking at this piece through the understanding that many Japanese perceive themselves as victims of World War II, he is a symbol of the victim mind-set of Japanese war time. He takes things as they come, never having a strong reaction either way. He isn’t bitter or angry, neither is he sad or grieving. He is numb. He goes through the motions of politeness, the motions of nationalistic fervor, the motions of life; but he is numb. It is only when the promise of retrieving his mother from death comes to him that he begins to break through his numbness, but it is the retrieval of his aunt that makes him a little boy again — a symbol of processing the loss of his old way of life, pre-war Japan, by embracing the new, post-war Japan.

I need to do more research into the symbolism of particular birds, because the usage feels too specific for me, but frankly, I haven’t yet. I loved the movie. I can’t wait to watch it again. Its a movie about sitting with your emotions, however, so, much like Miyazaki’s other more mature works, it is almost painfully slow. But that is what makes him a master storyteller; as an artist he reminds us to sit down and wait. The world is too fast now, and he has stated in interviews that his works is supposed to instill nostalgia for a time when we were younger and the world wasn’t so fast nor demanding. He wants us to sit: with the whimsical, with the painful, with the romantic, and in this case with the unsettling. And he does it again.

[fipindustries]

Ditko's legacy

a really interesting thing i noticed about steve ditko is that not only he was a prolific creator of iconic comic book characters. but the pattern that his characters follow to fame is particularly odd and it tends to repeat itself.

let's start with the most iconic of all, mist aracnid human himself

an interesting thing is that ditko only drew spiderman until issue 38, afterwards the art was taken over by john romita sr.

in many ways romita's version of spiderman is the definitive interpretation. whereas under ditko peter was actually kind of an immature, prepotent jerk, under romita he became a lot softer and classically heroic. romita is also the guy who designed mary jane watson, it was under his tenure that the green goblin's identity as norman osborn was revealed. in many ways john romita's work was was finally turned spiderman into marvel's mascot.

so neat, right, what else did steve ditko do. well, he created another iconic character for marvel. a very Strange Doctor indeed

for this guy i dont have as much history but i think it would be fair that he was relatively an obscure character, someone you were not familiar with unless you were really into superhero comics... until 2016

when he was interpreted by superstar tumblr sexyman extraordinaire benedicto cumberbacho. thanks to that and his role in the avenger's endgame movie now the guy is a bit of an icon and a respectable IP on his own right.

but we can go even more obscure than that, let's check another character created by ditko, a character so obscure that is literally incognito

created in 1967 by ditko for a now defunct company called charlston comics. his original appearance was actually incredibly short lived. so much so that he was cancelled that very same year he was created.

but then, in 1987, dennis O'neil decided that he was interested in that character and so we got

in here the character was radically changed from a staunch objectivist into more of a zen buddhist philosopher. in many ways o'neils run is the best run the question ever had and the version that tends to be the heavier inspiration for all other subsequent adaptations.

but actually how about we go even more obscure than that, how about we go to a shady guy driven to madness...

once again, ditko made, in 1977 for DC, a strange man from another dimension whom, with the help of his stolen M-vest he could transform into a huge difigured version of himself. as ditko was wont to do, his stories were very surrealistic and psychodelic. as is often the case his work was cancelled after only 8 issues. forgotten by time until, courtesy of the british invasions of the 80's/90's on the comic scene, we got

a story that became far more explicitly political, a crude, surrealist examination of the american culture, touching on topics such as alcholism, the hippie movement, gender theory and abortion. an absolute masterpiece if you want my opinion and probably one of the best comics ever made. once again all other successive adaptation we got of the character tend to borrow a lot more from this version than from the original.

ok one final stop in this ride of ditko creations. who else is left you may wonder, is there something this guy has not created? well, you see ditko could be a heady philosophical creator but he was not above being a little silly from time to time, and that is how he ended up coming up with

yes you heard that right, squirell girl!

ok to be fair, this one was not created by ditko, he was just the artist. the actual creator is will murray, but bear with me here.

created for a superhero special in 1991 as a fun jokey character, she was never really meant to have her own book or series or anything like that.

after being introduced she kept appearing her and there and with every new appearence the gag that she could beat any character started to get built up more and more, beating dr doom, thanos, eternity and god knows who else until finally, in 2014, she actually got her own run written by none other than the creator of dinosaur comic Ryan North

not going to lie, i personally always thought the art was really bad, but it became a fairly popular book, getting high praise from most critics and even winning an eisner award in 2017

conclussion

i think it's absolutely fascinating that ditko has this pattern of creating incredibly iconic characters who become popular and known by a later adaptation by another artist who takes the character on a whole new direction. he seems to be really good a seeding ideas and establishng concepts but there are fertile grounds in the hands of other artists.

if there is one character that has survived this process is his strong, stalwart, objectivist hero who thinks in incredibly rigid, unbreakable rules about good and evil, up and down, black or white.

mr A

and why is that? well, its very simple, the ancient greek philosophers already established this millenia ago. everythng that exsts has a specific nature, each entity exists as something in particular and has characteristics and has characteristics of what it is.

A is A.

[inks-books]

Writing Advice to Keep the Ideas Coming

How to Steal Like An Artist by Austin Kleon is a great resource to start with. It teaches you how to take information around you and put it into your own style and words so that you can create something fun and original.

Understand that writing is a skill you build not a talent you're born with. It's a muscle you gotta build up. The first things you write are going to be bad. But that's not necessarily a bad thing. It just means you are clearing the mud out of the pipes for clear water to come through. Gotta get rid of the crap so the good stuff can come through. 

When I was starting out writing, I would watch a movie and try to describe in my own words what was going on, the setting, and the dialogue happening onto a page. I would then go back in a second draft and add what I call fluff. You can't have a story without fluff. That would just make it bare bones. Give it meat. That's what 2nd and 3rd drafts are for: Adding meat to the bones and fluffing it up to a well rounded, well fed story.

Follow your muse when you get it and help yourself associate writing with something good and fun at first. Like writing a few hundred words (like a paragraph's worth) and giving yourself a little treat as a reward. It can be whatever you want. A bite of a snack, a piece of candy, a sip of your favorite drink. This will Pavlov you into associating following the muse with good things and serotonin. It will also cause it to chase ideas down in a back alley and rifle through their pockets for inspiration to keep the serotonin coming. 

When you write, make sure you do so consistently. This looks different for everyone. It can be for several hours during the day everyday. Or it could be every other day at lunch when you get a moment, or even once a week on a random Saturday for 15-45 minutes. As long as you have a set writing time that you keep for yourself you're going to be good. This is especially good for the days you don't have a muse but still need to write something to get it out of your system or get you past the dreaded writer's block.

Remember to write for yourself and the readers will follow. Don't worry about your audience or revisions until after you've told yourself the story first. This is the first draft. That makes it so that you can have a full draft to edit later and make sense out of it, find inconsistencies, and make it legible. 

Also remember to look at the books and stories you love and dissect what it is that you like about them so you can apply it to your own style in your own words. This could mean plot, characters, setting, grammar style, or dialogue and more. Just find what makes that happy button tick and apply it to your own style, changing to to match your own stuff without plagiarizing.

And lastly, I'm going to leave you with my favorite ira glass quote that really kept me going:

[nite-puff]

fuck it! gay robots!

ishimondo wall-e au! it came to me in a dream.

mondo (… M.O.N.D-0???) is the last robot standing cleaning up earth when he gets a surprise visit from a rocket ship. on that ship is taka (… T.A.K.A???) who has been sent to find any proof that earth can support life once again. the two meet and shenanigans ensue. maybe they fall in love???

anyways, more rambling from me about these two under the cut.

okay! so my main thing with mondo and his behavior is that it’s all based on him being the last being on earth, so he really doesn’t have anyone around him (other than his pet cockroach, chuck!) and therefore doesn’t feel the need to act a certain way to impress anyone. so this is version of mondo is if he didn’t have a whole bunch of self-image issues and just was his funki and cringe self. he literally is cringe and free.

after years having to clean up earth, he’s grown an affinity for the little things to pass the time. like collecting little knick-knacks he finds on the job to bring back home or making figures out of the cubes of trash he makes. he’s a little artist and collector.

taka on the other hand is at first rigid and is set out to complete his directive because it’s what he was made to do. he has a whole population back on the axium counting on him to find any traces of life on earth (or so he thinks). he does occasionally display some signs of humanity and happiness. he feels warmth in the little things as well, like a cockroach or bubble wrap or a lighter. he’s enthralled and wants to know more about this strange place but can’t because he has a job to do. maybe the strange little robot guy he meets doesn’t throw him off his course.

design stuff! i know i made mondo look less… anthro ig??? in his design than taka, but i wanted to make up for it by “personalizing” him a bit. he’s doodled all over himself and he thinks his trousers make him look nice. maybe he thinks the doodles look badass because they’re like tattoos. i also did that to contrast more with taka, who looks spotless. i was considering giving him legs, but remembered that of course he would have wheels. biker, and alla that. he was born to roll around. and i don’t think it’s noticeable, but i tried to make his arms and hands bigger than wall-e’s because he’s a little stronger. in this au, mondo doesn’t do the trash compacting his his little cube body, but with his hands (to keep with the idea that mondo likes to work and creat stuff with his hands). so he needs to have bigger and more efficient tools. also, i changed his wheels to be diamond shaped.

taka meanwhile was super easy to design. he and eve have sorta similar design qualities, like a majority white color palette and very simple shapes with not a lot of detail going on. very easy to mix the two. the idea of his design is what spurred me into thinking about this au. the one thing i’ll point out is that i made eve’s little dots that pop up when she scans things vertical so that it can sort of resemble taka’s medal. idk i thought it was neat.

(also, if im being completely honest with myself, if taka was actually any wall-e character, he would be MO. just an angry gremlin that musters up the courage to stray off his path because he is so determined to clean up wall-e’s mess. and then they become friends at the end. he just gives off taka energy.)

anyways, that’s it for right now. im pretty satisfied with taka’s design, but im considering changing some things on mondo’s. mainly the color palette.

am i gonna turn this into a full-fledged story??probably not, but maybe i’ll add more onto it in the near future. like assigning other characters.

wall-e’s a cute movie. gotta put the blorbos in it.

[nicoluvsribs]

Things to do instead of eating ❤︎︎

(𝐓𝐡𝐢𝐬 𝐢𝐬 𝐚𝐥𝐥 𝐨𝐩𝐭𝐢𝐨𝐧𝐚𝐥, 𝐣𝐮𝐬𝐭 𝐬𝐨𝐦𝐞 𝐢𝐝𝐞𝐚𝐬 ✩)

❥ Watch a movie, go onto a streaming service, or get a DVD and once you click on it or touch it, you have to watch it until the credits end, then write a descriptive review on it, pros, cons, etc.

❥ similar to the above, read a book, a chapter per sitting, write a review and if you’re extra, write a review per chapter or on every character, etc

❥ discover a new artist, go onto a public playlist, click on a random song, go to the profile and listen to one song from every album (or more), and write a review on how the music makes you feel, what they can do better and more.

❥ pick up any hobby, it doesn't matter how bad you are, you’ll get better. This hobby can be anything, find a project relating, plan it out, do the project and evaluate it, what went wrong/well, what could you have done better, etc.

❥ Window shop online or in, take pictures, and screenshots and add them to an online journal and or wishlist, create outfits, and looks, or even find cute little room decor.

❥ Pinterest and Spotify is your best friend, make inspiration boards, ranging from meals, and bods to clothes and rooms. This ties in with window shopping and discovering a new artist.

❥ walk, some of you don’t exercise and some of you overexercise, sometimes grabbing a bottle, and having some coffee or water on a walk around your area works, some of us feel uncomfy in our areas due to people we may know, so try to figure out routes no one goes.

❥ excerise, again, figure out a small, ten minute routine to add to your day, push-ups, all that, whatever is easy for you to do.

❥ every time you want to eat, drink a bottle of water or drink black coffee before you do, and chew gum. You’re nkt hungry, you’re bored

TW: Mean maybe? 18+?

❥ if you’re struggling to distract yourself, take your clothes off, think about him/her with someone else and telling them how to p4t it in. and bring yourself and snacks in front of a mirror. You won’t even want to and if you do, every bite you take you have to count it as extra c@ls to burn off.