#andres fernandez

[disneytva]

Bobby and Romy have a opened a portal to Festival international du film d'animation d'Annecy with THE DOOMIES by Disney EMEA Animation & Xiliam Animation.

The series will have a W.I.P panel this Wednesday

The series is one of the many serialized shows at Disney EMEA Animation for Disney+

📷Laughing Place

[azzurriandspanishcalciofamilies]

18.10.2024 | Welcome to the world Penélope Fernández Aller 🧡

[disneytva]

Proposed desings for THE DOOMIES Annecy badges by Mathilde Kitteh (Bobby Pills Animation "Invincible Season 2 Teaser")

[azzurriandspanishcalciofamilies]

Andrés Fernández and Sheila are expecting their first child! 🧡

photo: Andrés Fernández via Instagram

[shroomyart404]

Oh my god look at them go :D

In reaction to Rizzmano’s 2p spuk headcanons

[archivingbarca]

inigomartinez

(ig story, 01/08/24)

[lydiamaya]

World Cup 2022 goals (Part 2/?)

In order — 1. Carlos Soler, 2. Álvaro Morata, 3. Michy Batshuayi, 4. Breel Embolo, 5. Portugal Number 07 [P], 6. André Ayew, 7. Joāo Félix, 8. Rafael Leāo, 9. Osman Bukari, 10. Richarlison, 11. Richarlison (2), 12. Rouzbeh Cheshimi, 13. Ramin rezaeian, 14. Boulaye Dia, 15. Famara Diedhiou, 16. Mohammed Muntari, 17. Bamba Dieng, 18. Cody Gakpo (2), 19. Enner Valencia (3), 20. Mitchell Duke, 21. Piotr Zieliński, 22. Robert Lewandowski, 23. Kylian Mbappé (2), 24. Andreas Christensen, 25. Kylian Mbappé (3), 26. Lionel Messi (2), 27. Enzo Fernández, 28. Keysher Fuller, 29. Romain Saïss, 30. Zakaria Aboukhlal

[supernova-151]

[graphicpolicy]

Harley Quinn & the Gotham City Sirens is entertaining but doesn't really stand out

Harley Quinn & the Gotham City Sirens is entertaining but doesn't really stand out #comics #comicbooks #graphicnovel

Graphic novels to read anywhere: DC Compact Comics collect DC’s bestselling, most iconic stories in a new size! Get Harley Quinn & the Gotham City Sirens for just $9.99! Catwoman, Poison Ivy and Harley Quinn are tired of playing by other peoples’ rules regardless of which side of the law they’re on. They have a new agenda that’s all their own, and they’ll use any means necessary to pursue it.…

[reitsportportal]

Irland mit Zwei Nullrunden zum Triumph im Mercedes- Benz Nationenpreis beim CHIO 2024

Denis Lynch, Shane Sweetnam, Cian O’Connor und Bertram Allen –  das  Siegerteam aus Irland Die Iren waren am Donnerstagabend in beiden Runden des Mercedes-Benz Nationenpreises das beste Team. Als einziger Mannschaft gelang es den Reitern von der grünen Insel den traditionsreichen Nationenpreis beim CHIO Aachen 2024 mit einem Ergebnis von Null-Fehler-Punkten zu absolvieren. Dabei blieben Bertram…

[uruguayonline]

El precandidato Andrés Lima se separó de su esposa porque ella respaldó a su rival

“Fue la gota que rebalsó el vaso”, declaró el postulante del Frente Amplio. Continue reading El precandidato Andrés Lima se separó de su esposa porque ella respaldó a su rival

[cristinabcn]

Suma Flamenca: Jóvenes, internacionales, premiados y geniales

TERESA FERNANDEZ HERRERA. Periodista, Escritora. Directora Gral. Cultura Flamenca. Prensa Especializada La feliz iniciativa de la Comunidad de Madrid, a instancias de su director artístico Antonio Benamargo, de esta Suma Flamenca Joven separada de la veterana Suma Flamenca, nos ha traído en esta tercera edición una pléyade de jóvenes artistas, en su mayoría con importantes premios en su haber y…

[spectaculardistractions]

From Georges Sadoul Paris, 14 May 1953 My dear Luis, I don’t know if you’ve been told about the muted response your latest film, This Strange Passion, received at Cannes. I’m sure you will know that some press announcements implied you would attend the Festival to present the film to the public. I certainly thought you would be there and was expecting you, so I was enormously disappointed. The Jury, as you know, was chaired by Jean Cocteau. He saw the film before the public. And before the screening he kept saying, in so many words: ‘I’ve witnessed a suicide. Buñuel wrote saying he cared greatly (or somewhat) for This Strange Passion. But all I can see is a regrettable, commercial film. Shocking.’ I do think, in fact, that he was expressing his sincere opinion and was not motivated by any ill-will. Just as a Bordeaux wine loses its bitterness over time, with age, Cocteau has become a model of benevolence and indulgence. In general, he has been an excellent president of the Cannes’ Jury. Except in the case of This Strange Passion. Of course, his comments were reproduced, and a number of critics absented themselves from the Festival on the afternoon the film was screened, because the Mexican gala evening had been set aside for La red, that far-fetched, vulgar fabrication by Emilio Fernández. The absences were even more noticeable because Susana had been screened six months ago in Paris, with a lot of publicity around your name, and the critics hadn’t much appreciated a film that I, personally, enjoyed (unless I’m mistaken?) as a commercial product in that zarzuela style you worked in, pseudonymously, some years ago in Madrid. Although I certainly didn’t recognize ‘my Buñuel’, except in one or two images. Before This Strange Passion, they screened a horrible, chauvinistic French film called Vie passionée de Clémenceau, the Ministry of War had ‘packed the house’ with a hundred or so veterans from 1914 to 1918, whose job it was to applaud, loudly, all the vengeful statements, shots of Marshall Foch, and battle scenes. This select audience stayed on to watch your film. So, it was hardly surprising that certain sequences were met with shouts and whistles, just as in the days of The Golden Age. As for me, I barely heard the shouts and whistles. I was ‘captivated’ from the opening scenes. Transported twenty years back to our youth. Where Cocteau saw a banal commercial film, I saw extraordinary fidelity to the motifs of The Golden Age and the rage of an acerbic and destructive humour that destroys, with Arturo de Córdova, all the commercialism of Mexican cinema, attacking it with its own weapons. But what most excited me was the fact that the recuperation (often forcefully highlighted) of the motifs of The Golden Age went hand-in-hand with their critique. The abject monster of This Strange Passion seemed to me the image, the double, the brother of the hero embodied by Modot, but reviled, destroyed, torn to shreds, rather than, as in The Golden Age exalted, glorified and placed on a pedestal. Francisco the sanctimonious, perverse, feudal, the unjust tyrant, both in the bell tower scene and in the encounter with his servant, seemed to me to be turned by your vision into an unprecedented condemnation of all the new incarnations of Fantômas or of Maldoror, who tormented some of us in the days of surrealism. To use an (overly solemn) analogy, if The Golden Age was your Maldoror, I see This Strange Passion as your Poésies by Isidore Ducasse. I said all of this (or something similar) in Cannes where, with the exception of five or six critics, This Strange Passion was condemned for a surface meaning so poorly understood it might have taken first prize at Catholic central for its ‘perfectly edifying’ denouement. And so it went on. 48 hours later, André Bazin, who initially shared the general incomprehension, published a defence of your film in the Festival bulletin, Rendez-vous de Cannes, published by Cinématographie française. Cocteau was no longer quite so insistent about his earlier opinion, although when I said: ‘It is The Golden Age’ his answer was ‘No, it’s The Monetary Age’ (with malice, this time, doubled or tripled). I am, though, convinced that if This Strange Passion is screened in Paris, it will definitely attract fans and lengthy eulogies in journals like Cahiers du cinéma. That said, I think your film will be difficult to defend, because it will be misunderstood by mass audiences (of whatever kind) who will only see (at best) its sadism, rather than its critique of sadism. Your intentions (or at least those I attribute to you) will be understood by a hundred initiates at most, that is, by men of our generation and experience, or the subtle aesthetes of Saint Germain des Prés. And to repeat a slogan from The Golden Age, ‘poetry should be written by everyone’ (in other words, for everyone), beginning with cinema. I shall try to explain your film when it premieres in Paris. I doubt these explanations will succeed in convincing anyone beyond a small (and reprehensible) circle of initiates… And now for a change of topic. I’m negotiating with Fondo de Cultura Económica and Arnaldo Orfilo Reynal a Mexican edition of my new book La Vie Charlot (I sent you a copy in November, did you get it?). However, the editors, who published my little book El cine and have just issued a new edition, are not offering very favourable terms. Do you know of any Mexican publisher who might be interested? A serious publishing house, of course, that would be undeterred by competition from Francisco Pina’s Charles Chaplin (and prepared to produce an initial run of 1,000 copies)? I would be very grateful if you could write back to me about this soon. And I would also like you to tell me about This Strange Passion, and whether I was correct in the intentions I attribute to you. But that can wait for another letter. When, finally, will you return to France? What does your Robinson Crusoe mean for you? We spoke of you at great length yesterday with Dominique Éluard and Eli Lotar. Most cordially, Georges Sadoul

Jo Evans & Breixo Viejo, Luis Buñuel: A Life in Letters

[blindmanspuff]

Diesel Disciple - Blind Cigar Review

Diesel Disciple - Blind #Cigar Review #cigars #blindmanspuff #SmokeBlind

Cigar Info In 2021, General Cigar created a new limited edition Diesel cigar exclusively for TAA Retailers. Last year (2022) that cigar was turned into a regular production release. Justin Andrews says the demand was so strong for the original limited edition, that they felt the need to turn it into a regular release. Diesel Disciple is produced at Tabacalera AJ Fernandez in Estelí, Nicaragua.…

[thenobletimes]

De Lionel Messi a Kylian Mbappé: lista de todos os vencedores do prêmio na Copa do Mundo da FIFA 2022

De Lionel Messi a Kylian Mbappé: lista de todos os vencedores do prêmio na Copa do Mundo da FIFA 2022

A vitória da Argentina sobre a França no domingo levou o time à conquista da Copa do Mundo pela terceira vez, após triunfos em 1978 e 1986. Lionel Messi marcou duas vezes na final no Estádio Lusail, elevando para sete seu total de gols no torneio, e também marcou na disputa de pênaltis na vitória da Argentina sobre a França por 4 a 2 nos pênaltis, após empate em 3 a 3 na prorrogação. Apesar de…

[pinkfloyd-musicartnaturelove]

David Gilmour, Pink Floyd, 1988. Photo by Andre Fernandez.