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luminescentlama · 4 months ago

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(Arcane season 2 spoilers)

(Seriously massive spoilers)

(scroll past because the title will spoiler you already)

I can prove Jinx is alive

with a lot of knowledge and deductions

This is based off of a few other theories which I will link respectively.

This theory begins with another theory: Powder made it to our universe.

In the scene where all of these papers fly up, a head with her hairstyle is visible and... in animation, no accidents happen. (Excluding the possibility the animators are sadistic fucks) This means that Powder traveled through universes. So far, so good.

Now, it's very likely she used the machine which Ekko and Heimerdinger rip left behind for this since she helped build it yadayadayada. We can't know for certain the way this machine works, but I would suggest that it works in the same way the Arcane travel that brought these three there in the first place worked since... when Ekko gets back, it all slots into place and he's back in his body. More on this later.

One characteristic of this way of interdimensional travel is that you can't travel to a dimension where you are dead, the explanation for why Jayce doesn't come with the others to the 'happy end' dimension (or the Arcane has its own will and brought him where he landed because of it but that's boring) because in this one, Vi died, the council prohibited the hextech experiments completely so Viktor didn't come to him and... well. (I unfortunately didn't find where I read that his death is why he isn't in this dimension, but I did somewhere).

This means that in order to travel into a dimension, you need to be alive in this very dimension. NOW if Powder traveled to our dimension, that means that Jinx must have been alive at the time of her travel and since we saw Jinx sacrifice herself for Vi when she was very much herself, this means she must've survived the fall so Powder could travel there and take over her body. Also, we see Powder in the end scene and since she'd take over Jinx' body when she travels dimensions, Jinx' body must've been alive at the end of the story.

Now. What does this mean for Jinx? Where is she?

She is alive, that much is clear now, but where is her psyche if her body is controlled by Powder?

There are two options really, and it boils down to how inter dimensional travel works.

Option 1: when you travel to a different dimension, you take over your other selves' body and they just kinda get knocked out. This would mean that while Ekko was in the other universe, parallel!Ekko was just kind of nowhere. This doesn't make that much sense to me since it would mean there's a forward and backward direction for travelling.

Forward means you stack a soul on top of another one, backward means that the soul gets sent back. It's kind of possible, but a bit dull and rough around the edges. Also, this would mean the machine Ekko and Heimerdinger built is specifically designed to bring them BACK which means Powder couldn't have used it to travel forth so... it's a bit scuffed.

Option 2: Symmetrical travel. When you travel to another universe, the soul from that universe possesses YOUR body in turn. This means that the way forward and the way backward is exactly the same, the minds get switched and the direction doesn't matter. This would more easily allow Powder to use the machine to travel forward into another universe since it's the same procedure as travelling backwards. A way to prove this would be to check if Ekko's or Heimerdinger's body have been active in OUR universe while they were there. Actually, now that I think about it, this would mean there IS still an alive Heimerdinger in our universe. This theory makes more sense to me, though, again, that would mean there's someone controlling your body in your universe while you're controlling theirs.

Now, this means that, option 1: Jinx would just be KO while Powder has control of her body BUT option 2 would be: Jinx is in the 'happy end' universe while Powder is in ours which is also just a lot more interesting.

Maybe I'll check if I can find proof for option 2, but this is it in the meantime. BUT anyway, Jinx is alive! And this also means Ekko COULD still get his happy end (I made this theory for him, poor boy deserves a happy end), with Jinx or with Powder.

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steviewashere · 2 years ago

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Love Should Be Simple, It Should Be Kind

(also on ao3)

wc: 2,869, Steddie Tags: Post Season 4, Post-Canon, Friends to Lovers, Love Confessions, Angst and Hurt/Comfort, Steve Harrington's Dad Is an Asshole, Fluff, Happy Ending (Full tags are on ao3, but there's no content warning).

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He has to break the news eventually. Steve knows this. As he looks at the plane of Eddie's bare back, flexing whenever he shifts, as it moves to accommodate him bending over to taste the pasta sauce at the stove.

Last night, Steve got off shift from Family Video, broke some minor traffic laws, and had dinner with the Munson's at their home. The excitement of not having to go home to a stale conversation over hastily put together food or a night in which he argues with his dad so fervently, that all he can do is go to his room and lock the door, food forgotten.

They do this every Friday night. And it always brings a flooding warmth to his chest.

But, this'll probably be the last time that they're going to have a late lunch, the day after an amazing dinner. Because Steve had to ruin it. Because he always ruins things. Because he had to run his mouth the morning before. And he ran away, like his dad told him not to.

Eddie turns away from the stove. His hair is pulled up. And his eyes are glowing, somehow, in the low amber light of the living space. They shine like fresh tree sap. And he has the softest smile adorning his features, forcing his smile lines by his nose to wrinkle deeper, his dimples making a faint appearance. He closes his eyes and tosses his head from side to side and chuckles. "Man," he drawls, "wasn't that movie last night amazing?" His head falls back. Features still relaxed. The line of his throat stretched, his Adam's apple ever present.

Truth be told, Steve doesn't remember the movie. Doesn't even know the title.

He was too worked up. He was afraid of what would happen if he was sent to his house.

"The way those special effects looked. Could'a told me it was real, and I'd believe—" Eddie now looks down from the ceiling. His eyes are open. Wide and bulging. Mouth forming a soft scowl. Whatever happiness, giddiness, relaxation, whatever—it's now missing. As he drinks in however Steve looks; he must taste like some cheap wine with the way Eddie's continuing to sour just at the sight. "What's wrong?" Eddie innocently asks, "Did you not like the movie?"

Steve shakes his head and sighs through his nose. Caught. He's been caught. "No," he murmurs, "it's not that." He rubs a hand over his eyebrows and leaves it there as his eyes catch on the worn tablecloth at the dining table. It has holes in places where Eddie probably picked at it. Pen stains from burst ink cartridges. A few tough crusted spots. Little scrapes in the fabric that tell Steve, People eat here. "It's not that," he whispers at the table.

He doesn't see it, but can hear Eddie pad towards the vacant dining chair just across, and plop down. As if the food doesn't even matter. As if he isn't actively cooking. As if he has all the time in the world and all the care in the world and all the sympathy in the world to listen to Steve. To listen to his...problems. All the things wrong with him. All his—

A hand settles on his free one. Eddie's fingers rubbing at veins and warm skin. "Stevie," he gently croons, "what's going on?" Those fingers are dancing over his skin they flip over the backside of his hand and they settle at the edge of his palm where it meets wrist. Steve thinks it's lovely. The way Eddie just dishes out love like it's free. Or like it's easy growing in some paradisal garden. Or like it's something infinite. Like, maybe, Steve is infinite.

He laughs. Steve laughs at that thought. At the hand on his. At Eddie's soft words. At his careful demeanor. At his failed life outside of Hawkins. At the tablecloth that shows what family should be—tastefully messy and worn from time. At his dad's silence. At himself, for asking yesterday morning, when his dad was angry and vengeful, "Did you ever love me?"

And he giggles at the absurdity. That somebody like his dad could love somebody like him. For all his failures and all his misfortunes and all his burdens—the hospital bills and spilled blood and scream-himself-hoarse nightmares. And laughs, again, at his dad's silence to the question.

Steve laughs until there are tears down his face. His hand falls away and his head is tipped back, hair brushing the top of his chair. He looks back at Eddie. And Eddie looks back, like Steve is some wild thing, like some devious thing, like some science experiment that came to life and doesn't know how to live.

He laughs even when his lip quivers and his chest tightens. And stops, finally, when the next sound is no longer jovial, but sad and pained. A sob that dug itself from miles of collateral damage in Steve's chest, rose through his throat like vomit procured from too many vodka shots, and burst open from his mouth as a hideous monster, even uglier than any of those that he's fought the last few years.

"Did you know that my dad doesn't love me?" he asks, reedy and weak. Wet and tinny. Childlike and lonely. "He doesn't love me," he says, as if he can conjure the will for his dad to speak. For the words—I love you—to fall from his mouth.

"Steve," Eddie breathes out.

"He never did. Said that I—Said that I wasn't his son," he spits. Sniffles between words. And almost becomes drunk from the sentiment of what he's admitting. "He—He wants me gone."

Eddie stands from his chair, drags it behind him, and sits impossibly closer. He places both his hands on Steve's shoulders and ducks down to look him in the eyes. And without another moment's thought, he tucks Steve into his bare chest. One arm slung over his bouncing shoulders and the other wrapped securely around his head. Protecting him, it feels like. Shielding him from the worst discovery of his life.

They don't move much at all. Just Eddie shifting his hips every now and then to accommodate the way Steve's body continues to slump downwards. And Steve's whole torso jerking with how hard he sobs. Right into bare skin, over Eddie's heart; and he isn't pulled away, isn't repositioned to make Eddie more comfortable, he just lets Steve do his thing; his heart performing an act of Kintsugi.

Because the softness of his palms meets the grittiness of Steve's hair. His cheek cushions on his skull and he doesn't complain when Steve jostles too much. He squeezes with all his might, keeping them both in the small space Eddie has created.

Because, "I love you," Eddie whispers. "It's not the same, but I love you. I love you, Steve. I love you," he continues to mutter.

At the quietest part of Steve's crying, when he whimpers and hiccups and can't move from the exhaustion, Eddie just whispers, "Be with me. Stay here."

"I can't." He pulls away, sitting up with the same amount of effort to lift a car with his bare hands. "I can't just be somebody else's burden. That wouldn't be fair to either of you."

And Eddie sighs. He takes Steve in. His bloodshot, half-lidded, glistening eyes. The splotchy skin of his cheeks. Moistened and bitten lips. His ruffled hair and slouch to his shoulders. How he picks at the skin around his thumbnails. Small. Defeated. Resigned.

Steve goes to say something when the silence stretches far too thin, but is immediately close-mouthed as soon as palms cool down his cheeks. Eddie's fingers are calloused. And thin. They barely rest. Moving to trace over an eyebrow, under an eye, the eyelid, forehead, smoothing wrinkles, hesitantly pushing in at the corners of Steve's mouth.

They lock eyes.

"Can I tell you something?" Eddie suddenly asks. Steve just hums. And Eddie takes a swift, courageous breath. "When we were in high school together, I used to spend a lot of my time just gazing at you. Not watching. Not glaring. Gazing.

"I'd see the way you shifted on your feet. Your little hand shakes when you were nervous, as if you were trying to get rid of the energy. I'd take in how tired you sometimes seemed—and I'd go to your locker and slip you a note with a little bit of cash for some coffee—"

"That was you?" Steve squawks.

Eddie chuckles. "Let me finish," he whispers. And is met with the smallest of Steve smiles, his little endearing one—not his confident or his bitchy or his won one over smile, just him being him. He sighs.

"I would overhear you talk about your dad. Sometimes to other people. Sometimes to just yourself, and I always could tell those were the toughest days. You know? You just seemed so...so sad. Restless." Eddie rubs his thumbs under Steve's eyes. "And your eyes wouldn't be as bright. I could always tell something was off. But you just went on.

"You went on believing that you were bullshit, when Nancy told you. You went on believing that you couldn't be anything more than your old self, even when you weren't the one reigning in school. You went on without your friends, graduating by the skin of your teeth, face bashed in sometimes, defeated and tired other times.

"Even when you worked at the mall. And then at Family Video. I was jealous of you, sure. But I was also worried for you. You seemed, and I know this whole thing I'm saying sounds really rude, but you seemed lifeless. Just drifting. Unbelieving that anything could stick, and if it did, not for long.

"But I—God, I just looked at you and thought, Who wouldn't love him? Because I did. I still do. And your father is just too horse shit to see what he's missing out on." He drags his hands downwards, resting them on either side of Steve's neck. "I think about if I ever got to love you, how I'd do it."

Eddie's gaze is set on Steve's. His eyes soft, thoughtful, enriching. His voice is gentle, "Like I would wake up next to you in the morning and swipe away the hair in your eyes. I'd count your moles and kiss my favorite one. I'd peck between your eyebrows and gently wake you." His fingers dot the places he mentions. Pressing long term between Steve's eyebrows.

He continues after a breath, "I would go into our kitchen and make you a cup of coffee. Teaspoon of milk, teaspoon of sugar, the way you like it. Butter some toast, fry up a piece of turkey bacon, and scramble eggs with cheese. Because you don't like French toast or pancakes for breakfast, too sweet. I'd bring you your food at the dining table. Pour you a cup of pulpless orange juice. Sit next to you and hold your free hand. I would kiss the back of it and you'd tell me something like, 'Ew, Eds. Your lips are greasy,' but your eyes would be fond.

"Send you off for work. Help cart around the party. Welcome you back home. Turn on a sports game, because you get excited and you get loud and you look younger and you become so vibrant. And I'm not gonna make fun of you for that, because you don't make fun of me when I go crazy over a new album or a new idea for one of my campaigns or when I explain all my nerdy shit to you."

"It's not shit," Steve interjects. Voice soft and enamored. So far away from what it had been just moments ago, hoarse and agitated and incredibly depressing.

Eddie just smiles and continues, "I'd wash your hair for you in the shower. Get on my knees and scrub at your skin like I was praying at an altar. Which—I know I haven't done in a while, but—I'd figure it out for you. And I would comb your hair and whisper soft things and kiss your shoulders. I'd guide you to bed after we have spaghetti for dinner. Blow you or something, I don't know. Sex isn't, like, something we need to do for me to love you.

"And afterwards, I'd clean you up again. Kiss your forehead. And tuck you under my arm. Because you're the kind of guy that wraps everybody else up, but you deserve to be wrapped every once in a while. Every night, if you'd like. Then, we'd wake up the next morning and do it all over again." Eddie sighs, rubs his thumbs in little circles over the part of Steve where his neck meets his shoulder. "I'd never get tired of that. Because I'm already halfway in love with you. And I never think about doing otherwise." He clears his throat.

"My point is, I'd love you. And also, you don't need love from shitty people. Especially when they don't make the effort to show you or even say it. I would happily do it anyway. There are so many people who'd love you better than what he could ever offer."

After all that, Steve is speechless. Can only sit and stare at Eddie. Feel his ever fidgety fingers against his skin. Hear his tiny puffs of breath, neither anxious nor frustrated. All he can do is look, take-in, digest.

But he knows how he feels.

He's been on some dangerous precept. Fall in love with Eddie, which he feels as though he's already jumped over ledge and started doing otherwise. Or fall back and let Eddie love him, however fleeting it may be. Because there's not an option where Steve is without some amount of love, in any form, when it comes to Eddie.

Him and his brash attitude. Thousands of stories. Hundreds of tiny quirks.

Like when Eddie sits on the couch and listens to any song, his fingers tapping out the bass line over his stomach. Or when he hones in on the guitar and is able to map in air where the chords would sit, as if the neck is right there in his other grip, strung across his body. There's the ting he does when writing a campaign idea; pencil resting on his chin, the eraser end running agist the jut of his lower lip. Tugging his hair over his face to hid how compliments wash over him. When he hears a slow song, something more acoustic or soft, he stands in place and just sways his hips—whereas in the car, when it's a metal tape, he's got one hand braced on the ceiling and one on the dashboard, head banging with the jump of the wind.

Eddie's offerings. Making meals. Playing certain songs. Humming when Steve has a nightmare, either over the phone or right under his ear. He acts begrudged by it, but he takes Dustin to the arcade when he asks, or Lucas to basketball practice, even Robin when she wants to go to the bookstore. Maybe it was the near death experience, but he acts first on a lot of his feelings. Apologizes more frequently, when he's done something especially dickish.

And how his love is branded from Wayne, Steve always notices. Because, though Wayne is a quiet and gentle man, he still gives what he can. Offers a space on the couch when Steve wants to join in on the football game he's watching. He hands out the beers, uncapped before he sits down. Serves guests and his nephew first, before himself. And his almost unnoticeable little thing, wrapping an arm around one of their necks, and dropping a chaste dry kiss to the top of their heads.

Steve had asked about it. Eddie just answered, "It's his way of making sure we're there."

And as Eddie hands over a plate of spaghetti, sprinkled with the amount of parmesan that Steve likes, and a cold glass of ice water—Steve finally realizes.

"Oh, you love me,' he whispers.

Eddie's head darts up from where it was looking down at his plate. And his gaze softens when it meets Steve's. "Yeah, Stevie. I love you a lot." Dimpled smile.

"And—And you want me to stay here?" Eddie nods in response. "Oh," Steve mutters. "Wow."

Steve appreciates that Eddie doesn't say anything in return. Just sets his fork down and offers out one of his hands, palm up. The other resting on the table.

He dances one of his hands over the tablecloth and gently places it in Eddie's.

Squeezes.

"I love you, too." He squeezes once more. "I'll find better words to say it."

"Not needed," Eddie murmurs, "stay here, though?"

And what is Steve to do, but nod? He'll have a hell of a time to pack up his bedroom, but at least where he's going, the meals are homemade and the lights are warm, and there's enough love to feel full. To feel, for the first time, like he doesn't have to beg for it.

#stranger things #steddie #fanfiction #steve harrington #eddie munson #now for the tags #post season 4 #post canon #friends to lovers #love confessions #angst and hurt/comfort #fluff

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