#and while most people would kill him for being who he is

[infimace-blog]

Keep coming back to this and thinking about the asker's perception of the Weatherlight Saga, because it's definitely not free of 'identity first' storytelling.

Tahngarth's entire plotline revolves around his identity as a minotaur, a racial characteristic in Dominaria. He's forced to question whether he's still himself, still a minotaur after Phyrexia captures and disfigures him, and the payoff for that is that a minotaur tribe starts decorating themselves after his new, distorted form when he helps rescue them from Phyrexia later on. So, you know, having identity issues during a apocalypse, like having a gender crisis during a Bolas invasion.

Mirri was discriminated against for having heterochromia, forcing her to leave her birth family. The desire to belong weighs on her so much that one of her big choices is whether to abandon her best friend and secret love for another tribe of catpeople who do respect her. It's less of a factor in her story than her doomed love for Gerrard, but, frankly, her willingness to get herself killed over a nice white boy for whom she was third-place (after Hanna and Rofellos) makes a lot more sense if if you take abandonment and isolation issues into account.

Maybe the asker didn't notice because these identity issues were put on the non-human side characters. But, you know, they were still there. They're some of my favorite parts of the Weatherlight Saga to talk about, besides the competition to become evincar and Urza's bizarre behavior. And while this happened with funny animal people, the structure is analogous to things the anti-woke crowd would hate. Tahngarth's identity issues are reminiscent of those of black people living in largely white societies. And there's a lot of people under the 'DEI' banner who've had to deal with getting kicked out of their home for being born wrong, often queer or disabled or neuroatypical people.

This is how you give characters good storylines, especially with Magic's limited ability to get the story in front of people who just play the cards. You find an aspect of themselves that they care deeply about, something fairly obvious and easy to communicate, and see how the external world impacts that. And we're still seeing that now. Chandra's putting herself through death-defying adventure in Aetherdrift because it might help her lover, and her love for her is a major part of her identity. Tone's certainly different than the lovelorn motivations of Mirri or Gerrard or Ertai over the course of the Weatherlight Saga, but it's the same building blocks.

I think more of that kind of characterization would have been beneficial for Sisay, honestly. I can't speak for Mark or Michael, but I've never really been interested in her because most of her story is about what she does rather than who she is. Gerrard bores me for similar reasons; I find it difficult to get a read on his personality besides 'heroic' and 'white savior'. It strikes me that the two greatest heroes of that era were raised and, in one case, born from Jamuraa, Dominaria's stand-in for Africa, but that never really comes up in the saga. Gerrard's background exists to give him an evil black stepbrother and the most important part of Sisay's is growing up owning the Weatherlight - I generally forget that she even fought in the Mirage Wars.

So yeah, I think anyone on the same page as the guy who asked this is not interested in getting good stories out of Magic. I'm regularly unimpressed by Magic's story output over the past decade, but I can't tolerate anybody who thinks the answer to that is 'make the characters less interesting. Shave their identities down'.

I want to speak out against the whole push towards DEI. I feel that ever since you made the push to make identity the forefront of a character it has hurt the stories you tell. Captain Sisay's race was never the focus of her character and she was a complete badass! And I fear if you did it over again Gerrard would be trans, black and disabled just because. It also cheapens the stories of world devastation when characters worry more about their gender than Bolas destroying everything.

The reason I started this blog is so we can have frank conversations about things, so please let’s talk about this.

Imagine if every time you turned on the TV or watched a movie, no one looked like you. For some of us, that’s never happened. We see ourselves constantly, so it’s hard to truly understand what not seeing yourself represented in media is like.

I do have a personal window to this experience. While I am white and male, there’s an area where I am the minority - my religion. Jews are just under two and a half percent of the US population. I have had many experiences where I’ve been in situations where everything is geared towards a group I do not belong to, and zero consideration is given that not everyone at that event is part of the majority.

You just feel invisible and like an outsider. It’s not a great feeling. And I just experience it a tiny portion of time, only things that are geared specifically towards something religious. Most minorities have this feeling all the time, whenever they’re outside their personal community.

Now imagine, after years of not seeing yourself ever, you finally see someone that looks like you, but nothing about the character rings remotely true. They don’t sound like you, they don’t act like you, the facts about their day-to-day life are just wrong. It’s clear whoever wrote the character didn’t truly understand the lived experience of the character, so the character feels fake.

You bring up Sisay. Michael Ryan and I didn’t technically create Sisay (she played a small role in the Mirage story), but we did do a lot to flesh out her character as the creators of the Weatherlight Saga. We turned her from a minor character into a major one.

And while I’m proud, in general, of our work on the Weatherlight Saga, I don’t think we did justice to Sisay as a character. Neither Michael nor I have any knowledge of what it’s like to be a black woman. Nor did we ever talk to someone who did.

And if you’re someone like us that has no knowledge of that experience, you probably didn’t notice. But that doesn’t mean it’s a good thing.

Imagine if we made a movie about your life, and we just made everything up. We invented people you never knew, we gave you a job you never had, and we had you say things you’d never say. The movie might even be a good movie, but your response would be, but that’s not my life - that’s not me.

Now imagine we put the movie out, and people that never met you assumed that was what you were like. When people met you for the first time, they assumed things, because, you know, they’d seen the movie.

That’s what misrepresenting people does. It not only makes them feel not seen, it falsely represents them, spreading lies, often stereotypes, making people believe things about them that aren’t true.

Our move towards diversity is just us trying to better reflect the world and the people in it. We’re trying to do to everyone else what a certain portion of people get every day without ever having to think about it.

But why are we “making it the forefront of their character”? We’re not. We’re making it a part of their character. But in a world where you’re not used to ever seeing it, it feels louder than it is. Things that are a natural part of the world that you’re used to feel like the background of the story because you understand the context to it.

If a man kisses his wife before going off to a battle, that’s not a big deal. It’s just a thing a husband might do to his wife when he leaves. It’s not the forefront of his character. It’s just part of his life. But you’ve seen it hundreds of times, so it feels normal.

When someone does something that isn’t your lived experience it pulls focus. It seems like a big deal, but only because it’s new to you. It’s just as mundane a thing to that character as the man kissing his wife is to him.

Even the turn “pushing” implies that it’s unnaturally here, that we’re forcing something that naturally shouldn’t be. But why? That thing exists naturally in the real world, and it doesn’t make the real world any less. Maybe you’re less aware of it, but is making you aware of how others live their life “pushing” something on you?

How you live your life is represented constantly, everywhere. Why isn’t over-representing your experience at the expense of everyone else’s “pushing” it? Why is media only being the experience of those in power the “proper way”?

Having more depth and variety doesn’t lessen stories. It makes them deeper, more rich, more nuanced. In short, it makes them better stories. In my former life, I was a professional writer. I took a lot of writing classes. One of the truism of writing is “speaking truth leads to better stories”.

There’s another famous quote: “When you’re accustomed to privilege, equality feels like oppression.” You’re used to being over-represented, so being a little less over-represented feels like something has been taken from you. But really it hasn’t. Having a better sense of the rest of the world comes with a lot of benefits.

I’ll use food as an example. Let’s say all you were ever exposed to was the food of your heritage. Yeah, that food is really good, but sometimes isn’t it nice to eat foods of other nationalities? Isn’t your life better that you have a choice? Isn’t your exposure and access to the food of other nationalities a positive in your life?

Exposure to variety is a positive. It allows you to learn about things you didn’t know, experience things things you’ve never experienced, and get a better sense of understanding of your friends and neighbors.

Our actions are not to harm anyone, and if you think that’s what we’re doing, please take a minute to actually absorb what I’m saying. You’ve spent your whole life metaphorically eating one type of food, and we’re just trying to show you how much you’ve missed out on.

And while this might not impact you directly, we’re making a whole bunch of people felt seen. We’re bringing joy. Think of it this way. We make a lot of cards. Not every card is for you. But if it makes someone else happy, if they get to include it in a deck, and it makes Magic better for them, how is it harming you that we include it? You have so many cards that you can play.

To this poster or people that share their viewpoint, the narrative that a gain for someone else is an attack on you is just not true. As I just pointed out above, you play a game all about personal choice, about players getting to choose how they play and enjoy the game. Why should life be any different than Magic?

Thanks for reading.

[kaiserposting]

My Worries Come in Phallic, Freudian Shapes

PAIRING: Michael Kaiser/Reader WORD COUNT: 2k TYPE: Established Relationship, It's basically just Kaiser tweaking for no reason 🤦‍♂️🤦‍♂️🤦‍♂️ (I find it funny but interpretations may vary) WARNING(S): Kaiser's overactive imagination?

Kaiser would like to say he’s quite numb to being separated from you. Sometimes you come along with him at away games, if possible, but in other instances you have to be apart sometimes even for months, and Kaiser likes to think he manages it well.

You’re not on his mind much when he’s training or during a game. Mostly his times of weakness happen outside of that, though Kaiser doesn’t let it get to him. For example, he does this fun exercise where if his mind strays towards you too often or when he can sense the void in his chest is beginning to take on a suspicious shape, he holds out on texting or calling you for as long as possible. To test his will — which is something normal people do like all the time, of course — and because wanting to distract himself gives him extra neurotic energy to burn when he’s doing his exercises.

Not that Kaiser becomes neurotic over you or anything. It’s not even a big deal to him.

He’s sure you miss him more than he misses you. He’s confident you do. After all, to him, it’s no big deal, as previously stated. It’s true.

He doesn’t worry about small and nonsensical things like how you’d probably prefer a more present and available boyfriend, and how you’re free to do whatever you want with remarkable ease when you’re seas and oceans away from him.

Kaiser’s eye twitches while he continues shoving the last of his belongings back into his luggage, since he needs to pack for his flight back home. This train of thought isn’t going anywhere good — he needs to abandon it. Besides, a second with Michael Kaiser is worth way more than a month with some stupid, worthless commoner. Your shitty replacement for him will never rival the real deal.

No, this is stupid. You love him, you don’t have a replacement for him. Right? You wouldn’t betray him while he’s away. You’re his first and only love, you can’t do that to him, can you? You know he’d kill you if you did it and he found out, don’t you?

This is stupid. He wouldn’t kill you! Kaiser doesn’t want to kill you. He should stop thinking about this… You wouldn’t do it to him either anyway, you love him back. Kaiser knows you do, so why does it not feel real most of the time?

What if you’ve fallen out of love with him, though? Maybe you look forward to when he has to go away for long. Forget all about him the moment he’s out of your sight, don’t spare him a single thought, have fun with your little friends while he’s gone, all that.

You probably get together and you start shit-talking him with them the way people do about their good for nothing boyfriends sometimes. They call his haircut stupid and you cackle along with them, then you tell them how insecure and unlovable he really is, and actually his dad beat him as a child so now he’s barely human, how it makes him an arrogant and pretentious piece of trash pretender, and then you’re like ‘I wish I had a normal boyfriend instead of Michael’, and they’re all like ‘you deserve a normal boyfriend, this is fucked up’, and you’re empowered to free yourself of your burden. So he comes back home and you pick him up from the flight and you break the news to him that you’re leaving him and he has to move his belongings back to his place.

Maybe you have a new fling already, but it’s nothing serious because you still need to dump Kaiser and all. And he’s like in finances or something, an accountant maybe, who works normal hours (not the overachieving workaholic type who stays behind to do extra), and he probably doesn’t have footage of him having meltdowns on live TV for everyone to see. There are no interviews where he’s acting bitchy, no compilations of him acting cruel or ‘crashing out’ or whatever else. And he probably grew up in an average household — they weren’t rich or anything, but his parents made time for him. They were loving and nurtured him to be a rightful member of society, raising him to be someone worth your affection…

Holy shit does Kaiser feel unhinged. Literally why is he making up this entire story in his head? It never happened.

It didn’t, right? You wouldn’t do it to him, would you? You love him. You really, really, really love him, like from the bottom of your heart, somehow you love him and you don’t want to hurt him, even if you’re probably sick of him being away and of his problems and his attitude and his everything. If you had a magic wand, he wagers you’d wave it and change him on a neurochemical level, keep his looks and his successes, but get rid of the unnecessary baggage.

Or would you keep him as he is and love that ugly thing? Can you? Do you have it in you? Are you just tolerating him for some monetary benefits or out of pity with your knowledge of his past? Do you still love him? Will you love him a few hours from now or are you going to get bored? Are you bored and antsy waiting for him and is it affecting your feelings, suffocating your love to zero each moment he’s not by your side, each reunion only serving to put off the inevitable? Is the novelty wearing off? Do you need novelty?

Kaiser fights off the impulse to write you a text message threatening suicide and then turning off his phone until the end of the flight to keep you on your toes. A flashy move in attention seeking for sure, but for one you don’t even know he’s in a mind war with you, so you’re more likely to be confused than begging for him not to do it and for his forgiveness, though maybe it could earn him a reassurance of love and care. Regardless, Kaiser is not taking the chance because if you ignore him or don’t see the message it’ll just devastate him.

And also he kind of doesn’t want to act like that. Well, he does, but the rational part of him is also still awake and holding him back. You won’t appreciate that. Right now the strife he’s going through is completely imaginary, but if he goes and acts crazy outside the confines of his mind, he really might fuck everything up.

If he makes too many mistakes, you might fall out of love with him, and if you fall out of love with him, you’ll leave him. Kaiser thinks about what he’d do in that case. Without you he is nothing besides an unwanted waste of breath — you’re the sole person who got close enough to see beneath his nonsense and decide to tolerate it, attracted beyond frivolity for an enigmatic reason.

Maybe the perpetrator behind this strange limbo of weird hysteria is Kaiser’s low self-esteem. It always circles back to that and he is sick of it. He doesn’t understand why you subject yourself to him and here, a whole ordeal.

Whatever anymore. Kaiser doesn’t even care. It’s a pointless matter to lose his mind over. He knows you cherish him, and even if you didn’t, he’d get over it. Life moves on. There are other fish in the sea…

Actually, if you tried to leave him, Kaiser has so many things he would do, they’d earn him a restraining order. First he’d resort to begging and ugly crying, but he doubts it’d sway you. He’d need to be more extreme.

No, that’s silly. If you separated, he’d react to it like a normal person, right? He wouldn’t do a thing. He’d let you leave without any theatrics and move on. Right? It’s what he would do, Kaiser decides.

Or maybe he can get a leg up on you and catch you out when you begin losing interest in him and he can work to win you back over. You won’t even know what hit you. Yea, Kaiser will scheme to sweep you off your feet.

Not that he cares that much to put so much effort in… It’s just his strength and natural calling as an unbothered male manipulator.

___

After the packing and the waiting at the airport and all that, Kaiser survives a restless flight. He tried to read a book during it, but he turned out not to enjoy it whatsoever (catastrophe). Then he turned to Gesner, who was sitting next to him and seemed like he wanted to kill himself, and told him in detail about all the plot problems and why this was what made nonfiction superior.

To Gesner’s relief Kaiser also spent a good chunk of it trying to sleep, though the endeavor was useless. He closed his eyes and his pattern of anxious cyclical thinking continued and he failed to doze off. What do you think about accountants? Maybe your side piece wouldn’t have any tattoos because you secretly find his corny and you’ve sworn off tattooed men. ‘I mean, seriously, just put the eyeliner on like a real man.’ Kaiser would bet this is what you’re saying to your friends.

Anyway, again, his flight was spent stirring in ridiculous thoughts in that vein. If nothing else, actually, if you knew what was running through his head, that would be what would put you off of him. But you don’t. He needs to just… keep it to himself and it’ll be fine.

So you find each other after some stumbling and chaos and some vague text exchanges like ‘where are you?’, ‘At the airport obviously’, ‘you think you’re so funny’, and so on, and when you spot each other, you grin upon the sight of him (hard to fake such immediate happiness, Kaiser concludes) and spread your arms out for a hug.

Kaiser rolls his eyes. You’re so cute, he wants to squeeze you to death, but regardless he puts on a big show of what an inconvenience this is and gives you a stiff, nonchalant embrace. The way you hold him is a small reassurance. You’re still in public though, so he needs to play it cool for a bit longer, and he reluctantly peels himself away from you.

You interrogate him about his time away while he’s your passenger princess on the way home. Kaiser takes it as a good sign you’re still interested in his life at least enough to ask, as if there was a possibility he was going to come back and you just… wouldn’t give a fuck about him or what he’s been up to. He keeps his answers vague, trying not to let on the almost daily mental torment he’s been subjecting himself to just because his brain can’t stop making up stupid narratives.

Once you two arrive, and only when you’re inside, does Kaiser give into his desire for your affection. He wraps you up in a way tighter embrace without intention of letting go and peppers your face in kisses.

The first time he acted like that with you upon coming back, you were rightfully weirded out, but now you’re used to this whole routine and let him have his moment of rare forwardness.

“You know,” he says, “I missed you like, a little bit.”

“It’s hard to tell,” you say, sarcastic.

Kaiser ignores it. He bites your cheek. Not hard enough to hurt at all, but it’s a strange sensation.

“So gross.”

“I hope you weren’t doing anything stupid without me. I wouldn't want to miss out on any fun.”

“I wasn’t.”

“What do you think about accountants?”

You raise an eyebrow at the random question, but humor him anyway. “Can’t say I think anything in particular about them.”

“Is that so…”

For some reason, you find his tone to sound suspicious? There is a harder bite — your skin might be a bit irritated around there for a few minutes. You wonder if Kaiser was arguing with management or something somewhere abroad.

___

I just wrote this because I thought Kaiser having emotional impermanence (which is likely) would be hilarious I promise I'll write a more plot-oriented one shot soon again

[thedissonantverses]

This is absolutely me being petty and feel free to ignore but as it concerns THE Scout Lace Harding and this fandom’s raging misogyny I’m gonna indulge:

Harding’s character was ruined in DATV is a take you could have sure. It’s not a good take but ya know. Oh you want reasons? Okay!

“Why couldn’t it have been Dagna?”

Because the literal entire point is that Harding didn’t have magic and that magic is returning to the dwarves on a broader scale. Dagna wasn’t relevant and that’s okay it’s cool there is more than one dwarf with magic out there. It’s expanding the universe. Again, in my opinion which feel free to take or leave, this is a good thing. It would have been cool to have Dagna but again I’m really glad Veilguard didn’t shove every unnecessary character they could to cameo and focused on telling a good story. Veilguard is purposely setting up a future where the dwarves have magic again.

“Harding’s character is different!”

Yes. It has been ten years. And she was a secondary character in Inquisition with barely a background because she wasn’t relevant. When you did interact with her you were doing so as one of the most powerful people on the continent. Now she’s a fully realized character and on much more equal footing with the team. Again, this is a good thing. Her story in Veilguard is wonderful and while I am incredibly biased toward her, her romance is a delight.

“She isn’t empathetic enough towards Solas.”

Ah here it is. Here’s the actual reason I made this post. Cause see there are people centering Solas’ feelings and character at every turn. Harding has EVERY fucking reason to be mad at Solas. I’d go so far as to say she can hate him but she doesn’t. He lied to everyone they knew and his original plan was to kill them all and tear down the Veil immediately. He’s responsible for the Inquisitor being forced to even be the Inquisitor and this includes needing to amputate their hand because his magic is the reason they are dying.

Yet Harding still gives more grace and empathy to Solas than just about anyone would in her shoes and yet people are still pissed at her for…telling him off? He killed her friend. He’s the reason her people don’t have magic. He’s the reason their empire fell too. What were you expecting????? People aren’t just mad they’re actually livid over this. They hate her and the writers.

It just comes off like you’re centering a man’s feelings over a woman’s because she has a spine and isn’t falling to her knees thanking him for wanting to destroy her world. Her entire arc is dealing with generational trauma and her story matters a lot to both the dwarves and Thedas as a whole. It is incredibly poignant and beautiful and it was so nice to explore the dwarven part of the lore through a woman who represents so much of what Thedas has become.

Once again it’s any excuse to hate Veilguard. Any excuse at all.

[theconstitutionisgayculture]

It's Time to Put Hitler to Bed

Over the last 20 years it's become increasingly common when talking about western politics to try and tie the political opposition to Hitler. It goes beyond Godwin's Law at this point, because it's no longer just in internet phenomenon. It happens in real life. In real conversations and real debates. All sides do it. No issue is safe. And it's beyond ridiculous at this point. It needs to stop.

So let's just stop talking about Hitler altogether when it comes to western politics.

He's dead. He's gone. His ideology died with him. Yes, you read that right. National Socialism is dead. It was a very specific ideology with goals and aims beyond being racist and hating Jews. Nowhere on Earth is there a serious National Socialist party with any political power or any chance at gaining any. Modern day neo-nazis are nothing more than edgelord racists desperately trying to grab some of the "shine" Hitler has with other idiots for themselves. They're awful. They're racist. They should grow the fuck up. But they aren't nazis. They aren't storming government buildings and they aren't winning political office. Most of them aren't even committing crimes. They're just sitting online or in a basement somewhere snort-laughing like Bevis and Butthead while they whisper "k*ke" and "n*gger" to each other and post pictures of ovens with captions like "where the Jews go". How basic and boring. They are beyond lame, and it's long past time we stop bigging these people up like they're some huge existential threat to humanity itself. They're not. They're just pathetic losers who have no power over anyone, not even themselves.

Does this mean we should forget the Holocaust? No. Of course not. We should always remember what Hitler did. But if we don't take the right lessons from that dark era in human history, then we might as well forget it because misremembering, on purpose or by accident, is just as bad as forgetting.

Hitler was an evil man who did evil things. He is a cautionary tale to never let rhetoric overwhelm your better nature. He is a warning of what happens when you give into hate out of fear or anger. But that's it. He does not influence anyone with power. Not in the west. No one in the west is actually trying to be like Hitler. And as evil as Hitler was, not everything he did was automatically evil just because he did it. And that right there is the main problem with the modern trend of accusing everyone you don't like of being Hitler. Hitler did a lot of things. He woke up. He ate breakfast. He fell in love. He breathed air. He got dressed. He gave speeches. He liked art. He was a human being. I don't say this to downplay the evil things he did or to try and create sympathy for him. But surely you can easily see how literally every single person on Earth has something in common with Hitler just by virtue of also being a human being, yes?

Hitler was also a politician. Which means that, yeah, every politician is going to have a position that's at least similar to something Hitler proposed or enacted in his political career. His views and platforms ranged far and contain things that are both left and right wing. Things which, in the hands of someone other than Hitler, most likely would not have led to the Holocaust. Because the Holocaust is an evil that was unique to Hitler. He baked genocide into his ideology, then codified and streamlined it after gaining power. His was a cold and inhumane calculation that only the Aryan race as he defined it was worthy of life. That every other race, everyone who didn't fit his idea of purity, must be killed to preserve his Master Race. There have been other genocides before and since, but none quite as industrialized and far reaching. And, in the west at least, there is no one with any power who wants to reenact anything that even comes close to the Holocaust. Not even that politician you really hate. Not even that activist group that promotes that awful ideology.

All accusations of being Hitler, or like Hitler, do is muddy the already opaque waters of modern western political discourse. And people are so bored with Hitler comparisons. He doesn't evoke the same emotional reaction he did even 20 years ago because, by this point, everyone even remotely active in western politics or political commentary knows someone who has been accused of being Hitler or a nazi, if they aren't that person themselves. It's become little more than the (supposedly) adult version of "I know you are but what am I?" It's meaningless, it's dumb, and everyone needs to stop doing it.

Stop making posts about how so and so is just like Hitler. Stop re-tweeting/blogging/posting them. Stop bringing Hitler's name into discourse at all. Stop arguing about whether or not National Socialism is right or left wing. Stop pretending that superficial similarities to Hitler or one of Hitler's policies is absolute proof that an ideological opponent is evil.

[cloverandstuff]

WIEGE TEASER ANALYSIS

The Teaser doesn't seem to match with the other Teasers, in a very specific way. It doesn't have a single lyric.

Usually, with every single other Teaser, we get some singing. Either a few words at the end, or just faintly in the background (In Round 6 TEASER)

However, in this Teaser, the only semblance of words we get is from the morse code playing on top of the very calm music in the background.

It spells out -

.- .-.. .. ...-

-which translates to 'ALIVE'. This is played out twice.

<which i found out thanks to this post>

Now we go back to the actual video. It seems to start off roughly a short time after the end of FINAL, where Hyuna and her team had stormed the stage.

Hyuna is in the focus of the shot. Not the gun, not the person behind it. Just Hyuna. Everything else is blurred out. This makes it obvious this is Luka's POV.

We cut to Luka, who has a gun pointed at his head. (Probably by Isaac, judging by the hand). Luka does not seem to care or even pay any mind to it. His eyes are fixed on who we can only assume is Hyuna, visibly flushed and smitten.

Next is a very quick sequence of clips from their childhood. It doesn't seem to be only Luka's childhood, because Mizi, Sua, Ivan, and Till are all there despite being in a different batch.

But this could be joint training, or some kind of other program. They were all in their childhood, and were in the 50th and 49th batch, so it wouldn't be impossible.

It flashes from a view of Sua and Mizi talking and laighing with each other, Sua holding a piece of paper. This might be because they were undergoing their singing lessons. The rest of the people are not detailed.

Then it cuts to a view of manly Hyun Woo, with Hyuna being visible but not fully in view. They both are the focus of shot, with no one else even being visible.

We next see Luka from a distance slightly short than him? He seems to be looking at someone with a very wide smile, and his fingertips are purple. While initally, i thought this was after Luka had killed Hyun Woo, there isn't any blood visible on him. But he does have some rough patch on his head, so maybe after a fight?

But with the theme we have with the rest of the clips, this might just be a clip of Luka while he is playing with others. (Most likely, Hyun-Woo and Hyuna)

Next, we see Till drawing a landscape on the walls, with Ivan just observing him. They are again the main focus of the shot, and there is no one else visible.

The reason I'm specifying the main focus and the way others are blurred is because i believe these are all shots from certain people's perspectives. Its also possible that these might be from the perspectives of the cameras hidden in ANAKT GARDEN.

I could be entirely wrong on this, but I did initially look at this clips and think they all looked oddly very candid. Like it was all in the POV of someone observing.

Now we come to the final clips, which shows Luka sitting under a fake tree all by himself. The video seems to want to make this a point, seeing how every other child seems to be in a group. He is a lone, and it's important.

He seems to be counting on his fingers, rather clumsily and slowly. This might show how;

A. Luka slow at learning basic things when they don't relate to his performance training.

B. ANAKT GARDEN is not good at teaching the children anything besides ALIEN STAGE practice.

C. Luka wants to learn counting and is rather stubbornly learning it despite it not being taught.

(A and C can coexist)

Then another set of hands reach out to Luka, two pointing fingers pressed against each other. They aren't slow or hesitant, though. They very siwftly enter the frame.

Now, there are two possible people this could be. It's either Hyuna or Hyun-Woo.

Now it's probably Hyuna, since this new video seems to be focusing on them. It would only make sense that Hyuna would be the next set of hands.

But considering how vital of a role Hyun-Woo seems to play in both their childhoods, I don't think it's impossible for it to be Hyun-Woo. He seemed to play the role of initially being the glue in the trio's friendship, being the one to convince Hyuna to become friends with Luka.

The art style seems to be similar to that of FINAL, though the colours seem to match up far more with the short flashback in it. The colours are brighter and more pastel in shades.

The video might feature a lot more flashbacks than any of the other Alien Stage videos. And while the focus would be on Hyuna and Luka, it seems to lean far more to Luka.

'Wiege' also seems to translate to a germanic word meaning Cradle. This seems to support the idea that this will be a more flashback focused video.

I am scared and excited. There is no telling what ALIVE might be foreshadowing.

[iamnmbr3]

the gap between sectemsempra scene and astronomy tower scene is so fucking jarring. Like harry sees him crying and is shocked by it then draco literally CONFESSES to everything harry was sure of (he was obsessed with him over that and was dying to know about his mission and to basically catch him at it)...then he slices him open and feels bad. Then NOTHING right to worrying him because he couldn't kill dumbledore? Neither talking to him nor stalking him. But dating ginny (it wasn't that he stopped for ginny he stopped it before ginny)

Absolutely nonsense..

I KNOW! I will never stop being absolutely INSANE about that section of the book. Harry walks in on Draco saying some incredibly incriminating and concerning things. And then Draco attacks Harry and tries to use an extremely dark and extremely illegal spell on him; remember, just using an Unforgivable on someone once is enough to land you in Azkaban for life. And by the way, this is a spell that most people who aren't dark wizards wouldn't even be capable of using properly. Also, Harry was already sure that Draco was a Death Eater and had to endure months of everyone else dismissing him and rolling their eyes at him.

And what is Harry's reaction? Does he feel vindicated and double down on his efforts to figure out what Draco's up to and stop him? Does he spend weeks gloating to his friends that he was right and then insist that they help him stalk Draco too? Does he report to magical law enforcement that Draco, the son of a disgraced Death Eater who is in jail, attempted to use a highly illegal spell on him and also is probably in league with Voldemort, thereby probably getting Draco expelled at the very least and quite possibly jailed (especially given that the Ministry is desperate to find people to round up so they can show the public they're doing something)?

Nope! These would all be expected and normal reactions to what went down. But instead, Harry is consumed with guilt and horror over the fact that he accidentally hurt Draco during a possibly life-threatening duel precipitated by Draco, who Harry is sure is a DEATH EATER, realizing that Harry heard him saying incriminating things. (I mean, really, I think Draco was just upset and also humiliated that Harry saw him in such a vulnerable position and lashed out without thinking, but the most logical assumption would be that he was trying to get rid of a witness - though I don't think that was the case and I think Harry actually knows that due to his deep understanding of Draco).

And furthermore, despite the fact that Draco likely poses a threat to everyone in school, Harry completely backs off. After seeing Draco in such a desperate and vulnerable position, after seeing how frightened and miserable he is, after seeing how investigating him led to him getting hurt, Harry totally backs off.

His only feelings are remorse for what he did. He seemingly does not tell a teacher or any other authority figure that Draco tried to use an illegal curse on him or even that Draco started the fight, even though that would have gotten him out of trouble. He feels so guilty that he seems to uncharacteristically feel that he deserves Snape's detentions over the incident, even though he feels nothing but hatred for Snape and usually perceives any punishment Snape gives him as unfair.

And it is in this context that he pursues a relationship with Ginny. While trying to forget about Draco. That is what he fills the hole in his life with. Just...wow.

And listen. I'd love to wax poetic about how masterfully this is done. How the jarring nature of Harry's switch from being obsessed with Draco to distracting himself completely through a socially acceptable relationship with Ginny is a really sophisticated way to represent his conflicted feelings about Draco and how he's trying to suppress his feelings of attraction for him, to the point of even lying to himself. But I can't. Because while that is what we see in the text, I know JKR did it entirely by mistake and, given the quality of the romances she writes on purpose, wouldn't have been capable of doing it intentionally even if she wanted to.

This is like giving a monkey a keyboard and having it immediately write a sequel to Hamlet that's somehow better than the original. Technically satistically possible, but highly unlikely and thus an absolutely mindblowing and insane development. I will never be over this.

[aonemanarmy]

For several long moments Sephiroth stared at the two people before him, his gaze cold and unwavering in silent judgment. Truthfully, the madman did not expect much from the woman after he'd made his request. No one had ever taken his desires into consideration before, as they had always been brushed aside if not outright dismissed.

Weapons didn't have desires or feelings.

The thought was an old familiar mantra he'd repeated to himself throughout the course of the years. It helped to ground him, to make him push down the emotions he wasn't supposed to have, to bury them down deep where they'd remained until that fateful day five years ago.

Which was why the madman now felt an increased level of unease at the way those feelings threatened to bubble up again. Had it only been anger then he could've managed without much real thought, but the confusion along with another feeling he couldn't quite place left him growing increasingly irritable. None of that was helped by Jenova's consistent psychic assault that had her seek out any sign of weakness to seize upon in order to regain control of him.

In the midst of that mental struggle Sephiroth had little patience remaining to spare for the woman who claimed that she was his mother. He didn't know how she expected him to believe her based purely on her word alone, but he had to give the woman credit for her persistence. For whatever reason she was quite invested in the lie, although a small voice in the back of his mind questioned this line of thinking and while before he would've swiftly crushed it now he found it difficult to do so.

Why was that?

Mentally chiding himself Sephiroth returned his attention to the matter at hand and watched warily as the woman in white spoke once more and held out her arms to him. The gesture was unexpected, but ultimately it rang hollow to him just like all human behavior did.

“You offer me something that you yourself admitted to be impossible, or have you forgotten? Or is the immortality you lay claim to a lie?”

If Lucrecia did possess the immortality she claimed then as soon as Sephiroth would cut her down then the wound would heal and leave no lasting physical damage. Such was the gift of Jenova's cells that any being with a high enough concentration of them were neigh on indestructible with only the most extreme and catastrophic damage able to 'kill' them. He knew that fact from personal experience, which was something he was certain that the woman had no clue about or else she wouldn't have made such a proposal in the first place.

Perhaps if Lucrecia had been aware of his true state of being then she would've avoided touching him altogether. However, it wasn't as if Sephiroth understood the woman's need to touch him in the first place, but the fact the flesh he now donned was not truly his own and was merely Jenova's proxy would've no doubt been a bitter pill for the woman to swallow.

“And why would you care to begin with?” He asked, honestly unable to understand why Lucrecia did what she did other than seeing it as some sort of ploy. It was another sad sign that he was so far removed from human kindness that he couldn't understand it, much less accept it at face value. “It is meaningless.”

Before Vincent could prevent Lucrecia from touching Sephiroth, the silver-headed male deflected as though he had been touched by a burning torch. It was painful to behold, yet it wasn’t surprising to the gunslinger. Lucrecia flinched painfully when Sephiroth pulled away from her, simultaneously shocked by Jenova’s invasive thoughts. This caused Lucrecia to cry out and drop to her knees, gripping her head, the tears resuming their stream. Vincent immediately joined her side and held her close to his chest.

It was no use… “Sephiroth…” Lucrecia’s trembling voice was hardly anything more than a whisper as she buried her face against Vincent’s cloak, her tears staining the red velvet garment. Any hope she might have had to rejoin with her son had faded, and Vincent could feel it in her voice. “Lucrecia,” The gunslinger whispered, an equal amount of despondency in his own voice. “I shouldn’t have… perhaps I was wrong to…” The mournful mother trembled, but she managed to lift her head and look up at Vincent. She shook her head and seemed to realize how she had pushed Vincent away the entire time ever since Sephiroth had appeared. He chilled trembling fingers lifted and caressed Vincent’s face, aiding him to look at her. “N-no… no. Don’t be. You’ve done more for me than anyone. This…” She slowly turned to look towards Sephiroth, the painful knot in her throat swelling up, but she swallowed it back with much effort. To hear her own son tell to not touch him, and to treat her like some sort of disease… she understood. “…This was all my doing,” Lucrecia finished, her eyes directed at Sephiroth as she spoke to Vincent. “I’m the one who…” The words of Jenova once again rang in her head. Your every move… only damages him further. Tears poured down silently down both her cheeks. It was all true. There was nothing she could do to change what had happened. She knew he had been bred and raised to own a mighty power. At the time, she had thought Jenova to be an ancient, but as her time at Shinra came to a close, she realized who the alien was and what her son would become. And there stood the product of her choice—a weapon who would be wielded against the planet. Vincent had been kept in the dark. He had tried to stop her, but she had not only closed her ears to his pleas, but also chose to disregard the well-being of her child for the sake of science. This was her reward for her crimes. Bereft of a child she didn’t deserve… and one who would never see her anything but a monster. Lucrecia’s thoughts were once again diverted towards her son; her ears ever keen to his movements and his voice. His request made her fall silent. Though Vincent knew her asking Sephiroth was an invitation for issues, he was surprised to see her face looking as though she were weighing Sephiroth’s wish. The gunslinger searched Lucrecia’s face and gripped her shoulders as if to gently bring her back to reality. But he was once again ignored, and Lucrecia slowly stood up, Vincent following her movement as he too stood up, eyes locked upon the back of her head as she faced Sephiroth. “Sephiroth,” Lucrecia’s voice softened, this time keeping a respectful distance from him, letting him know she wouldn’t attempt to get close again. “…I understand. The people have wronged you. And this world sees you as a monster.” She lowered her head, her hands clasped over her chest as she continued softly. “You want closure… an end for those responsible for your suffering.” A tightness seemed to take hold of Vincent’s chest when he sensed what she was doing. “…I may not be able to fulfill all of your wish, and I know I cannot mend your heart. But…” She stood up straight, slowly holding her hands up towards him as if she were gifting him something in her hand. She then slowly opened her arms wide, the cold breeze flowing through her silk dress and soft tresses. “But if it will give you any sort of peace… I’m here for you.” Vincent’s eyes widened in horror. “Lucrecia?!”

[43501]

Opened my copy of Another Note: The Los Angeles BB Murder Cases for the first time in a decade and man, I forgot this is a goldmine of info and Mello characterization. It lets us know what kind of person Mello is almost more than the source material. Every time he's on panel/screen he's always so intense, it's fascinating to see him write and kind of get this feeling of "oh, he is also a normal guy outside of those situations".

He says he had one extensive in-person meeting with L, which is backed up by this other post of mine where I point out that, in the anime at least, Mello references having spoken to L personally. If we take it as canon it means L and Mello met at some point between Kira emerging and L leaving England for Japan.

He expresses a strong sense he might die. I've seen people say that he's "narrating from beyond (heh) the grave" and it's nonsensical, but that's not what's happening here. He's just writing while anticipating his death and writing as if these notes may be discovered posthumously.

He thinks that, in the event he dies, Near is the one who will discover his writings. This is interesting to me because it suggests Mello either knows Near knows his whereabouts, or would figure it out and recover his belongings. I actually think this is outright supported by canon - we see Near eating Mello's chocolate in the manga's epilogue. I don't think he instructed his staff to go out and buy that same chocolate, I think that's straight up Mello's stash.

At some point he started identifying less with the "Mello" alias and calling himself Mihael.

He's so sentimental... ending the prologue simply with "Good memories and nightmares". Bro.

"Imagine you were going to kill someone. What do you think would be the most difficult part? .... The correct answer: killing someone." Damn, I love you Mello lol. Also fascinating when you remember that he achieved his status in the mafia by beheading someone. Yes, he would know how hard it is to kill a person.

Mello states that he and Near belong to the "fourth generation" of Wammy's House kids.

He expresses open sympathy for Beyond and his state, twice... based on his own narration and how he portrays B in the course of the story, he definitely relates to B's emotions.

"Perhaps these gods actually wanted a blood soaked world of betrayal and false accusation. Perhaps the entire episode exists as a lesson to teach us the difference between the Almighty and the shinigami." I can't entirely make sense of this, and I don't want to get ahead of myself, but is "Almighty" capitalized here to definitely refer to the divine? Like, the Christian God but in a bit of a sidestepped, roundabout way? Wish I could see the original Japanese text for this line. If anyone has essays/posts about it, please show me.

And on a meta-textual level, the ambiguity of our role/perspective as the reader of these notes is also interesting. We're probably just an omniscient, unmoored observer being told about this set of notes Mello wrote and his line to the effect of "if it happens to turn into [a book]" is tongue-in-cheek. I know there's a slight, hanging implication that Near did in fact publish his notes, but I think that's unlikely since they contain so much sensitive/classified information.

[weepingtalecowboy]

Names have power some names destiny can’t let turn into myths

I am in a mood so legend gets it again

Fanfic prompt :

We have no idea where cadence of Hyrule fits in timeline wise as it potentially can be whatever

But since link is a toon in that one I kinda want him to be a lil teen still when it happened

So I had this very horrifying thought

Since link can die literally endlessly

What if he can’t truly age as well like every few decades he will come back being a lil guy and it will literally not stop

Any death brings him back to being a lil teen a few years short of his age during linked universe

Be it a quick death or a very slow one

Even dying from old age won’t be his end

But that gets even more horrifying when we consider that the theory of which link is in link between worlds

Because the Zelda from the original games canonically has a different appearance

But the Zelda in link between worlds also looks different initially which made many people wonder what timeline this games belong in

So what if link to the past along with oracle of seasons and link between worlds have literal decades between eachother

Because that way the Zelda kidnappings will not even be ridiculous

Like link to the past was one Zelda

The final oracle game Zelda was a descendant of the other who was kidnapped much later

and link between worlds was the descendant of the descendant

And fable is actually the great granddaughter of the first Zelda that legend met

(If we go with the legend is related to Zelda theory it gets even worse because that is his great grand niece.. the angst)

And he is centuries old and Ravio had no clue that he moved in with a centuries old being

Because that would be hilarious if Ravio is like 20 at most while legend barely remembers the joy of being just twenty

A romance between them would literally be both the worst most painful thing because legend knows Ravio will leave as well one day

And they will never truly grow old together and he will just be alone again after a few decades

And the most bitter sweet thing in existence

As legend cherishes every moment he has with the people he still has left knowing that hylia will never let him leave this earth

He once wished to end his life because after Marin he thought he deserved to join the women he killed

Only to realize living on without this closure was the punishment he so desperately sought for

To live on and on knowing that he will never get to explain himself to all the people he lost

His uncle he will never get to tell how he felt

Marin he could never hope to explain why he killed her or even apologize to her for that

Zelda and her little girl are long gone he cannot tell them how much he loves their little girl how much he wants to protect the newest Zelda just as he protected all the others before her

Din and her troupe , Nayru , Ralph , styla and his fellow heroes from hytopia are long dead and….

He is the only one still there all alone

And that way all the Zelda re designs would make a tragic amount of sense like all of them being different people reminding him of his sister

Fable knowing that her great grand uncle has been hanging around since her birth and therefore relying on him despite not truly knowing him because he keeps a distance she tries to break so much

Ravio who has such happy memories who knows that his life with link is very very short, knowing that one day he will die as well yet link will never follow he will wait for all eternity but his husband will never come join him

The chain who eventually became more people legend loves so dearly who legend grew to love he knows that some he will never see because they are in different timelines.

Yet he has his very vast memories of all those people

Remembering fighting time and Wild for the title old man (he unfortunately didn’t win)

Remembering teasing twilight , skyand warriors (and totally losing half the time)

Remembering when wind wanted to sail with him claiming they were pirates together

Remembering so much fun and excitement

hoping that he will meet hyrule some day if he just keeps living on (knowing he has no real choice)

That there is one thing worth looking out for when he already lost so much over and over…

Yet hyrule never fell like rulie said it will instead of it falling down , somehow it persisted

And he met a new descendant the granddaughter of fable's

For all his hope of meeting hyrule ,he met echo instead

And a new adventure began for him once again

But for all his hopes where crushed he at least know that at least in this timeline another boy wouldn’t have to fight his battle

For as often as he fell in battle

Hylia brought him back to keep fighting them

His battles will not fall on another child this time

For he was the hero of legends

And legends never die

[demon-at-peace]

hi, so i generally don't like demon twins, like it's fanfiction, but relationships don't work like that, they aren't brothers. Even if they separated at age 6, 7 or even 8.

because you don't remember stuff. You remember a teacher making you cry, the friends you have. With the terrible dynamic portrayed in most of the fics, both of them would likely only hold on to the bad memories. I'm also between 16-18 and it's like that for me.

I was thinking about it, and why don't they have a terrible relationship in these? it makes more sense then suddenly being brothers. Often we see a cruel Damian, with a neglected Danny in flashbacks. And even more common is Danny and Damian dueling to the death to decide and heir.

Logically then the hate would be one sided, Danny would hate Damian, but Damian wouldn't hate Danny. And Damian (after apologies and treating Danny better) he would expect to be forgiven. He was just a kid, he didn't understand surely Danny can see that.

Danny would see someone who tried to kill him, who betrayed him, who left him to die, and of course he'd hate Damian. but a even cooler response would be fear, he was a kid and trauma exists.And normally these start like that, before they smooth it out in a chapter or 2.

but that's not how it works. I think Danny would avoid Damian he'd snap at him, and on principle he'd dislike the bats, I can see him heading to crime alley because they don't patrol there only to meet Jason and panic.

And Damian would chase him, it's his brother, he has a second chance, and the bats would too. And it would end up terribly. Danny runs and hates them so much and avoids them. they also might remind him of Maddie and Jack or Skuller and lead to panic attacks.

So Danny runs for a year, and the Bats regret their actions. they were rash. They lost a brother, they still search, sifting through reports, looking into people, checking data bases for fake ID's.

Danny is paranoid, he's still quips, still a hero, but he has a mask, he changes his speech patterns, he changes his name entirely. He changes his style to be more like Sams, he looks almost unrecognizable. And he's still scared, and on rare instances he still wakes up with dreams from when Damain stabbed him.

of course to make it worse he could become an established part of the JL a couple years or so after he leaves Gotham. so he's finally settling down finally has friends, and he avoids the Bats. No one in the JL know why Danny hates them, why he's skittish, why he looks at them with so much fear.

Oh misunderstandings! please, have them think Bruce hurt Danny, but he's the worst around Robin. Have Jon try to convince Danny that Robin is nice and all Danny can see when he offers to spar is the duel!

So while I personally don't enjoy this in general this is a concept I would read avidly, though this principle would likely be a heart wrenching angst fic now that I think about it. Anyhow thanks for reading my rant.

i'm sure there is overlap on this idea out there, and I had zero intention to plagiarize anything, please let me know too.

edit: apparently there is a fic like this, and all credits go to the author, thanks to the commenter who told me or I wouldn’t have known,

it’s called Broken Bonds https://archiveofourown.org/works/54372952/chapters/137720050

thanks :)

[dark-lord-of-awesomeness]

Shifty is a delight. I love how baffled and stressed he makes his new friends. I'd love if he met "Dirty Ford" and the rest of the canon crew because I think he'd also make them baffled and stressed (except the stressed is mostly just Dipper seeing this guy who says he's his alternate dimension cousin, an alternate version of the shapeshifter that tried to kill him, his sister, and his friends).

Shifty's just having a great time. His alternate tried to murder his not-cousins. Fascinating. Is this more evidence that nurture has more to do with the morality of shapeshifters, or do shapeshifters work differently in this dimension? Maybe he can track down alternate Marcy, Darcy, and Jon and ask.

Dirty Ford is feeling retroactive guilt about Shifty being sentient. Like he definitely heard Cat Ford mention that but he did not process that until confronted with Cat Shifty.

Mabel's chill and excited about this Shifty. Sure, his alternate scared her pretty bad but he's just a silly guy like Grunkle Ford. He comes from a world where Grunkle Stan turns into a cute little cat. She needs to know all the alternate family tea.

Stan's like that's a bit weird, but he did punch a pterodactyl to save a pig and triangle to save the world, so alternate shapeshifting nibling is just, sure why not. Although he wishes he would stop telling the kids so much about how his alternate self got cursed to become a cat every time he steals (lame). He's worried this might give the kids (Mabel) ideas about turning him into a cat.

Inflicting cat dimension shifty on most other dimensions is like this honestly. Shifty doesn't make it out of the bunker in most cases, but cat Shifty doesn't hold it against his alternate family, because that's not him. He's not frozen in a bunker, and while he might feel bad for the other guy, he's living life just fine.

Which just makes everyone feel more guilty about the whole thing. Shiftys contemplating the differences between nature vs nurture, and how fascinating it is that his alternate self maybe almost killed his alternate parents and cousins. Meanwhile Fords going :( did I freeze a kid? Would my shifty be like this if I gave him a chance? Is it too late? (The answer to that last one is yes, too late to have his shifty be anything like cat shifty).

Mabel starts out uncomfortable, but she warms up pretty fast. Cat shiftys right after all! He is a different person then the one who almost killed her! He's also weird and funny like her grunkle! He's sharing all the fun stories about his family with her! How come her grunkle Stan can't be a cat :(

Dipper spends the entire time trailing him and watching every move suspiciously. He's a shapeshifter! They're evil! C!Shifty just shrugs. Maybe shapeshifters are evil here? He doesn't know! Eventually C!Shifty would win him over with his crazy lore drops. What does he mean he has four parents? Who's Carla? There's a coven in town? Why were you fighting dinosaurs? Dipper would get so lost trying to figure anything out about him and forget to be scared.

Stan is unaffected, except he would rather this guy stop telling everyone about his alternate self. That guy's lame, turns into a cat and snuggles people? Stan wouldn't be caught dead doing that. Ever. He needs his family to stop throwing puppy dog eyes his way about it. It's not happening.

[the-bee-graveyard]

Yellowjackets S3 theories

I've been wanting to make a post on this for a while so instead of making a bunch of little ones I've decided to just make one big one. I don't necessarily believe all of these to be true but I think they're all very interesting and I wanted to talk about them all. They're in this order:

Queen Card Theory (Alternating Antler Queens)

Pit Girl Theory

Woman In Trailer

Coach Ben is alive

Split Theory

I'd be really interested in discussing these or hearing any other theories!

Queen Card Theory (Alternating Antler Queens)

This is the first theory that really captured my attention when I watched Yellowjackets, and it's basically that there will be four antler queens throughout their time in the wilderness, each representing a different one of the missing queen cards. Natalie is obviously the queen of hearts, but there would also be a queen of spades, queen of diamonds, and queen of clubs.

I've gone away from this theory for the most part since the season 3 trailer, since there's obviously been a significant time jump and I'm not sure if they have enough time in the woods left for there to be three more different antler queens. I do however think the remaining three queen cards will become a significant plot point at some point in the show, and that they will be uncovered.

Pit Girl Theory

I don't have much to say on this one, other then I think that the Pit Girl will be there last kill in the wilderness. I do believe in to be Mari, and I don't think they're hunting her in the scenes from the trailer. The parallels in those scenes though confirmed it for me.

For side characters I think will die this season, I think because Melissa is getting a larger role in the trailer, she's most likely to die. Which brings me to my next theory.

Woman in Trailer

I know a lot of people think that the woman in the trailer is adult Melissa, I personally do not think this. I don't think she's any of the Yellowjackets, really based on one line she says "you really are crazy" (or something like that). If it was one of the Yellowjackets I feel like she would know this.

More likely I think she's a private investigator, or a family member of one of the deceased Yellowjackets, poking around in the Yellowjackets investigation. I think both Travis and Natalie's death happening in such close proximity to each other would seem highly suspicious to anyone who's been following the Yellowjackets, and could get them some attention.

I saw a really interesting theory on tiktok that she's hired by Paul, who is trying to find out what happened to Ben, which I'm not going to cover in this post but I thought it was really compelling and would love to explore more.

I do believe all of the living Yellowjackets have been revealed. In the trailer Van says, "everyone who knows about this is us or dead", which could be said after the eighth survivor is revealed, but I don't think so. I think the eighth survivor is either already dead in the adult timeline or...

Coach Ben Is Alive

This one is a longshot I know but I've been obsessed with it for a while. I originally was a Javi is alive truther, but since that obviously is not the case, I've turned my attention to Coach Ben being the eighth survivor. I just feel like him dying is too obvious.

It's assumed from the trailer that Natalie is protecting Coach Ben from the Yellowjackets, maybe even helping him. I think the trial shown in the trailer is not for him, but for Natalie, for helping him.

Somehow Ben makes it back, whether he is rescued with the girls or on his own. For whatever reason the girls either do not know he was rescued, or believe him to be dead.

The "somebody wants us dead" in the trailer in this case would be referring to Ben, who, after learning about Travis and Natalie's deaths, could believe the Yellowjackets are up to their old tricks again.

Split Theory

This theory follows the Lord of the Flies parallels in Yellowjackets, which I simply had to talk about because I love the book. Basically sometime during their time in the wilderness, the girls split into two separate factions.

Based on the path the end of season two and season three seem to be following, I believe the group will split in half, half of them following Natalie (who represents Ralph in Lord of the Flies, righteous, "chosen leader") and Shauna (who represents Jack in LOTF, more violent and careless)

I believe the groups will split like this

Natalie's group: Travis (obvious reasons), Lottie (she believes Natalie is the rightful leader), Mari (follows Lottie loyally, also if she's Pit Girl her death could represent Piggy's in LOTF)

Shauna's group: Taissa (follows Shauna, pictured with her a few times in the S3 trailer), Van (follows Tai), Akilah (again, close with Tai, not very invested in Lottie's spiritual stuff)

Unsure: Melissa, Gen, any new characters

I'm also on the fence with Misty. Although she does seem very devoted to Natalie in the adult timeline, if we're following Lord of the Flies imagery, I could see Misty falling into the role of Roger, who does side with Jack. I also believe Misty could possibly switch sides to protect herself if she sees Natalie losing support.

Either way I think the groups come together at some point before the death of the pit girl.

[yandereunsolved]

could see yandere john if he had a sheriff darling purposely getting himself arrested just to see them/harass them, Jack too

I have so many thoughts on this.

Sheriff reader is always a lovely thought when it comes to rdr characters. And yes, like father―like son. It depends if we are talking high or low honor.

I'll do both. To please you all.

Yandere High Honor John would not want to be arrested. He is trying to change his ways. He needs to be better for his family. He isn't a religious man, but coveting another person while he is married is definitely a sin. He's already committed enough of those to last several each other.

So he chooses to help sherriff darling. He clears out the local gangs, buys them drinks, stalks them home and watches out for intruders, and even takes care of scum behind their back. Luring people to their deaths in the wilderness is just what friends do for eachother.

Sure. He dreams about what you feel like. He imagines marrying you too. He wants nothing more than to kidnap you and make you a farm spouse. But he won't. At least not yet. He's either gotta get Abigail on board or―keep you a secret. He really doesn't want to. He's tired of them. Secrets have gotten so many people he's loved killed.

Yandere Low Honor John gets arrested a lot. He's already considered a criminal but he can't be hung or jailed too long because he's working for the government. He's too old to care about 'future' consequences. His entire life has been dealing with future consequences.

He wants you. He wants you now.

And he doesn't have forever to wait. But he still loves to play games with you.

No matter your age he will still try and come off as the older, more dominant person in this weird relationship you have with him. But there's also no joke to his devotion. He will and has murdered people right in front of you for you before. And there's little you can do but lock him up for a few days and hope he'll stop.

He has no qualms about keeping you a secret from his family. He also cares about them somewhat less now that you are in his life. He feels like he is saving them out of obligation, not out of love.

Arthur's sacrifice still hits home for him. But why can't darling be part of the reason he never looks back? Abigail, Jack, and Uncle are the only reason his past is still haunting him. So would it be so bad if they died?

Yandere High Honor Jack is still somewhat the person his parents wanted him to be. He's a bounty hunter―a gunslinger, but not entirely at outlaw. He writes and he yearns. He knows he's too broken to be loved but still wishes for it.

So he gets arrested for more minor incidents. Although, he can't hold back from being violent towards people who are already being violent.

He is more respectful of you and your time. He offers to go on patrol with and or for you. He also hunts down escaped convicts.

Now he can't help but hate your job. You're part of the law who so ruthlessly murdered his pa. But it's like one of those romance books he snuck to read behind his ma's back. He'll help you see the error of your ways. Or kidnap you out of them. Whichever is easier.

He's also lessy mouthy, but still a perv. He just usually keeps those dirty thoughts to himself.

Yandere Low Honor Jack is nothing like the man his father and mother wanted him to be. He hates you so fucking much. And he has very few people to take his anger out on. So he takes it out on you.

He makes as much of a ruckus as he can. Chaos runs amok. And he does a damn good job of it. He's crafty. He knows how to evade you. And he spends most of his time doing just that.

He thinks it'll make you 'want him more' since you're chasing after him (quite literally). It makes his blood pump in more place than one. And who's to say he won't get handsy if he manages to knock you off your horse? Just a little kiss. Maybe more.

His favorite game is to try and mark you up before you can stop him. Whether that be from hickies or bruises you get from him attacking you.

Really the only time you can lock him up is when he's blackout drunk. And even then he manages to find ways to escape before you can hang him. It's just so hard to find good help these days. And you heavily suspect Jack is the one shooting (and brutually killing) the deputies you hire. So no one wants to work for you.

Sometimes he delays his escape from his cell just for fun. Teasing you, flirting, and or trying to bribe you―with not only money but also his body.

[theoneandonlysemla]

Today, Sujamma wants to know about your OC's moral compass. What God do they worship and why? Do they engage in any illicit activities (drugs, etc?) Any holy activities, like healing in the name of a certain divine? Have they committed any crimes, or are there any crimes they actively despise? Feel free to talk about anything and everything along these lines.

Tagged by @sanza-17, @lillxart and @skyrim-forever

Tagging: @friend-of-giants @sheirukitriesfandom @hircines-hunter @dirty-bosmer

I'm late because of a stressfull weekend, but hey, better late than never! I choose Nevri and Canmal for this! Morotar would be interesting too, but that mer needs a break from my attention :P

First, Nevri:

Nevri's moral compass is uhhh kinda broken I guess. At heart she really is a good person, even if she thinks the exact opposite of herself. But her moral are a little... foggy. And they bend to what fits best in the situation sometimes. As a former champion of Boethiah she has worshipped Boethiah in the most cruel form, by bloodsport in the fighting pits of the sacellum. It was her home for five years and she had accepted the daily killing as her new normal. Before she got there, she was never really worshipping gods or deadra. But fun fact: As she grew up in Windhelm, she adresses the gods as the Nine. Mostly in curses tho. Drugs, apart from the occasional alcohol consumption were never her thing. In part 2 of DwD she came into contact with other drugs, but more as an aid for sleeping (Teldryn gave her those). Funny thing is, that even after the entire shitshow of part 1, she still worships Boethiah and sees her as the one who saved her life. So she still sometimes prays to her. Crimes tho... Is it murder if you're in a cult whose entire thing is murder? I guess. So murder is a crime she committed :P Also by now three attacks on Thalmor soldiers: one biting of a finger tip, one stab in the liver and a headbutt to the nose. Otherwise... how legal are those cult activities? Not easy to say :P Oh and thievery as a useful tool for her. She has done a fair share of it, being quite the good sneaker. She despises any crimes agains her friends (obviously) and she is also a very big hater of anything that is around sexual assault. In fact, she has killed a man for it. So... Can you despise it any more? And now Canmal! Canmal too has never really been a man of faith, watching as he grew up what faith let people do in Windhelm. When he got closer with his fiancé Jirocian, he got into his worship of Mara a bit. But not as much as Jirocian does, it's just some little habits that he builds. He wants nothing to do with the Daedra, especially after that entire thing he had watched Nevri go through. Canmal is my sheltered baby and does only drink an occasional mead or two, maybe some booze when it's "necessary". He does not like being drunk, it mostly makes him dizzy and he hates the feeling of being intoxicated and not being able to control his body anymore. Crimes are another thing. Before he set out with Nevri to clean up her mess, he had a business running in which he sold totally lega aquired Dwemer artefacts. (Tomb raiding and grave robbing, that's what he did.) With his talent of bending the truth and being very charming while doing it, he got a good wage from it! As long as you don't hurt anyone he tends to overlook other illegal activities.

[aalinaaaaaa]

infodump everything you want to share about this rn :>

I literally squealled in delight when I saw this! Heads up, this is going to be a long one (like almost every single question long, lol)

Before we begin, the character I'm going to talk about here (The Bloodcarver — his actual name is below the cut/see below) features in a few short pieces I wrote (and also in Obsidian Sapphires, Chapter Two and thereafter)

#269. Living Weapon | A Pawn for a Greater Cause (he's the main character in this piece)

#276. Dark and Stormy Night | A Dance With Death (makes a guest appearance; this piece is the thematic reciprocal of A Pawn for a Greater Cause)

#289. Blinding Gaze | A Thesis in Bloodlust (he's actually doing his job here, bloodcarving :D)

The Bloodcarver

— Also known as Petrius, the Second to High Councillor Claudia Emar

•/🗡\•

Simply put, he's the right-hand of a lady who is his childhood best friend that ended up becoming a High Councillor because she got revenge for her sister. He couldn't exactly, leave now could he?

He fights with swords and knives, and he can also shapeshift into a raven, which makes him very annoying to fight. He even wears talon chains from time to time, but it's almost more of a fashion/intimidation statement.

Some of you may have questions, such as the ones below here:

3. How much autonomy is he given?

A certain degree, he can pick his clothes, food, etc but in terms of daily activities, he doesn't usually have a lot of autonomy unless it's a rest day. Most of the time he has obligations to fulfill

He likes to keep his face very neat, he's always clean shaven but his hair is usually a little messy. The natural consequences of fighting and/or shapeshifting, he supposes (though Claudia has an unnatural ability of keeping her hair dead straight even after going in and out of bird form — even Eshani can't do that!)

4. Does he groom himself? What details about his appearance are chosen by other people?

5. How obedient is he? Is he more defiant or compliant?

He's very obedient, it ties in with his loyalty, he's ramrod straight to the point of it being a flaw.

6. Does he have a comfort object?

The fur cloak he was wearing the day Claudia got turned. He got it from killing a bear with his father a few months previous, and he still has the cloak to this day.

7. How does he dress to go on missions? Does he have a uniform?

He doesn't have a uniform, he simply wears what's appropriate for the occasion. So what he wears to court will differ greatly from a hunting outfit, for instance.

8. Does he have a workout routine?

Most of his exercise comes from sparring, though he does go swimming in the lake regularly.

10. Is he a favourite? Is he precious or replaceable?

Let me put it this way: Claudia would be broken beyond repair if he ever died. If someone was to murder him, she'd go to ends of the world to ruin the perpetrator's life, even if it meant breaching her Vow of Madness.

While his job might be fillable by anyone competent, Petrius himself cannot be replaced. Not in Claudia's eyes anyway.

11. Is he stealthy? Or perhaps bulky, odd or otherwise eye-catching?

He's capable of being very quiet, he can sneak up on people, change into a raven and catch people off-guard that way, he can be pretty sneaky. All the hidden corridors around the place only serve to help with that.

12. What is his name? Is it a number? Does he have a nickname? Who uses it?

So most people that know of him know him as The Bloodcarver. It's his professional title. Only a certain amount of people know him as Petrius, and very few of that bunch know his surname (in other words, Claudia, a few of the crows and the folks back in their hometown are the only ones that know his full name).

14. Does he have a favourite food? How often does he have it?

There's a particular type of stew he likes but he can't really have the exact thing because some of the ingredients (a specific type of fish) can't be found in Morilaste.

15. Did he have a life before this?

He most certainly did. His childhood was pretty alright, the usual ups and downs, it improved when he found close friends and a purpose in life.

Then the problems started rolling in during his early adulthood and before he knew it he witnessed/was an accomplice in the murder of a giant swan lady.

17. Does he have a squick in their job? Something that bugs them or pisses them off?

The pettiness of Helindian ministers. He grew up in a not-tremendously-well-off Feudranian household, so going from a grounded, uptight but earnest culture to the flashy, competitive, colourfully cutthroat chaos that is upper class Helindian culture is a big change. He's long used to it by now, but he's still irked by certain things sometimes.

18. How does he wear his hair?

It's in a bowl cut, nothing too fancy, something simple and practical to maintain.

19. Does he have a good aim?

He does, but he doesn't really use it that much. He prefers short-range combat, and is excellent at going for the jugular.

20. Does he have survival skills? If he's on his own, can he find food, take care of himself?

Absolutely, this would be no problem to him. He has the know-how to find food for himself (he hunts on the regular), and if worse comes to worse, he can change into a bird and fly somewhere else :D

21. Would he survive a battle royale situation, like the Hunger Games?

I would fancy his chances a lot, especially if he was allowed to shapeshift. If not, he'd have the skills, the know-how and the ruthlessness to pull off a good result.

Ironically, I entered him into a round of the Writeblr Hunger Games and he did the worst out of the trio I entered (he came 14th out of 20-something — Eshani won the whole thing and Claudia made it to the final day 😂)

23. Is he loyal? Do his superiors trust him to go off on his own and come back, or is he kept on a tight leash?

He is loyal to the point of it being a flaw. Maybe even worse than a flaw. Most people in his situation would probably have left. But him? Nope, he eschewed his friends and family at home to stay with his best friend after a very dark moment in their lives. (Their efforts did relieve their town of being pestered by overly antagonistic swans, so that was something).

Claudia has a great deal of trust in him. As long as he's around for the important things, she does not care what he does in his free time. (Well, okay, she cares in a "what did you get up to?" sort of way, not in a weird or negative way)

24. What makes him relaxed?

The moment Helinda's ministers leave, any time he enters a bath or body of water, the occasions when it's just himself and Claudia spending time together.

25. What makes him nervous?

Having to mind court while Claudia's off doing stuff, dealing with Helinda's ministers sometimes, being touched sexually

27. Can he blend in on a civil and normal environment? Does he know how to navigate whatever's normal in the setting? Can he get by lowkey or would he catch attention?

He'd be a little caught off guard initially, but he'd get the hang of things pretty quick. It would just be a case of wearing the right clothes and being careful of when to shift into bird form (could be construed as rude if it's during a conversation and/or crows are bad luck in Helindian superstition [Claudia, Petrius and their 1,000+ strong murder of crows are a big part of that!])

29. Can he endure torture? Is there a method that immediately breaks him? Is he a good torturer?

28. Does he have a non-fighting related skill, such as writing, doing math, drawing or speaking another language? Was it taught to him? Did he learn it himself?

[ I'm going to direct people to this lovely ask I received here ]

To a certain degree, yes, he's good with physical pain, to a limit. Iron would be a pretty quick way to beat him, though, iron is anathema to faeries. Also ash wood and arsache (silverweed; it's a type of Helindian plant that can result in multiple organ failure among other things if overdosed and it contains a compound that inhibits magic).

As for torturing, he's never had to do it, but he'd do well at physical torture.

30. How is he doing?

He's doing well. Currently, things are a bit chaotic because, well, the events of Obsidian Sapphires have started occurring and it's stressful for everyone in his circles.

—

@/ominous-faechild thank you so so much for this ask, this was absolutely brilliant <3333333

Tagging everyone on the Obsidian Sapphires taglist (and in General), because he does feature in it. (As a side character, but a frequent enough face nonetheless)

(ask/comment/reblog, etc if you'd like to be added or subtracted): @mr-orion @the-ellia-west @guessillcallitart @thereadingfoz @glassstardust22124 @original-writing @honeybewrites @ashirisu @drowsy-quill @oliolioxenfreewrites @theglitchywriterboi @seastarblue @gioiaalbanoart @rae-butter @corinneglass @thelaughingstag @oros-ash3s @jacqueswriteblrlibrary @midnight-and-his-melodiverse @outpost51

[marzipanilla]

RAGE ! heh. yah.

To just veer off bc I have been rewatching this channels stuff lately - Batman stuff ! (x)

On to the rambles.

Yeah it just felt like every single character came out of the woodwork JUST to say 'wink wink nudge nudge we KNEW you two crazy kids would figure it out eventually!' and ?? why ??? why ?? why did you feel the need for their EXES specifically to give them the go ahead, to even shove them towards it even?? I just ?? surely they have other shit to talk about? Not to mention Rex and Eve's we are traumatized teens bonding was way more interesting then their very shitty romance!

I hate the fucking while I was dying I was thinking of you line too. Yes Mark. When you are panicking and freaked out, clearly that is when your mind is most clear. please. dear god. amid the ethics courses you should have been taking, a few ones about psychology and trauma response would also be good, yes?

lol Hannibal. Yeah. I agree. I love Mads' interview where he like Hannibal is the happiest man I have ever portrayed : ) and its like. he's right tho. That man IS having the time of his life and his falling in love, he is having a GREAT time. beautiful show. need to rewatch it soon.

I was talking to someone else and they compared the whole Eve and her parents situation to 'I wont be gay in the house but you can't stop me from being gay outside' and like. ugh. it really is tho. WHY are you still there. WHY are you so determined to make THESE people your family. You know you were (unknowingly adopted) they AREN'T your only option anymore. You aren't 12. You had TT ! (supposedly) You have NEW friends now!! Stop going back to these people!!

The UTTERLY SILENT (I do like the choice but it is also funny that all that happens is literally without a voice) and completely undiscussed by the main 'moral' force of the show maybe villains have REASONS for what they do opening ??? yeah it was great but it also feels so 'lol look at whats going on in the background! no one will ever realize how complex these situations can be!!' anyway here's Oliver being fucking stupid.

Like yeah, I loved the GoG breakdown/breakup in ep 3, as like a we all need to discuss autonomy and accountability and the messed up world we live and people are both right and wrong- but any of the personal-ness to it is ABSENT bc again.. we have rarely seen these people do anything. Stop calling them your family Samson! NONE of you know each other !! Also him calling out Rudy for playing the odds and then acting like he's all fond of him is wild. Amanda being so thrilled this 19 year old girl is marrying her boss is insane. AND Immortal just invited his own ass back, that shit is hilarious. You know that fucker would make anyone asking to come back jump through hoops.

I have played a bit with the idea of danger blind Debbie and it just.. it makes enough sense to me. Her response to terrible shit happening just being like 'well this is annoying : /' while everyone else is freaking out. I feel like Nolan would have been like ??? squishy human not afraid ??? and Debbie's response like ?? you think you're special bc you can kill me?? literally anything could kill me ! Why should I be afraid of you just bc you're fast and strong? A slow person with an air filled needle could get me !! and Nolan just having to be like : / Okay. I guess I see your point.

Look I find the over all narrative and some of the characters fascinating enough that I WANT to engage with and talk about this media, but honestly, I am such a hater and I don't even try not to be xD Invincible is my BUT YOU COULD BE GOOD IF YOU WERE GOOD fandom fr. 'star wars would be great if it wasn't star wars' is a thing I've seen half-jokingly get thrown around and for me its 'Invincible could be good if they weren't adhering it to the comic' lol

TBH I started a 'Cecil basically becomes Mark's parental figure' story that would take place in my Liar Liar/Man Who Played Wolf AU, but I ended up disliking it so I never really went back to salvage it. Maybe I just need to refocus and honestly just make it about Cecil : /

Honestly given a number of the dumb things the GDA gets up to I wonder how good they are at strategizing lol Like.. I really hoped they would leave out the 'we knew Nolan was lying FROM THE START!' thing, bc.. okay... he's a viltrumite. You have only just recently barely found anything that could hurt them... but... like... 20 years on the planet... and not only did you find nothing you didn't WARN anyone ? like ? where's the contingencies ??? Also I will never get over them not giving that astronaut a medical check up, just so he could go puke up more aliens into his sink. Sometimes I also think they deliberately prevent heroes from getting access to education bc the moment one of those fuckers learns how to strategize then you're ACTUALLY fucked, bc they really do make some dumb decisions in battles. constantly.

Yapping bug ! time for the yappings !!

While I'm not too familiar with the DCU- your batfam meta posts are intiguing- so in transfering some of the broader strokes from them- I think you tackling a 'Mark isn't Nolan's biological son' fic would be fascinating. Sort of a step to the side of the 'what if Mark never got his powers' fic that sometimes pop up in the fandom

OOOOOO chewing on this currently, hm, the much a distinct flavor of exactly what you’re talking about, but the potential for more family drama depending on WHO knows. Does Mark know?? Is he waiting every day only to be crushed? Does he confused non-Debbie features with Nolan’s? I suppose I’m not the most enthusiastic about non-power AUs, but I think there’s something very fun to explore about Mark having to settle with, if he knows all his life, he will never have powers? I think the trajectory of his dreams will obviously shift, I can see him still having that distinct fatherly idolization, but perhaps embraces being useful to the GDA? Cecil’s number one intern—only intern—curtesy of nepotism, ha! There is something tickling me about Mark taking the Robin Route/Role for the Teen Team in terms of having no powers, just insane skills, BUT there’s something way more delicious about intern Mark when s1e01 happens and Mark tries snooping around to find out the truth about what happened to his Dad.

I wonder if, with Mark having a whole another father, if they’re more or less distant relationship, depending on WHEN Nolan entered Mark’s life? Like if Debbie met Nolan later for this, or just for fun, they dated once, separated (Mark being born during then), then they happened to stumble into each others lives again and Mark’s already been born, anywhere from tween to teenager so there’s a gap in how close they are. I feel like one important aspect of the whole Family Drama is how close they’re supposed to be, a functional, loving family turned upside down? So I wonder what more distance does. I wonder how Nolan copes when his family is entirely human and he can’t project onto Mark.

I love thinking about these, omg.