#is a very useful way to analyze media anyway

[pangaeaseas]

ohhhh my god the lily was a bad friend to Snape thing pisses me off so fucking much. just willful misreading and frankly sometimes disturbing blaseness towards what the real problem was (not just the slur! JOINING A FUCKING HATE GROUP! and also slurs are bad--we should be able to understand this, right?) I mean one of the problems with it is that it doesn't fully understand the multiple power dynamics at play--blood status, gender, AND social class are all important in the lily/Snape and Lily/Snape/marauders dynamics. And also? I think Lily is meant to be read as not actually of a significantly higher class than Snape--she's working class but her family is slightly more financially stable and determined to hold themselves above him! So the class dynamics aren't 'rich popular girl Lily and poor bullied Snape' it's 'also poor but slightly less poor Lily'!! AND this interaction cannot be read without Snape's blood status privilege. And. Of course. The fact that him calling her a mudblood in public was a sign of him fully embracing Death Eater ideals and he went on to join the Death Eaters--having already been associating with them for a while. The initial slur isn't even forgiveable but it becomes even more heinous when you remember he was joining a group dedicated to exterminating her because of who she was. Why should she give a shit about who bullied him anymore? When we talk about what Lily and Snape are doing post Snape's Worst Memory, I would say that the fact Snape joins the freaking Death Eaters is a far worse betrayal of their friendship than Lily marrying James (which isn't even a betrayal, exactly, as she is, you know, an autonomous person with her own wants needs and opinions).

[scented-morker]

୨୧ Whoops 𓂃 ♥︎

idol!riki x idol!reader, fem!reader, secret relationship, riki is a little too used to taking care of you… 950 words ft. Mark Lee cameo 🫶

Award show season in the kpop industry was one of the most fun parts of your job.

You spent hours preparing stages and dance breaks with your group, trying on beautiful dress after beautiful dress, and of course texting your boyfriend Riki for spoilers on his stages.

You: Pleaseeeeee 🙏 I’ll send you a picture of my red carpet dress if you tell me

Riki: you should probably do that anyway 🤭 Jungwon said last show I stared too much but I was just so shocked, you looked so pretty

You: YOU WERE SHOCKED??? DO I NOT NORMALLY LOOK PRETTY???

Riki: Ok crazy I DID NOT SAY THAT

You: blocked.

You were joking around, but you knew exactly what he was talking about. You had noticed him staring when you walked past his group and hadn’t been able to stop your blush even after his leader had smacked him to knock it off.

Your own leader had made up an excuse to yank you back to the makeup artist in an attempt to offset your red face.

Fans absolutely caught the whole thing on camera, and you two were viral for a week.

That was the non fun part of award season— trying to pretend you weren’t completely smitten with the beautiful boy on stage.

Everytime Riki performed you wanted to jump out of your seat and scream your head off.

You were dating the world’s most talented boy and couldn’t even show it… especially since your company had made you go through extra media training to avoid it happening again.

As much as you hated keeping it a secret, you hated to see your boyfriend getting hate even more, so you focused on controlling yourself around the cameras.

When the camera panned to your group during the Enhypen performance on New Years Eve, you calmly smiled and nodded your head to the beat of XO. Your leader gave you a discreet high five as soon as the screen refocused on the boys, and you glowed with pride.

Riki had done well for the most part as well, managing to look like he really liked the song you were performing and not like he was losing his mind over your leather outfit.

Everything was going perfectly smooth until the very end of the show.

You were crammed onto the stage with what seemed like every single idol that has ever debuted.

You bow as you once again bump into one of your seniors, glad when they give you a quick hug and wave off your apology.

It’s almost midnight, and you look around the stage in an attempt to find the rest of your group who you haven’t seen in at least five minutes.

You laugh to yourself when you spot your boyfriend immediately, his head peeking over the rest of the crowd due to his sheer height.

He spots you and raises an eyebrow at you in question, but you don’t even attempt to explain your panicked look, knowing the interaction would get caught and analyzed hundreds of times.

Instead you start walking towards his general direction, making sure to look just enough to the side that people won’t think you’re approaching him.

You hope your group is somewhere near his, thinking your age and popularity were similar enough for the directors to place you beside each other.

There’s music playing over the speakers as you continue looking around for someone you recognize. Idols start dancing around in excitement, and you’re once again jostled as you make your way through the crowd.

A particularly excited Mark Lee accidentally backs up into you, bumping you what feels like halfway across the stage, and you’re fully expecting to hit the ground from the impact.

You internally groan at the videos that are surely going to be everywhere in a few hours, and you try to make sure you don’t accidentally flash anyone when you fall.

But instead of hitting the ground how you were expecting, you find yourself against a familiar body with an arm around your waist.

A gasp leaves your mouth at the feeling, and you don’t even need to turn around to know Riki is behind you.

You quickly untangle yourself from him, turning and bowing deeply to him.

“Thank you for catching me.”

He mirrors your body language, lifting his head to peer into your eyes, his own soft and full of concern.

“Are you okay?”

You nod quickly, standing back up and knowing you’re screwed.

A quick glance behind him shows Jungwon with wide eyes and Heeseung losing his mind laughing at the two of you being horrible relationship hiders.

You bow to them as well, although you make a mental note to yell at Heeseung the next time you see him.

Mark Lee chooses that moment to come up to you with a red face and sheepish smile as he apologizes profusely and Haechan laughs behind him.

You accept it quickly, wanting to get out of the area and horrible situation as soon as possible.

You’re grateful when your leader finally approaches you, looking between you, Mark, and Riki with terrified eyes.

“I’ll explain later.” You whisper as she grabs your arm and the two of you quickly exit towards the other part of the stage.

When you wake up the next day it’s to multiple texts from your manager, two calls from your boyfriend, and a Dispatch article featuring the photo of Riki holding you against him in the middle of the stage.

Whoops.

[pawberri]

The key problem with "proship vs anti" discourse is that the most extreme versions of each side, the ones who actually bother to identify with these labels, accepted each others worst takes as arguments they had to debate. "Fiction =/= reality" is, in practice, an absurdly reductionist, anti-intellectual, thought-terminating-cliche that dictates we can learn nothing about a person via art and that their fiction reflects no political or moral messaging worthy of critique. In response to this, the "puriteens" who are too young to possibly hope to articulate their discomfort, to untangle their position from what is often real trauma experienced online, simply argue "yes, fiction influences and reflects reality in a 1 to 1 capacity." They, and people who want to use the groundwork they laid to make bad-faith callouts, make bad arguments about how the action of engaging in problematic fiction is on equal ground to real life abuse, or is a clear indicator of interest in real life abuse. Both of these arguments are terrible, but each side seems to radicalize the other further and further into their own brands of anti-intellectual reactionary belief. "Proshippers" become libertarian absolutists about free speech and view all transgression as righteous and alternative and therefore leftist. They gain a reactionary nostalgia for the past, desiring a time when people didn't seem to care about the implications of art. "Antis" become authoritarian and hypervigilant for signs of moral decay, at their worst, willing to align themselves with government bodies that offer carceral solutions to the debate. They are willing to use harassment as a tool of punishment, which then leads to false accusations and a fear of openness that puts people at risk of being triggered via obfuscation. (That said, proshippers also take part in plenty of harassment.)

I will say that I believe both of these movements are equally sensitive to co-opting by right-wing forces. We see the authoritarian tendencies of anti culture in harassment campaigns and even the way Republican law makers co-opt "grooming." The proship/fic crowd has such extreme nostalgia for the past that I often see people align themselves with the cultures of 4chan or other happily right-wing websites. They so heavily reject the idea that a drawn sexual depiction of a child could reflect any desire that they are disinterested in analyzing what the motivation behind the depiction is. i.e If we track the history of lolicon in Japan we do find that is, yes, countercultural, but that counter culture is right wing, very misogynistic, and defensive of patriarchial Japanese culture as it is and was including its culture around rape and abuse. Plenty of fictional content works as radicalization material, and radicalization material needs to be ambiguous. There is a valid reason to be hesitant to trust people who consume this content, even if I do not believe most of them will ever be dangerous towards children. The mere presence of sexuality is not enough to make a movement left wing. This kind of thing can again be seen in right-wing libertarian movements in the US. (And even leftist movements can be bigoted and even "pro-pedophilia" or otherwise disinterested in social reform around abuse.)

Is all content with elements of age-play this way? No. But to me, that is why kink media deserves to be treated as art and analyzed, critiqued, treated seriously. It doesn't have to do anything to anyone to be worthy of a moral critique. Said moral critique just doesn't warrant harassment and cruelty and reactionary exaggerations of the person consuming said content.

Anyway, what's my point in saying all this? I don't know. I'm just begging you to tag your God damn content with specific tags instead of random and nebulous shit like "dead dove" or "dark content", and also begging you to stop harassing people who do tag their content so I don't have to guess what "dead dove" and "dark content" mean. No one will erase incest kink fics or people who feel sickened by the idea of them off this earth because we aren't god, but we could at least all be responsible about tagging, flagging, and age-gating our stuff.

[cuteandhughesy]

I’m Talking Nonsense | Mikko Rantanen

summary: everyone in the avalanche social media room knows that getting mikko rantanen to participate in content was a lost cause—that is until you showed up.

4.3k

warnings: flirting | lil bit of pining | mature themes | lil hot and heavy kissing | allusions to sex but no actual smut | read at your own discretion

a/n: okay…so obviously I started writing this before the trade—because nobody in their right mind was expecting mikko to get traded. but I digress, anyways! I originally wanted to post this on valentine’s day but in this moment of sadness, I knew all the mikko girls (myself included) needed this pick me up ❤️ to all you liking my old mikko fic—I see yall and we got this.

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mikko rantanen didn't hate social media — actually, no he did hate it. the finnish native always knew it to be invasive and impersonal, and he'd rather not have to look at fake happy, posed pictures and videos that make his life feel less than. and that's coming for a guy living as a professional athlete.

so when tiktok started gaining more traction and other nhl teams were making accounts for their respective teams—mikko was dreading it. he thought there was a level of privacy that should be respected, and having a camera shoved in your face is totally breaching boundaries. the thought of the avalanche making an account was just not something he wanted.

after a shitty practice—hell even a good practice—the last thing he wanted was to be asked if he thought he could land a plane, or if he believes in aliens...mikko just wanted to go home.

and mikko understands that the social admin was simply doing their jobs, but he couldn't help but fill with irritation anytime they'd approach him with the phone and mini-microphone and/or question cup. it was the quickest way to piss him off.

it didn't help that the avalanche fans were always in the comments asking about his noticeable absence. they wanted to see more of their assistant captain outside of gruelling post-game interviews and game highlights—they wanted the real and fun side of mikko they very rarely had the chance of seeing.

but that didn't change mikko's opinion of social media—he'd avoid the admin team at any costs, especially when he saw that stupid tiktok phone and various props he knew he'd hate to use.

that is, until you showed up.

the first time mikko saw you—standing behind the usual admin suspects with a nervous gaze and fiddling hands—he didn't think much of it. sure, you were pretty, but mikko thinks a lot of girls are pretty.

but then as the months past and your surprisingly warm and bubbly personality began peeking through your hard exterior shell, mikko begin feeling intrigued. you are always smiling, even if someone is giving you a hard time—when he is giving you a hard time—and you're constantly trying to bond with the players. you remember who these athletes are at their core—human, which a lot of people in your job description seem to forget.

the team quickly grew fond of you, and when they saw it was you in the hallway with a cup of questions, or in their locker room with that stupid tiny microphone—the energy would shift. that's just how you are though—vibrant and welcoming, and the guys feed off that energy and turn into a fun group of giddy boys.

even nathan mackinnon, who was almost as turned off by social media as mikko, enjoyed your company, doing silly things for tiktok's he'd never even dreamed of.

it had mikko's own exterior beginning to crack. before he'd be more apprehensive to the idea of participating in social media trends he had no clue about, but you and your grin had him changing.

—

lina, your co-worker looks at you over the top of her laptop, analyzing your soft face as you work on your own computer—editing a tiktok that needed to go up today. you're left with very minimal time, as the avalanche practice finishes in 5 minutes. which means in 15 you both have to head down for some more content.

it's the third time in the past minute lina as looked at you—you can feel her eyes burning through the middle of your forehead. slowly, your eyes trial up and meet hers, a questioning pull to your furrowed eyebrows. "you okay?"

she huffs—not in annoyance or impatience, but rather curiosity. lina flicks her red hair over her shoulder, and then crosses her arms—her gaze never leaving yours. "i'm trying to figure out how you do it."

you're even more confused now. "do what?"

lina snorts like it's obvious. "you've been here five months, y/n. it's been five months of watching you work with the guys and more specifically, getting mikko to work with you."

your lips contort into a confused pout—any more confusion and your head will begin to pound. you're not sure what lina is trying to imply, because as far as you know all the guys on the avs are extremely good with you and have never given you a hard time—that's just how they are...right?

"mikko is great." you hum dismissively, your fingers resuming their place on your keyboard as you continue the code in your side bar to enable the audio change in the clip—attempting to remove ross' loud voice from the background so you can better hear cale's answer.

"that's the thing," lina starts, eyes full of amusement as she leans over the table. "he's really not."

you pause. "what?"

"before you showed up, mikko was always turning a blind eye to me and nick. if we even attempted to talk to him the way you do—well, it never ended how we wanted it to." her face contorts as if she's reliving it.

one of your brows raise in question. "did he like...sentence you to a guillotine or something?"

lina disapproves of your humorous tone, sending you daggers across the meeting room table. she shuts her laptop, resting her elbow atop the logo as she puts her chin in her palm. "ha ha."

satisfied with her pointed response, you get back to work. but, lina isn't done. "he hates this kind of stuff."

"no he doesn't," you retort quickly. "mikko seems happy when I have questions for him. in fact, yesterday he came over to me and asked for one—said something about how they 'make his day bright'" you mimic mikko's deep accent to the best of your abilities, but you sound more like a drowning troll rather than the 6"4 winger.

lina's eyes widen comically—she can't believe what's she's hearing. "anytime I even point the phone in his direction he scowls and walks away. so what are you doing to get him to cooperate?" she eyes you quizzically for a moment before a devious lightbulb goes off in her head, expression morphing into a playful, teasing one. "are you fucking him?"

you squeak, and your cheeks heat up to an undeniable level of embarrassment. "no!" and it's true—of course you're not sleeping with mikko.

she raises her hands in surrender, but her smile doesn't let up. "I wouldn't blame you if you were, y/n. he's hot—like stupid hot."

"okay," you huff, covering your burning cheeks with your hands. "maybe you should sleep with him then."

lina snorts. "trust me—if I could get near him I would."

"you know," you start, "I really don't think what you're saying is true. maybe mikko didn't like it in the past, but I think he's changed his option on the social media stuff."

she raises her brow—almost challengingly. "think so?"

"yup." you hum.

"let's test it, then." lina chimes. "today i'll go up to mikko first, and ill do exactly what you would do when approaching him. and when he sends me away—which he will—then you'll go up to him, and we'll see what happens."

it's tempting—mostly because you're certain there won't be a difference in the way mikko acts towards you then he does lina. sure, mikko isn't always the most sunshine and rainbows when it comes to his personality, but he's always been compliant with you.

so although he's broody and definitely not in love with the idea of having a camera in his face—you're sure he's not going to turn lina away.

"you're on."

it's not 5 minutes later you're both packing up your respective things, preparing to make your way down to the locker room where the guys are surly anticipating your and lina's arrival.

the room is bustling with people—half dressed hockey players and pressing reporters fill the locker room, which creates a slightly hectic environment—but you're used to it by now. so neither of you seem suspicious, you ask a few of the other avs players your selected questions for the day. questions you and lina had argued about for the entire morning—she thought most of them were stupid, you thought they were was hilarious.

plus, the reporters are still swarmed around mikko's stall—the finnish native standing in the middle with a deadpanned look on his face, barley listening to them as they ask the same repetitive questions as usual.

you and lina get some good content from ross colton and josh manson, both players giving you ridiculous and enthusiastic responses to the absurd questions you'd earlier shoved in the alumni silver cup.

lina's mischievous look is back as the sea of middle aged reporters move onto their next victim—cale makar—leaving mikko by his lonesome. "i'll be back." before you can react, she plucks the phone out of your hands, effortlessly making her way through the room until she's in front of mikko.

you strain your ears, but it's no use as the chatter in the locker room is too overpowering, and you're unable to hear lina or mikko. miles wood gives you an odd look—eyeing the way you stand ridged beside his stall, gnawing your thumb as you watch lina talk to the blonde winger—but you don’t notice.

it's only a moment before lina turns around, her grin even wider than it was before as she makes her way back towards you. "your turn." she chimes, thrusting the phone back in your palms.

"what happened?" you question.

lina raises one her brows, pushing you in the direction of mikko's stall. "he didn't want to answer anymore questions."

"okay," you draw. "so maybe I shouldn't go over there."

lina continues guiding you in his general direction. "no it's actually exactly why you should go over there."

you don't get to argue any further as you're suddenly right in front of mikko—almost too close, and if you take another step towards him you're thighs will bump his knees.

speaking of thighs—mikko's are on full display. the huge, muscle carved limbs spread wide as he manspreads in his stall. the expanse of smooth, hard skin making you feel flustered and suddenly intrigued. your eyes flicker upwards, finding the icy blue ones of mikko looking back at you.

you swallow, a heat rising to your cheeks. "hi, mikko."

"hi, y/n." he says your name playfully, the faintest smile pulling at his lips. "you okay?"

you nod too quickly and immediately curse yourself for acting so uncool. you've never been this nervous around any of the avs, especially not mikko, but lina's comments about his looks earlier are lingering in your mind—leaving you flustered.

because obviously you are aware mikko is hot, but now you can't help but be really aware of the fact. damn lina.

"yeah," you clear your throat, clutching the cellphone tightly in your hand. "I was actually just wondering if you'd answer a question for tiktok? for me? promise it'll be quick."

his eyes flicker over your warm, hopeful face, and after a beat he sighs gently, a quick nod following. "yeah I can do that for you."

you can't help the way your eyes widen at his agreement. mikko seems oblivious to your shocked state, removing his remaining elbow pad and tossing it towards the back of his messy stall.

you catch a whiff of his intoxicating scent, and even with the sweat lingering across his forehead and soaking his branded undershirt, mikko smells so good. he's always been enveloped in a cloud of clean laundry and something slightly woodsy, and even though you're extremely professional, it never fails to make you falter.

you clear your throat and your head. "really?"

mikko runs the damp towel previously hung around his neck through his messy curls, making the appearance of them even more fluffy and soft. his eyes twinkle with amusement, a matching half smile blossoming on his lips. "yeah, really. why do you sound shocked?"

you make a tiny noise of confusion in the back of your throat, shooting a glance to lina over your shoulder. she sends you a triumphant look, brow raised like she knew that she was right.

she is right.

you look back at mikko quickly, "I just thought..." you trail off, brows pulling tightly as you think about the excuse he gave to lina—you're so confused. you've never noticed before if mikko had a certain favouritism towards you over lina, or even nick. I mean, you never paid attention to anything like that—but now you feel like you should be more aware, because this doesn't make sense.

"you thought..?" mikko raises one eyebrow, waiting for the second half of your sentence.

"nothing." you blink quickly, adjusting the phone in your hand. "sorry, let's just get to it."

you're still in some sort of shock for the rest of the day—the pieces of the puzzle in your mind loose and turned upside down as you try and understand mikko's dismissal of lina, or better yet, his compliance with you.

it had you further trying to solve the mystery. does mikko just prefer you? does he like your voice over your co-workers? maybe you smell like his favourite desert? does he like you? does mikko want to fuck you?

you're not sure where to pinpoint the source, but you're also determined to find the answer. with some help for lina, and even a little input from nick, you conjure up a plan—which lina finds the upmost entertainment in.

but you mean nothing but business. for the next few weeks it's only you who works with mikko rantanen—it's you asking him questions and having him participate in stupid games. and without fail, every single time you ask him, mikko complies.

so you get crazier with it. whether it's a questions about my little pony—a show mikko has never even heard of—or having him lift you onto his shoulder while a sabrina carpenter song plays through the tiktok recording—he is participating without complaining.

every. single. time.

it has your good friends, but ever so annoying colleagues theorizing.

"maybe he's got a thing for girls with her hair colour? can't resist them." nick chimes, sipping some piping hot coffee from an avalanche branded mug.

you roll your eyes, pulling open the microwave to grab your shitty frozen meal.

lina's laugh echos through the staff room, "mhmm...or maybe her eye colour." she sends you a teasing look before slurping some saucy noddles up into her mouth.

before you can respond nick pipes up again, "he definitely wants in her pants."

you take a seat beside lina—across from your male coworker—and send them both a slightly amused, but deadpanned look. "are you guys done?"

despite your attitude towards them, you can't help but wonder if their theories are correct. sure, mikko seems sweet enough—towards you anyways—but with the way you're barley pushing him into participating in stupid little tiktok's, has you pondering. mikko is nice...but not that nice.

is he just trying to get into your pants? and then forgot about you? the thought has you feeling angry, because you're not just some girl who he can treat nicely until he gets what he wants—absolutely not. and you're not going to let him treat you like a fool, just because he wants his dick wet.

the following day you’re determined to get answers and put your mind at ease. you like mikko—he’s a great guy—but you don’t want to feel like you’re being used. there was a team meeting and breakfast today, without the pressure of practice or a game—essentially an off day for the guys.

as the chaos of the dining room begins clearing out, only a few lingering athletes and staff members at some of the tables, you make your way across the room with a determined step, looking for mikko.

you catch the broad expanse of his back and blonde hair sticking out from underneath his beanie just as he slips out the door. you grumble to yourself, speeding up in hopes to catch him before he leaves the facility.

pushing open the rather heavy door to the hallway, you’re immediately greeted by his familiar laugh and gabe landeskogs smooth voice—spewing some dad joke that only mikko would find funny.

before you can sike yourself out, you march up to the two european teammates. “rantanen, I need to talk to you.”

they pause in their slow steps, conversation halting abruptly as both men turn to look at you. the sight of your hard expression and pointed gaze has mikko swallowing roughly, eyeing you with confusion.

gabe snickers quietly, the sound missing your ears, and pats mikko’s shoulder sympathetically. “last name, huh? good luck.” with that the avalanche captain stalks off, disappearing down the quiet hallway.

you cross your arms defensively, looking up—way up—at him, tone rough and determined. “are you trying to fuck me or something?”

“whoa whoa, just hold on a second.” mikko’s eyes widen, looking around the hallways quickly to ensure you were alone. even though he doesn’t see any physical bodies, mikko can’t be too sure—especially when he can sense the conversation is going in a direction that doesn’t need to be overheard.

he gently takes ahold of your wrist, guiding you towards the open meeting room directly across from the kitchen. the censor lights flicker alive as you step into the empty, quiet room—illuminating the once dark space.

mikko lets go of your arm, shutting the door with a soft click before turning back to you. he analyzes your face, eyes flickering over your still pointed eyes and the angry pull to your mouth. confused, he steps towards you. “are you joking with me?”

you raise your brows. “do I look like i'm joking with you, mikko?”

he shakes his head gently, like he’s trying to come up with a reason for your sudden coldness—you’ve never acted this way around him, and seeing you so irritated is rather strange. “why are you asking me that?”

he’s referring to the first question you’d asked him—rather angrily may he add. mikko is unsure what brought on the rather sexual outburst of a question, only because it’s so unlike you. in fact, one time ross colton tried to make a sexual innuendo with you, and you just about turned the colour of a ripe apple.

mikko thinks he must’ve done something—or said something to make you not only think like that, but ask him about—without so much as a blush on your face. you were serious.

you cross your arms again, defensive walls still built high. clearing your throat, you look away from mikko and towards the navy blue patterned rug covering the floor. “ why are you so nice to me?”

you practically whisper, timidly running your foot along the worn out carpet.

mikko blinks. “what?” he’s even more confused now—because why wouldn’t he be nice to you. you’re sweet, and respectful, and funny, and beautiful, and you’re you.

you meet his eyes again, expect this time there’s more emotion swimming in them, and you’re slowly coming down of your flurry of anger—left with fear and your own confusion. “like..,” you start unsure, “you only do the media stuff when i'm the one asking you to. are you only being nice to me so that like, you'll get in my pants?”

you’re right, he thinks. he only does media when you ask, but it’s not because he suddenly wants to if you’re the one asking, it’s because he can’t say no to you. mikko never wants to see you sad—he never wants to see the current look on your face when he can help it.

mikko shakes his head, slow and steady. “no. that's not why i'm nice to you.”

“no?” you parrot, the tiniest hint of disbelief in your tone.

“no.” mikko repeats firmly. “i'm nice to you because I like you.”

“like as a friend?” you gulp, arms falling to your sides as you’re no longer strong enough to hold them around yourself.

mikko doesn’t see the point of hiding his true feelings any longer. the thought of you thinking he had ulterior motives with his kindness literally makes his stomach hurt, and he can’t have you believing he’s trying to use you for his own benefit.

so with a gentle sigh, he takes another step closer to you, eyes softening as he takes in your hesitant gaze and red cheeks. “more than a friend.” mikko admits gently.

your face falls, “oh.” you’re in some sort of shock, looking up at the winger with parted lips and wide eyes. the way mikko is looking at you, so raw and real, has any lingering hesitance falling away, and your expression quickly shifts.

“yeah, oh.” the corner of mikko’s plump lip slides upwards, the beginning stages of a lopsided smirk growing on his flushing face.

he reaches towards you, slowly, hands enveloping the sides of your head as he holds you in his palms. mikko’s hands are so warm and big, completely covering your cheeks and ears—the feeling itself has you turned on.

your breath hitches as mikko’s rough thumbs begin running over your cheekbones, stroking your warm skin absentmindedly.

his tongue licks along his bottom lip, moistening the skin slowly. mikko swallows gently, not once taking his gaze off your flustered face. “but like, just so there’s no confusion, I would eat you out on the table until you’re crying if that’s what you wanted.”

you inhale sharply, stomach dropping with excitement and adrenaline. your body flutters at his words, “mikko.” you whine in a whisper, hands reaching out and resting against his hard pecks. you have no control of your hands, the need to feel him under your palms too strong. you begin running over his covered chest, his muscles tightening and nipples hardening under your deliberate touches.

mikko huffs shakily before he comes down, kissing you with as much passion he can manage. his lips are surprisingly soft and smooth, enclosing and teasing yours in a messy, hard way. the feeling has your stomach swooping further, toes curling in your shoes as the kiss grows harder—needier.

suddenly, mikko’s hands run down your body, passing over your ass with a firm squeeze. you moan into his mouth as his hands find the backs of your thighs, picking you up.

you gasp as he lifts you effortlessly, sitting you on the table like it’s nothing—mikko smirks at the sound you make, and he can’t help the way his dick twitches in his pants. his wet lips trail off your mouth, travelling over your jaw and down your neck where he continues giving you hot, and hurried kisses.

reluctantly, your eyes flutter open, running a hand under mikko’s beanie, gripping the base of his hair between your trembling fingers. “we can get in a lot of trouble for this.” you breathe.

despite your words, your hips rolls against his hardening length, your cores at the perfect angle with you sitting on the table to grinding together deliciously.

mikko pulls back, eyes glazed with lust as he grins. “I know. so we'll just have to be sneaky.” his words are husky, sending your blood pumping and head swirling with need.

he leans back in, giving you another eye rolling kiss. you push his hat off his head completely, giving yourself free reign of his messy curls, tugging the blonde strands as your heart desires.

mikko pulls you closer on the tabletop, further bumping your clothed heat against his. his large hands slide underneath the back of your top, running over your spine and fiddling with the edge of your lacy bralette.

you sigh trembly, disconnecting the kiss. “i'll have to stop asking you questions though. because now I really won't be able to control myself around you.”

the admission has mikko smirking, biting his lip seductively. one of his hands round to your front, groping your tit over your bra. “I turn you on baby?” he already knew the answer to his question—your hardened nipples and shifting hips giving him all the information he needs.

you laugh through a breathless exhale, and you gently hit his shoulder. “be serious. you'll have to tolerate lina, and start saying yes when she asks you to do things.”

“no promises.” he chimes playfully, hands running back down your torso—leaving goosebumps in their wake.

you give him a soft, serene smile, which as mikko following suit—looking at you the way he always has. “I really like you, mikko.” you admit gently, one of your hands running over his building bicep before sliding around to rest on his shoulder blade.

for a moment, his smile remains admirable, looking down at you like you’re the only thing that has ever mattered. mikko has been dreaming of the day you say those words, and actually hearing you speak them is just otherworldly.

but because he’s a boy, and you’re his dream girl with his spit coating your plump lips—he can’t help himself. mikko’s hand rounds to your front, dipping underneath the waistband of your leggings and sliding over your underwear. he thumbs your clit over the thin material, and your mouth goes slack at his touch.

he breathes, smirking at the feeling of your arousal soaking through your panties. “yeah I can tell.”

“shut up.” you huff, pulling him back in to continue your desperate kiss.

[falseficus]

if i may play the devil's advocate for a moment -- it doesn't really bother me that most of the fan posting around disco elysium on this site is more focused on the emotional aspects of the game than the political ones. i mean, firstly, it's well-acknowledged that fanworks tend to fill the gaps of unexplored potential in the original work -- ie, envisioning darkness in lighthearted works, re-imagining dark works as lighthearted. a lot of the emotional or relational aspects of disco elysium are left ambiguous, abstract, or at the very least dependent upon player choice and interpretation. this renders them fertile ground for speculative art. by contrast, the game's political statements are, if you have the context to analyze them well, complete. there simply isn't much more to say.

beyond that, those political aspects are also leagues ahead of many other pieces of media in terms of their complexity, nuance, and real-world analysis. that's part of what makes the game so great, and i do think may fans understand that. but, to be honest, being capable of engaging with those aspects of the game (just glance at reddit, and you'll see that many fans don't even reach that level) does not mean that fans are capable of generating that level of work themselves. like, it's simply more mental work to come up with a piece of creative art/writing that expands upon the superb worldbuilding and commentary of DE than it is to write about harry and kim getting goopy nasty. people know how to do the latter because it is a commonly exercised muscle of fandom. the former is almost academic.

that doesn't mean people *shouldn't* engage with the political aspects of the game generatively/creatively. but also... like... maybe it's better this way. seriously, look at reddit, guys. the DE subreddit is full of people *attempting* to engage with the game politically, and the analysis they're putting out is hot steaming dookie. i lose brain cells every time im forced to read another take that earnestly assumes the game positions moralism as the Right and Good Choice for Revachol. on tumblr, analysis is generative, practiced through art/fanfiction... and if i had to see the type of shit i see on reddit on tumblr in the form of fanart, id kill us all.

so anyway, i dont think the fanwork hyperfocus on relationships/emotion indicates that people aren't properly understanding the political points of the game, but simply that those points are much harder for fans to process in a generative way. their underrepresentation in fanwork doesnt particularly indicate anything about the way people are actually receiving and understanding the themes of the game.

except for the people inexplicably clogging the tag with jean viquemare. they do not understand the game and will not see the light of heaven

[musicalmoritz]

It’s canon Mitsuba’s gay?

I’m gonna use this as an excuse to yap because Mitsuba’s queercoding is either weirdly downplayed by fans or used solely for BL shipping purposes so I want to talk about it through the lens of what it means for his character, role in the story, and relationship with Kou

Yes, Mitsuba is canonically gay

Things don’t have to be explicitly stated in order to be canon, subtext is a major part of media analysis. This is something a lot of fans miss which leads to a misunderstanding of the source material. I do have some credentials for this, I’ve taken two undergrad college literature classes in which the subject of queercoding did come up multiple times. Meaning analyzing queercoding has literally gone towards my degree so I feel like my opinion holds some weight (not as much as that of an actual English major but yk I assume I’ve had more education on it than the general TBHK fandom)

There are multiple ways to queercode a character, sometimes it can be as simple as feminizing a man or masculinizing a woman. Though that method might be a bit outdated nowadays with gender roles becoming less strict, it’s still worth keeping in mind when analyzing queer characters. Another way is through romantically colored scenes with characters of the same sex, or by having them hint at disinterest in the opposite sex. Mitsuba checks off all three of these boxes and then some

First off, Mitsuba is attracted to men. This is made extremely obvious through his relationship with Kou but I’m gonna explain it anyways because unfortunately I’ve seen a lot of fans say they’re just platonic

Mitsuba and Kou went on a date. When this is brought up, fans typically jump to the excuse of “but Kou said it wasn’t a date,” which is where my American Lit class is going to come in handy. One of the major things we learned is that authors have to understand that everything they write has some sort of real world connotation. If you write a scene with a doctor, you have to understand that your readers already have preconceived notions of what doctors represent. You can choose to either lean into that or subvert it, but you have to be aware that as soon as a doctor enters the scene, readers have already made assumptions about that character

The word “date” is clearly being used in a romantic context here. When Kou texts his friends and brother about it, they all assume he’s talking about a romantic date. While in the actual context of the scene, Mitsuba and Kou aren’t quite ready to use such a strong label yet, the romantic wording here is still very intentional. AidaIro would not have labeled this moment as a date if they didn’t want readers to view it in a romantic light, because they understand that their readers are going to associate dates with romance. Japanese censorship is really strict, it’s hard to publish stories with explicitly queer characters unless the series is labeled as a BL or GL. And so Japanese manga writers often have to find roundabout ways to express that characters are gay without outright stating it- such as suggesting that they’re going on a date with a character of the same sex

In the printed volume for Vol.20, there’s an editor’s note that mentions that when Kou and Mitsuba are making plans to hang out at the school festival, it holds a romantic implication for the Japanese audience. Cultural differences are important to keep in mind, to western fans this scene might not raise any eyebrows but for its primary audience, it is confirmation that Mitsuba and Kou are romantic. I also find it interesting that the editor felt this context was important enough to warrant clarification

And frankly, their relationship doesn’t make a lot of sense if it’s solely platonic. Male friendship is something TBHK writes very realistically, the male characters aren’t as touchy-feely with their friends as they are with their female love interests. Yokoo and Satou don’t directly ask Kou how he’s feeling when they notice he’s upset, instead they give him a task to distract him- similar to how men in real life cheer their friends up through quality time rather than talking through their emotions like women do (not every man ofc but a good majority of them). When Teru is down, Akane doesn’t hold him and reassure him the way he does with Aoi. There are no grand declarations of ultimate “friendship” the way you see in fan servicy series like Haikyuu. Instead, he used his and Teru’s rivalry to indirectly motivate him to get his head back in the game. When Hanako is sad, Kou cheers him up by making donuts for him and then giving them to Nene so she can pretend she’s the one who made them. This is a very healthy portrayal of male friendship, and Mitsuba and Kou are nothing like this

Mitsuba and Kou both cry and vent to each other multiple times (the Mitsuba Arc, the Picture Perfect Arc, the Nightlife Arc), and instead of comforting each other indirectly they do things like offering to die for each other. You would never see Akane offer to die to make Teru feel better, nor would you Aoi and Nene or Kou and Hanako. It stands out so much from other friendships in the series, even Kou’s friendships with other characters. That is a conscious writing decision, AidaIro make a point to show Mitsuba as an exception for Kou. It’s worth noting that in the same chapter where Yokoo and Satou cheer Kou up indirectly, Mitsuba attempts to directly have him talk about his feelings

They’re also incredibly possessive over one another, in a way friends usually aren’t. When Kou was in the Red House, he was shown his greatest desires, and Mitsuba appeared in one of these. Kou said he knew Mitsuba would appear, which is interesting because at that point he had already picked up on the house showing him what he wanted. But what does he want? He wants Mitsuba to rely on him entirely, to be completely useless without him. He wants Mitsuba to be “no good without him,” to need him so badly that he begs him to die so they can be together. I’m not exaggerating, these are lines pulled straight from the chapter (paraphrased but still). Later on in the Nightlife arc, Kou breaks down when he discovers Mitsuba has been relying on Tsukasa for life-saving help. As for Mitsuba, he wants to die by Kou’s hands. He says it wouldn’t be satisfying if anyone else killed him, and that he would be happy if Kou were to be the last person he spent time with before he died. He tries to trap Kou in a picture perfect world just like Hanako does with Nene, because he wants to live a normal life with him. It’s also shown in one of the extras that Mitsuba cries when Kou ignores him

They’re also drawn very romantically, again we don’t see Teru and Akane this intimate with one another unless they’re fighting. We especially don’t see Kou this intimate with anyone other than Mitsuba, and while Mitsuba is sometimes clingy with Tsukasa we certainly never see him posed romantically with a woman. This comes back to authorial intent and real world connotations, AidaIro know that male friends aren’t typically this close, and therefore casual affection like this will be interpreted in a romantic light. We see them hold hands/wrists multiple times too, Kou gives Mitsuba a piggyback ride in one scene, and in ASHK they had a classic “pinned against the wall” page

I’ll also mention the AUs, because those indicate a lot about the characters as well. In Hanako-Kun of the Opera, Kou poisoned Mitsuba so he could take him away from the opera house and protect him from Tsukasa. He basically kidnapped him. He also stayed with Mitsuba at the opera house for a seemingly long period of time despite hating opera. Aaaaand they’re childhood best friends in this au and Kou took care of Mitsuba while he was sick

Then there’s the Ghost Hotel, where Kou is a werewolf who takes bites out of mummy Mitsuba during full moons. Despite this, the two appear to be friends and Mitsuba helps Kou out around the kitchen. Cannibalism is consistently tied to romance throughout TBHK, most notably with Hakubo and Sumire but other romantic pairings have cannibalistic moments or official arts. During the zombie mokke chapter, Nene panicked when Akane tries to eat her because she assumed it would put her in a love triangle with Aoi. So yeah, cannibalism in TBHK is directly tied to romance and we see that with Mitsukou both in canon and in this au. Speaking of which, I’m not even gonna get into the symbolism of Kou holding a heart out to Mitsuba. Connect the dots for yourselves

Now that we’ve got Mitsukou out of the way, let’s talk about Mitsuba’s disinterest in women

Remember how I said one of the ways queercoding is done is by having a character hint at disinterest in the opposite sex? Yeah, very rarely are we going to see a queercoded male character outright say “I have no attraction to women.” Instead they say they just never saw the appeal in dating, or that they never had time to settle down. In more obvious cases, we have scenes like Reiner from AOT joking that Ymir isn’t all that into guys

I couldn’t find the second scene but there are TWO extras where the subject of Mitsuba’s disinterest in women comes up. C’mon guys I’m trying not to be mean here but you have to be blind, oblivious, or in denial to not pick up on that. Whyyyyy would they mention Mitsuba not having a crush on any girls twice if it weren’t to suggest something about his preference?? Coupled with his appearance (which I’ll get to later) and relationship with Kou, these scenes carry a lot of weight. Even if those other aspects weren’t included, scenes like this would still indicate he has no interest in women (which would make him gay or aroace, though due to his relationship with Kou the aroace thing is kind of ruled out)

Compare this to a scene where Mitsuba thinks he’s being asked out by a man. He doesn’t say “hmmm nope no guys, I’m cuter than all of them~” he specifically says “I’m not interested in guys with lame earrings.” The way this is worded implies that Mitsuba is discussing a type, though it’s v much a comedic scene and we know from everything else that he absolutely does like guys with lame earrings, it’s still worded in a way that makes him appear queer. If he were straight, they would have had him say he’s not interested in guys at all (like Dazai from Bungou Stray Dogs, John Watson from BBC Sherlock, Finn Hudson from Glee, idk there are a lot of male characters that are explicit straight sorry for the crazy random list). Also note how he teases Kou about it, he knows that Kou is fond of him and doesn’t hesitate to use that against him (like when he was comforting him during the Nightlife arc)

They don’t go overboard with Mitsuba’s disinterest in women because, well, that’s not really necessary. Two scenes is already a lot, and he doesn’t have any romantic relationships with women in canon (even as a crush/a joke scene). It’s rare for TBHK characters to have absolutely no scenes expressing interest in the opposite sex, since the series is partially a romance. But Mitsuba consistently only ever shows interest in one man, and when girls are brought up he’s quick to brush it off. His mom did think Nene was his girlfriend when they met, but this was depicted as a very awkward and comedic scene. Because the premise of Mitsuba having a girlfriend is objectively hilarious

(Due to Sousuke’s young age it’s reasonable to assume he wasn’t out to his mom yet, he’s around the age where most kids are closeted. It’s even possible that Sousuke hadn’t come to terms with his sexuality yet, though it’s still a prevalent part of both his character and No.3’s)

Now let’s move onto appearances. I want to give a quick disclaimer, not all gay men are feminine and not all feminine men are gay. Androgyny is also very common in anime and doesn’t automatically mean a character is gay, but there are cases when it’s used for queercoding. Mitsuba is one of these cases

Mitsuba is a very feminine character, this is addressed as soon as he shows up in the manga. He was bullied for his appearance (and personality), but unlike his personality he never tried to change his feminine appearance. He kept his hair long, continues to wear scarves and cardigans and earrings. No.3 wears these things as well, and I would argue has a more feminine personality since he seems to be more open about his emotions and idk. I struggle to categorize feminine and masculine traits because imo that’s subjective but there are things society deems feminine vs. masculine. The problem is that I really dislike the whole “men are strong and women are emotional” thing but ehhhh I guess I have to talk about it for this. Hmph. But yeah although Mitsuba isn’t exactly the biggest sweetheart ever, he does act somewhat feminine compared to the other male characters (as I’ve said he’s p much the only man in the series who attempts to work through emotional conflicts directly)

Once again we circle back to intent, AidaIro know that a male character dressed in pink with pink eyes and long pink hair is going to raise some eyebrows. Even by androgynous anime standards, it’s a bit much. And good for him, although not all gay men are feminine, some are and that’s also fine. I can’t speak on how well he represents feminine gay men because I’m a lesbian but he does dress similar to some of the feminine gay men I’ve known irl (or slightly less feminine in some cases…I knew this one dude in high school who used to wear corsets to class and he was so badass I hope he’s doing well)

I could get into how Kou is a bit feminized too with the whole housework thing but this ain’t abt him. I will say that Kou is still a very masculine character but despite this his character is feminized in some ways compared to the other men. I’m not really here to discuss whether that’s good or bad, I’m just stating the evidence as it is, you can make your own conclusions as to how you feel about it

So how does being queer impact Mitsuba’s character arc?

When I get around to writing my analyses of all the TBHK characters I WILL be talking more in depth about the queer allegories with Mitsuba’s character but for now I’ll give ya’ll a quick summary. Supernatural characters have been used for years to represent queerness, the same could be said for villains and any character trope that represents a feeling of “otherness.” Sometimes it’s more broad like X-Men, where the superpowered characters are used to represent all types of minorities (though I believe X-Men is more closely tied to race, there are rampant queer themes as well). Then there’s books like Interview with the Vampire that get more specific with it, where Louis denying his “true nature” as a vampire is used as an allegory for him denying his queerness. Well I’m here to tell you that Mitsuba and Louis de Pointe du Lac are in the same boat

Mitsuba differs from the other supernaturals because he desperately tries to hold on to feelings of normalcy. He wants to be a normal human and live a normal human life. He doesn’t want to be othered, to be outcasted from society for something he can’t control. We don’t see Hanako, Tsuchigomori, Mei, or any of the other supernatural characters struggle with this. You could argue that Akane does but his situation is more related to learning to empathize with others than any internal battles within himself. Hanako may have moments of wishing him and Nene could have something more, but that’s more about romance than his identity.

This desire to be “normal” is unique to Mitsuba’s character, and it’s a very queer desire. Being an angsty teenager who hasn’t fully accepted themself yet and hasn’t realized that being queer is not only normal, but a beautiful experience. It’s also so interesting to me that as he’s trying so hard to be normal, it creates a push and pull between him and Kou. He wants to be normal for Kou but he also feels that he’s hurting Kou just by existing, that this could only end bad for him. Oh the inherent guilt of having your first gay crush and feeling like you're corrupting them hist for pining from afar

So, can you ship him with women? Technically you can do anything, shipping isn’t illegal and we all have free will. Should you ship him with women is more subjective, I personally think no!! Queerness is not just a sexuality, it’s an identity that deeply impacts who you are as a person. It shapes your experiences and your view of yourself, and in an allegorical way it has certainly done this for Mitsuba. Yes, bi people are queer as well and this is still true for them, but bisexuality is not Mitsuba’s experience. Mono-attraction exists and that specification is very important to gay men and lesbians. For some people sexuality is fluid and that’s beautiful, but it doesn’t work that way for everyone

Some queer fans don’t care if gay characters are shipped with members of the opposite sex, and they’re entitled to their own opinions. It makes me immensely uncomfortable tho, so please block me if you ship Mitsuba with women. That goes for any ships between canon gay/lesbian characters and the opposite sex. I respect people’s right to have opinions but that doesn’t mean I have to like the opinions themselves, and I don’t have to engage with anything that makes me uneasy. That goes for all of you btw, never let people convince you that you have to put up with shit you hate on the internet lmao, this is not real life babes. Block and move on

TL;DR

Mitsuba is too gay to function

[certifiedlovergirlsstuff]

case of the day | s.r. x liaison!fem reader

everyone was tired. it’s been a week long case out of state with a time zone difference of four hours, everyone was thrown off. but the bad guy was caught, the lives of those taken will sit somewhere in those dark corners of your mind, always giving you reason to try and work just a second faster.

“hey,” a soft voice spoke beside you. it pulled you from your heavy thoughts, you blinked and turned to see that spencer’s joined you on the jet couch. your word search book and highlighters sitting in your lap while spencer held a thick book on string theory, he probably already knows everything about that theory though.

“hi,” greeting him back as you bring yourself back to the present. no one on your team was hurt, everyone is going back to their lives and loved ones. “do you want to get something to eat when we land?”

it’ll be about four in the afternoon when the jet lands, your breakfast and inflight snacks long gone. spencer’s mouth twisted to the side in thought, it was cute. “there’s this indian place if you’d like.” his eyes were alight at the mention of the restaurant, probably a favorite of his.

you smiled small, “i haven’t had much of the flavor, but i’d like to try.” always happy to spend time with spencer outside of the office. you took him to this coffee shop that housed a book nook, he showed you were he has his weekly chess meeting at the park. you’ll have to think of another place to bring him after this.

“you doing okay?” his soft question caused you to keep your eyes on your lap. you weren’t sure why it was this case that’s caused your mind to think the most of, maybe it’s one of those things were after a certain amount it’s your way of reminding you about the severity of your job.

his hand set atop yours, his thumb bringing a comforting motion to your skin. you’ve noticed how spencer’s more okay with touch when it comes to you, elle teases you about it, but you’re happy to know he’s the most comfortable with you.

your eyes focused on spencer’s chin, “do you ever have a case that reminds you how many disturbed people there are? that it’s our job to stop these people before more are killed at their actions.” now bringing your head up a little higher, lids heavy and eyes sorrowful.

you sighed deeply, “i know it’s different between us since you’re in the field and have a gun. and i’m just a liaison dealing with the media, but- anyway.” shrugging off your sentence.

spencer rolled his lips, brows pinching in the middle as he analyzed over your words. his palm was still warming your knuckles, “there was this one case. a guy who was kidnapping then killing families after a week, he took three families before we were called in. and we got him before the fourth family met the same fate, and when he was taken into custody for questioning he said “the fathers are a disgrace. mothers the whore. and a child the mistake.””

you saw his adam’s apple bob when he took a deep swallow. you moved your pinky to graze the side of his hand. “and i just thought, he’s heard and or seen these things to just think that about every family that resembles his. his upbringing was that torn up he only saw one thing, even if the family he was stalking were happily safe and loving to each other.”

spencer leaned his head against the backrest, his eyes a bit glossed over. you just made him relive that case, clear as day for him. with your free hand you let your fingers card through the hair on the side of his head, sweeping over his ear and stopping at his jaw. “i’m sorry. i didn’t mean to make you relive that,” thumb giving a flick beside a freckle.

his fingers circled your wrist, “it’s okay. but also just because our jobs are a little different they’re both still very important to this department. you’re an important member of this team.” raising his brows for extra emphasis.

“thank you,” you whispered. “why don’t you get some rest? here,” having to move your book and highlighters to the side and getting yourself a bit more comfortable. “use my lap.”

“you sure?” “of course.”

spencer shuffled around then set his head to your lap, his long legs stretched and bent to the end of the couch. he stared up at you while you looked down, “is it okay if i touch your hair?” he smiled, “of course.”

with soft, soothing repetition you saw how spencer’s muscles loosened. “tell me about string theory,” just wanting to hear his voice uninterrupted.

“well, string theory is a theoretical framework in which the point-like particles of particle physics are replaced by one-dimensional objects called strings…”

both of you didn’t notice how gideon and hotch were eyeing the both of you near the front of the jet. a tiny smile cracking that stone facade of hotch. “they’re good for each other.”

“it’s always nice to have someone or something important to take comfort in with this line of work. keeps use sane and human.” gideon spoke before returning to his paperwork.

[befuddledcinnamonroll]

Top 10 Things I Love About the QL Tumblr Community 2023

I'm loving everyone's end of year lists, and decided to make up one of my own.

I haven't been on Tumblr for very long and was originally just lurking. 2023 marks the year where I finally started posting, after I read a take that made me feel compelled to come to a fictional character's defense. (Saengtai, my poor little blorbo).

So in commemoration of my first proper year of active tumblring, I present what I love about this community (in no particular order).

(Side note - Technically I know this is still primarily a BL community, but I like to say QL because I am trying to manifest more lesbians for us.)

1) The Gifmakers

Y'all are a good 70% of the reason I joined Tumblr in the first place. There are so many show moments that I want to relive, but without having to search through videos. Sometimes I want to appreciate the aesthetics. Sometimes I want to remember adorable or goofy moments. Sometimes I just want to see cute boys eating each other's faces. Our gifmakers give all of that to us, with the addition of so much creativity and style.

There's too many amazing ones to mention everyone, but I have to shout out @sparklyeyedhimbo, because the way your brain works makes me so happy.

2) The expertise

The other part of why I joined Tumblr was to learn more about what BLs were out there and what I might be missing. And holy hell. Y'all are putting in the work. Not only lists and resources for finding all kinds of QLs, like these fabulous monthly breakdowns by @gunsatthaphan, but also amazing posts that add additional context, like @absolutebl's incredibly helpful breakdown of Asian honorifics. There is so much research people do, for fun! And then they share it!

3) The meta analysis

I frickin love reading people's takes and analyses on series. I love learning, I love seeing perspectives from people with different cultural backgrounds to my own, it's all so fascinating! There's so much context we can miss due to our own privileges, or lack of knowing about various cultures, or due to whatever bubbles we've been living in. People here are just so smart, and nuanced, and willing to reflect and think about things, and also push back at each other, but generally with respect (except when you call out the dumb shit you see, usually on Twitter or TikTok, where people are being reductive and dumb about gender and sexuality).

And I've seen a few takes where people complain about analyses, and say that the director/production doesn't do everything deliberately, and we're all reading too much into it. To which I say, eh, lighten up. How people connect to and relate to media has relevance beyond what was intended. The point is we get to think and discuss and learn and grow. That doesn't happen if we don't analyze.

Special shout out here to @respectthepetty because colors mean things!

4) The wild theories

The other side of the analysis coin, the clown cars y'all drive around in with the wildest of theories. I have happily climbed into an occasional clown car, and usually I am utterly wrong (*cough* Saifah *cough*). But it's a super fun ride. I love seeing how people's brains work. I love it when y'all are wrong. I love it when y'all are right. It's beautiful.

5) Immediate acceptance

I am one of those people who knows that I have a lot of good qualities, and also, always kind of expect rejection. Blame the childhood bullies, I guess. Anyway, whenever I delve into a new space, I still feel like a total dork that no one will want to talk to. It's kind of a fraught way to move through the world, but I manage.

Anyway, I started posting my thoughts as they came up, and people are just totally cool with it. People even follow me sometimes. Even my silliest thoughts and dumbest jokes get at least a couple likes. It's so validating.

And my very silly joke about gay mafia in Kiseki has over 800 likes. I feel very seen.

6) Mutuals

I still kind of can't believe I have any. This ties in to the dork feeling above, but seriously - they are soooo cooooool. They're smart and awesome and funny, and they somehow find me worth following back, which is baffling yet wonderful. I want to squish their faces and give them many kisses (if they're into that kind of thing).

7) The self-exploration

I really appreciate how it's become more talked about how a lot of people are discovering queerness through BL, because that is so the case for me. I think it's both that I was in a bit of a hetero bubble before, and also that I'm evolving a bit as I age. I had figured out I was demi, and maybe a little bit gay, before getting in to BL, but being in this community, and seeing so many of you share so openly and freely, has made me realize it might be more than a little bit.

Either it was a new realization, or being around y'all has made me more gay. Win win, either way.

8) The weirdness

I'm weird. Y'all are weird. I love it.

9) The thirst

So many in this community are thirsty as fuck, and as someone who is in that same condition, I love that it's not just me. There are not many places where I can freely admit how horny I am as a part of my general existence.

Here? I could post about wanting to lick some random BL actor's face, and it would get a bunch of likes and some tags like #lickable, and it's just not remotely a big deal.

Also the gifmakers understand this, and give us beautiful cuts of our spicy scenes. They are genuinely too good for us.

10) The communal watching experience

There is absolutely nothing like watching along with people in the community. It is so worth the torture of having to wait week to week for new episodes. Seeing the show trend, watching the theories fly fast and furious, or the way everyone collectively loses their minds over particular moments. In a world that can feel very isolating, it's a very warm experience.

So there you go. Thank you all for being you. Here's to another year of QL shenanigans and losing our collective minds!

[bananaactivity]

JAY AND BEN REDSIGNNN

The Boyssss

I’m working on a Benjay tragic romance fic and I had to design them right quick.

I like themmmm I’m gonna do Mal and Evie next then I’ll have the core four finished. They are 21 and 22 respectively. Ben’s always the youngest in my eyes.

I’m not getting rid of the beard idc. I’m adding more scars to Jay next time I draw him because why does Chad have more scars then an isle gang member, and know that half of them are because of Harry.

They have one specific nickname for the other,

Jays is Jay Jay, and Ben is Dumbas- I mean Benji

Here’s some context for there tragic relationship:

Mal and Evie get together after the Sea VK Battle on Harry Hooks boats instead of Ben and Mal. Thus the core four minus Jay are nervous that Ben will retaliate to this by kicking them out of Auradon Uni and off Auradon as a whole. Ben meanwhile has been raised in such a way that he is absolutely terrified of being alone. Jay has just just had to grapple with the fact that he had feelings for Harry beyond a really intriguing rivalry and he can't act on that because of Harry and Umas relationship that was already a steady under current and bloomed even more during the VKs 1st year tenure at Auradon Uni. As well as dealing with all his friends slowly separating in college which is typical. So Ben and Jay are both dealing with feelings of abandonment and stress, neither of them want to think about that pain and would do anything to mask it. Jay is much better equipped to handle this enough to at least seem functional to his friends, but he's teetering on the edge. Jay ended up being the first person to speak with Ben ,who was an absolute wreck, after he stayed holed up in his very fancy prince dorm for many weeks. They already had good chemistry with one another prior and Ben comes onto Jay. It feels good to both, and it's doing what they want in regards to ignoring the bigger deeper issues at play. It's also a secret because obviously a heavily charged and unhealthy relationship like that would be heavily discouraged. Warning, this is not gonna end with a healthy relationship. Some feelings are real like they don't want to actively use and hurt each other, but the emotions at play and the rough start to the relationship DO NOT lay solid ground to foster a good long lasting relationship.

I’m also going to add one fic I wrote from Ben’s Perspective beware it’s not done:

Being a Prince was a tough job. There was so much pressure on him to be a great future king. One major aspect of that was his future spouse; his mother was always bothering him relentlessly on the topic as he grew up. “ Benjamin, Darling you must choose a good spouse, it is imperative to the people's perception of you.” his mother would often say. The constant narrative of “dont be alone” was always pressed on him so hard in fact that he couldn't bare the thought of being alone. It got so bad that that he went with the first present options of someone to court. It was stressful when he and Audrey were courting, the constant trailing during dates stressed him out as well as the media coverage analyzing their every move. Aubrey herself seemed more concerned with the respect that comes with being a queen. Nobody really liked her very much, but she was pretty and she was sweet during those first years. Unfortunately that all faded as the years went by and he felt there was no way out. He couldn't be alone. Then came Mal, she was beautiful and sweet. But she was hopelessly in love with her best friend and her best friend felt the same. It almost became this rush to him to wed her before she could leave and yet he felt so bad about it. He didn't want to be alone. But he pushed it and was alone anyway. The big ass walls in his dorm felt like a cage. What was he to do but sit in his room and cry. And he was alone, which he didn't want to be. Then Jay showed up. Jay handsome, good at Tourney, an excellent swords-man and his closest friend. Looking into his concerned brown eyes, he remembered leaping into his arms. There wasn't much conversation to be had as he was a bawling mess. All he could remember from that night was staring into those eyes for as long as he could and making a move that even he didn't expect. He kissed his best friend. And it felt good, really good. The best part of this situation was that the amazing feelings completely washed over the awful ones that led him to that very moment.Until Jay moved away, he was expressing concerns about the sudden atmosphere; yet he was into it. He had kissed him back and moved his face to kiss him again once they got over that little hurdle. The time spent felt… really nice. It was more intense than anything that had happened before for him. But maybe that was because he had thrown himself so totally into the sensations at play so that no semblance of sadness could worm their way back into his heart.

It was such a drug that they both implored to keep it up. He defended this continuous indulgence with the belief that it was allowing him to show his face on campus.Spending time suffocating in his fancy prince class: “ Kinging 101: The study of Class Disparity” waiting for the pleasant feeling of rough calloused hands pushing him into the corridor just near the lecture room. Every time he felt those hands he breathed a sigh of relief.

If you want to read more check out the pinned post on my blog which has 18 pages of my Descendants AU.

[kriscommitscrimes]

IN-DEPTH CHARACTER ANALYSIS OF KRIS(MAS) DREEMURR

Hello! I've wanted to make this post for a WHILE now, since Kris is my favourite character ever, and I LOVE analyzing characters!!

Anyway before I start just remember that people consume media differently, and this is just what I've personally picked up on. You may interpret certain points I make differently to me, and that's ok! I'm just sharing MY analysis of Kris, at the end of the day, they're a character who has never spoken any dialogue that's visible to us, so their intentions behind certain things could be interpreted differently depending on who's consuming the media.

Kris will be EXCLUSIVELY referred to by they/them (they/them/themself specifically) pronouns throughout this post. If you refer to them as anything other than they/them while interacting with this post I'm gonna block you on the spot sorry.

ANALYSIS BELOW THE CUT BECAUSE IT'S LONG!!! TW there's probably some swearing I can't remember

By the way, I'm not including any screenshots because I. forgot to take them last time I played through Deltarune, but the next time that I do, I'm going to make like a revamped version of this post with screenshots. Sorry about that!!

Kris is their own, separate character from the player. This is a no-brainer if you've actually played through Deltarune and paid the slightest bit of attention to it. Kris is their own, separate character with a VERY distinct, interesting personality, who had a life before the events of Deltarune, and even still has control over some things that they say and do while in our control.

Kris isn't actually a quiet person. Kris, in reality, is an overdramatic, sassy, talkative person who often draws attention to themself by scaring people (especially Noelle), and causing scenes. They CONSTANTLY play mean spirited pranks on Noelle or pressure her into things (I'm NOT talking about Snowgrave, I'll get to thar later), like shaking the ferris wheel carriage despite Noelle being scared of heights, and telling her that ICE-E is real and eats kids. They still do this during the events for Deltarune, like if you go against Noelle's wishes and pet the cheese, Kris strokes it like a cat, and if you give Noelle a healing item called a Choco Diamond, she says something along the lines of 'Umm, it's ok, Kris, I'll share', and both of them get healed. We don't choose for Kris to force Noelle to share, that's a decision they make. As for drawing attention to themself, the first thing that comes to mind is they falling to the ground and sulking when they're too short and weak to play Queen's arcade machine, or them barking at Noelle when she offers them a dog treat. They're loud and impulsive, shown when they eat the pie at the end of chapter one, repeatedly kicking the robot in the basement when nothing happens originally before the Sneo fight, eating all of the chocolate Undyne gives them to give to Alphys if you interact with the box, and screaming that they're normal if you call Toriel after watching her conversation with Alphys at the start of chapter two. Speaking of which...

Kris seems to have identity issues. This is one of the things here that everyone in the fandom is kind of already aware of, but this is a full character analysis, so it's still important to mention. Kris is the only human in Hometown, but desperately wants to be perceived as normal. They scream it at Toriel like I mentioned earlier, they wore a headband with red horns on it when they were little to look more like a boss monster, and they seem actively disgusting or even frightened by other humans. They also seem to be living in their brother's shadow a bit, which may be why they like drawing attention to themself. Everything I've said about their personality seems to be a little on the negative side so far, but everyone in Hometown knows their name, and seems to quite like them, so why is this? Well...

Kris is charming, well-spoken, and funny. They're a prankster known for pulling mean-spirited pranks on people, but even still characters like Noelle look back at those things fondly, and everyone in Hometown seems to like spending time with Kris. Kris' flirting abilities are pretty obvious, and are used to win over loads of Darkners, not to mention their ability to formulate a compelling speech on the spot, as shown during the first Queen battle when toasting to her. They easily win people over, especially if they like a person, I mean, they became best friends with their former bully in a DAY! A DAY!!! People seem to find them just genuinely fun to hang around, probably due to them just being a funny, charming, somewhat balls of the walls kinda person.

Kris is NOT evil or malicious. This is one of the most important points I've wanted to make on this post. I've seen the theory that Kris is evil because they don't actively do anything to prevent Snowgrave from happening tossed around and I'm here to say that that is actually fucking stupid sorry. Normally I HATE being mean about people's theories because, like I said, everyone consumes media differently, but that one is just genuinely terrible. I'd say it's WAY more likely that as Noelle gets strong, out control over Kris becomes stronger. Normally, when we choose an option to make Kris say or do something, they ELABORATE on that, which is confirmed by how characters interact with them. We just can't see them speaking to give the illusion that they're a blank slate, under our full control. But, during Snowgrave, they just say EXACTLY what you tell them to say. If you tell them to say 'We're something else', they just say 'We're something else'. If you tell them to say 'Proceed', they just say 'Proceed'. Sure, you could put this towards them not caring, but after Berdly is frozen and you reunite with Ralsei and Susie, both of them say that Kris looks HURT. And later on, they REFUSE to go and see Noelle in her room. The refuse to THINK about it. They're not happy with what happened. They didn't want to go around freezing people. But the one thing that Really stood out to me, was during the Snowgrave Spamton Neo fight. Near the end, you have the option to call Ralsei and Susie for help, which prompts the flavour text; 'Kris called for Susie and Ralsei... But nobody came'. After that, you have to call Noelle for help to finish the battle, which prompts the dialogue; 'You called for Noelle'. Spamton states that Kris could barely whisper her name. They're trying to stop you from calling for her. Those aren't their words. I think that kind of confirms that they didn't want Snowgrave to happen. Kris is just a funny teenager with identity issues, they're not evil. Sorry evil Kris fans.

Kris probably isn't the Roaring Knight. They're A knight, but not THE knight. So far, they don't REALLY have any motivation for opening the first two fountains that I'm aware of, and I doubt they knew they could open a fountain until Queen's speech at the end of Chapter 2. At the end of Chapter 2, however, they do seem to have a motivation to open a fountain. They (presumably) slash Toriel's tyres to stop her from leaving the house to go and get flour. They want her to see the Dark World. And if you choose the option to talk to Undyne about the Dark World, Kris explains it to her in FULL DETAIL, but she brushes it off as a joke. Toriel finding her tyres slashed leads her to call the guards, and Kris leaves the door of the house wide open. They want Undyne to see the Dark World, I don't know WHY, but they do for some reason. But I REALLY doubt they're the Roaring Knight, they just don't have the motivation, and if it is them, it would be really weird for Toby to reveal that so early. I really doubt that kid wants to bring on the end of the world.

That's all I have for now!! Expect a more fleshed out version of this next time I play Deltarune with screenshots and such, though I may wait until chapter 3 and 4 come out! Thanks for reading!

[jikookuntold]

Jikook and the Untold Narratives

As a hardcore Jikooker who deep-dives into everything related to Jikook, I always have different ideas, theories, and analyses in my mind. But most of the time, I hesitate to contextualize them, develop them into actual essays, and share them in this blog. This post you are about to read was an almost a one-year-old topic running in my head, but I wasn’t sure about writing it until the Bangtan episode for D-Day Seoul concerts came out a few weeks ago, but as a professional procrastinator, it took me this long to write. According to the title this was supposed to be about the narratives related to Jikook, and I tried rooting and analyzing them, but somehow, it turned out mostly as a long rant about hypocrisy and misunderstandings in this fandom. Anyway, these are only my opinions and observations, and I don't claim to be 100% right. I hope you enjoy reading this post.

The Narratives

What do I mean by the narratives? Are there any narratives related to Jikook? Why did I even decide to write about this? Well, at some point I noticed that we, as Jikookers, have always been blamed for falling for "company narratives". It is widely said and believed by Jikook antis that the company wants to represent Jikook as the "couple/ very close and special duo" in BTS to the point that they call the Jikook ship the creation of Bang PD himself. A specific group of antis believe this is for hiding their real relationships, and the rest of them think it's just for fanservice. They think we are fools to fall for it because if Jikook were a real gay couple, they would hide it from us because of homophobia.

I know this is literally a conspiracy theory made by them, but conspiracy theories are also theories, and like any other theory, they have to be based on some external evidence. So, where is the evidence that leads antis to the conspiracy theory of Jikook being the “company couple”? Antis believe everything Jikookers get as moments, is company content, and this content is designed, faked, and manipulated to make us believe Jikook are a couple, and based on their logic, believing the things we see instead of their conspiracy theories means that we have fallen for company narratives. I can’t deny the fact that we get lots of Jikook moments from official content, but this applies to every other duo, not just Jikook. Then what is so special about Jikook that makes antis believe there is a narrative being pushed?

The answer is the nature of the Jikook moments we get. Some of the interactions between Jimin and JK are nothing like the interactions between the other members. The high dosage of couple behavior in these interactions is not justifiable with common excuses like Korean culture, flirty friends, or even KPop fanservice. Therefore, antis need to make up another excuse, which is the conspiracy theory of the company narrative. This narrative contradicts the principle of “Gays have to hide because homophobia, duh!” which their theory is based on. Also shipping culture in other boybands always insisted on the company and management hiding the gay relationship, not pushing it. And this is another thing that makes Jikook different and special.

Let’s deep dive into this contradictive narrative. Being the company couple doesn’t stop in the company narrative and spreads much further. Let’s imagine Jikook is the official couple that the company is investing in, to make fans and the general public believe they are special and gain more money from the narrative. Then the media should follow this agenda and use them together for headlines and clicks. Then fans also have to go with the flow and make their sub-narratives aligned with this agenda. But does any of this happen in reality? The following parts of this post is going to be a long answer to this question.

Company Narratives

Does BigHit/Hybe use Jikook? pairs the two of them together more than others? encourages them to behave in a certain way? includes more interactions of them in the official content intentionally? In order to answer these questions, we need to overview the official content provided by the company. First I have to clarify that not all the official content has the same weight in this examination, and we can classify them into different categories regarding the prevalence and accessibility to the public.

The first category can be called the public content. This type of content is usually free and accessible to everyone online with just a few clicks. These are the things you get when you type the names of the BTS members or songs in a Google search, like official MVs, Bangtan episodes, Run BTS, or live performance videos, that introduced most of us to the Bangtan world. The other category is a part of the main content that is mostly not for free, like documentaries, travel shows, Army zip content, seasonal packages, etc. This content is accessible in its original form to a big group of fans who can afford to pay or know their ways to pirate.

The last category is the content that not all the fans consume despite being officially released, even a big group of them are not aware that this content exists. This group of content might be free or paid, like Behind-the-scenes episodes of the main shows, official DVDs of the concerts, and memories of each year. They are like the leftovers of the main content that for some reason, didn’t end up in the public or main content, and only the dedicated fans or chronically online ones originally consume them.

Disclaimer: This classification was all done by me, and it’s not claimed to be official or accurate. Feel free to disagree and have your own categorization and conclusion. But what is the point of this classification? As I admitted earlier in this post, we get lots of Jikook interactions in official content released by BigHit/Hybe, same as the unofficial content like Vlives/Weverse, social media posts, livestreams, or fancams from concerts or award shows, which gave us so many incredible and unforgettable Jikook moments while they were not released by the company, but my focus is on the official content and how it’s connected to the narrative of comply couple.

If you pay attention to the ship moments, you will notice that they are not equally distributed in the different categories of content I named above. In the first category AKA, the public content, Jikook moments are not much dominant, and all the ships and duos pretty much equally have their moments overall. The second category is almost the same as the first one, maybe the Jikook moments in these two categories still feel more couply and spicy compared to the others but they are still balanced because the editors usually push the extra moments to the last category.

The last category which we can call as “leftovers” is where we get the most of the eyebrow raising moments of the original content, like almost kiss or hickey. It's the content all the extra Jikook moments that had to be cut out of the main content for balancing things up, end up there, and it’s the content not all the fans follow because a big portion of this fandom is not chronically online and do not have stan Twitter/X accounts or care about Twitter trends.  For me, the best example here is the second season of ITS and how all the organic Jikook interactions were pushed to the behind-the-scenes episode with viewers one-third of the main episodes. This doesn’t mean that the main episodes of ITS2 have no Jikook moments, they do, but not more than Taekook or VMin or Jihope, thanks to the modifications done by editors.

So, based on this analysis, can we say there is a narrative going on? I leave the conclusion to you, but I think there is no narrative here other than showing some fun interactions and closeness between the members. They have more of the Jimin and JK interaction moments because Jikook happen to spend more time together and interact more, and these interactions sometimes cross the platonic line regarding the nature of their relationship. I believe if BigHit wanted to palm Jikook off as a couple to the public, they wouldn’t push their couply moments into the content that the vast majority of fans don’t even know about.

Another thing we should keep in mind is that the leftover content is the most organic one, and unlike most of the moments from public or main content (for example the Run BTS episodes or Bon Voyages), there is no script involved. It’s just how members naturally interact and cameras happen to be there to film them. I’m not saying the first two categories are fake. In fact, I believe the majority of the BTS content we get is authentic, and even when there are scripts involved, it’s based on the natural dynamics between the members. If you have been following the members and listened to them carefully in the past decade, you know they are never being forced to do things together against their will, at least not after their rookie era.

Antis also bring up another argument to prove their conspiracy theory, and it is the argument that “Jikook have been paired together a lot”. I don’t have access to any reliable statistical information to confirm that Jikook had the most pairings between the BTS members, but if someone makes this claim, I can partially agree with them. This might not apply in all the eras of Bangtan group activities, but overall, this can be considered as a fact, and it has a simple explanation; Jikook get paired together a lot because they are the main/lead duo, and their vocals match very well, and they can work in sync and communicate perfectly. When a duo can do the job with great chemistry, without wasting time and energy for syncing and communicating, why the company has to give it to any other duo in the group? This is how things work in the entertainment industry, and there are no narratives and forces needed to be involved.

This is mostly about the vocal and dance projects or photoshoots Jikook have done together several times, and there have been no other examples except the potential travel show we know they filmed in 2023 that made antis stand on their conspiracy theory even stronger than before. First of all, we don’t know how and when this travel show will be aired and what agenda it will follow. Will it be this year or the next year? Will it be a whole series or just a 30-minute Bangtan episode? We know nothing until we get an update on it. We are not even sure if they traveled just for the show or if it was an excuse for Jikook to travel before their enlistment. I recommend you to read this post about an interesting theory on the travel show.

Okay, now let’s talk about the other narratives related to Jikook, the ones that were not conspiracy theories and were actually planned by the company. BigHit, as an entertainment label, debuted BTS with a narrative, and Jimin and JK, as the members and a duo, had their designated roles. At first, Jimin got the role of the macho man in the group who had to go through a physical transformation because of it. Fortunately, this harsh role changed after some time, and Jimin got a new narrative. This time, he was the awkward member who became the punchline of the jokes by losing every game, the member who got rejected several times and wasn’t supposed to debut at all.

These parts of the narrative were far from the real Jimin, but some parts were close to his real personality like he is the sweetest member, a hug and gift fairy who is there for the others. But even these positive features were misused and turned Jimin into a cheerleader and outcast who might get “left out by the heartless" bandmates he loves and supports. You may say I’m exaggerating, but these narratives are still going on to this day and feed his antis. These narratives were one of the main reasons Jimin’s successful self-made solo debut became a hard pill to swallow for the majority of fans ad even the company because they expected this triumph from any vocal line member other than Jimin.

As I said earlier, Jikook as a duo also had their narrative since their debut. This narrative was technically a roleplaying between them; Jimin was assigned to show one-sided affection to JK on camera, and JK’s role was to reject Jimin and rank him as the least handsome member. This narrative went on for some time until it stopped around 2014/2015, but the damage was already done. Some people might question this one-sided affection being a narrative by BigHit. I’m sorry, but if you think a teenage rookie idol in KPop can show real affection in public to his same-sex bandmate, the joke is on you. I know most fans believed this roleplaying, and that was where everything went wrong.

Antis may say this narrative by itself "birthed the Jikookers breed", while it did the opposite. Despite this narrative being over for years, its aftermath is still visible in the fandom, and even dramatic Jikookers use it for their “fell first, fell harder” agenda, which I find really toxic and damaging. Other than portraying JK as a mean and insensitive kid, this roleplaying with the help of the narrative of awkward Jimin, turned Jikook into something unacceptable and even cringe-worthy because “how could JK even like Jimin when he hated and rejected him for years? because Jimin is not likable and makes JK uncomfortable”. It’s ironic, but the antis who keep repeating these lies, are in fact the ones who fall for the company narratives.

If Hybe wanted to push the narrative of Jikook being in a relationship, why did they pick such an unusual approach that backfired, and turned fans against them, and drawn them to the other ships? Hybe not only doesn’t promote Jikook more than other duos but also stops them from becoming mainstream by pushing their moments to the content no one sees. Maybe this is their way of gatekeeping and protecting Jikook which I appreciate, but it’s time for this fandom to realize that Jikook has nothing to do with the company narrative, and in fact it’s the opposite.

For example, in one of the recent Bangtan episodes (public content), when JK was resting backstage at his music show, and Tae came to visit, according to the Weverse live JK had before the show, we knew they cut the part where he said “Army” was looking for his whereabouts because otherwise, it would look like he doesn’t care where he was. But in the other Bangtan episode, they didn’t hesitate to keep the part where Jimin sounded like being left out, meanwhile, we knew all of them were headed to the same destination to celebrate Yoongi’s last concert. because that’s the narrative they push, the narrative of Jimin being left alone and Jikook having nothing to do with each other.

If Jikook were the company couple, they would have sat down together to announce their ship name for the official content. If Jikook were the company couple, Hybe would not cut out their moments, and we would have gotten some content from their numerous rendezvouses during the SYS tour in the US and Europe, but we got nothing, not even for the leftover content. If Jikook were the company couple, Hybe would not released their buddy system announcement only in the Korean version of the statement. If Jikook were the company couple, the GCF videos that had started with Jimin, would have been kept that way, and wouldn’t be turned into ot7 videos. If they can’t force JK, then nothing is forced.

If Jikook were the company couple, they would not plan Yoonmin/Taekook's solo debuts at the same time to make them appear in the same promotional activities and namedrop each other. This doesn’t mean Yoonmin/Taekook are the company couple, in fact, the dumbest question is "Jikook or Taekook?" The whole point is, that there was never a ship agenda, they never tried to push any ship as the real one to the general public or common fans. But their bonds have been used a lot for clicks and clout, and as a Jikooker I am confident enough to say I was not the one falling for any narratives or mediaplay by the company or media.

Media and Jikook

It’s a known fact that all different forms of media earn money from public attention, this is what keeps them going on. I said earlier, that if Jikook were the company couple, and Hybe intended to promote them as the official duo, then the media wouldn’t lose this opportunity to chase the clout because in that case, they would have the permission to follow this agenda and use the duo for headlines and clicks, but in reality this doesn’t happen to Jikook.

I’m not saying that Jikook don’t get any media coverage, they do. The media inside or outside Korea make headlines for their duo activities like the Black Swan dance or vocal collaborations, but there are many examples that Jikook didn’t make it to the headlines while another duo did in a very similar situation. I bring an example from Dispatch that everyone knows has the closest connection to Hybe; when Jimin posted the shirtless photo of them together for JK’s birthday, this media didn’t make any headlines for it, not even as the announcement of Jimin greeting JK's birthday.

But when Tae posted the screenshot of his video call with JK the night before his enlistment, while they were both shirtless, it became a headline on the Dispatch website. If you check the Dispatch website for 2023, you will not find anything about Jikook other than their departure and arrival together for the Japan trip, even their trip together in NY was not worthy news for this outlet. Also their joint enlistment in the military, despite being the first and only case of Buddy System in the KPop industry, didn’t get much media attention or specific headlines.

Jikook have never attended any event as a duo, they never had a photocall together as a duo, and since they have never made an official name for themselves, the media can't use a duo name for them. Meanwhile, they can use “Taekook” for the Tae and JK duo in their headlines and tags because the company has permitted by making this duo name official. As I mentioned earlier, I do not believe that Taekook or any other ship is the official one, but the audacity of antis to ignore these facts and label Jikook as the company couple is just ironic.

I’m not really interested in giving examples from Taekook, but I have no other option. Everyone remembers the premiere night of the movie “Dreamers” in April last year when Tae and JK attended together and had their photocall moment. Like any other movie premiere with big stars, this event also was covered by the media, but they got the biggest attention and social media engagement because of Taekook appearing together. Even though the reports of JK being shy and having a feminine haircut caused Taekookers to think they were being announced as a couple lol, in general, it was a pleasant moment until it wasn’t anymore.

A few months later, in August, a similar event was about to happen, and the media announced that Tae was going to attend his friend’s new movie premiere along with JK. As expected, a big wave of social media engagement started, but JK didn’t show up. I don’t know if he never intended to go or if he changed his mind just before the event because according to Dispatch, his name was in the guest list. All we know is that he logged into the Bangtan official Twitter account after years and posted some random photos just an hour before the event and logged out.

After that embarrassing moment for the media, I was expecting them to stop using Taekook for mediaplay, but they didn’t stop, and again in November, the media outlets reported that Tae would attend JK’s solo concert while we knew he was busy recording his Running Man episode the same day. I’m sure the media knew it better, but chasing the clout was their priority. There are many other examples of how media doesn’t work in favor of the “company couple narrative” for Jikook, but I will stop here because this post is getting too long.

Fandom Agendas

When there is a successful narrative launched by an entertainment label, the fandoms go with the flow, and alongside accepting the main narrative they make their own sub-narratives aligned with this agenda. But in the case of Jikook, this is far from the truth. When I say fans, I mean the collective representation of a group supporting an artist, something non-fans see from the outside, not just a focus group. Yes, we Jikookers exist but we don’t represent or control this fandom. According to some unofficial polls, we are not even between the top three of the biggest groups of shippers. So, it’s safe to say the so called narrative of Jikook has not been successful. 

It’s not a secret that this fandom is against Jikook, but the discussion doesn’t end here. The sub-narratives made in the fandom have their own story. This opposition with Jikook contradicted their observations of them being close and always together, and they had to make the sub-narrative to justify it. But since they had already accepted another narrative made by BigHit, it wasn't a hard one. They decided that "Every interaction between Jikook is initiated by Jimin because he has always been in love with JK, and anything JK does is forced because he has always been uncomfortable with Jimin." This narrative and its sub-narratives caused Jimin to be labeled as the intruder and much worse names I will not mention, and it caused him to get so much hate, especially after every interaction he has with JK. It's true that he has the biggest fandom and the most devoted and supportive fans, but his anti-fans are also the biggest and the vilest ones.

JK also had his sub-narrative made by fans, and according to the vast majority of them, he is a straight playboy. I don't know where this sub-narrative comes from, maybe confessing to having a girlfriend as a teen or naming himself the "international playboy" did it for fans and made them ignore all the queerness in his personality and behavior, but this is the reason this fandom treats his "dating rumors" very differently even by his gay shippers. Army joke and say he is scared of girls, but they never make stories up about him being uninterested in women like they did for others (for example: an influencer asked Tae for his phone number, and he gave his manager's number, 100% fictional, but vastly believed as fact).

It’s actually quite funny when we see a local Youtuber is able to guess Jikook are the closest just by watching a few minutes of content, but the fans who have been here for a decade can’t and don’t want to see it, they can’t even let go of the 2013 jokes of “JK hates Jimin”, let alone accepting that they are close. They do any mental gymnastics they can to normalize, delegitimize, or ot7ify Jikook moments, meanwhile, when JK and Tae, themselves talk about drifting apart, fans dismiss it and call it fake. For example, last year, when Jikook were in Tokyo, JK was seen leaving the location of his shooting, which was a hotel different from the hotel where Jimin was staying, antis said: “They hate each other, to the point they can’t stay at the same hotel”. While a trip would have been solid proof for any duo in BTS to be close and in love, for Jikook, it becomes the reason for being distant and despising each other, and this is the hypocrisy of our fandom.

Maybe we get lots of Jikook from official content, it’s the outcome of Jikook’s closeness, but in the end, it’s Jikook themselves who confirm it with their behavior. When antis were celebrating Jikook not interacting, amid their lack of public appearance, it was JK who showed his love and support for Jimin by streaming his videos on YouTube. When antis claimed they don’t spend time together, it was JK who begged Jimin in his half-naked live to join him. He went live at his place right after the movie premiere, and musical theater, and explained the situation after Vhope did a live there. He explained Tae's claims about recording Layover at his place and talked about his delightful alone time when he was at the ski resort with Tae and his friends. He read JeonJimin comment out loud and announced that he wouldn’t stop holding Jimin. Maybe an older example is his post on Weverse right after the 2020 Taekook live apologizing for not talking much, and then a month later, when he went live with Jimin, he made it clear that he had a great time just doing the live.

These examples are countless, but there is no hope for the fans who even label the moments from unofficial content like lives and posts as planned or even forced by the company. If you think antis will let us have a happy day and enjoy the legit Jikook moments, you are mistaken. If there is Jikook, they always find a way to ruin it with their toxicity, and if there’s no Jikook, they use it to hurt us and spread their lies and fake moments on every social media platform.

Antis have the upper hand in social media because Hybe failed the so-called Jikook narrative, and it not just didn’t become the mainstream ship of Bangtan, but also fans turned against it. Despite this failure, Jikook still bothers antis so much, and they try hard to fight it and its shippers, but these fights and attacks are limited to social media. Whatever they do on social media, the hashtags they trend, the lies and hateful tweets and comments they leave out, are not gonna affect what Jikook have in real life because Jikook are real people, and against all the odds and real struggles, they are together and closer than ever.

[ironyscleverer]

Doctor Who as a Post-Colonial Metaphor

Recently I've been thinking a lot about how beautifully Doctor Who reflects the state of post-colonial British identity, and tumblr seems like the appropriate place to share my ramblings. So let’s see if I can explain in a way that makes sense.

I must start by putting on my obnoxious little film degree hat and reminding everyone that sci-fi is one of those genres that is highly political (as most things are, but scifi even moreso). It turns out it's pretty easy to get a sense of people's fears and anxieties by asking them to envision the future, and that's what sci-fi media does; it uses contemporary cultural standards and ideas to create a vision of what futuristic/advanced science and technology might look like, and how people might respond to it. In doing so, it ends up taking the social and political temperature of the time and place in which it's created.

As such, it's very, very common for scholars to analyze sci-fi media through this lens; even Frankenstein, arguably the first science fiction novel ever written, is often interpreted as reflecting cultural fears regarding swiftly advancing science and technology during the early stages of the industrial revolution. The Day The Earth Stood Still (1951) is another great, very blatant example of how sci-fi and politics can interact. In this movie, a Jesus-like alien ascends to Earth during the Cold War to warn the human race about their imminent nuclear annihilation. It seems corny to us now, but it's actually a great movie and I would highly reccomend it. It's rumored that the US Department of Defense read the script and Did Not Like It because the themes were too anti-war.

In other words, despite often being viewed as too “pop,” too goofy, and too unserious to have any deep meaning, pretty much any scifi story can be analyzed within an inch of its life using a meta social/political lens. It's not the only way to interpret sci-fi, but it's by far the most common. One must simply ask, “what does this vision of science, technology, and/or the future say about us as we are now?”

But anyway. Doctor Who. Disclaimer: I haven't watched the classic series so I'll focus on 2005 onward (still post-colonial so it still holds up, lol). If you've seen Classic and you'd like to chip in, please do.

Genre-wise, Doctor Who is more-or-less a space-western, a subgenre of sci-fi that incorporates Western elements—exploring new frontiers, engaging with unfamiliar civilizations, rogue figures, etc. Star Trek is the peak example of this, but there are many, many others.

Of course, the Western genre is dripping with colonialism due to its historical setting of the American West, and the racist depictions of Indigenous peoples. Space-westerns, consequently, also tend to address colonial topics. Sometimes space westerns are just as racist as normal westerns, but sometimes they use the genre reflexively, to question colonial ideals. A more progressive space-western might be more willing to “humanize” the alien cultures they meet, asking questions like, "how does one ethically engage with foreign societies?" or "When is it appropriate to intervene in a conflict?" etc.

Althought these kinds of questions come up regularly in Doctor Who, especially regarding its anti-war messaging (Time War etc.). These themes become doubly interesting when you use them to inform your interpretation of The Doctor, both as a character and as a symbol.

Consider this: The Doctor is the embodiment of an ancient and immensely powerful being with a bloody history. Their kill-count is quite literally somewhere in the quadrillions. Although they are a self-proclaimed pacifist, they are still constantly a perpetrator of death and destruction throughout the series. The Doctor, despite repeatedly and loudly choosing peace, can never seem to keep their hands clean of chaos and suffering. Doctor Who is about an entity that destroys everything they touch, sometimes on purpose, sometimes not. As an allegory for grappling with the legacy of British imperialism, I'd say it's pretty on the nose.

In this sense, not only is Doctor Who a show about colonialism, it is also a show about identity in the wake of colonialism. It's even in the name: "Doctor Who?" Who is the Doctor? What is their responsibility to the universe? What does it mean to be ancient and powerful and drenched in the blood of millions? How do they move on, become better, without falling into the same traps? What does it mean to be British?

These questions come up over and over throughout the new series, from the destruction of Gallifrey, to the Timelord Victorious, to A Good Man Goes to War, the Flux (arguably), and many, many other smaller plotlines I could mention. Even in the latest series with Ncuti Gatwa, the focus on adoption and family is in a similar vein—where does the Doctor come from? What does it even mean to be “from” a place? How much do your origins truly contribute to who you are and who you become?

How the companions fall within this framework is also interesting; if the Doctor is a stand-in for the nation as an entity, then the Doctor's companion, the everyday British person, is the stand-in for the populace. The companions are ever-changing, ever-evolving, constantly renegotiating their relationship with the Doctor. The companion's ultimate challenge is to find how they fit into the narrative of the Doctor's life, and try their best to come out the other end with a happy ending (ha).

Of course, Doctor Who is owned by the BBC, meaning it is quite literally nationally subsudized TV. As a result, althought the show is actually VERY critical in some places, the Doctor is usually ultimately sympathetic; their good intentions tend to forgive a lot of the problems they've caused. The companion is usually charmed by the Doctors' seemingly endless tragedy of a life. This is a country's state-owned media company working with it's own self-image--it's inherently a work of self-reflection, and perhaps of self-obsession, too.

It would be easy to be cynical about Doctor Who as a product of the BBC, which is state-funded (but notably not owned or directly controlled by the government!). However, I tend to think that just writing it off as propaganda because of this is doing the show a disservice. Yes, there is an inherent privilege and self-centeredness to endlessly forgiving the Doctor, but that's also kind of the whole point; it's a show about coming to terms with one's horrible past. It's a show about learning to formulate a new sense of self. To demand that Doctor Who to be less self-obsessed, to not be about British identity when it is in fact a British show for Brits about Brits, is just a bit unrealistic.

Instead, I choose to believe that Doctor Who can and does use its privilege for good more often than not. The creators tend to be very progressive (as sci-fi so often is) and they can get away with a lot of very progressive messages in the guise of a silly sci-fi show for families. Most recently, I would point to s14e3: Boom, s14e5: Dot and Bubble as examples of thinly veiled rants about the evils of capitalism, war, racism, social media, etc. To ignore or dismiss Doctor Who because it has some form of institutional backing would be doing the actual stories and writers a disservice.

Finally, let me leave you with one last point; One consistancy throughout the new series that I find very charming is the positive effect the companions always have on the Doctor. Companions come and go, which is sad, but they're each special in their own little way, and they each change the Doctor, wearing them down a little at a time. The Doctor is consistently at their worst when they are alone, removed from the people that make them want to be better.

Very often the companion's parting message for the Doctor is "don't be alone.” This can be extrapolated to mean: don't forget we exist. Don't forget to be kind. Even if you can't help your legacy, even if you can't wash the blood off your hands, you can always keep striving to be better. Keep someone around to remind you to be better. And the Doctor, more often than not, does. Because ultimately it is the companions, us the people, that make the Doctor who they are.

It’s this special brand of relentless optimism, this indomitable belief in the goodness of people and the power of that goodness that always brings me back to Doctor Who, one way or another, despite all its flaws.

Edit 11/29: corrected some info about the BBC per the comments!

[yeesandhaws]

guess who just finished TROP s2 and has a lot to say about it (specifically the last episode)?

that's right, yours truly. (these are just thoughts in the order i remember them in tbh this lacks organization it is PURELY a rant). also, i'm NOT a tolkien purist by any stretch. i just started reading the silmarilion (literally today) and i'm not super picky about media so whether or not this story is at all accurate to what he's written, i enjoyed it nonetheless and don't want to hear about "oh but it's not accurate to-" it's a loose adaptation. obviously it's not gonna be accurate to the book. i'm sure the book is great. that doesn't mean this show wasn't good too. get over it. anyways, with that out of the way, here are my actual thoughts. also warning for spoilers (duh) but also this came out a good bit ago so like... i'm the one behind the curve here.

first off, i somehow managed to not cry when celebrimbor died! not at all out of lack of sorrow, i almost vomited 4 times over the course of the scene. most likely my lack of tears was because i knew it was going to happen - in a way i'm happy they did not spare us the details of celebrimbor's death and made it just as cruel and horrific as it ought to have been (and no offense, but to anyone who actually still finds sauron hot after this season and in particular s2ep8, what in the actual hell?) but also like... HE SAID IT!!! (and by it i mean "lord of the rings"). celebrimbor died an honorable death, despite the suffering he endured, and that i respect so greatly. i may cry myself to sleep over him, who knows? his suffering hurts me on a deep, deep level. do i have a new comfort character? perchance.

secondly, the burning of the texts of celebrimbor actually sickened me to my core yet again! lots of things in this episode that sickened me to my core, lots and lots. the sheer scale of destruction was actually portrayed so well, watching this city i grew to admire and love so dearly get completely razed was so so agonizing! but that one scene in the battle with that one elf who was super cool until he got shot down like 5 seconds later? excellent cinematography there (at least to the eye of a layperson such as myself)

and speaking of fighting and whatnot, ELROND IS SO FINE!!! i did not think i'd find TROP elrond pretty or hot or anything ever! and yet, upon seeing the man fight (and god knows getting a man all bloodied and bruised does wonders to my heart - also his CURLSSS LIKE AUGH--) and absolutely COOK in the battlefield, my opinion has been swayed, let's just say. and I’ve always loved elrond as a character despite his flaws (like i know it was pretty lame of him to just let isildur walk away with the ring, and by pretty lame i mean REALLY lame. but i support elrond rights and wrongs, and hopefully they give reason for this in the show? maybe there was already reason in the books and i just forgot? it’s been a hot minute since i read LOTR). i think he is just such a bright soul and not just pretty but also smart and very helpful, i feel like he compensates for his mistakes by actively mending bridges and being cool and understanding and wise - also, upon seeing his misery over the destruction of celebrimbor’s work, i feel even more endeared towards him and his bookishness and just vast knowledge he possesses, like it makes so much sense why he seems to thirst for knowledge so, after seeing it so cruelly destroyed in front of his eyes? maybe I’m over analyzing but i like my take on things. anyways, i could go on and on about him in both LOTR and the hobbit (books and movies) and why i think he’s awesome sauce but ok that's enough fangirling over elrond. back to my rant.

third off, ADAR??? like i knew he died because spoilers or whatever but my god. ohhh my god. his entire character has me agonizing over what-ifs of peace and harmony and i never thought i'd catch myself dead feeling bad for this guy because yk evil but NO! NOT EVIL! and his death was so tragic! his babies killed him! i was really starting to feel for the uruk but NAHHHH. it struck a very similar chord to boromir's death in the movies when he's like, "the little ones--" LIKE THE SAME SORT OF JUST DREADFUL SORROW FLOODED THROUGH ME! to think that there truly could have been peace, to think that it all could have been so vastly different. i don't want to think about it, it'll enrage me and make me sad. the light of power calls to those with weak minds and burns those who try to resist it or something, idk what i’m on. but adar’s death is representative of a lot of things. real world things, specifically. so of course i'm thinking about it because what's life without a lil doozy to cry yourself to sleep to?

what DID make me tear up, corny as one may consider it, was the whole poppy speech at the end of the episode, and what made me properly cry was the gandalf and tom bombadil (my darling) singing. cathartic as hell. i'm a sucker for corny cheesy stuff. but also like it is LITERALLY halflings, gandalf, and tom-mfing-bombadil, the most whimsical beings in middle-earth. they have the right to be cheesy, and we all have the right to enjoy it. tolkien songs always make me cry, though. always. i’ve got personal lore with them. and on the note of the ending, i kinda wish it had just ended with the singing scene, because while i understand the end serves its heroic elvish cliffhanger purpose, there was a certain LOTR-ness to the song that was honestly more hopeful than the actual ending scene. i love sappy endings. that much is obvious.

to be quite honest, neither the arondir and isildur subplot nor the numenor subplot were very good or entertaining to me. i dunno, i found myself bored. but, maybe upon the father-son reunion of elendil and isildur some stuff will happen? like obviously stuff will happen because of the plot but it was just frustrating watching all of the numenor drama and the weird romances in the arondir and isildur realm - not to be a hater but i was SO disinterested. also so very infuriating watching numenor fall into the hands of pharazon. i’m sure that frustration was the goal but at the same time it’s just ANNOYING also given the fact that we know elendil dies and isildur messes up, it’s just annoying watching them being all noble and whatnot only to know that elendil just dies and isildur for all his nobility in the show, succumbs to this desire (and i understand, i do, but it’s just dreadful and sad).

either way, berek is my favorite TROP horse and i love his roman nose. and speaking of horses, moment of silence for elrond's horse. he was SO justified for raging upon the horse’s death. he is a horse girl, and that is something i can relate to deeply.

aaaand i still have more to say. rest is for the weak. one thing that kinda annoyed me was the whole durin thing. i LOVED the corruption with the ring, i loved watching the fallout of that. but i think the thing this show struggles with is keeping the sort of… for lack of better explanation, corniness, at bay. there is a time and place for everything. gandalf and tom have the license for it in my mind, as a bit of silliness is part of their charm. but the whole, “i never let you win the arm wrestles” thing before the balrog swallowed up durin the second (i think he’s the second??) was just SO contrived. but i also am a bit of a hater sometimes, so maybe that’s just me. also let’s be so for real idk how mountains work but i feel like with the amount of thrashing about that balrog did, there’d be some more damage to khazad-dûm as a whole. but again, idk how mountains work in that much detail, and i am MORE than willing to partake in some suspension of disbelief to keep the plot chugging along. that being said, i adore prince durin and disa (MY QUEEEEEN AHHH), and i also adore durin and elrond. i adore elrond generally but also like durin and elrond are so sweet and lovely i adore their bromance. it was frustrating to watch them show up at the tail end of battle and do kind of nothing but also i get it :(

and now i get to talk about sauron. god, i’ve always hated him and luckily never even found the appeal of halbrand, but now? i’ve unlocked new levels of hatred never seen before. listen, listen, i knowww people like their sexy villain, but sexy is as sexy does, and sauron does not do sexy things. i know it’s a deliberate choice to make sauron an ‘attractive’ character, and that is conveyed really well in the show! but as an audience like GUYS HE IS NOT FIXABLE. YOU CANNOT FIX HIM. HE IS PURE EVIL. please, let’s not try to give him an inkling of redemption. he doesn’t deserve it. i didn’t really jive with the whole galadriel/sauron thing that was going on, but i think the show did a good job of portraying it in a way that wasn’t actually hot and rather disturbing! like they did SUCH a good job of exposing what a conniving, manipulative (pardon my french) bastard sauron is - like the dialogue was something straight out of those PSAs i had to watch in my health class talking about abusive relationships. it was perfectly infuriating, watching sauron gaslight these brilliant minds and genuinely good-intentioned people into mere tools for his will.

and speaking of those mere tools, CELEBRIMBOR AND SAURON. they may in fact take over my entire being. silvergifting genuinely sickens me (in a good way) to my very core because here we have two characters who matched each other’s freak PERFECTLY while still being so damn awful for each other. like i’ve said in previous posts, the genuine anguish i felt watching celebrimbor’s light and genius and genuine enthusiasm for both halbrand and his work turn into something like obsession, turning him into a mere lapdog for this “lord of gifts,” and ultimately watching his suffering to escape this mental (and physical) bonds placed upon him only for his life’s work. in a sense, to be completely obliterated along with him was something that actually shook me to my core. obviously he lives on through legend and memory, but the contrast between the elf he was and the elf he became by the end of it all was just so so so so so sad. again, celebrimbor being my newfound favorite in a sense only further fuels my hatred for sauron. he tarnished a mind so bright as the stars and a heart so pure as them too, using celebrimbor’s want for a magnum opus against himself, convincing him that the blame was his — to me, this was a genuinely enragingly good portrayal of the abuse sauron subjects his victims to, treading the line of seduction and cruelty. and yet, one thing that celebrimbor said in his dying breaths really stood out to me. “shadow of morogth.” now i do not know a lot about the lore yet, but to me it is just so very powerful that sauron is considered but a shadow of a much more powerful evil. i don’t think the tears he shed after killing celebrimbor were out of guilt, per se, but rather because he knows that in the eyes of those who he wants to instill fear into, he will always be second place. he will never be the most feared, for even his name cannot be spoken without mention of his master. a much deserved curse, if you ask me. also, little silvergifting-minded of me, but I’d like to think that if sauron really was crying tears of guilt, it was because he lost the mind that understood the same thirst for perfection that he wanted. celebrimbor and sauron, both masters of their craft and striving for perfection, for a legacy. if i had watched arcane I’d say they’re slightly jayvik coded (at least with sauron as halbrand) but more toxic, but I haven’t seen arcane so i don’t know if that is a correct comparison at all.

holy mother of god, get me a PHD in yapology with the amount of stuff i’ve managed to say. anyways, overall, i really liked this show. despite its certain flaws and lackluster plots, i found it super enjoyable. feel free to leave your takes in the comments or whatever, i have so much to say

[a-lilac-lyric]

 Possible explanations for why King Roland made his first wish on the Wishing Well

Now all of these aren't so much theories per say as “throwing stuff on a wall and seeing what sticks” because the showrunners could not delve into topics like this in the actual runtime, and it probably wouldn't have been very relevant to the story that they were trying to tell anyway, so nearly every theory has an equal likelihood to be true more or less.

  (I'm also not going to mention this in my write ups for the possible reasons for the wish, and we have no way of proving this one way or the other, but I'm always inclined to prefer the thought that Roland II had discussed making the wish with Lorelei before he actually made it since it would be something that would affect both of them. Even if it only physically affected one of them. Because this just seems like the type of thing you should tell your partner about if you do it).

 This is a long post (Over 2000 words), so I'm putting it under the cut, but TLDR there are several different magical and physical reasons that are possible.

 General content warning for discussion of topics that are too dark/medical to ever be shown in a kids show. Spoilers for Forever Royal.

 We should first start off with what the wish was in the first place in case you don't know or need a refresher. Word for word, this is how it's stated in the flashback scene in the episode Forever Royal:

  “In the nearby castle lived King Roland the Second, who had wanted a family so badly he tried making a wish in a wishing well. The wish came true, and twins were born. But the Queen fell gravely ill….* The children were happy but never knew what it was like to have a mother.”

 * The quote never says that she is dead in so many words, but the visual on screen is of the queen arranged on a bed with her eyes closed, holding flowers. There's basically no other way to interpret it except that she's been laid out for a funeral.

 Now, as a note, we never actually get to hear what her name is in the show, but the creator of the show Craig Gerber made a Twitter post saying that her name was Lorelei https://x.com/CraigGerber_/status/1038831208430370817?mx=2 (as a personal note I normally consider stuff that show creators or writers say on Twitter or other social media as secondary Canon, but I basically completely accept this because we don't have any alternative name, and it works. And I'm sure that they'd use it in the sequel series if they ever talk about her.) So I'm going to be referring to her with that name for the rest of this post.

 When analyzing this quote, it seems that “wanted a family” basically means “wanted to have biological children” since we know he already has a wife and family members like a sister and a mom. I just think it's interesting that they word it this way because it kind of masks what his actual wording would have been to the wishing well. Because in the episode “When you wish upon a well” the well did grant Amber’s second wish in a way that fulfilled the basic criteria of her wish, and yet caused an unintended side effect that deeply distressed Amber and put Sofia in danger. So, it could possibly be that the way Roland wished for children could also be interpreted as accidentally directly causing Lorelei’s death. But we don't know what the words were, so we don't know if that was what happened or not. “Fell gravely ill” is a vague enough statement that it can basically be interpreted to fit any kind of theory.

 So without further ado, here are almost all of the ways I could think of that could be motivation for making the wish. (AKA infertility theories.)

Magical reasons:

 In this world, magic is an everyday fact of life, so they could have been unable to have kids because of a curse! Now it could be a curse on either Roland or Lorelei, and then the curse was just too strong to be broken by regular magic, but the Well’s magic was strong enough to get past it, (permanently or temporarily). The possible motives could be basically anything. It could have been cast by a jealous ex-lover, or a person who thought that the union was bad for political reasons.

 But I did come up with a fun little theory that maybe it was a curse that was intended to be benevolent, behold: The Double Bloodline Curse!

 We know that the throne of Enchancia passes from oldest child to oldest child, and the same seems to be true for the royal wizard as well. Both lines are hereditary, and both are always parallel to each other. It makes sure that the reigning monarch always has a royal wizard and vice versa. But it is interesting because Roland the First and Goodwin the Great are approximately the same age, same with both of their sons, and both of their granddaughters to an extent, although the age difference is seemingly larger between Amber and Calista.

 Now this could be just a coincidence that the people in these families born for 3 generations are very close in age, but what if it wasn't? What if there was some kind of spell or curse set on the people from both bloodlines so that they wouldn't be able to have children until their counterpart(s) was/(were) also in a position to be able to have children. Let's say that Roland the Second married and tried to have kids, but both Cedric and Cordelia were not married or seeing anyone and/or just neither of them were interested in having children at that time. Therefore, the curse activated to prevent Roland II from having any children.

 And this curse was probably put on the line by an actual royal wizard from it, assuming that it would be better off for both families and the sake of the kingdom if the new monarch and the new wizard were always peers age wise so that they could both ascend to their positions at the same time. Is that flawed reasoning and ultimately going to hurt their families more than help them in the long run? Absolutely! But it wouldn't be the craziest or worst thing that someone from either of these families has done.

 It's definitely possible for it to be magical reasons and would be interesting to explore in fanfic, but this isn't the only possibility.

Biological reasons that are linked to infertility:

 The first one is what if Lorelei was unable to biologically have children.

 It's popular fan-cannon (and I have seen it used in several fan fictions), that Lorelei was too physically weak for her body to/she had some kind of physical condition that meant she couldn't bear children. But the wish overrode that condition and after giving birth she was so weak that whatever possible illness/birth complications/regular pregnancy recovery happened afterwards she wasn't strong enough to survive it.

 In my opinion this one seems plausible, but I personally do not like it and do not think it makes sense for the characters. If she seemed medically unfit to give birth before the wish, then it would be ludicrously irresponsible for Roland II to make a wish for her to have the kids that didn't also strengthen her in a way that she could have them and survive. Additionally, I believe that if there was a lot of worry throughout the pregnancy that she might not be able to survive it, that Roland would have just made a second wish for her to be strong enough.

 Some may argue that it wouldn't have been possible to strengthen her enough to be able to survive giving birth, but may I point out that the wishing well has the ability to turn a regular human girl into a cat. Like literally change your species. Strengthening someone enough so that they can survive a pregnancy seems pretty minor compared to turning someone into a cat.

 And Roland is normally pretty good at noticing when people he loves are in distress, he'll stop what he's doing and talk with them and try to make the situation better. Now if Lorelei was hiding her physical symptoms from everyone for whatever reason, it could be possible to do that with others especially servants who she didn't spend much time with, but considering how much time Roland spends with Miranda he probably spent the same amount of time with his first wife. If they were in close proximity to each other that often for months on end he would notice if something was wrong and ask her about it and try to solve the problem. Therefore, I personally don't subscribe to it in my own headcanons.

 Another interpretation of this is that Lorelei was the one who is unable to have children, but it was because of some type of condition that was not due to weakness but another type of biological factor(s). The wish allowed her to have the kids, but then she died because the Well directly took her life as a price for the wish/because of how the wish was worded. Or she just happened to get unlucky and die from one of the several medical reasons that a person can die from giving birth no matter their physical strength. It's pretty similar to the first one but I am much more inclined towards it.

 But what if Roland was the one who was biologically unable to have children?

 This one doesn't seem to be explored in any fan fictions I've seen but I think this one is interesting to consider as well. I think most people's reasoning is that if Lorelei died from the wish, then the wish must have just physically affected her and therefore cause [wish] equals effect [death], but if it was going to take her life as a price/consequence for the wish anyway, it may not have necessarily needed to have affected her physically at all. Or the Well never took her life at all, she just got really unlucky and died from random chance. And there's plenty of medical reasons that men can be unable to have children. We don't know what kind of medical knowledge they have in Enchancia, but it may not have been advanced enough to find a solution for Roland or even know that he was the one who was infertile.

 He could have caught an illness as a child that had adult infertility as a side effect (angst potential. If he was also isolated for a long period of time away from other kids this could also partially explain why he became estranged from Cedric). Or it could be a genetic reason, like being intersex (I say as I read that one of the most common noticeable effects of Klinefelter syndrome is being tall. And it would fulfill a certain letter for possible LGBTQIA+ headcannons). Or he could have been severely overworking and under eating (there are a few times in the show where he does this, albeit not to a self-destructive extent, and that’s after he’s had kids and been king for years, also angst potential).

 If this was true, then it could also be possible that he was only temporarily able to have kids depending on how the wish worked. Or depending on the wording of the wish he might only be able the have kids with Lorelei exclusively. So if he and Miranda wanted to make a kid together, they might not be able to (more angst), unless another wish was made (but I doubt he would risk it).

 And a really dark possibility for Roland being infertile is that maybe the wish did NOT make him fertile but instead had a, what I am going to describe as a “love potion” effect on Lorelei and she got pregnant from someone who was not Roland. Now I think that this possibility is really horrifying for a number of reasons, but I've never seen it used in a fanfiction before and I'm not sure if anyone else has ever thought of it, but it exists now. I say that Amber and James do look like Roland, but I would also say that they definitely look more like Lorelei than him, so if you wanted to do a horrifying big drama fanfic this is a possibility for that.

Biological/other reasons that are not infertility:

 But what if their trouble with having children wasn't linked to infertility?

 There is the possibility that Royal Prep/other schools they had gone to had such a terrible sex education class that neither of them knew how to get pregnant and at this point were too afraid to ask. So they wished for it instead. I think this one only works if you're going for an adult humor fanfiction because, this just seems really unlikely to me. Even if they hadn't been educated in school, they would probably still ask someone or have been told by someone or have read it in a book by this point. Especially since part of their job as ruling monarchs is to produce heirs, I'm sure someone in the court would have explained it to them if they didn't know.

 Another slightly more reasonable but still unlikely reason is that maybe one or both of them was asexual. So they needed another way to start the pregnancy and decided magic was a good way to do it. I feel like if this was true then they could have just solved this by going to an actual wizard or doctor and getting help from them, so I don't think this is very likely but I'm trying to go through all the possibilities here.

 But on a far more serious note there as been a possibility I've been thinking about lately that does seem likely considering how often it happens in real life. It could be possible that Roland and Lorelei had already tried to have children, and she was able to get pregnant, but it ended in a miscarriage or a stillbirth. Maybe she was already pregnant by the time Roland made the wish, and he wished that this time it would be a successful pregnancy. The way he looks in the flashback makes it seem like Roland is really sad and kind of desperate about the whole situation and if this possibility was true, then it adds an extra layer of sadness to the whole ordeal.

 ****Also, this isn't attached to any single theory but I wanted to add this: I think that whether the wish caused Lorelei’s death or she died from completely natural causes, it must have happened fairly quickly. If the illness that she got after giving birth lasted a long time, then wouldn't there have been enough time for Roland to have made another wish to save her? Meanwhile if it happened very quickly or without much warning then he may not have had enough time to save her. If it happened quickly, it would also mean that there was less of a chance for the doctors or midwives or sorcerers to do anything to save her.

 *****And regardless of whether it actually was the magic of the wish that killed her or it was from the same causes that any non magical birth can suffer from, I think Roland believes that it was his fault that Lorelei died. He probably doesn't know for sure whether it was the wish that did it or not, but that wouldn't matter if he felt like it was his fault. His exact words to Amber about it were: “My wish didn't turn out so well either.” But we know that he loves Amber and James, and he's very proud of them, so the quote isn't about being a father to them or their existence. So the only other possibility for him saying that it didn't turn out well is what happened to Lorelei.

On that note, those are all the reasons I could think of. Feel free to say in the reblogs or comments which one you think is most likely and/or which one is your favorite. Here's a cookie for getting to the end of this post 🍪

[anxihazel]

I'm gonna share a random thought I had while rewatching Whitepine because I love this series and I love analyzing media <3333 Alright so, I might be wrong here but it's so unbelievably interesting to me how well everything would - and does - point to Ivory being the one that murdered Mysti . Like, imagine we weren't the viewers for a second, imagine we didn't see from her perspective at all and we watched from like, idk Maddy's pov or Ivo's or anybody else's ;; For instance, everything major started happening AFTER Ivory joined the Hemlockes, Ivory acts incredibly different from others - she's quiet and reserved, she has a tendency to go outside and out of other's sight (So all the other servants barely see her ;; although that may not actually be that big of a problem since they have to work all day and probably don't see a lot of each other anyway - but for the sake of the argument lets just say it's an incriminating fact) and out of everybody else, she's most likely the only person that reacted the way she did to the murder during the police questioning; Ivory seems like the perfect suspect, and by all means others should definitely believe she's the one that did it, but there's one major problem with that -- We know she didn't. She's the main character; We know Ivory didn't murder anyone because us, as the viewers, know where she is almost all the time ;; and while we don't have all the context in the world, we've still been following Ivory closely enough to understand that she can't be the one who did it. The reason Whitepine is so interesting to me as a series is because we follow the one person who's most mysterious, most suspicious, the one we - by all means - should have no reason to trust from an outsider's perspective ;; and here in lies the problem, we aren't outsiders. We literally see the world ONLY from Ivory's pov; Therefore, what do you do when out of the two given sides - the people you're supposed to trust and the people you shouldn't - the only certainty that you have is that the character that all red arrows point to isn't the one who did the crime, the one who sinned. If you can trust the untrustworthy in the case of murder, than who from the character's we're supposed to trust, can we trust? Anyway yeah that's all, I just wanted to share this thought process - it's most likely a very obvious part of the narrative but I haven't seen many people acknowledge it so I wanted to!!! :33

[jq37]

The Report Card – Fantasy High Junior Year Ep 1

We're SO Back

School is back in session y’all!!!!

Fantasy High has returned to us after a long break and I am thrilled to come out of my recapping hiatus to bring back the Report Card for Junior Year! You know I could let my favorite chaotic high schoolers go un-analyzed! 

This episode wastes no time in getting started so neither will I. Brennan makes what I think is a very strong narrative choice by starting us in media res at the end of a classic Bad Kids adventure. It is the summer between Sophomore and Junior Year and the party has spent the last four months hot on the trail of the dreaded Night Yorb.

We catch up to our Intrepid Heroes in the Red Waste and they’re trying to catch up to the Night Yorb which is a big, eldritch, manta ray like monster who threatens to plunge the entire world into darkness, creating a very slow (but still effective!) apocalypse! The Night Yorb is flanked by its groupies, made up of members of the many cults dedicated to it (collectively known as “Yorbies”).

As I said, the Bad Kids are hot on its trail, in (and on) the Hangvan. Gorgug (who has been leaning more into his Artificer vibes lately) has outfitted the top of the Hangvan with a solar lasso that can be used to capture and reel in the Night Yorb so that Fig and Adaine can defeat it with a magical sigil. I’m gonna quickly run down where everyone is and what they’re doing:

Adaine and Fig are both standing on top of the Hangvan in order to spring the sigil when the time comes. Adaine is also joined by Boggy and a new addition, Moggy the Doggy (aka, Mordekainen’s Faithful Hound), which is a very round, very cute, very invisible Pomeranian looking dog. 

Gorgug is also up top with them because he’s manning the solar lasso. 

Fabian is inside the Hangvan along with Baby (aka Wretchrot, aka Fig’s screeching blood imp who has no mechanical benefit unless she takes another level of Warlock as Brenan keeping reminding us) and Ecaf, a mirror with a sultry voice that Fabian is *heavily* flirting with, much to everyone’s discomfort. It’s tres Narcissus. (Also, ha, Face backwards. I see you Brennan).

Kristen is in the back with Fabian and Riz is driving, even though he is WAY too small to effectively be driving a Gorgug sized van. 

The Hangman–Fabian’s trusty motorcycle/hellhound–is out in front of the Hangvan.

Also Squeem is on the roof with the others! Beloved, fan favorite Squeem!

Yeah, so this episode does a thing of pretending like we’re jumping into the last episode of an arc that we’ve seen every episode of and introducing characters in a very Sam Reich, “He’s been there this whole time” way even though it’s their first appearance. I think it’s very funny and it reminds me of that Community episode where they’re all flashing back to episodes that never aired. But anyway, I mention this so that if I mention a name and you’re like “Whomst?” it’s probably just a bit, you’re not forgetting a major character.

Anyway, we’re joining this chase already in progress which means our kids are hurt and down spell slots but their opponents are as well. The distribution is pretty uneven–Adaine is way less hurt than Fabian and Kristen for instance, which honestly checks out (curious how they decided on that though). 

Because this episode is just one big battle sequence for the most part, I’m going to follow the precedent I set in the recaps for The Seven and just give the highlights in bullets and then do an analysis on where all the Bad Kids are right now at the end:

Murph comes in hot, using his first action of the new season to shoot his gun and doing 30 points of damage with a 27 to hit. New year, new Murph! 

Siobhan invokes the corn cuties debacle from fight one and all the falling off the tables that happened. Clearly, a bit of Adaine’s oracle energy is rubbing off on her because the next thing that happens in that Fabian decides to jump on top of the Hangvan to cast Faerie Fire on the Night Yorb (which has shrouded itself in magical darkness), rolls the first Nat 1 of the season, absolutely eats it, and gets run over by Riz–narrowly avoiding going down. He’s ultimately fine–The Hangman comes and picks him up–but it’s not a very auspicious star from Master Fabian. 

Emily and Murph have a cute moment of womping Brennan back to back by using Silvery Barbs to make him reroll two attacks on the Hangvan–one of which is a crit–and then giving each other the advantage on the next roll.

Kristen is a real pillar in this encounter–holding up the Circle of Power spell that allows her friends to ignore big chunks of damage that absolutely would have dropped them. But throughout the entire fight, her patron goddess, Cassandra, keeps trying to talk to her and Kristen keeps leaving her on read–we’ll get more into that in a bit. 

Adaine comes in clutch with a Nat 1 portent roll to stop the NIght Yorb from resisting Gorgug’s attempt to reel it in further. Truly, the best time to roll a Nat 1 in this game. Divination Wizards are awesome!

We learn that “Don’t Speak of the Night Yorb” is more than just a silly bit when Fig realizes that saying its name makes it heal up which isn’t great because they’ve been *very* cavalier about invoking its name. 

Squeem gets a big emotional goodbye with Gorgug on top of the Hangvan, heroically leaps off to fend off some Yorbies…and then rolls a 2 and totally faceplants. No! Squeem! Beloved fan favorite Squeem! They already had to revivify you once! 

On the Night Yorb’s turn, Brennan does an attack and shakes so many dice that it sounds like maracas. It’s 61 points of damage and squishy wizard Adaine goes down, but everyone else stays up–large in part due to Kristen’s aforementioned Circle of Power. (Siobhan, describing how bad her saving rolls were zings two separate friends saying, “It was Fabian level nasty. I fucking Murph’d it.”)

Luckily, Fig and Gorgug are up on the roof with Adaine so she does not go sliding off the van when she goes down. They catch her before she can fall. 

At this point the Van has sustained a lot of damage so Murph reminds the teacher that they have homework/Brennan that they have to roll for a mishap. That turns out to be the breaks blowing out. Now, all the Van can do is accelerate! It’s just like the movie Speed!

Two more characters who we totally know and have been here this whole time show up to help–Balthazar and Duggan McCann! A cool grizzled veteran and a centaur cowboy. Riz immediately starts doing cool guy banter with them because he’s somehow convinced them that he’s cool (which he is for the record, just in a completely different way lol). Unfortch, Baz almost right away gets eaten by the NIght Yorb. Who’s gonna take care of his litter (?) of parrots?????

 At this point in the fight, everyone gets a ping on their crystals, reminding them that school starts in three days. This stresses everyone out more than the fight that they’re currently in. 

Fig brings up Adaine with a Healing Word but she immediately has to do Wis save with the rest of the party. She and Fabian fail, but once again Fabian is saved by fear negating effects of his dad’s eyepatch. So Adaine starts to have a panic attack about the fact that she’s fighting the Night Yorb while standing on the roof of a moving vehicle which, real talk, very normal and valid reaction. In fact, probably concerning that she’s reached a point in her life where that *isn’t* the default reaction. 

The Hangvan is coming up on a jump it’ll have to make to continue following the Night Yorb (and it can’t even try to stop because the brakes are cut). Riz fails the roll which means that the van is probably going to fall on its side. Adding insult to injury, a pillar of rock falls and is going to crash into the van, doing even more major damage. 

Fig watches this, and almost dissociates, feeling the weight of the entire summer taken from them to do this quest. Feeling so so tired. Feeling the fact that even if they win, they’re just gonna have to go back to school and adventure some more. A piece of magic she’s been holding inside of for a long time flickers and she hears an enticing voice whisper in her ears. “If you would take me, you know what you would save.” She smells a sour, curdled scent and she knows that if she says yes, she can save her friends. Maybe there’s another way, but she just wants this to be over. “I’m yours,” Fig says. 

There’s a flash of “lemony, yellow, creamy” light (hmmmm) and the rock stops falling. The Hangvan starts righting itself.

And then there’s a sick gurgle from Fig’s stomach. 

Uh-oh, gang. 

For those of you who are new to these recaps, every week, I give one PC Detention and put one on the Honor Roll for their in-game actions. We’re starting off hot this semester with:

Detention 

Kristen Applebees for Being a BAD Friend to Cassandra 

Like, OK. Faith is complicated. Kristen’s relationship with religion is complicated. Being a cleric is complicated. But notice that I didn’t say being a bad *cleric*. I said being a bad *friend*. To be clear, she’s also being a bad cleric, and I’ll talk about that later. But having understandably conflicted views on religion doesn’t make sliding in your Fantasy Airpods while the being who is essentially a lonely teen girl and who is keeping you and all your friends alive tries to talk to you NOT seem like a giant dick move. Come on girl, get it together. 

Honor Roll

Brennan Lee Mulligan for Being a Great DM!

I realized as I was writing this that I’ve given Brennan Detention but never Honor Roll so he’s getting it today. It feels so good to have him back in the dome with the kids and he drew me back into the world, right away. I’m so psyched that we have a full season of this ahead of us! 

CHARACTER CHECK-INS

Like I said earlier, because this is the first episode back, I want to really quickly check in with all of the Bad Kids and where they are, character-wise. I’m going to do this roughly from least concerning to me to most concerning to me. 

-Adaine: Adaine seems like she’s living her best life. She has her frog! She has her dog! Her character art is so much more chill and she’s coming into her own. This season, I’m hoping we get to see more of her relationship with her sister (yes, I’m a predictable bitch. Sue me) and with Zayn (who is also living at Mordred in her tower) who I think has a lot of potential to be an interesting supporting character with more spotlight. But yeah, go Adaine! 

-Gorgug: Gorgug is making his parents proud (not that they ever weren’t) by taking another artificer level. He’s not a 7/3 Barb/Art split. I love that he’s gone from calling himself dumb to taking on this very technical skill. He also apparently has a homunculus? Fascinated to see what that looks like. 

-Riz: Now that his big investigation is over and he knows his dad is a cool secret agent, Riz has switched his subclass from Inquisitor to Arcane Trickster which means he’s got tons of gadgets and that he’s a ring guy now. Love that for him. He’s very much not a chill person though so I’m very curious to know what the next thing he’ll latch onto is. He the kind of guy who always need something going on, you know? 

-Fabian: Fabian is a fancy, dance boy now (6/4 Fighter/Bard)! But that doesn’t mean he’s any less athletic. I mean, have you ever seen a male ballerina? He still is, however, a total disaster. And I mean that affectionately. I mean, his current love interest (?) is a mirror that is showing a fuzzy reflection of his own face. My guy, what are you doing? Although I will say, idk if that’s more or less toxic than him dating Aelwyn. 

-Kristen: Kristen. GIRL. 

OK, so first of all. There is nothing inherently wrong with getting super jacked and like, respect. But in this context it feels like a red flag. Like the kind of thing you do because you’re on the rocks with your girlfriend or if you’ve recently broken up. I will be *very* interested to know what Tracker is up to as she’d not mentioned in this episode. Last we heard, she was out doing cleric stuff for the Moon Goddess, right? Long distance can be hell on a relationship. (Also, idk how seriously we’re supposed to take this but Ally mentioned the one shot it happened in in this episode so Kristen was also totally trying to flirt with a college girl in that college visit oneshot. Brennan shut it down pretty quick, but it very much did happen). 

Also, speaking of cleric stuff, Cass. I feel SO bad for Cass. Like, a god isn’t owed followers, but Kristen chose that role. She CHOSE it. This isn’t like a Helio situation. Cass wasn’t pushy. She specifically says in this episode that she doesn’t want to be pushy. Hell, she says in the episode where she’s introduced that if people don’t want her around she’ll go away. But Kristen chose to be her follower, knowing what the implications of being the sole follower of a goddess is. Cass is made in her image. That’s how deeply entwined they are. Her goddess is made in her image. In The Seven, we learn that Ost’s god hasn’t talked to anyone in years. Kristen has Cass coming in like a mom offering snacks mid battle and Kristen is leaving her on read! It’s honestly kinda hard to watch her be so blithely dismissive of someone so dependent on her even though it’s played off as kind of a joke. I felt like I was watching a loyal puppy get kicked every time they interacted. 

And like, I said this before, Cassandra is made in Kristen’s image. But specifically, she looks like Sophomore year Kristen. Still all skinny and still in her tie-die shirt and shorts. There is a definite vibe of almost wanting to kill the part of yourself that embarasses you, you know? It feels like she's being mean to Cass but also to herself. 

Also, mechanically speaking, it’s wild to be just ignoring the person you’re getting your powers from like this. Like, this is real Wizard behavior. You don’t have to answer to anyone if you studied for your magic but you absolutely do as a cleric. Does Kristen even want to be a cleric? It honestly doesn’t seem like it. She’s shown a pattern of behavior of chafing at every god put in her path, even the ones she literally made up. I thought Cass might be the end of her searching, but we’re right back on the Merry Go Round. The party absolutely needs a healer though so idk how she deals with that. 

I saw the snipped clip of Ally’s interview about Kristen’s arc this season involving what happens when chaos stops being cute, and I can def see seeds being planted. Fascinated to see how they explore that because this feels like a real ticking time bomb of a situation. 

Oh also, her Dex went DOWN????? GIRL!

Fig: I had a lot more to say about Kristen but Fig has to be last on the list for making a deal with a literal devil lol. Like, classic Fig though, right? This WOULD happen. Emily talked about potentially retiring Fig and getting reeled in by some enticing plot hook from Brennan and it feels like we might be about to find out what that is. I won’t speculate on it too much right now because we’re presumably about to find out but there were a LOT of yogurt themed adjectives when that magic activated which has me very split on whether this is about to be deeply concerning or deeply silly. Or both! It could be both! 

Random Thoughts

I LOVE that we have a proper theme song now. It feels so fitting and I love the opening art and it’s all so cool. The show’s so profesh now!

Also, shout out to @caitmayart for making the new art! It has the quality of a professional and the extra love of a fan. It’s my fave D20 official art so far. 

I don’t know when this feature was added but I love that there is a full transcript you can pull up and search and jump to that time in the video now. That’s gonna be SO useful for me. 

One of my favorite things about Adaine is that she’s generally polite but occasionally she’ll just absolutely verbally decimate someone so casually and this episode she said to the Solesian Yorbie they encountered, “What movie theater were you assistant managing before you decided to become a Yorbie?” Brutal. 

Also love how vehement she was about the fact that Brennan couldn’t touch Moggy, even when she went down. You are absolutely NOT gonna kill that dog Brennan.  

“Object interaction, touch Gorgug’s foot.”

Fig asks Gorgug how they can heal a van and he says, “Take it to a shop for 3-4 days.” Zac, underrated comic genius. 

I really can’t overstate how funny it is that Fabian spends most of this episode flirting with his own reflection. I’ve said this many times but something I love about Lou is that he’s not afraid to make Fabian deeply uncool, even though Fabian’s whole thing is being as cool as possible. 

Kristen says she needs to have an intense conversation with Cassandra when the fight is over and what does that mean? Like a breakup conversation? Which I guess would kill her because then she’d have no followers again? I am, como se dice, concerned. 

Also, just looking ahead, Tracker is also a cleric. A pretty faithful one from what I can tell. I have to wonder what her take on Kristen completely neglecting her goddess and church is. 

I think it’s so funny that Emily was thinking about retiring Fig so she could just ride off into the sunset with her cool rockstar life and awesome girlfriend because Riz’s big thing last year was being worried all his friend would pair up and leave him so for him to accept it and then have his fears validated right away would be like, welp. 

At a certain point, Murph has to roll damage and he rolls 45 out of a possible 50 damage. That’s crazy. Let’s see how long that luck holds.