#another thing i really love is character conflict

[vi-arcanes-left-bicep]

Spoilers for Arcane S2 Finale❗❗

So, i keep thinking about Arcane's last pieces of dialogue and though they sounded kinda funny when I watched the end at the first time (in a 'really? This took 27h to write?' way), the more I think about it, the more I like it.

I think it has a ton of layers to interpret and I'm still missing a few of them.

Please forgive my multiple tangents while I try to gather my thoughts.

First, how Caitlyn finds Vi: no bandages, a glass of alcohol in her hands.

No bandages means many things for Vi: she's vulnerable -both because of what she's going through and beacuse she can allow herself to be vulnerable for the first time in the show, with Caitlyn-, and her fight is over, she doesn't have to fight anymore (Re: Ep7 Powder saying Vi fights because she's scared of losing everyone, and she has lost everyone). (Everyone but Ekko and Caitlyn, who have repeatedly proven they can fend for themselves and are leaders on their own right, I'd love to say Vi is in a point where she's able not to feel responsible for them too, though this is something I'm not so sure about). Bandages were also an important part of her character design, of herself, so this gives a sensation that she's lost a part of her identity too. Who is she, if not the big sister, the protector, the brawler?

Alcohol is another small details that just says she's not okay. We've seen her drink herself senseless for, presumably, months, in Act II, to cope with all that happened in S1 and particularly S2 Act I: accepting the loss of her sister after the attack on the council, becoming an enforcer even though she was completely against it because she still feels responsible for ending Jinx, recognising her sister again for just a glimpse and gaining faith that Powder is still there (with the realisation that she almost killed her sister -not the monster she convinced herself jinx was, her sister) falling in love with Cait and seeing her become a completely different person out of grief.... So after everything that just happened in Act III, where she saw that many people die, either strangers or friends, and where she lost her sister and father AGAIN, of course she's considering getting back to drinking. So much happened to her in the span of few months that she's considering drowning the pain away again.

Caitlyn's question: "Are you still in this fight, Violet?"

The line delivery is incredibly soft and intimate, and Cait calling her Violet is the cherry on top. She's knows Vi is not okay. She's knows she's going through a lot right now.

Caitlyn's question seeing this is really, at least, three questions:

First and clearest is a check-in: "How are you?" "Will you be okay?" "Do you want to talk about this?"

Second is "Are you staying?" Vi could leave to be alone as she did at the beginning of Act II, could go with Ekko to Zaun... I can also see an "Are you staying with me?" After everything that happens, after the little time that they've had to be together and to solve the many things between them, her asking "Are you still in this fight" can mean both "hey, are you holding up" and "Are we still together in this?"

Third would be "So, are you up to face this, solving things between Piltover and Zaun?". I know some people have criticized the lack of resolution in the Zaun/Piltover conflict. I'd argue, as much as I'd love for the class conflict to be expanded, it is not the core of the series, and both the writers and the characters know that a conflict like this cannot be solved in such little time. The series was not going to solve it. What it does is solve it's main plot and character arcs, and leave a space for this theme to have the start of a resolution. Piltover an Zaun joined against Ambessa's army, and the ending gives us a glimpse of the will to change the relationship between topside and bottom (e.g. having Zaunites in the council). It's not a perfect ending nor it is a resolution for Zaun's class struggle -I'm pretty sure that was never the intent, though I would have liked for both cities' relationship to be more comented upon in this season-, it's the opportunity to advance towards a resolution. So Cait is asking Vi if she is willing to deal with that too. "Are you still in this fight?" can also have an implication to mean fighting to make things better. This also means fighting for them to be together.

Then, Vi's answer: "I am the dirt underneath your fingernails, Cupcake. Nothing's gonna clean me out".

Now, I like this because it sums up to Vi saying "I'm not going anywhere" but the line itself and the delivery gives it a few more layers of meaning.

First of all, Vi is clearly not okay. She's very emotionaly scarred and considering an unhealthy coping mechanism. She looks incredibly sad. And she's deflecting with humour to the question because she's probably not ready to talk about it. So her delivery here, plus the strange joke/comparison and calling Caitlyn "Cupcake" (which she's only done when she's teasing her in a flirty or funny way or deflecting the conversation by doing so) is telling Caitlyn that she's not okay right now, but that she isn't going to leave. "

I interpret "Nothing's gonna clean me out" as her basically saying "I'm tough, I'll get through this" to Caitlyn's "How are you?" and saying "You're not getting rid of me" to Caitlyn's "Are you going to stay?"

Furthermore, calling herself "The dirt underneath your fingernails" has an obvious implication about her being a Zaunite and Caitlyn being from Pilotover. I've seen some people saying this is insulting to Vi's character and to Zaun's storyline.... I don't think so at all. Yeah, I can get to see a layer of self-depreciating humor, but for me this is Vi using her humour as well to reinforce herself and her identity as a Zaunite (which arguably she left aside/lost sight of during Act I) while also teasing Caitlyn for being a topsider. I like to interpret this as Vi saying "Yeah, Piltie, I'm sticking with you and I will keep bothering you". The tone and calling Cait "Cupcake" reinforces this as a tease as well. Reinstating her identity as a Zaunite also gives insight on Vi's position on the Zaun-Piltover new relationship: yes, she's willing to help out manage this, always from the position of a kid from the Lanes.

Zaun and Piltover are also stuck together after the ending - they've fought together against a common enemy and that has also forced Piltover's elite to sit and listen to Zaun's demands. For sure Piltover's aristocracy still has to get their heads out of their asses but this is how I like to read the phrase in regards to Zaun-Piltover, layered upon what Vi is saying: I am the dirt underneath you = I (Zaun's state and problems) am a consequence of your (Piltover's) actions and I am not going anywhere. (You will have to listen).

Anyways, lots of rambling and I'll still be missing stuff!

Another thing is, native spanish speakers as I am use the phrase "Nail and flesh" to say that two people are inseparable, and this has enough similarity to that for it to feel like Vi is also saying they are inseparable. So yeah

[kurishiri]

my thoughts on the presence (or rather, lack thereof) of dub-con in alfons’ route in en

thank you for the ask anon! since it contains spoilers for al’s route, i will put under a cut. also it is a long post!

hi anon! i did notice this, yes! they also made changes to some other scenes as well for a similar purpose. as far as i heard, it is sort of a general trend for the en localization to water down scenes that may be considered dub- or non-con; apparently, they have done this with other ikémen series games like iképri.

in alfons’ case, though, i have some mixed feelings overall abt doing so in this route. i hope i can explain myself ok!

on one hand, i think making it more “soft” so to speak does make it feel more accessible for readers in the western fanbase, who in general seem more sensitive (?) to the presence of dub- or non-con, compared to japan. i would honestly love for many people to be able to read his route and not feel super uncomfy? while doing so. so in this respect, i can get behind this decision.

that said.

i feel like other aspects of the story have been sacrificed as a result of this. i believe that, in the original story, scenes play out the way they do for a reason. if there is dub-con, they probably arent putting it all in just for the teehee dubious consent teehees. for example, part of what made this story interesting to me in the japanese version was that against the so-called conventional notion, sex was not used as a means to bring characters closer together, but more so as a way to make them more distant. theres this sort of irony and a theme of isolation (ironically in part due to sex) that i felt was more apparent in japan, in part highlighted due to the dub-con. i feel like making kate want this beforehand is more safe, yes, but also it sort of waters down this irony a bit compared to japan imho.

another consequence is in kate’s character. i think its kind of a strange change that in some parts of the story surrounding those scenes, kate is pretty insistent on facing reality to the fullest, but then one ask from alfons and shes ready to indulge in a fantasy, away from reality, as she asked for it. but despite that, she tries to push him as far away as she can. it sort of makes me feel there’s a gap or blip in her character if that makes sense. part of what made these scenes dub-con maybe is how alfons wanted to give an escape to kate via sex, but kate didn’t want that escape bc she wants to face reality. it creates more conflict between them.

part of kates character development in alfons’ route, too, is going from being staunch in the start of the story, to learning, questioning, and deciding for herself what is considered right? and what is considered wrong? as the story progresses. but with the whole kate wanting it since the beginning, this flaw is sort of lost since the start, making her development feel a bit more static, as by her saying yes to alfons since the beginning, it already establishes her as someone who wants to see reality, but also knows to see the benefit in an escape or a fantasy, when this is sort of what she is meant to develop into by the end.

ftr im not saying these things r completely lost! just that they feel a bit watered down? a bit less engaging? if thats the word, as a kinda byproduct of softening up the dub-con scenes. so i feel the impact may be a bit less compared to japan. but, again, i do understand why they chose to make such changes as well to en.

overall, i dont hold very negative thoughts abt it. nor do i really fully like it either. maybe its bc i play on both servers, but i feel like en just… doesn’t get an experience you could get in japan, which kinda gives me mixed feelings in a way as well, i suppose. i kind of feel that en deserves to read what was dished out in japan, without it being chosen for the fanbase what should be hidden from them (had there not been fan translators translating stuff more “word for word.”)

[katatty]

Shifting Priorities

Thank you for all the nice comments yesterday! Some really helpful perspectives that gave me a lot of ideas on how I can tackle my simmer's block :)

Mostly, I think I need to trim down the number of neighbourhoods I consider "active" and the amount of projects I am doing in general. I have a hard time letting go of neighbourhoods, especially if I am still somewhat invested in them! But I also need to face the fact that I only have so much free time, and do not want playing the sims to be the sole thing I do with that free time XD

For some neighbourhoods I will also be trying out a more stripped-down approach to blogging, similar to what I've been doing with Driftwood. It makes me a little sad because I like my sims to feel fleshed out as characters and giving them voices is a big part of that! But maybe I can save the prose/dialogue for times when it is particularly needed, rather than including it as a default.

Finally, I am going to prioritise based on what I actually have the most fun with, rather than letting popularity drive my decisions!! Some neighbourhoods I feel sad about potentially retiring because I know people enjoy them, or I feel bad admitting I am never going to finish projects people were excited for, but I have to remember simming is something I do for myself, not for popularity or for other people.

So, plans for my neighbourhoods:

Pleasantview Plus - will continue in its current form for the most part, but holdholds I found less inspiring will just get short summaries rather than extensive documentation. This hood is waaaaaaay too big and I think not that many people follow it all that closely, but it's also my one true love and I would like to start prioritising it again rather than it always being on the backburner

Uberhood Challenge (YouTube Series) - This is a short-term series, and will continue as planned until I finish the challenge, which I'm over halfway through :)

Hollyhead - I hate to say it because I know a lot of people love it, but I feel like I have sorta outgrown this neighbourhood? Some simmers like their settings to be an escape from the real world, and when I made Hollyhead I think it was what I needed too, but these days I find how upbeat & wholesome it is a bit, idk, constraining?? I crave drama and conflict in my stories!! I also have kinda lost interest in the BACC rules and have started to find it more book-keeping and hassle for what I get out of it... Whenever I do open the neighbourhood I still really enjoy actually playing it, and I love the characters so much, but I just haven't found the events interesting enough to want to write about. I think this neighbourhood will not be retired completely (yet), but I will move towards writing much shorter updates in the form of newspaper articles and see if that helps. If by the end of this season I still feel ehhh about it, I might formally end it <3

Driftwood - no complaints about this hood, I'll probably continue with the current style of documenting major events & new builds only

Spruceburg (YouTube series) - I would like to do another season of this next year, after I finish the uberhood challenge! But I will probably go for a schedule of like, one season of series per year, rather than posting consistantly. I enjoy YouTube a lot, but its a lot of work too and I think has majorly taken away from my blogging time this year, which I am mourning now lol!!

The Fiero Legacy - it is probably time to throw in the towel with this and admit I just don't enjoy playing legacy style or with story progression that much! I always enjoy the period where the heir is dating but once they settle down and have kids it becomes a chore and a grind, plus with story progression's time system I always feel rushed and like I can't take a sim out of the house for an outing without potentially missing important milestones - the urban setting feels so wasted when its all family gameplay, haha. Hallie should be at the club!! It was an interesting experiment and a nice change of pace, but idk if I really see myself returning to it. I love the sims themselves and the setting, but whenever I actually load up the neighbourhood I just feel kinda stressed and overwhelmed :(

As for my building projects like Belladonna Cove, perhaps at some point I will get really inspired and return to them but for now they are on indefinite break. I remember saying a few time in the past that I didn't really feel much need to make over Pleasantview and Strangetown because if I wanted nice makoevers I would use frottanas, and tbh I feel the same way about Belladonna Cove - if I was playing it I would just use plumbtales makeovers XD With my past neighbourhood makeovers I was really inspired to make them because there wasn't anything out there that was exactly what I wanted but, well, there's loooooads of nice Belladonna cove makeovers these days so I just don't feel much drive to make my own version I guess?? I think I also have lost interest in building a little becasue I am no longer into super heavily decorated lots - I prefer lighter lots that won't cause lag lol! So yeah, I am probably not retiring from building forever but its no longer a priority for me :)

[vigilskeep]

oh man wouldn't the rivalry system from da2 have shined in veilguard? part of the reason it didnt work well in practice is that it lumped "genuinely fucking evil thing to do to another person" and "thing companion doesn't personally like" together, then treated both mainly as the latter, but in veilguard the morality of your character is a lot more set and the stakes make characters sticking around even when they hate you make more sense. rivalmances are so good conceptually and i truly think the veilguard crew could pull it off so well w/o the abusive aspects of da2's

hmm. maybe! i do love the rivalry system. but i think you’d have to change a lot about the veilguard characters and their arcs for it to be applicable here.

they aren’t really set one way as their natural course and then you can challenge and oppose them; they’re all already experiencing internal struggle between two aspects of their identities, if that makes sense. for a lot of them it would be hard to define which of their two routes is friendship and which is rivalry. they would also have to have firmer dislikes and stronger... senses of rivalry? if that makes sense? like they would have to be people who take things personally, long term. between each other as well as with you. and disputes between companions would be about picking a side and whether you agree or disagree, rather than how they are in the game, which is mostly just about making sure everyone can still get with the program and get the job done no matter what. the extent to which the companions interact and discuss the major calls means you couldn’t take different people around to make friends with everyone and “play all sides” like da2, and you’d have to write and record a massive amount of different interactions if you want the group dynamic to feel reactive to any of this. there would have to be more big overarching conflicts that the companions take firm sides on, rather than the game being laser-focused on its central fight

im not saying it couldnt be a cool version but it would take a lot of reworking of who these people are and what the tone and focus of the game is, in order to make sense

[johanna-swann]

I'm sorry, I just can't stop wondering what the hell happened to 911. It was never highbrow art, but it was genuinely entertaining and enjoyable. And people keep saying it's been going down hill since season 4, but season 8 has hit an entirely new low. They're really limbo-dancing with the devil at this point.

I mean. I wasn't a big fan of the season 5 opening disaster or the ppd arc, the season sure had its ups and downs. But they also did something interesting with Eddie for once, I am always a Taylor Kelly stan first and a 911 fan second so I enjoyed having her there, the story around Jonah was maybe a little far fetched but still fun, we had May at dispatch wihch I LOVED, Michael and David were still around and the season finale was pretty decent.

Season 6 also had a relatively strong first half. Once again not a big fan of the opening disaster, but Hen's med school storyline was still going strong at first, we got that Henren begins episode, we learned more about Athena's family and childhood (including conflict between Bathena and Beatrice), Madney was house-hunting and then we had the lightning strike and its aftermath of course. So most of the protagonists had stuff going on that we hadn't seen x times before.

After that... well. There was no reason to push Buck back into dating so soon after he had just learnt that being himself and by himself could also be enough. For Eddie it sort of made sense at this point? But it still felt like he wasn't dating because it's what he wanted, he did it because it was expected of him. Madney getting engaged was somewhat predictable though I would've also loved it if they hadn't done that. Lots of families with children and a house are happy without the parents ever getting married. And the finale in season 6 was really bad. Very underwhelming, very rushed.

But at least 6b had an excuse? The show was about to be cancelled. At the time those scripts were being written they probably didn't know yet that there'd be a season 7. And then season 7 had even more excuses why it was, well. Like that. (Network change, multiple strikes, the showrunner changed, a drastically shortened season, etc.) I can forgive a lot under those circumstances.

Season 8 though? Season 8 had it all. They had their og showrunner back and he had already had time to find his bearings. They knew about the renewal very early this time, so they had a lot of time to prepare. There were no more huge strikes. They got a full length season again. The network wasn't new anymore. Despite season 7 being a bit of a clusterfuck, they did manage to set up a few storylines to explore further in season 8. Everything was lining up perfectly!

And then they completely dropped the ball. I already went into detail post-8x06 on a different post, I didn't even watch 8x07 in full because it sounded rather boring (and police brutality heavy). Then they gave us a mid-season finale that was centered around an irrelevant comic relief side character who most people found annoying or boring. On the side we had another Athena B plot that had nothing to do with the rest of the episode and didn't influence any of the main characters in any way. Eddie announced that he might consider moving to Texas which for now doesn't mean anything, nothing else of importance happened. And that was the mid-season finale! Like. Guys. The episode wasn't horrible, but for your "great fall finale"?

And Eddie STILL hasn't put even a little bit of work into processing his trauma around Shannon's death. He was told once by a stranger that he deserves nice things and that fixed him? He's ready to confront the conflict between him and Christopher now? Yeah, sure Jan.

Maddie is attacked in her home and gets abducted by a violent and dangerous criminal who has the intention to murder her? Wonder where I've seen that before. Oh right, it was on the same show and it happened to the same character. Cool. Glad to see I won't miss anything new when I don't watch 8b next year.

It's not even funny anymore and I sure hope they have a reason for this and they haven't just lost all their braincells over the summer hiatus. But we won't know if any of the conspiracy theories about impending cancellations or main cast members leaving are correct until sometime next spring.

[unrelentingforse]

Some of y'all really can't comprehend the idea of visual storytelling.

Sevika being given a seat at the council is not a solution to the classism issue. BECAUSE IT'S NOT SUPPOSED TO BE.

She was not accepted. Because classism can't be fixed within a week or a month or even years. But her getting a seat at the council was the first step in reaching that goal. Obviously not everyone sees zaunites as equal people. BECAUSE BARELY ANY TIME HAS PASSED!

Some of y'all hate the idea of an open ending and it shows. Did you want to see a sickly sweet ending where everyone is happy and alive, every issue was fixed and there were no problems anymore at all? If you really wanted that - you need to watch paw patrol. Because this is an adult animated show. Not a single issue in our world is fixed fully without any unforeseen consequences. Why wouldn't that be the case for arcane?

Also I saw someone being mad at the fact that class issue was not fully fleshed out in S2. Really? Was it? What about the whole security checkpoint thing? About the brutality of enforcers towards zaunites who were jinx's followers? About the way Gerd acted when she was supposed to be searched? About the whole jail thing? About how hesitant zaunites were to enter the enforcers to protect the city from Viktors cult? My point is - classism is still very much a problem in piltover and NO ONE IS DENYING THAT.

Yes, in a perfect world the whole council system would be dismantled and replaced with...something better for both of the cities. But Runeterra isn't perfect. Our world isn't perfect. And even if that were to happen - you need to destroy the whole system in every possible country and city of this universe. And for that you would need another 10 seasons. Which Fortiche didn't have. They literally had only 2 seasons to work with from the start. With 9 episodes in each. It's literally not possible to fit THAT many plot points into 18 episodes.

Might I add that this is a prequel for League of Legends? You know, what was before the whole plot of the game, how the characters came to be themselves? They wanted to show the history of piltover/zaun war. And in the current lore they have a council. Which is led by piltover royalty. And is corrupt. And this is bad. It's supposed to be bad to create conflict in a story.

Yes, in this day and age we desperately need stories about the fall of the empire, change for the better, and the resistance of oppressed people. We want that hope. I agree that this could be a good ending. But like I said earlier - it is literally not possible to fit that many events into 18 episodes when the story was always supposed to be about the arcane, the magic within it.

I would love for Fortiche to have the full creative freedom and unlimited resources to create a compelling large-scale story about our favorite characters. I really do. I understand people who are mad about the ending. But I'm begging you not to get mad at the creators. Animators, writers, sound engineers, character designers, voice actors, directors, showrunners - all of those people deserve nothing but the praise for the amount of work they put into our beloved show for god knows how many years. For the masterpiece they were able to create under such pressure both from riot and netflix.

[kuvirasbitch]

thank you for the response!! i was finding that a lot of fans takes on twitter were based in expectation bias when their headcannons were not fulfilled. in other words, certain criticisms didn’t come from a place of objectivity and dissecting the story, but from a place of things not going the way they wanted after being knee deep in fanfics for 3 years. so i truly appreciate and really agree with your takes.

i think the show would have really benefited from a third season, or at the very least another act. i understand the writers want to explore other parts of the league universe but it felt unfair to rush this plot and these characters to get there. lack of commitment to the characters and their stories couldn’t be more true.

caitlyn’s arc HURT. she was such a likeable character in s1 and she feels totally different this season. i can see how some of her redemption is cultivated through actions but i don’t think it was nearly enough. she owed vi an apology and their needed to be very obvious remorse. there wasn’t nearly enough for the scale of her actions in acts 1/2. to me, caitlyn’s line to jinx “no amount of good dead’s can ever undo our crimes” kind of feels like the writers wrote that line to excuse themselves from having to write anything that would actually redeem her. don’t even get me started on her inability to see how wrong it was to push the enforcer role on vi… any previous anti classist/anti police brutality messaging from s1 were not addressed at all in s2. they turned the piltover/zaun conflict into a both sides thing where instead caitlyn’s redemption could have been a really great time to highlight and talk about those issues again this season.

i agree on all fronts about vi. her relationship with both caitlyn and jinx was handled so poorly i don’t even know where to start. the writers totally lost sight of the plot (two sisters) and totally neglected the aspects that made caitvi so special. their trust and communication and willingness to learn and understand is what drove the story forward and served as a way highlight the piltover/zaun injustices. i was shocked by vi becoming an enforcer, but her letting cait gas the undercity with no objections was such a betrayal to her and EVERYTHING her character stands for. we finally had a mainstream butch character who is just knocked down time and time again. vi loves hard and protects her family and to me it ultimately felt like she was punished for having too big of a heart. i wish they treated her character more tenderly, and you’re right, more agency would have been a really great way to do that.

i feel the same about jinx. her character was mistreated and wasn’t handled with the care she deserved. i thought we may be getting somewhere with isha and her stepping into the role zaun needs her in. but it was torn away just as quickly as it was given to us and i can’t really think of a reason why this benefited the story?

a lengthy reply on my part as well but i really appreciate your opinion and thoughts!

as soon as i finished s2 of arcane i knew i wanted to hear your takes on it. any opinions as to how they handled caitlyn’s arc, vi’s story, and the development of s2? i would love to hear anything you have to say about this season!!

also - the end of this season has me scouring Ao3 for some fics to fill the void. have you had any recent one shot or fic ideas now that the show has ended? i’ve been dying for a hurt/comfort and really soft sex type of story for cait and vi. maybe something where cait is taking care of vi after the events of 206? lord knows they could both use the comfort and vi deserves to be loved and taken care of. i know you would write that beautifully.

or if you have any recs for fics along those lines? 👀

as always, thanks for your incredible work both inside and outside of fandoms! love hearing from you! <3

Omg hiii! I appreciate that you care what I think haha!

Let me preface this by saying that the criticisms I have for the writing of s2 does not take away the love I have for this show and what it's done for animation as a medium.

Now, with that said...

S2 was a mess.

I said this on twitter, but I think the writers had a lot of ambition — too much ambition — for the amount of episodes they had to wrap this story up cohesively. This AMAZING show suffered because of corporate greed and not having enough time to flesh out character arcs and plots from s1. I think it started off promising. I was really excited to see how they would handle the Zaun/Piltover conflict, Vi's journey toward healing and forgiving herself for her past mistakes, Jinx's descent and then return as a hero, as well as Caitlyn's descent and redemption arc.

Instead we got... that.

There's one word that keeps twirling around in my head: commitment.

The writers lacked commitment (and a diverse writing room) to properly handle the Piltover/Zaun conflict. S1 had such a good starting point, whereas in S2 it's like they diverged from the path and forgot the finish line existed. Sitting Sevika at a table with her oppressors who will most likely tune her out and outvote her on everything is NOT a solution. Why not a complete overhaul of the council? Make it an even split? Instead it's the same people who never gave a fuck in the first place, and Sevika, who helped get half of the population of Zaun hooked on shimmer in the first place. Like what???

They failed to commit to Caitlyn's villain/dictator era. When episode 3 happened, I was skeptical about how they would handle it. And after watching the entire season, I had every right to feel that way. They make her so unapologetic and blasé about gassing Zaunites and letting Ambessa unlawfully arrest people. That's not my Cait from season 1. Does grief change people? Absolutely! But once it settles, you should be able to look back on what you've done and feel remorseful. Cait's lack of remorse was jarring. Her inability to apologize or outwardly own up to everything she did was OOC. You know what could've been the perfect moment for that? When Jayce gathered Piltover and Zaun in that room and she was standing right across from them. Why not have Sevika or Scar call her ass out and hold her feet to the fire? Lay out the facts of what her grief looked like to the innocent people of Zaun who had nothing to do with it? That would've been the perfect time for her to say something.

They failed to commit to Jinx and her story as a whole. At its core, this show was centered around two sisters growing up impoverished and oppressed, constantly separated, but always finding their way back to each other. Jinx is such a heartbreaking character used for trauma porn. Episode 6 fucked me up so badly but I THOUGHT it would lead to something big for her character. Like her stepping into this unwilling hero role and working with Ekko to lead Zaun into a better future like the one Ekko saw in episode 7. BUT LOL NOPE. Instead she's suicidal and self harming while her sister is fucking the oppressor in a prison cell. DA FUCK?

And lastly they failed Vi's character in every possible way. From putting on the badge in the first place to not exploring the depth of her character. She's basically a passenger in s2. Has no agency. Used as a punching bag (literally). And treated as an afterthought. I'm so pissed. There should've been a lot of conflict in act 1 between her and Cait. You mean to tell me Vi, who HATES enforcers. would willingly let her situationship gas her people? Fuck no. Absolutely not. It does not make sense, narratively speaking. Her ending did not make me hopeful. Even if Jinx is alive and moving on from Vi to "break the cycle" that does nothing for Vi's character. She is without family once again, and I fear it would lead to an unhealthy codependent relationship with Cait. Like she'll never be able to voice opposing thoughts or feelings without fear of Cait leaving her AGAIN.

As for the Caitvi relationship. This is tough. On one hand, I was happy to see a lesbian s*x scene in animation for an awarded television show. But on a heavier hand, it rings hollow after everything I've said. Much like the Piltover/Zaun story, Caitvi had a good starting point in season 1. I did have my issues with it because, as a Black woman, seeing someone oppressed get with a cop does nothing for me. But I wanted to give them the benefit of the doubt because I believed the writers knew what they were doing. But I was wrong again. CaitVi is unfortunately one of the weakest points of S2. The writers did not COMMIT to their conflict. It's barely glossed over and then Caitlyn gets rewarded with s*x. And this is why I could never commit to them as a couple. At least not in canon. I liked them in s1 and the idea of what they could've been to each other in s2. And it looks like I'm going to have to find that elsewhere, unfortunately.

Overall, it all comes back to what I said in the beginning: lack of time, a diverse writing room, and corporate greed. I'm disappointed, but unfortunately not surprised. I hope the writers can learn from their mistakes moving forward.

As for fanfiction, I have actually not read any yet! So I don't have any recommendations for you. I need some for myself! I'll get back to you if I find any good ones.

Sorry for the lengthy post! I really just needed to get this all out and I feel so much better.

[frau-kali]

Black Sails Anniversary Week

Day 2: Favourite Dynamic - Jack Rackham vs Woodes Rogers

"If no Anne, if no rescue, if this is defeat for me, know this - You and I were neck and neck in this race until the very end, but Jesus, did I make up a lot of ground to catch you."

[shannonsketches]

[finncakes]

:/

[meat4meat]

One note was all the Prompting I needed.

HOUSE PLACEMENTS

MEL: 3rd House all the way, but 2nd house born.

The third house is most known for its opulence and as a hot bed for political intrigue. I'm 100% convinced she could necro politik with best of them. And given the tension between the 3rd and 2nd house wre know exist thanks to the 1st book, Ambessa sending Mel as a sort of ambassador sets her apart as an outsider both to her home on the second and her peers on the 3rd.

Given her big reveal as a sorcerer in the finale I think she'd be a lay necromancer, maybe even with ties to the Blood of Eden that she isn't aware of.

Jayce: 6th house

Initially I thought 5th house, but I think given his main ambitions involve using knowledge of magic/science to better other lives, yes I might be drawing a handful of parallels with Palamedese, having him come from the smarty pants house feels natural. Especially because one of his core motivations for his pursuit of knowledge is to help people.

Viktor: 7th house. King of dying and coming back wrong.

His entire shtick has 7th house written all over it. Having him be a necromancer of the 7th feels appropriate because of the tension it would create between his very powerful will to survive and the fule for his abilities being the thing that's killing him. I'm gnawing at the bars of my cage.

Caitlyn: 2nd house born necro, 4th house enlisted.

The second house is more associated with Cohort leadership and bureaucracy while the 4th is the actual infantry. Given how Cait joining the enforceres in cannon is seen as a step down from her station I think her being born into an influential cohort family on the second and chosing to join the 4th would be thematically appropriate, and it gives her a wonderful opertunity to meet-

Vi: POW and vassel of the 4th house, formerly Blood Of Eden.

Vi would be lowest on the rung and enlisted against her will with the promise dangled over her of eventually (never, really. This is the 9 houses) earning her freedom. Her hatred for the institution she's bound to and her grief in being forced to fight people she loves (Boe, other rebles, ect) feels like it aligns with her backstory. I think Cait would seek her out both because she's a skilled fighter and because she's also an outsider, seeing someone impartial to Cohort politicking and a fresh set of eyes. I think she'd pull whatever weight she has to get Vi assigned to her as her Caviler, much like she did getting Vi out of prison in canon. Lots of parallels with Gideon's initial arc in the first book, but other people have pointed out theor similarities already.

Last house placement bc I think it fits.

Singed: the 9th house, necromancer.

It's so easy to see him holed up in the 9th house as one of the 9th house faithful who came to lay his daughter to rest in the ossuary and just never left. Especially with a double motive in being close to the Locked Tomb in order to reaserch its wards, hoping to break them and maybe use whatever is inside to revive his daughter, even if it means dooming the whole world. Also former BOE.

BLOOD OF EDEN MEMEBERS

So because of the nature of the conflict in TLT and Arcane both featuring major aspects of class struggle and war, im assigning most of the Zaun aligned characters to the BOE in some way or another.

Ekko: BOE, most visible rebel to the people.

Definitely a 3 times refuge of the houses. At his core he's a community leader, so I think he'd be most busy building grassroots resistance to the 9 House empire and direct community action. The necessary but unglorious work of things like food distribution, health outreach are all his sphere. His direct work with the BOE always goes towards things like sabotoging Cohort supply lines, equipment sabatoge and the like.

He comes into conflict with other BOE because they open civilians up to too much risk and sacrifice. In his eyes protecting people from the houses takes priority.

Sevika: Silco's former right hand and defacto leader of BOE after his passing. She's inherited all of the irons Silco had in the fire and is struggling to turn them into an offensive against the houses in his absence.

Vander and Silco: BOE, both dead. Their conflict and death lead to a power vacuum and a loss of organization within the BOE. Ekko and Sevika both represent the philosophical split between them in the org.

And ofc,

JINX: AWOL BOE, princess of dying and coming back wrong.

Just like how Singed revived Jinx in s1 in this instance I think Silco would have enlisted him to revive her, despite the BOE opposition to necromancy. Jinx gets to see her sister torn from her by the empire that's made her entire life suffering and refashioned into one of its agents, be saved by the morally bankrupt magic of the empire, and see her family devolve into infighting. I genuinely think she'd be a free agent outside of the BOE.

This is the most ever written in years the finale genuinely has me ill.

Shluld I assign Arcane characters Nine House placements just to feel something? That ending has my mind churning.

[whattheskyknows]

After 10 trillions years I have finally sat down and played the first Danganronpa. Gotta say I actually enjoyed it a lot more than I anticipated!

[bragganhyl]

ngl these "which eoran god is/isn't problematic" polls make me wanna rant about Magran but I don't have the braincells rn

edit: i did end up ranting in the tags whoopsie lmao

[agnimybeloved]

regarding that last post... not that black butler's canon has to be uplifting or have dadbastian or a happy ending to be "good" (i'm actually partial to tragedies especially the cyclical kind and would love for the series to straight up end with despair and the collection on the contract lol) but i do think that toboso's largely fumbled the found-family/interpersonal,/introspective aspects of her story and sacrificed a lot of narrative and thematic meat there for low-brow and off-putting comedy.... which is really exactly all she does with ciel's trauma as well-- shallowly using it for the purposes of trauma porn and/or comedy/inappropriate fanservice.

ciel only seems to have reasonable responses to his trauma when its aesthetically convenient if that makes sense. i honestly could go as far as to say that she depicts his trauma fetishistically-- every instance i can recall of ciel having an extreme traumatic response (i.e. vomiting, flashbacks, psychosis) is represented with (imo but honestly.... i'd be shocked if this wasn't intentional...) sexual undertones. his episode during the green witch arc doesn't have one of these moments within the episode itself as far as i can recall, but certainly i think the preceding/inciting medical emergency that forces him and sebastian to bathe together contributes to the reoccurring sexualization of "sickness" (physical & psychological).

not to mention ciel's subsequent episode is treated as the dramatic peak of his ptsd and something that he "overcomes" through sheer force of will (and the threats of sebastian... neither of which are a proper/reasonable way to handle such an extreme trauma response) and doesn't really battle going forward in the story. of course a lot of stories take this "one dramatic moment and then its fixed" approach to representing mental illness, and it makes narrative sense for toboso to want to more or less settle that thread to gear up for the important blue cult arc, but i think toboso's handling of mental illness in general goes so far beyond suspension of disbelief and tastelessness that i think she should lowkey be brained for it. the way she intermittently writes ciel's traumatic experiences as something horrifying and wrong and to be given sympathy meanwhile relentlessly putting ciel in inappropriate fanservice situations that diminish the severity of csa & pedophilia as well as disrespect the complexities of trauma and turn them into comedy... mind boggling...

overall though i think that black butler shows a real mastery of narrative arcs while falling short in terms of character arcs. most of the time these arcs are shown in retrospect with the addition of new backstory, but it feels as if the characters in present have barely grown at all... not that every story has to be character driven and a static character type makes sense for someone like sebastian, but for all that ciel is a unique and mature thirteen year old due to the circumstances of his life, he is still a thirteen year old, and one that has experienced a significant trauma quite recently at that. not allowing him coming of age-esque character arcs considering all that sort of breaks the believability of his character imo.

but i think that coattails does a lot in staying loyal to ciel's character and experiences while also respecting his trauma and bringing the depth and flexibility of adolescence to his worldview and actions that toboso unfortunately seems disinterested in. i love that aforementioned chapter of coattails and its sentiments especially with how it reexamines ciel's actions at kelvin's manor and the worldview that lead to burning it down with the children inside... not that it was an out of character decision for ciel in the moment, but i think it established a lot more severe facts about his character and worldview than toboso is willing to address in her writing and therefore feels unresolved. coattails' remedy to that awkwardness by coming full circle is so intriguing and fulfilling in contrast... it shows how adolescence and trauma can work together to so completely convince one of hopelessness and yet how just a bit of hope can change that worldview entirely. literally just the honest love of a random dog and the mundane care of a guardian... there is a cure and it is this..... what da helllll....

[moonsidesong]

tpot 7 was so so fun i liked it so much. it was like???? really violent though AHAHA????

[unproduciblesmackdown]

take 4: the tension (gulf spanned with incomplete, continuously crumbling bridges) between the perspective of oneself as the Deservingly Epic Winner Protagonist Person who dares to be Out Of Line versus the need to actually completely stay in line within this b/c it hinges on being in harmony with the preexisting hierarchies which will supposedly reward the "merit" of this Actor. while everyone whose existence is Inferior, according to the hierarchies, is defined by being Out Of Line, which these same people resent & respond to, also Staying In Line with the hierarchy, by trying to reinforce the dynamics of these inferior / superior groupings. "everything pathologized about the inferior groups / rejected as what's Wrong with their existence so as to "cause" these dynamics is "take 4" b/c this is from me trying to write about winston quant kid 2 billions like holy shit a series operating on this logic huh, giving this unvarnished expression of this perspective b/c it's assuming (& requiring...) we all have it. winston is constantly responded to as Guy Who's Out Of Line. the "superior" parties who hate him & get to have him as their punching bag / hit with the butt of the joke / at least ignored & excluded, but taken advantage of, but who all have to Stay In Line, how's that going for them even when it comes to the writing, where characters can't do anything if it's too disruptive of the In Universe hierarchy, unless it's a finale zone for a permissable shakeup, where ppl insulating/supporting each other being a bit Out Of Line is not a problem b/c they individually recognize each other's transcendently True worthiness in thee objective hierarchy we all assume exists, but definitely can never disrupt the out of universe hierarchy, e.g. the show decides wendy is the true hero, b/c she deserves to be. taylor has to hire back dollar bill & stand back while wags & wendy take the lead & the spotlight & hate the autistic guy they hired & show up so the Winner, who was written into the show with nothing to do but tell taylor they're not quite as good as wendy & then provide a vagina amidst otherwise being an Everyemployee who fails to even differentiate from an Axe Cap style everyemployee, can announce their winningness detached from anything that actually happened ever.

counterpart to winston's departure needing an audience of people to stand there & stay in line, which on that side of the same coin meant punishing his Out Of Lineness that doesn't even act like anyone bothered to think of [this is one particular preexisting guy. you thought he liked scifi once before you lost interest in even suggesting he has interests, though, will roland likes scifi, will roland wore his own open buttonup as quant kid 2 that'd define the Look, will roland happened to have the facial hair just kept for production b/c who would care, will roland brought the entire je ne sais quoi acting interpretation that made quant kid 2 go from "out of line guy we kill once" to "out of line guy we keep around to kill all thee time until finale 'haha but seriously though' material means pushing him out of the way in s6 & then s7 alike" like hmm] like everyone just spitballed "annoying things! cringe loser things! things that would never happen to me, a deserving winner!!" & put it in as easter eggs as though that would even make sense, much less [you have no other priority?] but like. rian's sendoff didn't do any better for acting like she's a specific character who's said & done things we're meant to remember & have thought about then & now. taylor didn't get to have resolution with philip. they Had to have resolution with wendy that, again, has nothing to do with any/everything prior, except perhaps to contradict it. this is what anyone got for Staying In Line like superior winners. the autistic [annoying arrogant inferior undeserving etc] Out Of Lineness that would be so supposedly admired instead seen as pure Other shit that's projected upon ppl so as to Reject it thusly. couldn't be me!! i'm a winner who will always have Superior ranking in the hierarchy & treated accordingly!!! i Must be!!!! like i must Kill people who seem to be disrupting this, even by acting like a person who assumes they're equal to me despite being Different. there all along like wow winston existing Out Of Line is so powerful. he can harmonize with & support taylor so well b/c they're introduced as being so Out Of Line, up to the inevitable point of breaking out & starting their own thing entirely!!! but while it's like, okay yeah, you Have to reel them back in by thwarting them b/c otherwise they break so far from central men's orbit they exit the series or you have to put Them at the center (imagine...) (plus! the role winston plays in them getting as close to this as they ever can be!) but then in the end taylor's just shortchanged b/c when it comes time to take down a central man as thee main thing all season, series finale style, they should be knocking it out in a few episodes with sacker & philip. instead we focus on wendy given the helm & fucking around all season. after disposing of winston b/c who even needs him for anything, this is Stay In Line times, and to do that we can do nothing w/autistic people but hate them & punish them for being undeserving. but don't worry b/c he doesn't get to be so Out Of Line as to easily cause problems for them & thwart them, b/c he just doesn't. taylor waits around on wendy & tells her she's the best b/c they just do. we are all in line on all of this ourselves so whew, there's no Disruption to notice if that key Alignment is maintained. rian was never holding herself Above winston if we just really tentatively suggest she doesn't think that she was, while letting every double standard at play be acted out. rian being "out of line" was that she wasn't being aggressive enough about any of her Superiority, b/c if you didn't leave bruising then nothing was That Bad; cue the assaults and boundary violations Reserved for the inferior losers as fun times & nothing anyone is beholden to with Consequences, we don't even make the viewer stick with the consequences of how it affects the target a second too long, lest you start to think it's Drama & not Jokes.

anyways it's all about the [categorization as inferior Other based on an assumed Hierarchy = inherently defined as Out Of Line] all "why get a formal diagnosis from a professional who doesn't know what to look for when at age 5 my peers went 'something's wrong with this one' & acted 'accordingly'" like even when people "know" what's Wrong with someone to make them the odd one out / "incompatible" w/what makes others exist Right, it's time to interpret everything else about them as "backing that up" no matter what, certainly no matter if it involves theoretically Valued concepts, b/c it's all first & foremost Staying In Line with the hierarchy, where the correct way to do things is: if you Can push someone else into greater vulnerability while you're established as Insulated, you Do. tl;dr winston inherently continuously Out Of Line; being "superior" requires an ultimate (&/or also quite Immediate. especially when it comes to "simple" matters already "correctly" arranged in the supposed Objective Hierarchy, like: winston's "objectively" inferiority (autistic swag)) Staying In Line. and what comes of it. all the most engaging & complex shit when people get to not actually stay in line. the power of it if taylor & tmc & allies didn't have to ultimately be shoved into Staying In Line even when it means wendy is the best & oh who cares about taylor & philip when wags is around etc etc. if winston being someone Out Of Line was seen as relevant & not an easy nonstop joke. while a quant who is so In Line as to correctly personally abuse him even more than others are doing is so ""out of line"" as to decide she's already gotten everything she wants & may as well live the dream now, b/c she's not an aggressive man, one has to suppose, same diff as wendy getting to believe she's Better than everyone & is nobly in charge of orchestrating their fates when she Means & Knows so well, & is somehow pitted against prince being this same figure but without having to confront that fact. he's mean! or whatever. he's talking about killing people & wendy isn't so that sorts it out forever. "abuse your local autists; it's funny & their fault & consequenceless b/c they're not real people" is also harmonious with all our ideas. edgy rulebreaking bold independent Out of Line heroes completely in accord w/the established hierarchies. & those whose existence threatening peership disrupts it who are written off losers who could never upend those heroes' goings on. everyone Actually being peers is unimagineable, not as a figure of speech. we do not imagine it, what are you even talking about. now for the Merited Hierarchy to be acted out as arranged, which is fun, god i wish that were me. Independent Agents ascending it only!! & people who Cheat to get in like loser nerds w/their math, b/c they can't Deserve it. now to keep insisting that everyone else could just be On My Level if they tried, while also responding violently if it seems like weirdos / ppl who aren't Supposed to be here are infringing on my level (the only violence is physical strikes that made contact, & perhaps killed you)

anyways just another installment of [fake fans haunted by billions, & other things which are in real life, such as the fictional series billions] musings i have to excise at all b/c [this was take 4]. winston Out Of Line. superior correct winners who have to Stay In Line at related great costs despite the supposed associated wins of that. his autistic swag. knowing ppl Are different autism style b/c they're "out of line." encountering irl autistic people without realizing it & repeatedly writing "this nerd guy is just So annoying ugh!! he's just like weird & doing everything wrong for no reason & won't just Be Normal or Shut Up & Go Away!! but at least his intractible arrogant cluelessness also means we have fun punishing & taking advantage of him" Type butt of jokes into things. those cringe loser Insistently Annoying Weirdo nerds who we all find insufferable & punish, we all know them, inherent Inferior Other Out Of Line that they are. now it's a Guy we all hate & enjoy seeing suffer & Understand as a less deserving less [person] just dropped into the periphery of this fiction. he will easily be thwarted from an alliance with the [person designed to be Out of Line in a way that Is considered Legitimate] that would let them shatter the limits of the series in 5 sec which we're also holding them back by the scruff of the neck to prevent anyways while pushing forward ppl supposed to be even More correct b/c uh um they're a little more Normal, & perhaps even Women, who are innately more caring & gentle. there they go hurting those around them as much as they can, with nothing stopping them at all, but they're using their inside voices & not issuing physical threats so that's what i'm talking about. that is heroic, vs the villainous efforts to navigate life as though everyone will respect them as a fellow person which Autists egregiously pull, to which you can do anything you want to Reject this. maybe even decide you wanna personally use them. isn't that nice of you. no, we don't know what to do with the "this guy won't stop acting like he gets to think he's a person" but eventually send him away after the dozen trampled boundaries to punish him for fun b/c what else was the point of him? anyways don't worry i saw the autistic swag. the nonbinary swag it didn't even know was there. the nonbinary swag it knew was there but held back by the scruff of the neck b/c all billions' most engaging, potential filled characters are the ones Held Back b/c they're threatening too much [out of line] / their out of Lineness must be contained; vs everyone perfectly in line who keeps being pushed in front of them no matter what b/c uhhh.

let's go Out of Line gang. continual inevitable Disruption of the norm(tm). like even just standing there vs "oh immediately i fucking Hate this guy." billions where anyone considers winston for 5 sec would also shatter apart. taylor would be too powerful even more than they already are if they didn't have to stay wendy's sidekick no matter what. rian who didn't have to come back from the hiatus even more "right" than they presumably intended her to always be (bound to thee hierachy / actually always Staying In Line. if she's out of it, psych, actually that was just a correction of the "objective" hierarchal order waiting to reconfigure itself around the situation). standing around waiting like okay but the payoff that Could happen....okay still time though lol....well here we are

the fundamentalness of the Out Of Lineness. quantessential....send post