#anti valhalla
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wanderingmind867 · 3 hours ago
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Okay, yeah. Valhalla is just home to a bunch of serial killers. Why should I like Halfborn, Mallory, TJ or any of these others when they just kill, kill, kill, kill and kill!? They're f***ing psychos! And not in the charming way. No, in the terrifying serial killer way. Am I supposed to like people who feel bloodlust? Really!? Jesus Christ, what is wrong with the Hotel Valhalla!? And how the hell does rick riordan manage to humanize these characters later. It feels almost impossible. I don't like it. I don't like it one bit. sigh…
Edit: As usual, I phrased this super indelicately and shoved my foot in my mouth. I don't even hate Halfborn, TJ or Mallory! But I suppose I felt my point was best reached using them as my tangible examples of what too much Valhalla does to a person. You get so desensitized to death that you become a willing serial killer. Cutting down swathes of people like it's all one big game. I still see problems with this, and I just want to know that i'm not alone in seeing the problems.
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nando161mando · 1 month ago
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romanoffsbish · 2 years ago
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MCU is good at one thing: Unnecessarily killing women.
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lesbianwyllravengard · 3 months ago
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This isn't like. a DANGEROUS misinformation or anything, it's just so weird. Like IMDb blatantly states Tom Lewis is the voice of King Aelfred, and Allan Corduner is Trygve (two wildly different characters). I don't understand where the ai got this info. Like again not scary or dangerous but still just so blatantly wrong it just. I'm appalled that people still think ai is in any way reliable.
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lullabyes22-blog · 1 month ago
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Silco's entire life is basically the oeuvre of The World Inferno Friendship Society...
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Don't believe me?
Look at these titles.
Only Anarchists Are Pretty
Soon We’ll Be Dead
Ich erinnere mich an die Weimarer Republik
Addicted to Bad Ideas
Me V. Angry Mob
Brother of the Mayor of Bridgewater
Zen and the Art of Breaking Everything in This Room
The Velocity Of Love
The Politics Of Passing Out
I Wouldn’t Want to Live in a World Without Grudges
All the World Is a Stage (Dive)
A Night in the Woods
Please My Favorite Don’t Be So Sad
Heart Attack ’64
Friend To The Friendless
My Ancestral Homeland, New Jersey
I Am Sick of People Being Sick of My Shit
Cats Are Not Lucky Creatures
Bad Penny Blue
Just the Best Party
Your Younger Man
One for the Witches!
Tattoos Fade
Don’t Kiss Me, I’m Running Out of Lipstick
Secret Service Freedom Fighting U.S.A.
With a Good Criminal Heart
Tarot Americaine
Me & The Mad Monkettes
Annie the Imaginary Lawyer
Go With It Girl
This Packed Funeral
Fiend In Wien
The Apple Was Eve
Don’t Get Me Started, Don’t Get Me Wrong
All Of California And Everyone Who Lives There Stinks
Dolce Far Niente
“M” Is for Morphine
Let’s Steal Everything
Looks Like Blood But It’s Probably Wine
I Just Make Faces
Lust for Timing
Three Parts WTF
All I Can Do To Help You With Your Nightmares Is Keep You Up Late
Canonize Philip K. Dick, OK
Citizen Of Jazz
Taken Down A Peg, I Help Out The Squatters In The Subway
Millicent Didn’t Want to Wait for It to Get Better
Hothouse Flowers
Embarked on a Life of Poverty and Freedom
So Long to the Circus
I’ll Be Your Alibi
Stay on the Charming Side of Drunk
The Naughty Little Rat Makes New Friends
Dr. Dracula Who Makes You Get High!
The Roosters Are Coming Home To Crow
The Elegant Solution
Having A Double Life Is Hard (But Obviously Something You Enjoy)
The Cat In The Hat Has A Right To Sing The Blues
Freedom Is A Wilderness Made For You And Me
The Disarming Smile
Incendiarism
The Devil’s Ball
Glamour Ghouls
So Long Saving Grace
The Faster You Go, The Better You Think
Burn & Scar
Lean Time For Heroes
They Talk of Nora’s Badness
Lawyers And Lovers
Anti-Fascist Cabaret
The Models and the Mannequins
The Mighty Raritan
Ladies and Gentlemen of the Road
In The Briar Patch Born And Raised
Pickles And Gin
Valhalla, Definitely
The Expatriate Act
Second Chance Saloon
Foolish Things
All Borders Are Porous To Cats
For Sleep
Jealous, We Three
Carnival At My Back
Subway Song
Drug Dealers Are Always Late
The Expatriate Act
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seat-safety-switch · 1 year ago
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Rust is my most hated nemesis. I have stared more than once into the crumbling mess of red death that was, long ago, a pristine steel panel. Many evenings have been spent cutting out rust, only to find more rust, and cutting out that rust only to find yet more rust. Everything on my car is actively trying to return to the earth, but I won't let it.
Maybe you're lucky enough to only own new cars, or so absolutely fortunate that you live somewhere that cars don't rust even when they get scratched. If that's the case, you can pretend that the rest of this story is actually talking about croissants. Croissants are delicious, rich, and buttery, and I'd probably have learned how to make them myself if I didn't spend what my Daytimer® estimates is three-quarters of my waking life fixing body and structural rust on my harem of shitbox cars.
For years, car folks have been lured by a series of snake-oil paints, oils, dyes, dips, and other formulations that promise to help prevent rust. Virtually all of them are horseshit: elaborate scams produced by an industry that knows they have a desperate customer, just like parachute companies. The most effective rust prevention is to hose your car down with lanolin, which is a sort of wax you make by crushing up sheep. It works well, but the trick is doing it every year, forever, perfectly, until you miss a spot and your car disintegrates at highway speed, like a sand castle being hit by an errant volleyball.
If you talk to someone rich, they propose simply driving a bad car in the winter, and keeping your good cars cooped up. This is impossible for me: not only do I have exclusively what the rich would call "bad" cars, but I feel shrieking agony every time I am destroying any vehicle at all through my carelessness and malice. That is, of course, unless I am racing the car, in which case it is understood by all involved that dying in battle is the most noble way for the car to ascend to Valhalla. There is no honour in scrapping a car because the rear subframe prolapsed on your way to work, so I enter my most precarious vehicles in ice racing in order to give them a good end-of-life experience.
Unfortunately, it turns out that the gaping rust holes reducing the weight of the chassis, and my devil-may-care attitude bumping rivals off the lake in fact is the secret formula to produce winning race cars. Now, I'm not as rich as your Inoues or your Sennas, but the $50 gift certificates to the local tire place really add up. I hear they've got anti-rust underbody spray, which seems like a good thing to do to whatever chunks of cars I can frantically weld together this summer in the few weeks before the leaves turn again. The cycle of life.
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kaccvcate · 5 months ago
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As someone who wasn't raised Christian, I find it so strange that satanism is considered "anti-Christian." Since Satan is a Christian mythological figure, without Christianity he wouldn't even exist, so any depiction of Satan would have to be inherently Christian. You could say the character is anti-Jesus, or anti-human maybe. Can you imagine if people said depictions of Hades or the Furies were anti-Hellenic? They're integral to the mythology...If anything Satanism should be considered a branch of Christianity. Most Satanists I know used to be other types of Christians anyway. I also find it strange that Christians strictly adhere to anti-talmudic religious laws that Jesus certainly would have found inhumane, as an extremely socially conscious Jewish man. (I admire a lot of things he stood for, but most Christians barely have anything in common with him.)
My mama told me a story a long time ago, about the first missionary to come to the Muskogee. He explains all about heaven and hell and Jesus, and the Muskogee man says, "Let me get this straight. If I don't worship this man I'll burn in hell for all eternity?" and the missionary tells him, yes. The Muskogee man says "What about all my relatives who haven't even heard of this? What about all my family who died never knowing?" and the missionary says, "There's no punishment for ignorance, they'll all go to heaven." And the Muskogee man says, "Well why the FUCK did you tell me, then?!"
I'm not Christian, not even Satanist, if anything I worship cats, but many people have told me I'm going to hell anyway, although to me hell is as made up as Idunn's orchard of golden apples, Valhalla, Olympus, or anywhere like that. My mama used to tell me, hell is where the fun people are, and since I've never actually met someone who wasn't allegedly going, I think she was probably right.
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wanderingmind867 · 2 days ago
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Why am I the only one to ever use the #anti hotel valhalla tag? What, does nobody else see problems with that place!? The owner of the place pretty much has an indentured servant! Not to mention how everybody is always dying over and over and over! Why am I the only one complaining here!? I...I can't be the only one whom this concept really bothers. I feel like trying to get to the good parts of the Magnus Chase books, but I don't want to deal with death and this f***ing hotel! Is that so much to ask!? I've experienced significant personal loss since I last read these books. Hearing about an uber violent afterlife...It's deeply distressing. I hate it. So, so much. So please, someone tell me i'm not alone in this. If i get enough reassurance, maybe it'll be easier to power through to the good parts. Like literally everything outside of the hotel. I need help getting past those hotel scenes. sigh...
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lavalais76 · 6 months ago
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I find myself constantly thinking of the wilding VAL and her purpose. She was not in the show, but as we all know, that means nothing. I'm not a huge fan, but I'm wondering what part she will play when it comes to Jon. There is no way she will be QINT as some airheads suggest.
I think of the name GRRM gave her and I think of Valeria and the Valkyries. Most of us know that the Valkyries are female warriors who sometimes take on human form, and their job is to take the fallen warriors to Valhalla. (If they choose to do so)
Most of GOT is based on old Norse Mythology, so maybe Martin took this route with VAL. I can't say for certain, but what are your thoughts on VAL my Jonsa family? I will only tag this in Jonsa because I don't need any anti's leaving me stalker messages.
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useless-catalanfacts · 1 year ago
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La Pedrera. Photos from Ajuntament de Barcelona and La Pedrera.
Nowadays, la Pedrera is one of the most famous building in Barcelona, Catalonia. It's one of the most emblematic buildings in the Catalan Modernism style, and has been declared part of the UNESCO World Heritage Site "Works of Antoni Gaudí".
But it hasn't always been recognised as good architecture, all the opposite! In fact, take a look at its name: it's technically called Casa Milà (house of the Milà family), but locals always call it "la Pedrera", which means "the quarry" in the Catalan language. When it was built, in 1910, Barcelonians thought it looked like an ugly piece of stone-y quarry mountain in the middle of the city.
But that's not the only thing that they thought it looked like. Let's see some parodies that were published at the time:
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In 1909, the popular magazine Cu-Cut! published this vignette of a mother and a son walking in front of the house, when the child asks his mom "was there also an earthquake here?". This is a reference to an earthquake that happened in Sicily the previous month, and to the house's bendy shapes that look like it was shaken.
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In 1925, the children's magazine En Patufet also joined in, with a vignette where the owner realises he can't hang up curtains* on this windows.
*Note: I'm using the translation "curtains" as a simplification so that English speakers without a detailed knowledge of Catalan culture can understand the joke. The vignette actually uses the word "domàs", meaning a decorative textile that is hanged from balconies during holidays.
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In 1910, Cu-cut! compared it to a mona, the cake that Catalans eat on Easter Monday, by drawing a vignette where a child says "Daddy, daddy, I want a mona as big as this one!".
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Three times did the magazine El Diluvio mock this building.
First, in 1910, they called it a "Medieval architecture model, between burrow and burial, that I don't quite dislike". It described its future in the following way: "the round gaps in the façade have become dark holes where all kinds of vermin come in and out: crocodiles and rats, but also snakes, hedgehogs, owls, sea monsters... Two undulating lines wrap up the building, which stands in front of an absolutely black sky. Above it, in the rooftop, the chimneys, the air vents and the stairs' endings have stopped being whipped cream mountains to become sinister piles of skulls."
In 1911, El Diluvio striked again, comparing the building's cast iron handrails to a fish stand. Their illustration had Casa Milà with a sign saying "cod entrails sold here!".
And lastly, it made fun of the controversial statue of Our Lady of the Rosary that was supposed to go on top. The Milà family in the end decided not to place the statue (some say because they didn't like how the sculptor made it, some say it's because they were scared of having a religious symbol after the 1909 anti-clerical riots) but the architect Gaudí, who was a very religious man, insisted on having it. This caused the Milàs and Gaudí to argue, which the magazine represents with a caricature of Mr. Milà wearing a Tarzan-like loincloth and branding a whip fighting against Gaudí wearing a pith helmet, grabbing him by the hair and hitting him with a hammer. The text under the image translates to "Will the Virgin Mary stand on top of the peculiar monument? Who will win, Gaudí or Milà?".
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In 1912, the popular magazine L'Esquella de la Torratxa imagined that this extravagant futuristic building could only be a garage for parking airship and air-planes. This satirical drawing is titled "Future Barcelona. The true destiny of the Milà and Pi house". (Milà and Pi were the owners of this building).
The text that accompanied this illustration wondered if this building is the Wagnerian Valhalla, an anti-aircraft defense for the Moroccan War, or a hangar for zeppelins.
What do you think? Was the banter justified?
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thydungeongal · 7 months ago
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You're so brave. Our strongest anti 5e action soldier
Hehehehehhehe this was actually really nice to read. One day we will dine together in the great halls of, aaaaaaaaaaa, Roleplaying Games Valhalla. Where every day opinionated RPG posters post on the fields about RPG theory and then in the evening there's a cool as hell Vampire larp
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tapioca-puddingg · 1 year ago
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Why GoWR Valhalla Is Important
Hey. It's me again. This time I'm not yelling about Kingdom Hearts or Drakengard, but I wanted to talk about God of War Ragnarök: Valhalla today and why I think it's important in trauma-centered narratives. This isn't a detailed analysis, just me spitballing.
SPOILER WARNING: There will be spoilers for God of War Ragnarök: Valhalla, so please proceed with caution!
EDITED: 2/26/24
As a brief summary, Kratos spent almost the entirety of GoW 2018 refusing to talk about his past. His guilt, shame, and trauma deeply affected his relationship with his son, to the point where he didn't want to be around Atreus bc he was terrified of being a bad influence on him. It was only when Atreus' life was in danger did it force him to finally admit just a sliver of the truth. Now I don't mean to say that Kratos revealing his godhood wasn't a big deal because it absolutely was, I'm just saying that it's just one piece of a MUCH bigger story. Anyway, he recognized his past mistakes, but the shame was too much for him to openly acknowledge it until damn near the end of the game.
Come Ragnarök, Kratos was pretty much an open book. He had grown SO much in those short years of fimbulwinter: He openly talked about his trauma to Mimir and Freya. He worked so hard to be a good father and a good support system to his friends. He went out of his way to make amends with Freya and restore their friendship. And he fought to restore peace to the Nine Realms.
But come Valhalla, Freya wants to recruit Kratos to be the new God of War of the nine realms, or at least to be a part of the new peacekeeping council that she's putting together. Kratos is extremely hesitant to take up the mantle. He doesn't feel worthy or deserving enough to hold this position given all that he's done. He and Mimir (and later on, Tyr) are constantly going back and forth about it. Both perspectives are completely valid. Valhalla is about Kratos facing his past in a more literal sense; parts of Greece have been manifested from Kratos' memories of it, so it's like he gets to be there in real time again. This is about helping him process what happened and to add some nuance to the conversation. It's like free therapy for Kratos.
It's funny too bc you have both opposing viewpoints being represented. On one hand, you have Mimir and Tyr being the supporting/validating voice, and Helios is the contrarian. Since he's a manifestation of Kratos' memories, he represents the doubts that Kratos has about himself. The harsh voice to show how hard he is on himself, and not without good reason.
The reason why I think Valhalla is so important is bc in media, survivor narratives are often linear. The character just "gets over" their trauma and then that trauma isn't addressed again. It's presented more as a hurdle than a lifelong battle. I guess this goes to show how misunderstood survivorhood is. But that isn't how healing works. We regress sometimes, and sometimes we still mull over the things that have happened to us. We might heal, but that trauma does leave emotional scars. So even after the many leaps and bounds Kratos has made, he's not "over" his past, far from it! It still haunts him every day and every night. Valhalla is Kratos still processing everything. From my own healing journey, I've learned that it takes a long, long time to fully process your trauma, if there even is a "fully", anyway. It takes a long time to learn and understand all the complexities and how it affects you in current day. And it takes even longer to process such a complicated history like Kratos'.
Generally speaking about the idea of processing trauma, I said earlier that survivorhood is extremely misunderstood by the masses. Imo, our society is very anti-victim/anti-survivor. So with that in mind, from the perspective of the audience, some might perceive the processing trauma bit as repetitive or "milking it". These are mediums of entertainment after all, so ofc I understand wanting to put out an engaging story where the audience doesn't lose interest. But screw those ppl lol. We have to understand why we do what we do if we want to do better, and it's amazing that a video game is willing to have these conversations. Being more open about all the nuances of processing trauma, grief, healing, etc will go such a long way.
Even the roguelite gameplay style perfectly reflects this theme. Processing this stuff is slow. It doesn't happen overnight. Unless you're in Valhalla, I suppose.
Okay I said this wasn't a detailed analysis but I lied. I'm a liar now
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tokyo-daaaamn-ji-gang · 8 months ago
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at the topic of kazutora being a time leaper and how you mentioned hanma and kisaki, wouldn’t kisaki not be typically involved in gangs without takemichi? (since the only reason why takemichi even joined toman was bc he reminded mikey of shinichiro) so technically the valhalla arc wouldn’t exist. or at least the direction it went.
No Kisaki got involved with gangs because of Hina falling for Takemichi and it being Takemichi's dream to be a delinquent, these events still happen without Takemichi having the time leap. Kisaki started his plan before Takemichi met Mikey so nothing changes with his plan early on. He sets Pah up to stab Osanai which gets him arrested then tells Mikey he has a way to get him out which gains him Mikey's trust. Baji overhears this and becomes suspicious, which is what turns him against Kisaki. Draken and Mikey then argue over what to do which splits toman and Draken gets stabbed and dies. Kisaki then takes Draken's no2 position as he planned and starts influencing Mikey while gaining himself power.
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We know this stuff happens because that's how the first future timeline went without Takemichi's influence. It's from this point on that things start to change up, though not because of Takemichi but actually because if Kazutora didn't kill Shinichiro then that would alter the valhalla arc slightly. But Kisaki still needs the same things here, he needs Baji gone because he has too much influence over Mikey and he needs something to fully gain Mikey's trust and to show the other toman captains and members that he should be no2 (Baji and Mitsuya are already anti Kisaki, Kazutora likely would be too because he'd side with Baji and although Smiley and Mucho seemed to think positively of him, they value strength. Kisaki showing his value clearly would help him to cement his position as toman's no2). The threat of valhalla is also what made Mikey so quick to let Kisaki in and give him a high position. So Kisaki still has the need for a fight and for valhalla only this time Baji doesn't join valhalla since he has no reason to and Kisaki probably sets some guy up to stab him, possibly someone Baji has beaten up before who has beef with him now. Baji beats up a lot of guys so it shouldn't be that hard to find someone with a grudge.
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maskedrealities · 7 months ago
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lacm-ac · 8 months ago
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✧Comics✧
Atreus and Angrboda (does she like me)
Angrboda and Thrud bffs
Atreus and Thrud anti Heimdall fan club
The Talk
Retired Kratos
Atreus’ first prom! (The tie incidence)
Atreus with a gun
Kratos wolf dad
Kratos juicy ass
Fuuuuuuuuuuck
Odins little secret (ft Tyr and Freya)
Sus Odin
The Midnight Polisher
Girls night!
Anon hug (Thor)
High Atreus (ft. High and scared Freyr)
Kratos Malewife (ft. Faye with big fish)
I can fix him (Faye and Kratos)
Here comes the booyy (Angrboda, Atreus and Fenrir animatic)
Odin flying (ft. Huginn and Muninn)
Happy Holidays! (Kratos, Mimir, Freya, Atreus)
Angrboda and Thrúd (talking about Atreus)
How could you (ft. The squad teaching the kids how a baby is made)
Fish fear me, men fear me. (Faye)
The crow problem (ft. Mimir as a scarecrow)
Suitr
Mjölnir
Valentines day card!
Meowtreus
Welcome to Valhalla
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✧Fan art✧
Atreusverse (collab)
Faye and Kratos
Young Faye
Faye and friends
Older Atreus
Atreus meme
Strawberry dress (Angrboda and Thrud)
Freya in a dress
Sif in a dress
Lunda in a dress
Gow girls in dress
Sif and Thor
Lunda
A GoW OC (not my design)
Heimdall
Sif and Freya
Sif and Freya pt. 2
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✧ The Pickpocket Fan-Art✧
Chapter 17
Chapter 17/18
Chapter 19
Chapter 22
Chapter 23
Chapter 25
Chapter 26
Chapter 28
Chapter 28 pt.2
Chapter 30
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✧ Gow OC✧
Venera
Vera going to Asgard
Baldur and Vera
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Loki spin-off ideas
I'm going to preface this by saying, I do not think we will ever get a Loki spin-off. But that doesn't mean I can't think about all the great possibilities there could be. And also I am quickly running out of ideas again.
Spoilers for Loki.
TVA workplace comedy, featuring B-15 Verity, Casey, OB, on occasion Sylvie and Mobius, and introducing new (queer) characters. Casey and OB stumble their way into a relationship, Verity once and for all establishes that she can detect lies, Mobius is sad until in the season finale (with special guest star Tom Hiddleston!) someone figures out how to get him to Loki. And we get Lokius in the last ten seconds, because they pull a Will Shatner and purposely ruin every other take that isn't them making the fuck out.
TVA training shorts, featuring Miss Minutes (ugh), reminiscent of those high school PSAs they made Cap do ("So you got detention," etc.), but animated in the style of the introductory video Loki watched in the first episode. You could also have a second season of them as an updated version following the dissolution of the Sacred Timeline and how the branches are seen as good things now. Maybe the new ones are narrated by members of the Time Revengers, since Miss Minutes is still being rehabilitated. (I'm still deciding if the idea of listening to Mobius tell the story of how the multiversal tree was created would be heartbreaking even if he managed to remain professional and not break down in tears, or if it would be really sweet that he gets assigned that video.)
Lokis in the void, following mainly Kid Loki and (if we retcon it, set this before the show, or he somehow survived) Classic Loki, but also ridiculous schemes of President Loki (yuck, no thank you) that constantly get thwarted. The B-plot is Alligator Loki sneaking off and getting up to some shit in an anti-Perry the Platypus running gag. (Wait, maybe I just want a Phineas and Ferb parody where every character is a Loki and it takes place in the void. That could be so stupid it's hilarious.)
Classic Loki in Valhalla please I need it. Like we start similarly to the events of my fic After, where Classic Loki arrives in Valhalla and reunites at long last with Thor (don't ask me how, I know technically his timeline was reset). Then the show continues with Classic Loki and Thor getting up to hijinks in Valhalla, maybe scheming to break out of Valhalla (a storyline for Loki in various contexts I've played around with a few times). We could have different characters from the Thor movies and comics in Valhalla, but since they're all dead, they're all played by older actors. You could make some easy, low-hanging old jokes (back pain every time they use their weapon, etc.), but they're gods and they're dead, so technically they should be fine. They're just old and dead. (But like, Tony Stark is for sure in Valhalla, too. You could have some frostiron going on. Or Fandral. He's there, too, Ewing.)
Mobius's adventures in the multiverse, just episodes of him traveling through time and experiencing it (I'm realizing now that this is basically just the premise for Doctor Who...). Also going on in this series is obviously Mobius missing Loki and looking for a way to get to him. Of course (because this is my show and I say so), the series would end with them reuniting and confessing and staying together, either in the tree if need be or in the wider multiverse if Loki is able to leave the tree. And there would certainly be episodes throughout the show featuring the other members of our Time Revengers. Maybe the workplace comedy and this show are occurring simultaneously. (Like one episode of TVA someone's like "Where's Verity?" "Oh she's on a mission." And you're like oh the actor has a break or is filming something else, and then later that week the episode of Mobius airs and THERE'S VERITY!)
Sylvie in Broxton. That's it, that's the show. Just Sylvie living her best life in the small town, working at McDonald's, hanging out at Lyle's record store, ignoring 90% of the calls on her TemPad (unless it's Mobius, because in spite of herself, she's a little worried about him).
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