#another rant i guess

[albtrosz]

all those other girls well they're beautiful but would sing city of stars for you?

[bornwholocker]

Reading flatland and obviously Bill’s home dimension and flatland aren’t exactly the same, but like. Since we don’t know which parts are different I’m just thinking. This is really unorganized and all over the place and probably doesn’t make any sense but

In flatland, it takes a LOT of planning for an equilateral triangle to be born. I’m talking like generations of interbreeding and methods for the fathering isosceles to get as close to equilateral as possible. It’s a huge deal. When an equilateral is created, it’s celebrated by pretty much everyone (for a miriad of different reasons but I won’t get into that). And being “irregular” in any respect is one of the worst things you can be. If you don’t “fix” your irregularity enough, you’re executed.

So imagine Bill’s family working their triangular asses off to have an equilateral kid, to give him a better life, and when they finally do it, he’s got that eye. From what we’ve seen of his parents, they seem to have taken care of him as best they could, but again, it’s been a whole ordeal just to have him, involving the whole community and family, and he came out wrong.

I imagine that’s probably why his parents took him to see the doctor and drink the “juice” that messed with his vision. They thought they were doing what was best for him. They didn’t blame him for his eye, didn’t hate him for it, but they felt the need to fix him, either to please their families or even just bring him to their own standards. The idea of irregularity being wrong is seen as natural and obvious, so they wouldn’t find an issue with trying to change him.

Another thing about flatland is that the mention of any third dimension or any idea close to that is pretty much criminal. (Spoilers i guess) The narrator of the story, a square who saw the third dimension for himself, is eventually locked away for talking about it.

So Bill was supposed to be a sort of miracle baby, I guess is the best way to put it. And when he came out just slightly but irreparably wrong, it was devastating. And then he starts spouting about 3D and the stars and he just wants people to understand, to see that it’s not dangerous, that it’s beautiful. But his parents don’t want him to get imprisoned or worse, so they try to keep him quiet. They give him his juice and his silly straws and wave away any ideas about the third dimension.

Bill was born a disappointment, one of the lowest life forms imaginable, and the only way he was gonna get anywhere in life was by losing his stars forever. He was told that the thing right in front of him wasn’t real, that he should stop talking about it, that he could get in trouble. So he had to show everyone that he was right. He would be a hero! He would be the kid who finally discovered where the light came from, something no scientist had ever gotten close to figuring out!

But in the end his parents were right. It was too dangerous. God bill tragic backstory is so ougrhhhhj grabs alex hirsch by the shoulders and shakes him

[cashmoneyyysstuff]

yall i have a confession to make….i fucking hate slowburn.

[solitary-bones]

so dndads live show St Paul! idk how much of this is a spoiler for anyone else going to shows so I'ma cut here!

we had!

- so many gay people in the audience that as I was walking in to the venue I said to my friend damn this is like a pride parade and a bunch of gay people in front of me were like TRUEE

- a live performance of both! dead and gone and rocks rock! it was so incredible. Beth and Will both POPPED OFFF!!!!!! they were so cool oh my god. and Freddie fucking shredded it on the electric guitar it was so sick.

- silly St Paul themed dad facts plus Ron just uhh thinking all manual labor is called a hand job.

- the people royally fucking up the dice roll (not my fault I was in the balcony I cannot be held responsible)

- the people absolutely manifesting the complete improv prompt as the live show topic. and all of the cast going into mourning over it (will fell to his knees on the stage so dramatically it was so funny)

- the cast deciding to do a DND game with their characters! Starring: Will Campos as Henry oak as Mr Chris (later Dr Chris), by the book health inspector! Matt Arnold as Darryl Wilson as Darryl, ex football quarterback now accomplished priest searching to remember all 10 commandments! Beth may as Ron stampler as Nor Relpmats, doctor (the best health inspector of them all)! and Freddie Wong as Glenn Close as Glenn The Closer, weed enjoyer moonlighting as a health inspector relying on his gut! Anthony Burch as Patrick as Patrick the shit (among other characters)!

- the audience not being able to stop being horny when giving suggestions for what their location, bad guy, and theme were gonna be (bdsm dungeon, just a guy from the audience named Patrick, and a 10 commandments dildo)

- an abundance of flashbacks and one single flashforward

- butt spanking competition to get past the second door (it is a bdsm castle ig)

-mr Chris tests to see if the floor has been cleaned recently and thinks it hasn't. Glenn the closers gut says it's fine but Mr Chris says if he tastes some of what's on the ground he'll be able to tell better. Glenn the Closer bites his fingers and Mr Chris is into it.

- Mr Chris finding a dead cockroach on the ground and revives it using CPR and mouth to mouth (Anthony is the cockroach and also when will tried to fake the mouth to mouth yelled DO IT PUSSY so yeah they actually kissed like twice at least) and revived it to ask about the cleanliness of the floor and found it not very.

- none other than paeden bennets on the second level, who Darryl proceeded to obliterate with a holy football. I'm not lying (not before asking how Patrick the DM knew about their friend Paeden who was long dead and us getting a lively npc on npc scene by Anthony of Patrick meeting Paeden and getting punched in the balls and saying "I'll never forget you")

- Test by the health inspectors to see if the blood of paeden would get cleaned up. all of the soots from spirited away came in with little mops to clean it and cleaned all the party. Glenn rolled to see if he's into it and got a 9 but the crowd gave inspiration and he got a 6, which is 69 so he was and wanted to stay there forever with the soots. Henry as Mr Chris used his persuasion to get Glenn the closer to leave the soots by saying that whatever they're doing he could do it better. because apparently they're ex lovers now. (Anthony yelled something about Will wanting to kiss another boy)

- Flashback reveals that they were highschool sweethearts but were going to health inspection schools on opposite sides of the US and were talking about how their relationship would progress from there when Mr Chris' secret lover barges in and informs them that they're pregnant and he's the father! Glenn the Closer gets upset and asks what happened and Mr Chris proceeds to another, extremely graphic, flashback where Ron the doctor commentates the uhhh conceiving of said child. and Glenn is understandably upset at the graphicness of this explanation about being cheated on. They end with bitter words, stating they're now nemesis in health inspection.

- Nor asks Mr Chris how long it's been since he saw his son Patrick. (not since birth lmao)

- they go up to the final level, find Patrick using the commandment dildo, on the 8th one I think, and upon seeing his absent father run in and ask "are ya winning, son!?"gets extremely turned off. he understandably asks what he's doing there after being absent his whole life. Mr Chris explains that he's finally ready to be back in his life, with his husband Glenn the closer, and his newfound belief in Christianity from Darryl the priest who's really good at football.

- Flashforward to Mr Chris and Glenn the Closer living together and apparently "they're bougie enough to have their own priest" so Darryl lives with them too. Nor comes to visit and we see the commandment dildo hanging above the mantle.

and that's that on that.

[ganondoodle]

seeing all the crazy stuff people build in totk kinda ... it feels like that is also a factor in why it turned out like this, like the insane things people did in botw and the (i keep saying devs when i actually mean the directors .. producers?) directors saw it and build totk just around letting people do it all 100 times more

to be clear, i think its impressive as hell what some people build (i just saw like .. a movie scene with a functioning mech gozilla and tanks made with totks building stuff ... what the fuck) and those things go pretty viral (understandibly so) but i also gotta question

as creative, free, and impressive as it is ... should that have been the focus in a zelda game? like .. is building mechas and tanks like that something that should be in a zelda game? can it be in there without inevitably sacrificing so much else? theres building games just for that? and if you want to make it zelda themed you can make it a spin off?

like i get it, people did crazy things in botw, they saw what people had fun with and dialed it up to a 1000 in totk, which in itself is not bad, even pretty good if you consider gamedevs and feeback and all that bc in general you should embrace what people had fun with in your game even if it wasnt the intent, given that nintendy listens to feedback (perhaps even a bit too much at times) and creative solutions was a central point to botw design philosophy but

i feel like totk kinda .. missed the balance?

if its really a reason why totk is build around enabling that in a purely player centered toy box kind of way without it actually mattering in the story .. or even themes ... was it worth it? not to sound like an oldschool boomer tm but in a franchise that iconic, lore and story focused, should you really abandon nigh all lore/story cohesion just to give the player a big box of toys in a world where i feel that doesnt ,, really belong? in a direct sequel in the same world with the same characters no less? that point is perhaps the biggest issue with it, bc again lots of games even if somwhat a sequel, had strange new tech or things in the world but in all of those cases it was some alternative universe, millenia after the other game, or on an entire different continent; while totk is supposedly just a few years after botw in the very same hyrule

(still doesnt explain the erasing of all shiekah things and replacing it with sonau- tho suddendly revealing the shiekah had actual rockets, wheels with suspension and grenade-launchers, might have been confusing too- you could have enabled the player creativity with shiekah too imo, and personally i would have found it way more fun ... lil guardian leg crawlies ..)

having thought about it feels rather logical why they did it in alot of ways, but also ... totk is build around it, while its also not build around it at all- its build around the PLAYER, not the world, not the story, not the theme, not the character, but YOU (especialyl those that dont realyl care about anythign story or lore stuff and just want to have fun with the gameplay loop, which isnt wrong, but i question whether thats the right kind if player to center in a zelda game .... also not saying all of those that build these crazy things are like that but- ... i hope you know what i mean)

(i know games are always build around the player, or should be, but .. do you get what i mean????? playing in a world that doesnt make sense anymore bc its all a box of toys yeeted into my face isnt fun to me, bc im here not only for gameplay fun but for the world .. theme .. characters, its something that has to be harmonical as a whole for me and totk just .. isnt)

i say it alot but i do really mean it, its very difficult to get my thoughts and feelings written out and to have them come across correctly

[poorly-drawn-mdzs]

Business comes first! Drinking is the job!

[First] Prev <–-> Next

[prismartist]

bigb: ren... we're friends, remember?

ren: we are-... we were friends.

[blade-that-was-broken]

“Hey Clay?” 

“Yeah?” 

“I know you don’t really like to talk about your older bro-...” 

“Did he call again? Ignore it, he’ll stop. Honestly, he should know better by now,” Clay grumbled, not looking up from his project. Last week, Bruce had called him, out of the blue. It had been a weird phone call, acting as if the last several years didn’t happen. As if Bruce didn’t just pick up and move across the country the moment he could, leaving the rest of them to their mother.

He knew he was holding a ridiculous grudge. It had been years. And Clay might have gotten over it eventually, if Bruce hadn’t replaced them with his perfect family. He barely stayed in contact - even with the brothers who weren’t as mad at him. Branch had been young when Bruce left, barely six years old. Clay wasn’t a whole ton better but at least Branch knew him to an extent. Branch at least knew his favorite color. Clay doubted Branch knew the first thing about Bruce. 

“He… he’s here.” 

Bruce wouldn’t leave his resort and his wife and well, now his kids. It was like he expected everyone to pick up and go visit him just because he lived on an exotic island or whatever. As if Clay didn’t have responsibilities or Floyd wasn’t constantly traveling. As if it was so easy for Grandma to leave the house and fly across the country. Bruce barely called and he never, ever visited - much less out of the blue like this. 

Clay stopped and looked up, his head swiveling around to look back at his best friend. Her curly blonde hair was wrapped up in a messy ponytail, which was fairly normal, but the uncertain and awkward expression on her face was definitely not the norm for her. “What?” he asked, shocked. 

She nodded. “Yeah. There is a guy down in the courtyard. He said he’s your older brother.” 

Clay shook his head. Bruce would never leave his precious wife and resort to visit him, especially when he knew how much Clay was upset with him. Had been for years. Honestly, aside from one phone call a week or two ago, Clay hadn’t really heard from him in years. Clay could have chalked it up to Bruce just knowing that he was angry with him for abandoning him - them - with their mother the first moment he could, but he barely kept in contact with Floyd and Branch as well. And they didn’t hold the hard feelings that Clay did. Not that Clay was much better; he didn’t talk to any of his brothers much either. 

“There is no way,” he protested with a huff, rolling his eyes. She must be mistaken, there was no other option. “He’s never made a trip out here. He would never leave his resort. What is he doing out here?” Viva hesitated, glancing away, which was very strange for her. She was very straightforward and easily excitable. Clay felt his brow furrow a little. “Viva…” 

“He’s not… like how you said.” 

He just sighed and took a deep breath. Bruce definitely had a way with people; he always had. Granted, Clay probably painted him in mostly a crappy light, due to the fact that whenever the subject did come up - which was extremely rare - it was not often positive. Clay had a lot of anger and probably a lot of resentment. It was a work in progress. “Look, Viv. I know he’s easy to believe. He seems soooooo friendly and charming that you want to just swoon or whatever. He’s got that effect on people but…” 

“No.” 

“No?” Clay asked, confused. She said it so strong, so flat, so sure and Clay wasn’t sure what to make of that. 

“Clay… he’s not like that at all. He was actually really quiet and awkward and super uncertain but held him with some kind of…rigidness? At least as much as he could,” Viva looked uncomfortable, like she had seen something she really didn’t like. He wasn’t sure what that was about. At the moment, he was more hung up on the description which did not sound like Bruce at all. 

He scoffed. “Bruce?” 

“He didn’t say that was his name,” Viva continued, still uncertain, glancing towards the window. “But you only have one older brother right?” 

Clay blinked and his whole world came to a standstill. “I….” 

“Clay?”

Older brothers. 

There was no way, though. He hadn’t heard anything from him since their parent’s divorce and when he was practically dragged away almost kicking and screaming. Clay barely remembered it; he tried not to. Everyone had been crying but Branch’s screaming, going along with everyone else's tears kind of drowned everything out. It hadn’t been a pretty memory and Clay avoided thinking about it. Coupling that with his mother’s systematic way of erasing anything that evoked him or their father from their house and their lives, it only took a few years for everyone to stop considering them entirely. 

His eyes widened. There was no way. There was no way it was possible. 

Clay didn’t even think. He bolted out the door, not even bothering to strip off his lab coat. There was no way. It had been at least fifteen years. What were the chances? After fifteen years? There was no way. 

He had to be sure. 

Making his way down to the courtyard, with Viva shouting after him, he scanned the area upon slamming the doors open. It had been a decade and a half. He had no idea what to look for anymore. They had all changed. 

“He’s by the fountain, sitting on the stone wall,” Viva supplied. 

That helped. He made his way over, still looking over the area until he spotted a more middle aged guy with short hair and bandages on his arm. When he looked, Viva nudged him, giving him the sign that who she had talked to was him. Definitely not Bruce. 

He looked over at Clay and recognized him, suddenly nervous. Clay just stared. That was all he could really muster up to do. “Uh… hi, Clay. I know you might not really remember me but…” 

Clay didn’t say a word at first, just launching himself at his big brother, knocking him into the grass behind in a hug. He clearly wasn’t expecting it but he took to the action pretty quickly, wrapping his arms around Clay’s back for support and to keep him from being tossed around. 

“John Dory.” 

Clay couldn’t remember the last time he thought of him, much less said his name out loud. He hated that. His eyes were squeezed shut, just soaking up the firm grasp his oldest - his oldest - brother had on him. He had so much to say and so many questions but only one happened to come out. It had been fifteen years and now John Dory just showed up out of the blue. 

“How did…how did you find me?”

It wasn’t exactly what he wanted to say. There was a lot he wanted to say and do but his mouth had run off with him, questioning so much that he really didn’t actually care the answers to. Because he was here. After fifteen years. 

“Bruce told me.” 

Clay shifted slightly. “B-Bruce?” He supposed it might have been easier to find a resort owner before some crazy older college student. Although Clay felt like he had his name out there more than his other older brother, as he had written papers and had been featured in several journals. Although it might not have been in things John might have looked through. They could be pretty niche. 

“I…” John tensed a little and hesitated. “He found me. The hospital found him, I guess? They found him and called him. I’ve been staying with him for my recovery.” 

Clay’s heart dropped as he pulled away, trying to assess. He scrambled off his brother, stepping back. “Your what?” 

John grimaced. 

Viva nudged his shoulder and spoke quietly. “Clay.” 

Clay’s eyes were drawn downward. Sure, there were bandages on his arm but John’s grip didn’t seem to be very weak so he doubted that would be so debilitating and honestly, his legs seemed fi-… where was his leg? 

“W-Where is your leg?” 

“Sudan… I think?” 

Clay just stared. 

“Right, sorry. Kinda dark humor there,” John muttered, sitting up a little more. “I was… I have been, I guess, in the military for a while. Over ten years I guess, uhm… it’s a long story. But some stuff happened, my arm got kinda burned up but it’ll be okay. Head got banged around a bit but that should be fine too. The biggest thing was my leg which… well, that ended my military career pretttyyyy quick. The hospital found Bruce and yeah, I’ve been staying with him but…. I wanted to see you. Needed to see you.” 

There was a pause. 

“Sorry, that was… that was a lot of words.” 

“When Bruce called…” Clay drifted off in realization. Bruce had called to tell Clay about John. 

“He didn’t want to freak you out.” 

“But I hung up.” 

John nodded. “Bruce didn’t really tell me anything about what happened with you guys or anything but I just… I bought a plane ticket and well, here I am.” 

Here he was. 

“Does Bruce even know you’re here?” Clay asked, uncertainly. With John’s state, it probably meant that Bruce was kind of taking care of him, which meant he was in charge of his welfare and health. John was still on leg crutches and probably couldn’t get around super well. It couldn’t have been that long since it happened. 

John snorted. “I am a grown man.” 

“Missing a leg!” 

“So?” John asked, his nose wrinkling. Clay almost felt like he had been slapped. Floyd and Branch did the same thing. “I knew a guy who lost both and guess what? He lives alone. Does just fine.” 

“He’s probably freaking out.”

“Bruce? Probably.”

“Then why are you here?” 

John tried not to look hurt. He would have done a great job too, if he hadn’t looked away. It was a telltale sign and Clay noticed. He didn’t even realize what he had said and how it came out until it was too late. He cursed himself; he didn’t want John to think he didn’t want him here. “I haven’t seen you in fifteen years, Clay. No matter how much time passes or what happens, I love you.” 

Shit. 

“Clay… he’s so cute,” Viva sniffled. “You never told me-” 

“That I existed?” John guessed, making Clay cringe. “That seems to be an ongoing theme.” 

“JD, I just…” he didn’t really know what to say. He didn’t have any excuse, really. He could blame a lot on his mother but that felt wrong to say to him. There wasn’t any real excuse that would make anyone feel better. 

“It’s alright,” John replied, although Clay could tell there was some struggle. Which made sense. No one wanted to feel forgotten by loved ones. Especially not the ones still alive. “Bruce didn’t tell his kids I existed either. I’m getting over it.” 

He shouldn’t have to get over it, Clay thought. He shouldn’t have had to do any of it. He should have spent the last fifteen years with them. He should have been there for birthdays, for their graduations, for their important moments. He should have been there when Bruce got married. For Floyd’s first show. For Clay’s best college awards. Bruce’s kids should have known their uncle their entire life, not just now and so forth. 

“She’s dead, our mother,” Clay said, blandly. He blamed her a lot, for pretty much everything. Not the divorce itself; that was both of them, but for cutting them off from his brother. For forcing his name to never be spoken. For erasing his memory. It was one thing to keep them away from their father, although Clay didn’t like that either, but to keep them away from their older brother was unforgivable for him. 

“So is dad. Over ten years.”

Ten years. Over even. John lost his family, became an adult and lost his father. No wonder he joined the military. 

“Six.” 

“I tried looking for you,” John promised, like it was something he had to convince Clay of. Like he didn’t want Clay to think that he didn’t try. It wasn’t meant to make Clay feel worse and Clay knew it but it did anyway. Because Clay hadn’t. He hadn’t looked. He hadn’t even considered it. “Before joining the military. After too, a little, I suppose. I’m no detective I guess.” 

Clay just stared at him. Did he think…?

“I know…” John frowned again. “I know you’re mad at Bruce but I can’t… I… Clay, I want to be…to have… to be in some part of your life and I just…” 

“I’m not mad at you.” 

Clay hated the almost hopeful look that John stared at him with. It was a expression that screamed he wasn’t expecting this reaction. “You… aren’t?”  

“No. Of course not. Our parents were petty and bitter and it is all their fault. JD, you never… you didn’t abandon anyone. Dad took you away and mom decided to try and erase that part of her life. Have you blamed yourself this whole time? For years?” 

“No, no, I just… I don’t want you to think I stayed away or something.” 

“I believe you,” Clay promised. “And I’m so glad you’re here.”

[peijizerojournal]

re: 'khaos reigns'

i have SO much to say about it lol but i'm still gathering my thoughts. all i know for sure is : even though the bar (in regards to quality of story and characterization) was on the floor, i am still, yet again, extremely disappointed !

(rant/review/spoilers below. will maybe add to this, but also maybe not. just purging some of my thoughts lol)

in a nutshell,

the way liu kang, kuai liang, cyrax, sektor and bi-han's characters were all deviously misrepresented was just appalling.

kuai liang is depicted as heartless, arrogant and temperamental. posturing as a 'grandmaster' even though he's done nothing but usurp authority by establishing a 'clan of his own' and pointing the finger at everybody but himself. lecturing cyrax about honour... pfft.

liu kang is strangely unforgiving and not very compassionate (he was literally more gracious in how he handled shang tsung/quan chi over bi-han?? like what??) not to mention his lack of urgency with dispatching of havik and rescuing geras. instead of extending some authentic benevolence to bi-han, he instead goads and chastises him after his transformation, and fails to elaborate further when they have their brief interaction regarding his hopes for a different future. the miscommunication between them -- in other words -- continues to be infuriating.

sektor doing nothing but being comically op and fawning over bi-han every three seconds is so all over the place, like they couldn't decide or couldn't find a nuanced balance in her persona (an issue with many characters, it seems...). while i thought she was the most accurately characterized out of all of these major players, her defining traits such as her obsession with the cyber initiative and boosting the lin kuei's position are not made so clear in the actual story? instead the writers chose to focus on her over-the-top, one-sided adulation toward bi-han. it makes her so hard to take seriously as a threat or as the next acting-grandmaster. another storytelling fail!

cyrax starts off the dlc defiantly, standing up for what she believes in and deciding to help the shirai ryu, yet during the rest of the story, she has no agency and just follows kuai around profusely apologizing for something she didn't even do (and kuai was relishing in that shift of power.... gross.)

and bi-han... i think that situation speaks for itself. missing chunks of the leak script and clever editing in the trailers left most of the fanbase baited and switched, and not to mention literally anything could happen next because of the lack of commitment to any of the lore and to even the timeline itself. many of the tower endings contradict much of the intro dialogue and the campaign itself. i guess by introducing alternate timelines and universes so early on, it gives the writers fair game to retcon anything and everything. which, effectively, pulvarizes any meaning for liu kang's 'new era' going forward.

i could keep ranting but, in short: 'khaos reigns' was rushed, boring, full of poor characterization and enough 'macguffins' and 'red herrings' fit for a superhero movie. so many plot holes and loose ends that weren't followed up on (like hello, what's with the hand on noob's hip? and where the hell did titan havik go at the end? was he banished? what about the kamidogu???). there were so many missed opportunities to flesh out preexisting conflicts too, and the pacing of everything from dialogue to the transitions between chapters was completely disjointed. all the characters actions were seemingly shortsighted and many of the decisions made led to nowhere and nothing really changed by the end. nobody went through any real character arc or growth, nobody knows what happened to our over-hyped 'villain of the week,' and the tower endings cancel out the dlc's true ending, essentially making all of it, and none of it, 'canonically accurate.'

it's clear whoever's writing this has no respect or insight for the source material, and is just doing whatever they want: whatever's popular, whatever sells, right? the one thing about a multiverse story is, you can keep that going forever. the possibilities are endless, and if they don't like something... it can be changed with a snap of the finger. kind of reminds me of one of supernatural's awful later seasons, or destiny 2's "shadowkeep" expansion. 'khaos reigns' comes across as a shoehorned seasonal narrative that exists solely to sell noob, cyrax and sektor and little else.

oh yeah, and the future dlc's that are sure to come.

[macadam]

Fully of the belief that Miko is only seen as an annoying character because of the dynamic between her and Jack.

Miko in isolation isn’t an annoying character. She’s reckless, and unwise, and has to be bailed out of trouble every five seconds, but this isn’t really an issue for any of the bots because as far as they’re concerned, this is Normal Human Behaviour™. They are constantly having to work with and around humans or bail them out of trouble.

Bulkhead adores Miko. He is exasperated by her like a parent is of their toddler, sure, but I wouldn’t say he is annoyed by her in any way. Her interaction with wheeljack is another example. When she exists with the bots by herself, she doesn’t come across as burdensome. She’s just limited, as every human is, by the curse of being small.

It’s only through her interactions with Jack, and his continuous challenging and calling out on her behaviour, that Miko becomes an annoying character. Frankly, it’s the tension between them which annoys the audience. We can only watch the same cyclical bickering between children before it gets old.

I have noticed that there actually are a lot of people who do like Miko, and find Jack super annoying instead. It seems like people pick one or the other depending on how you interpret which one is causing the tension. When I watched tfp as a kid, I loved Miko and hated Jack. Like, hated hated him. Because I saw Miko as a fun punk rock kid and Jack as the one needlessly calling her out. Upon rewatching tfp as an adult (who works with kids a lot) I related far more to Jack, and so the situation flipped; I saw Miko’s actions as more frustrating to watch.

The writers did eventually try to fix this, with the one heart-to-heart scene between Miko and Jack. But it was kind of rushed, and didn’t leave any lasting change to their dynamic. They went right back to arguing.

Tldr: Miko and Jack are annoying together. Fans usually pick one of em as the cause to be annoyed at but honestly, they are both fine on their own. Children bickering is annoying even in a fictional cartoon lmao

[liliumofthevalleysstuff]

We went out to get lunch after a little chore to do in the morning and I was feeling dutiful as persecutor to expand the body and Rumi’s horizons a bit by ordering root beer.

Yes, the girl never tried it before and I’m so shocked because it tastes GREAT so how come you never tried it?

The guy at the place gives us coke instead.

Are you fucking serious right now.

-🥀 (Minthe)

[1percentcharge]

rly appreciate ur review of poor things. genuinely don't see how so many have praised, i felt like I was insane when i saw how acclaimed it is

ugh thank youuuu lol i really cant stand that movie. I really just found it so boring how it went in circles for 2.5 hours and the comedy was so bad. oh no she said inappropriate thing at nice dinner! I must go punch that baby lol xd! and that stupid left field turn near the end when by that time I just wanted to leave the theater. it barely felt like it wanted to seriously engage with any of its topics. and just left such an awful taste in my mouth also that they made a second baby-brain woman and relegated her to a servant at the end of the movie.

Apparently in the book all the baby brain stuff is explicitly made up by Bella's husband? i feel like that changes so much...

[cannibalgremlin]

i finally caught up on 911 and i really don’t see how BuckTommy is groundbreaking(we have lesbian black women for ground breaking!!!). with how Tommy acted during that failed date, honestly it was hella rude imo.

and also the daddy issues kink joke was really not it. it was uncomfortable and gross(and i really don’t wanna hear that buck was flirting first cause no he wasnt i binge watched the show an memorized how that boy flirts and that was not it)

edit: putting this here since i got an anon with a stick up their ass. this is an opinion post. i dont give a fuck if you ship buck tommy. i do give a fuck that the date was messed up, and daddy issues being made sexy by media is fucked up

[bum-tan]

So I read the comic "Wanted : Lucky Luke," and I just wanted to pop up here to rant and comment about it.

I'd recommend you read it first if you don't want to be spoiled, but if you don't want to, I'll still explain the plot for context.

The official synopsis:

"Riding peacefully along a western trail, Lucky Luke is suddenly ambushed by an unknown assailant. After a quick gunfight, the cowboy loses his mysterious attacker but happens upon a lone wagon beset by Apache raiders. Another quick fight later, Luke is surprised to find that the occupants of the wagon are three lovely young women! Three sisters on their way to start a new life, and who all find the lonesome cowboy ... quite interesting."

Just by reading this synopsis the premises sound interesting, but not enough to be engaging, in my opinion.

Anyway, here is a short explanation of the overall plot for better context :

In "Wanted: Lucky Luke," the famous cowboy finds himself on the wrong side of the law. After being framed for a crime he didn’t commit, Lucky Luke is declared an outlaw with a bounty on his head. The tables have turned, and now, instead of chasing criminals, he must evade capture by both lawmen and bounty hunters. Along his journey, he must clear his name, uncover the real culprits, and help a group of sisters he has encountered on his way.

I'm sure some of you may have recognized the artstyle as it was made by Matthieu Bonhomme; The same person who made the comic "The man who shot Lucky Luke", which is interesting in on itself, but I won't be talking much about it in this rant.

Regarding the art ? I enjoy it for the most part. It feels very fitting to the world of old western, but I understand the people who may not like it as it's not suited for Lucky Luke's stories that are usually more light hearted.

I personally don't really like the way Luke is drawn in Matthieu's art style. But I digress.

Moving on, here are some of my favourite panels from this comic that I'd like to comment about (please click on the pictures to better see if need be) :

For context, this was when the girls were being held hostage by the criminals, who then forced them to sing and dance. The girls were defenseless against these men. And as they were being harassed, I feared something explicitly bad would happen to them.

Thankfully, this big guy (Big Jack) stepped in and stopped the other men. I know he is a bad guy and the only reason why he protected them was because he was enjoying their performance, but still. It was nice to see.

Next set of my favourite panels :

Sadly, I couldn't put all the panels, but basically, this was when Lucky Luke was catching the criminals late into the night, after he managed to escape from them.

It was very entertaining and badass, the way he hunted them down, like a predator chasing its prey, when they were the ones chasing him earlier that day. Love the colours and art as well, making for an intimidating atmosphere. Very nice.

Now, here are a few sets of panels that I find hilarious:

This was when Lucky Luke was being teased over the wanted posters that were displaying him with a flower in his mouth. Need I say more? Just look at Luke's reaction !

It's especially funny when you consider the fact that the legendary cowboy used to smoke in the past, but now he just sucks on a piece of grass like a bum.

The duality of this man, going from formidable foe in front of his enemies to a lightweight when teased, is just too funny.

And finally, these panels :

This was when the comic hit its climax. Everyone was fighting over who could get Lucky Luke, including the outlaws, the Indians, the ladies, and the cavalry. Everyone wanted him !

And speaking of the outlaws, I was pleasantly surprised to see some of the iconic villains, from the original comics, make their apparitions to do Lucky Luke in.

But I was pretty disappointed that the Daltons weren't included amongst them. However, they were still mentioned by a character named Dick Dalton, a distant relative of the Daltons. Which I originally did not like, but his presence ended up making for quite a treat.

When the outlaws caught him, Dick felt strangely familiar to Lucky Luke, who unconsiously stared at him. But he didn't care much about engaging with Dick, even after the guy spilled out his story.

It was later revealed, near the end of the comic, that Dick was the one who put up a bunch of wanted posters of Lucky Luke, to make him suffer and hand him over to Joe (who is actually mentioned by name !) so Dick could be recognised as a Dalton.

Coming up with a plan like that, it's on brand with the Daltons. However, Luke is simply unimpressed and condescending to Dick. He calls him nothing but a pale imitation, clearly implying that Dick could never be at the same level as Joe Dalton.

Which i find funny as hell.

The next thing that i'd like to talk about is the sisters' interactions with Lucky Luke. More specifically, with Cherry (the blond one).

Because you see, in his journey of trying to hide from his enemies, Lucky Luke encounters and saves a group of 3 sisters (Angie, Cherry, and Bonnie), who need to reach the nearest town with their herd of cattles, all without being scalped by Indians.

Of course, Lucky Luke volunteers to help them. And obviously, the 3 sisters end up being interested in him and are aiming for his heart. Competing with one another.

They all attempted to flirt with him, naturally with no success.

So far, no suprise, until a tangible romance subplot seemingly formed between our hero and Cherry !

I initially kind of disliked that development. Especially how there seemed to be a reciprocated attraction on Lucky Luke's side.

Because it doesn't fit with his character, as in the comics and cartoons, he never shows any interest towards women or their advances.

However, as I kept reading, I realized it made for a compelling storyline, as well as a good introspection on our beloved hero. Explaining why he may be the way he is.

One of the many reasons why Lucky Luke is a lonesome cowboy who won't form long-lasting connections is because he has never received love in the past. So he doesn't know how to receive or give any back.

To me, this panel could be interpreted as him also wanting to learn how to love from Cherry, but he refuses to give in because of his convictions.

And since he has never known love, how could he know what it's like to be in love with someone?

So while she may harbor love towards him, he appreciates her in return, but it's more of a friendly admiration than romantic love. Because he could never reciprocate her kind of love.

In the end, he still ends up leaving, choosing independance over love.

But at least, now he knows that there are people who do love him.

All in all, I quite enjoyed this comic and I recommend any Lucky Luke enjoyers to read it as well.

P.S :

-I think the name of the comic is "Wanted: Lucky Luke," not only because he was being hunted down, but also because there are people who love him. Meaning he is quite literally wanted. Or maybe I'm just reading too much into it.

-The whole Dick situation shows how irrelevant he is to Luke compared to Joe. And if i'm not reaching, this also implies how much Joe wants Luke, to the point of being mentioned in a story about wanting Lucky Luke without even being present !

So fun ! So yeah this is all pretty neat.

[lizhly-writes]

the best time to write is when you shouldn't be writing. the best thing to write is what you shouldn't be writing. i've written at least 500 words on a fic i shouldn't be working on during work. why is my muse like this.

[diegusting]

Current mood.