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ghost-bxrd · 1 year ago
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“This is where you live?”
Jason drops the duffle bag on the counter, “Yeah. It’s no manor, kid. I told you.”
He’s not self conscious. He’s not. This apartment is fuckin’ nice ok? He spent a lot of money on decor and proper kitchenware and furniture and shit.
But Jason also knows that, objectively speaking, it doesn’t hold a candle to Wayne manor and its fifty-something bedrooms. That place is basically its own country.
Bruce nods.
“I like it,” he says solemnly, walking over towards the window to peek through the blinds. The view from up here isn’t exactly panorama level but the building is one of the tallest in Crime Alley and Jason’s apartment is on the top floor, so it does provide a pretty good view of a good portion of the Alley. “It doesn’t feel as empty.”
Jason pauses where he’s resetting the traps and alarms by the door, glancing over his shoulder to where Bruce is starting to tentatively explore the living space and is struck by how violently out of place the boy looks with his rigid posture and elegantly curved eyebrows. Even the plain hoodie, faded hand-me-down jeans and ridiculous wool cap aren’t enough to hide how utterly not Crime Alley born-and-bred he is. Everything about Bruce is basically screaming rich-Bristol-trust-fund-kid.
Which, yeah. Checks out.
Jason clears his throat and clicks the security on, waiting for the small light at the side to switch from green to red.
“Your room’s the one down the hall to the left. Right one is mine. Door at the end of the hall is the bathroom.”
Bruce hikes his backpack up higher on his shoulder, eyes eerily vacant as always, but Jason wants to think that there’s a sliver of curiosity behind that steely gaze anyways as he inclines his head and makes his way down the hall.
As soon as the kid vanishes around the corner Jason allows himself a moment to exhale and run a hand down his face tiredly.
Jesus fucking Christ.
What was he thinking.
How the fuck is he supposed to raise a tiny Bruce Wayne with his older furry counterpart running around Gotham at night hunting criminals? Criminals like Jason?
Nothing. He was thinking nothing. And it’s about to bite him in the ass.
No way can he build a criminal empire and take over the drugs and weapons trade with a traumatized nine year old dependent on him.
God dammit.
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bum-tan · 14 days ago
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So I read the comic "Wanted : Lucky Luke," and I just wanted to pop up here to rant and comment about it.
I'd recommend you read it first if you don't want to be spoiled, but if you don't want to, I'll still explain the plot for context.
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The official synopsis:
"Riding peacefully along a western trail, Lucky Luke is suddenly ambushed by an unknown assailant. After a quick gunfight, the cowboy loses his mysterious attacker but happens upon a lone wagon beset by Apache raiders. Another quick fight later, Luke is surprised to find that the occupants of the wagon are three lovely young women! Three sisters on their way to start a new life, and who all find the lonesome cowboy ... quite interesting."
Just by reading this synopsis the premises sound interesting, but not enough to be engaging, in my opinion.
Anyway, here is a short explanation of the overall plot for better context :
In "Wanted: Lucky Luke," the famous cowboy finds himself on the wrong side of the law. After being framed for a crime he didn’t commit, Lucky Luke is declared an outlaw with a bounty on his head. The tables have turned, and now, instead of chasing criminals, he must evade capture by both lawmen and bounty hunters. Along his journey, he must clear his name, uncover the real culprits, and help a group of sisters he has encountered on his way.
I'm sure some of you may have recognized the artstyle as it was made by Matthieu Bonhomme; The same person who made the comic "The man who shot Lucky Luke", which is interesting in on itself, but I won't be talking much about it in this rant.
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Regarding the art ? I enjoy it for the most part. It feels very fitting to the world of old western, but I understand the people who may not like it as it's not suited for Lucky Luke's stories that are usually more light hearted.
I personally don't really like the way Luke is drawn in Matthieu's art style. But I digress.
Moving on, here are some of my favourite panels from this comic that I'd like to comment about (please click on the pictures to better see if need be) :
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For context, this was when the girls were being held hostage by the criminals, who then forced them to sing and dance. The girls were defenseless against these men. And as they were being harassed, I feared something explicitly bad would happen to them.
Thankfully, this big guy (Big Jack) stepped in and stopped the other men. I know he is a bad guy and the only reason why he protected them was because he was enjoying their performance, but still. It was nice to see.
Next set of my favourite panels :
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Sadly, I couldn't put all the panels, but basically, this was when Lucky Luke was catching the criminals late into the night, after he managed to escape from them.
It was very entertaining and badass, the way he hunted them down, like a predator chasing its prey, when they were the ones chasing him earlier that day. Love the colours and art as well, making for an intimidating atmosphere. Very nice.
Now, here are a few sets of panels that I find hilarious:
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This was when Lucky Luke was being teased over the wanted posters that were displaying him with a flower in his mouth. Need I say more? Just look at Luke's reaction !
It's especially funny when you consider the fact that the legendary cowboy used to smoke in the past, but now he just sucks on a piece of grass like a bum.
The duality of this man, going from formidable foe in front of his enemies to a lightweight when teased, is just too funny.
And finally, these panels :
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This was when the comic hit its climax. Everyone was fighting over who could get Lucky Luke, including the outlaws, the Indians, the ladies, and the cavalry. Everyone wanted him !
And speaking of the outlaws, I was pleasantly surprised to see some of the iconic villains, from the original comics, make their apparitions to do Lucky Luke in.
But I was pretty disappointed that the Daltons weren't included amongst them. However, they were still mentioned by a character named Dick Dalton, a distant relative of the Daltons. Which I originally did not like, but his presence ended up making for quite a treat.
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When the outlaws caught him, Dick felt strangely familiar to Lucky Luke, who unconsiously stared at him. But he didn't care much about engaging with Dick, even after the guy spilled out his story.
It was later revealed, near the end of the comic, that Dick was the one who put up a bunch of wanted posters of Lucky Luke, to make him suffer and hand him over to Joe (who is actually mentioned by name !) so Dick could be recognised as a Dalton.
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Coming up with a plan like that, it's on brand with the Daltons. However, Luke is simply unimpressed and condescending to Dick. He calls him nothing but a pale imitation, clearly implying that Dick could never be at the same level as Joe Dalton.
Which i find funny as hell.
The next thing that i'd like to talk about is the sisters' interactions with Lucky Luke. More specifically, with Cherry (the blond one).
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Because you see, in his journey of trying to hide from his enemies, Lucky Luke encounters and saves a group of 3 sisters (Angie, Cherry, and Bonnie), who need to reach the nearest town with their herd of cattles, all without being scalped by Indians.
Of course, Lucky Luke volunteers to help them. And obviously, the 3 sisters end up being interested in him and are aiming for his heart. Competing with one another.
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They all attempted to flirt with him, naturally with no success.
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So far, no suprise, until a tangible romance subplot seemingly formed between our hero and Cherry !
I initially kind of disliked that development. Especially how there seemed to be a reciprocated attraction on Lucky Luke's side.
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Because it doesn't fit with his character, as in the comics and cartoons, he never shows any interest towards women or their advances.
However, as I kept reading, I realized it made for a compelling storyline, as well as a good introspection on our beloved hero. Explaining why he may be the way he is.
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One of the many reasons why Lucky Luke is a lonesome cowboy who won't form long-lasting connections is because he has never received love in the past. So he doesn't know how to receive or give any back.
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To me, this panel could be interpreted as him also wanting to learn how to love from Cherry, but he refuses to give in because of his convictions.
And since he has never known love, how could he know what it's like to be in love with someone?
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So while she may harbor love towards him, he appreciates her in return, but it's more of a friendly admiration than romantic love. Because he could never reciprocate her kind of love.
In the end, he still ends up leaving, choosing independance over love.
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But at least, now he knows that there are people who do love him.
All in all, I quite enjoyed this comic and I recommend any Lucky Luke enjoyers to read it as well.
P.S :
-I think the name of the comic is "Wanted: Lucky Luke," not only because he was being hunted down, but also because there are people who love him. Meaning he is quite literally wanted. Or maybe I'm just reading too much into it.
-The whole Dick situation shows how irrelevant he is to Luke compared to Joe. And if i'm not reaching, this also implies how much Joe wants Luke, to the point of being mentioned in a story about wanting Lucky Luke without even being present !
So fun ! So yeah this is all pretty neat.
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mitsuki91 · 9 months ago
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Please let's talk about the infamous quote about Tigris. Enjoy ALL the quote, first of all (thanks to @burntblueberrywaffles for the screen):
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Now. You can ignore the second half and take the phrase at its face value, as antis love to do, and think "omg what a horrible man, who thinks this things?! Monster!" and feel proud that you can read in the sense you can recognize the letters, put them together and see that you know how all the words and the word's meaning and applaude yourself. Congrats, you can read!
No, that's not how you read.
Welcome to "basic reading comprehension 1.0".
First of all, this phrase doesn't exist alone, it's not floating in a blank page. You have to read the several sentences before that to actually understand why this phrase was written in the first place. And this phrase is right at the start of the book so I promise it won't take long.
So, let's start. I don't have the english book so please bare with me when I explain you things without the actual quote, I promise it is what actuall happens in the book.
We first see Coriolanus Snow who force himself to eat cabbage soup. That he despises it but he knows he need it to prevent the rumble in his stomach. So, you see, right here in the first sentence you have one important details: Coriolanus is not worried about hunger per se, is worried about let other people know he is hungry. Just with this you can already understand one of his core value: the appearences.
And he tells us so in the next senteces. He has an important name and live in a fancy house (from outside) but he has nothing. He has so nothing that he is now worried about a shirt, because he has important stuff to do (later we discover that the Reaping is tied with the Plinth Prize he needs so desperately). The only hope for the shirt is his cousin, Tigris, who can sew and already save him more than once, but... Well, this time she has not a great start. The only shirt he owns is stained and burned and has only half of the buttons. It needs a miracle, he needs a miracle, and even the black market was no use...
They already tried, he tells us so. But no one wants to buy or exchange the shirt. Only... This morning, the morning of the Reaping, he can not find nor Tigris nor the shirt.
So he starts to worried. And he leads us to why he was thinking about a price for Tigris in the first place. Context, people. I will post the actual quote of the book (thanks to @xalonelydreamerx for the screen):
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They already try to sell/exchange something for a better shirt, and they have nothing. What is left? Tigris herself. WHAT IS LEFT? TIGRIS HERSELF, PLEASE READ THIS AGAIN.
So, we have an actual reason, a valid reason, he has to think about Tigris selling herself and people putting price on her.
Now after this come the quote, I paste again for you:
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And now we can read the FULL quote.
The first half: he uses this to describe to us his cousin, and he tries to mantain a "fair" and "external pov" for it, because he puts himself in the shoes of a man who can be interested in buying her. The "vulnerability that invited abuse" is a mere objective though and also serve the purpose to tell us reader that Tigris is sweet and innocent and maybe a little bit naive, or can be perceived like that from the world. And we know this is true. Tigris is sweet and caring, she takes care of Coryo, she always did. We will know better later, this is a mere introduction.
But the second half. The second half of the quote, you all. He feels disgusted with himself for the though and this is already a good start to understand that HE DIDN'T MEAN TO PUT A PRICE ON HER AND SELL HER, NEVER, but the actual most important word here is "helpless". HELPLESS. BECAUSE HE IS THE PROVIDER OF THE FAMILY.
He is the hope. We will learn about the Plinth Prize and what it means for the family. We will learn that everyone rely on him to win the prize and save them. We will learn that he was told, since the start, that he as 'the man of the house' has the duty of provide for his family.
He is happy in that role, mind you. Worried sick, of course, because it is difficult and he can count only on the Plinth Prize to achieve something, so he has to win and the pressure is huge. There are also complex feelings around the Snow names: the fact that he feels that it is his duty to protect the family image, masking the thruth... etc etc etc.
But the first information we have, the most important piece we have from the start to put together who is Coriolanus Snow at the core, is right here. In the first page. In a part of that sentence antis like to quote and simply forget to do it in full.
Coriolanus Snow has to face the realistic possibility, the realistic concern that his cousin might consider the idea to sell herself to help him provide for their family and he fells horrified and helpless.
Helpless.
Because 1) a Snow could never think such a thing, how humiliating, how a failure for their name; and most important 2) if Tigris will do it it means that he failed in the worst possible way and he is not longer able to provide for his family and so were is his own worth? When everything he learned since he was born was to take care of his family and his family's name, that it is his duty, because he is the heir (also little ps: we learn later that since he will graduate the little pension they have now for his father death will stop because he will be a man, so also Panem itself is telling him he has to be able to provide for his family because he will be 'grown up' and 'in the real world' now).
We learn that Coriolanus Snow never wants to sell Tigris, that he is sick at the mere though, and we learn just right here just in the first page what are the core value of him. What moves him and what he thinks of himself and his family.
We learn who Coriolanus Snow is, as if we never knew his name and he was just a boy at the start of his own story.
And antis always forget about this and take one sentence out of context and judge him with "president Snow tinted glasses" and just because this quote is at the start of the book they like to scream to everyone "See? This is it, he was always bad, from the start!". And they actually just tell us that they can not understand what they are reading instead.
Okay, I hope that this lesson was worth it. Reading comprehension 1.0. I hope some antis will come accross this post and take time to read it. It's not too late to learn how to understand what you read, after all.
And now I will go to sleep that I have a terrible headache 😂 bye!
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greaserink · 2 years ago
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been already half a year since I've talked to my closest friend , ,,,,,, I didn't realize how much I've been isolating myself
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noperopesaredope · 1 year ago
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I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
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foldingfittedsheets · 5 months ago
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When I was young my dad offhandedly told me he thought people treated fish with so much casual cruelty because fish can’t scream.
The words branded themselves across my soul.
As an adult I think he may have been joking. He payed no especial attention to any indignities fish suffered in our household but I could never forget. I saw fish in a different light after that.
Fish kept in tiny bowls, breathing their own poisons, dying by inches. Fish kept in cold tanks, casually disposed of. Fish touted as being short lived when they could outlive the better loved family dog if only they could breathe. Fish casually won and discarded in cheap plastic bags, thrown away a week later.
How they would scream, if they could.
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asgardian--angels · 2 days ago
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Planet's Fucked: What Can You Do To Help? (Long Post)
Since nobody is talking about the existential threat to the climate and the environment a second Trump term/Republican government control will cause, which to me supersedes literally every other issue, I wanted to just say my two cents, and some things you can do to help. I am a conservation biologist, whose field was hit substantially by the first Trump presidency. I study wild bees, birds, and plants.
In case anyone forgot what he did last time, he gagged scientists' ability to talk about climate change, he tried zeroing budgets for agencies like the NOAA, he attempted to gut protections in the Endangered Species Act (mainly by redefining 'take' in a way that would allow corporations to destroy habitat of imperiled species with no ramifications), he tried to do the same for the Migratory Bird Treaty Act (the law that offers official protection for native non-game birds), he sought to expand oil and coal extraction from federal protected lands, he shrunk the size of multiple national preserves, HE PULLED US OUT OF THE PARIS CLIMATE AGREEMENT, and more.
We are at a crucial tipping point in being able to slow the pace of climate change, where we decide what emissions scenario we will operate at, with existential consequences for both the environment and people. We are also in the middle of the Sixth Mass Extinction, with the rate of species extinctions far surpassing background rates due completely to human actions. What we do now will determine the fate of the environment for hundreds or thousands of years - from our ability to grow key food crops (goodbye corn belt! I hated you anyway but), to the pressure on coastal communities that will face the brunt of sea level rise and intensifying extreme weather events, to desertification, ocean acidification, wildfires, melting permafrost (yay, outbreaks of deadly frozen viruses!), and a breaking down of ecosystems and ecosystem services due to continued habitat loss and species declines, especially insect declines. The fact that the environment is clearly a low priority issue despite the very real existential threat to so many people, is beyond my ability to understand. I do partly blame the public education system for offering no mandatory environmental science curriculum or any at all in most places. What it means is that it will take the support of everyone who does care to make any amount of difference in this steeply uphill battle.
There are not enough environmental scientists to solve these issues, not if public support is not on our side and the majority of the general public is either uninformed or actively hostile towards climate science (or any conservation science).
So what can you, my fellow Americans, do to help mitigate and minimize the inevitable damage that lay ahead?
I'm not going to tell you to recycle more or take shorter showers. I'll be honest, that stuff is a drop in the bucket. What does matter on the individual level is restoring and protecting habitat, reducing threats to at-risk species, reducing pesticide use, improving agricultural practices, and pushing for policy changes. Restoring CONNECTIVITY to our landscape - corridors of contiguous habitat - will make all the difference for wildlife to be able to survive a changing climate and continued human population expansion.
**Caveat that I work in the northeast with pollinators and birds so I cannot provide specific organizations for some topics, including climate change focused NGOs. Scientists on tumblr who specialize in other fields, please add your own recommended resources. **
We need two things: FUNDING and MANPOWER.
You may surprised to find that an insane amount of conservation work is carried out by volunteers. We don't ever have the funds to pay most of the people who want to help. If you really really care, consider going into a conservation-related field as a career. It's rewarding, passionate work.
At the national level, please support:
The Nature Conservancy
Xerces Society for Invertebrate Conservation
Cornell Lab of Ornithology (including eBird)
National Audubon Society
Federal Duck Stamps (you don't need to be a hunter to buy one!)
These first four work to acquire and restore critical habitat, change environmental policy, and educate the public. There is almost certainly a Nature Conservancy-owned property within driving distance of you. Xerces plays a very large role in pollinator conservation, including sustainable agriculture, native bee monitoring programs, and the Bee City/Bee Campus USA programs. The Lab of O is one of the world's leaders in bird research and conservation. Audubon focuses on bird conservation. You can get annual memberships to these organizations and receive cool swag and/or a subscription to their publications which are well worth it. You can also volunteer your time; we need thousands of volunteers to do everything from conducting wildlife surveys, invasive species removal, providing outreach programming, managing habitat/clearing trails, planting trees, you name it. Federal Duck Stamps are the major revenue for wetland conservation; hunters need to buy them to hunt waterfowl but anyone can get them to collect!
THERE ARE DEFINITELY MORE, but these are a start.
Additionally, any federal or local organizations that seek to provide support and relief to those affected by hurricanes, sea level rise, any form of coastal climate change...
At the regional level:
These are a list of topics that affect major regions of the United States. Since I do not work in most of these areas I don't feel confident recommending specific organizations, but please seek resources relating to these as they are likely major conservation issues near you.
PRAIRIE CONSERVATION & PRAIRIE POTHOLE WETLANDS
DRYING OF THE COLORADO RIVER (good overview video linked)
PROTECTION OF ESTUARIES AND SALTMARSH, ESPECIALLY IN THE DELAWARE BAY AND LONG ISLAND (and mangroves further south, everglades etc; this includes restoring LIVING SHORELINES instead of concrete storm walls; also check out the likely-soon extinction of saltmarsh sparrows)
UNDAMMING MAJOR RIVERS (not just the Colorado; restoring salmon runs, restoring historic floodplains)
NATIVE POLLINATOR DECLINES (NOT honeybees. for fuck's sake. honeybees are non-native domesticated animals. don't you DARE get honeybee hives to 'save the bees')
WILDLIFE ALONG THE SOUTHERN BORDER (support the Mission Butterfly Center!)
INVASIVE PLANT AND ANIMAL SPECIES (this is everywhere but the specifics will differ regionally, dear lord please help Hawaii)
LOSS OF WETLANDS NATIONWIDE (some states have lost over 90% of their wetlands, I'm looking at you California, Ohio, Illinois)
INDUSTRIAL AGRICULTURE, esp in the CORN BELT and CALIFORNIA - this is an issue much bigger than each of us, but we can work incrementally to promote sustainable practices and create habitat in farmland-dominated areas. Support small, local farms, especially those that use soil regenerative practices, no-till agriculture, no pesticides/Integrated Pest Management/no neonicotinoids/at least non-persistent pesticides. We need more farmers enrolling in NRCS programs to put farmland in temporary or permanent wetland easements, or to rent the land for a 30-year solar farm cycle. We've lost over 99% of our prairies to corn and soybeans. Let's not make it 100%.
INDIGENOUS LAND-BACK EFFORTS/INDIGENOUS LAND MANAGEMENT/TEK (adding this because there have been increasing efforts not just for reparations but to also allow indigenous communities to steward and manage lands either fully independently or alongside western science, and it would have great benefits for both people and the land; I know others on here could speak much more on this. Please platform indigenous voices)
HARMFUL ALGAL BLOOMS (get your neighbors to stop dumping fertilizers on their lawn next to lakes, reduce agricultural runoff)
OCEAN PLASTIC (it's not straws, it's mostly commercial fishing line/trawling equipment and microplastics)
A lot of these are interconnected. And of course not a complete list.
At the state and local level:
You probably have the most power to make change at the local level!
Support or volunteer at your local nature centers, local/state land conservancy non-profits (find out who owns&manages the preserves you like to hike at!), state fish & game dept/non-game program, local Audubon chapters (they do a LOT). Participate in a Christmas Bird Count!
Join local garden clubs, which install and maintain town plantings - encourage them to use NATIVE plants. Join a community garden!
Get your college campus or city/town certified in the Bee Campus USA/Bee City USA programs from the Xerces Society
Check out your state's official plant nursery, forest society, natural heritage program, anything that you could become a member of, get plants from, or volunteer at.
Volunteer to be part of your town's conservation commission, which makes decisions about land management and funding
Attend classes or volunteer with your land grant university's cooperative extension (including master gardener programs)
Literally any volunteer effort aimed at improving the local environment, whether that's picking up litter, pulling invasive plants, installing a local garden, planting trees in a city park, ANYTHING. make a positive change in your own sphere. learn the local issues affecting your nearby ecosystems. I guarantee some lake or river nearby is polluted
MAKE HABITAT IN YOUR COMMUNITY. Biggest thing you can do. Use plants native to your area in your yard or garden. Ditch your lawn. Don't use pesticides (including mosquito spraying, tick spraying, Roundup, etc). Don't use fertilizers that will run off into drinking water. Leave the leaves in your yard. Get your school/college to plant native gardens. Plant native trees (most trees planted in yards are not native). Remove invasive plants in your yard.
On this last point, HERE ARE EASY ONLINE RESOURCES TO FIND NATIVE PLANTS and LEARN ABOUT NATIVE GARDENING:
Xerces Society Pollinator Conservation Resource Center
Pollinator Pathway
Audubon Native Plant Finder
Homegrown National Park (and Doug Tallamy's other books)
National Wildlife Federation Native Plant Finder (clunky but somewhat helpful)
Heather Holm (for prairie/midwest/northeast)
MonarchGard w/ Benjamin Vogt (for prairie/midwest)
Native Plant Trust (northeast & mid-atlantic)
Grow Native Massachusetts (northeast)
Habitat Gardening in Central New York (northeast)
There are many more - I'm not familiar with resources for western states. Print books are your biggest friend. Happy to provide a list of those.
Lastly, you can help scientists monitor species using citizen science. Contribute to iNaturalist, eBird, Bumblebee Watch, or any number of more geographically or taxonomically targeted programs (for instance, our state has a butterfly census carried out by citizen volunteers).
In short? Get curious, get educated, get involved. Notice your local nature, find out how it's threatened, and find out who's working to protect it that you can help with. The health of the planet, including our resilience to climate change, is determined by small local efforts to maintain and restore habitat. That is how we survive this. When government funding won't come, when we're beat back at every turn trying to get policy changed, it comes down to each individual person creating a safe refuge for nature.
Thanks for reading this far. Please feel free to add your own credible resources and organizations.
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bruciemilf · 1 month ago
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Need a teen! Bruce au where he’s exactly like Justice League! Batman and Battinson in one. That mf put the fear of every god in Ra’s Al Ghul.
Everytime he’s in a room with someone over 30 “Teenagers” by My Chemical Romance plays in the background.
Despite that, in his own way, he’s as gentle as can be with his league. Give me a young Diana who’s getting spat on and ripped apart by the media in a way not one of her male teammates get.
And she’s Wonder Woman. She shouldn’t be affected by it. And she is, anyway. Bruce relates to that in an uncomfortable degree.
“When I first became Batman, weak men tried standing in my way, too. “
“And what did you do?”
“I stepped over them.”
He has a tiny Robin he occasionally has to keep on a leash.
Give me somewhat teen mom Bruce who struggles to wrangle his unruly six year old who likes flipping from rooftop to rooftop and thinks fighting Bane is a piece of cake.
“If Tati can do it, so can I!”
“Dick,” he paused, before handing him a handfull of candy. “Wonderful emotional manipulation. Good job.”
“:D”
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officialspec · 9 months ago
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modern au but set in brisbane. is this anything
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just-french-me-up · 1 year ago
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the urge to write is like a cat meowing for dear life for someone to open the goddamn door, who then shows utter disinterest in said open door
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eridan-ampora · 1 year ago
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i love it when characters are codependent. i love it when losing someone feels like losing a limb. i love it when two people "complete" each other so wholly and terribly that one can barely function without the other. i love it when the fear of losing the only person who understands them is so all-consuming they'll destroy anything to stay together, including themselves.
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tofixtheshadows · 6 months ago
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I've been thinking a lot lately about how Kabru deprives himself.
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Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
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I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
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Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
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It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
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What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
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He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
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Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
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...but he doesn't get to enjoy it like he wanted to.
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Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
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And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
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I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
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Meals are the privilege of the living.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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screampied · 4 months ago
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✧ ⁺˳ cw. fem! reader, heian era, vırgin sukuna, touch starved sukuna, humping, unprotected, premature ejaculation, mdni.
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virgin!sukuna who won’t bend knee for no one, fears no one . . is weak for nothing.
nothing except for your touch.
and oh, it irritates him abominably. he’s got a taste of you and he’s addicted. in his royal chambers, he humps his pillow, whetted sharp fangs burying into his lip in utter shame. crimson velvet eyes roll their way into the very backs of his head until he sees ivory white. imagining he’s deep inside of you again, slowly grinding his hips into yours, hearing the melodic sounds of your moans escape from each rough stroke. his heat, he swears to himself as he feels the fabric glue back and forth against his skin. instead of a pillow it should have been your body. “f- fuckkk,” he groans, missing your touch, your skin. you had him whipped, sukuna doesn’t get weak for anyone, anyone except you.
he mercilessly grinds his hips into his pillow, a tiny whimper slipping out of his lips before he swears out your name. again, and again, and again,
the moment you return though — he’s a mess. the once feared ruthless king sukuna ryomen that’s lived for thousands of years was now a whiny mess that couldn’t last five seconds without your touch, without your taste. to him, it was sacred. “woman, i need you,” and his voice for once, it was shaky. you have a smug grin, growing priggish at how clingy you made him and he tchs in annoyance.
“what’s the magic word, ‘kuna?”
it’s a long dead pause, you hear the vexed sigh rip out of his full lungs before he shoots you a glare. “….. please. i need you to touch me again.”
with his entire broad frame slumped back, he watches with blown wide irises as you align yourself against his cock. already, it’s droplets and droplets of sheeny white pre-cum coating near his tip. it’s like a swirl, the shine glistens near his cockhead and you watch as a bit of his foreskin peels itself back. you’re teasing him, rutting back and forth against just his tip and he hisses in want of more. sukuna was so big, taking one of him was like taking two and you’ve never felt more full. your hips rapidly make haste and start to jerk a bit forward and you moan once his fattened tip thrashes against your slit opening.
“mhm,” and then you look down at the demon who’s still got a cute pout contorting against his pink lips. sharp serrated nails of his gently shovels into your skin, clinging onto your hips tightly. “aw, are you shaking, sukuna?”
“s- shut up,” he gruffs, immediately feeling a lump prod its way into his throat.
you have him at your very mercy. he grunts, red eyes flickering back slowly and gradually as he’s feeling himself stretch you open. your cunt was so inviting—the feeling of your warmth holding him hostage was purely mouthwatering.
gaping and all, he feels every direct hit against your sopping wet pussy and he’s just hungry for more. your skin sticks against his as you try to shift your weight, rolling your hips back and forth until he growls out a pathetic surrendering whimper. he’s big and thick and you feel every delectable inch ease its way inside of you. fangs of his still continue to gnaw deep at the bottom of his lip, feeling your hips strike forward at a much more briskly pace.“ugh, god woman. y’r hips ‘s gonna make me-”
a single breath gets caught in his throat— not a lump this time but a single breath, you had him speechless.
a few pink strands of hair that stuck against forehead due to built up perspiration ghosts down his slit brows. “gonna c- cum too quick,” he murmurs, his usual rough tone appearing more shaky. his tone was a lot more vulnerable and weak, only with you.
you’re barely even doing anything. it’s been just a few minutes, just a few minutes of him going inside of your gummy walls and he’s already turning into mush. you run a hand down his buff, scarred shoulder and he merely loses it.
your touch drives him insane, he swallows a nice amount of saliva before his forked tongue lolls out a bit. he’s juddering pitiably underneath you from your sloppy movements. sukuna felt this way for no one, and the audacity for you to just .. make him so lewd, so feral.
there’s a repetitive ringing in his ears as he’s got ahold of both of your thighs. all tips of his thumbs pierce their ways into your skin and his fat cock twitches from your erotically hypnotic rhythm. each sporadic jolt of your hips makes his head toss back, growl after growl rippling from his husky vocal chords. “you’re so loud,” you tease, leaning in to kiss his cheek. his eye twitches from your lips making contact against his skin — yet, he doesn’t question it. in fact, it only turns him on even more. sukuna craved your touch like he craves a victory after a year long battle. “gonna cum for me, ryo?”
“curses.. i-” he stammers, adam’s able bobbing within each whiny syllable that spews out of his mouth.
you’ve definitely got him whipped, you’ve got the king of curses wrapped around your cute little finger. his jaw slowly dangles itself open and a hot breeze of air escapes. his body dramatically jitters from underneath you and you feel a certain familiar spurt shoot its way into your cunt raw. as you’re voluntarily slurping up every part of his fervor, he buries his face into the crook of your neck.
there, your neck’s being met with the keen edges of his animalistic canines pricking against your sweet, candied flesh.
sukuna’s tongue licks against you, making a cute attempt at suppressing his gruff whimpers but it’s to no avail. he’s cumming, and it’s so so much.
he’s seeing red, red and white.
a nice wad of satiny sticky load pours its way into your pussy and he’s just shaking underneath you. his body erupts like a volcano — he’s always so sensitive, desperately craving to cum again and again and again until he’s stuffed so much into your womb.
strong arms hold onto you tight as you just sit there, feeling his seed trickle into the deep soddened parts of your entrance. you’re panting with him, a hand gently stroking near his neat undercut and he groans into your neck. “s- so much, ‘m gonna die,” he mewls out, and it’s so unlike him to see him like this.
sukuna gingerly bites into your skin as he’s dumping such a goopy load into you. he’s panting heavily like a dog, puffs of air leaving out his throat so swiftly. his dick remains inside of you, clinging onto your walls securely for all it’s worth before he starts to hear the wet, slimy squelches. that was always his favorite part — the part where your pussy decides to talk back. “ngh, don’t move, princess. stay still- listen to it with me, please.”
you remain as still as a mannequin as his hot parching cum’s continuing to ooze its way into your puckering hole. it’s a lot, emphasize on a lot because when he cums, it’s a literal overflow.
it’s so much that it starts to race down the crevices of your thighs. a fat thumb of his gathers a good amount of it before smearing it over your pussy. with a sluggish sly expression, you cup his face, watching as he naturally lean into your touch. “you barely lasted a second, baby.”
“shut up, don’t forget who i- i am— oh fuckkk,”
and you start to ride him again, picking up your hips in a manner so ruthlessly sloppy that it gets him whiplash. the moment you start up again, he starts whining and he feels a staticky pulse surge through his weighty cock. with red bloodshot eyes, sukuna eyes you with such intent and not once does his gaze leave. he feels a sudden pang in his heart. but it couldn’t be that, or could it.
sukuna looked so pretty like this. underneath you, eyes half-lidded and beads of sweat racing down each side of his forehead. long dark lashes of his flap every few seconds and he jaw tightens, feeling your cunt soak him dry, milking him. his whimpers and whines were so loud, indefinitely echoing through the thin walls of his forbidden chambers.
your hand teasingly wraps around his thick neck and he’s never felt more aroused. sukuna groans with a snarl—making a cute attempt at baring a fang at you to seem more intimidating but it only makes him cute. a brief croak coming out of him before he grouses pathetically.
“harder. choke me ‘n make me cum again.”
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rhinestonesox · 7 months ago
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When Senshi was young in the dungeon the majority of the adults he were with ostracized him. All except Gillin, who died to make sure Senshi had something to eat: unseasoned boiled meat that may or may not have been one of their comrades.
It really puts into perspective why he was so nurturing towards Chilchuck. When Chil reveals he’s 28 to the party, Senshi responds by telling him that he thought he was older. Senshi was in his 30s when he and his comrades got trapped in the dungeon, so it’s safe to assume that he thought Chil was at a similar age.
He met a young boy who was, from his perspective, forced to do dangerous work in the dungeon just like he was, and so, Senshi made an effort to look after Chilchuck in the same way Gillin looked after him.
Mind you, when Senshi was young in the dungeon he had to starve for weeks, eat the horse he loved, and finish it off spending the next i don’t know how many years wondering if he committed cannibalism.
Senshi understands first hand the value of nutrition and proper eating, so when he’s with the party he makes an effort to make sure they’re all eating a full and balanced diet. Not only that, but Senshi INVOLVES them in the process of getting food to eat, always preparing it in front of them and narrating every ingredient in the process so that there’s no doubt about what they’re eating.
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saixria · 6 days ago
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Somewhere in Apollo’s hospital on Olympus
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