#and you're seeing the whole graph too. you can see it all you know how weird and incongruous it all is

[quatregats]

I feel like the only way I can describe the tragedy of Hornblower chronology is that there is a horizontal asymptote at "Consistent Essence of Hornblower" and a vertical asymptote at the space between Atropos and Beat to Quarters/Happy Return, and his character arc is the line -(1/x)

[savanir]

DP x DC ficlet

is it even a ficlet anymore, this thing has gotten incredibly out of hand...

So a while back I saw this

and I picked the Green Lantern one and then just kinda wrote a full fic so...

It had been a good party, official yes but despite that still festive enough and with just a bittersweet hint. as all good meaningful parties should be like, unless you’re looking to get absolutely shitfaced.

But hey Rowan deserved a proper sendoff for making it to this point and not dying in the process. Hal is going to miss the old pilot though.

"Hal, I got something for you, before I forget"

"Hm, what is it"

The old man puts a small intricate glass model of a f16 fighter in his hand.

"Back when I started I was given this for good luck and protection"

Rowan presses it down firmly and stands there all official like "may it grant you both as it did for me"

They both stand there for a second before laughing.

“Feel free to shelf the whole luck thing, what’s really important is skill and experience. Still, knowing you, you can definitely use the protection ”

Hal grins, "Thanks, I'll keep close"

"You better, the sentimental value is sky high" Rowan slaps his shoulder with another laugh.

Good lord what a dork.

The old retiring pilot wasn't paying attention, too caught up in everything else but Hal saw the faint and brief green hue coming from his hand.

In a panic he slammed his other hand over top. Completely missing the quietly whispered "protect"

Too busy cussing out his ring in his head, he swears that thing is trying to out him on purpose sometimes.

This time it wasn't the ring though, so it's a good thing it's an inanimate object and can't be upset at how wrong Hal is being right now.

"Everything alright?"

"Yeah! Let's get back to the others"

The evening ends uneventfully.

---

It's really only until quite a bit later that things start to happen.

"Green lantern" its batman's business voice.

Both Hal and John look up.

"Jordan" ah shit.

"I'll catch you up later" and he leaves Hal behind, traitor.

"What's up spooky"

"You need to update your file, it is missing critical information, and on that note I wasn’t aware that the lantern suits grant you intangibility now"

"I... what..? It doesn't? What are you talking about spooks"

"Hrn" Batman pulls up a screen and shows him footage of the latest fight, in it you can clearly see something was supposed to hit Hal but went right through him "You're telling me you didn't know or notice this?"

Hal just looks kinda sick. That would have been a bad hit and he just straight up didn't even notice.

Batman just kind of silently looks at him and he must have come to some conclusion because the next thing Hal knows this comes out of his mouth.

"I've already ran your blood through the lab, it's not a sudden emergence of a meta gene so it's either from the lantern corps or you've otherwise externally been affected by something that's causing this"

Hal closes his eyes and internally counts to ten, it doesn't help.

Batman takes his silence to mean he can keep talking. The man is on an unusual roll. Hal would have been ecstatic if he didn't hate the topic quite so much.

"It would have been best if it had something to do with your ring however you seem to be completely unaware and I've also noted that the green of your ring and the green glow that comes with the density shifting are different"

He has examples with corresponding color codes, Hal is so tired.

“let's set a time frame…” Batman pulls up some documents and graph on the screen “seeing as you are unaware of this development I will set the starting point of this potential change as of now to right after the last time you have been known to be hit in a fight and before the first known instance of you being able to density shift, that leaves us with a full month.”

Hal really, really does not want to be here anymore.

“In this month you have not gone off planet so whatever caused this is on Earth” Batman pauses for a moment, “has anything significant happened during that time that springs to mind now?”

“no, nothing significant has happened during that time, frankly it’s been a very pleasant uneventful four weeks in which I finally managed to catch a break and it figures something crazy has apparently happened anyway”

Hal rubs his face with both hands, “but right now I couldn’t tell you what, anyway, does this have to be a bad thing? I for one am very glad that hit didn’t actually land”

“So far only Superman has had the privilege of having sudden emergence of new powers work out for him” Batman huffs, “it would be best to monitor this carefully, if anything springs to mind do not hesitate to inform me, the sooner this is figured out the better”

“awww you do care” Hal is using humor cope, sadly it’s Batman, so it’s not very effective.

“Jordan” now Batman sounds tired, he’s not the one with random surprise density shifting, Hal understand that Spooky’s crippling chronic paranoia must be exhausting but right now he’s the one freaking out considering this is apparently not a meta gene related development, it would have been so much easier if it was, oh and about that, just how and when did Batman get his blood exactly? he would like to know now.

---

sadly he does not get to know now. or anytime soon (or ever). it’s chaos right after, because of course it is.

knocked out of the sky and lying amongst the rubble, if their enemy spots him he’s in bigger shit than he already is, but he can’t fucking move and the next thing he knows he’s invisible.

and there is just nothing enjoyable about it.

Barry doesn’t know that though, “that was something else, just one moment and schwup and you were just gone, some sort of green lantern light bending? he looked right through you, thank god he did too” 

shit shit, “no that was..." it was like he just ceased to exist, movies and books and whatever other media always depicts it as such a cool thing but frankly it was terrifying. And he would prefer things that are terrifying not to happen to him, for obvious reasons, “honestly actually it’s complicated, stealth tech” Grade A bullshit.

“well it’s awesome”

“it was useful just now but not really my style you know” 

Barry slings his arm over Hal’s shoulder and gives him a one armed hug, “everything worked out” Hal can feel some tension flow out of his friend, “well! better get busy cleaning this mess up” and with a blink he’s gone.

Hal does not want to talk about this with Batman, but knowing him, he probably already knows anyway, it would be less of a headache to go to him than have him go to Hal. 

Hal wants to enjoy whatever this is, he really does, but he doesn’t know what caused this, he doesn’t know what triggers the new abilities or whatever they are, he doesn’t know what effects this shit is going to have in the future, he just doesn’t know anything, normally he doesn’t mind not knowing some things, he’s fine leaving the knowing to the people better suited for the more complicated knowing, but he would very much like to know more about this please.

---

Then they face off against an enemy and in the process Hal drains his ring completely and the next hit is going to be bad, so what will happen? Will he somehow go intangible again? Turn invisible and use the confusion to evade and attack?

No

Apparently this time he just gets a glowing green dome shield. Something very normal for him to have and use, if only it came out of his ring that is.

Nobody notices that something is wrong, nobody besides Batman that is.

"That's three new abilities that only appear during life threatening situations"

Hal has actually seriously gone over that month by now, but nothing, no answers. He's physically fine, mentally a little damaged but nothing new there, they all are. Every test he begrudgingly went through answered nothing. He was fine. Whatever was going on actually had nothing to do with him.

And at the same time it had everything to do with him because this is only happening to him.

As usual (by now) he takes out his little glass fighter jet and runs his thumb over the wings. It is soothing strangely enough. Like a stim toy.

"The last thing to try is a thorough examination by someone from the justice league dark"

Hal groans, magic, ok then, "Alright let's get this over with. Who knows maybe I'm just haunted"

It turns out he’s not haunted, this is a good thing... supposedly, Well let’s just say that Hal would have not minded being haunted or something if that meant it could be fixed, or just explained.

It doesn’t really need to be fixed, whatever this is has been very helpful after all, but he would do basically anything for an explanation right about now.

“you are not haunted or otherwise magically compromised, but I do sense faint traces of energy from the infinite realms” Zatanna is a godsent, finally something to work with.

“from the who whats?” Hal is worried, the occult field is definitely not his area of expertise. He's a space cop, not a space demonhunter… oh that would be pretty cool though, with like a hood and twin cyber crossbows, maybe he should incorporate that somehow.

“the infinite realms… have you recently been in touch with any death related realities?”

Well there was that time when he got booted to the death universe and he died and then he was a black lantern but he got better, that’s all very much very behind him.

She better not be about to tell him that stuff still has lingering consequences.

oh god dammit that’s exactly what is going on isn’t it?

"How recently?"

"In the past week?"

"Oh, no" Hal would have known if that was the case, death stuff tends to be hard to ignore.

Zatanna frowns, that's probably not a good sign.

"But you said I'm not compromised right?" Right now what Hal wants to know the most is if this is changing him. Cause it tends to be bad for him when that's the case.

"No this is just lingering traces of something or someone else using their powers near you"

???!!??!?

"What are the infinite realms?" oh hey there Batman, was wondering when you would show up again.

"It's the afterlife, or... more like a collection of all afterlives. The infinite realms is very literal in their naming. It is home to powerful dead entities. As a general rule magic users are discouraged from interacting with it.

"Hrn"

"What did you say happened to you so far Hal?"

"Uhm, density shifting, invisibility and then a green dome-like shield, a lot like my own energy constructs"

"that sounds like pretty standard stuff for a realms being"

"Soooo what, did one leave the afterlife and decide to follow me around or something?"

"I cannot conclusively say, I can only say that you've been close to one using its abilities"

Batman folds his arms over his chest, "We shouldn’t form theories on these findings alone, Zatanna are these realm beings dangerous?"

"Hard to say, they come in all manner of forms, some small and harmless and others on the level of world destroying gods."

Great great great, awesome, well it’s probably safe to say that whatever decided to stick around Hal isn’t small and harmless, cause small and harmless doesn’t sound strong enough to casually turn him intangible or invisible… he could be wrong though.

“I do advise caution, beings from the infinite realms also have the ability to possess someone, they call it overshadowing”

Batman’s lips thin and Hal tenses up, mind control of any kind is always awful.

“I’ll place a ward on you, as a precaution” energy starts to gather in her hands.

Batman moves for the door, “we might need to look into a way to force this being to reveal itself, it would be best if we could convince it to return to their realm”

“Well I mean-” Hal starts, “like I get that, but they have been a great help so far” 

“they are a security risk”

“I’m just saying, I am grateful that they kept me from being confined to the medical wing for who even knows how long, who knows they might just be shy, wouldn’t it be better to convince them to become our ally, like Deadman. instead of telling them to leave. just cause we don’t understand how they work yet doesn’t mean they are bad and should be booted out of our reality”

Batman narrows his eyes at Hal and turns to Zatanna who is finished with placing the ward on Hal, “Zatanna please send me all you have on the infinite realms, I will do my own research” and with that he sweeps out of the room, very dramatic.

“Ass” Hal whispers under his breath.

“He’s worried”

“well he’s being a dick about it, as usual” Hal’s fingers find his little plane once again “... hey do you think they could communicate through one of those oejah boards?”

Zatanna snorts, “it’s Ouija- and please don’t”

---

No information from the JLD has been useful so far in coaxing the realms being to reveal themselves and for the most part things just go on as usual.

“Whoever they are, they followed me when I went off planet and it might just be my imagination but I had a feeling that their stuff was a lot more… potent? out there? I don’t know it was kinda strange, it just felt stronger”

“but they didn’t reveal themselves to you?”

“nope, they must know that I know now too, so they have decided to just… go on as they always have I guess”

“hrn” Batman is leafing through files, because of this whole mess he’s uncovered hidden government organizations targeting occult entities as well as inhumane laws that stand directly opposed to the meta protection acts.

Why is he working with paper regarding this matter? Well it turns out there is a infinite realms being that can possess electronica and it was only because of the protections the JLD had put in place on the Watchtower that the entity didn’t overtake it in its entirety.

Watching Constantine freak out had been mildly entertaining but Zatanna had once again reminded Batman to be very careful, Batman had begrudgingly admitted he had made a slight misstep while digging for answers… in his head, not out loud, god forbid.

“this whole thing is turning out a lot bigger than we thought huh, good thing we are dealing with it now” Hal stretches his arms above his head, “anyway I am going to go grab something to eat”

“the rapport-” Batman doesn’t bother looking at him.

“yeah yeah” Hal doesn’t either while walking out of the room, dismissively flicking his hand, “don’t worry about it spooky”

Hal takes his little plane out on the way to the cafeteria and fiddles with it in his hand, once there he puts it on the table next to Barry before getting himself something to eat.

They catch up, Hal complains (bitches) about Batman, others come and go, Zatanna quickly checks up on the ward she placed which makes Barry raise an eyebrow at Hal, “Ghost protection”

“... no such thing”

Zatanna glares.

Hal can see them both gearing up to start the magic is just science we haven’t fully scienced out yet argument again, “alright! I’m full” he stands up, “if you need me I’ll be writing that rapport, later” and gets the hell out of there.

It’s when he has just reached his preferred spot to work on the boring paperwork stuff when the alarms go off throughout what he can only imagine must probably be the entire Watchtower.

It seems like something triggered all of the JLD’s defenses in one go.

Impressive, but also very worrying.

The rapport is going to have to wait.

People are gathering in the meeting room and Batman is already taking the lead, “status”

“as of a couple minutes ago there was a build up of as of yet unknown energy which then burst in the cafeteria knocking out Flash” Martian Manhunter says, “Zatanna says we are most likely dealing with another being from the infinite realms”

Superman groans, this means he’s out.

It’s a good thing they now have defenses against overshadowing though. Being effectively trapped in a space station (because currently the thing is on lockdown) where literally anyone could suddenly actually be the enemy is the kind of situation a whole slew of horror movies like to be about.

“We will need to be extremely careful while finding and then dealing with this entity”

It has certainly been quite some time since the Watchtower got directly hit like this.

Hal pulls out his little plane.

or, he would, if he still had it.

thoroughly distracted now he suddenly realizes it’s no longer on his person.

Spooky is probably not going to like it if during the infinite realms attacker hunt he takes the opportunity to look around for his missing little fighter jet.

well what he doesn’t know won’t harm him.

His plan of looking for the plane while looking for the ghost is working out well enough.

In fact it is working out so good that he finds both at the same time.

At that point Hal had started wondering if maybe Barry had picked it up for him at the cafeteria before the attack happened and that the little thing was now in the medical wing with him. 

That turned out to clearly not be the case once he found the tiny thing glowing green and floating in the middle of the hallway.

“alright ghosty, that’s really important to me and I would like it back undamaged”

the tiny plane turned to now point directly at him, hmm, yeah that's not creepy at all.

 “... please don’t launch yourself at me” he foolishly says which of course means that’s exactly what it does next.

He uses his ring to construct a net with a pillow inside to catch the tiny jet, completely forgetting that it’s overshadowed and can thus easily just go intangible and right through his creations.

Instead it hits him square in the chest, rather painfully he might add and then just stops glowing and drops, making Hal scramble to not have it fall and shatter in a million tiny pieces on the ground.

immediately all the sensors stop detecting the presence of a realms being and the alarms die down.

Whatever was in the Watchtower has left the building.

or…

Hal looks down at the tiny plane in his hands, his talisman of protection and has a sinking feeling in his gut.

“Hey there little guy, might want to explain yourself?” he says to the tiny jet.

It vibrates in his hands.

“... yeah I figured, shit”

---

“I say just smash the bloody thing and be done with it, preferably that takes care of it once and for all” Constantine glares down at the tiny jet.

Hal is almost halfway over the table to shield the little thing, covering it from Constantine’s sight with his hand, “don’t you dare” he growls.

“it would be best for everyone involved, for all we known you could have gone full liminal what with how long you’ve been carrying the blasted thing around”

Zatanna is going over the little thing with her own magic, “it’s trapped”

“In that case just straight up trying to murder it would be the worst thing to do” Hal glares at Constantine some more. Who clearly doesn’t give a shit, figures, all stressed out about dealing with things from the infinite realms but whenever he feels he has the upper hand he’s more than happy to go full nuclear.

“it would be best if we had a way of figuring out their intentions” Batman looks down at the tiny jet impassively.

“Well, another reason to just carefully release this creature instead” Hal responds.

Zatanna’s magic fades away, “I would say that the fact it’s been protecting Hal for as long as he has it is a positive sign”

“hrn, but now it has gone and knocked Flash out, so what does that say” Batman huffs, “it’s too risky”

“Constantine and I will set up everything we can so it won’t be able to escape or try anything dangerous” Zatanna stops looking at Batman and turns back to the tiny plane, “if it turns out to be malicious we could simply banish it back to the realms, killing it would be rather stupid, we do not know what kind of connections it might have within the realms, we might accidentally anger something far worse with such a rash act”

Constantine groans but accepts Zatanna’s reasoning, Batman nods as well.

It’s only then that Hal moves out of the way.

Any plans of attack or banishment fly right out of the window once the two magic users are done and a young boy manifests from the tiny fighter jet.

Hal pushes Constantine aside to get to the boy’s side.

“Jordan, are you insane! Get back here!” 

“Hey, kid, can you hear me? please open your eyes, slowly, take your time” 

Batman has also moved forward much to Constantine’s frustration. Don't these two morons get that their protections won’t do shit if you just casually stroll into the circle?

Batman is mostly concerned in being able to step in should the boy prove to be a hostile entity anyway, but at the same time… well, that’s a child.

The boy kind of dazedly opens his eyes, looks at Hal and then seems to become aware of his own arms and hands, after opening and closing those a couple times he looks back at Hal and lets out a breath that can only be described as relieved and promptly passes out into him.

Well, Hal figures that settles it then. He doesn’t know shit about looking after a kid, and definitely not one who is probably quite dead, but this one is his, back off Batman.

they all startle rather violently when rings of blinding white light pass over the boy and suddenly the kid in Hal’s arms is a bit warmer and seems to have a sluggish pulse and also his clothes are different and his hair is now black and-

Hal is up and moving towards the medical wing before his mind catches back up with him. He can hear Batman behind him, it seems like Constantine and Zatanna aren’t moving after him as fast.

Well anyway his life is already so goddamn weird, this might as well happen.

[szynkaaa]

Mandatory relationship graph to get to know my ship(s) better. And yes, two graphs because I see DO and SWK as two different person and the dynamics would differ too.

Some thoughts

I have SWK listed up taller than DO - in my AU, the DO starts out being 160cm tall and then grows with each artifact he collects. It's also why in some of my art you can see DO being taller than Oz, or the same height as her.

By the time the journey comes to an end, Oz's hair has grown longer. She's still undecided about cutting it or not.

I don't think the DO has a high horny level, I think he is faaaar too focused on completing his quest of obtaining all the artifacts. But he does get flustered very easily when Oz sometimes grabs his hand or clings on to him cause something scared her, or when she compliments him.

DO does very easily get jealous though, he is a wee bit possessive. He does't like seeing other people or yaoguai get close to her, it makes him want to just wrap his arms around her and not let her go while glaring thousand daggers at the other person. He was not happy when Oz jokingly asked if the Yin Tiger is married and if not he would marry her.

DO and Oz switches between big and small spoon, although I think the taller DO grows the more he prefers to be the big spoon. SWK is the big spoon no questions asked ("You're such a koala sheesh." "I do not know what this koala you speak of is.")

With DO, Oz had lot's of different names to call him, mostly just to get his attention. "oi, you. Monkie. Kiwi. Peach. Luffy (kudos if you get the reference)".

With Su Wukong, it's mostly him that has the endearing nicknames for her, stuff like 樱花 (Yīnghuā, cherryblossom bc of her hair color), 心肝宝贝(heart and liver treasure), darling, princess, my queen.

I don't see Oz having a lot of nicknames for SWK though, she'll most likely refer to him with Wukong. If she is calling him The Great Sage, Your Highness, Your Majesty, she is being sarcastic.

There is no confession between DO and Oz, I think both are being far too busy trying to survive, with one trying to get all the artifacts and the other trying to go home. But there is no doubt that they care for each other and have become good friends.

SWK confesses first. My HC is that after the whole journey to the west + buddhahood + leaving buddhahood + gamble and plan his death + the experience and memories he gaines as DO traveling with Oz made him a lot more mature and appreciate the things he has in his long (immortal) life. And that includes Oz. Of course he still maintains a mischievious streak. He knows what he wants and he wants to be with her. He also knows that she has other shit to deal with, like the Celestial Court trying to put a leash on her now (because family history) and that she is still looking for a way back home, so he tell her how he feels, but that he understands she has other priorities at the moment, aaaand that he will continue to support her and be her friend, but also that he will wait for her because what is another 500 years of waiting ("yeah i don't think I'm gonna live that long.")

also also, SWK is definitely the hornier one. But he doesn't get jealous or possesive like DO does. He is very secure in himself and he trusts his partner. Ofc if someone is being pushy and makes Oz uncomfortable he will step in ASAP

I've also marked DO as having no relationship experience because I don't see him as having any, i feel like all his life he was preparing for this quest. But since he gets SWK memories after he finishes the quest, I do think that makes him having some experience? Especially since the game mentiones SWK and White Bone Demon were a thing, and he was im trever able to let her go and it was one of the reasons he left buddhahood. Idk about you but I do think that indicates a deep bond they had.

aaaaand that's it. Here is the empty template for those who also want to do it:

[jojo-oliver]

How to tumblr for artists… my own version

A collection of things that have been working for me, but may not work for everyone

~~~ your posts ~~~

!!!reblog your own stuff!!! you need to reblog your own stuff, there is nothing morally wrong with reblogging your own stuff regularly. in fact, it is morally right to allow the chance for more people to see your artwork.

~~~ queue it!! ~~~ my queue is 500 posts strong. maybe don't try to make your queue hundreds of posts strong in the same day omg but like… once every month or two i'll go through my whole blog and just scroll and "add to drafts" to every one of my own posts i have. then i'll use the "mass post editor" to add content warning tags. and add to queue, and shuffle. and then I write down what the date was for when I last added my posts to be reblogged on queue. this is helped by turning on timestamps for posts in tumblr "dashboard preferences" settings.

queueing is necessary and life saving for me. It takes out so much work with decision fatigue and the anxiety around posting. It also guarantees that even if I suddenly need time off or away from my phone, I don't just disappear and lose all traction. It also breaks the instant-gratification cycle that you expect when you finish an artwork. It's hard to keep creating when you post something and, when you're expecting to get that gratification, you get none... If you queue your new artwork to come out at a later time, you've separated that expectation - with time. It hurts less and contributes to a more consistent gratification thing instead of peaks and troughs.

~~~ tag ya stuff ~~~ when you're making a new post, the first 20 tags are what gets put into the searchable tags. do not feel shame for using lots of tags. shame is the mind-killer. tags are hard. hard to know what to tag a post with. hard to remember the tags. so I found some ways to help myself. maybe they'll help you too. dedicate some time towards just figuring out what tags you want to use. i have a list in my phone notes that i add tags to and reference whenever i'm making a new post. i have the phone right beside the laptop while i'm tagging so that i can just look at it and scroll. tags are the only way for people to find your artwork, other than people manually coming to your blog because they saw you somewhere. there is no algorithm. posting without tags, until you have an established fanbase, is throwing something into the void.

When I'm doing tag research, I look at what people seem to use - when you put something in the search bar, tumblr recommends you some that have a higher following, typically. Looks like this on desktop:

if you like one tag, look at what other people who use that tag also tag their posts with. Observe and learn how this tag is used. search through a bunch of them and write them down.

here's what i got in my notes, for the specific kind of art I post and look for:

these tags are sort of specific to me and the kind of art I make. You'll want to research your own tags, but this is an example of how I keep them organized to make posting more effective. I generally only write down a tag when it's got more than 2k followers. You might be tempted to use the tags with millions of followers, but I've actually found those a lot less functional for small artists. If your stuff doesn't immediately get a bunch of notifications, you're drowned out and pushed to the bottom much faster. But the bigger tags are better than no tags, so I keep them if I can't think of anything else to tag something with.

~~~ post at the right times….? ~~~

fridays and saturdays is when I post fresh new things... usually. every website has it's own peak hours, and you can find those hours in many different online articles that try to sell you social media growth services. tumblr is unique in having later hours.

here's some random graph from google images:

please don't over think this. please don't let this consume the idea of when to post, preventing you from posting at all. it doesn't mean too much - if you post during very active hours, maybe your art would just be pushed down the feed faster. if you post at the end of hours, maybe everyone's going to sleep… if you post at inactive hours, maybe there's less 'competition'… if you post at the beginning of active hours, maybe that's just more time for your post to circulate for the day, if you have enough people reblogging it once it drops....

this also is in EST. So fuck the other time zones, I guess. I'm over here in europe knowing that the "best" time to post would be like 2-3am or something. It's like this for most english-speaking majority sites - higher traffic in north american time zones.

it's also worth mentioning that this is scattered as heck, compared to other social media sites. and it's not like, the activity times of your followers. it's not the best time to post for your niche. this is just tumblr, broadly. all of tumblr.

~~~ Plan ahead for annual dates ~~~

Your artwork will get more circulation if it's posted on a celebratory day. You could just put them on your calendar and if you're wondering what to make, look on the calendar for what's coming soon. For example, asexual awareness day, trans day of visibility, location-specific holidays, etc. Here's my phone notes thing with my own recorded annuals:

I got these dates from googling and reading different articles, but I find that I still miss dates, and then I add them for next year. If you know of some I missed, tell me and I'll add them please <3

~~~ reblog other people's stuff ~~~

tumblr is sorta about ecosystems. things get passed around within groups of people that are all following eachother. to enter this ecosystem, you must engage and reblog other people's stuff too.

if you reblog other artists' stuff, sometimes they'll come over and reblog your stuff too. sometimes they'll follow you back. this is called becoming a mutual. I'll search specific tags for the kinds of people I want to follow and the kind of art I like - those are listed in the screenshot of my tag note under "Tags for finding new people".

I see a lot of blogs out there that are very clean, posts are tagless, and are only for the artists' content. like scrolling through a portfolio. I imagine this is good for people who are migrating to tumblr but already have their own established fanbase from elsewhere.

you don't need to do reblog other people's stuff on your art blog, you can do this on a separate blog. but if the two don't look very closely correlated, it's hard to tell who you are when you're interacting. and hard to make sure people know that you are the same person as your art blog. and you gotta remember to promote yourself on your personal blog.

~~~ have an art tag ~~~

make your blog easy to search!

if i go to your blog, and you've written 'artist' or 'sometimes art' in your bio, i wanna see it… it make me so sad when i don't get to see it. i want to reblog it. please let me reblog it :(

to make a tag on your own blog searchable, you don't need to repost it to add a tag. you don't even need to reblog it. you can actually just go back to the original post and edit it to add your tag. I've seen post people just have their art tag be something like #(blogname)art . you can see my own in my tags image above. if it's very unique, then it'll work tumblr-wide. I think that's good, since the tumblr search function is really weird. Otherwise it should still work if it's not entirely unique, people just have to make sure they're searching specifically your blog to see only your stuff.

I like to have a link in my pinned post where people can click to have immediately searched for my art tag. Convenience is king. Keep in mind that most people are on mobile, and if something isn't immediately clickable, they often won't find it.

~~~ be consistent and be patient ~~~

!!!this time will pass anyway!!! how many notes you have is not correlated with how good you are as an artist. wanting to earn something from your art means you essentially have two jobs. two potentially full time jobs. this shit's difficult. most of the job is promoting yourself. don't undersell how hard it is to do… don't feel bad for not immediately succeeding. I would write about how hard it's been to promote myself, but it would just be long and sad I think.

This isn't a full guide, please feel free to add more!!

I'm sure in another year I'll disagree with a lot of this, it will become irrelevant with time, and I'll have a lot of different opinions. Chip in and share what you've been doing? Teach me? This is very overwhelming. Don't do it all at once, just like, try one thing at a time, and see how it works for you. Your niche might be different. One size does not fit all. If you're confused about some of the things I talk about in here, you might be on mobile. I do most of my queueing and posting from the desktop browser version.

I will update this with more as things change, but I think you'll have to click through to see the updated post

[tilthedayidice]

Hey welcome back to my BG3 Hot Takes

While I have your attention, here's a cool site to help Palestine, all you gotta do is click it daily.

This session was inspired by @lipsie, gettin me ttalkin way too much. Yes I am aware that the tadpole changes things, and they have to make it balanced for the game blah blah blah- let a bitch complain.

Screenshots sourced from the Baldur's Gate 3 Wiki

Gale is the only character I feel is spec'd correctly, He's smart but fiuckin stupid, he has autism rizz, mam could not lift any box you asked him to, the only reason his constitution is 13 is because he's been dealing with the Orb and he's used to it by now.

Karlach should start with 20 strength and you CANNOT convince me otherwise, her charisma should be higher also, she's a ball of sunshine and could put the fear of god into anyone, and the line "Gods I wanna ride you til you see stars" will never leave my brain. Give this bitch a 15. She do be a little dumb I'll give you that.

Shadowheart is just funny to me, How can her wisdom be a 17 when she's been cloistered away for so long? Her wisdom is only a 17 in ONE SPECIFIC SUBJECT, a subject where she's forced to give up her memories. Memories are where we get our wisdom. Wisdom is gained through lived experiences, I'd give you the 17 for endgame Shart, but not start of game Shart. I'll take the 8 CHA cause she's a bitch (said with love, me too babe) but she knows enough to get what and where she wants so I think we should nudge it up to like 10.

Lae'zel.... I think it's unfair to put Lae'zel's intelligence at 10. Her wisdom being low, yeah i get that she's been cloistered away in a society that believes its the only way, it's all she knows. But intelligence? No. She might know much about Faeruns culture and people, but she knows EVERYTHING about the stars. And there's far more of that than there will ever be of Faerun. She's the funniest person we know, give her 9 CHA.

Wyll my beloved, do you airbrush those abs on? Do you wake up every morning and contour them? I DON'T BELIEVE YOU DO!!!!!!!!! SO WHO'S THE ASS WHO DECIDED YOUR STRENGHT WAS A FUCKIN 8??????? THE BLADE OF FRONTIERS SHOULD HAVE AT LEAST A 13. He deserve a 15 but I know they won't give it to him. Lipsie and I were talking about him and they're right, WHEN WE DUMP THE BITCH HE SHOULD RESPEC INTO BARD.

Astarion..... oh Astarion.... you're such a disaster. Such a wet cat of a man. Such a pathetic little mew mew. I shit on him a lot, but I do really love his character and development lol. LESS STR MAKE HIM WEAK, he has been starved and living off rats and shame, he can have his measly 8 AFTER he drinks... uh "Thinking" Blood. His CHA being 10 is perfect actually no notes. I personally think his actual INT should be lower, not too much lower, maybe 11/12, I knooooow he was a magistrate, but you can't tell me he's not giving himbo... no what was that word on the meme graph? Himbim? Himbim.

Halsin.......... 10 STR? 10?!?!?!?! You built him LIKE THAT and give him 10 STR?!!?!?!?!?!?!?!? What in the nine hells...... Weaker than Karlach of course, but 10????? Give that man 15 at least 8 INT???????????? 8???????? LARIAN WHY DO YOU HATE HIM???? Is it because he isn't Gale? Mans has been studying the mindflayers on his own, he's been studying the shadow curse... on his own. HE'S A MASTER HEALER?!?!?! AN ARCHDRUID?!?!?!?!?!?!? That takes time, study, and dedication. You wanna assign him himbo so bad. He's just a whole well rounded man with autism,. (Not a dig on himbos, quite literally my favorite genre of Man). This is just 'cause he fucks isn't it.

Minthara she's so much smarter than Larian gives her credit for. While I agree with the WIS, that's more a product of being so closed off, Her INT is much higher. I'd give her a 14? She cunning, just because it's used for Evil deeds doesn't mean she hasn't been she hasn't put a lot of thought into her work. She lived in Menzoberranzan for Gods' sake. She had to be smart or be killed?!? She's said so on multiple occasions! Just because she's Evil aligned doesn't mean she not smart. (She's just as smart as our average Bear according to Larian)

Minsc...... First off let me say that I love that they chose this image. A Bad Bitch. Anyways, anyone who doesn't find that dumb happy face charming is either lying or literally has a stick up their ass.... 12 CHA. Also why is he so weak? I know he isn't like actually weak... but mans chunked that mimic? Let him have 14.

Jaheira I'll give you the 10 STR, she's complained about her knees like three times in my most recent session. 8 INT? So what I'm getting here.... is anyone not an origin character is just baseline 8? Lazy. Especially considering she was ALREADY GIVEN STATS IN TWO PREVIOUS GAMES. In both BG1 and BG2 she has an intelligence of 10, and if anything she's only gotten smarter over time. I wasn't gonna do this... but left is 1 right is 2.

15, 14, 17, 10, 14, 15, and 15, 17, 17, 10, 14, 15

Make it make sense. I know she's old at this point, but in my game she killed Sarevok again so idk man.

Rip me apart in the notes ;)

But do it nicely...

[1moremilgram-enjoyer]

A Theory on the Kayanos' Murders

CW Violent murder, blood, mention of dismemberment

Hello members of the jury! I'm currently writing a few posts regarding the prisoners' murders and forgiveness and all that, so I decided I would explain my full theory on what the Kayanos' murders are, since while it's nothing out of the norm (I think), my exact interpretation gets a bit specific. And thus, I want to put all the evidence I have for my claims in one post so I don't sound insane when discussing these two.

(Yes despite what my previous posts may imply I actually believe Twokoto now lol. I still think Trikoto is perfectly fine, I just think Twokoto makes a bit more sense currently)

Again, it's nothing too wild; I believe Mikoto killed someone on the side of the road, the trauma from that caused John to be 'born', and then John killed at least two other people because he knew they were causing Mikoto trouble.

Claim 1: John killed people

A big part of this post is going to rely on the windows in Double. In case you're not aware, it's generally agreed that white windows are related to Mikoto while black windows are related to John. It's easy to tell from the first chorus, the start of the second verse, and the second chorus. Mikoto to the left, John to the right.

Additionally, when the windows are white, the train seems to be moving to Mikoto's left to the right (perspective from the first chorus), while when the windows are dark it moves from John's right to his left. This gives the impression that Mikoto and John are sitting across from each other, with Mikoto on the left side of the train and John on the right side. Here, I made a graph to help with the perspective because it is a bit mindfucky.

(Clarification: when I say "Mikoto's perspective" I actually mean our perspective while looking at Mikoto. Same with John. Apologies for the confusion)

Of course, that's assuming they actually are on the same train, going in the same direction, but I don't think that's too wild an assumption to make.

It's important to note this doesn't have anything to do with the window colors, which are exclusively used to differentiate alters, with the exception of the very end where John is seen with white windows long story. Rather, this perspective thing is a surprise tool which will help us later.

Anyways, now that we know the window thing, it's not hard to see how John has killed at least one person.

I mean, yeah. He sure do be killing in that shot. Black windows, so this is John. There's also this:

Although the kill itself has white windows in the background, the train compartment it happens in has dark windows.

Plus there's the whole "I saved you, right?" in the past tense. It can't be referring to John taking the fall for Mikoto's murder (we'll get there), since Mikoto hasn't been saved from that yet. Instead, it sorta has to be about John previously killing people that were stressing Mikoto out. Especially when looking at other lines like:

[Double] You’re overdoing it, you’re already broken But if you persist, I guess it’s my job to keep things on an even keel Me, the other you I’ll take it all on

The use of present tense in "you're overdoing it" implies this is being sung at a time when Mikoto is overworking, and it's now that John will "keep things on an even keel." Combined with him picking up the metal bat here, it seems he's talking about killing to ease Mikoto's issues.

Which, speaking of, I should probably say why John would kill anyone.

Claim 2: John's Motivations

[Neoplasm] Es: Can I ask… why you killed them? John: They annoyed me. Es: Who did you kill? John: Just someone who was walking around nearby. Es: … How many did you kill? John: Can't remember. I was first born back then, you know. It's kinda fuzzy.

Now, these claims aren't the most trust-worthy, but we'll get there when we get there. For now, all we have as a stated motive is "they annoyed [me]" (no pronoun used, it's ambiguous who they actually annoyed) and "to save Mikoto." The good news is that we actually did sorta see a situation where John tried to kill someone, meaning we can get an idea of what his modus operandi is.

I'm referring to the point in John Doe where John attacks Es.

[John Doe] Mikoto: I became a murderer… without even knowing it…? There's no way, no way… Es: Let's give it some time. The threads of your memory might untangle themselves eventually. Mikoto:*Gasping* Es: A murderer without memory of killing… in which case, how should I think of you… Hey, Mikoto– John: AAAAAAAARGH!!!!!!

Es does absolutely nothing between the time John starts fronting and when John attacks them. And if you look further, Es doesn't do much else. That means either John has some idea of what was going on before he started fronting, or he can feel Mikoto's resentment even though he isn't the one fronting.

This is where I acknowledge I am not an expert in DID, I'm not a system, and because of that there is a high chance I get stuff wrong, please correct me if I say anything stupid!

Although I unfortunately can't find any better sources for this than some Reddit threads, from what I understand it's possible for one alter to feel the emotions of a different alter who isn't fronting. This means John could have known Mikoto was getting really frustrated with Es, and decided Es had to die for that. However, it's unclear how much John knew about the situation, since he never says anything too specific.

As a result, it's possible John is willing to attack people because he can feel Mikoto hates them, even if he isn't fully sure why Mikoto might be frustrated at them. On the other hand, perhaps John does retain memory of what Mikoto goes through even when Mikoto is fronting. Again, I can't find good sources on how this works, but from what I've seen some systems do have alters which can share memories to an extent. I really hope I'm not saying anything horrendously stupid lol.

Anyways, the point I'm trying to make is that regardless of how it happens, John's desire to kill his victim(s) comes from Mikoto's frustrations with those people.

[Neoplasm] John: …! … I think… I might be the person Mikoto wishes he was. The person who stubbornly stands his ground, who doesn't cry himself to sleep from stress, who gives people their payback.

The fact he's represented by the Devil card, which is associated with people's darkest desires, supports the idea his actions are an extension of Mikoto's wishes.

This can also be inferred from the "neuron" scene in Double. You know the one, the one that goes "Doesn't matter if you didn't wish for it, can't get rid of me now". I interpret those silver star things to be representative of neurons, and it's animated in the way it is to represent Mikoto's thoughts (the words in blue) reaching John's conscious at the bottom (the red). I hope that makes sense.

So in short, I believe John found out Mikoto was getting bothered by certain people, and that's why he killed them.

Claim 3: Mikoto killed a guy

Alright so now the harder one to prove. Let me add up all the evidence.

Point #1: Mikoto is the Milgram prisoner, not John

This one is pretty straightforward. Since Milgram doesn't gather every single murderer in the world, John not being a prisoner doesn't mean he didn't kill. But the inverse is potentially true; if Mikoto is a prisoner, then he must have killed someone. Unless there's more alters and one of them is the prisoner, this makes some sense.

The counter-argument is that Milgram is very clearly not designed for systems, so it's possible Mikoto is only the prisoner because he's the host and no other reason. Still, it's worth keeping in mind.

Point #2: A murder on light windows

Take a look at this scene from Double.

As you can see, the way this is framed, it looks as if Mikoto is running away from John. Down to the horror movie motifs of "victim running - persecutor walking." This time, the windows on both sides of Mikoto are white, while the windows on both sides of John are black, instead of there being white and black across from each other.

Looking at the scene, which I can't really show you with still images and will need you to confirm yourself, is that John and Mikoto are moving in the same direction as the train. You can tell based on the relative speed of the objects outside. And yet, there's body parts outside of the train, which move from the front to the back. On the white windows. Which represent Mikoto. And there's an entire window between the left of the screen (where for all we know the windows could change) and where the blood appears. Here's a diagram.

So, uh, Mikoto? Who the hell killed that guy? It certainly wasn't John, especially because the body parts are outside. John was the one who got onto the train (see: cigarette), so I would argue a murder outside could imply it was performed by Mikoto, who notably doesn't usually ride trains. Although I'm not sure that reasoning makes sense to anyone but me.

However, the body being outside presents a much bigger issue for Mikoto's innocence. When John swings, and apparently causes something similar to happen, he's inside. We don't see the mannequin he supposedly hits, and God knows how the pieces ended up outside. Not to mention he for some reason swings at where the legs would be, instead of at the head like all the other attacks we see.

My point here is that this murder makes very little sense if John is supposed to have caused it. Because of all that, to me, this represents John taking the fall for Mikoto's one kill. Unlike the other John murders, which show the "victim" and make physical sense, this one doesn't show the victim and has inconsistencies because John didn't do it. The murder was originally in the white windows, and John is scrambling to make it look like it happened on the black windows, even though that doesn't really work as shown by the diagram above.

Am I taking these scenes too literally? Maybe, but even symbolically, what does it mean if blood appears when the windows are white? Surely there's at least a chance it's Mikoto doing this murder.

Point #3: 3rd Anniversary artwork

Let's first establish what the 3rd anniversary art usually represents. It's been pointed out by many before me that these pieces are closely connected to the prisoners' murders. This is clearest with Muu, Amane and Kotoko.

Muu is wearing her school outfit, but she has a shoe off, just like she did when she killed Rei.

Amane is wearing her Magic outfit, but she's holding her thunder wand, which places this image near her murder. Specifically right before her murder, as she's still wearing her black bow tie instead of her cloud medal thing.

Kotoko is holding her Jacques Roulet cap, a hat she usually only uses alongside her blue and yellow jacket. The only exception is during her murder, where she's wearing the outfit we see in the anniversary artwork while the cap rests on the floor.

The others all hold up with this hypothesis. Yuno is wearing her yellow shirt, the one she's wearing in Tear Drop near the end when she lets out a tear, presumably representative of her murder. Fuuta is wearing the hoodie and mask he wears throughout Bring it On, and he's holding his phone, which does fit doxxing Killcheroy even though it's more generic. Kazui and Mahiru are wearing the outfits they wear in the scenes of their respective lovers' death. Haruka wears his Weakness plain white outfit, which could point to any moment of his narrative, including the murder. And the only times we see Shidou physically kill (cutting off flowers), he's wearing the floral jacket he wears in the artwork.

I want to be clear. For most of them, the relation to the murder could just be because they don't have many outfits in their MVs. However, Muu's, Amane's and Kotoko's feel extremely intentional, and the fact none of the other ones contradict this trend makes it feel like it could be universal.

Which gets us to Mikoto's artwork. And in his artwork, he's holding (what looks to be) a vape pen. John smokes cigarettes, so that's definitely Mikoto. In the murder artwork. So, uh. Yeah. That certainly feels like he must have killed at least one person.

The only small contradiction is that his beanie is nowhere to be found, which is why I don't consider this definitive. However, the fact they specifically chose to make Mikoto hold a vape pen when every other prisoner can easily be connected to the murder feels... intentional.

Point #4: Swing and a hit

More Double screenshots.

So a few weird things. For starters, let's get something straight: there's two murders depicted here. Notice how the first image shows a Kayano swinging with a right-handed swing, then the second shows John (black windows) doing a left-handed swing. The important thing isn't the type of swing, but the fact they're different.

(I know I made some posts at one point about dominant hands, but as my beloved and extremely smart mutual accirax pointed out a lot of the time Milgram characters switch hands because it looks better for the animation, so they're sorta ambidextrous by default lol)

It's not hard to realize if you try to follow the motion yourself. The only way this works is if he swings one way, then the other, which doesn't fit the fact all mannequins are usually destroyed after just one hit. And it's not like it's an animation issue: you can literally fix this by flipping the image.

... Okay it does look a bit awkward but I think it works well enough. It's less weird than the swing changing mid-way through.

To me, this is similar to what I talked about before with the white window murder. John's subconscious trying to convince itself this was John by thinking back to a different murder that has nothing to do with this one. I have no idea if that makes sense.

And then there's the fact the background in the first image is pure white. This doesn't have to mean the one fronting is Mikoto, but why leave it ambiguous if it would have worked perfectly fine with black windows in the background?

Hell, actually, who says we're on the train? This is the only scene in the entirety of Double (apart from the mom phone call) where it's unclear whether we're on the train or not. And as we established, if there is a murder outside the train, it would probably be Mikoto murdering.

And don't get me started on the blood, the eye, and the noise in the background.

First, the background noise in this scene famously has baby crying noises. Could it be we're witnessing John's "birth"? Because if that's the case, then either John was born during the phone call with the mother, which doesn't make a whole lot of sense if you think about it, or John was born during or after the murder on screen.

This actually fits with the close-up of the eye. Despite the fact that "right-hand swing Kayano" seems pretty chill as he attacks the mannequin, right as the scene end, his pupils become smaller as if he's surprised by something. But what would he be surprised about? To me, it feels like "right-hand swing Kayano" was perhaps dissociating (I think that's the right term, please correct me if I'm wrong), and then John is born. Naturally, John gets surprised by the fact the first thing he sees is a dead person, explaining the odd reaction.

Funnily enough, this is actually supported by the very strange blood behavior. It's hard to describe, so bear with me. You see how there's one big orb at the center of the screen? And it starts with one small drop, which enters the orb, and then three small droplets come out the other side? Uh... Diagram?

This isn't normal blood behavior, of course (<- not that I know what normal blood behavior actually is, but I know how liquids work and this ain't it). It's imagery of something splitting, which in the context of alters, fits alongside the baby noises and the weird reaction to murder. Although I fully acknowledge the blood thing falls into the territory of "am I reading too much into this or is Milgram just insane?", so you know. Take it with a few metric tons of salt.

(Funnily enough, it does split into three things. Trikoto win? It doesn't convince me, but the interpretation is valid)

To recap, we have a strange murder with a white background, possible misdirection by showing a completely unrelated murder performed by John, baby noises, imagery of something splitting, and a reaction to the murder which could support an alter being born in that very moment. All of this could imply this "right-hand swing murder" is the moment John is born, which would mean the actual murderer is Mikoto.

Point #5: The tarot spreads in MeMe

This one is very abstract, but it can definitely point to Mikoto murdering someone. Take a look at the two different spreads we see in the first chorus (the first one flashes twice but it's the same).

These things are really complicated, and I should probably do a post about them at some point, but I'm gonna focus on the main things, that being the changes between the two spreads.

For starters, we see that the "querent" card, the one in the middle of The Wheel, is the reversed Hanged Man. Since this is the portrait besides The Fool in the water world thing, it can be assumed the reversed Hanged Man represents Mikoto. Thus, these are his spreads.

Then, the Outcome card of the first spread is the Devil. Since the Devil card on its own also flashes after the second spread, it can be assumed the Devil is also the Outcome of the second spread, as that's the only card which is not visible. Then, as stated before, the Devil card is related to John. This means the Outcome of the situation depicted in these spreads is John. In other words, this is the situation which led to John appearing.

Now we have to establish how we're supposed to read these things. I've explained it in another post, but basically, the only way we can tell how we're supposed to read the cards in The Wheel is by knowing the order they're drawn, so we can determine if the meaning is based on position or draw order (long story). We can do this by looking at the final spread, where it appears the cards are drawn Bottom->Right->Left->Top. This doesn't exactly fit any common way of drawing them, so we read based on position. Aditionally, since this is Japanese media and the card to the right is drawn before the card on the left, middle row of The Wheel is Future&lt;-Present<;-Past. And based on the way the upright Page of Pentacles is placed in the final spread, if the name of the card is to the left the horizontal card is upright, if not it's reversed. If that doesn't make any sense to you, don't worry too much about it, I'll walk you through the important parts. You want a diagram? No? Well, you're gonna get one so-

After clarifying that, we can see that in these two spreads, while most of everything remains consistent, the Future and the Conscious change, the Challenge flips, and the Attitude is revealed. Let's take it one step at a time.

Let's start with the first spread. In the Challenge position (horizontal middle), we have the upright Queen of Swords. This card can represent anything you want tarot reading is so annoying a couple of things, including an authority figure. In the Challenge position, it could indicate there is a lack of communication, that the querent is being too "cold", in the sense they're not expressing their emotions correctly.

Then, in the Conscious position, the thing Mikoto is actively working towards, we have the Ace of Cups. This card can represent new beginnings, new relationships, good fortune, basically "good new things are coming your way." However, there is a slight change between MeMe's Ace of Cups and the IRL version, which could change the meaning a bit.

(No I don't know why MeMe calls it "Cup of Ace" that's just wrong lol)

As you can see, the IRL version has the water from the cup spilling on its own, while the MeMe version has the cup being intentionally spilt on top of a few mannequins. What I think this could mean: if you take the water spilling as a good thing (which is how it's usually interpreted, the idea is that spirituality is overflowing or something like that), the IRL version shows that new good things are coming no matter what, while the MeMe version has the water spilling intentionally because Mikoto is actively trying to cause new, good developments, such as new relationships (we'll get there). That's also why it's in the Conscious position, Mikoto is consciously trying to build a good new relationship.

After that, in the Future position, we have the reversed Wheel of Fortune. This can mean a lot of things, but it mainly has to do with a negative cycle in someone's life. In the Future position, then, this could mean a perpetuation of a negative cycle in Mikoto's life. Thus, in the first spread, if things continue as they are in that moment, the cycle of abuse Mikoto suffers at work will continue.

The Attitude card is obscured. I should note that this card can actually be read in a few different ways, but I think "Attitude" fits best here.

I'll also note the Subconscious card at the bottom of the Wheel ("so below") is the reversed Ten of Wands, which can represent Mikoto is feeling overburdened. Which we know certainly applies to his work.

Let's see here. Mikoto has a problem, possibly with someone in a position of authority, and feels overburdened. This could point to the Queen of Swords being a boss or a manager or something like that. It's upright because Mikoto isn't being direct enough in his desires; he's trying to 'play nice' and build up his relationship with the "Queen", that's what the Ace of Cups could represent. Not like I think his situation would actually improve if he told this "Queen" that he felt overworked, but still, the idea that Mikoto is bottling up his emotions definitely fits what we see of him. If he keeps it up, the cycle of (workplace) abuse will continue, represented by the reversed Wheel of Fortune. This would lead to Mikoto's darkest desires exploding; the Devil is the Outcome.

Let's move to the second spread. The Challenge is still the Queen of Swords, but reversed. This could imply the person giving Mikoto problems is still the same, but now the issue is that Mikoto is being too emotional. Again, there are a lot of ways to read these things, but I think that works.

The Conscious card is now the reversed Wheel of Fortune, which could mean Mikoto is actively aware of and possibly trying to break the negative cycle he's in.

The Future is now the Ace of Cups, which could imply there is a new relationship in Mikoto's future. This is where we acknowledge that the water can also represent consciousness, and in the MeMe version, it is being spilt over mannequins. And...

*sigh* The Ace of Cups can be associated with pregnancy, which fits the whole "newborn" thing John's got going on.

Indeed, I believe the new relationship in Mikoto's future is John, a "mannequin" receiving "consciousness." There is no other thing this could really allude to besides Milgram, which I don't think these spreads reference. However, if this really is about John, that would mean this spread is showing a situation before John's birth.

The Attitude card, which (according to most sources, there are conflicting reports on what the first card of The Wand is) represents how the querent is trying to achieve their Conscious goal, is the reversed King of Cups. This is most often associated with emotional repression, but it can also be connected to violence. Which is very interesting, because John has the same Attitude card in his spread. And we know how he approaches his issues (violence).

So all in all, Mikoto is having issues with an authority figure, and he's (possibly) being emotional about it. He's trying to break out of a negative cycle, and he's doing this either by repressing his emotions or by pulling a John (violence). In the future, this will lead to John's birth, which is why the Outcome is still implied to be the Devil.

This, by itself, doesn't necessarily imply murder. Again, the Attitude could be emotional repression and not violence. The weird thing is that the spread changed. And that means something had to happen to get the Future to change. The change can't have been John being born; that's still in the Future. And the thing we know happened is that the Conscious goal Mikoto was working towards changed, from wanting a prosperous new beginning or relationship to destroying an existing cycle.

Because of that, to me, it feels like the change between the first spread and the second is that Mikoto decided to let his emotions take over (reversing the Queen of Swords) and killed (reversed King of Cups) the authority figure who was causing him trouble, and this caused John to be born.

The final thing to note is that John's Past card is the Wheel of Fortune (upright). This could be read to mean the situation leading up to John's current situation is the destruction of a cycle, which fits the idea that Mikoto tried to destroy it before John was born.

Is this definitive evidence? Hell no! Tarot readings are so ambiguous that I'm pretty sure you can read these to mean whatever the hell you want them to mean. This is just my take on it, I don't even necessarily consider it good evidence because again, if you just take different meanings from the cards you can get whatever. But it's still something.

Point #6: John's insistence

Let's see what John says about the murders again.

[Neoplasm] Es: Can I ask… why you killed them? John: They annoyed me. Es: Who did you kill? John: Just someone who was walking around nearby. Es: … How many did you kill? John: Can't remember. I was first born back then, you know. It's kinda fuzzy.

So, as stated, John may have killed people without fully knowing why Mikoto was angry at them, but that doesn't mean this makes perfect sense. We know their victims weren't just "someone who was walking around nearby". Unless Mikoto regularly carries around a metal baseball bat for some god-forsaken reason, there must have been some kind of premeditation at play. John has to at least be hiding the real reasons for the murders, possibly because Mikoto might consider them shameful (more on that in a bit). This opens the door to the possibility he's hiding more than just that, and that makes a lot of his other claims seem a bit... desperate.

[Neoplasm] John: From [Mikoto's] point of view, he's being blamed for a crime he can't even remember. Es: If that's the truth, then… you're the one who committed the murder? John: Yeah, it's me. I killed them off. Es: … John: So Mikoto really didn't do it. Es: Is this really something that works that conveniently? John: Just put yourself in Mikoto's shoes for a moment! He was bottling up all his stress! He kept dealing with it all by himself the whole time, until it exploded! It's not like he just decided that he wanted to hurt somebody! Es: … John: He's not the type of person who could do stuff like that! He always looks out for others, always reads the room, always tries to get along with people around him! He can't do stuff like that… He was on the verge of exploding! That's why I was born. It's terrible, isn't it? My other self didn't do anything! Es: Even if that's true… Even if it wasn't what Mikoto wanted – someone's life was still lost. [...] John: I'm the one who did it! Mikoto didn't do it! You know that because of MILGRAM! I don't care about the law, I want to know what you think! Es: … John: Please… forgive Mikoto. I'm the one who did it.

The amount of times John tries to take the fall for every single murder is so insane it makes it sound suspicious. Why does he say it so much?

Still, I'll be honest, this might just be confirmation bias, as a lot of these lines can still absolutely be read with the interpretation that John is the only killer.

John: If I, the "John" personality, hadn't been born, I'm sure Mikoto would have reached his limit and fallen apart. Es: John… you… John: It's true that I was the one who wanted to destroy everything… and the weakness of Mikoto, who couldn't stand up for himself all alone, might have been the origin of that. But… that's all there is to it. Is that a sin?

So I don't consider this evidence at all, frankly. In fact, Neoplasm is one of the things which make me doubt the Mikoto-killer theory a bit, but I don't think it outright deconfirms it or anything. I'm just including this because I know some people think he's extremely suspicious here.

Point #7: Small visual stuff

1- The first time we see victims in Double, John's bat doesn't have any blood on it, which could imply the one who killed the mannequin(s) beside him was Mikoto.

2- The mannequin standing in for Death in the Death card is blue, a color most associated with Mikoto.

This one isn't great because you can read it more symbolically, with Mikoto being the main force of change in the system's life instead of someone who brings death. Though I'd argue the mace thing sort of implies something more violent.

3- At the start of Double, we see this:

The guy is shown as a blue and red mannequin, but what's interesting is that the blue part has a skull and the red part has a map thing. I don't consider this very important, but the blue with the skull could be indication of Mikoto having killed someone.

4- In Double, Mikoto is represented by antlers (I think that's what they are) in the same way John is represented by a crown of thorns ("savior", etc).

Antlers mainly represent strength, which feels a bit weird for Mikoto. I'm gonna be honest, I'm not confident on what these represent. But one possible interpretation comes from the fact they are always paired with the lyric (written on screen) "All I did was dream, so you find me INNOCENT, it’s that simple right?". The connection of the antlers with Mikoto's dream could imply Mikoto tried to use strength to fulfill a dream, which could imply he murdered someone to achieve something. Additionally...

*sigh* Antlers fall off after mating season, which could be connected to Mikoto "losing his antlers" after John is born, since Mikoto doesn't have to kill anymore.

I'm sure there are other interpretations, but I don't think this one is too bad.

------------------------------------------------------------------------------

So, all of this, is it conclusive evidence of anything? I wouldn't say so, it's all still pretty vague. However, I believe all of it together points to Mikoto having killed one person, and this is what explains all this in the best way. Thus, I presume Mikoto did kill someone.

Claim #4: Mikoto's Motivations

CW for this section: potential stalking

I've sorta alluded to it in the tarot section, but I believe Mikoto killed someone in a position of authority over him as a result of workplace abuse. In particular, Mikoto was heavily overworked, possibly to the point this authority figure was somehow monitoring his home life and possibly even stalking him.

Let's start by the workplace abuse thing. This is an extremely important point in Mikoto's narrative; it's referenced in his Undercover silhouette shot, it's shown in the messages from "Chief" at the start of Double, the neuron scene from Double, his interrogation questions, etc. Mikoto is being overworked, to the point his boss/manager/whatever talks to him about work past midnight. It would be very strange, narratively speaking, if all of this didn't have anything to do with the murder. Also the whole "Queen of Swords is the Challenge/problem" could allude to an authority figure, which also fits this idea.

So then, what about the monitoring/stalking? Well, there's a lot of camera imagery in MeMe, for one. Most notably in the scene when Mikoto comes home and leaves his bag to the side as he breaks down, relating his stress to the idea of being watched. There's also an abundance of eye imagery in Double, especially in relation to Mikoto. This is also included in the MVs version of the Hanged Man card, which has a bunch of eyes around the mannequin. This alludes to some form of judgement or pressure, (<- Fuuta reference?) which could be connected to either societal pressure or, what I find a bit more likely, the judgement of Mikoto's higher-up(s) in his workplace.

Because of this, I believe one of Mikoto's higher-ups was heavily monitoring Mikoto's life even outside of work, which drove him to the point he felt he had to get rid of them. All he did was dream... of a better life.

This could also be why John hides the reasons for the murders. Even if he is actually aware of the full situation, he could be trying to hide that Mikoto felt tired from work, because in a way it's possible Mikoto would consider that shameful. I hope that makes sense.

Claim #5: Which is Mikoto's kill?

Assuming Mikoto only killed one person before John started taking over murder duties-

(I think that's a fair assumption, I think it would be weird if John only split after like three murders. Like, oh the first two weren't stressful enough to cause a split, but the third one is too much? What? There's something else that makes me think John split after just the first one, we'll get there)

-that begs the question: which one was Mikoto's? Well, since Double isn't exactly reliable for what the murders looked like, I'll only take MeMe's versions into account. There are at least three murders in MeMe: the Subway Murder, the Streetside Murder, and the Trash Bag Murder.

We know the Trash Bag Murder is different from the other two because the murderer isn't wearing a hoodie in that one, a fact which took me an embarrassing amount of time to notice. Unless he went home, changed, went back to dispose of evidence and still had the beanie for some reason (since he throws it away), it has to be different. And probably on a different day, too. Because of that, I'll henceforth call it the No Hoodie Murder.

Let's run through what we have. We see the Subway murder almost in full at the beginning of MeMe, where Kayano swings around his bat flippantly before killing a blonde dude with a simple overhead swing. However, right in the middle of that scene, we quickly cut to the Streetside murder, where we see Kayano hitting the victim with a right-handed swing.

After that we have a scene of John (because at this point it would be John) coming home and taking off his shirt. Since there is a Fool card portrait in the background, I'll call this the Fool Portrait scene. Notably, we never see John take off a hoodie or a beanie, meaning this is probably related to the No Hoodie Murder.

Then we have Kayano doing... something to the Streetside victim. It's unclear exactly what that is; I've seen some people say he's burying the victim, but to me that always looked like he's dismembering them to put them in trash bags. It's not too important, though.

An important fact is that in this scene we see his left cheek is blood-stained. This is consistent with the following bath scene, where we see John brushing his teeth with blood trailing down from his left cheek.

In the middle of those scenes, we see the clean-up for the No Hoodie murder. Trash bags and the beanie are disposed of in an illegal dumping ground.

Finally there's the bathtub scene, but frankly it's not very relevant to this discussion.

So, which one is Mikoto's? I'll start by ruling out the No Hoodie murder. There is an argument for it, though. It's definitely the most hidden of the murders, which makes it suspicious. Since the Fool represents new beginnings, you could argue the Fool Portrait scene shows John's "beginning". And since I said it's probably related to this murder, you could argue that means the No Hoodie murder is the first one.

However, that doesn't really convince me. Unless the Kayanos have multiple beanies (which is possible, but I'd find it weird narratively speaking), this would have to be the last murder in the sequence, while Mikoto's would have to be the first. The fact it was done without a hoodie also contradicts the 3rd Anniversary artwork reasoning, since Mikoto wears a hoodie there, but to be fair the lack of beanie makes the outfit somewhat inconsistent anyways.

Meanwhile, you could argue there's a symbolic implication that John and Mikoto have already split by the time the Subway murder happens, in the way the towers close and behind Kayano have lighting split down the middle between red and blue light.

(Yes this is one of the reasons I'm keeping the red and blue color scheme despite no longer believing RGBkoto)

No, I believe the Streetside murder is Mikoto's. It's technically the first one we see, but more importantly, the location matches Mikoto's prisoner card image, and the swing fits the Undercover kill-shot.

Since Mikoto is the Milgram prisoner, these two things would probably be related to his murder, not Johns'.

Funnily enough, you can also argue that this murder is too expressionless for John. Which sounds odd, considering John is usually the less expressive of the two, but funnily enough, the only times we see John express emotion is when he goes to do a violence, either because he's frustrated at the person who hurt Mikoto or because he's happy to protect him.

[John Doe] John: SHUT YOUR MOUTH!!! Es: *Gasp* John: YOU KEEP BLABBERING ON AND ON... I'M GONNA FUCKING KILL YOU, YOU PIECE OF SHIT! *John continues to beat Es* John: GOING ON, AND ON, AND ON... ALL HIGH AND MIGHTY... LIKE YOU AREN'T JUST A KID! SERVES YOU FUCKING RIGHT! Es: …emember… John: HUH-!? I CAN'T HEAR YOU! YOU'RE NO MORE THAN JUST A KID. YOU UNIMPORTANT BRAT! Es: .........I'll remember you… you murderer…! John: HUH?! *Laughter* YOU PREFER IT WHEN IT HURTS MORE, HUH? Es: ......! John: THAT'S FINE... I'LL CRUSH YOUR FUCKING FACE. Es: Go ahead… and try… John: YOU DON'T NEED TO TELL ME TWICE! *Screams* [...] Kotoko: His technique is definitely that of an amateur… John: SHUDDUP!!! Kotoko: ...! *Sighs* I can't imagine that power from his muscle mass. John: ANNOYING... YOU'RE ANNOYING...! ARGH...!

This even fits the lackadaisical twirling of the bat in the Subway murder. It's one of the reasons I believe that one's John's.

Meanwhile, the one time we see a Kayano swing a bat without emotion on his face is the right-hand swing in Double, which as we established is probably Mikoto. Thus, the idea that John shows more expression than Mikoto when it comes to murdering holds up. The punch at the end of MeMe doesn't count because that's John attacking Mikoto, which is only metaphorical.

Still, this isn't exactly great evidence of anything, since John is still usually less expressive than Mikoto in general.

Anyways, which murder is Mikoto's isn't too important anyways, this section was more to satisfy curiosity than anything else.

------------------------------------------------------------------------------

And that's it! Again, this is just my interpretation and theories, it's perfectly fine if you believe something else. I know it isn't anything new, but I wanted to put it all in one place so I can reference back to it if, say, I'm answering an ask about whether or not I forgive the prisoners' murders (I swear I'm working on it lol). Anyways, take care!

[thenightfolknetwork]

Good afternoon. I hope that you can assist me with a family matter.

I come from a very long line of mischief-makers, extending back for well over twelve generations. And my children all took after the family trade, as did all—well, almost all—of my grandchildren, and while my gaggle of great-grandchildren are too young to be working, they seem to have the knack for it as well.

You may have noted that I said almost all of my grandchildren. This is because of my youngest grandchild. They went to uni, had a strange and unnerving group of friends, got varied grades, graduated, and became… are… decided to become—my youngest grandchild is, you see, well, they’re a… they’re an accountant. A white button-down shirt pressed slacks accounting accountant!

As I’m sure you can imagine, the whole family was a bit shocked. We’re not all strictly mischief-makers; I’m a shenaniganerist myself! Still, none of us have ever strayed that far from the family business.

In retrospect, we really should have anticipated this—they were always a bit less inclined towards tomfoolery than their siblings and cousins. And they are overjoyed with their job, always chattering on about numbers and graphs. Besides, perhaps becoming an accountant when you come from a family that prides itself on chaos is chaotic? Either way, I’m trying to be happy to them, and I am confident that with time, I will be able to succeed.

However, I’m not quite sure what to talk about with them. They’ve always been a bit more distant than my other grandkids, likely because of their interest in… other topics, and this job has just exacerbated that. With the exception of a few reclusive ghosts, I’m the oldest person in my family. And, as head of the family, I’m the figure who people go to when they need help, whether it’s something small, like illusion homework, or big, like setting up an ongoing scheme that’ll run for decades.

I don’t know how I could help with this new profession. Well, I do, but I have a feeling that anything involving dental floss, temporary hair die, and two pounds of mustard seeds isn’t what they would be looking for. I want to show my grandchild that I am here, for whatever they need, and have it be true. How do I do that when I don’t know the right way to support them?

Oh, reader. This sounds like a very delicate situation, and my heart goes out to you. I can certainly empathise with your surprise at your grandchild's chosen profession. But at the same time, I can see how deeply you love them, and want to show that love in a way that supports and validates their identity.

Your grandchild is likely very aware of how different they are from the rest of the family. It's a very good sign that they've felt comfortable enough to share this part of their life with you all, and that they feel able to talk to you about the things they enjoy about it.

I understand that it's important to you to be someone your family can turn to for help and practical support. But that's not all you bring to the relationship. You are valuable and precious to your family beyond the role you play as a help-mate and advisor.

Your grandchild doesn't need you to understand the ins and outs of accounting. They don't need you to work out some way of helping them directly in their career, or to come up with a complicated scheme involving their accountancy skills.

This seems like a very good time to step aside, and let your grandchild take the lead. After all, they're the best possible person to know what will make them feel supported.

I recommend taking them out to spend some one-on-one time together. Don't make complicated plans – this is about spending quality time together, and giving them your attention. Let them know how proud you are of them, and how much you want to support them in their endeavours.

If there is anything specific they need from you, all to the good. You will have opened those lines of communication and let them know you're happy to help. But I strongly suspect that all your grandchild will need is to know that you're there for them, and that you love them. That's quite enough to be going on with.

[For more creaturely advice, check out Monstrous Agonies on your podcast platform of choice, or visit monstrousproductions.org for more info]

[xiaq]

Why do feelings have to be so confusing???

I’ve never been super into labels, but if I had to choose I probably would have gone with aroace. I kind of figured I wouldn’t ever find someone I wanted to be in a relationship with and that was fine.

But now I’m 30 and somehow in a relationship for the very first time with this person that I love so much. And it’s wonderful and amazing in so many ways, but I also feel so crazy with it??

I feel like a teenager with their first crush but also too old for that and it’s like I don’t know how to trust myself in this because I’ve never felt anything close to this before.

Feeling romantic and sexual attraction for the first time there’s a part of me that’s like how has everyone been living like this the whole time??? It still doesn’t feel like it should be real somehow, even though I’m now experiencing it firsthand.

Anyway I don’t know exactly where I’m going with this, but if you either advice or even just stories to make me feel a little less ridiculous, I’d love to hear them!

I think it's really REALLY important to remember that socially reinforced ideas of normalcy when it comes to exploring sexuality are not, actually, normal. A. Because people are people and what works for one person doesn't work for others. While there's obviously going to be a bell curve on the graph of "when do people typically sort out who they want to kiss (or not kiss) and start doing that" there is going to be a steady, not insignificant, number of folks that are on the upward and downward swing of that bell curve before you even get to the far outliers, and that's to be expected. B. Traditionally accepted timelines for building a sense of sexual identity don't apply anymore. The average age for (first) marriage is creeping back each year. In the US in 1900 it was 26 for men and 22 for women. Now it's 29 and 27 respectively. Women, especially, don't have nearly the pressure placed upon them that they used to to quickly find someone who will take care of them seeing as we can now open bank accounts and own property and work for (mostly) equal pay and all that jazz. So there's that to consider.

But also. Humans, human bodies, are never stagnant. You might have heard the fun factoid that all our cells are replaced every 7 years. That's not entirely accurate, but it's true that the body does regenerate skin and bone and liver and stomach, and so on, cells at a kind of mind-boggling rate. There are things that we're born with that don't change like some of the neurons in our cerebral cortex, I think, but as a species we are generally made to adapt to new experiences and environments so much so that our bodies are in a constant state of change themselves. You're just...doing what you're built to do. Something new has happened and you're adapting to it.

And yes, it can be scary and make you feel very vulnerable when you don't have historical relationship or sex-related context like other people your age might have, but that's when you get to lean on friends and/or talk to your therapist to make sure you're approaching things in a healthy way, there aren't red flags you're missing, etc. Because humans are also pack animals and we thrive in communities in which we can share each others burdens and wisdom.

As someone who also had built what I thought was a pretty clear assessment of my romantic and sexual identity over 29 years, only to have it challenged and rebuilt at 30, I fully empathize with the way you feel. But I leaned into the feelings of confusion (and frankly, giddiness, at times). Who says teenagers are the only ones that get to experience first crushes? Who says 30 is too old for self-discovery? You get to decide how you interact with the world. Who cares what other people are doing if what you're doing makes you happy and hurts no one.

[visiblenostalgia]

The Future Of The Internet: Data Sets

(and dominant sign+planet calculations)

as fated by my last post, I’ve since ran the numbers and figured out what planets/signs to look for in regards to the future of the digital space.

FYI:

-> All shortened key points will be shown in the graphs alternative description.

The Process:

(personally, not professionally) calculated planets all have been started with a base value of '1.5' to give leverage so there wouldn't be any wonky zero's and non-values for extra measure. These will be dependent variables based on if there was a case of exaltation or dominance which adds a point, and if they were in fall or detriment to dock them a point. That way, the minimal value that can be traced was a '0.5' at the lowest. The highest (because of adding another point based on how many times a sign got ticked, therefore the ruling planet gets emphasis), can result in a '5.5'.

However, what can be said for the signs, is that all have a base value of '1'. signs have been added points based on how many planets have touched it and which degree they were applicable too (therefore giving them an extra point based on degree theory). These would be our independent variables. Because of the fact it's all based on how many times this sign was marked in the ephemeris at the time of data collection.

Without further ado..... more after the cut

The Content:

Date 1: The Internet

April 30th 1993

In terms of planets:

Because of how new it was back then and due to the fact that it was an open ticket to letting the creativity of the people manifest quickly, small businesses and people alike would begin to put their external or internal personality out there. Hence the Sun and Moon being the two most dominant objects within the chart.

It makes sense because of the rapid non-retrograde cycles for the two Luminaries to rule over the internet. Those change day by day and seeing at how we do things around here in the digital space, you can see where things change without a second thought.

One day it's the Kendrick n' Drake drama. Hitting you in the feels and getting you hyped up for the next drop. The next day it would have been.... god knows what else.

For it to cast lunar dominance also makes sense because of the strong pull to cast out emotionally-pulling articles/topics. Protests have been emotional, songs and influencers have this emotional spin on them, there's nothing stopping someone from expressing their issues on the internet. Hence why there's a bigger influence of people who have had it rough IRL on there. People flock to a place where they can be real.

Sadly though, since empathy also occurs within people, sometimes there's a propensity to worry about someone you don't know about irl. Be wise you never know if it's emotional bait either.

That can align well with lunar dominance as an Achilles heel for it. Manipulation and baiting.

Solar dominance would also and more likely be aligned with influencers. Check out any youtube's chart and look to their sun for a basic run-down on how their internet influence looks. Heck, if you're thinking about your hypothetical brand, what's your sun sign? Look for that!

The achilles heel for the solar dominance? Power. More preferably: Absolute power. You'll see THAT with some political figures or influencers. Dogma. Lots of ego. Not knowing when to slow down.

In terms of zodiacal sign:

Leo, Sagittarius and Capricorn take top spot.

The Leo energy can apply to the solar dominance stuff as stated above. But it's also inclined to rule over beauty standards and lots of glitz and glam. Enhancing the need to be 'popular' online.

Sagittarius would make sense due to the nature of the internet being what I like to call "man's greatest philosophical experiment". Not to mention the fact that libraries do give sagittarius energy as a whole. Internet Archive being a perfect case.

Capricorn as the final taker would have to stand a good case for being a business oriented place. Meant to be a second-hand referral place to a business. Paper-free business cards anyone?

The Possibilities and Vibes (Good):

For Lunar dominance = I don't know why but, being at your relative's/friend's house during Christmas, working on a website at their place while drinking a hot cocoa in the evening with that soft vintage glow of the ceiling fan. It's a second home for your internal self. Your *Alter* ego.

Solar = Pinterest. Lots and lots and lots of 'art hoe' vibes. Yellow colors and sunflowers. The sunflower caseify case for an iPhone. Sunflower stickers for your Macintosh/PC/Laptop (whatever you use).

Leo = wholesome beauty influencers. And I MEAAN wholesome. They bring everyone up legitimately instead of bringing someone down using subversive tactics to make someone think they look ugly. It's the kind to be all about 'good vibes' and even adding in sentences like 'if_____ isn't for you, that's okay! here's some alternatives.' and they go off.

AND LASTLY for our great giant ruling signs, lots of friendship energy. Getting together to have fun. Christmas break energy once again. The internet is a refuge. A vacation from real life whilst also being a place to work and get stuff done. Made for higher learning and business.

In fact on that last point I made. If the little ones weren't on it, I'm pretty sure the respect people have for one another like they did back in the 90s would still exist. (part of the Post-Break energy I see)

The Possibilities and Vibes (Concerning):

Lunar = Propensity to the manipulation and baiting people go looking for or creating online. Mental illnesses. Too much awareness that leaves people thinking too much, therefore poor mental health.

Solar/Leo = Popularity/Clout, unchecked ego

Sagittarius/Capricorn = Ghosting energy. Unchecked power. Hard serves of karma. Hacking. Communicative issues (Sag opposes Gemini (debilitated mercury))

Date 2: Geocities + Yahoo

January 28th 1999

In terms of planets:

The moon seems to still have a hold when the geocities website was acquired by yahoo. So, same good and bad from the above statements on the internet itself.

Jupiter dominance seems to show more of a propensity to expand ones horizons mentally. It sort of aligns well with the past energies of Sagittarius (due to the ruling planet BEING Jupiter). So, because of that, websites and internet hubs that were formally in the grid of being on their own network, hence "geocities", then the acquirement via Yahoo is quite literally a Jupiterian move. Choosing to merge and expand horizons for online dwellers.

In terms of zodiac signs:

Aquarius takes the top spot. Very much adding onto the effect of how humanity can turn their own piece of the internet into a hub for their own niche group. Must this point be the start of forums? Most likely.

Taurus sets itself up to be the next dominant sign right after Aquarius. Which, for Yahoo at the time, this was a big financial win for them. A good move to boost revenue while the people gained a positive aspect to be seen by more people online. Increasing availability and access to the people.

The Possibilities and Vibes (Good):

Because we look back on that now with nostalgia, it brought up the influence of Fruitger Aero. Or at least was the catalyst of it back then. Aquarius' ruling color IS an ice blue while Taurus has the earthy green tones that add to the welcoming energy of this proto-2.0 internet.

Gen Z and Xennials happy place. Lowkey was more fun back then cause of it, right?

The Possibilities and Vibes (Concerning):

Aquarius does have some bits of edgy humor. Many sites that were dedicated to some people's internal lives were sorta... gothic and sometimes even a little uncanny to be fair. But that was the allure of the internet since we had respect for people's aesthetic decisions. Everyone's ma'am's and grams wanted in on it. And you ended up going in too cause you were curious.

It was sort of like how the boomers said 'the kids played in the 100 degree weather with a metal slide. but they grew up and did okay' kind of energy.

For older Gen Z's (20 & over btw (basically myself as well)) it might go a little something like this; 'we went on supposedly haunted websites, played grand theft auto on the '360 and played slenderman games as well as found adult party websites cause we thought we were cool for doing so. it was funny and sometimes still is today, but we grew up alright. Right? Some of us have gone off to college...." you can include the rest here. Go nuts as you wish.

Date 3: Neocities

June 28th 2013

In terms of planets:

Lunar dominance still has some sway. Same for Jupiter in close third. Take what's been said above about the conjoining and accessibility of Geocities and Yahoo as reference.

The biggest dog by far here has got to be Neptune. Because of the fact that at the time of this website coding hub's creation also coincided with the first ten degrees of the Neptune in Pisces transit, there's a lot of illusive and mysteriousness to the vibes of the Neo-y2k internet. Alt/indie-sites were much on the chagrin of the looks of proto-2.0, but have also been inclined to be inclusive and welcoming to all those that wish to be here. Increased sensitivity and overbearing energy. A 'don't hurt them they're small' energy.

In terms of signs:

Cancer and Pisces dominance.

Notice how this place doesn't subject you to push for anything other than a hub to kick back and relax in. Scour through the psyche of many people and learn what they're into. Not to mention this also acts as a place where people can ignite their 'alter-ego's once again.

There's no need to be a business here. This is all for hobbies and nigh else. Sometimes it can also work as a family blog. And that makes sense. It brings people together to show what kind of coding they can pull off.

The Possibilities and Vibes (Good):

Lunar/Jupiter/Cancer= A second place to call home returns. The Alter Ego can return. Respect comes back full front and center. The vibes of being around the Christmas tree or with the universal/generational/found family come back.

Neptune/Pisces = you can create... whatever your heart desires. Because the internet has expanded so rapidly over the years after the merger between yahoo and the former geocities, there's so many textures and designs out there for people to use and conceptualize. Truly a place to get creative without scrutiny.

The Possibilities and Vibes (Concerning):

Cancer/Pisces/Moon/Neptune= Due to the way that the world works now, it's tough to get into. It's not like Wix and with people tending to now procrastinate (because of the technology addictions we've been getting ourselves into), it's rather small and niche. Nothing is ever handed to you on a plate, and it shows in some of the sites that people take forever to master/decorate it due to how much their own personal life outside of their tech takes up.

Jupiter = ..... I will say this much about it.... I find no negativity here with this planet when it concerns the iffy vibes I get with Neocities. It's just the struggle of finding your feet here.

For the future of the internet:

Points to check:

Anything aspecting Neptune or wherever Neptune transits to. Online culture and pop culture follows

Jupiter for how information and higher thought processes are taken into account

The Moon for the drama and what/how people will be beefing about in the online space

My predictions (shortened):

BREAK (which seems more likely with all the rage being sent everywhere online and especially within comment sections in certain places):

Smaller sized networks. More individualistic networks. Like Neocities, Tumblr and Discord will gradually be flocked to.

Great decrease in social media by some generations. (If parents don't watch their time on social media, the kids won't either. be a good model is all I can say)

Greater emphasis on learning how to use the tools we're given (at least with the upcoming Jupiter in Gemini transit)

If there are kids online (17 and under, yes I'm calling that out), they're gonna be talked to about the dangers in being online. Communication on the digital space. Confidentiality being the big main issue. Figuring out what's real and what isn't. Separating yourself FROM the addiction before the brain fully develops.

If political content reigns somewhere, may it be 4chan forever and always. Reddit seems like an easy blame, but 4chan is most definitely the place for political slander and content.

Big names like X, Meta, Wix and Youtube for example are gonna be the center network. People will still do their content through there, but it's greater emphasis on business suggests children shouldn't be roaming there in the first place.

Your best case of kids on the internet would be on Edmodo. If you don't know what that is, look it up. I used to use it back in the day during my days in elementary school because they were experimenting with that sorta thing.

As always, take what resonates and I hope y'all's weekends go well.

Thank you for your time in reading the statistics and the ratings. I hope I made my mark well!

See you on the flip side!

~visiblenostalgia

[emperorbubblegum]

This is gonna be another long-ish spoiler post for F/SR, so don't click if you haven't learned Rider's True Name yet

Also slight spoilers for Fate/Extra CCC Foxtail and maybe Shimousa but those are old enough that I doubt people care

I really need to hear the opinion of someone who doesn't know much about Fate play Samurai Remnant. I feel like most of us where able to guess a lot of the new Servants based off connections they had to pre-established ones. Rider's probably one of two exceptions because her reveal is supposed to be this huge "what the fuck" moment - and it is, but I feel like that mostly hinges on the player knowing Fate's version of Minomoto-no-Raikou.

Ushi Gozen has been teased for years. Raikou's always been one of the many Servants that mentions how her Berserker Saint Graph isn't the only one we might aee of her (edit 1: I didn't play FGO when it first released so I didn't know this, but apparently Ushi actually shows up in the same event Raikou's introduced in). In Foxtail, we see her used as a prarallel to Suzuka, since both have connections to Oni. The most prominent tease is in Shimousa, where we actually see Ushi Gozen appear, but with the same design as Raikou for budget reasons I guess (edit 2: No we don't, that's just Raikou, but she has the Rider class so I misremembered her there as Ushi Gozen). And now she's actually here! She gets her own game! And she looks...

Girl what the fuck happened to you

I really like both of her designs to be honest. She's one of the few Servants to be wearing actual samurai armor, and she's the first to wear the helmet too I'm pretty sure. Then after Saber kicks the shit out of her, the armor falls apart and we see that she's in a much worse state than any of us expected. Her hair's cut short, her eyes are dead with noticeable bags, her skin's paler than it was before, and she barely looks like she's eaten anything. Those last two could also be said about Raikou (Raita for the love of god learn to draw human women properly) but on Rider they're noticeably worse. Also she seems crazier than her Berserker form, albeit a different kind of crazy.

When we fight her the second time in Chapter 5, she shows up with these awesome robot-like spider legs reminiscent of what Ushi-oni are usually described with. She doesn't look human because her humanity was seemingly beaten out of her. Raikou tends to suffer from what I like to call "the Altera Problem", where if used right she can be a really genuine and badass character, but 90% of the time she's used for jokes and to get people's dicks hard. However in things like Foxtail, or Shimousa (which is even more apparent in the manga), or Heian-Kyo we get to see her for how she really is, which is A) terrifying and B) a hero worthy of going down as one of humanity's best. Rider is only that first one. No jokes, no big tits, just pure unadulturated "you're gonna die" energy.

Rider's the first Servant we ever see in Samurai Remnant. She's the first one Iori encounters, leveling his house in the prologue and acting as the tutorial boss to show the player "hey you can't fucking take these guys on", and in the teaser trailer (which shows that scene) she's one of three Servants who are actually shown to us - the other two being SR's Saber and everyone's favorite bisexual dimension hopper, Musashi. I could write a whole other post about Shousetsu and Iori (maybe I will who knows) but Rider follows their dynamic. She's a strong parallel to Saber. Fuck she basically is Saber if they didn't have people like Ototachibana-Hime and Iori to keep them grounded.

All of the new Servants are super cool (with the exception of Caster that bitch ass nerd), but I think Rider's possibly the coolest. I mean, I've been wanting Samson since I got into Fate and you haven't seen me make any real posts about him because Minamoto-no-Raikou, one of my least favorite Servants, has got me in a vicegrip. I don't know if she's my favorite, but I'll definitely be saving for if she ever comes into FGO

[tweexcore-undrgrnd]

being a volta fan really is the ultimate superpower to counter newgen "you're old when you're 30" mindset like wdym. ermmm. do you not see these fine ass musical geniuses??

I love that they were grown ass men with their shit (kinda) figured out doing stuff. they were so needed in their time. too many literal babies out being famous and having their teenage antics broadcast to the whole world. they (kinda) kept their bitching private

(the graph of how much they bitched about each other and the correlation with their age would be such a funny one that shit went MENTAL the older they got then suddenly dropped again (Joy and peace era))

um anyway um idk I lost my train of thought about this post I can't think of anything to say other than I think they're really fine ermm gay disease got me ermm it's July faggot thoughts to the back of the brain please.... um . oh my god I'm so sorry I actually can't get my mind off this so uh

you know the really fast picking parts in Cygnus? the little riff that eventually expands into that whole bit. and the time signatures go absolutely off the rails yeah that yeah that's so fucking hot I'm sorry I don't know why but there's something in the tone and energy of that song which is so intrinsically linked to having concert lights flash in your eyes and being kiss-drunk and gasping for air in a mosh and throwing yourself straight into adrenaline abyss on a gamble jump

and then everything just slots together really well and you black out mentally for the end of the song because it's borderline unprocessable after All That but still it is so much and at the end really you're just sitting there thinking ". " (⁠⊙⁠_⁠◎⁠)

nobody else on that one? oh ok cool that's fine

can we agree Cedric totally flew the cunt plane into the mother towers here though

love her forever and ever she's so majestic

[lady-fey]

Setting Expectations for Writing Fanfic

Before embarking on any creative endeavor, it's really important to set your expectations for what the results are going to be. It's why I highly, highly encourage people to research the hellscape that is professional publishing before trying to get something published. But these expectations aren't limited to the professional world. They apply to fan spaces, too. I see a lot of people on disheartened by their experiences with fanfiction so, today, I wanted to talk about a few things that I do when writing on AO3 to make sure that I don't get discouraged while writing.

Suggestion One: Treat Kudos as Comments Saying "I liked your story" or, if you're a bit more cynical, "I read your story to the end"

The kudo button is at the bottom of the page. For you to get a kudo, someone read at least the whole first chapter. That's honestly impressive. A total stranger was engaged enough to read every word that you wrote. Be proud of that! I'll click away from a reddit comment if it's boring. A 1k story? It's gotta be engaging for me to engage.

If you're like me and you like data, take this a step further and consider tracking kudos over time. A number on the page might not mean much, but I find it fulfilling to see the numbers go up over time as more and more people read my stories. I have an excel sheet and I write down the kudo counts for all of my stories anywhere from once a week to once a month. Look at all of those pretty trend lines! (Fanfiction.net did this for favorites by default, btw, this wasn't an original idea). I also added a few notes about why the trend lines look the way they do.

Suggestion Two: Learn what a reasonable amount of kudos looks like for your fandom

Those graphs up there are for stories in two different fandoms. The yellow line is for a story that's in the top 3% in its fandom. Meanwhile, the dark blue line right there at the end just barely made it into the top 10% even though it has about 3x the yellow one's kudos.

How do I know this? Well, AO3 lets you sort by kudos and, if you look in the URL, then you can set the page number, too. One of the first things that I do when entering a fandom is go to the middle of the story list and see what the kudo counts look like at that 50% range. This gives me a good idea of what the average story is going to get in this fandom so that, when I start writing, I don't feel disheartened by some arbitrary expectation of what the kudos are going to look like. You can further refine this by doing things like limiting the stories to ones that feature the pairing that you're writing for or stories at the same rating as yours. (That blue-ish purple line at the bottom is an E fic and I knew when I put it out there that it was going to get about that many kudos just based on how E fics work.)

Also be sure to look and see how active the fandom is. I once made the mistake of writing for a video game years after its release and I ultimately abandoned that fic because no one was engaging with it. If I'd payed attention, then I would have realized that was going to happen before I started writing just based on the amount of stories getting updated. If there aren't at least a few new fics of updated fics every day, then realize that you're in a "dead" fandom and you're not going to see much or even any engagement. Decide if you're okay with that before you put your story out there.

Suggestion Three: Ignore the "Hits" on your fic

AO3's hit counter is somewhat useless. While those who have accounts will only ever get counted as one hit, anyone reading in anonymous mode will get counted as a unique hit based on IP. Which means that, if I'm reading on my phone, my one read can count as multiple hits if I switch networks and then the page refreshes or I go to a new chapter. I'll also get counted as multiple hits if I switch over to my tablet or my laptop. This means that the hit number is artificially inflated, especially for longer works. You have no idea what the real hit count is, so don't obsess over it. Especially if you write longer fics. To illustrate this, look at these hits to kudos for two of my fics:

Top fic is at almost 100k words and the bottom one is just below 10k.

Suggestion Four: Don't expect comments

The reason that I spend all of this time tracking kudos is that comments are just never going to be in abundance. It's the reality of writing. And while that's disheartening on some level, it's important to just accept that fact before you start writing. The fandom stars that you see getting tumblr anons and emails begging for updates are rare exceptions to the rule. Their experience is not common even for "popular" writers.

The orange fic in the graph above was lucky enough to make it to the top page of its fandom when you sort by kudos. I have an older fic that's still in the top 10 by favorites over on fanfiction.net. I am, by some metrics, a "known" author. However, my reader interactions for those fics were not substantially different than my interactions for my less popular ones. I rarely get anyone popping over to tumblr to say hi (though you are welcome to do so!) and the more popular fics don't even get that many more comments. A fact that's true even if they're in larger fandoms.

To illustrate, here's the stats for two complete fics of about equal length (10k), both written by me! The top one has 7 chapters, the bottom one has 5. They were both written and published over a few days. Notice how the comment thread count is about the same even though the top one is way more popular?

I will note that the bottom one has been out for a year while the top one is only a few weeks old, so it will have comments trickle in and raise the number over time, but it will never see a major jump unless it performs differently than everything else that I've ever written. The bottom one is also for a fandom that's been around for almost two decades now, so the readers skew older, which is probably why it's a little better for comments.

Better, but not shockingly good.

I know people say that, back in the fanfiction.net days, you got more comments, but I personally don't find it overwhelmingly different. The orange fic in my graph (my "popular" one from AO3) averaged about 13 comments a chapter while it's ffn "equivalent" was at about 39 comments a chapter. Of course, that's comparing between fandoms, which makes this awkward. I do have a way to gage the relative popularity, though: kudos.

If I look at the ffn fandom over on AO3, the top fics all have at least 3x the number of kudos as the top fics my orange fic's fandom. 13 X 3 = 39. So, yeah, not that different as best as I can tell.

Either way, the number is pretty low when you look at how many people are reading these stories. The orange fic has 1100+ kudos and the ffn fic has 2,200+ favs (the closest kudo equivalent). In other words, in the 10+ years that I've been writing, I've never reached a point where I didn't recognize commenters by name. It's just the nature of the beast.

So, cherish the comments that you do get, but treat them as an unexpected gift.

Suggestion Five: art if you can

If you're at all artistically inclined, illustrate moments from your fic and post them on tumblr with a link back to the fic. That often wildly increases engagement for some reason and is why a lot of seemingly popular authors are also artists. I don't have the skills for it, but I thought that I'd mention it both to help expectation set and to hopefully encourage.

Final Thoughts

This whole post has been to encourage, honestly. I know that writing can be a struggle at times, but know that you're not alone in wondering if people are reading you stuff and, if they are, do they even like it? Those feelings are normal, but I hope that this does something to mitigate those feelings. To show that we all struggle to get feedback, even when we write "popular" stuff.

It's why I started tracking kudos. The lack of comments made me sad, but I remembered those graphs from my ffn days. I remembered getting excited watching the line go up for every new favorite because it was another person who like my work. I wanted to recapture that joy.

Looking at my kudos in log form has changed the way that I see kudos. They're no longer just numbers sitting there. They're an active metric for me. They're real people who I can say with certainty read my story. Going in and doing my log is fun because, slowly but surely, the numbers go up. Those numbers tell me that more people have read my stories and I know what stories can do.

Stories brighten people's day. The fact that you could write something good enough for even one person to make it to the end is more potential positive impact than many people will have. So watch the numbers go up and remember each one is someone you affected so much that they let you know about it. Even if all they did was "click a button".

[mlobsters]

supernatural s8e11 larp and the real girl (w. robbie thompson)

expectations, subterranean. i think, on the whole, cringe levels peaked in the early seasons (tall tales? that the one with the purple nurple [and Becky 😬]). but i don't want to raise my expectations accordingly, rather be pleasantly surprised.

DEAN Yeah, well, Kevin's on it. And when he finds something, he'll call. So we wait. Look, we have both had a rough go over these past couple of weeks. And, uh… I know what you gave up wasn't easy. Maybe we ought to take the night off – go see a flick, hit a bar or two, have some fun. You remember fun, don't you, Sammy?

no fun allowed here! least you can do after you break up for each other, show him a good time

SAM Working a case. As long as we're waiting on Kevin, that'll be our fun.

barrel o' laughs

DEAN Well, the FBI is all work… [he looks at SAM] no play.

cute

SHERIFF These kids today with their texting and murder.

the way he delivered it made me laugh i will admit

playing this dude's grief for his friend dying for laughs, i know it's a thing, and it still makes me ragey

i do like that dean is starting to get into the idea, earnestly, as he should. just like playing cowboys

her hair color and makeup are gorgeous, especially in this lighting. and i kind of love seeing her hair be frizzy and not perfect? it's very smooth in the next scene which is, while very pretty, also a bummer :p

if i saw this out of context i would 100% assume it was photoshop.

dean's favorite, dress up time! handy they had a nice looking spare costume all ready to go

CHARLIE You sent Sam a phantom text from his ex? Dick move, sir.

tell him, charlie

CHARLIE So he found some normalcy with this chick, and now it's gone... again. Thanks to you. DEAN Yeah, well, now he's more committed than ever, so there's that. But, trust me, this life – you can't afford attachments. You just got to... let go. CHARLIE Are we still talking about Sam, or did you break up with someone, too? DEAN Me? CHARLIE Yeah. DEAN No.

even if we're no homo-ing benny, a breakup with a close friend can be just as/more devastating than a romantic breakup. also always funny the way they throw around the no attachments type talk, when sam and dean are fused together

the bonding and the little bits with her flirting with the ladies, all very sweet. they mesh nicely

how uncomfortable i am embarrassment-wise could probably be very nicely graphed with how many times i need to pause. this hasn't been the worst, but there's been a lot. probably 10-15. onward

queer ladies kissing, yay! cutting to dean for his reaction every time, boo

DEAN So, what's, uh... what's next? 'Cause no fun, right? Look, before you say anything, I get it. No amount of fun is gonna help you get over what you gave up. You just, uh... you need time, right? SAM Yeah. Thanks. And you're right. Having fun won't help me. It'll help both of us. Shall we?

now that's love right there

also, the little ponytail is adorable

made it through. that was a little rough but a variety of redeeming moments to help ease the way. i thought the fairies were going to be like.. the type you do not want to mess with. deals and such. the magicians had those kinds of fairies, for reference, even though sera's not with the show at this point now :p

[overmorrowrpg]

MANIA KARINE NOTTURA — 28, M — MAGIC.

A HAGSTONE WASHES UP ON THE SHORE. You find it, you of the eternal gazes, you of the endless wanting. You find it and you find yourself— hole through the center, buffeted by the waves of others into the form you take now. How does the saying go? You're born under a bad sign. Or maybe a star simply laughed in the hour of your birth, and there you were. But really, it does not matter where you are born of. What you are born of. What matters is the smell of sea water gone rancid, the way that the mysteries of the world unravel under your fingers. Most have magic, rivulets of control thrumming in their veins, but you: frenetic fingers flicking through a book, pilfered from a woman who will never miss it, believe that you might be the one to perfect it. You were never one for the rhyme or reason of The House Above The Waters, their rhetoric classes and persuasive speeches, their seminars on successful communication. WHAT IS EASIER TO COMMUNICATE THAN POWER? Than hunger? Ghosts and gods folds under the weight of your history, gutter rat dreaming, cutting through the frigid air. There is no sleep for hungry things, and you, who only know the shape of your want through the way that it eats through your being, take the means and weave them into ends. You only want control— over your life, your destiny, your name. The rest could perish in your quest. It would not matter. There has only ever been a vicious ache that you are running from, a untenable and uncertain future to run towards. Where will hunger go when it has been sated? Will you ever find it?

CONNECTIONS

PRAGMA — A HUNGER STILL UNRAVELING.

FINGERS ACHE, EYES STARE. They are a marvel, an oddity. They are something that ought to not exist. Most ghosts only linger as echoes, memories and emotions clinging on to the skin of the world in discombobulated folds. But PRAGMA is different. PRAGMA is a thing still living, a mind whirring akin to your own. In your own fascination, you nearly miss the way that they trail you, ever hopeful, ever unsure. Your fingers ache, wanting to reach into their insides and see their secret for yourself. If they want answers, you might provide them— but are they willing to let you take your due?

STORGE — THERE IS NO REASON FOR THIS, ONLY A STARVED DOG'S LOGIC ABOUT BONES.

It's not that they're not deserving— by whatever metric that might be measured by, and really, people are so strange about their metrics, their measures and their graphs. But it's that you know you could be better. Sharp eyes watch the way that STORGE conducts their movements, the routine of a soldier still laced through their movements. The others flock to them, find solace in the direction given. But fingers twitch, eyes blink. MOVEMENTS COME LIKE THE TICK OF MACHINES. They are simply too predictable, too set in their understanding of what must be done. In the dark quiet hours, you dream of what you would do in their stead. What you might do if loyalty could be held like a leash. Hands twitch, fingers shake, as you reach for their throat.

EROS — I WANT EVERYTHING YOU HAVE.

It's the sort of attraction that ought to fade. The sort of feelings that have no place in the cavity of your ribcage. THEY ARE BOTH DESIRE AND LOATHING— apathy is a cardinal sin in your world, boredom a word you cannot endure. There can only be hunger. And yet, they make light of your need, your ever busy fingers. They are far too soft— child coddled by luxury, an absence of need— and yet all your plans are transformed into foolish fancies in their mouth. This is not affection formed from delicate touches and the looks of a lover's language— this is something that you have no name for, which races through your veins with a fire's vitriol. Do you want them at your side? Do you want them kneeling before you? Do you want to lace your fingers through their life and watch as the whole thing unravels? You cannot even tell for yourself what the meaning of this feeling that nestles close to your heart is. All you know is that it might be the blade to undo you: you must refuse to relinquish it.

TAKEN BY KIERA ✧ XING YE ZHI JIAN

[rogalion]

I absolutely love your weather rants from a fellow trans guy who's now got a special interest in meteorology. Apparently. Ahhh!!!

(THE FACT THAT IF YOU CAN SEE THE TOP OF AN ANVIL CLOUD FLATTENING MEANS YOU CAN SEE THE FUCKING TROPOPAUSE MAKES IS SO FUCKING COOL AND JUST ALFJDIDJSIDJD).

(also the lack of standardizations on soundings is kIlling me too as a self taught meteorology nerd. I would like to know For Sure if I'm looking at the saturated or dry adiabat!!!!! Ahhh!!!

Also. Plotting hodographs. *what the fuck. Why is the compass the way it is. It's UPSIDE FUCKING DOWN???* I assume there is a reason for the meteorology compass and the hodograph compass to be different but *why????*

I love the nws I do truly I would love to work for them/the NOAA and they provide basically how to read their soundings too but there's like. 2 things I'm Not 100% sure on and it's driving me mad.)

Also I'd love to see how you get from raw to tabular data to the sounding if you want, I'm honestly curious.

Also. Do you also want to launch or find a radiosonde or is that just me. I really want to launch one.

IM

this has made my fucking week istg omg omg

So another fun fact about anvil clouds and that they flatten out when they hit the tropopause because that's the no weather allowed zone is that there's something called an overshooting top where basically you get a bubble of a cloud that goes above the anvil and into the tropopause and you get that when the updraft is strong enough that it forces the clouds over the tropopause! You can see this on a skew-T because the dew point line will stay close to the temperature line through the tropopause.

I don't know a lot about hodographs just yet it's not something I've been taught much about just yet (for example I didn't know the directions are upside down from a conventional compass) but I'm sure I'll post a rant about it when I learn more LMAO.

So working for the NWS requires a few things and that's a career path I'm looking into but I've also just finished my first year in my meteorology program so we'll see what happens.

As for launching radiosondes-- I've launched several, actually!

I'm the guy with the shades (they're my normal glasses it's just sunny and I have transition lenses) and here I'm holding the balloon before we launch it.

I go to a school with a strong meteorology program in New Hampshire called Plymouth State University, and we get a LOT of chances to talk to people from the NWS and the private sector as well as learn and use very practical skills such as launching radiosondes, graphing skew-Ts by hand, and so on.

I think I've launched at least five radiosondes at this point and I'll quickly lose count in the future. But if Meteorology is a career you're interested in going for, it will in all likelihood involve seeking out a bachelor's degree at minimum which all this boils down to, hey, join us :) there are at least three trans people in my program!

for soundings also, the raw data is collected through graw's program and graphed automatically on the computer. We just have to set up the radiosonde and antenna beforehand-- it's a whole process and I'd love to explain it more in another post I think but it's pretty bland tbh haha

also for saturated vs dry adiabats: the saturated ones are weird and curvy and the dry ones are nearly straight so they're actually pretty easy to tell apart once you know, but knowing is the hard part with skew-ts for sure.

Thank you so much for this ask I'm SO HAPPY to hear you enjoy them fr fr

[shadesofmauve]

This is a diversion from OP's excellent point, but reading the omments on this makes me try to think of how you could set this up well, as a teacher. (Teaching is a brutal job I'm really glad I don't do, but sometimes I still have thoughts about lessons plans).

Even when things weren't disasters, most of my high school science classes ran into related issues. The only actual science experiments I did were in elementary school. (I got a null result! But it was an actual result of an actual hypothesis I actually came up with, in an experiment I actually designed! None of which was true of later 'experiments.')

If I was teaching science, I'd want to distinguish between a demonstration project and an experiment. It's fine to do demonstration projects! Get your hands on something and see how it works for yourself. But it's not an experiment. You're repeating a known procedure for the eleventybillionth time, and even the dimmest bulb in class knows that a different result is likely to be operator error, not real data.

So if it's a demonstration project, let students know that.

And then help them design actual experiments.

And... (I'm gonna get science-flamed for this)... maybe bring in the whole hypothesis thing later? Or at the very least, bring it up very differently.

We learn complex skills by breaking them up into smaller, more achievable chunks. So do that. You can have lessons entirely on observation. The seedling 'experiment' is actually great for that! No predictions required. You've all got different seeds. Start by describing them. Plant them, describe that. Leave them in the god damn classroom window -- kids have too much homework. Part of every class day is the day's observations. Graph the different times to sprouting.

Now you've worked on documenting observations and procedure, and planted the idea that in this class, not everyone will have the same result (different seeds, remember)

If a seed doesn't germinate, or a seedling dies, talk about it as a class. Why might this have happened? Now you can explain hypothesis. How might we test that? Now we're talking about experimental design. Run some of those experiments (maybe as a class?).

You have to build in room to fail, and you have to build in room for open questions and discovery, because that's what science is about. But it can't be a trick, or students are going to use the absolutely-correct school-survival skills they've spent their entire classroom life learning.

Story time:

In middle school biology, we did an experiment. We were given yams, which we would sprout in cups of water. We then had to make hypotheses about how the yams would grow, based on descriptions of yam plants in our books, and make notes of our observations as they grew.

Here’s what was supposed to happen: we were supposed to see that the actual growth of the plant did not resemble our hypotheses. We were then supposed to figure out that these were, in fact, sweet potatoes.

What actually happened was that every single student in every single class lied in their notes so that their observations perfectly matched their hypotheses. See, everyone assumed the mismatch meant they had done something wrong in the process of growing the plant or that they had misunderstood the dichotomous key or the plant identification terminology. And, thanks to the wonders of a public school education, everyone assumed the wrong results would get us a failing grade. We were trying to pass. We didn’t want to get bitched out by the teacher. Curiosity, learning, science - that had nothing to do with why we were sitting in that classroom. So we all lied.

The teacher was furious. She tried to fail every student, but the administration stepped in and told her she wasn’t allowed to because a 100% fail rate is recognized as a failure of the teacher, not the class. It wasn’t even her fault, really, though her being a notorious hard-ass didn’t help. It was a failure of the entire educational system.

So whenever I see crap like Elizabeth Holmes’s blood test scam or pharmaceutical trials which are unable to be replicated or industry-funded research that reaches wildly unscientific conclusions, I just remember those fucking sweet potatoes. I remember that curiosity dies when people are just trying to give their superiors the “right” answers, so they can get the grade, get the job, get the paycheck. It’s not about truth when it’s about paying rent. There’s no scientific integrity if you can’t control for human desperation.