#are all pointed to the same destination

[starlitangels]

Marvel: Infinity War is the most ambitious crossover event in history

Redacted:

You sure?

[the-crooked-library]

i think the primary reason why K/S has such overwhelming appeal is and always shall be that it is, at its core, a soulmate bond that has to be forged. the only way a t'hy'la bond can manifest is through shared toil, hardships, and undying devotion; it must be given effort and put together piece by piece - but at the same time, by the nature of its creation, it alters all realities on a cosmic level, to the point that Kirk and Spock must meet in every universe.

t'hy'la is not spontaneous. it is not a soulmate mark, it doesn't spring to life at first sight or first touch or first word. it is destined - because it is chosen, time and time again. you cannot have one without the other

[blujayonthewing]

one problem with felix is that I keep going 'oh you know what would be a completely logical consequence of the life circumstances he's experienced which are completely different than mine' where the answer is something I almost immediately recognize as being devastatingly relatable to myself

[idol-emu-otori-official-archived]

╰┈➤ SHUFFLE AU

DESTINATION POINT (DP)

the Leo/need adjacent unit, composed of Ichika Hoshino, Airi Momoi, Ena Shinonome, and Minori Hanasato. ☆ a girl who's lost her friendships, and three others searching for their worth.

about the group's name: ♡ originally, i had "from here to there" in mind, but someone from the Discord gave me the name "destination point" and i thought it was much better, so i went with that. ♪

about the SEKAI: ♡ the Train SEKAI. no one knows when it left, or where it's going - just that it never stops. it's the perfect place for those who feel like they're lagging behind. just close your eyes and let yourself be carried away, right? but maybe there's something you can do… starts with a Miku and a Rin. the former's hardworking and talented, but the latter struggles - Rin is somewhat influenced by Ena's (and, to a lesser extent, Airi's) jealousy towards others.

•

Ichika hasn't managed to rekindle her friendship with her friends, and she's not doing particularly well. At one point, she meets Airi - who just quit being an idol. The two start talking and become friends, at which point they end up forming a band together. Airi wants to try finding a place where she could finally be taken seriously.

Ena's invited by Airi, and Minori - who had failed auditions recently - ends up inspired by Ichika's kindness, Airi's drive and Ena's determination, which is how she joins. (Haruka completely gave up on being an idol; something Minori is saddened by.)

In my mind, Ichika plays the guitar; Airi, the drums; Minori, the keyboard and Ena, the bass.

-

IDEAL HEAVEN! (IH)

the MORE MORE JUMP! adjacent unit, composed of Mafuyu Asahina, Emu Otori, Mizuki Akiyama and Shizuku Hinomori. ☆ an up-and-coming idol group that combines cuteness and sophistication.

about the SEKAI: ♡ quite similar to the Empty SEKAI, but with some idol influences - a broken stage with no one in sight. there's no bright lights, no colorful props. nothing. that SEKAI both comforts and pains Mafuyu. home to a lone Miku. sweet, hopeful, but genuinely crushed by the pressure she's feeling.

•

Mafuyu's mother wants a perfect child. idols are very frequently represented as being perfect - so, she decides that her daughter should become one, too. Mafuyu's not keen on the idea, but that's her mother; she's obedient, so she goes along with it.

Shizuku still quit Cheerful * Days, but instead of stopping altogether she ends up with Mafuyu. Emu wants to make people smile, but no one ever came; Wonderlands × Showtime was never a thing. so she decides to become an idol instead, even if it means she'll never bring back the Wonder Stage to its former state.

Mizuki's half-dragged into IDEAL HEAVEN! by Emu, who saw them looking with interest at idol merch. after bringing them to meet Mafuyu and Shizuku, Mizuki ends up accepting - the idea of wearing cute clothes and being called cute doesn't seem too terrible.

-

READY MADE SUCCESS (RMS)

the Vivid BAD SQUAD adjacent unit, composed of Haruka Kiritani, An Shiraishi, Shiho Hinomori and Akito Shinonome. ☆ two street musicians chasing after their dream, and the two girls they brought with them.

about the SEKAI: ♡ the Street SEKAI. weirdly, it seems Haruka's idol background has somewhat influenced its appearance. its inhabitants are Miku, Meiko and Len. this Miku is levelheaded, but it seems like there's something holding her back from going all-in...

•

after quitting being an idol, Haruka is invited by An to join her.

An's never met Kohane, and she never found a partner. Haruka is hesitant for a moment before deciding to give it a shot, though she keeps struggling with singing. Shiho tries getting more experience, meets Akito. no one really knows how these two ended together, but they both have a similar drive and take music very seriously.

eventually, they all start working together. Haruka deals with her guilt and, while she doubts she'll become an idol again, she's mostly made peace with what happened.

-

STARLIGHT ☆ EVERMORE (S ☆ E)

the Wonderlands × Showtime adjacent unit, composed of Tsukasa Tenma, Saki Tenma, Kanade Yoisaki and Toya Aoyagi. ☆ a strange troupe of people who aim to help others through their performances.

about the SEKAI: ♡ still very much Tsukasa's, so it's the Wonderland SEKAI. [kanade goes there for the first time and dies. alas, they're still a shut-in and this place is simply too colorful for her poor eyes.] starts with a Miku and a Kaito, though this version of the former uses far less onomatopoeias.

Tsukasa figures he needs to show the world how much of a star he is himself, and he drags his siblings into it (with varying degrees of willingness).

a part of Saki still wishes she could be in a band with her friends; she's only somewhat managed to repair her friendship with Ichika. but she's still happy to do something fun and lighthearted after all her struggles. Toya's very excited to do something with Tsukasa and his siblings. he also gets to stick it to his dad, which, honestly - is a bonus.

out of the three, Kanade is obviously the most hesitant about the whole thing. but she sees Tsukasa's drive to make others happy, something she shares with him, so she ends up agreeing. Kanade is… slightly healthier physically on account of the stubborn people looking after her, as well as all the exercise she does she does as part of Starlight ☆ Evermore. mentally? eh… we'll get there. i need her traumatized to be interesting. <3

-

LONELY SYNDROME (LS)

the 25-ji, Nightcord de. adjacent unit, composed of Nene Kusanagi, Rui Kamishiro, Honami Mochizuki and Kohane Azusawa. ☆ hidden behind avatars, these citizens of the web tell stories online.

about the SEKAI: ♡ the arcade SEKAI. this Miku is shy and withdrawn, though she one day hopes she'll be able to break out of her shell, just like Nene. alongside her is Luka - she has a bit of a teasing attitude and a catlike personality, but she always does her best to boost Nene's confidence.

about the group's name: ♡ syndrome refers to a group of symptoms - i paired it with the word lonely because i felt like it represented the atmosphere of an arcade. you're connected with people who share your interests, but at the same time, you're sort of separate from them. surrounded by people, but utterly alone…

•

Nene's social anxiety hasn't gotten better over the years. since she never joins Wonderlands × Showtime, she doesn't learn how to fight her stage fright.

but, she finds an alternate solution; using an avatar online. it's less stress-inducing, and it lets her pursue acting, in a way - it's not what Nene wants, but it's close enough. she figures she could be satisfied with that. Rui ends up figuring out what she's doing, and asks if he can help. Nene doesn't really have any reason to say no, so they start working together.

as for Honami and Kohane, they ended up on Nene's channel by pure accident. but her performances quickly became a comfort to them, since they were struggling at the time (the former because she no longer had her friends, the latter because of her lack of confidence).

unfortunately, ignoring your problems only goes so far, and eventually, her feelings give birth to the arcade SEKAI.

[mariocki]

Rolling Thunder (1977)

"What the fuck are you doing?"

"I'm gonna kill a bunch of people.

[kyouka-supremacy]

---

[dnangelic]

what ghost haunts you?

the ghost of devotion .

your body was crafted to be loved and to be adored. you write with the touch of a poet, the fingertips of a lover. if you are not loved, you are not whole. you are made to be sculpted by the hands of another into something perfect. without their love, you feel as though you may crumble without the support of purpose their touch provides. when ernest hemingway wrote “it was too good to last.” when ocean vuong wrote, “i miss you more than i remember you.” when david foster wallace wrote, “everything i’ve ever let go of has claw marks on it.”

the ghost of the damned .

you rot with the need for something more than what you have. the ghost is built up of the feeling of stagnation. you find it staring at the ceiling with sleep - blurred vision ; this is the third night you have met its eyes in the early hours of the morning. you tear yourself apart looking for comfort, for validation, for acceptance. but it never feels quite enough. you ruin everything you touch, despite every attempt to be more than what you have always been. you would sculpt yourself as something perfect for those around you, but you are no artist. when albert camus wrote, “be silent, heart; there is no hope!” when lucille clifton wrote, “maybe i should’ve wanted less. maybe i should’ve ignored the bowl in me, begging to be filled.” when taylor swift said, “i’m still on that tightrope, i’m still trying everything to get you looking at me.”

tagged by @primordyalsoul ty sumin!!!!

[une-sanz-pluis]

William B. Robison, “The Bard, the Bride, and the Muse Bemused: Katherine of Valois on Film in Shakespeare’s Henry V”, The Palgrave Book of Shakespeare’s Queens (eds. Kavita Mudan Finn, Valerie Schutte, Palgrave Macmillan 2018)

[mifunebooty]

How come mega fucking legend Wuthering Heights has a 3 star something rating on goodreads but this Violeta book i got from the library has a 4 star rating?

[unproduciblesmackdown]

lavender marriage / beard for the soulmate or timeloop au

[starlitangels]

Now taking bets!

Someone’s probably done this already but I’ve been too busy to check so I’m doing it too, wheeee!

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[dahliakbs]

✧⁠*⁠。Bat kids using your house as their getaway.✧⁠*⁠。

Masterlist

After a long day of work your decide to retire to your small and humble abode, but what's this?

A grown man and two kids sitting on your doorstep, one struggling to pick your lock while both kids sat on look out.

They immediately noticed your figure standing in the hallway.

"Um, what's all this?" You say pointing to the luggage that they've brought along with them.

"Tim drove the batmobile through the house and no one wants to be there when Bruce gets home" Dick explains.

"How'd you-"

"Honestly, I've seen five year olds with better driving skills Drake" Damian comments.

"Shut it hell spawn, not everyone was taught how to drive. Alright?" Tim says bitterly.

"Okay guys! You can not keep crashing at my place whenever something is wrong" you interrupt.

"Suppose someone sees you guys coming here" you push past Dick and push your keys in the door.

Honestly, you didn't mind their presence but sometimes they'd show up at the most random times and cause you all sorts of trouble.

Especially Jason.

Every once in a while he'll force open your side window and come inside your house to read one of the few books on your shelf.

Now that's not the problem, the problem is that half the time he bruised and bloody and your house is always his next destination after a tough fight.

On separate occasions Damian will crash at your house, mostly when he doesn't want to deal with his father's demands or if he did something wrong.

Like that one time he randomly showed up to your house with a pillow and a toothbrush and refused to tell you why he was here.

But then he's dragged back home by his dad the same evening, can't remember why.

Something about Damian blowing a hole in the back of their microwave.

But back to the present.

When you turned the knob of your front door you were immediately met with the sight of Jason Todd lounging on your sofa with a book in hand.

"What is this, a family gathering?" you walk in as the rest shuffle in behind you.

"What next, is Bruce also gonna show up out of thin air-"

Then you notice the large brooding male standing at the entrance of your kitchen silently.

.... sigh

"So you really just watched us struggle to open the door for an hour and refused to help" Tim asked while avoiding Bruce's glare.

"Basically" Jason responds.

"Your all grounded..... Including you" he points to you.

"...But I live here"

[euthymiya]

“What’s got you so grumpy?”

Sukuna dodges your finger. It fails to meet its destination of his cheek as he tilts his head to the side, earning a frown from you before you huff and try again.

He looks up from his phone with an irritated glance when your fingertip digs into his face.

“What are you talking about?” He grunts.

He knows exactly what you’re talking about. Normal Sukuna is irritable enough—grumpy Sukuna is about as bad tempered as a hornet who’s had its nest kicked. (Which is to say: he’s pretty fucking unfriendly at the moment.)

“You’re sulking,” you point out—and that statement earns a sharp glare from him as you seat yourself on his lap. (Still, he makes room easily for you, leaning back on the couch and putting his phone down to the side so his hands can rest on your hips. Grumpy Sukuna is never grumpy enough to push your body away—if anything, it’s the one way to get him less agitated).

“I’m not fucking sulking,” he says. It’s almost petulant, but you have enough grace to spare his dignity and not point it out. “I don’t sulk.”

“Are you sure?” You raise a disbelieving brow—he clicks his teeth at the way you choose to question him, but it softens considerably when your lips peck his jaw delicately. “You look pretty sulky to me.”

“Get your eyes checked.”

“Can’t. Then I might see you for all your ugliness. We wouldn’t want to throw years down the drain once I come to my senses do we?”

It’s his turn to raise a brow, sarcastically snorting as you give him a cheeky wink. “If you wanna try ‘n be a smart ass, at least be realistic about it. Saw you checking me out just this morning through the mirror.”

“Maybe you need your eyes checked,” you huff, “I was not checking you out.”

“Pretty sure you were,” he smirks, lips pulling into a haughty grin. Getting under your skin with his smugness is about the only way to cheer him up, it seems, because he looks rather pleased when he adds, “it’s okay. Don’t blame ya for bein’ possessed by my impressive physique.”

“Too bad your personality isn’t as dazzling,” you quip back easily.

It’s meant to be lighthearted, of course—but it seems to be the wrong thing to say. Quite wrong, in fact, because as soon as the words escape you, he tenses before locking his jaw.

There’s a flash of something in his eyes. Something you don’t think you’ve ever seen in Sukuna’s face—doubt. It’s a little odd, in all realness. Sukuna is not a doubtful person. He’s confident, and he’s confident enough that it’s almost to a fault. He’s cocky and smug and sometimes a little too self-assured for it to be considered good for his health.

It’s a bit unsettling to see his face almost fall at something you say, especially when you just say it for the sake of light banter.

“Yeah?” He chuckles dryly. It sounds dangerously self-deprecating—enough that it makes you frown. “Good thing I have my abs to keep you glued to my side then, huh?”

“Well, it’s not just your abs,” you hum, one hand smoothing over his shirt to feel the ridges of his muscles through the shirt. “Your boobs are pretty great, too.”

To prove your point, you give his left pectoral a gentle squeeze. He scowls before shoving your hand away as blush creeps along the back of his neck.

“You fucking freak,” he mutters.

Something is bothering him. You know you can’t directly ask it out of him, otherwise he’ll deny it left and right, but something is bothering him. Sukuna is not good with words or emotions. In fact, he’s pretty awful at anything that has to do with anyone’s feelings. (He’s better about yours more than other’s, but he’s pretty far from good.)

You don’t mind. There’s something oddly charming about witnessing the way he navigates softening up for you—it’s like watching a baby take their first steps. Wobbly. Slow. Unsure. Pretty badly executed, but endearingly rewarding all at the same.

Except, this time, it’s not your emotions he’s navigating. For some reason, yours are easy than his own. Navigating yours means he doesn’t have to try. He knows you better than he knows himself. Knows when your feelings are hurt by the twitch of your brows alone. Knows you’re sad by the dimness in your eyes. Knows you’re pretending joy when your laugh is quieter than usual. Knows you’re faking it when your smile is a much more tight lipped and a less bright version.

But his own feelings are complicated. A lot more than he cares to try and understand them for. In true Sukuna fashion, he always aims to ignore his problems until they seemingly disappear.

But you’re too difficult to let that slide. He brushes things under the rug, and you pull the rug from under his feet and make him fall face first into his problems.

“Hey,” you nudge him, cupping his face with your hand gently, “what’s gotten into you? It’s weird when you’re not pissing me off a couple of times every hour.”

“And that’s supposed to be a good thing?” He challenges, like your words seem to tick him off more, “what are you sittin’ here for if I’m always pissing you off?”

Oh, you think. So that’s what it is.

You smile, humming before you gently tilt his face up. Something vulnerable is attached to that frown of his. Like he’s waiting for your answer because he needs something to hold onto. Some metaphorical lifeline where your feelings are attached to his own, just to keep you chained together. Where you’re always somewhere that he also is. Where he doesn’t have to care about his emotions because what you feel is what he feels, too, and as long as you’re okay, so is he.

But you care. You seem to care a pretty great deal because you lean in and brush your nose against his as you kiss his lips softly.

“Who cares if you piss me off?” You snort, “I piss you off better. I’m pretty good at it.”

“You are,” he agrees instantly.

You give him a fleeting huff against his mouth as you mumble, “you don’t have to agree so fast.”

It pulls a small laugh from him, making his arms snake around your waist and tug your body closer. Chest to chest, heartbeat thumping in two, synchronized rhythms.

“What happens when I’m all old and expiring and my abs are gone?” He raises a brow. You hum, stroking a thumb along his cheek as you smile and admire him.

“We’ll still be pissing each other off, I bet.”

“That’s supposed to be good?” He repeats, this time much more unsure. Anyone else could hardly catch the air of hesitance in his words, but you catch it instantly.

“Why not?” You shrug, “it always worked for us, hasn’t it?”

“Yeah,” he scoffs, “that’s until it doesn’t.” He spits the words out, not meeting your eyes. It’s like they taste acrid is mouth and he can’t bring himself swallow them down.

You don’t say anything. Instead, you lean in and just press a line of kisses from his chin to the corner of his lips, purposely dodging his mouth and littering small, delicate pecks along his cheek. And then his forehead. And then the bridge of his nose.

Never his lips, though. And he gets increasingly frustrated by it.

“What are you waiting for?” He grumbles, eyeing you with a look that screams: quit fucking around.

You fight back an amused smile. “Does it piss you off?”

“Course it does. Kiss me properly or back off my face—”

“Cause you love me right?” You ask cheekily. He pauses, thinking on it for a moment before slumping wearily.

“And if I do?”

“You piss me off too. Because I love you too,” you whisper, forehead against his as your hands cradle his cheeks. Because you do.

When he texts late, and makes your blood boil, it’s only because you love him. When he’s brutally honest and doesn’t say what you want to hear, you’re only mad because you care what he thinks so much. When he’s stubborn and refuses to meet you halfway, you’re only angry because there’s no one else you’d rather cross the bridge with than him.

He pisses you off. You care enough to be pissed because it’s him. And when you piss him off too, he cares enough to deal with it because it’s you.

It’s a funny, twisted little way to love and be loved, but it works. For some odd reason, it does. It’s a seamless, smooth, crackless road.

You don’t ever fix something that’s not broken.

“That doesn’t make sense,” he sighs, resigning himself to your weird, roundabout explanation. You laugh, pinching his cheek as you grin brightly.

“That’s because you’re a bit dim.”

“Yeah,” he rolls his eyes, “okay. Anything else?”

“Yeah, actually. I love you.”

He pauses. Swallows for a moment before his arms tighten their grip on your hips just a smidge before burying his face into your neck and mumbling, “me too. Love you so much, it pisses me off.”

“I like to get under your skin like that,” you stroke his hair, beaming as you add, “guess you’ll just have to deal with it.”

His lips stretch into a small grin before a low, rumbling chuckle breathes itself against your skin. “Guess so.”

————————

a/n: insecure modern! au sukuna who doesn’t admit it and refuses to acknowledge that he’s aware he’s difficult to love and can’t understand why you love him but he also doesn’t want to question it for fear of scaring you away is very near and dear to me and i’ll be talking about it from my grave still. you’ll just hear my ghostly voice spooking you through the night talking about how he’s a softie deep down under all the layers. like an ogre okay? ogres have LAYERS.

[vaguely-concerned]

I understand and agree with a lot of the frustrations about the shortcomings of Inquisition as a story. but sometimes when I hear people complain about the chosen one narrative in it I do want to just be like... you know it's a deconstruction of the concept more than anything, right. the inquisitor isn't actually chosen by anything except stumbling into the wrong (right?) room at the right (wrong?) time because they like, heard a noise or whatever. or if you think they are chosen, as many do in-universe, that's something you have to take on faith, the maker-or-whoever moves in mysterious ways indeed-style. the Inquisitor isn't actually a Destined Chosen One, they're a Just Some Guy in a fancy hat, self-delusions of grandeur to taste as you'd prefer.

a running thread that goes through all of the personal quests of the companions is the concept of a comforting lie vs. an uncomfortable truth, upholding old corrupt structures vs. disrupting them, and the role of faith in navigating that. (blackwall the warden vs. thom rainier the liar and murderer. hissrad vs. the iron bull, or is that the other way around? cassandra and the seekers -- do we tell the truth about what we find, even if it means dismantling the old order of the world? and so on.) and your inquisitor IS at the same time a comforting lie (a necessary one, in dark times? the game seems to ask) and an uncomfortable truth (we are the result of random fickle chance, no protective hand is held over the universe, it's on us to make a better world because the maker sure as hell won't lift a divine finger to help anyone, should he against all odds exist). faith wielded for political power... where's the point that it crosses the line into ugliness? is it before it even begins? what's the alternative? will anyone listen to the truth, if you tell it?

interesting how you also get a mix of companion agency in this -- you have characters like dorian who ALWAYS choose one side of the comforting lie vs. uncomfortable truth dichotomy. he will always make up his own mind to go back to tevinter and try to dismantle the corruption of the old system no matter what you say, or how you try to influence him. meanwhile iron bull is on the complete opposite side of the spectrum -- so psychologically trapped and mangled, caught in an impossible spiritual catch-22, that his sense of identity is left entirely to you and your mercy. you cannot change dorian in any way that matters; you can be his friend or not, support him or not, but he is whole no matter what. you are given incredible and potentially destructive-to-him power over bull's soul. it's really cool (and heartbreaking) to think about.

this is a game about how history will eat you even while you're still alive, and shape you into whatever image it pleases to serve it, and for all your incredible power right now you are powerless in the face of the gravitational force of time -- of more than time, of History. you won't recognize yourself in what History will make of you, because you belong to it now. you don't belong to yourself anymore and you never will again. the further you were from what it needs from you to begin with, the more you will find yourself distorted in its funhouse mirror. (why hello there inquisitor ameridan, same hat!)

and to me this is so much the core of what Dragon Age is about right from the Origins days -- how and by whom history gets written, the inherent unreliable narration of it all. I hope you like stories, Inquisitor. You are one now.

I do think it's probably still the weakest of the games narratively, and it's hampered by its structure and bloated systems. but I also find it disingenous to say that there's nothing deeper or actually interesting going on with it, thematically. if you're willing to engage with it there is Some Real Shit going on under the high fantasy-tinted surface.

[ancientgoddessofegypt]

Astro thoughts : short n sweet <3 Jupiters Moment

Jupiter in the 1st - Beneficial factors play a lot with this group. However they have to work harder to get it. It is because their life is based of their beliefs, they have to work to maintain a certain mindset to keep the luck from straying away. Have beautiful spirits and are capable of anything, that is because they chose to walk that path & not by how easy it looks.

Jupiter in the 2nd - Needs peace & stability at all times. Good looking. Money making abilities are stagnant until they learn to grow with their consciousness. Not everything is what it seems, so try to be on the look out for something new and different. Thats when the luck begins. Take a risk, and use your intellect to get what you need.

Jupiter in the 3rd - Needs a lot more quiet time, hermit mode. Have gifts in astrology here. Some may op for a new path every few months or so. It's because their destined to know a lot in this life and go after anything that interests them at the moment. Could be open to trying new relationship tactics and going with the flow much easier. Have a different perspective than most & they dont keep quiet about it for long. Mature presence. Very odd but likeable at the same time.

Jupiter in the 4th - Royal family. Heritage & traditional values are stored in this vessel. Mysteries and traditional secrets from the family bloodline may come out at some time. This is a very special house placement because its so much to explore in a short time.

Have faith in your lineage, you're the one who breaks the code!

Jupiter in the 5th - Creativity flows through these cats like no other. Very special essence and can be well liked by almost anybody. This comes from their talents btw. If you're good at drawing, singing, dancing, acting, etc. You might catch a lot of attention on you at some point. This placement gives me Johnny Bravo energy. like you're capable of getting the girls to like you with just your looks and personality. Just dont get to happy, no body likes a super boastful guy ;)

Jupiter in the 6th - Unique flow when going after what they love. They work the hardest when its something they know is divinely ordered for them to achieve. They don't mean any harm, their just trying to get their needs met. Super optimistic when live seems to be in order and balanced. But when off balanced, it seems as if a fire has striking them and they become the great dragon. Don't stare at them to hard, they'll begin to overthink a lil.

Jupiter in the 7th - My my my, this is what I call a royal placement. Because this gifts an individual with a great sex life. Could be unattainable to say the least. You're not everyone's 'favorite' but your presence is also something that people want to receive. How that work? You have a value to you that keeps you at bay from onlookers that don't have nothing to give, but something to take. Be more weary with the company you keep, you don't know how good you got it, and how special you are.

Jupiter in the 8th - Very deep, raw personas who are captivated by the knowledge they receive in the dream realm. They have a lot of issues very psychologically, and this gets deeper with the maturing of their path. They have a light & dark persona but its given to sustain balance in this life & the after life. They have integrity and morals and most times it is based of tradition. Other times, their really a rebel, and go after everything they came for. Because what's a life to live when you can't live it freely?

Jupiter in the 9th - Free spirits and ultra loving character. Can be a bit of a know it all but thats fine. This house is their rightful home, so a lot of good energy can be bestowed on them from time to time. Great luck. Adventure is something they should seek from all ages of their life. It is good to have someone around when going on many great journeys of the soul. These people could be a friend you never forget.

Jupiter in the 10th - Likeable nature. Their personalities fit that of the audience they are naturally connected to. Very bountiful energy. Could look like they got it all going on, but deep inside you may not know the true darkness they carry. This is a capricorn ruled house, so they tend to battle some challenges here and there. But with great restraint & an amazing mindset to go with it they come back on top, each and every time.

Jupiter in the 11th - Sweet personas and balanced personalities. They could be in a lot of groups and can know a lot of people with just their smile and cool personality. They could end up being in groups where they are teaching something to a large mass of people. Could be very inspiring and open to anyone they meet.

Jupiter in the 12th - They feel things a lot heavier than most would like to believe. They see the world differently than their peers and this could make them the odd ball at times. Their personalities mesh well with artistic individuals because they've mastered the eye of sight. Meaning that their good at understanding things from a point of view only them and God could understand, but that doesn't mean that it can be explained. In other words, they are extremely complex to the human brain, not an individual you can describe. Very spiritual, very contagious energy. Bright speakers and just super angelic.