#anyway i have no other art to post besides this

[sirensea14]

Oof- I FORGOT TO POST THIS-

[licorishh]

double ?? upload ???? yeaaaahh i've gotten FASTERRrr for whatever that's worth so complementary blyla because guess what i miss them too (nobody was surprised by that)

[tmos-time]

the amount of times i think about eridan finding excuses to call sollux darlin' or sweetheart astounds me <3 anyways day 1 prompt of honey for this years @erisolweek lmao

(and as a bonus, my favorite thumbnail sketches of eridan <3)

[nobodysuspectsthebutterfly]

The Folio Society presents an illustrated collector’s edition of Fire & Blood

George R. R. Martin’s Fire and Blood, the prequel to A Game of Thrones, joins the Folio series. Explore the Targaryen dynasty with beautiful illustrations, detailed maps, sigils and family trees. A must-have for Westeros fans. ​ Coming 28 January 2025. What’s that in the distance? Is it the brush of dragon’s wings against the clouds? Queen Daenerys’s family tree is a rich one, filled with over 300 years-worth of rulers of the seven kingdoms. In Fire and Blood, George R.R. Martin dissects the Targaryen family’s history through the eyes of Archmaester Gyldayn. ​ This is the ultimate book for fans of the original series; it provides rich context of the family responsible for the world of Westeros as we know it. Plus, there are dragons, and lots of them! Artist Audrey Benjaminsen has captured the Targaryen family like no one else. Her illustrations jump from the page – the absentness in Area’s eyes upon returning with Balerion, the madness in Rhaenyra as she sits on the Iron Throne. This is the definitive edition of a definitive story, one that would surely sit in the library of the Citadel for centuries to come.  ​ PRODUCTION DETAILS Bound in three-quarter blocked cloth with a printed and blocked cloth front board ​ Set in Vendetta with Esmeralda as display ​ 616 pages  ​ 4 full-page and 1 double-page spread colour illustrations ​ Prints 2 colour throughout in black and gold with illustrated chapter openings ​ Printed endpapers ​ Coloured tops ​ Blocked and printed slipcase ​ Additional colour illustration inside slipcase ​ Sized at 10˝ x 6¾˝  ​ Printed in Italy​ UK £110, US/Canada $150, elsewhere £125

[cozylittleartblog]

idk if I've said it before, but your portrayals of both Rouxls and Queen are among my favorites, and the way they are when you combine the two is the sole thing that got me to say "yes" to queenkaard. When I first saw it in the game and it started catching on as a ship, I was like "nooo I hc him as gay," but then after seeing your stuff I was like "oh nvm I totally see this now."

i think hearing "i didn't see this ship before, but after your art i understand it and/or even ship it myself" is one of the nicest compliments i get, because it makes me feel like i'm representing something meaningful and sweet about a pairing and having people understand what i think is so great and captivating about them. i've gotten a couple asks like this and sometimes i forget to respond but i always really appreciate them :) thank you very much

[al-luviec]

juvie buddies

[sourscratched]

the hand that feeds

[wundrousarts]

I discovered these paintings by James McNeill Whistler recently, Nocturne in Black and Gold: Falling Rocket (top) and Nocturne in Black and Gold: The Firewheel (bottom). I’m sharing them because they make me think of Nevermoor, as so many things do.

With paintings, a nocturne refers to the depiction of night. This is derived from the musical term, where a nocturne refers to a musical piece that is “inspired by, or evocative of, the night.” These both just come from the fact that “nocturne” essentially means “of the night”.

On a basic level, this just reminds me of Nevermoor by the aesthetics. The dreamy nighttime setting strikes me the most, but also the sparks of yellow fire that make me think of Wunder. Think of how many important scenes happen at night- Morrigan on Eventide, the Museum of Stolen Moments, and the Hollowpox in Courage Square. But the concept has me thinking, obviously, about the Wundrous Art of Nocturne. The only songs we know are Morrigan and Squall’s, who both chose nursery rhymes as their Nocture. Their choices make me think of lullabies, sung at night… and there’s lots to think about with that.

[gemini-queen42]

Batb: Other Than Human - Themes stuff (& why I Called It That)

That's right folks, the self-indulgent "throwing any concept I like at the wall and haphazardly mixing together what sticks" au rewrite Thing has Actual Themes! That kind of happened accidentally but they are so real for that so let's get into it.

The Main Narratives Themes Trio of the story now all also embody expanded themes about being an "Other", when being a person is not enough to be properly considered human- more specifically of a neurodivergent/queer girlhood type flavor.

Summary is that it's called "Other Than Human" because the prominent theming is about being considered something other than human due to not fitting the mold of the 'norm'.

[This is a long one so details & specific character stuff are under the cut<3]

Amalure has the greatest departure from her original counterparts thematic placing, so we'll start with her. Amalure retains Gaston's social standing, reputation, etc. But it's of course not quite the same- because she is a woman, and she is not revered for being the picture of ideal womanhood/femininity. Instead, she excels in masculinity, but remains firm that she is and always will be a woman. So, to justify the desire & awe people have for her, they dehumanize her: She doesn't need to follow the Rules because she is outside of them. Amalure is not a person: she is a symbol, a figure, an object. A legend, a folksong, a modern myth. Her skills are not skills they are blessings, inherent, a mundane magic or supernatural. Despite having grown up in Villeneuve for her entire life, she is considered exotic, and is practically, if not actually, fetishized. And through all of this, the status quo and social order gets to be retained without question, and she gets to exist as the exception that proves the rule, rather than the Undesirable that she'd be marked as otherwise.

Amalure is fine with this, because this dehumanization is her status quo: She doesn't really view herself as a person either, she is defined by her relationship to other people, by who she is to them. Amalure has never been a person to anybody: Growing up she was never just a girl, never just Amalure: She was a girl with a mans brain, an embodiment of her fathers greatest achievements, an embodiment of her mothers worst mistakes, she is her fathers daughter or her mothers daughter, but not her own. (and she never both, it is either or, mother or father, never both, never parents.)

Princess Eve/The Beast is the other end of this, of operating through her dehumanization. Upon being cursed, she adheres to what societies have oft wanted to happen to their Undesirables: Hide away and never be seen by the public again. It is entirely self-inflicted, as most of her suffering truly is. She operates not through others dehumanizing view of her, but her dehumanizing view of herself and its warping of how she believes others view her. Because, well, the servants still view her as a person. I mean, they're still human- under the new object forms. And the separation of humanity that is easy to slip into on matters of royalty is awfully minimal as well; they watched her grow up, and she grew up among them.

The girl's bratty, spoiled, temperamental, and is a ball of horrid consequences of the shallow views and ideals learned from surrounding nobility. But she's also the girl that fell asleep listening to Cogsworth explain the many technicalities to managing servants; because she was stubborn in asserting her authority as the mistress of the castle, and thus she Must have say over its goings ons. But the majordomo's voice can be awfully soothing when he's not high-strung on anxiety, and it's hard to pay attention when you don't understand what's being discussed, so its all going in one ear and out the other. And She's Lumiere's 'Evie', who was so amused when Lumiere would draw on a little mustache when dancing the male roles so the princess could learn some duo dances, or because she didn't look very "waiter-like" (because Eve wasn't entirely sure what a maître d' did, but it seemed to have something to do with waiters), and who got annoyed every time the dance teacher/maître d' would warn her not to hurt her body in her pursuits, because it seemed so silly, why would anyone do that? And she's the girl who dragged Mrs. Potts to have tea with her, because she made the best tea and as princess she would have only the best; and if you're going to have tea you may as well have a tea party, and you can't really have a party of one, but two isn't much of a party either so she's going to drag Babette away from her duties too, since the maid was so elegant and thus would be perfect.

Honestly, the girl probably would've turned out fine if she was raised by just the servants. But they weren't the only forces in her life: she's a princess, so she's got to host and interact with important people and learn how to Be noble which isn't something any of the servants can teach her. And it is under the pressures and eyes of nobility, is in mixing and learning their social rules, that learns the lessons that will lead to her curse: That to be considered human and treated as such, one must look human. And to be such as a woman meant to look beautiful, like the ideal. As a woman, to be worthy is to be beautiful and vice versa. And even if she does not, she must have some way to serve men. Otherwise, she is nothing. Eve met these requirements well, and where she did not yet her authority as princess covered. So when a beggar woman is at her doorstep, the princess turns her away: because she is old, ugly, so long past her 'prime'- there is no worth to her anymore. There is no point caring for her future.

Helene stands as both the middle ground and inverse to the other two. She is an Other by virtue of her mind, she is Objectifiable by virtue of her beauty. She sits on the precipice between Undesirable and Desired, seeming nearly apathetic to where she lands despite popular encouragement to embrace or smother aspects of herself. Helene is quite sure she's a person like anyone else, thank you, and is frankly frustrated and a bit weirded out that others seem to have a hard time getting the memo- she doesn't like or want to assume the worst, though, so maybe she just missed another confusing untold social rule or something. I mean, the local triplets really do seem to be advising in good faith- they really do think of her as one of them to an extent (for reasons Helene is yet to know); they just don't understand her.

When Amalure pursues her, there's an unspoken aspect to the deal of marriage she proposes: Helene will get a secured place on the in of the community, a secure standing the promises people no longer questioning or trying to encourage her to no longer be herself. But Helene just isn't interested in Amalure like that, and she also sees what the real trade-off of that security is; that uncomfortable dehumanization that is exactly what Helene doesn't want to deal with anymore. If Amalure is fine living with it than she is free to do as she pleases, but the huntress doesn't seem to understand what Helene could possibly have a problem with- and it's not like they can discuss it, because it's unspoken, and you're not supposed to speak the unspoken things, because they're unspoken for a reason- even if you don't know what that reason is. Helene knows that rule, at least.

When Helene meets the Beast, she regards her as she does any other. It's plain as day that the Beast has a humanity to her, whether she's really "human" or not- she thinks and she feels, and that's enough for Helene.

Because Helene grew up raised by a single dad who she got most of her brain workings from, and he is a man of compassion and science. Off he'd send his beloved daughter to go and question and figure out the world for herself, to experiment and learn and become whatever she desires. Off to bed he'd send her to tell her fairy tales and have their lessons of love and compassion and humanity understood as she drifted off to sleep. Helene was never Odd with her father, never Other, in fact they were so easily two of a kind. It was so jarring, hearing people imply Tyndare less than sane; his logic paths were so easy to follow- but apparently his voice gruffs enough that others have a hard time understanding what he's saying sometimes, so that's where things seem to get lost in translation she guesses. People became jarring in other ways as she grew up too, because suddenly there seemed to be lots of social things she was supposed to know or be but didn't and wasn't, and it became very apparent very quickly that she was an Other among her village.

Overall: Eve & Helene get to go through these themes through the main plot, and post curse-breaking is when Eve gets to properly deal with the internalized issues and whatnot. Like she's learned beauty doesn't matter when it comes to love, and shouldn't decide whether or not someone should be cared about, and Helene loves her despite her having been beastly and despite her being a failure of a woman- (because she no longer fits the feminine ideal after the curse is broken, and frankly she never will again.) But she's still a Failure Of A Woman and Helene deserves Better Than That! So there's still work to do.

Amalure remains static on this aspect of the narrative until after the battle at the castle, where she does survive! .. barely. and it's later, in an argument with her mother that same night, bleeding out on the kitchen floor, when she asserts that she's her daughter too, not just her fathers. she has always been her daughter, always will be, she is the daughter of both of them, because that's not something that just switches or turns on and off- and it's an entire rant that I will not recite here, but the important part is the assertion that she is, always has been, always will be, the daughter of both her parents at once- that's the first little step for her arc of recognizing her own individual personhood and whatnot.

[oldirontender]

hey guys whats up *gets crushed to death by a falling anvil*

[kastillia]

my alphabetical list is complete

[wifiwuxians]

i realize i will never be a 'popular' artist as i'll have like maybe one post a year that gets a thousand notes by some miracle, and most of my stuff averages like 100 regardless of time, effort or content (except for oc stuff which gets like 20 which i expect lol), but it's become like, nice. to have regulars who enjoy what i make regardless of what it is. to have sweet asks in my inbox telling me i make someone's day. to have forty odd people want to have my art in their homes as a little keychain. to have anyone at all out there who loves the stuff i make. it's nice. thank you to everyone who has ever supported my art 🥰

[peridots-pixiwolf]

sketches from @mipexch 's whiteboard a couple days ago!!

also feat. a very small reference to @onlineviolence :]

[nightmare8-420]

i feel like a part of my soul has been ripped from my chest and i dont know why.

[scribblemakes]

[ID: A collection of black and white sketches showing everyday objects that are haunted by little creatures. These creatures fill in gaps with black space and white dots for eyes /End ID]

As some of you might’ve seen: I’m no longer posting art on Twitter, so Tumblr is now the only social media I’ll be consistently posting art to. However: I’ll also be posting it to my website and possibly other social media platforms in the future.

I also post monthly sketch pages to my Patreon (April’s is on this post) with early access for Patrons, and I’m hoping to add more things to it soon!

Thanks everyone for your support (your tags mean a lot to me!) and I’ve put more of my thoughts in the tags.

[glowstone23b]

hey boris. check this out *throws your oc at you and sprints*

click for higher quality, tumblr eats it -_- and there's a couple still frames under the cut :)

Highly recommend following this blog also, they have SUCH GOOD ART!!!! Not just piglins but lots of hermitcraft/misc. mcyt as well as wonderful ocs. Give em a follow! vvv

@borisarticall @8orisporkfolio