#and you have the right not to engage with their creation.

[chilewithcarnage]

That post (Korean fried chicken post idk what else to call it it…) is so weird for me cause like YEAH in a way they were right but the language used is like… I feel like you just subconsciously don’t like black people and wanted an excuse to talk about that in a way other people took in a way to ALSO subtly express how they don’t like black people by tacking on ‘American’ first. I’m not denying that marginalized people in America contribute to imperialism but it feels so odd to specifically point out black people predominately when white people do WAYYY worse in nearly every situation regarding imperialism.. but that could just be me, I have very conflicting feelings about it

black americans can participate in imperialism as we know that already. We know how the military works, we know Obama is a war criminal. We literally already know. We know, We know, WE KNOW. But this notion that every single person of color in America is engaging in imperialism by simply just existing. Reactionary bad faith & inaccurate bullshit stoked in anti blackness. I only ever see this conversation brought up when it comes to Black Americans. I don't EVER see anybody mention Asian Americans, MENA Americans, Chicanos, Native Americans, anybody else when it comes to this fucking topic. And idk who it was in that reblog chain but they were trying to use Israel as in example saying 'if you recognize that all Israelis are bad not just the soldiers you can recognize that all Americans are bad too' like....Israel is an apartheid ethnostate that is less than a century old. America was colonized by white Europeans who genocided and enslaved millions of indigenous Americans turned around invaded West Africa captured, tortured, raped, pillaged, killed and colonized. Brought Africans to the new world, enslaved them from centuries. Raped, tortured, killed, & cannibalized them. Decided we weren't human. Fast forward to the civil war, emancipation proclamation pretends to free us from slavery. Not everyone is freed. Reconstruction, Jim Crow, Civil Rights Era, Black Activists and Liberation leaders are assassinated movements get snuffed out. The government floods black neighborhoods with guns and crack. Aids epidemic devastates the black community, especially black lgbts. Fast forward 40 or so years to now and we're all still facing the ramifications of ALL of this. And this isn't even covering half the amount of antiblack & anti native racism that is entrenched in this country. All this to say it is fucking CRAZY that that person would even type that shit out to compare Black Americans to Israelis or compare the inception of America to the creation of Israel....like these people know less than nothing

[bruciemilf]

Anyway. Frustrated reminder that if artists pour time, energy, passion, thought, and skill into their piece, it’s their right to do whatever the fuck they want with it. Fandom is a playground and you can do what you want always

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[ataykiri]

Our stay on this earth is so so short, we’re in such a dream state that we keep forgetting this truth

[getvalentined]

Hey, so, it's all well and good to not like newer titles in an older fandom, but the moment that you say that anyone who does like anything about those titles is ignorant and stupid and wrong, the moment you say that anyone engaging with newer material in a positive way doesn't actually care about the source material, you are completely out of line.

I understand disliking later iterations. I do. I've been there, many times. I understand being upset about a piece of media being taken a direction you didn't want it to go, I understand feeling let down by the handling of new media. I understand lamenting about it with friends, on your blog, whatever. That is perfectly valid behavior, that's part of being a fan of something. It's normal and it's human and it's expected. It's fair. It's your right, in fact.

However.

The instant that you turn that frustration into vitriolic insults toward other fans for having the "audacity" to be excited about newer material, the instant that you decide that you get to choose who is and isn't a "real fan," you are grossly out of line.

That's not up to you. What people get out of a series, what people enjoy about a series, what people want to see in a series—that's not up to you. What the creators do with a series, what direction they take it and what declarations they make—that's not up to you.

There is absolutely nothing wrong with being upset, with disagreeing with other people in fandom, or even with disagreeing with the creators. But spouting off about people whose only "crime" is interest, asserting that they don't know what they're talking about, that they don't deserve to be here because they don't feel the way you do? That's pure, unadulterated entitlement.

That's not how media works, and it's certainly not how fandom works.

[sysig]

Your Weekly TV Guide

On Monday you can expect:

2:30 PM: Star Control II - Helix

And Tuesday:

2:30 PM: Star Control II

Wednesday:

2:30 PM: SCII - Helix

Thursday:

2:30 PM: SCII - Helix

Friday:

2:30 PM: SCII - Helix

Saturday:

2:30 PM: SCII - Helix

Sunday:

2:30 PM: SCII - Helix

Thanks for tuning in! (Patreon)

[tamaharu]

ive inherited a copy of lolita from my parents (i.e. i stole it from the library in our basement and started treating it like its mine) with the 1989 vintage international cover and i think its actually not that bad. better than the 50th anniversary one with the lips anyway imo (which is the cover for the library ebook vers ive checked out).

like i think any cover that incorporates the "only convincing love story of our generation" quote anywhere kind of sucks on principle, and the fact that it features a photo of a girl at all really goes against nabakovs instructions, but compared to other covers that break those two rules, the haziness of the photo creates a really evocative atmosphere i feel matches the book more or less.

[dreamersscape]

Does it feel like life is permanently set to extreme hard mode and I still feel super crappy greater than 90% of the time? Yup. But! Emboldened by our relative success with last year's tomatoes, we have given it another go and have added a little pepper plant friend for them. :)

(It may look like the peppers aren't doing as well as the tomatoes, but it cannot be overstated just how bananas this plant's growth chart has been; it's determined to escape the confines of its basket-cage; it has to be constantly rotated so it doesn't completely lose the battle with gravity; I only took this picture the other day and it already looks SO outdated. Can't stop, WON'T STOP.)

[prokopetz]

I think a lot of folks in indie RPG spaces misunderstand what's going on when people who've only ever played Dungeons & Dragons claim that indie RPGs are categorically "too complicated". Yes, it's sometimes the case that they're making the unjustified assumption that all games are as complicated as Dungeons & Dragons and shying away from the possibility of having to brave a steep learning cure a second time, but that's not the whole picture.

A big part of it is that there's a substantial chunk of the D&D fandom – not a majority by any means, but certainly a very significant minority – who are into D&D because they like its vibes or they enjoy its default setting or whatever, but they have no interest in actually playing the kind of game that D&D is... so they don't.

Oh, they'll show up at your table, and if you're very lucky they might even provide their own character sheet (though whether it adheres to the character creation guidelines is anyone's guess!), but their actual engagement with the process of play consists of dicking around until the GM tells them to roll some dice, then reporting what number they rolled and letting the GM figure out what that means.

Basically, they're putting the GM in the position of acting as their personal assistant, onto whom they can offload any parts of the process of play that they're not interested in – and for some players, that's essentially everything except the physical act of rolling the dice, made possible by the fact most of D&D's mechanics are either GM-facing or amenable to being treated as such.*

Now, let's take this player and present them with a game whose design is informed by a culture of play where mechanics are strongly player facing, often to the extent that the GM doesn't need to familiarise themselves with the players' character sheets and never rolls any dice, and... well, you can see where the wires get crossed, right?

And the worst part is that it's not these players' fault – not really. Heck, it's not even a problem with D&D as a system. The problem is D&D's marketing-decreed position as a universal entry-level game means that neither the text nor the culture of play are ever allowed to admit that it might be a bad fit for any player, so total disengagement from the processes of play has to be framed as a personal preference and not a sign of basic incompatibility between the kind of game a player wants to be playing and the kind of game they're actually playing.

(Of course, from the GM's perspective, having even one player who expects you to do all the work represents a huge increase to the GM's workload, let alone a whole group full of them – but we can't admit that, either, so we're left with a culture of play whose received wisdom holds that it's just normal for GMs to be constantly riding the ragged edge of creative burnout. Fun!)

* Which, to be clear, is not a flaw in itself; a rules-heavy game ideally needs a mechanism for introducing its processes of play gradually.

[edenorisshitposting]

Who's the idiot who spread that myth milk is pus? Turns out it spread so badly even my vegan (not brain damaged) roommate believes there's noticeable pus in cow's milk.

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.

[drchucktingle]

Chuck, how do you deal with people who are rude about you and your work? I write queer romance and I want to put my writing out there for people to read, but I'm a very sensitive person and I know it will be hard not to take insults personally and let them affect me. I don't want to let that stop me from expressing myself and sharing my art, but I'm scared!

very good question buckaroo. i am a good example of this as pretty much EVERYONE was rude about my work for many years calling it 'so bad its good' (it is just good) and 'terrible photoshop' (i think it has a great and instantly recognizable style) and 'intentionally stupid premises' (i dont think there is anything stupid about sex being fun and whimsical and playful). even these days the reaction of the VAST majority of buckaroos who discover chuck have this reaction AT FIRST, and then learn to appreciate the tingleverse in a more sincere way over time.

all that is to say BEING DOUBTED HAS WORKED OUT VERY WELL FOR ME. art that changes meaning over time can be very powerful, so if someones initial reaction to my trot is one thing and then it evolves into another thing, well that is just good art. while it can feel bad to get a bad review, i would say a bad review just means you have entered a realm of tension and change and discord and WE ARE TALKIN ABOUT ART BUD so that, in itself, is very exciting.

i think of what i do as 'punk writing', and a big part of that means pushing against preconceived sensibilities. not many other authors will proudly say 'there SHOULD be some spelling errors in my erotic shorts because i wrote it in a day and edited it once. that is the FEELING i want to create', but that is my way. by creating what is in my soul i KNOW i am going to bother some buckaroos and that is okay.

now i am NOT assuming you are also doing punk writing (that is okay of course we all have our own styles. what i am doing with tinglers is pretty rare), but it still stands to remember that there are 7.8 billion people on the planet of this dang timeline and some of them are bound to be bothered by your creations. that is not a problem, that is just part of baring your authentic self.

the other thing to remember is theres no REAL right or wrong in art. it can be analyzed in different ways and i tend to look at it in a way of comparing intention to result, but even THAT is not strictly correct. therefore any bad review of something you make is not actually BAD it is just someones information and feedback for you to take or leave. a one star review is just another opinion, it is no more right or wrong than your own opinion, and that is wonderful. it is freeing.

if i see a bad review of my own book, lets just say CAMP DAMASCUS for instance, i do not get upset because i know this: that reviewer is not wrong. camp damascus is five stars for me, but it is one star for someone else AND THAT IS OK. THAT IS THE WAY IT SHOULD BE. THAT IS GREAT ART. also MAYBE THEY KNOW BETTER THAN I DO. just because i wrote the book does not mean i am the authority on it, and the conversation and tension between those that enjoy something and those that despise it is a creative act. the audience engaging with your work is just your art emerging from its cocoon and saying 'here i am. lets see where i flutter off to now'

do not fear the river of this timeline sweeping away your creations and carrying them where it will. this is inevitable, but it is also beautiful and freeing. you cannot swim against it and that is okay bud, because YOU HAVE ALREADY WON. you have already created something and given a piece of yourself back to this timeline and that is a great honor and privilege. it is literally all there is

by creating ANYTHING you are proving love is real, and that is something to be proud of

[fatliberation]

If its ok to ask; how do you feel about fat kinks? I havent seen any fat acceptance blogs talk abt it. /genq

I know it's a sore spot for a lot of fat liberationists (and yes, I'm quite familiar with why so please do not take to my inbox), I think people are scared to talk about it. personally, I think it is crucial that people with fat kinks are able to access fat liberation spaces so long as they leave the kink at the door. I say this not only because the majority of them are fat people, but because that community is steeped in a deep shame and feeling of brokenness for taking delight in fatness and/or weight gain, which perpetuates rampant fatphobia. and fat liberation is what will heal those wounds. I don't understand it when fat activists tell kinksters/fetishists/feedists, whatever you want to call them to stay out of the fat liberation movement. because what is the alternative? do you want them against the movement? that doesn't make sense at all. I think people are so uncomfortable, disgusted, or afraid of this community they don't understand, that they just wish they wouldn't exist. they aren't going away. kink is akin to sexuality, to identity, to queerness. I think what people really mean when they say feedists should stay out of fat lib is, "kink should stay within spaces designated for kink." we aren't talking about kink when it comes to who can belong in a movement, we are talking about people. it is wrong to equate every person who has a kink or a fetish to a predator. it causes very real harm to those people, because they internalize that message that their kink makes them a bad person who is inherently worthless, who has to hide. if feedists aren't welcome in fat liberation, they aren't welcome anywhere.

I think that people who love fat people, love feeding people, love their own fat bodies, who see their fattest selves as their most satisfying selves, would be natural allies to this movement once they find their way to it and feel safe and accepted here. I want to make it absolutely clear that ANYONE is welcome on this blog as long as they aren't harassing or harming anyone. so many of my followers and biggest supporters are kink blogs. some of my closest friends and fat liberationist allies are feedists. I know feedists who are way more educated and passionate about fat lib and body politics than most people I've met. I don’t wish for anyone to feel alienated on my blog - especially fellow fat folks and fellow fat allies. we are 100% FAT POSITIVE AND SEX POSITIVE on this blog, babey‼️

In fact I feel really glad when I see fat kink/feedism blogs engaging with my content bc it means that person is putting the work in to understand systemic fatphobia, how to be an ally to fat people (if they aren't fat themselves), but also healing their community through education and acceptance. and HOT TAKE, BUT: when it does happen?? when feedists aren't shrouded in internalized fatphobia, shame, and isolation, and instead start embracing this innate, powerful appreciation for fatness, it's literally so fucking beautiful? and so very queer?

choosing to gain weight on purpose as an act of self creation. because it feels Right for you. gaining weight to affirm the relationship you have with your body. getting fatter because you feel so much of your identity (even gender presentation!) is attached to your fat body. feeling sexiest when you're fat. someone else worshipping that about you. giving unlimited permission to nourish yourself and/or others - and taking carnal delight in it. releasing food rules and food guilt through centering pleasure. food and fatness as an erotic and sensory experience. finding feedist partners who also have this ingrained love of fatness that can't be replicated, partners who are willing and eager to support and adore your fat body, NOT merely tolerate it. reclaiming tropes used against you through kink, and turning a loving gaze inward. saying "fuck you" to the system and choosing to take up more space in a world that consistently tries to shrink you. never denying yourself pleasure even though everyone is telling you you don't deserve it. feedism is such an interesting facet of the endless spectrum of human sexuality and I think that once people in that community find liberation and heal their relationship to the kink, it can be one of the most radical forms of self acceptance and exercising complete bodily autonomy.

I already know that a love letter to feedism coming from a fat lib blog is gonna piss people off. I'm going to lose a lot of followers, I'm going to get a lot of hate. but. kink in general is SO demonized and SO misunderstood and as liberationists we should also be open to sexual liberation. so much of this discomfort around feedism comes from a lack of education and understanding about kink in general. feedism doesn't = fatphobia in the same way that bdsm doesn't = misogyny or abuse. quite the contrary, if practiced ethically, with informed consent. every community has assholes. especially when those communities are small, ostracized, and so young that there are next to zero resources for self acceptance, safety, education, and accountability. in fact, the assholes are the ones that you're going to SEE because every respectful person is staying away and out of your business. if you've been harassed by someone with a fat kink, that is so shitty and I'm sorry that happened to you. I know it happens a lot. try to remember that what you experienced was abuse, not kink.

what consenting individuals choose to do with their bodies is entirely their business and there is nothing wrong with kink. (and I will not stand for sex-negative, puritan bullshit in my inbox, thank you very much.)

reminder: fat pleasure is fat liberation.

[gay-dorito-dust]

Felix Catton x reader where he invites reader to Saltburn and he confesses his love to her. Super fluffy 🫶🏻😩

This was long as shit! But I hope you like it! 🦦

You honestly thought Felix was taking the piss upon extending you an invitation to spend the summer at Saltburn. You even waited for Farleigh to come out of nowhere to make his usual passive aggressive commentary in regard to your seemingly gullible nature, but nothing.

No Farleigh.

None of Felix’s little posse of posh cunts were nearby to poorly conceal their laugher behind their hands.

It was just you and Felix sat upon a stone bench somewhere, to which you must’ve looking like an right idiot, with your mouth opening and closing like an goldfish in disbelief at what you were hearing. ‘So what do you say?’ Felix asked after a prolonged period of awkward silence, looking as though a little on the verge of imploding at any given moment.

You blinked once, twice, then a third time for good measure before clearing your throat. ‘Yeah, sure…I’d love to but why me-‘ your sentence was cut off when Felix let out a relieved sigh as his mouth stretched into a smile, revealing his pearly whites, also as though he was…happy that you had accepted his invite; A reaction that naturally caused you to become curious as to figure out the reason why.

‘Oh thank fuck, you almost had me second guessing that you weren’t going to come.’ He said, looking at you with eyes that seemed to be reading your entire being, reading your each and every breath with such attention; so much that you swore it was as akin to that of a creator admiring his first creation. You -much like everyone else at Oxford- were very familiar with the stories that came with the supposed friends Felix had taken to Saltburn; they go to Saltburn, things seemingly get weird and the friendship is tarnished, then by summer’s end Felix next speaks with them again.

Used and discarded within the same breath.

You soon came to the conclusion that you didn’t want to be the next discarded toy on Felix’s long list of broken things. It would’ve been better had Felix kept his distance and stayed with his little posse, but he didn’t and now you were riddled with the endless possibilities that laid ahead of you. ‘Would’ve been a real shame if I did.’ You said, hyper aware of the fact that Felix was still staring intently at you. ‘But I’m glad you didn’t.’ He says softly, taking one last puff of his cigarette before its dying embers dwindled down to the bud, tossing it aside carelessly once it’s use has been served.

‘So am I.’ You replied, looking away from him and elsewhere as you pondered to yourself what you had gotten yourself into and what terrors would await for you at Saltburn.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Your first couple of days at Saltburn were okay to say the least.

Well that was mostly because Felix insisted that you’d spend the most of it together. So no matter where it was that you went through the manor, Felix was never far behind, looking over you like a protective shadow.

The pool? a shirtless Felix was sat poolside with a cigarette handing loosely from his lips, reflective shades concealing his dark eyes that you could feel shamelessly drinking you in as you dipped a toe.

The living room? Felix was there with a selection of movies and snacks that he retrieved from the kitchen along with comfy blankets.

The library? Felix was there reading a book that went over the treatment of women in Greek myths.

Bathroom? Felix was also there because upon giving you a grand tour of the intimidating building, he had informed you that you were to share a bathroom, instead of having you journey to the other side of the house to occupy another one.

You even remembered one time where you were deeply engaged in a topic with the likes of Farleigh and Venetia about Felix’s recent attitude towards you, with you being in denial and Farleigh and Venetia trying to make you see reason; When Felix came into the room as though looking for something, and upon seeing the three of you together, his jaw began to clench. It wasn’t until that very moment did you begin to take note of how Felix’s reluctance in having to share you with anyone else, and how it was staring to look something similar to a stubborn child who refused to share what he thought rightfully belonged to him.

‘Told you.’ Farleigh said with a winning smirk after Felix left the room in a huff. ‘He doesn’t want to share you with the rest of us, he only wants you for himself…and in more ways than one.’ He adds on, obviously knowing something that you didn’t.

‘What do you mean by that Farleigh?’ You had tried to ask but all he did was shrug nonchalantly and cryptically said, ‘you’ll see soon enough.’

You guessed you understood where Felix was coming from, I mean you did come here because of him, so naturally you were meant to be spending most of your time with him. However with what Farleigh had said earlier, you couldn’t help but theorise that there was a much deeper reasoning for Felix to have invited you to Saltburn; A theory that would later be put to the test when you were getting ready to go to bed, pulling back the covers just enough for you to slip in with ease, when a knocking at your door caught your ear.

‘Y/n. You in there? I’ve been meaning to talk to you about something recently and it couldn’t wait any longer.’ It was Felix. Your brows furrowed at this, what could he possibly want to talk about in the middle of the night?

As to not keep him waiting any longe then he might’ve been before knocking on your door. You quickly made your way to the door -though not before making sure you looked presentable- and opened it to see Felix stood in your doorway in his sleepwear, which consisted of a short sleeve shirt and a pair of blueish gray boxers, as his dark hair looked ruffled as though he had just been vigorously running his hands through it just minutes prior.

Either way he still looked extraordinarily appealing to the eye. However that was just how Felix looked to near enough everyone; extraordinarily delectable.

‘What conversation could possibly be so hard for you to not wait until tomorrow to have?’ You asked, brows raised, wanting nothing more than to put an end to all the mental gymnastics you’ve put yourself through within the past couple days; It got exhaustive after a while and his childish antics of giving you the cold shoulder didn’t make matters any better.

‘Look, I know I’ve been a bit of a dick to you recently.’ Felix began.

‘A bit?’ You echoed, slightly annoyed. ‘Felix you wouldn’t even look at me when I went to the pool, which if I remember correctly,’ you placed a finger on your chin, faking a face of deep thought before clicking your fingers and leaning in towards him, ‘you invited me to earlier that same day.’ You concluded dryly. ‘So how about you explain that before whatever you wanted to talk about, just so I’m given more of a clear picture as to where we stand.’

‘Fuck. I fucked up.’ Felix sighed under his breath as he ran his hand down his face, his dark eyes peering down the elongated hallway in hopes that no one -Farleigh- would come out and see what was all the commotion about, before they returned to look into yours and decided to just skip the words he was planning on telling you and just get straight to the point; long winded speeches of love was never his thing when he could just be straightforward about it. After all he was Felix fucking Catton, but it seemed that just being in your presence was enough to leave him a little speechless.

‘I like you.’ He began but immeditly felt that like wasn’t the right word to use when putting into words of what you did to him. ‘No, that don’t sound right because at the end of the day y/n, I fucking love you.’ Felix corrects himself and you immeditly felt the anything that you wanted to say to him exit your brain, as his sudden declaration took its place as the only thing that you could clearly focus on. ‘I brought you to Saltburn in hopes that one day I would stop being such a pussy and tell you how I truly felt.’ Felix then looked saddened as he continued. ‘Yet it seems that the only thing I’ve managed to accomplish is pushing you away because I thought that you wouldn’t want me like that, and would try to drive that home by spending time with Farleigh and Venetia.’ By the time Felix had finished pouring his heart out to you, everything leading up to this very moment started making a lot more sense, even Farleigh’s cryptic response made sense.

This entire time Felix was planning on confessing and Farleigh knew, which meant Venetia must’ve knew and therefore his parents considering how upon meeting them, they seemingly knew everything about you in incredible detail. You knew Felix was a bit of a blabber mouth under certain circumstances, but you didn’t ever think that he would ever rant to his parents about you in the slightest and in a positive light too. Though it did feel a little odd at first when Elspeth complimented your eyes but now you knew why and you couldn’t help but be flattered; Felix is a handsome and beautiful man that to be viewed within the same perspective was a new feeling entirely.

‘Really?’ You asked, biting the inside of your cheek, praying this wasn’t an extremely realistic dream.

‘Really.’ Felix replied without hesitation, beaming as he brazenly took a step towards you.

‘You’re not fucking with me?’ You asked again, still somehow not finding any of this remotely real, now bitting down on your bottom lip this time.

Felix stepped even closer to you now that you could feel his body heat, his hand gently holding you by the chin as his thumb gingerly pried your bottom lip from your teeth before then moving his head so that it was resting against your own, forcing you to focus on the dark pair of eyes that looked right back at you in a way that one would a masterpiece. ‘I’m not fucking with you.’ He spoke in a low but soft tone of voice. ‘I think you’re the most beautiful and the most amazing person I have ever met. You’re genuine, you’re kind but most importantly, you’re real and I both envy and adore you for that.’ Felix finishes and you couldn’t help but groan with impatience.

‘You could’ve conveyed all that if you would’ve kissed me.’ You whined, hands finding their home within his hair, raking and slightly tugging at the tresses, making him laugh. ‘As you wish.’ He utters cheekily as he then descends his lips upon yours in a passionate kiss that conveyed everything that had been said and more.

[felassan]

Dragon Age: The Veilguard info compilation Post 3

[Part 1] [Part 2] Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

Character Creation

All armor and clothing options will scale and mesh to any body type [source]

The character creator has lots of sliders for body parts and overall shape, none of which are tied to the voice or pronouns (she/her, he/him, or they/them) that you choose [source]

"Epler took special care to show off the extensive curly and textured hair options in the game, including several versions of braids and locs, noting that increasing these options in particular was very important to the team" [source]

You can change your character’s physical appearance at any time during the game, but not their class or backstory [source]

"Each individual class has some variability, too; even the mage class has some up-close-and-personal attacks, since a mage player character could still conceivably have an assassin backstory and would therefore need to have some attacks to accommodate that sort of career path" [source]

" "We’ve spent a lot of time thinking about skin tone,” Corinne said. The character we made, a Black elf, seemed to glow in the bluish light of a nighttime scene, and under bright sunlight, I could see the richness of his color. Corinne: "We want to make sure that skin tone is reflected authentically" " [source]

" “We have dozens and dozens of hair types,” she said. “And they’re fully affected by physics.” The quality and variety of choices I saw delighted me. The rows of bouncy, luxurious-looking hair of all curl types and textures (and yes, the annoyingly ubiquitous “Killmonger cut” was among the options, what can you do?) brought the biggest smile to my face in the hour I spent with Busche and The Veilguard." [source]

Story and lore

NPCs will remember when you chuck a shopkeeper through a plate-glass window [source]

" The game’s story sees Solas intact a plot that will result in the deaths of thousands. When his justification that “people die, it’s what they do,” falls on deaf ears, you and your merry band of misfits have to stop him " [source]

" “Early in the demo and in the trailer, you’re in a part of the world you’ve never been in – Tevinter,” Epler tells me. “Tevinter is known for being a place of high magic; visually, it’s different. Obviously in Origins you’re in Ferelden, which was grubby, muddy, and very visually different and distinct. That said, it’s the first hour of the game, so we’re only seeing the prologue. As you go deeper, you’ll find that the game can be just as bloody and just as grim as Dragon Age Origins, 2, and Inquisition. For us, it’s that feeling of contrast. You get moments of higher fantasy magic coming back to the world through Solas’ ritual, but also things get pretty grim, and things get pretty dark in some spaces for sure.” " [source]

"Snappy dialogue" [source]

The game is really about each of the companions [source]

Narrative narrative narrative! [source]

The Shadow Dragons are an underground resistance that engages in guerrilla warfare against the corrupt mage rulers of the Tevinter Imperium [source]

"Varric has created the group called the Veilguards, recruiting a veritable group of weirdos to pursue Solas, who’s carved a path through the magical empire of Tevinter" [source]

"There’s intrigue to the game’s tale already, with Varric hoping he can convince Solas to stop his plan of tearing open the Veil: a wish by the dwarf to save a dear friend. There’s a fascinating relationship that's already being set up, Varric and Solas as opposing narrative forces, with your character, Rook, pulled between them" [source]

"There’s extra context to flesh out dialogue, with short descriptions that help give a vague idea of how things play out. The example we were shown was Rook trying to take down a gang leader inside a bar. We could choose to defuse the situation with either words or weapons, but the catch is you don’t know how effective those approaches will be" [source]

" Busche explained that the team wanted to give players a game where locations were imbued with just as much personality as the characters. “That meant making contrast from the areas that are dark and decaying to the areas that are illuminated with magic,” Busche said " [source]

" “This is a part of the world where magic has been embraced,” Busche said. “It is a society of mages and magic in this world is inherently colorful. So whether we’re seeing them use magic for everyday purposes like signage or using them as spells, that color really comes through.” " [source]

We will visit the Necropolis of Nevarra [source]

Gameplay, presentation, performance etc

There are dozens of abilities and spells [source]

The game has an easy mode [source]

There is a setting where your character can't die in battle [source]

"The Rogue class in our demo had a bow with recharging arrows for ranged attacks, and dual blades that could unleash a furious flurry of instantaneous blows" [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[getvalentined]

An open letter to @staff

I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.

The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.

Claim 1: Algorithms help small creators.

This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.

This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.

Claim 2: Only a small portion of users utilize the chronological feed.

You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed*. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.

Claim 3: Tumblr is not easy to use.

This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.

You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.

The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.

You can do so much better than this.

Response to the Update

Under the cut for readability, because everything said above still applies.

I already said this in a reblog on the post itself, but I'm adding it to this one for easy access: people read it that way because that's what you said.

Staff considers the main feed as it exists to be "outdated," to the point that you literally used that word to describe it, and the main goals expressed in this announcement is to figure out what makes "high-quality content" and serve that to users moving forward.

People read it that way because that is what you said.

*The final results of the poll, after 24 hours:

136,635 votes breaks down thusly:

An algorithm based feed where I get "the best of tumblr." @ 1.3% (roughly 1,776 votes)

Chronological feed that only features blogs I follow. @ 95.2% (roughly 130,077 votes)

This doesn't affect me personally. @ 3.5% (roughly 4,782 votes)