#anime sleeve

[daisywtf]

Anime sleeve

[scarlett-bitch69]

View this post on Instagram

A post shared by Semaj osullivan (@tylatattz)

[elviraaxen]

"shake shake shake!" ⭐⭐⭐

-- Finished Julie Animation, Hope you like!! --

[elodieunderglass]

I haven’t watched Dungeon Meshi, but I always enjoy the dashboard osmosis experience and have a peculiar visual memory. Here is what I believe Dungeon Meshi to be mostly about. No complicating experiences with the text, or indeed character references, fed into this extremely clear vision, which I believe I torrented directly from the astral plane at the same time as the creator was logged on

[not-so-plus-ultra]

Soft tddks for the soul bc I love when they're unhinged gremlins but sometimes you gotta project your gay ass onto the blorbo y'know

*violently squeezes them between my hands until they're soup as a sign of appreciation and affection*

[notamure]

squad

[snuize]

If you have a blue long sleeve button up you can be anyone

(as long as youre gay and/or trans according to tumblr)

[late-draft]

Just sharing some process and colour experiments.

[suitsyoumaam-blog]

Miss Fetilicious, part 1

Source: Her Instagram

[smovs]

warmup redraw of this comic

[bixels]

Tulli and I were talking about how it would be fun to go with a different art direction for each GG20s story that reflects different animated movies/eras/studios of the mid-1900s. For theming and immersion, we're setting the "production" of The Grand Galloping 20s around the 1960s. So imagine an animated film/cartoon/comic created in the 1960s about a story set in the 1920s. That being said, we're not gonna be able to resist pulling inspiration from 80s Don Bluth movies.

So far, we're thinking of having the first 3 stories (Nightmare Moon, Gala, Wedding) styled after Disney fairytale storybook films and Starlight's story styled after the xerox era (we've been looking at 101 Dalmatians). The smaller, shorter stories would be styled after animated shorts like UPA films, Silly Symphonies, Peanuts specials, and Looney Tunes (Pinkie is a perfect slapstick Looney Tunes character too).

More to come on this, just some thoughts.

[ruvigapo]

Matt said he kept Essek on standby in case of an emergency and this is all i could think of XDD happy holidays, have a hot boi in a box !!

[bowtiepastabitch]

Let's talk costuming: Avaunt!

So I think we can all agree that Aziraphale looks his most traditionally angelic in the Job minisode, no? In fact, all of the angels' costuming increases in drama for this particular episode. This is, obviously, a very deliberate choice on the part of wardrobe, so let's discuss.

On a technical level, the biggest thing that stands out to me about this fabulous robe is the draping. Oh, the draping. It feels like a classic angel 'fit because on a very fundamental level, it is. A lot of what we think of as angelic draws on Renaissance artists' depictions, with flowing robes, fluffy wings, and glimmering halos. In art from this era, there is a strong attention to detail on the natural flow of fabrics that makes Renaissance sculpture so breathtaking, such as here: (The Ecstasy of St. Teresa, Bernini, 17th century CE)

It's this ability to make solid marble look like fine silk rippling with movement that leaves such a strong impression in my mind when I look at these kinds of works.

In painting, too, there is a similar effect. Something about the material culture of the Renaissance really lent itself to this style, perhaps fueled by the rise in new textile luxuries that occurred in vaguely the same period. This is seen especially strongly for angels, such as in the sculpture above, and in this painting: (The Annunciation to the Virgin, Botticelli, 15th century CE)

There's a stark contrast between the dress of the two figures. The virgin Mary is no less ornamentally or expensively dressed, but her style is rather minimalistic next to the angel's voluminous robing. It paints a very clear impression of angelic dress, and the designers for Good Omens would have been aware, in at least a small way, of the art history precedence for such a thing.

The poof of the sleeves, the tucks down the front, the little belt with the train tucked in, the gathers, the weight of the fabric, everything about this robe is constructed to carefully recreate the rather fantastical imagery of renaissance art. It's not necessarily an easy texture to nail down, given that the artists themselves had no concerns of gravity, comfort, or the way it would look in actual 3d motion, while our brave costumers were dealing with all three as well as a budget, time constraints, and the constant consideration that white fabric just gets dirty so easy.

Here's some of the other angels as well, so you can see how theirs reflect those same dramatic themes.

And then, of course, when costuming a show you have a second question: What does this mean for our character? Or rather, we know how, but WHY did they make him look so traditionally angelic?

Well, thematically, the Job minisode centers around Aziraphale's struggle with being a good angel and Crowley's struggle with being a good demon. Aziraphale is learning how to be an angel that follows along with heaven as far as we can, and he's so terribly torn up about it. He spends a lot of his time fretting about doing what's expected demanded of him, even if perhaps he doesn't believe it to be the right choice. Natural, then, that he should look the part of the perfect angel whilst sorting out these ethereal woes.

Crowley even draws attention to it himself, giggling a bit at the suggestion that Aziraphale, with his fluffy hair and flowing angelic garb, could possibly become a demon. And it is a rather silly mental image; the garment itself would be comically silly in really ANY other context at all. In the same manner, his performance of angelic archetype borders on excessive:

He's trying so desperately hard here to be the angel he wants to and is supposed to be. He's dressed the part, he's using his big scary angel voice, but deep down he's clinging to an identity that doesn't quite fit.

(You'll notice in this shot the distinct difference between his and Crowley's dress on the level of silhouette as well as color. We see this a lot from the two of them, but with the points I made above it felt worth pointing out in this particular scene)

Here at the end, as he's coming to terms with the cracks in his heaven-given identity, his robe is largely in shadow, blurring out its startling whiteness. We do not see him dressed this way again. (He continues to wear white, obviously, but from here on out his style of dress mimics the human trends of the time rather than that classical angelic imagery)

[braisedhoney]

since this line won the Vague Narry Line vote, it gets posted now! first of a couple unrelated lines i'm working on for a youtube video while I learn how tf animation works lol. more rambles under the cut.

anyway this. uh. this took a really long time. worked on it (and other projects) sporadically before and after my break, and this is the result. could definitely use more polish, but it’s a real improvement from my last attempt w/ a different program! having something that lets you use audio and normal layers makes a big difference. this is probably the most labor intensive one too, so i'm glad i got to share it.

[whats-this-mustelid]

Oh man, I really didn't want to make any comments about anyone not associated with SAF while I've been doing this, but this was such a bizarre comment I couldn't not share it

[leadandblood]

What happens pre- A Fun Fact About Apples… ?

This.

you can watch this on AO3 too and leave an anon comment there if you want <3