#anyway. clearly I don't read

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[lupins-hehim-pussy]

OH I GET WHAT YOU MEAN NOW I THINK

YEAH. I do think Fontaine weirdly reflects itself in a sorta... fourth-wall breaky way too, and Genshin Impact as a game isn't one that actually cares about what it's representing, more so what can make them money. So like, even if they cater to certain groups and do certain things well, you realise they only do it because it is something they assume would be financially viable for them. Every time you see people praise how they have heavily implied LGBTQ+ characters, it's always sorta paired with how that's good for them financially ("Look at these characters they've done well and see how much money it makes them! Surely this is incentive for more good representation!") I'm almost downright sure they intentionally have a pairable duo of tall male-model characters specifically for the shippers for every world update lol.

Aside from maybe Liyue. They put some genuine heart in that.

ok so I mean this with utmost respect for but please please don't position yourself above people who want the characters to fuck. your previous post, the "i want top neuvillette who's still femme and a crybaby my god is that so hard" one, is literally in the very usual style of sexy headcanoning. which is good! I just don't want you to alienate other people who also think both about that and the Problems

it really is the biggest elephant in the room, the way Fontaine is as a whole, isn't it. I think genshin fandom involves some kind of derealisation mode. they feel even less... existing than characters usually do. which is, bizarrely, very fitting for Fontaine?

I have no intention of positioning myself above people who want characters to fuck, so I apologize if it comes off that way. Because yeah you're right, I do have sexy headcanons. I'm just some guy as well. I literally drew Wriothesley with his tits out ( and I have more WIPs of Wriothesley with his tits out, by the way. Neuvilette too. But he's usually flat as a board in my stuff lmao so it doesn't really.... well he's still sexy even as a twig. to ME).

My point mainly is that it's not my Main form of engagement with media. I do not develop interest in stuff through finding characters attractive first, then becoming interested in their story after. Meanwhile, Genshin Impact as a model heavily bets on you becoming attached to the characters on their concept/models/kits alone, but the character writing is very much secondary to them. You don't recommend Genshin to people who want artsy fartsy hard-hitting narratives, exploration of trauma/mental illness, culturally sensitive representation, and character-driven stories. You might recommend Genshin to people who like gacha but aren't too susceptible to predatory gambling mechanics, enjoys expansive world building, open world, beautiful graphics, fun/straightforward gameplay, and hot anime people.

And Mihoyo as a whole do not value and uphold the things I value (my lukewarm leftist-aligned politics), therefore, I am just very much not the target audience. There isn't much else to say to that. Attraction isn't the hook to fish this krill (me), which is why I said I'm... not the target audience. It's fine if OTHERS are. I don't see myself as any better or worse for it. If anything, I WANT to be the target audience. I WANT to be in a fandom that engages with the stuff I enjoy more. Not for any moral reason, I just want to have fun too, like goddamn y'all look like you are having a blast over there. I don't think it's a bad thing that people who want character to fuck.... gets characters who are designed, encouraged and sold to be shipped (fucked). It's just a thing that happened.

Additionally, I also don't engage with fandoms (end of sentence. Actually, I kid) mainly because the majority of people (not you in particular. Just Generally. Amorphously) are here to see characters have sex and that's it. That's Fine. It's okay to just want your favs to have sex. I just happen to want a lot of other stuff as well, and the sex bit is just not my main thing. Once again, I am not the target audience. It's like I shouldn't drive up to the chips shop asking for ice cream, but I live in a town that only sells chips, so I'm sitting on the curb complaining about how there's no ice cream when I should move out, probably. But the economy doesn't allow me to move out (I am hyperfixated) and the only job I can do is make ice cream disguised as chips so the chips lovers come to my shop (I write fanfics and draw Wriothesley with his tits out).

So like. Ultimately who cares. I'm just some guy who feel what I feel, and I want to say it as I feel it

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[cinnamonsikwate]

"why couldn't shuro have just been honest about what he felt with laios and falin it's not that hard" are you. are you White

[kirby-the-gorb]

[necrotic-nephilim]

jealousy really is the driving force of DamiTim as a ship. love that for them. love how Tim has the Robin mantle ripped away from him and he has to suffer the jealousy of watching Dick and Damian bond. how possessive over Dick Tim can be, to have him stolen by Dick.

even more so though, is the jealousy from Damian. how on earth do you cope when you finally get to be Robin, a role you've convinced is your birthright, and no one really likes you? every prefers the Robin who came before you? Dick regularly reminds you that he can always go and call Tim back when you act out? like the complex Damian has over Tim is unreal. Tim, who was born with a silver spoon in his mouth and had everything handed to him his whole life. he never had to struggle or fight for his place like Damian did. Damian has spent his whole life fighting and proving himself, and yet he can't ever seem to truly claw the mantle of Robin away from Tim. even when Tim lets it go, becomes Red Robin, they seem to share it. Tim can slip back into the role of Robin whenever someone like Dick or Bruce need him to, because *he's* the Robin who they need. he's the Robin who was able to find Bruce. he's the Robin that Ra's wants an heir out of. he's the Robin who even Jason respects. in Damian's eyes, everything Damian has fought tooth and nail for, was handed to Tim.

so of course he's going to react to Tim with violence and aggression, especially after finding out Tim has contingency plans for him. no matter how much Damian proves himself, he's never going to be enough, especially not to Tim. and so his deep refusal to see Tim as family, to acknowledge Tim's legacy is all driven by such an angry jealousy. Tim understands aspects of Bruce's legacy that Damian doesn't, like the need to sweet talk and play nice with the elites of Gotham, even if they're corrupt. they exemplify different aspects of Robin, and the aspects that Tim exemplifies are the aspects that Damian knows he'll never fully understand and therefore holds such a deep contempt for. he wants to fight criminals, not play nice with politicians. Tim understands the side of Gotham that's utterly foreign to Damian. if anything, he represents that side of Gotham, to Damian. a pretty little rich boy who's nothing but a know-it-all and not a real son of Bruce. he can't be a Wayne. he can't be Damian's family.

and all of that angry jealousy leading to unhealthy obsession turned a weird, angry crush from Damian is just my bread and butter. that is how DamiTim should be. to me. Damian obsessed over hating Tim Drake so much he accidentally ends up sort of in love with him and that only makes Damian angrier. because he can't prove everyone right by *also* liking Tim. he can't let Ra's win like that, because frankly why wouldn't Ra's be delighted by Damian and Tim getting together. and it builds and builds with angry passive aggression towards Tim that culminates in angry hate-fucking-that's-not-just-driven-by-hate. love and hate are always viewed as opposites in shipping and i think they're the same intense passion just in different directions. and for the best ships, they're very intertwined. what is DamiTim is not the peak of that. "i put so much of myself into hating you i had no choice but to fall in love with you somewhere along the way" core. love that bleeds into hate and hate that bleeds into love. "you make me so angry i regularly passively try to kill you but not with any real effort because who would i obsess over if you were actually gone" core. murder attempts as a form of courting. contingency plans to take each other out as a love language. they're unwell.

[tyriongirl]

Genesis 4:1-5, translated by S. R. Driver, from The Book of Genesis, 1905

A Clash of Kings, Prologue - Maester Cressen

Emanuel Krescenc Liška – Cain (1885)

Claus Westermann, Genesis : a commentary, 1984

Arthur Segal - Kain und Abel (1918)

A Clash of Kings, Prologue - Maester Cressen

Natalie Diaz, A Brother Named Gethsemane, from When My Brother Was an Aztec

Lovis Corinth - Kain (1917)

Genesis 4:6-9, translated by S. R. Driver, from The Book of Genesis, 1905

A Clash of Kings, Chapter 33 - Catelyn IV

Odilion Redon - Cain and Abel (1886)

A Clash of Kings, Chapter 33 - Catelyn IV

Genesis 4:9-14, translated by S. R. Driver, from The Book of Genesis, 1905

A Clash of Kings, Chapter 31 - Catelyn III

St. Omer, Benedictine Abbey of St. Bertin; c. 1190-1200

A Storm of Swords, Chapter 36 - Davos V

S.R. Driver, The Book of Genesis, 1905

A Clash of Kings, Chapter 42 - Davos II

Lazzaro Pisani - Death of Abel (1885)

S.R. Driver, The Book of Genesis, 1905

A Clash of Kings, Chapter 42 - Davos II

A Clash of Kings, Chapter 42 - Davos II

Cain and Abel - City of Zeven - 2015 (source)

Genesis 4:14-16, translated by S. R. Driver, from The Book of Genesis, 1905

[qilingxiong]

it's so fascinating to read someone's work when they write like they're writing a film. by which i don't mean that the narrative reads like a script, but that their descriptions and transitions and imagery essentially function as storyboards. you can easily imagine where shots would be divided up, and who/where a camera would cut to at a certain moment. the way the work has its greatest impact is when you translate the words to film atmosphere and action in your head. it's startling how visually/viscerally someone can write when they've settled into that style and i wish i could write like that

[snapeaddict]

Thinking about the fact Dudley canonically went through much more character development and gained more maturity than James Potter ever did but here we are

[fandom-geek]

ngl i've been kinda surprised by the lack of veilguard stuff i've seen on my dash since it released - i've very thoroughly given up on it, but even ppl who seemed hyped about it have largely just... not been posting abt veilguard at all.

then i looked in the da critical tag and, uh, yeah. i can understand why. it's not an actively bad game, but it sounds to be very... shallow and mcu-ified? i'll admit i had basically given up on veilguard, but i did kinda want bioware to prove me wrong. not that i would've bought it anyway given the way they've treated their company veterans. it's just such a shame.

[erabu-san]

Hmm I apologize again for the rant !

It is not the first time I am doing it. I might forgot to put "please don't tag it as ship" under my drawing of tighnari cyno. Please, do not !

I love them as best friend, I love them as brother/found family, I don't mind the queerplatonic relationship at all

But their romantic side make me pretty uncomfortable. No hate ! It is my own taste.

Shippers are always welcomed and I am so glad you like my content 💕 but all my art concerning them (unless I tag the ship) are purely platonic. I just ask for some respect of my taste and not reblog my art with the ship tag.

I don't want to block, because I am genuinely glad you enjoy my work and as a young artist, it means a lot for me. Thank you so much 🙇 !! But as a human, I can't deny how uneasy it makes me feel.

Thank you for understanding !

[aniseandspearmint]

ffs people some if y'all were just raised with no manners at all.

You DO NOT send shitty messages to an author after they post a fic, just because you got excited they were writing in a fandom you like, but it turned out to feature a pairing you don't like/hate/squicks you!

I don't like that pairing EITHER, but you know what I did when I opened the email and saw the listed pairings on the first chapter?

I went, 'Awww DARN that sounded interesting. Oh well.' And then i deleted the email and went on reading things I DID like!

I did NOT act like this was a personal betrayal and immediately hop on social media to bitch at the author!

[possamble]

AHA thank u i was mostly just. frantically pulling the "no hetero" card bc farcille is super super always endgame for me and the "marcille has two hands" thing is absolutely not for me and my personal characterization of marcille

i like. can't find it anymore for some reason but there was a farcille fic set just after the shuro confrontation where laios reaches over to hold marcille's hand and ask her if she likes him or if she's just tolerating him too and it was so. the vulnerability. the puppyness.

that safety and security he must feel in knowing that she wears her heart on her sleeve and he will always know when she's unhappy with him because she will absolutely let it be known. the way that falin's first revival was the turning point for the way he felt about her because, for the first time in his life, protecting falin wasn't something he had to shoulder alone. there was finally someone else who cared about her as much as he did (in his eyes, resenting his parents for failing to protect her) and would stop at nothing to save her. the way it must have been proof for him that, not only was falin not alone anymore, he wasn't alone anymore.

idk why i like rather than dislike the fact that his only framework for parsing how he feels about "the first girl other than his sister that he's ever cared this much about" is a comphet romantic lens. like he would have the autism moment of fully assuming that he's in love with her for a while and just like. not? doing anything about it? because he doesn't feel the urge to, nor is he sad that he knows marcille would mostly likely never "feel the same way" about him?

like. he "figures out" that he's "in love with marcille" with all the passion of printing out a label and sticking it onto a favourite scrapbook for organizational purposes. he's equally happy to be her husband or brother-in-law so long as it means she stays close and is part of his family.

i know logically i should hate it but it's sooo crunchy to me. my comphet besties ever. designated plus one and dance partner to all fancy and formal occasions. having actual real chemistry but the "romantic" part of it is some weird shapeshifter smokescreen. augh

[aesterblaster]

Just saw a really clickbait-y youtube video that called Blue Lock fascist in its thumbnail and I will admit first and foremost that I didn't watch it and yes I've been informed that it isn't implying that Blue Lock is some fascistic propaganda but it still got me thinking so-

here's my rant/breakdown about the ways that Blue Lock is specifically anti-fascist

So first of all, popular animes and mangas having possibly fascist undertones is nothing new. I won't deny that there's a long history of Japan being a colonizer and commiting atrocities that are still brushed off or forgotten about to this day. And this does seep into some works that I personally choose to not engage with for exactly that reason. Miss me with trying to be an apologist for or glorifying real world war crimes- But Blue Lock specifically? I'd be extremely hard pressed to call it fascist.

Fascism is defined as an alt-right, ultra nationalistic political ideology usually characterized by a centralized autocracy, forced suppression of opposition, belief in a natural social hierarchy and subordination of individual interests for the believed good of the nation or race according to Wikipedia. First let's go through the ways Blue Lock does match up with that.

Ego can be easily viewed as a dictator near the beginning of the manga

Most characters thrive on putting others down for their faults and strictly believe that there is some sort of natural order where people who lack "ego" are at the bottom

There is a sort of central autocracy with the top 6

Near the beginning especially, there is a violent snuffing out of any ideology that dares oppose egocentrism or the idea that you need to be a solid team to win a game

Now let's go through the ways Blue Lock denies and even goes against Fascism.

BLLK's main goal is to make a Japanese soccer team that can win a World Cup. In a more fascist manga, we would see racism ga-fucking-lore. We can see this in animes that have more right wing leaning undertones like Attack on Titan where when race is brought in it's for conflict. There's no possibility of harmony, only winners and losers. Those protected and those put down and punished.

And Blue Lock does have an extreme focus on who wins and who loses. It is not afraid to include racism against Japanese people like with Adam or portray black people in unsettling and kind of racist ways like Dada's original design. But these elements don't automatically spell fascism. Blue Lock is careful to portray characters of color as just that, characters. They don't exist to tell you about their lives of hardship and struggle and they don't exist to justify Ego's obessesion with creating a good Japanese team. As you read BLLK, you'll notice that the artist has taken care to get better at drawing different body types and facial structures. The character design isn't trying to sell some perfect ideal like fascism so famously does, it tells you a peak athlete doesn't have one distinct look. It tells you characters from other countries are just as if not more capable than the Blue Lock boys. Hell, even Sae's hatred of Japanese football is portrayed as less of a betrayal of country and pride and more of a cultural clash. The issue to be solved in Sae's character is the way he looks down on his brother, not how much he despises Japanese football teams' tactics. We know this because Ego himself rails against them too.

A fascist manga would paint Sae as a villain for even learning from and joining teams from other countries, lending them his talent instead of keeping it in his home country. But Blue Lock encourages diversification and collaberation with other nation's teams so heavily that it is literally an entire like 5 part arc right now. Ego isn't ultra nationalistic, he just wants to make a better soccer team for his country and he isn't afraid of praising and adopting from other countries in the process. The biggest win to come out of a Blue Lock team wouldn't be that they're all Japanese but that they all follow his ideology.

Speaking of his ideology, Ego is extremely harsh and controlling, yes, but he also believes in the boys. He lets them do what they believe is best. He pushes them to their limits, not because they disobey him, but because they dissapoint him. A true fascist dictator would rule with fear with no introductions of other ideologies, he would strike at any sign of weakness or opposition. At the beginning, he does do this. But as the manga goes on we see how much wiggle room he's willing to allow. He lets Isagi curse at him and question his leadership, he lets Shidou play even though he's clearly queer and extremely volatile, he doesn't punish any of the boys for injuring each other. In a fascist society, you are expected to fit an ideal or be othered, be perfect and work together with a sense of comradere because that's the only way to prove your claims that you are the best race/nation. There can be no imperfections or cracks in the facade...But Ego lets the boys be messy. He never forces them to change who they are, only forces them to believe that they can do great things all on their own. Even with Kunigami, Wild Card wasn't a correction of his disbelief in some nation or race, but instead a correction of how limited his mindset was. In fact, in a more fascist society, Kunigami's love of playing hero and protecting his teammates would be praised and celebrated. Ego putting individuality and aspiration over the good of the team as a whole is literally a middle finger to fascism.

The villain of the series is literally a greedy Japanese man that wants to commercialize the team and make them less individualized. I don't know how much more anti-fascist you could get-

Also, Blue Lock handles disability very carefully and very well. In more alt-right ideologies than not, something you'll see again and again is this idea that disabled people don't deserve the same rights because they can't contribute to society. Disabled people are a stain to be pushed away and hidden because they contradict the central idea of a "perfect" nation. In a fascist retelling of BLLK, Chigiri would be kicked from the program, not given power and influence. In a fascist retelling of BLLK, Kenyu would be attacked and beaten as soon as it was discovered that he made it into the top-six with failing eyesight. Any physical disadvantage could easily put an athlete at the bottom of the social hierarchy as well, Blue Lock could have very very easily made fun of its disabled characters for even trying. It could get away with mistreating these players and be defended for it so fucking quickly. But instead, it lets you root for them and gives them just as much care and weight as the others. It's trying to tell you that being a good player sometimes means knowing your limits and getting help, not punishing yourself because you have some biological disadvantage. It also takes care to demonstrate that no race is inherently worse at soccer than the other.

And, of course, the elephant in the room, Noa and Kaiser. Okay...if you see German characters and immediately think OMG NAZIS??OMG FASCISM?????OMGGGG HE HAS BLONDE HAIR???AND BLUE EYES?? That's a fucking you problem and you clearly aren't reading the manga. Even Noa Noel being an older man and still being allowed to play and looked up to as the best is an example of how Blue Lock goes against steriotypes about athletes. Kaiser does have blonde hair and blue eyes yes, but he also wears eyeliner and eyeshadow and has a tattoo and dyed hair... None of that would be allowed in an actually fascist Japanese manga unless it was as caricature to make fun of and dominate. But instead, Kaiser is an actual threat who has complex arcs and behaviors. Also, Kaiser isn't fascist himself, he clearly views Isagi as an equal even though they're different nationalities and he doesn't believe in any one authority or greater cause except for himself. Noa is very strict yes, and he does rank and rate the boys, but he specifically doesn't factor race into it. He also, just like Ego, allows other ideas and patterns to emerge even if they mess up his own plans for matches. He doesn't suppress anyone and is actually extremely lax. If you think he or BLLK is "fascist", look at actual real world sports teams and their strict practices or past statements about other nationalities.

Isagi as a protaganist is anti-fascist too!!!! He's a Japanese everyman who has good Japanese parents, no disabilities, an honest personality and believes in a future where Japan wins the World Cup. In a fascist story, he'd be fucking untouchable (ESPECIALLY against characters from other countries) and all of this would be paraded as proof that a Japanese soccer team is clearly superior and all-dominating. But no! He gets beat down, questioned, disrespected and constantly shown up by others. He's not special and he's extremely self-centered. He doesn't water his own beliefs down for the "good of the nation" or whatever the fuck and he grew up idolizing foreign players. Isagi never supresses other people's ideologies, he just makes fun of them if they fuck up. He's never xenophobic, even when other characters have moments that have xenophobic undertoens like Adam or Sae's comments. Isagi Yoichi's character could have a few traits flipped and be a poster boy for some alt-right manga about how superior Japanese people or hell, Ego's pupils are. But he doesn't. He's simply designed and he's rude and he looks down on people, but he also apologizes, humbly accepts when he can improve by questioning his own ideals and is open to talking with everyone he comes across.

Calling Blue Lock a "fascist soccer manga" is not only demonstrating that you have no idea what fascism is, but also disgustingly painting over all the beautiful themes and messages within the manga.

Again I'm aware that that original video wasn't aiming to negate any of these points but I have seen people make claims and jokes before that about Blue Lock's more *beat it into your head* tendencies with ideology. And I've seen jokes specifically about the German team/the way Sae seems to just hate Japanese culture. I just dislike the painting of Blue Lock as a jumping point for discussions about fascism and its effects because of the way it handles themes like cross cultural connection, family pressures, capitalism and disability so carefully.

[gingermintpepper]

hey I hope you’re doing ok!! For the ask game, 🌈? Also perhaps ☔️?💧, even?

Hello hello, thank you for participating ☆ Once again, I can't comment on whether or not this extract is particularly fluffy but I do think it's rather sweet and it's definitely romantic so I think it's good for filling out both 🌈 and 💧!! It's an extract from what I've tentatively dubbed my 'Women and Apollo' doc which is essentially just a big running document I have dedicated to exploring themes and dynamics between Apollo and the women he's been entangled with! This extract in particular is from my Melia section 🥰

The night is a cold sheet spread across her shoulders. She wakes in pieces; first, her flesh, bracketed between the raw heat of Phoebus' bare chest and the sharp sting of the night air's fangs, then her mind, pleasure's fleeting haze quickly swept aside by panic then worry then guilt. What would Kaanthos say if he could see her now, bare breasted and stained in a male-god's desire? What would Father? No doubt she would have to cede the seat of the temple to Kaanthos. How could a carnal woman serve the people after all? And her river - oh, her sweet river! Would his waters even deign to soothe her scales when she was so completely drenched in the scent of a sky-god?

How foolish she's been, throwing everything away just because of some sweet words and a pretty face. Maybe Kaanthos truly did deserve the temple after all. Maybe Melia didn't deserve such a treasure if she was so easily seduced.

She sniffles softly, slipping gently from Phoebus' loose grip. His heat wafts off his skin like the warmth of a well-tended hearth, it lingers in her bones as she kneels in the grass of this unfamiliar field. It makes the sear of shame dig that much deeper into her heart. Phoebus had listened well to her warnings. He'd carried her someplace far away from flowing water, somewhere distant where her brother's scrying eyes could not reach. The tears welling in her eyes finally fall as she turns this way and that, utterly and completely lost without a source of water to follow. How could she return now? Even she was not bold enough to have the man she planned to reject take her back to her father's house.

Stupid girl. Foolish. How could she have been so short sighted?

"Melia?"

His voice is laden with sleep's husk, his arm makes little grabs at the grass searching for her shape. She swallows her tears and bids her voice to not betray her, "Here I am, my lord. You may go back to sleep."

The mildest furrow of his brow. When he turns his head, his hair flows like rich golden oil over the dark grass, "Come here," his hand keeps searching for hers, patting the ground, dragging long fingers over the dirt and frowning when he does not find her. "It is not yet morning, why have you fled so far from my side?"

Melia cannot help but laugh at his visage, clumsy and squinty-eyed, less the graceful gentleman who promised her a taste of change and more a bumbling kitten desperate for its mother's teat. She wipes her tears as quickly as she can muster, "If you but open your eyes, I'm certain you would find me."

He makes a grumbling noise, some cross between a boar's grunt and the crow's deep bellow, "Is this another of your games? I'm much too tired for games Melia." Finally, his finger grazes the edge of her ankle and like a child, he lights up, eyes still stubbornly closed but smile positively radiant, "Ah, there you are!" Diligently, he traces the shape of her leg with his open palm, measuring the smoothness of her calf, the swell of her knee, the broadness of her thigh, then he lays his head upon her, cheek pressed close to her stomach, heated back like warm coals against her skin. "So cool," he murmurs and kisses her stomach, throws his arm around her waist and nuzzles further into her skin, "Tell me when you've need of the water -" a dreadfully wide yawn interrupts him. "- I'll fetch it for you."

Melia finds herself laughing again, just a tiny thing as she runs her fingers through the thick waves of his hair. What is she to do now?

As for a fic idea I'd like to talk about since I don't know if I'll ever write it: Among the many, many, many things I'd like to write but probably never will, I really wish I could just sit down and write a story about Tenes and Hemithea. There's a lot of reasons why I have no plans to ever properly tackle anything regarding the Iliad - chief of which being that there's just too much information and the amount of research would be insane - but a lot of what I would potentially focus on have to deal with people and places Apollo loves and his inability to protect those things throughout the conflict starting with Tenes. I absolutely adore exploring Apollo's paternity in my writing and considering how fiersome Tenes was and how both he and Troilus would die protecting their sisters, I've just always wanted to dig into an exploration of their lives and connection with their father and how Tenes' death specifically would've affected Apollo. Like yeah, I know Troilus is usually the point of focus for such works especially because of the manner in which he was killed, but Tenes was also beloved! Also considering he was originally punished for being falsely accused of sexually assaulting his stepmother, I can't help but want to write his wrath when he realises what it is Achilles intends to do to Hemithea. Alas though, I don't think I'l ever get to do more than think longingly about it, at least right now lmao.