#Jose Jimenez Aranda
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Jos茅 Jim茅nez Aranda
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Sharpening the Quill, 1889 by Jos茅 Jim茅nez Aranda (Spanish, 1837--1903)
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Jose Jimenez Aranda - The seamstresses, Pontoise. 1873
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Figaro's Shop, Jos茅 Jim茅nez Aranda, 1875
#art#art history#Jose Jimenez Aranda#genre painting#street scene#Rome#Italy#Spanish art#19th century art#Walters Art Museum#oil on canvas
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Conversaci贸n en un patio de Sevilla - Jos茅 Jim茅nez Aranda
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source: bishopsbox
Jos茅 Jim茅nez Aranda, A Slave for Sale, 1897. M谩laga Museum.
Jos茅 Jim茅nez Aranda, Una esclava en venta, 1897. Museo de M谩laga.
#1897#nude art#jose jimenez aranda#a slave for sale#una esclava en venta#malaga museum#museo de malaga#malaga
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https://tirnavospress.gr/ellinida-sklava-pros-polisi-se-agora-t/
Came across this artist and was stunned when i found this painting showing a Greek slave girl under the Ottoman rule ready to be sold.
It's a small painting but has a deep message how back then things for the Greeks were not rainbows and roses like the Turks claim it was back then during the Ottoman occupation.
Slave for sale, Jos茅 Jim茅nez Aranda, 1897.
A young, completely nude slave sits on a carpet. The sign hanging from her neck bears a Greek inscription; Rh贸don (Rose), 18 years old, on sale for 800 coins, that offers her as merchandise at an Oriental market. She chastely hangs her head to hide her shame. The feet of her possible purchasers are visible behind her as they crown around to contemplate her defenseless nudity.
The original is in the National Museum of Prado, Spain. The commentary is from the museum.
There is not insight about the location or historical period in which this event takes place. Of course, slavery was indeed widely practiced in the Ottoman Empire and hundreds of thousands of Greeks were sold as slaves. But there is no clear information about the setting of this particular painting. The Greek inscription might suggest it was at a point earlier in time, when Greek was used as a lingua franca in the oriental caravans and bazaars. While Greek was still widely spoken in the Ottoman Empire, it was not the lingua franca anymore. Of course, we also can鈥檛 know what was the extent of the Spanish artist鈥檚 lingual and historical knowledge in this.
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Jose Jimenez Aranda / 'The painter Joaquin Sorolla'. 1901
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Jos茅 Jim茅nez y Aranda (Spanish, 1837-1903) Penitents In The Lower Basilica Of Assisi, 1874 Museo Nacional del Prado, Madrid
#Jos茅 Jim茅nez y Aranda#spanish art#spanish#spain#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#Penitents in the lower basilica of assisi#1800s#1874#christian art#christian#christianity#christentum#catholic#catholic art#western civilization#Jose Jimenez y Aranda#penitents#gothic
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Real Madrid Castilla - Hercules CF 1:0
scorer: 1:0, Gonzalo Garcia 58'
Real Madrid Castilla: Fran Gonzalez; Yusi, Cuenca, Asensio, Jacobo Ramon (67' Ribes); Jimenez, De Llanos (83' Fortuny), Andres; Gonzalo Garcia, Zuniga, Munoz
Hercules CF: Trujillo; Sotillos, Montoro, Jose Gomez, Retu; Colomina, Mario Garcia, Aranda (67' Romera), Soldevila (82' Moreno), Coscia (82' Mendes), Espinosa (67' Richmond)
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Jose Jimenez Aranda - Petita normanda
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Jose Jimenez Aranda - Bajo los Naranjos
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Plaza de Toros de Sevilla - Jos茅 Jim茅nez Aranda
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Jose Jimenez Aranda聽 聽 聽A Slave Sale聽 聽 聽1897
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The Violonist - Jose Jimenez Aranda
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