#anyways. that has no relevance to the story
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askthefamous8 · 9 hours ago
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Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!
So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.
• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent
The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.
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Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.
Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago
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I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.
On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.
I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.
So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.
If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years
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dingodad · 3 days ago
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I don’t understand what’s being talked about when its said that Lord English’s attempt to kill Cronus split him into multiple vessels. Does that mean that the idea of the essence of Lord English was splintered to form the other characters? It’s not literal right? At what point in time could that even have happened? Is that why he glitched the session of the alpha trolls, because he couldn’t enter it himself to kill Cronus, since the universe hadn’t ended yet? Also why is Lord English related to the hope aspect anyways? I think Eridan even mentions him being the lord of the angels prophesized at one point, idk what that’s about?
the way Aranea frames the story, English's spell on Cronus backfiring supposedly WAS the glitch that prevented him from entering Beforus, "until he could find some other cunning way to enter our universe."
of course this story comes to us through two separate layers of questionable narration; Aranea is relating to us a story that Cronus may or may not have made up about his own backstory. so we're operating well outside of the boundaries of what we could possibly look at through a "literal" lens. all we've got to really work with are vague ideas.
the relationship between Lord English and the hope aspect is exactly that the bloodline of heroes of hope are supposedly the ones destined to beat him, just as related in Aranea's story ("the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to be as much of a failure as he did, then perhaps on some other Hero of Hope"). it's the aspect of angels, and as a cherub Lord English is of course a kind of angel (though Eridan was actually under the mistaken impression that Jack Noir was the prophesied "lord of all angels").
it's possibly relevant that in the version of the story as WE hear it, the "defeat" Jake ultimately hands out to Caliborn is only a technical victory; he doesn't put an end to Lord English in any meaningful way, and Caliborn even goes as far as to say "THERE IS NO BODILY HARM". he just knocks the guy down in preparation for Dirk to seal him away. but hope is not an aspect that deals with the "bodily", its domain is spirits and ideas; so in the past, my assessment has been that the reason heroes of hope are such a threat to Lord English is precisely BECAUSE they have this ability to pull apart or disrupt the collection of souls that make him up. i don't know if i would still confidently hold this up as the strongest interpretation today, but i think it's worth mentioning.
did any of this "literally" happen... well, I have to emphasise again that at this level of granularity, the "literal" is no longer something we can take for granted. like, "literally", Dirk and Equius were created from slime in an ectobiology lab. but I assert that according to the rules of Paradox Space, the metaphorical "ideas" of Dirk and Equius have to have come FROM somewhere, and if those ideas eventually become constituent parts of Lord English then at some point the loop has to close and he has to be broken back down into those parts. it is worth noting that Aranea's wording - "sealing the magician's spirit away in a series of unassuming vessels" - could also pretty easily be taken as referring to the various puppets English is forced to inhabit as he emerges in universe after universe, and that if English were ever to be split back apart it could theoretically have happened in any number of those infinite lifetimes. it's the vague ideas represented by Cronus' story - the spirit of the story, that English is perpetually being foiled by being reverted to the start of his own timeline without any memory of how he failed - that matters more than whether Cronus was literally attacked by Lord English with a wand at some point in his childhood.
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leikeliscomet · 4 hours ago
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Im just gonna say it: the exact same argument about series 11 having a woman playing the Doctor but w/ inconsistent politic & fake activism applies to series 14 & a lil of RTD2 in general but in Black. Respectability politics & flimsy anti racism all over the shop
It thinks futuristic racism corrects racism "being a thing of the past" but then actively erases said racism of Britain's past. Twice. Not only that but it glorifies the 60s & regency period. Does "powerful" white supremacy commentary then slaps a regency wig on 15's head 😭
It should go without saying that 1960s & 1800s Britain wasnt some post racial utopia. The show would rather make these periods more progressive than they really were instead of telling the stories of the POC living there or hell, show us history outside of 'the West'
It treats the dehumanisation of Black people as an inevitable part of future society. Fifteen has to be a perfect non violent victim of racism but can fridge the goblin king & the chuldur easy. Racism can/must exist but fighting back or having any reaction to ur oppressor can't.
The gag is RTD understands racial oppression when it affects *him* tho. The oppression of the Welsh is acknowledged in present day Earth bc it's a real part of history. Its addressed again in 2046 bc it's still relevent in the future. & did Ruby save Roger? No she got him gone!
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It sanitises its own history. The Doctor has called out racial supremacy, human or not since day. And no they didn't always save *everyone*. Against the establishment to begging it & partying with it too apparently. Rosa has issues but at least it was hopeful...
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It treats Fifteen as a white character made Black which has weird implications for a non human being from a "post racial" society. Thirteen wasn't a "human woman" but she still had the agency to call out every misogynist she met. Lawd forbid she cried over Jack Robertson 😭
Despite having a Black Doctor they're written for a white audience. 'It's not about Black people, its about white people' sealed the deal. It treats their Blackness as circumstantial & not something they'll have to deal with regardless of time period playing it safe & palatable
This 1 should be self explanatory. If Donna's seen the Doctor's mind then she knows Fugitive Doctor exists so yes the Doctor comes in a range of different colours 🤪🤪 And again if he's not a human Black man but an alien then why is it a surprise that he can change race? Ugh...
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Isaac Newton wasn't that deep bc he's only there for the mavity gag but it opened a fuck ton of racism towards Nathaniel Curtis & antiblackness bc the racists camping the tag thought he was Black. 'Owning the right 🤪' at the expense of POC in the show & fandom. Great job there..
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RTD made the point of the Toymaker being racist then keeps him anyway? Takes a jab about cultural appropriation in Pyramids of Mars then based the finale on it anyway w/ Sutekh? Not even entertaining the Black Guardian ting. Like what's the point of any of this? It feels so fake.
Carla's not as egregious as the previous but apart from RTD copying & posting her name from Clyde's mum in SJA, she doesn't get a lot to do outside supporting Ruby's storyline. S14 then ends with Ruby calling her bio mum her "real" mum so her serving role didn't mean much anyway
The Giggle was the 1st flag bc it conflated all political related anger as bad bc it's anger instead of love 😫✊🏻without *single* look at why the current political climate is the way that it is. Pandemic, genocides, climate change & govt corruption yh ppl will be angry Russell 🥴
Series 11 at least gets to gas itself up for having women write for the 1st female Doctor and having Black and South Asian writers for the first time in the show's history (which isn't a great achievement but ah well)
Series 14 doesn't have that to its credit.
Black woman who only exists to boost white characters stories, racism stories that don't give their Black characters full agency & 0 follow up of their experiences only this time w/ no Black writers. Same tings different font. What improvement was made exactly?
Tl;Dr - We have the 1st Black Doctor in the main lineup but this series handles race and racism poorly. There's barely any improvement from how race was handled in RTD1 and his handling of Black characters in Years & Years and It's a Sin hasn't been brought over. 🥴
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caterpillarinacave · 6 months ago
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Hello! Yes/No anon here! I just wanted to take a pause for clarity, to be sure we are both on the same page since a lot is happening and the path is winding ever more twisty. :)
So far, you have discovered a new world, lived with its people, learned the local language, and come across the journal of someone who passed through before you. You have made contact with the next world in the Forward Path and deciphered a small amount about this strange system including that some items develop unique properties when they pass through the door.
Currently, a group the journal describes as a cult has appeared in town. The people in the town have been open with them and told the cult you are staying at your friends farm. The cult will be showing up at the house soon, but luckily your friend was able to warn you before they got there.
To be clear, you want to grab your things, which fortunately are already packed, and race to the Forward door, leaving your friends to direct the cult to the door with instructions to stay twelve feet from you while you discuss what they're looking for you for as well as any additional information they may have and if anything should spook you you'll be jumping through and slamming the door closed?
Yep, all seems clear! Indeed, the continues to thicken! Very interesting to see how this will go. Anon, I continue to be impressed with your persistence and creativity; the story could easily have plateaued at several points and been very difficult to continue in a coherent way. However, that has clearly not discouraged your writing; I hope you know you should really be proud of your work!
I'm pretty prepared to step through this time; even if they seem friendly. It feels within reason to be like "yeah, I believe you mean no harm but I would feel more comfortable not being in the world".
I'll let my hosts know that as I leave; thank them sincerely as I can and explain that there's a pretty decent chance I won't be back soon. I'd mention that if there ever is another person from another world like me to direct them to journal I've been keeping in my room (presuming they don't find the one tossed in the bushes), and give them some more berries since thats all I've really got to offer lol. If I ever gain an understanding of this sort of travel I'll do my best to come back to this world and visit them; I feel like they deserve an update.
Then I'll just go sit at the door; keep all my stuff close of course, and keep an ear on the walkie and stuff. When I first get there, before the cult shows up, I'll scribble a lil' note about what's going on and toss it through for my otherside-of-the-door friend, just so I don't jumpscare them falling through the door screeching with a cult behind me.
I'll update the situation in the journal in the berry bush (the existence of which I will notably be keeping away from the cult members) while I wait.
Also, I'm going to *try* to write down some stuff that happens with the cult as we converse? Probably useless since I don't multitask well, but if there's some sort of super important word I'd like to have it written down lol. Maybe if theyre chill enough I can get them to go away in like. ten minute intervals. so I can feverishly scribble and they can wonder if everyone from my world is like this or if its just me.
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egophiliac · 9 months ago
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CROWLEY SSR THOUGHTS
there is zero basis for this, but I can't get this thought of my head
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I don't know why I decided to draw it this way
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#(these will be relevant in a moment)#this isn't going to happen. but WHAT IF.#anyway i didn't get him (damnit birdman come home) so i had to look up his story#and let me tell you friends my findings were SHOCKING#crowley canonically likes vegetables which means that the crowley is revaan theory = BUSTED#crowley is sailor venus = CONFIRMED#(i know 'whip of love' is a saying but that's where my mind always goes)#DISCLAIMER: this is (mostly) a joke please continue to hold whatever theories and headcanons you want#but look. c'mon. look over here at this whiteboard i've covered in red yarn.#revaan being a picky eater has come up multiple times and there is an entire whole bit about how much he hated jerky and refused to eat it#and now they've made a point of talking about how crowley will eat almost anything and loOoOoves wild game meat especially#it's SO stupid but i can't help but read way too much into it#(this is tumblr if you don't want to see incredibly stupid overanalysis of anime guys then why are you HERE)#and i gotta hold on to something because otherwise whenever malleus and crowley are onscreen together i just keep going 'same hair color...#unless this is like. some kind of deep cover thing.#lilia doesn't recognize him because he saw him eat a green bean once and revaan would NEVER#crowley's secret is safe for another day#(serious hat on: i do think they're probably connected in some way)#(but there's something deeper going on that we're just not clued into yet that will hopefully explain things)#man forget revaan what if crowley whips off his mask and it turns out he was meleanor this whole time#wait hold on meleanor loves jerky. IT ALL FITS...
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lgbtlunaverse · 16 days ago
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I feel like too often people frame Nie Mingjue's issues as ignorance borne from safety. Like, they think that because of his privilege as a sect leader he doesn't know what it's like to be in danger and forced to make hard choices to survive. And I disagree. Strongly.
First of all, Nie Mingjue is very familiar with death not only from war but from. You know. Actively dying since the age of fourteen. Let us not forget Nie Mingjue is dead! Super dead! And maybe he didn't die the exact way he expected to but he did, absolutely, know he was going to die. To act like Nie Mingjue is unfamiliar with the scenario of "do something you find morally reprehensible or die" is to ignore that he has been living that exact scenario and chose death.
Nie Mingjue knows death is a risk for someone like Jin guangyao, in fact he explicitly acknowledges it even in his worst moments like the stairs in chapter 49. Had his issue been ignorance, then he would've responded to Jin Guangyao saying that he's in danger and has to sacrifice others for his own safety with "No you aren't you'll be fine." But he doesn't. He accepts the fact that jgy is in danger with no qualms and says: then you should die.
That's not him betraying his values, those are his values. He is, essentially, pro-suicide. Jgy is like hey I have a moral dilemma what should I do and nmj straight up goes "Kill yourself" and earlier that same chapter when he was faced with a moral dilemma he went "I'm gonna kill myself." He believes the solution to moral dilemmas is suicide! He is extremely consistent about this! When it's pointed out to him that it would have been dangerous for Wen Qing to oppose Wen Ruohan it doesn't phase him because he thinks putting yourself at risk to do the right thing is the only moral choice. The idea that he can only hold this belief because he is himself somehow not in danger, again, requires you to ignore that he is dying the whole time. And it doesn't deter him. He is the idea of self-sacrifice as a moral good taken to its absolute logical extreme. Someone who is ready to die and demands the same from everyone else.
It makes him a very fun case study for fandom, because a lot of fandom spaces also tend to revere self-sacrifice as the ultimate good, and yet we get very uncomfortable when someone starts demanding it of characters we love. Like woah, hold on, that's a bit too far isn't it? Only we the audience get to do that!
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bigskydreaming · 4 months ago
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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aroaceleovaldez · 2 months ago
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Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.
Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...
Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!
As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.
With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).
It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.
It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.
#pjo#riordanverse#tsats#the sun and the star#tsats crit#rr crit#mark oshiro#mark oshiro crit#< ?#ask#Anonymous#long post //#i wrote out a whole response to this and them tumblr deleted it. SIGH. re-writing.#sharking Mark Oshiro: YOU WERE SUPPOSED TO DEFEAT THE SITH NOT JOIN THEM!!!!!#i do also want to make it clear: i have not read Mark Oshiro's other work so i have no opinion on if they are a good writer or not#and that is irrelevant. i am not judging them based on that at all. if more of the topics that they specialize in as a sensitivity reader#had actually come up/been relevant in TSATS i think it would have been nice for them to have been the co-author and stuff#but as things stand based on what actually ended up being relevant in the book i think another co-author would have been appropriate#or even just. if you keep mark oshiro as the co-author then have *other* sensitivity readers#because as things stand the only specializations that Mark Oshiro has that were relevant in TSATS were mental health and queer topics#and BOTH WERE DONE POORLY. like REALLY BAD. plus the blatant ableism and minor racism and such#i know Mark Oshiro doesnt specialize in neurodivergent/disability topics (though a sensitivity reader for anything riordanverse SHOULD)#but they *do* specialize in racism and it got through. also the fact that blatant ableism got through should also be a bad sign#and yes ''respect the right for bad queer novels to exist'' BUT THATS SUPPOSED TO BE LIKE. SMALL-SCALE.#thats for like. indie publishers. it should not be used as an excuse to let an extremely famous straight/cis author write bad queer stories#i want to like Mark Oshiro really really bad. i do. i really do. but RR is not making it easy#anyways after having to rewrite this i dont have the energy to proofread it more than once please excuse any errors
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lucalicatteart · 1 year ago
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 sculpted a strange shimmery two headed snail, speckled with wild flowers on it's shell~
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lemonhemlock · 2 years ago
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tried watching the new queen charlotte series but was immediately put off by the ridiculous anti-corset propaganda, so get ready for another rant.
first of all, this is the georgian era so what she's wearing are called /stays/ - corsets are a victorian invention. why do we still not know this in 2023 when period productions have remained consistently popular throughout the years? the concept of tighlacing (the goal being a reduction of the waist) is also victorian and was not the norm at all and v much an extreme practice. this understanding of history is so superficial, it's as if an alien were to open up People magazine and conclude that all human women resort to butt injections and lip fillers to stay with the fashion of the times. also, no, you cannot tighlace in stays to obtain a waist reduction because they are shaped like a funnel (picture 1 = long stays, 2 = short regency stays, 3 = corset)
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charlotte goes on to complain about how dangerous whalebone is and that it might kill her if she makes the wrong move. what the actual fuck? whalebone was actually the very best material to use for this because it was sturdy yet flexible and allowed the /stays/ to completely and comfortably mold around a woman's unique body shape. one of the reasons why today it is v difficult to replicate the same effect in corsetry is because we do not have access to whalebone (killing whales is not cool for obvious reasons) so corset-makers have to resort to other materials like plastic or metal, which CAN break. whereas whalebone doesn't really break as easily. furthermore, stays/corsets were NEVER worn on bare skin, but with a chemise/shift underneath.
why did women in the past resort to this type of undergarment, you ask? well, apart from the fact that women need bust support, the stays also serve the purpose of allowing all the many skirts and petticoats to be placed comfortably onto the waist. you try piling on that much fabric around your bare waist and see how you like it and if you can even carry it all around without it cutting into your stomach.
clothes throughout human history did cater to the popular fashions of the time, yes, but they also reflected the technological limitations and there was thus a practical aspect to it. this is a time before elastic bands, before industrialization and fast fashion, clothes are v difficult to make, everything is done by hand, so a lot of care is put into preserving them, because they are /expensive/ and labour intensive. you don't want your fancy outergarments to get ruined so you wear a lot of undergarments to absorb your bodily fluids since those are easier to make and don't have to look "pretty", can be stained and patchy etc. again, why do you need so many layers in the first place? because this is a time before comfortable heating, with poorly isolated and drafty houses, and it's bloody cold otherwise.
the third reason why that monologue was so dumb is because CHARLOTTE is the reason regency court dress was so preposterous. long story short, in a few decades, the fashionable silhouette changes wildly from the late 1700s to the 1810s.
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the regency waistline was much higher and the gowns were much more flowy and unstructured than the late georgian ones (what's commonly known as the empire waistline). the long stays of the late 1700s were now replaced with short stays that really were similar to modern bras. the scene in the first season of bridgerton where they squeeze penelope's sister into what looks like a pair of long stays (?) is bonkers bc no one would wear a waist-constricting boned undergarment under a regency dress. why would they? the natural waist is not even emphasized in any way. this is just another reason to peddle the women-were-oppressed-by-their-lingerie agenda. so if charlotte really hated long stays that much, regency would really have been her time to shine, right? wrong. the woman loved the fashions of her youth so much she forced everyone who came to court to still comply to them, which is why we get the absolutely atrocious regency court dresses - essentially a combination of the georgian style with side panniers, but with an empire waistline.
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yeah, this is how daphne SHOULD have looked like when she was presented at court in front of charlotte. i can understand why the showrunners decided to just leave her in a regency silhouette because this is ugly af. but, anyway, queen charlotte is the last person on earth to be complaining about how uncomfortable stays are.
creative licence aside, the reason this pisses me off is because it is SUCH lazy storytelling. the show wants us to know charlotte is a spunky pseudo-feminist character so the easiest way to do that is to have her complain about the evil 'corset' trying to kill her. it is so profoundly ahistorical and does nothing to contribute to the conversation about women's true problems and true limitations during that time. instead of genuinely exploring social history and women's actual lived experiences, we are STILL, in the year of our lord 2023, diverting the discourse towards fabricated issues that never existed in the first place.
the reasons actresses complain about boned underwear in interviews are manifold. costume designers are very overworked, they have to produce clothes for hundreds of people in a very short time, so they simply do not have the time or resources to construct corsets/stays that fit the actresses like they are supposed to. in the past, these garments were made individually for every person and completely to their own requirements. they also make these actresses wear the boning on BARE skin to look extra sexy to the audience or to emphasize their oppression - that never happened, a shift was always worn underneath (hello dakota fanning scene in the alienist??).
moreover, they lace them up until they constrict their ribcages - these women are already super thin and their bodies cannot support more reduction - instead of relying on the historical practices of padding and illusion. nowadays, body parts are what's fashionable - that's why so many resort to fat transfers or breast implants or starving themselves to achieve a flat stomach. in the past, anyone of any size could have accomplished the fashionable silhouette because they had a wide array of accouterments to plop underneath their garments - panniers, bustles, hoop skirts, padding of any sort. it didn't matter how big your waist was, you just padded other areas until you achieved the desired shape. fat women wore corsets/stays, too. working women, who did a lot of physical labour, did the same. how were they able to perform all of their tasks if they were incapable of moving or breathing? even today, people wear medical corsets all the time.
TLDR the media's obsession with portraying modern women as so liberated because they wear bras instead of "patriarchal" underwear is so tedious.
EDIT: Some very basic chronological tadpoles to make this easier to place within historical context. "Georgian" is used to denote the 18th+ century when Great Britain was ruled by several kings named George, so roughly 1714-1830. Within this interval, we refer to the Regency period as encompassing the regency of Prince George, future King George IV, when his father George III was incapacitated by mental illness. The official political regency took place during 1811-1820, but culturally speaking, this was extended to roughly the end of the 18th century up to maybe 1830 or 1837. This is the time period of Napoleonic wars and Jane Austen novels, so all her heroines should normally wear Regency styles. Think "empire waistline" as in Imperial France and Napoleon. The Victorian era (and its corsets) follows throughout the rest of the 19th century. Queen Charlotte was a contemporary of Marie Antoinette's, so they should be dressed in similar fashions (robe à la française vs robe à la anglais).
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drew my ocs as riptide characters :3
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gunpowdercarousel · 1 year ago
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It's weird that Larian seems to show Astarion a lot of favoritism in terms of content and yet his companion storyline is such a side quest compared to all the others. As far as I'm aware he has no real connection to the mindflayers/Absolute other than the initial kidnapping/parasite insertion, which is - like - the bare minimum needed to have a connection at all.
His conflict with Cazador is such a random aside when you're in Baldur's Gate. It's like yeah I need to stop the other two Chosen, I need to solve this murder conspiracy, locate the Elder Brain, deal with Raphael, figure out what to do with the Crown of Karsus, and... oh yeah, I guess there's Astarion's thing to deal with, too.
It's hilarious, really, because it means while this one huge, world-ending event was going on there was also - by complete coincidence - an entire OTHER world-ending event happening just down the street that wasn't connected in any way. Not only is the Absolute's army on the march, but Cazador is trying to become the Vampire Ascendant at the same time and only ASTARION knows about it. Cazador is literally just some OTHER bbeg whose centuries-old plan happens to be coming to fruition the same week as the Chosen's.
I literally almost forgot to do his plotline because it had so little to do with the overarching conflict of the story. The only connection he ever really makes is with Raphael, who he needs ONCE for ONE minor thing and that's it. And Raphael isn't even that important to the Absolute plot, himself.
Astarion doesn't really have any connections with the Chosen, any other characters, any other antagonists, he's just kind of his own thing. Once you deal with Cazador he's just kind of along for the ride. Meanwhile, Wyll's father is integral to the Chosen's plan, Shadowheart has the plot McGuffin that can foil the Absolute, Lae'zel's people are sworn enemies of the mindflayers, and Gale wants the Crown of Karsus for himself, not to mention his Goddess is literally tasking him to deal with the Absolute.
Everyone else has a good reason to be there EXCEPT ASTARION. Like he's just there because he has a worm.
Anyway, rant over.
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tj-crochets · 4 months ago
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Hey y'all! I am considering trying listening to podfics, but I have no idea where to start. Like, I read a lot of fanfic, but idk how one goes about listening to them? Is it like an app, or a download it kind of thing, or what? Do you have any advice or specific recommendations? In the past I have really, really struggled with books on tape because I cannot focus on just listening, but I like listening to like sort of documentary-ish videos while sewing and that's just a person talking, so probably I would be able to focus on audiobooks or podfics now?
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vonkarma2 · 12 days ago
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on here the arcane tag is all jayvik posting. whereas on the reddit the top posts are all like memes about the plot or something + I would say majority are about the female characters its bechdel test central over there. and all the thirst comments are about caitvi. it makes the reddit seem so feminist it’s crazy
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astralprisms · 4 months ago
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[☺ Skaro - The Shield of Shra'kt'alor☺]
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1. [CHARACTER INFO]
OC NAME: Skaro
OC PRONOUS: He/Him
AUTHOR: Rook
2. [DIALOGUE]
1. Greeting message:
Do you have need of me?
2. Identify yourself:
I am Skaro of Shra'kt'lor, though I haven't called that place home in a long time.
3. Tell me about your Creche:
No creche, a monastery in the midst of Chaos. One of many. There isn't much to say. There we were trained, and there I learned to harness my psionic energy to better defend my mind and body, though I left to pursue a different path once that training was complete.
4. I need to know how you fight::
You may be expecting a monk, but the blade says otherwise. A fighter, then. But don't get too comfortable -- how many wizards do you know that can also swing a sword? I am a Zerth. I may prefer a blade to fists, but there is more to my fighting than meets the eye.
5. Can I ask a more personal question?
Not at the moment. I'm here on business.
3. [GRAPHICS]
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4. [BONUS RESOURCES]
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Skaro started life as Xa'rok's Dream Guardian, so you'll often see him in the Guardian's armor, but I got too attached to him, so he gets to exist on his own now, too.
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In the AU in which he exists alongside Xa'rok as himself and not just the visage of a prisoner the Emperor once met, Skaro was born in Shra'kt'lor and became both a philosophical student of Zerthimon's and a practitioner of arcane-focused fighting, earning himself the honorary and hereditary title of Zerth. He has been around for quite some time -- age undefined but his physical body is somewhere in his 50s -- and in that time grown tired of the us against them mentality that keeps the gith people splintered instead of whole. He left Shra'kt'lor to follow this desire for unification, interplanar-traveled often, and found himself invited to and then a part of the sha'sal khou. He has been working with the organization for years and after meeting Xa'rok in his travels, brought them along into the fold. In this universe, he and Xa'rok are partnered and they continue Xa'rok's work alongside their work for the Sha'sal Khou, as some of their interests align.
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@vikintor
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forcedhesitation · 5 months ago
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video editing is turning my brain into mush, take a wip of lae and my deep gnome druid pomona
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