#and you have to be like. don't. i'm a fanfic writer talking about an idea *i'm* writing. it's not a freebie for the whole fandom

[discordiansamba]

peak fanfic writer experience is when one of your brainstorming posts about an AU you want to write gets hundreds of notes but almost nobody scrolls down to the notes to click the link to the actual fic that you left at the top of the replies. including people asking where the fic is. it's right there. just check the notes.

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[ekingston]

Hi; I don't know if you're still following the word-stream stuff, but the app is back online on the app store as "booktok - books and podcasts". The reviews marking it as having AI scraped data are still on the page itself, even though the name has changed, and duckduckgo still directs to their page if you look up "word-stream audiobooks"-- although if I don't know how long that will last. The website is seemingly gone, but the app still presumably has access to all the stolen works in the database.

Best regards, -someone else whose fics were stolen

yup

word-stream is back

it just calls itself—in an obvious attempt to profit from the TikTok upheaval—BookTok, now. and it’s not just the app, either: the whole website is back online, same as it was just before Cliff Weitzman took it down.

(in case you missed it, here are the original story & the update.)

fortunately (so far) the fanfiction category hasn't been re-added, but if you go to the store page for the app you can see that it’s still using 'fan-created universes' as advertising.

Weitzman didn't register the app under his own name this time, but through something called 'Oak Prime Inc'. hilariously, however, the email address listed in BookTok's privacy policy still refers to word-stream.com, so if Cliff was trying to scrub the connection between Speechify and his BookTok app, he didn't do a very thorough job.

here's the thing (and i'm about to put this up in a separate, more easily digestible post): if you take a look at the terms & conditions of Cliff's other platform, Speechify, it claims a truly comprehensive license to use the works uploaded to that platform in any way Cliff sees fit, including publishing and monetizing it elsewhere. and i keep seeing posts on Reddit and Bluesky from both readers and writers, happily using the Speechify app to read fanfic, advanced reader copies and their own yet-to-be-published work to them.

this is a BAD IDEA. Cliff has already proven that he will take work authored by others without their permission and redistribute it wholesale if he thinks it might make him money.

Cliff is the financial beneficiary of both Speechify and word-stream/booktokapp. it seems pretty obvious to me that he's trying to claim, via Speechify's terms & conditions, that every work uploaded to Speechify is his to do with whatever he pleases, which naturally includes moving them to this other platform so he can charge people for two subscriptions instead of just the one.

thank you so much for keeping an eye on this, anon, and for reaching out!! like i said, another post will go up today about the above, but i'm going to ask you all to help ensure that my posts & my name aren't the only ones giving voice to this message. when i tried to approach people about this issue on social media, often the—completely justified!—response was 'why should I take your word for it?' and Wikipedia only allowed the mention of Weitzman's copyright infringement to remain on his page when 'The Endless Appetite for Fanfiction' was listed as a source.

it can't just be me. DON’T take my word for it. do your own research (i would love to be proven wrong about this!), talk to your friends, engage with posts on social media similar to the ones i mentioned above (those are just some examples, don’t pile on to the OPs!) and make sure people know what they're jeopardizing. help me protect authors from money-grubbing shitheads like this one.

[elfwreck]

I have a friend who isn't anti-porn but it makes her sad that fanfic has a reputation for being porny and usually not very good. I'm fine with both those things and my views mostly align with that of AO3. I disagree with the idea that porn and badness are treated as equivalent, but for most people that's just how they think. But I was wondering if youve ever written something about this?

There is a lot of smut at AO3.

There is a lot of bad writing at AO3.

There's a lot of badly written smut at AO3.

...None of those are problems except for the people who think there is something wrong with those existing, or that there needs to be some external value that "balances" those that make those acceptable to exist as unwanted side-effects of "the good stuff."

The badly-written smut is also "the good stuff."

It's part of the reason AO3 exists. It's not intended to be an archive for "the high-quality fanfic that could be published if it weren't about characters that someone else wrote first"; it's an archive for "what fanfic writers want to write." That makes the terrible writing and the tacky porn and the badly-written tacky porn part of the reason the archive exists.

Tangent 1 (I'll connect these points later): Theodore Sturgeon said "90% of everything is crud." He was more-or-less referring to the science fiction field in the 50s, but it definitely extended to politics, business, and writing outside of science fiction.

...He was talking about published books in the 50s. Turns out, a lot more than 90% of writing is crud when there aren't any gatekeepers between it and the readers. But also:

Tangent 2, from the book "Art and Fear":

[A] ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work – and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.

You don't get to "quality writing" without going through a lot of crappy writing.

That doesn't mean the crappy writing is garbage to be thrown out. If you make 50 pots or bowls or vases, and only one of them is The Good One... most of the rest are okay. Maybe not sale-quality good, but your-kitchen-table quality good. Maybe some aren't that good and are kids-toy-in-the-sandbox level good.

Bad writing has a purpose for the writer: they can use it as practice to get better. It has a purpose for the reader: It can serve as inspiration ("I can do better than that") or grammatical instruction ("that...does not work; why doesn't that work?") or just as entertainment ("eh, so it's missing a few commas; I can still understand it").

Smut and porn writing works the same way. It's of some value to the writer, and some to the readers.

It's not of value to everyone. That's what tags and filters are for, and why there's a summary and list of stats (like word counts)--so you can figure out if you're one of the readers for whom this piece of writing is useful or interesting.

But AO3, like any library, is not there to take the top 5% of Excellent Writing and provide it a showcase. It is absolutely for all 50 lbs of pots.

If your friend wants to read the good stuff, there are rec lists and collections to help her find it.

If she already manages that, and is just annoyed at how much of the not-good stuff (however she defines that) exists... she's picked the wrong battle. She's arguing with the ocean that it has too many kinds of fish and some are poisonous a lot of them are ugly.

[olderthannetfic]

This isn't a complaint, just sort of a musing-- Yeah, if AO3 allowed monetization, it would cause the whole platform to become way shittier, not just for legal reasons. But this kind of reminds me of something I've thought about a lot.

I'm someone who's not a very strong or attentive reader, but the ease with which I can find thousands of appealing works on AO3 means I have ALSO found dozens of writers who grip me enough that I would read ANYTHING by them. I also find reviews and recs for popular book series' to be... very unreliable, but I can consistently find interesting works by looking at user bookmarks and by trawling tags. And I don't even mean in a "oh, this user doesn't want stories, they want tropes" way, because I'm with everyone else that reading the exact same enemies to lovers romance gets kind of boring after a while (no shade on people who enjoy that sort of thing). I mean that sometimes I find an idea and think 'oh, this is a VERY cool literary theme; I wonder how other writers have explored the same idea?' - and then find out that there's a canonical tag that sees very little use, and trawl through people exploring the same ideas about the nature of freedom when you have a duty to family (or whatever it is this time) until I find one that just NAILS it and sets my brain on fire.

In other words, AO3 is the only place I can get the same reading experience that I had in school where there were teachers and mentors who would not only do just about anything to help me find interesting stuff, but also knew me personally and would help me find extremely specific concepts like "I want a story that captures the feeling of being completely owned by another person and the oppressive surrendering of will that comes with it, but which isn't about slavery, religion, or marriage" or "I want a story that's just like Howl's Moving Castle but specifically in these three ways."

I don't wish AO3 was marketplace, but I wish there was marketplace that gave me the experience of AO3. The fact that there is SO MUCH free user generated content on AO3, and that it's so easy to explore with great specificity, means it's the only place I KNOW I'll find something fun. I wish it served as a platform to find professional artists doing silly stuff on their down time. (In fact, last time I fell in love with a fic, I got to talking to the author, who sent me a novel draft with all of the same themes but original characters and setting. That unpublished work is now one of my favorite books.)

I can think of a bunch of platform ideas that would scratch this itch for me, but I can't imagine any of them working out as well since the fandom experience and culture is such an integral part of why fanfic is different from original fic. (And also since monetization makes platforms get shitty fast.)

--

[shelleysmary]

lots of fans have made valid points and written well-thought-out posts about the trop ai drama, so i'm not gonna rehash them, but i do want to bring up something that no one seems to be talking about and it's the impulse that leads people to plug these things into ai generators in the first place.

fandom over the last year especially has become increasingly toxic to the point that actual billion-dollar corporations are afraid it. the result is subpar, pandering films, books, and television shows that break no new ground, recycle old tropes, and sacrifice story integrity to avoid catching heat from the loudest, most entitled people in the room. i'm calling this an issue of entitlement first and foremost because the idea that the audience should have any say over a non-crowd-created media project is preposterous. deciding that the cons outweigh the pros of watching something and choosing to walk away without making a fuss is a lost discipline now because everyone with an internet connection and a social media account believes that their vision reigns supreme. "how dare this show downplay my favorite ship! they were supposed to kiss! that was the whole point! the absence of this one thing i had on my wishlist is a crime against me personally!" so they turn to ai and click some buttons and now these gifs exist and are being circulated with an air of "i've righted a wrong." worse, the use of ai in this way is being conflated with the creation of fanworks???

there are reasons why i don't believe the ai saurondiel kiss is on the same raft as, say, making them kiss in a drawing or a published fanfic, but my main concern is with the spirit behind each. fanworks are made in homage to the source material, even the fix-it fics. there is an acknowledgment, a separation even, between the television show and the fanwork. this separation is necessary and i would say even integral to the nature of fan creation, while ai closes that gap until it no longer exists. the elimination of space between creator and audience also happens on social media, when disgruntled fans who have taken umbrage with a fictional character or creative decision directly harass the writers or the actors involved. more and more, fans are demanding to be in the rooms, in the minds, and to exert control over the people who tell their stories, and it has only ever worked to our collective detriment. now i'm not saying that if you liked and shared the saurondiel ai kiss that you're the same as the internet trolls who harass (mostly) women and people of color online. but i'm begging you to do some self-reflection and ask yourself why you feel entitled to seeing what you want on your screen.

what has changed in the last few years that would make you dissatisfied with, say, reading someone's fic or making your own drawing? is it a matter of "the tool is there, so why not use it?" is it "i believe it should have happened and it didn't and i feel cheated?" or maybe there's been a pattern you've noticed in your recent media "consumption" (god, i hate that word) where, unless a show or television series goes the exact way you want it to, it feels like you've been defrauded somehow? i'm not being facetious. i'm inviting you to notice that what you're feeling is probably discomfort, disappointment, maybe even cognitive dissonance because you imagined it going one way, and now you're at a loss because it didn't. you built it up in your head, you had something to look forward to, you were convinced that it would happen, it was exciting and you were so eager to get to that point, and then.... and then...

we've all been there. and it sucks. but i also want to remind you of how important it is to preserve the separation. this space is ours. the writer's room, the filming set, the editing room, those spaces are theirs. the actors' likenesses are theirs. thinking beyond trop, the separation is how we get creative works that challenge us politically, emotionally, that make us uncomfortable and tell us important truths. writers shouldn't have to - and shouldn't FULL STOP - do what we want them to do. sometimes that means knowing when to walk away, when to say "i no longer enjoy this show, i will no longer support it" or "i will continue to watch but pretend things went differently," the latter of which has been the spark that has moved so many online fans to draw, paint, write, or sew. it's a type of creation that allows "canon" and "fanon" to exist parallel to one another. moreover, the effort it takes to make anything with your own two hands, with your own time, and with your own energy increases your appreciation for the creative impulse. films and books and television stop being "products" for your "consumption" because you're aware of what goes into them, and it becomes easier to look at things you don't like or disagree with and say, "you know what, i'm gonna pass," or "not in my headcanon."

oh, and by the way plugging things into an ai generator? is theft. the same way that it's generally frowned upon for people to use ai to, say, write the rest of an unfinished fic without the express permission of the fanwork creator, using the actors' likenesses to make them kiss goes against everything the actors' union fought for last year. i'll also add that it's incredibly creepy. almost all of us are in agreement that intimacy coordinators are a good thing because they act - again! - as a separation between what's "real" and what isn't, the same way going on ao3 and reading a fic that very clearly says on the tin that it's a fanfic, unaffiliated with the official ip, is a separation. it's another beast entirely to normalize fan-use of ai, to say you support creatives, support actors, support unions, and then do this in your personal life. i repeat the question: what impulse leads anyone to believe that this is okay other than a feeling of misplaced ownership?

tl;dr: ai nonsense does not belong in fandom spaces. (in my home state of california, it is illegal to use digital replicas of an actor's voice or likeness in place of their actual services without their informed consent [which, in spirit, is what you're doing by using ai to make your gifs]). we all just need to mind our own business and go back to writing our fix-it fics and complaining to our friends in relative peace. if you're finding it impossible to do so, ask yourself why. remember that fanart is our longstanding tradition. stop outsourcing it to an unregulated technology just because your two faves didn't kiss.

[pangaeaseas]

The Problem of Religion in Harry Potter (or, what is Wizard God?)

tl; dr: I wish more hp fics did something with religion and the wizarding world

so to state my credentials up front: I've read a lot of hp fanfiction, a little on the Reformation and religious history--like, I have probably more background knowledge than the average person but I am very emphatically not an expert and have never actually taken a class specifically on any kind of religious history, and I'm an ex-Catholic who did ten ish years of religion classes. There are probably a LOT more people more qualified to talk about this than me but whatever I've never actually seen very much meta written out on this specific issue so I'm giving it a try. (if you have written or read such meta, please send me recs)

ahh the Problem of Religion one of the great unsolved mysteries of the hp world building (similar issues include What the Fuck is Going on with Ireland, How Does the Ministry Actually Work, What is the Population, etc) and I call it 'unsolved' because the fandom has no massively popular solution (like Lordships for the Problem of the Wizengamot) and in general tends to just not think about it, much like JKR originally did. Now IMO she probably intended most wizards to be, like, generically Church of England or whatever without much investment--basically copying the Muggle equivalent whenever it isn't spelled out how the two worlds differ, which is I think a lot of her un-filled-out world building is meant to be. Which. OK. You can do that, but, you know, religion is a very very important aspect of worldbuilding and in my opinion ignoring it and expecting it to be just the same as 1990s Muggle Britain is uninteresting and lazy.

This (wizards are meant to be some kind of Christian and probably Church of England just for simplicity's sake) is evidenced by things like Hogwarts having Christmas and Easter breaks, James and Lily having a Bible quote picked out by Dumbledore on their tombstone, and Draco Malfoy, most emblematically wizard of wizard characters who can be taken as a potential baseline, automatically saying things like 'Good God'. Which, you know, implies that the idea of a single God, and probably the Judaeo-Christian God because that's the same cultural background as the rest of Britain, is taken for granted by wizarding society. It doesn't necessarily imply anything about Draco's or even the Malfoys' personal beliefs, and of course you have other characters saying things like 'Oh my Merlin' and "Morgana" and things like that. Which in my opinion wasn't meant to be indications of some kind of Merlin or Morgana worship but more quirky and fun flavor things of the kind jkr loves to include without thinking out the implications. But you absolutely can take those statements that way--this post is absolutely not meant to dictate how people want to headcanon and I am absolutely here for giving wizards a well thought out pagan or Non-Christian religion, I just don't think that was the author's intent. There's also plenty of other things that imply Wizarding cultural Christianity that I'm not remembering off the top of my head.

And, of course, much better writers than me have extensively discussed all the Christian themes in HP. Of course, themes don't need to affect how people worldbuild in fanfic.

So: with HP canon, we are looking at a society that is probably culturally Christian and probably (key word) intended to be Church of England. But, because JKR wasn't putting much thought into it and basically just took a Chrisitian bedrock of society for granted, the implications of this are not really explored at all. So what I'm interested in is how fandom deals with it.

Mostly, that is...not at all, either taking cultural Christianity in the Wizarding World for granted the way JKR does or by ind of handwaving that wizards have evolved beyond the need for religion and that's just how it is. And that's perfectly fine! Not everyone wants to come up with a full, working, wizard society, and even if they are trying to worldbuild some aspects of wizarding society religion is often ignored, because people don't want to deal with it for often valid reasons (religious trauma, just disinterest, grew up agnostic, not Christian but thinks wizards probably are etc, etc, etc, ) Personally I wish more fics delved into what wizarding religious belief actually is, but to put it bluntly, that's just me. And I have never dealt with religion in my own fics. So don't takethis as judgement at all.

But there are interesting headcanons when people do choose to try and worldbuild religion in HP.

Fom what I've seen, one of the major ways to deal with religion in HP (aside from not dealing with it at all) is to give wizards, often pureblood wizards, some kind of pagan, often Celtic-inspired, religion. And this is quite defensible! Sometimes this is badly executed and/or turned into Death Eater apologia, but the idea of wizards having a different religion is really interesting and a good deal more interesting (IMO of course) than just not mentioning religion at all. Most fics that I've seen don't delve too deeply into, like the actual history and theology of these religions, but there are definitely some that do. (Also if you know any PLEASE send me recs). So if handled well, this is a great way to add some religion worldbuilding in the world of Harry Potter.

However, my personal favorite set of possibilities--obviously I have some personal bias as a history nerd with a long standing if never as deeply researched as I would like to interest in the history of Christianity and as an ex-Catholic--is that, well, we know the statute of secrecy started..when, exactly? 1690. So this much is obviously a result of JKR's Hollywood understanding of witch hunts (a subject for another time and someone far more qualified). For interested wrodlbuilders, we can take this as a guideline at best, as personally I think it would have taken a good deal longer than one year to agree on and implement something like the Statute and I tend to take 1690 as an end date, not a start. I also tend to take the Statue as a largely European phenomenon, at least at first. But, uh, what was happening in Britain at the time..oh, right...the Glorious Revolution....what was happening that created the conditions for the Glorious Revolution...oh, the English Civil War...which was because of...oh yeah, and what was also happening on the continent, maybe it involved, wait, thirty years..oooh, the Thirty Years War...wait weren't there a whole bunch of massive social shifts happening in Europe at this point in time isn't that funny but surely the stature of secrecy could be considered a part of these massive social shifts...all of which was heavily influenced by...you guessed it, the Protestant Reformation.

Wait. So. Maybe, the separation of Wizards from Muggles, at least in Britain, wasn't actually about Muggles hating wizards or wizards hating Muggles. Maybe it was about religion. Now personally I find this ABSOLUTELY FASCINATING. The possibilities, the possibilities...

Wizards had a massive religious civil war that created the blood status system in its modern form? Particular families have wildly different denominations? Excellent. Religion both in terms of level of religiosity and in terms of denomination is a blood status marker? Excellent. Purebloods are all Catholic (what does this do to both Catholic and not Muggleborns?) Excellent. Purebloods are all Puritans? Weird, but if you can pull it off excellent. Purebloods are all one of the wacky new denominations that sprung up after the Reformation and then either died out or conquered the world? Excellent. Pure bloods are all Lutherans who really hated Henry VIII? Excellent. One of my favoirite ways to create a wizarding religion was someone who had most pure bloods follow a denomination that split off from Catholicism in the Great Schism and then a small minority being Catholic, with the worlds splitting around the Reformation. Even the paganism headcanons can be incorporated: the Reformation could conceivably have made it much more difficult to keep practicing wizard paganism causing separation of the worlds.

Personally I would love to see a world that used the history of the Protestant Reformation super well, but it's not the only way to relate a Wizarding religion or a Wizarding religious history. I just wish more people tried to do that at all. Let wizards be religious! Or let them be irreligious but have thought about it, instead of just ignoring religion at all as something that might conceivably have influenced human societies. Maybe Wizarding Britain has state sponsored atheism. Just say that outright!

Another thing I'd like to see more fic doing is theology: how does having magic impact people's religious doctrine? Does every major religion essentially have a wizarding branch with its own theology because magic impacts their view of the world so much, or do most wizards simply follow the majority Muggle religion in their country with no modifications? if so, why? Do some wizards disagree, potentially violently, over how to incorporate magic into their religion? Do some people refuse to use magic because they think it goes against their religion? Etc etc etc you could go on forever. I've seen fic, which randomly enough was about Regulus Black, do this pretty well (or I thought so as a non-Jew) for Judaism, and I'd love it if done with other religions.

Anyway. Now I have to figure out how the hell religion works in the Wizarding Britain of my own headcanon.

[comically-callous]

Hi! You must’ve JUST posted while I was searching a tag! WELCOME to the crowd of other amateur writers who have no idea what we’re doing!

I have a request for a short fanfic/drabble! Wonka 2023 where fem!reader is a storyteller who worked in the laundry room when Willy arrives. Reader is closer with Noodle and usually tells her bedtime stories before going to sleep, and Willy comes to admire the vast imagination in the stories while falling in love, to Noodle’s joy. I haven’t had the motivation to write in a long time, so I hope you’d be up to trying to get the story out of my head!

Hi! Thanks sm for the request. Hope I could do your idea justice lol

Willy Wonka x Storyteller!Fem!Reader (Wonka 2023)

Warnings: None, I think. Sort of just a cute fluffy one.

Three years ago, you made the worst and most unforgivable mistake of your life: Taking a shower at Ms. Scrubbit's hotel.

To make a fairly short story shorter, you neglected to read the small print, leading to you being in a massive debt to her. So, for the next 5 years of your life, you'd be forced to work in a dirty, old laundry room.

You were absolutely miserable at first. Your days dragged by and your nights were mostly spent curled up in your bed crying. But, once you accepted your situation, you found a way to make the days go by faster: Making up stories in your head while you worked.

You'd always had quite the creative mind; so, weaving tales of magic and wonder was a fun way to spend your time.

Plus, Noodle always liked to hear your stories before she went to sleep.

But, recently you'd earned another fan of your stories.

Willy was the newest person who was unfortunate enough to end up down here. And lately he'd started sitting at the desk in Noodle's room every night, tinkering with new chocolate recipes or practicing his reading and writing skills, while you told Noodle a bedtime story.

But, according to noodle, he was actually in there just to listen to you. Supposedly, the moment you left, he'd turn to noodle and the two would discuss whatever story you'd told that night.

If that was true, you were honored.

One night, Noodle and Willy snuck out of the laundry room to do who knows what. And a couple hours later, Noodle returned without Willy. She told you all about the adventure they had which apparently included milking a giraffe, flamingos, and a run in with the police.

Her recount of the night was entertaining, and you were glad she's had fun. But, you couldn't help but feel a bit worried for Willy. "So, what's gonna happen to Willy?" You asked. "Is he getting arrested?"

Noodle shook her head. "He told me he'd talk his way out of it." She said as she got into bed. She tilted her head at you. "Do you like him?"

"What?" You flushed.

"Like, do you wanna be his girlfriend?"

"I-" You were about to say no, but that wasn't entirely true. You admired him. He had a brilliant mind, and he was unbelievably handsome. "Okay, how about I tell you a story?"

"So, you do wanna be his girlfriend."

"Story is beginning now."

Later in the night, you were in your own room, about to settle in for bed when someone knocked at your door.

You furrowed your brows in confusion, getting up to open the door for whoever it was.

"Hey." Willy greeted. "Sorry if I woke you up." His hair looked wet which was strange, but you were more concerned with why he was at your door.

"Don't worry, I wasn't asleep. Are you okay?"

"Yeah, yeah. I'm fine. I was just wondering if... Uh, did you tell Noodle a story while I was gone?"

You nodded. "I did."

He seemed a little disheartened, which made you feel bad. "I'm sure noodle can retell you the story tomorrow." You offered, trying to lighten his mood.

"She could. But, the way you... I mean... You have a wonderful, imaginative, beautiful mind. And the way you tell your stories, it's amazing! You could read me a grocery list, and I'd be on the edge of my seat." He gushed.

You couldn't help but blush. "You think all of that?"

"Yes! How could I not?" He gave you an affectionate smile.

You returned him smile. "I mean... I could tell the story to you right now, if you want."

Willy thought about it. "It's alright. I think I can go without a story for one night." He said reassuringly.

"You sure?"

"Yeah. Thanks for the offer, though."

He began to step away from your door, saying a quick goodnight before he began walking toward his room.

"Wait, Willy." He stopped and turned to you.

You walked up to him and kissed his cheek. Willy blushed. "What was that for?"

You shrugged. "To make up for the story you missed out on?" You offered.

Willy smiled and gave you a quick peck on the lips.

"What was that for?" You asked this time.

"Just cause I like you." He replied as he leaned in to kiss you again.

[blackkatmagic]

Can I ask why you're so strongly against emojis as comments?

So there are...two parts to this answer. One is in the frame of like...my brain interprets someone dropping an emoji as basically the equivalent of a like. "I was here, but I didn't like what you created enough to say anything about it." And I get that, truly. But due to physical and mental health things in my recent life, writing has been hard. Getting that kind of response is super disheartening, even if I know logically that most people don't see emoji comments the same way I do.

The other part is that I'm old. I've been in fandom for a long time - I was on email lists writing ST fanfic, and then in weird subgroup forums where you were only allowed to write certain things the mods felt were "canon-supported", and then finally on more mainstream sites like ffnet and AO3. Fandom's always been a community for me, right from the first. I would not still be writing if it hadn't been for the handful of fans who were exceptionally kind and encouraging to a nerdy German girl who wrote in bad English and had weird ideas for plotlines and talked too much. They were the people who kept me going, having conversations with me and leaving kind comments on objectively bad fics and getting jazzed about the same things as me.

In fandom as a whole, emoji comments are a very new phenomenon. I've gone back to look, and they only started becoming common about two years ago. And now, before I asked people not to leave them, they were rapidly becoming the majority of the comments I received.

Again, I get why. It's an easy way to show appreciation. But it's also a complete lack of engagement. It means someone liked something! But as the writer you have no idea what. There's no community to it, just bland consumption of the content you're rolling out. No one is talking about fandom, they're just taking. And I see my hit counts. I know that's always happened, but it's getting to be more and more of a thing. Emoji spamming on every single chapter of a 70-chapter fic might feel, to the commenter, like they're being super supportive, but it's also less impactful for a writer and a fellow fan than a person who leaves one comment that says something they liked about the plot or the writing style or some neat flip on a canon trope.

So yeah. Basically it's a "get off my lawn" thing about how the youngsters in fandom have no appreciation for the effort artists and writers and the like put in, but. I don't think I'm wrong, given the way things are trending.

Anyway. Reblog things, comment on things, send people asks, interact with things if you want fandom to keep going, my dudes. Otherwise it's going to die out. And people dropping emojis instead of words 99 times out of 100 is a symptom of that.

[lcvesjj]

Bad Omens - Deacon Kay x Fem!Reader

Based on the song “Bad Omens” by 5SOS

This is part of my ‘song fics’ series :)

Summary : You'd always come in second place to Annie. Maybe you were right. This relationship was a mistake and you should've listened to the warnings. Since he'll always love somebody else..

Warnings : angst, angst, angst & once again angst. no happy ending, breakups, (Deacon gets back w Annie), in this fic Annie & Deacon don't have kids !!!, heart break, talks/mentions of cheating?

NOT BETA READ!

A/n : the fanfic writer curse has really been kicking my ass recently :’) so I wasn’t posting any fics for a while bc of it. But anyways enjoy and as always this is just based on my interpretation of the song/lyrics :) (yes I am incapable of writing a happy ending currently🥲) I might rewrite this someday since I'm not 100% happy with how this has turned out.

word count : 672

song fic masterlist

regular masterlist

Honestly you should've seen it coming. You always knew you'd come second place to Annie. Deacon's high school sweetheart and “one true love”

Deacon always talked about her a lot since they were still good “friends” Even his coworkers would talk about her a lot. You knew you could never compare to Annie, since she was prettier and smarter and just- more Deacon’s type….

You tried your best to get along with Deacon’s friends, since you loved him so much and you wanted this relationship to work out. 

One day you decided to visit Deacon at the SWAT HQ and bring the team some cookies. Walking towards the HQ kitchen you overheard Deacon talking about you. Pausing you stood still listening in to what was being said. 

“I mean I love Y/n but- she's just not Annie yknow? Annie was always so happy and sweet while I feel like recently Y/n has been pulling away from me. What if she's cheating on me?” Deacon said aloud. He had no idea you heard him. You could feel like crying and your heart dropped to your stomach hearing his words. The man you loved so deeply just accused you of cheating on him.

Quickly turning on your heel you rushed out of HQ still holding the plate with cookies you brought. Getting into your car you drove away towards a nearby beach to sit and think.

You always felt like you were in second place in David's life, but hearing him accuse you of cheating just made you feel even worse. Maybe agreeing to this relationship knowing how much he still liked Annie was a mistake...

Deciding to pull out your phone you sent him a quick text saying “We need to talk. It's important.” Before putting your phone on ‘do not disturb’ and driving home. 

Deacon was already waiting at home for you with a worried look on his face and upon seeing you he started asking a million questions as to where you were. 

“I think we should break up.”

You interrupted him, Deacon's face fell and he looked hurt and confused. “But I thought-” You just shook your head no. “This isn't working. I'll never be first place for you. It'll always be Annie since she's your first and only true love. I overheard what you said at the station and I just can't keep doing this. I can't keep on feeling like I'm less important to you.” You said while wiping away a few tears. 

“Y/n sweetheart….that's not true. I love you and you're my number one girl. Annie is just a friend to me. I've known her for so long it wouldn't make sense for me to just cut her off suddenly.” Deacon said while frowning. 

“I'm done. I'm sorry Deac, I'll go pack my things now. I'll come grab the rest of my stuff tomorrow.” You said while heading further into the house and towards your shared bedroom before grabbing a bag and packing some essentials while Deacon just watched with pure heartbreak and anguish written all over his face. “But we can still be friends right?” He asked nervously to which you shook your head. 

“I think it's for the best if for now we don't contact or see each other for some time.” You replied while zipping up your bag. “I'm sorry David.” You said softly while kissing his cheek one last time before heading out of the door. 

It wasn't fair to either you or Deacon. You knew he always loved Annie more. I mean she's perfect…

-

A few weeks later Deacon and Annie started to date again and seeing their new photos on the social media platforms you were still following Deacon on, you felt like crying. You always knew it would probably end up like this. You'd get your heart broken and Deacon would end up with Annie. But at least you broke the cycle of constantly getting your heart broken every time Deacon sang praises about Annie right…?

[mrghostrat]

some tips for writing flow

i've had a lot of comments complimenting my writing style, most of which don't know how to explain or describe what they like about it. i never really knew either, but i've been paying more attention to the way i write things lately, in the hope of being able to understand and explain it.

a lot of this is "based on feel" with no hard and fast rules, but there's also very tangible techniques you can hopefully work into your own writing, if that makes sense? idk is this anything—

1 - sentence beats, and alternating them.

this is probably the biggest thing in my writing. i've realised my sentences can be measured in beats, based on their length and how many sections they can be broken into. the pattern changes often, and i don't have a concrete rule in how i fill a paragraph (again, i've only just put words to any of this), but it's probably the most important part of my flow. let's have a look:

1 beat: • this is probably the biggest thing in my writing.

2 beats: • i've realised my sentences can be measured in beats • based on their length and how many sections they can be broken into.

3 beats: • the pattern changes often • and i don't have a concrete rule in how i fill a paragraph • but it's probably the most important part of my flow.

it looks like a favour certain patterns, the only real "rule" i use is to construct a paragraph with various beats, and never put two side by side. whenever i'm struggling with my flow, it's usually because i've put two of the same beats next to each other and everything feels either stiff or crowded. i rarely put two side by side, unless it's for specific emphasis.

the other exception are paragraph breaks: these are a pause for breath, and allow us to reset the pattern. i often start and end my paragraphs with single beat sentences, and it doesn't feel like they're running on because there's that lovely breath between them.

2 - short paragraphs

the rule we learn in school is that new paragraphs are for new ideas. convert this to prose, and we can consider "ideas" to include the character's thoughts, new narrative tangents, and physical movement around a scene.

one of my biggest struggles reading "bad" fanfic is when paragraphs are too lumped together. crowley will walk into the bookshop, see aziraphale across the way, wander over to a shelf, select a book, then pour himself a drink all in one big chunk. i can't parse that. there doesn't have to be a new line break for every new action, but grouping the relevant ones together and breaking in between broad motions (i.e. walking across a room, acknowledging a character) can help ease readers through the scene.

paragraphs are a breath, not only for sentence flow, but for processing the action within a story. similarly, purposefully keeping multiple actions confined to a single paragraph can make them feel quicker, while breaking them up into multiple paragraphs will slow down the pacing (even if the amount of detail describing each action is the same). included some examples because i'm struggling to explain this one

3 - mixing metaphors

this might sound less flow related, but i used to struggle with it a lot as a young writer, and paying more attention to it has definitely helped clean up my flow and writing overall.

i love a good analogy, but it can be easy to get carried away, and this can bog down the prose. my personal rule is that i can get silly with my metaphors (see: the mon chéri magnet), but i can only use one at a time. no talking about the magnet in aziraphale's chest and the angel and demon on his shoulder within the same scene.

if i'm getting silly and long winded with a metaphor, i also try to limit the length of it to one or two paragraphs. paragraph 1: set up the metaphor, establish the analogy. paragraph 2: come back to the reality of the scene, then mention the metaphor once more to link it all together. if i'm feeling cheeky, then i mention the metaphor again ONCE in passing, a couple of paragraphs or even chapters later

the magnet was a fun one, because i kind of flipped how i would usually present a metaphor, with the long winded tangent coming last instead of being the set up. and even though i used the metaphor 3 times, it felt like 2 because the set up was really just a planted seed for what i'd be mentioning later in the theatre. referencing the "whispered curse in the dark" also helped tie the scenes together and keep the analogies neat and tidy in our heads

meanwhile i got a little more carried away with the space metaphor in postcards (i feel like there's probably a 4th and maybe even 5th mention during the bookshop scene), but each one was blink-and-you'll-miss-it brief that didn't slog down the prose.

4 - avoiding repetitive pronouns

we're all going to struggle with this, and i don't have a secret hack for avoiding a wall of "he this, he that, he then," and i honestly try not to beat myself up over it too much. but there are two things i check to make sure it's not getting too repetitive:

1. looking within a paragraph

apparently everything revolves around paragraphs and the breath between them lmao. i don't have a strict rule like "use the character's name once per paragraph, then 'he' for the rest" or anything like that, but it's in that kind of vein. i simply pay attention to one paragraph at a time to watch for too much repetition, and if i notice it's been one or two whole blocks without switching from 'he' to a name, i'll chuck one in to break it up.

2. paragraph starters

this is so picky. and i don't know if it does ANYTHING, but it bugs me when i'm writing and i notice every paragraph starts the same way. maybe it has no effect on the flow at all. but i like to make sure my paragraphs aren't starting with the same "he" "he" "he", and that forces me to go back and switch around the pronouns in recent sentences, so the next paragraph can flow on more smoothly.

5 - use interruptions appropriately

edit: sneaking this one in here as a final thought! i just want to mention the use of em-dashes, semicolons, footnotes, and parenthesis mid-sentence. it's common to favour one in particular, but each have spectacular uses and can add miles to the pacing and flow of your prose.

em-dash (—) interruptions, cutting off dialogue— pausing to make a point — like this — in the middle of a sentence.

semicolon (;) helps with making lists and continuing a compound sentence that doesn't really link with 'and' or 'but'; when you want to pause, but a new sentence would break the flow of things.

footnotes (¹) these should be optional additions to the text imo. you should be able to keep reading without looking at the footnotes and not lose an ounce of story. they're additive, not necessary.

parenthesis ( () ) a great way to interrupt yourself (less sharply) than with em-dashes, include longer pieces of information (like what you might put in a footnote, except more crucial to the narrative that you don't want people to miss!) and adding sass (lol) and tone to your prose.

[trippinsorrows]

Real shit you act all important cause your stories and shit get hella likes and stuff but the shit is boring and you not even that good at writing. Same thing ova and ova. People kiss yo and other writers on here ass so much it's crazy

i typically don't post or share asks like this, but considering i've gotten a couple similar ones in the past few weeks, i feel the need to address it.

i don't talk about anyone. i don't mess with anyone. i don't talk shit on anyone. i post my stories, interact with folks, reblog, read, and mind my business. i get that some people, or maybe more than some, don't like me. so much so that i got a list of pages who've blocked me. that's fine. i don't care anymore, because i know i'm not problematic on here.

i don't think i'm better than anyone. i know i'm not. i don't act better than anyone. at the end of the day we're all just writing fanfics for people we like. no one is performing brain surgery. it's not that big a fucking deal.

and, you wanna know something? i'll be real vulnerable and honest right now. a huge issue i struggled with when writing on this site years ago is something i've secretly been struggling with on this page too, so much so that i talk the shit through with my therapist, because some of it triggers some of my trauma. i feel really bad when i see my stories get interactions and other don't. like, i've done something wrong and should feel bad about it. it's part of the reason, too, i stopped writing on here for a while.

but, i'm tired of feeling that way, cause i don't do anything wrong. i do the same thing every other creator on here does. and, i feel like every time i try to write and share my shit, i have to deal with bitches like you who hate me or don't like me for whatever reason, and it's fucking exhausting. i mind my business. i'm not mean. not negative. i work super hard to keep this page a safe, fun place. i honestly have no idea what i do to always gather a group of folks who can't stand me for some reason.

and, we do have fun on my page, and it's mostly amazing times. but, i'm also human, and i have feelings. so to you and any other people or person sending me shit like this, please stop. leave me alone. you don't like me? fine. block me. pretend i don't exist. you're mad at me for reasons i won't state, but you know what it is, and i know what it is.

but, keep fucking trying me, and imma lay it all out and hurt ya goddamn feelings.

get some fucking help. please.

[some-stars]

i was about to reblog this post with some thoughts, and then reblogs got turned off so i will just put them here instead:

it's not that i disagree with any of the sentiment in this post--while i personally have been very lucky to get plenty of nice comments, it's definitely eerily quiet and sometimes weirdly hostile out there for most people, much more than it used to be. but i just don't think posts like this are effective, and honestly i don't think that "number of comments from strangers" is what's really missing. what people are missing is the community that fandom/fanfic used to have, and the way you get that is by making it. you gotta make fandom friends who are excited for your thoughts and your stories, and you gotta get excited about their stuff, and you gotta spend hours on discord and/or in the group chat bouncing ideas off each other and just, get invested in each other as fans and as writers. (and hopefully also as people you'll still be friends with a decade from now!)

like i'm never ever going to turn down a nice comment on ao3, it's always wonderful! when someone quotes the parts they liked best it absolutely makes my day! but what i need, what actually fuels me, is the attention and interest from the 2-5 people i actually write all my fics for, because they loved the idea and i know they can't wait to read it and will scream at me at length once they do. relationships are always going to motivate and reward you better than fans, and fortunately relationships are the one of those two things that you have some control over!

so how do you build those relationships? start by commenting on fics you love on ao3, and especially leave longer, detailed comments. follow the author and reblog their fics on tumblr and add some thoughts about why you loved them. if the author engages with you when you do either of those things, keep doing it. maybe they'll follow you back, and once you've had a few mutuals-type interactions on the dashboard try sending them a DM asking if they want to chat about [fandom/character/pairing]; maybe briefly mention an idea/WIP you have that you're looking to bounce around with someone. i know if you have social anxiety this all sounds like horrible cruel lies but i SWEAR, this approach has never once failed me.

and i know that this advice probably sounds like disingenuous bullshit coming from someone who usually gets a lot of comments. all i can say is that i've been writing fanfic for 25 years and until 2020, i hardly ever pulled the kind of numbers i do now, and i genuinely did not care because i always had at least a couple friends to talk to about my ideas and listen to their ideas and get excited together. build relationships that feed you with other fans/writers, it's so much more rewarding and reliable than hoping strangers will be nice to you.

(and i'm not saying they shouldn't be nice to you! people SHOULD comment more! OP is completely correct! but you can't hand over control of your emotions about a hobby you love to random strangers on the internet and just hope they'll do the right thing. that is not a recipe for happiness.)

(also all of the above is in regard to people not leaving comments. the issue of people leaving asshole comments criticizing your work or demanding more without even bothering to say something nice first is related but separate, and the way to deal with those people is to either publicly shame them or bitch about them in the group chat and delete their comments, depending on your energy levels.)

[shocked-collar]

Got any advice for writing Ren?

OOOOOOO yeah i got a lil bit!

Ren is one of those more difficult characters to keep a grasp on due to his spontaneous yet grounded personality. Ren is also special because he has MULTIPLE different interpretations. BTD1, BTD2, TPOF, and YKMET, though we don't know much about that one yet. I find by remembering my little 'character rules' he's easy to play in any of the aforementioned settings.

Also, ALL OF THIS should be taken with a grain of salt as I'm only a fanfic writer/roleplayer online and don't know how Gato herself would write the character.

First rule I follow is to remember that Ren is desperate. The moment he's determined to do something, he becomes desperate to finish it. The moment he's decided he wants something, he becomes desperate to get it. The moment he falls in love with something, he becomes desperate to keep it. This really only applies to things he REALLY cares about. He has to REALLY care about it.

Second rule is to remember that Ren never got to manage his emotions. He's emotional. He's quick to anger, to sadness, to happiness. He works like a sword made of markers; One movement too hard and he'll fall apart.

Third rule is to remember that Ren is starving for things to go his way. He's manipulative. This isn't always intentional, he just hates hearing the word 'no' and despises any kind of pushback. It's been coded into his nature to snake under peoples better judgement to get what he wants after being denied for so long. Even before Strade he was pushed down and silenced, so now it's almost triggering to be on the sidelines.

Forth rule to remember is that Ren is obsessive. His friends are HIS friends. His shows are HIS shows. His food is HIS food. You are not allowed to challenge these ideas without him getting irked. If you talk about another friend you have, he'd be delighted to meet them! But if you talk about them too much, he'd begin to resent them. How good can they really be, right? Not better than him. He's a GOOD friend...

Fifth rule for Ren. He is very proud. He's proud of himself on a subconscious level! He's proud of his cooking, his abilities, his media knowledge, his hair/fur, and especially of his species. Which rolls into the final rule!!!

Rule six, arguably the most important one (in terms of playing post-Strade Ren)... Ren is a fox beast-kin. He is not human. He works differently on a fundamental level than humans do, the largest concern being his diet. He fits in, he makes friends, he engages in society, but in the sort of way that farmers engage with their cattle. He can eat and consume any part of you he needs to. He reads you as delicious. His language and tendencies will be different than a normal persons, like his habit of nesting instead of sleeping in a bed, or even marking territory. He WILL be argumentative, and quite frankly hurt, if any of his animalistic-behaviors are mocked or frowned upon. He is not human, and he wants you to know that.

There are differences in personality when it comes to WHICH Ren you're playing. BTD1 is very reserved because he has to be. He's quiet, obedient, and bites his temper a lot, but do remember he still has one. Despite the daily-terror, Ren finds it hard to hate or love Strade, as he's constantly dished with praise, pets, love, cuts, bruises, and violation, in some sick healthy diet of intimacy.

BTD2 Ren is overly-confident and proud of himself. He feels like a hidden super-villain! He feels like... Strade. A normal guy doing normal things in the normal world, but look out, he's ACTUALLY a big scary-spooky man you should be afraid of! But not so much you don't love him! When in reality he's... ahead of himself and in his own head. He struggles to come to terms with what's happened to him. He's both so happy Strade is gone and also feels not helping him was the worst decision of his life.

TPOF Ren, or Fox, is back to being reserved- but in the way that you should be scared. He's under no ones thumb in this timeframe and still keeps the same temper he's always had. He carries himself with a menacing poise because he knows his emotions are expensive, like the rest of him. The slightest furrow of his brow can indicate a world of consequences for whoever it was aimed at. Despite his appearance, his obsessive nature fails him, keeping him stuck in a mental cycle of correcting and forgetting the past, two contradicting items that slowly tear him apart. He is disgusted by his past and pleased that he has gotten so far away from it, yet can't shake his quiet adoration of German accents.

I hope this??? Helped???? Somehow??? I'm sorry for the yapping novel and also if it's messy, I hardly read it back cause I have a lil bit of a headache

[classygreydove]

The perfect contradictory character of wei wuxian

i'm writing this as i eat chocolate instead of working on my WIP lol - but essentially i've been thinking a lot about when a fic characterization of WWX just hits the spot for me, and when it doesn't. Now whether this type of characterization is canon I think is always partially a matter of opinion, because by its very nature a fanfic cannot be...well, canon. And it is made all the more complicated by the existence of CQL canon and MDZS canon, and the different MDZS canons with different scenes and levels of censorship, and the way fans and fic writers often franken-canon it together. So this post is only my rambling about characterizing WWX in fic.

Whenever I write WWX, i always find it a balancing act. Talkative, but not too talkative; golden-hearted, but willing to question what society sees as moral; confident, but complicatedly so depending on what point he's at in his character arc; oblivious, but not oblivious; impulsive, but analytical. I'm also constantly asking myself "Is this a personality trait, or a result of his environment? Both? What would impact his character if there are different events or circumstances?

And then there's the appearance of what his character is, which is almost just as important as his actual character. The masks or roles he puts on for others, or the ways those around him willfully misinterpret him. How does this character perceive WWX's actions in this or that context? Do they find him reckless, oblivious, or call him morally wrong (even when he isn't)? Does WWX want them to react a certain way, and does that impact how he acts around them?

In my opinion, writing WWX in a modern setting or genderbend is perhaps the most challenging. Not only do you have to ask yourself what personality he'd have if it were shaped by different cultural standards, gender roles, or backstory, a fic author might also want to do their best to preserve his character integrity as a "classic golden-hero turned dark anti-hero" archetype, but have no idea how to translate that into completely different set of circumstances.

For instance, WWX and gender roles. I really love that WWX is a subversion of the classical masculine hero archetype in cnovels. As a teenager, he's confident, flirty, intelligent, skilled, enjoys having fun and not taking life too seriously. As a resurrected MXY, he has no issue pretending to be a lunatic cutsleeve, so no toxic masculinity there lol - he also likes getting swept off his feet by LWJ, and playing up the "helpless maiden" role, and is very much a romantic with cottagecore dreams, saving his first kiss (traditionally that kind of innocent romanticism is attributed as a "feminine" trait, regardless of whether it actually is or not) - LWJ in contrast falls into many feminine tropes such as being known for his beauty/grace, the way he carries the money pouch (women traditionally managed the finances), can cook, has petty jealousy, etc - while at the same time undeniably also has masculine traits. The way Wangxian subvert gender roles and tropes is wonderful and i love their characters for it.

But then how does one even begin to translate that dynamic into a genderbend? Does teenage WWX still have that masculine classic hero personality? Or does she become traditionally feminine with LWJ the one acting more masc? Do different gender roles and expectations affect how WWX interacts with the world, such as how they react to her flirting, her confidence, her heroic tendencies? I read a fic a few years ago that I thought it a fabulous job exploring some of these very questions in the canon setting. I am still devastated that it remains incomplete.

Whenever I read a fic with Wei Wuxian, I always fall in love with depictions of his character that capture some of this balance, these "contradictions," so to speak (I don't have a better word to describe it than contradictions, even though these traits don't actually contradict. Ig I could say character complexity? But people often throw that phrase around without explaining what they mean by it, so). It's what makes him such a cool character to read about. It's also what makes him so unbelievably difficult to write sometimes. So many fic authors struggle with his character, whether attributing a trait to him that he only appears to have, like thoughtlessness. Or project a trait onto him that he doesn't seem to have that much, like insecurity, or not knowing his own worth as a person/or not knowing the magnitude of his abilities.

WWX to me has always seemed to know exactly how skilled he is and what he is capable of, and he at least intellectually seems to be aware that he is not unlovable or worth less than others, even if he is required to act or treat himself as less than his peers due to classism and society. I've always felt that his attitude towards himself, his own worth and his own ability, is a sort of practicality that would come from growing up as a street kid whose only goal is survival, and who is completely aware of just how little the world cares if he does or not.

Then there's the concept of him being ridiculously oblivious/emotionally unintelligent, which many others have talked about before me. I think this idea in the fandom largely stems from the fact that Wei Wuxian doesn't pick up on a lot of small details that he later recognizes and realizes later on. But there's been a lot of discussion of how much of that was because of comphet, situational circumstances, and LWJ's own reticence that prevented or distracted WWX from making those connections earlier in the canon timeline. This means that this "obliviousness" is likely something that would change if the circumstances are different, such as WWX existing in a world with no comphet, or existing in a timeline where he isn't dealing with Wen indoctrinations or being severely traumatized by the burial mounds and a war, LWJ being less repressed and hot-cold etc, etc, etc.

Now, one WWX characterization i genuinely have such a hard time reading is manic pixie WWX. The ones where he's just... chirpy. Bubbly. (Usually really oblivious. Never intentionally breaking rules, he just can't help it! he's just too cute and enthusiastic uwu) I can't explain why, I don't even know why, but it grates on my every. last. nerve. (that being said, if u want to write manic pixie WWX, then write whatever u want, seriously. Don't even think about letting my opinion stop u from doing what you like and having fun)

As for depictions I really love to see: a WWX that kind of scoffs at rules/the system. One who genuinely has a somewhat poor opinion of LWJ's character before LWJ proves himself, because I like a good enemies/rivals-to-friends-to-lovers because that's how I believe he sees LWJ until LWJ punishes both himself and WWX and WWX goes "oooh u don't use the system to self-benefit or aggrandize or oppress, you're actually trying to be like, moral. I respect that, actually. Let's be friends and go on bromantic outings in Lotus Pier"

Or when WWX's teasing gets a little mean, because WWX can be a little mean, often unintentionally so, but still (think WWX showing LWJ porn/intentionally pushing LWJ's buttons, WWX making that comment about JL's mom). I think it's a character flaw of his that adds depth/complexity.

Also, WWX trolling people/enjoying mischief and making people question the "system." I've always felt his first-life self had the kind of annoying swagger that a guy who Knew He Looked Like That and Knew Exactly How Smart He Was that would honestly make me so annoyed if I knew him irl. Like, Mianmian, I get it. LWJ, I get it.

Basically, I like when his character is written to make u so mad you aren't sure if you want to throttle him or kiss him silly (especially if it's a LWJ pov). Or when he acts super carefree/silly, at the same time as he shows how scarily smart he is. It's the juxtaposition. The contradiction. *slaps hand on the metaphorical table in emphasis*

[TL;DR] So what i'm trying to say is, writing WWX is a challenge, but one that is so worth it.

Alright I've spent like an hour on this post, so though there's so much more I could talk about, I'll leave it at that for now. For those of you who would still really like a part 2 of that "so i read a comment bashing LWJ" post, i do plan to write more on that, so keep an eye out 👁️

[aphrmoosun]

{Noa and the Beast}

Nomae: One shot

• Sipnosis.

Noa is the new leader of the clan, his responsibility was to his own. But an Echo enters their lives and they decide to kill her due to the ancient writings that defined her as dangerous. But when Noa has her in front of him, his world changes completely...

• Pair.

Noa and Mae

• Movie.

Kingdom of the planet of the apes {Half AU}

• Tags.

Nomae, interspecies relationship, interspecies sex, interspecies romance, yes it is a ship fic, smut, romancing, Beauty and the Beast, Half AU, Noa hunt Mae, but the Noa falls in love with Mae, Long One Shot, Writer isn't English Native Speaker, etc

• Other nomae fanfics.

You and Me

No words

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DO NOT COPY OR SHARE IT ELSEWHERE WITHOUT PERMISSION!

• Noa and the Beast [One Shot]

**First Act**

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The day was coming to an end. Noa was returning home with a successful hunt. He and his friends had managed to catch a pair of rabbits and a adult deer, earning them a warm welcome.

The situation was difficult for the village. Since his father had died, he and his mother were the only hope for their survival. They had to lead the rest to survive, and that was his duty as the new leader of the village.

"Well done, son," his mother said.

Noa sat down beside his mother, hugging her and offering her a piece of food, which she refused.

Their happiness was interrupted by some apes who arrived running and shouting.

"It's an Echo! We've seen one near here!"

Noa managed to understand what one of them was saying.

"Calm down," Noa said, standing up and addressing them. "It's probably just passing through. Echos usually move when it starts to get cold."

"This one is different. We've heard it talk! It was settling near the village."

Another ape spoke up, frightened.

"Don't worry, it won't hurt us."

"You don't understand. Echos are evil, the farther away from us, the better."

"If that means underground, even better."

"Yes!"

Many of the apes supported the idea of killing the Echo.

"We can't act impulsively. We need to think with a clear head."

Noa defended the idea of reaching a consensus.

"You're our leader. You must defend our home from those things!"

The ape began to feel the pressure from his village. Everyone wanted to see how the new leader would handle a dangerous situation.

"Fine! I'll take care of it myself." Noa didn't like the idea, but he said, "Tomorrow, I'll go to where you saw it and bring back proof that the Echo is no longer a problem."

Noa received a big ovation, but he couldn't take his eyes off his mother, who disapproved of his attitude.

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**Second Act**

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Anaya and Soona, Noa's best friends, were already ready to go after the Echo. They were determined to accompany their leader, not just as friends, but as family.

The plan was to approach the Echo on foot, without horses, so as not to scare it, and kill it with the arrows they used for hunting. But Noa had taken something else from the village - a remedy that they took when they felt pain, in case he couldn't bear the scene, he would give it to the Echo himself.

It would have been just another Echo, but the idea of being able to hear one talk for the first time had haunted him all night. What if he could talk to it? What if it could defend itself by talking? What set them apart from animals if they couldn't talk?

But his village needed him. They had never encountered an Echo like this before, and it was a danger to his people. It was written that way.

When they were far enough from the village, Noa turned to his friends, stopping them.

"I have to go alone from here."

"What? No, we're not going to leave you." Soona approached him, grabbing his hands.

"Soona, I have to do this alone. I'm the leader now, and I have to be responsible for my words and my responsibilities towards our people. And one of those responsibilities is taking care of you too."

"I don't care about your position. We also want to take care of you."

Anaya joined the two, and they ended up in a three-way hug.

"I'm sure I can handle this. But I need to do it alone." He finally convinced them.

Anaya and Soona walked away, and he began to walk forward. He didn't look back, it would be easier to fulfill his responsibility alone and as the leader he had to be.

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**Third Act**

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He could observe her easily. She didn't seem to have seen him, and she continued with her life as usual. She walked back and forth, going to and from the river near the home she had built.

She was very resourceful. With the help of stones, branches, sticks, and leaves, she had built a kind of settlement near the river. She had everything she needed to survive just a few steps away.

Noa couldn't help but analyze her. From her physical features to her delicate movements. What she seemed to be doing was cooking with leaves and fruits he couldn't recognize.

They had warned him that this Echo was not normal. If she could talk, it was already very different from the ones he had encountered before, but he had never imagined what he had in front of him. If it weren't for her small body, little hair, small eyes, small hands, small waist, the bulge on her chest, and small feet, he could have sworn he was looking at an ape.

But he had to push those thoughts out of his mind. He had come to kill her, and he had already wasted too much time analyzing her.

He raised his bow and placed the arrow right at the Echo's heart direction. His hands were shaking. It was the first time they had shaken like that. He had to admit, this wasn't a normal hunt. He wasn't going to kill her out of necessity, nor did he need her skin or any part of her body. He was going to kill her because he feared her. Not just him, but his people. And that had to be his thought, his people were waiting for him to bring back proof of the event.

His vision became blurry as his heart began to beat strongly, he couldn't look. He released the arrow without being able to see well where it was headed.

"Ah!"

He heard the Echo's despairing cry.

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**Fourth Act**

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Noa found himself in front of the Echo. His blurry vision and sweaty hands hadn't allowed him to hit his target. His main objective was the Echo's heart, but due to his nerves, the arrow had ended up hitting one of her sides.

She looked at him with open, frightened eyes, trembling while she held her side. She had pulled out the arrow and was trying to stop the bleeding.

Noa could have stood there, watching her die from bleeding, but he couldn't help but approach her and offer her a piece of cloth from his own arm to stop the bleeding.

The human looked at him doubtfully, taking the cloth.

"Why?"

He didn't know what to answer. Why had he attacked her? Why was he helping her? Because his heart was in constant struggle over what was right against his mind.

Echos had to be kept away. They wouldn't approach them, and they wouldn't live with them. Beyond the Valley was forbidden to cross because Echos were there.

The elders of his clan described them as monsters that killed each other, creatures that took everything around them and massacred it. Wild animals that would kill their own siblings for power.

But in front of Noa, he saw a smaller creature than him, harmless, and not having harmed them, alone, and with no signs of damage to nature around her. Not even signs of fires or dead animals.

Noa crouched down beside the human and covered her wound, helping her stop the bleeding.

"I don't know why. Neither do I."

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**Fifth Act**

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Noa had decided to move the unconscious Echo to the nest of leaves covered by a roof of branches. At least there, she would be comfortable and covered in case the sun bothered her or it rained. But he had to go back to the village, he had to go back to Anaya and Soona, because if he took too long, he was sure they would come to see what had happened to him, and that wouldn't be good.

He had to do it quickly. Kill the nearest animal he could find, so he would have something to feed the Echo when she woke up, but also use a significant part of it to show in his village, her heart.

A hare had been the sacrifice for his plan, he didn't have time to go for a bigger animal, and with the hare's heart, he was sure his village would calm down.

He took long strides, quickly, so as not to take too long. Right where he had left them, Anaya and Soona were waiting for him. They ran to hug him and looked at what he was carrying.

"Did you do it?" Soona asked, stepping back from the hug.

"Yes."

He was lying. He was lying to his friends for an Echo. But he didn't have another choice.

In the village, they received him as the leader he was. With hugs and praise towards him. He couldn't bear the weight on his chest. He was lying to everyone.

"Son, are you okay?" His mother was the only one who could feel something in him, and she didn't take long to approach him and ask questions.

"Yes, why wouldn't I be? We've gotten rid of that Echo! Isn't that right?"

"Because it's the first time you're acting like the leader of the clan." His mother hugged him. "I know it's hard, going against your ideals to follow the clan's ideals. No one asks if you're okay when you come back, they just receive you as the leader."

"I'm fine, mom."

She was the only one who could discover everything if she noticed his strange behavior. So he had to act normally... how was he supposed to act normally after supposedly killing an Echo that hadn't done anything to them?

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**Sixth Act**

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That same morning, Noa had gone back to where the Echo was. He expected to find her where he had left her, but he was surprised to see her standing, trembling, by the riverbank.

"Hey, you shouldn't be there."

She jumped back, trying to get away from him.

"It's okay, I'm here to help you."

"You're the one who hurt me."

Well, he couldn't deny that.

"I'm sorry. Please, let me help you."

"H-how can you apologize for something like that?"

She had started to breathe with difficulty, holding her wound.

"Sh, it's okay. We'll talk when you're cured."

Noa held her wound again, seeing how it was still humid, and proceeded to clean it, forcing her to lie down on the nest.

The ape had brought new bandages in case he needed to change them, so he proceeded to change them.

"I'm sorry. I didn't want to hurt you."

"It's hard to believe. Did you think I was livestock or something?"

"No, my village is scared of you, and they wanted me to kill you."

"And, why didn't you?"

Noa continued to change the bandages, unable to look her in the eye.

"I don't know. I didn't want to kill you personally, without knowing you. But it's my duty as the leader."

That information silenced the human. She grabbed his hand with the one he was using to clean her.

"Well, as the leader, stop. You've done your duty, you've tried to kill me, give them that information, and I'll run away from here. That way, you can say I escaped."

Noa shook his head, turning his hand to hold hers.

"No, you're already dead to them."

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**Seventh Act**

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Noa had been going back and forth from the village to where Mae, the Echo, was for a week.

During the day, he took care of his leader duties, and at dawn, he would return to the human's nest, where he would cure her, feed her, and take care of her. In those moments, they would talk, forgetting about the ape's attempt to assassinate her. Mae had opened up completely to him.

A human who had lost her family recently and was trying to survive away from the rest of humans who had hurt her. He didn't understand how they had hurt her if she didn't have that physical aspect, only the wound he had inflicted on her. But she explained that the wounds those humans had inflicted on her were not visible on her body, but in her heart.

Noa felt like seeking out those humans and defending the human to make her feel better. But she told him she was already learning to forget them.

"The wound is much better."

He didn't like how she was healing so quickly. Mae would have to leave when she was fully cured, that had been their agreement, but he wasn't ready to say goodbye so soon.

"Yes, I can do things on my own now. You should rest more at night and not come to see me."

"I don't need to rest. I want to come see you."

"Noa..."

"What?"

The ape continued making the meal, actually watching how the fire was made.

"You know I've forgiven you. You don't have to keep feeling guilty. Forgive yourself too."

"I-I can't. I failed my village. But I also failed you. If only I had shot higher, you would be dead and I wouldn't have met you."

"But you're a good ape and didn't do it. If it had happened this way or that, it wouldn't exist anymore. The reality is that we've met."

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**Eighth Act**

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That day, his mother wouldn't leave his side. She observed him closely without speaking, but that made him even more nervous.

"What? What's going on?"

He stopped in front of her.

"Son, you can lie to the whole world, but not to your mother."

"What do you mean?"

"Your nighttime escapes, the lack of sales, your fatigue during the day. Tell me, son. Where do you escape to?"

"Nowhere, mom. Just... I go climbing alone to relax and sleep."

"Yesterday, you slept very late, the sun had already risen. And you started talking in your sleep."

Noa averted his gaze so she couldn't keep reading him like that.

"Your dreams mentioned Mae's name."

"Oh, nonsense. I don't know anyone by that name."

He turned around, trying to ignore his mother's comments so as not to get more nervous.

"Son, do you sneak out at night to see Mae? Is she the Echo you didn't kill?"

"Mother! I don't know what you're talking about!"

"I've known you since you came out of me. Small, hairy, and noisy. Since you were very young, you showed that you weren't like the rest of the apes. You were very analytical and more intelligent than most. Your father knew that you took twice as long to think things through, just like your grandfather."

"Mom..."

"That's why I knew when they asked you to fulfill this responsibility that you would take your time to think it through and not do it, because you're a fair son of mine."

"Mom, I couldn't kill her. She hadn't done anything to us and lived peacefully alone by the river. She didn't pose any danger like the elders make us believe."

"I know, son. I know you very well."

His mother hugged him, and he took refuge in her arms. Taking a weight off his shoulders since he wasn't the only one who knew about Mae's existence.

And not just the two of them anymore. One of the aoes in charge of the birds had overheard their conversation, hiding from mother and son.

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**Ninth Act**

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That morning, Noa found Mae packed and ready to leave, with her things in a backpack and the fire extinguished.

"Where are you going?"

"I have to leave now, Noa."

"What? No, why? You're still hurt. You can't leave yet."

"I'm not hurt anymore, Noa. You saved me."

"No, no, no, no."

Noa grabbed the girl's hands, trying to stop her.

"We knew this moment would come. I'm very grateful that you gave me the opportunity to meet you."

"No! It's the other way around. I tried to kill you and you forgave me, letting me into your life."

"That doesn't matter anymore, Noa."

"Yes, it does. I came here to kill you because I thought you were an animal, a monster, a beast. And I ended up realizing that the only beast here is me."

"Don't be so hard on yourself."

"I have to be. I can't forgive myself because if I do, I'll think I have a chance with you and it's not like that. I can't, n-no..."

Mae grabbed his cheeks, making him lean his forehead against hers, looking into his eyes.

"You're not a beast. You're my savior, but I have to leave so I don't cause you more problems."

Noa shook his head and leaned in to kiss the human, savoring the sweet taste of Mae's mouth.

They separated as they heard horses and apes cries.

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**Tenth Act**

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Noa was startled. The only apes near the river were from his village. And it couldn't be, they didn't have any nighttime exploration planned.

"What's going on?"

"I don't know."

He turned to the human, grabbing her cheeks to make her look at him.

"Don't worry, you hide. I'll go see what's happening."

Mae looked towards something behind the ape's back, and he turned to see what had caught her attention, finding his friends.

"Noa."

The two apes ran to hug him.

"You don't know what's going on in the village. Maximo told them about the Echo and they're all coming to kill her."

Anaya explained quickly, without taking a breath.

"How did you know?"

"Why didn't you tell us?"

Soona responded with another question.

"I couldn't. She was in danger."

"We're your friends! We would have helped." -Soona raised her voice.-

"It's okay, guys. We'll discuss this later. Now we have to help the Echo." -Anaya turned to Mae.

"You have to distract them while I help her escape." -Noa grabbed Mae's hand.

"No!" -Soona refused.- "You're the clan leader, you have to give them explanations after what they found out. You have to be consistent."

The ape couldn't refuse. His friend was right.

"Mae." -he turned to her, grabbing her shoulders.- "You're going with Soona and Anaya, they'll help you."

"I'm staying with you." -Soona gave him her back as he said goodbye.-

He couldn't make her change her mind, as the apes were approaching.

"Echo. It's better if you get on my back and I'll run." -Anaya offered her back to Mae, and she got on without taking her eyes off Noa.-

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**Eleventh Act**

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The group of apes arrived, finding Noa and Soona together. Both apes were standing side by side, bearing the gaze of the rest.

"Where is she?"

"We know, Noa. The Echo is still alive."

"We have to kill her before she attacks us."

"She's a demon."

Several apes spoke at once.

"Silence!" -Noa shouted, making them all quiet.- "She's not a demon! We're the ones who pursued her and tried to kill her without harming us."

"She'll do it, it's written."

"The elders say so."

"The elders are wrong!" -Noa shouted again.- "And the laws are wrong!"

"Noa, step aside!"

Several apes approached violently. He couldn't let his clan lose respect for their leader.

As the leader of the eagle clan and respectful of his clan's ancient tradition, he began to sing. He still hadn't joined with any bird. Due to his father's death, he had decided to wait out of respect for the previous leader. But now... it was the only solution he could think of to regain his clan's respect.

He continued singing, and no eagle came.

"It doesn't work like that!"

"What eagle would want to join you after you betrayed us?"

The apes' voices enraged him. His voice rose above theirs, and a large eagle with a strong presence landed on his arm.

When Noa looked up, he was surprised to see the eagle Sun, his father's eagle. Known as the strongestin its nest and stubborn like his father. Everyone feared and respected it.

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**Twelfth Act**

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Most of the apes kneeled before Noa, who stood proudly, looking at the eagle on his arm.

"It can't be, the eagle Sun has finally chosen its new master."

"It can't be, Noa, he's a traitor."

"Maximo, stop talking like that about the clan leader. He's already proven with actions that we should trust him."

One ape began to defend him, and most of them joined in. Noa knew he had regained his title as leader.

"We can't forgive his lie!"

That ape, Maximo, ran forward. Noa saw his intention to go after Noa and Anaya, so he stood in front of him, growling.

"You're not going to pass!" -he shouted, making Maximo take a few steps back.- "The Echo is my responsibility." -Noa began to address everyone.- "If anyone has a problem with her, they should come to me and I'll resolve it."

Maximo walked away with his head down.

The rest of the a apes roached to congratulate him on his union with Sol, and Soona stepped aside, observing him. In the end, it hadn't been necessary to help him; he was the clan leader, and she regretted having doubted it.

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**Thirteenth Act**

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The next morning, Noa met with Mae again. Anaya had told him the location where she had hidden her, in the cave where the three of them used to hide as children when they wanted to escape from their parents or play pranks.

Anaya had confided in Mae about the location, knowing how important it was to her friend Noa.

The ape and the human looked at each other intensely when they met. Mae was sitting on a rock, holding a piece of fruit, and had heard him enter. She was anxious to see him.

"Noa!" -she stood up, looking him up and down.- "Didn't they hurt you?"

"No, no, Mae." -Noa put his forehead against the human's, closing his eyes and breathing in her scent more closely.- "Y-you, are you okay?"

Mae let out a laugh.

"I'm fine. You faced your clan for... for me."

"Yes, for you. But I know that's not as scary as riding on Anaya's back and climbing up here with his rough scaling."

"Anaya took good care of me, you don't have to worry."

"I know."

Neither of them wanted to break the silence that followed. They hugged, feeling each other's skin so close. Mae's breath hit Noa's lips, and he couldn't resist anymore, leaning in to kiss her again, this time knowing every centimeter of her lips and mouth as he introduced his tongue.

"Noa."

Mae whispered the ape's name, and she pulled away, placing his lips on her cheek.

"You shouldn't kiss me like that. And I won't be able to leave if we keep doing this."

"Then don't leave. There's no need, no one wants you to leave. Come with me and live in my village, with my clan."

"No! Noa, I don't want to bring you more problems."

"You're not going to bring more problems." -Noa hugged her.- "Since I met you, you've brought nothing but joy and laughter and good thoughts to my life. You've made me happy, and I don't want to lose you."

"Okay."

Noa shouted happily, hugging the girl and lifting her up.

"You make me so happy, I love you!"

Mae looked into his eyes, unable to respond since she had lost her breath.

The human leaned in, kissing him again, this time with tenderness, and pulled away after a few seconds. As if her lips had given him strength and air to speak, she responded.

"I love you too."

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**Final Act**

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Mae moved in with them. The village had welcomed her with open arms when they saw her arrive with their leader.

Noa's mother received her literally in her arms, in a strong hug.

"Welcome."

The Echo, the beast everyone had feared, had found a place in everyone's heart. She had sought her place in the village and now fulfilled her responsibilities so that no one would ever have to take care of her again.

A certain leader wasn't very happy about it, since it meant they spent less time together, but he was happy seeing how everyone had learned to love her.

There was even a moment when he felt jealous of the attention she gave to the other apes.

Mae dedicated herself to healing and feeding the smaller or injured apes, or those who were lonely. This made her spend more time with others than with him. But he couldn't say anything, he had to fulfill his clan duties too.

At least he had the hope of ending the day and finding her in his nest again.

"Noa."

Mae sighed in his ear. Noa couldn't help but lie down next to the human and kiss her from her cheek to her neck. He had seen her sleeping already, but he missed her and needed to feel her in his arms.

He placed himself on top of her, lifting her clothes and pushing them aside. It wasn't the first time they had done it, but he had understood that those garments were important to cover the human's attributes. For the apes, it was rare to see those clothes, but Noa's ego grew when only he could see her like that.

Naked, trembling from his kisses and caresses, and so sensitive that she responded to every touch he gave her.

He introduced his virility, making her moan, making them both moan. His thrusts were quick and concise. That night, he needed to feel her with urgency. The desperation in his chest to make her reach climax and hear her scream his name.

"Noa!"

That scream and the contractions of the human's vagina around his penis made him come with a grunt.

"Mae, Mae."

He leaned on her, placing his elbows on both sides of Mae to avoid hurting her, and waited for his heart to calm down after coming.

"I love you."

He heard Mae.

"I love you too."

The ape responded before falling asleep next to her.

His life had taken a huge turn since the Echo, his Echo, had entered it. From believing he was going to kill a beast, to believing he had become one, to falling in love with an Echo. She had saved him from drowning in a life full of desperation and lies. She had entered his life to make the monsters that haunted him disappear. Mae was, is, and will be the love of his life forever.

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END.