Suma Flamenca: Jóvenes, internacionales, premiados y geniales
TERESA FERNANDEZ HERRERA. Periodista, Escritora. Directora Gral. Cultura Flamenca. Prensa Especializada
La feliz iniciativa de la Comunidad de Madrid, a instancias de su director artístico Antonio Benamargo, de esta Suma Flamenca Joven separada de la veterana Suma Flamenca, nos ha traído en esta tercera edición una pléyade de jóvenes artistas, en su mayoría con importantes premios en su haber y…
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Today I'm covering a local case, the suspicious death of local chef Jose Jimenez. How did this beloved member of the community end up dead in a canal, and why won't the Phoenix police department investigate?
Here are the photos, in case you listen to the podcast.
1) Jose Jimenez (47) was a well-loved and respected Valley chef, who worked for such restaurants as Cloth and Flame, Little Miss BBQ, and Welcome Diner. He was found dead in a canal on November 5th, 2022. (Photo by Amanda Nash-Jimenez)
2) Earlier this year, Jose and his wife received a presidential award for completing more than 2,000 hours of volunteer work. (Photo by Amanda Nash-Jimenez)
3) Jose and his son, David. Jose was a great, hardworking father. (Photo by Amanda Nash-Jimenez)
4) Jose and his daughter, Vanessa. (Photo by Vanessa Romero)
5) Jose and his friend and co-worker, Wayne Coats. (Photo by Sara Anderson)
6) Jose and his wife, Amanda Nash-Jimenez. The pair would do many great things for the community. (Photo by Amanda Nash-Jimenez)
7) A map view showing the intersection of Dunlap Avenue and 7th Avenue. You can see the canal where Jose was found to the NE of the pin. (via Google Maps)
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4 of our favorite OFMD pirates are going to be at Galaxycon San Jose and Columbus, and so am I with this con exclusive sticker to celebrate them!! 🖤🏴☠️✨️
I'll post my table locations as soon as I know them so you can stop by the artist alley and grab one for yourself! 🖤🏴☠️✨️
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José Jiménez y Aranda (Spanish, 1837-1903)
Penitents In The Lower Basilica Of Assisi, 1874
Museo Nacional del Prado, Madrid
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Sharpening the Quill, 1889 by José Jiménez Aranda (Spanish, 1837--1903)
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Tres cabezas: Miguel de Unamuno, José Ortega y Gaset y Juan Ramón Jiménez
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Figaro's Shop, José Jiménez Aranda, 1875
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Por la lejana montaña, Va cabalgando un jinete
By the distant mountain, a horseman is riding
Vaga solito en el mundo
He roams alone in the world
Y va deseando la muerte.
Longing for death
Lleva en su pecho una herida,
He has a wound on his chest
Va con su alma destrozada,
He goes with his shattered soul
Quisiera perder la vida
He wants to lose his life
Y reunirse con su amada.
And get together with his lover
La quería más que a su vida
He loved her more than his own life
Y la perdió para siempre,
And he lost her forever,
Por eso lleva una herida, por eso busca la muerte.
That’s why he’s wounded , that’s why he seeks death.
El Jinete interpreted by Jorge Negrete lyrics by José Alfredo Jiménez (1947)
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Episode 9: The Suspicious Death of Jose Jimenez
Today I'm covering a local case, the suspicious death of local chef Jose Jimenez. How did this beloved member of the community end up dead in a canal, and why won't the Phoenix police department investigate?
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source: bishopsbox
José Jiménez Aranda, A Slave for Sale, 1897. Málaga Museum.
José Jiménez Aranda, Una esclava en venta, 1897. Museo de Málaga.
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José Jiménez y Aranda (Spanish, 1837 - 1903)
Penitents In The Lower Basilica Of Assisi (1874)
Museo Nacional del Prado, Madrid
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https://tirnavospress.gr/ellinida-sklava-pros-polisi-se-agora-t/
Came across this artist and was stunned when i found this painting showing a Greek slave girl under the Ottoman rule ready to be sold.
It's a small painting but has a deep message how back then things for the Greeks were not rainbows and roses like the Turks claim it was back then during the Ottoman occupation.
Slave for sale, José Jiménez Aranda, 1897.
A young, completely nude slave sits on a carpet. The sign hanging from her neck bears a Greek inscription; Rhódon (Rose), 18 years old, on sale for 800 coins, that offers her as merchandise at an Oriental market. She chastely hangs her head to hide her shame. The feet of her possible purchasers are visible behind her as they crown around to contemplate her defenseless nudity.
The original is in the National Museum of Prado, Spain. The commentary is from the museum.
There is not insight about the location or historical period in which this event takes place. Of course, slavery was indeed widely practiced in the Ottoman Empire and hundreds of thousands of Greeks were sold as slaves. But there is no clear information about the setting of this particular painting. The Greek inscription might suggest it was at a point earlier in time, when Greek was used as a lingua franca in the oriental caravans and bazaars. While Greek was still widely spoken in the Ottoman Empire, it was not the lingua franca anymore. Of course, we also can’t know what was the extent of the Spanish artist’s lingual and historical knowledge in this.
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