#anne-louise

[bigmack2go]

[mybigjacket]

Louise Glück, “Unpainted Door” Poems 1962-2012 / Ingmar Bergman, Bergman On Bergman interviews with Stig Bjorkman, Torsten Manns and Jonas Sima / Moonlight 2016 dir. Barry Jenkins / Fiona Apple, Second Bite interview by Craig McLean, The Guardian / Eighth Grade 2018 dir. Bo Burnham / Norman Rockwell, Little Girl Looking Downstairs at Christmas Party / Anne Carson, “The Anthropology of Water” in Plainwater

[sicknessinmotion]

impossible to observe directly; hole theory

anne boyer // unknown // leila chatti // neil hilborn // jenny holzer // judas h. (@judas-redeemed) // jenny holzer + louise bourgeois.

[amatesura]

Picnic at Hanging Rock (1975) - outtakes

[estelletargaryen]

Members of the British Royal Family depart St Mary Magdalene Church in Sandringham after attending the Christmas Day morning church service on 25 December 2024

[fuckyeahgoodomens]

Ooh! A wonderful interview with Rich Keeble who played Mr. Arnold (the one with the Doctor Who Annual :)) in S2! :)❤

Q: In Good Omens 2 you play Mr. Arnold, who runs the music shop on Whickber Street. Were you a fan of Good Omens before joining the cast, and is it challenging to take on such an iconic story which is already loved by a huge fanbase?

A: “There’s always pressure if you’re working on something with an existing fanbase and people might have an idea already as to how you should be approaching something. To be honest I was aware of the show but I hadn’t actually seen it before I was asked to get involved. I knew it was something special though! I remember talking to Tim Downie [Mr. Brown] about how when you tape for certain things you know if something’s a “good one”. Of course by the time I was on set I’d watched Season 1 and read the book. 

I had an interesting route into the show actually: I was asked at the last minute to read the stage directions at the tableread on Zoom, and Douglas [Mackinnon] the director called me up to discuss pronunciations of the character names etc. To prepare further I quickly watched the first episode on Prime Video, and I was very quickly drawn into it. A couple of hours later I was on a Zoom call with David [Tennant], Michael [Sheen] (with his bleached hair), Neil [Gaiman], Douglas and the whole team, including Suzanne [Smith] and Glenda [Mariani] in casting. After that readthrough I asked my agent to try and see if she could shoehorn me in and she came back with a tape for Mr. Arnold saying “you play the piano don’t you…?” They wanted me to demonstrate my musical playing ability, so I rented a rehearsal studio room in Brixton for an hour and filmed myself playing piano (and drums just in case), then I did my scenes a couple of different ways and I guess it wasn’t too terrible!”

Q: During episode five you mimed to music written by series composer David Arnold alongside a real string quartet – this must have been very immersive! How did it feel to work with David, and bring the ball to life?

A: “I actually didn’t meet David Arnold sadly, but I did work with Catherine Grimes, the music supervisor who is lovely. David was at the London screening but I missed an opportunity to go and say hello to him which I kicked myself about. 

I remember before I was in Scotland there was a bit of uncertainty as to whether I would need to play anything for real or not, so I practised every day playing loads of Bach and other music I thought was era-appropriate just in case they asked me to do anything on the fly. So yes, it was very immersive as you say! They sent me three pieces of music to learn which I practised in my Edinburgh apartment on a portable folding keyboard thing I bought. They introduced me to the string quartet (John, Sarah, Alison and Stephanie) and I tried to hang out with them when I could. On the day we all had earpieces to mime to. I had to mime while listening out for a cue from Nina [Sosanya] from across the room, then deliver my dialogue and carry on playing, which was tricky! The quartet and I helped each other out actually: Douglas would say something like “let’s go from a minute into the second piece of music”, I’d look at the sheet music and whisper “where the hell is that?” and one of the quartet would say “we think that’s bar 90” or something. Here’s a little bit of trivia: the shooting overran and the string quartet couldn’t make the last day, so they found some incredible lookalikes to replace them for the scene when we get lead out of the bookshop through all the demons, although I think they also kept them deliberately off camera.” 

Q: What did you think of your music shop when you first saw the set? Did you have a favourite poster or prop?

A: “I thought it was incredible! It could’ve been an actual music shop with all the instruments hanging up with the “Arnold’s” price tags on. The attention to detail was incredible, well IS incredible as I understand it’s all still there. It’s hard to pick a favourite to be honest. I did a little video walkaround on my phone at the time so maybe I’ll post that if I won’t get in trouble. Interestingly the shop interior itself was elsewhere on the set to the shop entrance you see from the street. You walk out of Aziraphale’s shop, over the road, through the door of the music shop and… there’s nothing.” 

Q: Mr. Arnold is tempted into the ball by a Doctor Who Annual and is playing the theme in the music shop scene – are you a fan of Doctor Who in real life? And what was it like making those jokes and references in front of the Tenth Doctor David Tennant?

A: “I’ve always dipped in and out of Doctor Who over the years since Sylvestor McCoy, who was doing it when I first became aware of it when I was growing up. Even if you’re not a fan it’s one of those shows you can’t really get away from, so doing that particular scene in front of David was really fun, and of course Douglas had directed Doctor Who as well. Apart from the amusing situation of two supposed Doctor Who fans talking about Doctor Who without realising they’re in the company of a Doctor Who, I also seem to remember Michael being the one to suggest that he would deliver his “due to problems at the BBC” line directly to David.

Oh, and I think it was actually my idea to grab the annual off the harpsichord before joining the queue behind Crowley at the end of the ballroom scene (which we’d shot weeks earlier at this point). When we were blocking it out and rehearsing I knew I had to leave my position and get to the front for my “surrender the angle” line, and then later it just felt like I wouldn’t leave without the annual so I ran back through everyone to grab it. Nobody seemed to have a problem with me doing that so I just carried on doing it when we shot it! I do remember it being a fun set with Douglas and the team being very open to suggestions.”

Q: How did you balance filming both Good Omens and BBC Ghosts at the same time?

A: “Luckily both shows were a joy to work on, and everyone seems to know about both of them. We were shooting them in early 2022 and I also had a little part in an ITV drama called ‘Stonehouse’, starring Matthew Macfadyen. I usually never know when I’m working next so to have three great TV jobs at once was very unusual. There was all this date juggling and I actually almost had to turn down Ghosts due to clashes. Luckily both shows had to move some dates so it worked out. But yes, I spent two weeks up in Scotland shooting all that Good Omens ballroom stuff, then I came back down to London to do Ghosts, knowing I’d be back up to shoot my scenes in the music shop in a couple of weeks. Now, when I found out who was playing my wife in Ghosts I couldn’t believe it: Caroline Sheen – Michael Sheen’s cousin! She was amazing and that was another great set in general. I say “set”, but it’s all filmed in that house which surprised me. I’d worked with Kiell [Smith-Bynoe] and Jim [Howick] before, and Charlotte [Ritchie] was in the Good Omens radio play a few years ago and a big fan of the book. Charlotte’s very musical of course and we got talking about my folding keyboard I had for practising my Good Omens stuff, and she ended up setting it up in the house for us to have a play on!

Now, when we’d shot all our internal scenes there was this big storm forecast, and our external scenes were scheduled for the day of the storm, so that had to be moved into the next week. It meant I ended up shooting those scenes outside the house, then going straight back up to Scotland to shoot the Good Omens music shop scene the next day! When I mentioned to Michael I’d just worked with Caroline he said “ooh she’s in Ghosts is she!” and revealed that she’d texted him about me which was rather surreal. Then later after the Ghosts wrap party Kiell gave me a part in his Channel 4 Blap, so at the time I felt like I was killing it career wise, but the industry quietened a bit after that and my workload eased off over the year so I was in my overdraft by November.”

Q: What are your plans for the future – can we expect to see you in something else soon?

A: “This year, after a bit of a quiet start, I was very fortunate to work on a Disney+ show called Rivals which stars… David Tennant! I think I’m allowed to say my character is called Brian, and I shot five episodes so that was another really amazing job, and great to work with David again (I told him he must be my good luck charm, although I hope he’s not sick of me). That should be out at some point in late 2024. Other than that I’ve filmed a few other bits I presume will be out next year, one of which is called Truelove on Channel 4 which actually looks really good. That starts early January. Of course now Season 3 of Good Omens has been greenlit, I would love Neil and the gang to have me back on that… but I can only keep my fingers crossed!”

[reyloscoven]

Gay vampire collage!!?!?!?!!

Yes.

[princessanneftw]

Princess Anne and her niece Lady Louise Windsor having a chat and a giggle on the balcony of Buckingham Palace following the Trooping the Colour parade on 15 June 2024

[belovedapollo]

guess I do have favorites after all 📚

reblog is ok, don’t repost/use

[the-spaced-out-ace]

Hey shoutout to these girls for making me feel so much normal throughout ages 5 to 15

[aimeedaisies]

Four portraits taken by Annie Leibovitz in 2016

✨ Queen Elizabeth with her husband, Prince Philip

✨ Queen Elizabeth with her daughter, Princess Anne

✨ Queen Elizabeth with her daughter Princess Anne, her eldest granddaughter Zara Tindall and her great granddaughter Mia Tindall

✨ Queen Elizabeth with her two youngest grandchildren James Viscount Severn (now Earl of Wessex) and Lady Louise, and her great-grandchildren, Savannah Phillips, Isla Phillips, Mia Tindall, Prince George and Princess Charlotte

[arcaneweaving]

Jinx meeting Vander for the first and last time

“Abishag” by Louise Glück in The House on Marshland // “My Father’s Eyes” by Sharon Olds in The Father // “Thirst: Introduction to Kinds of Water” by Anne Carson in Plainwater // Giovanni’s Room by James Baldwin // As I Lay Dying by William Faulkner // My Phantoms by Gwendoline Riley // “Losing” by Ada Limón in The Carrying //

[britanniabay]

[world-of-wales]

The Princess of Wales June 2024 Photo Challenge ♔

❥ Day 11 - Favourite photo(s) of Catherine with the British royal family Catherine's relationship with the Windsor family is quite possibly one of my favorite things ever. She's the daughter Charles always wanted, is Camilla and Sophie's best friend, Anne and Tim adore her, and she's the ride-or-die for William's siblings Zara and Mike and their families. Edward is like the dorky uncle who’s almost a best friend. Even though we don't get to see her interact with the younger Edinburghs as much, the short time we do see them together only proves that she's like an older sister to them. And even I, with my complicated relationship with the Yorks, can admit that, despite what everyone would have us believe, the girl squad of Bea, Cat, and Genie proves everyone wrong with their friendship.

[thepeelingrenoir]

[ieatlittlebabysicecream]

Me when historical figures who barely get recognition😻😻😻