#and we stopped being friends on really bad terms as well like its civil and friendly between us now but it wasnt until mayish time

[the-sour-patch-crew]

It's always fascinating finding out people have us blocked that we have never interacted with. Overall, I like to think we've never been antagonistic towards anyone in tags. Never attacked anyone. Never harassed. We've been very civil, even in our disagreements (that I recall at least). We have a few side blogs, and not many people have the main account blocked, so I always find out only after I go to make a comment and then see what accounts are greyed out. Silly little bonus feature of side blogs.

So

Is it because we sometimes have syscourse?

Is it because we are endogenic or identity as mixed origin?

Is it because we support all forms of plurality?

It's an amusing game. People may block for so many reasons, but those are the three main things we can think of. It's particularly amusing when people love or agree with things on our side blog but apparently hate this account. Extra funny.

If it's because people think we are toxic or out to get systems and corrupt singlets and poison traumagenic systems, then I feel quite awful for someone living in such a fearful and distorted outlook on life and others. Well, if that was the case, then why is our popular side blog not blocked? That blog is all of those things and very loud about it. But also, my partner is a DID system. I am very, very aware that multiplicity is not a silly little game. To say I spread misinformation and am bad for CDD systems blows my mind when I spend every day supporting one. What happens on Tumblr is pointless at the end of the day because what *really* matters is the support and understanding I give to them. We are a living example of how STUPID syscourse is between endogenic and traumagenic systems. Get the fuck off of social media and actually spend time supporting eachother instead of fighting.

Oh! Mayhaps it's our age. It's always interesting when it's our age. I promise we are not creeps and are quite safe to be around. Siblings, work, friends, and online communities have made me very aware of what is appropriate and how to coexist amongst a wide age range of people. I wanted to be a teacher once, and still would love to be an elementary art teacher. I promise I don't bite.

Maybe it's our fictives. I know some people cannot stand their sources or them as individuals. Which again is quite sad. Ashe and Alastor are both amazing people. I dont think I've met a single person who didn't like Ashe once they got talking with her (minus like two assholes that were ultimately voted as assholes by the entire server lol). I point her out because she's been here the longest and I owe her a lot so yeah I kinda play favorites a bit. Because I honestly love her. I say this with all the love for Al and the newest member. They aren't hurt by me saying that. They get it. Honestly, I don't think Al cares enough to be offended.

Maybe it's because I'm a furry. People always hate on furries. But that's okay. People hate on anyone who is different from them. Its why the furry, queer, and alterhuman community are so tight-knit. I'm just a silly fox in the end.

Is it because I'm critical of behavior and use of terms by people who kff or are transid? Is it because I'm thiiiiis close to being that "awful" trans guy that would still classify himself as a lesbian if only I could stop shifting gender representation every few years?

Is it because I'm working through trauma and people think that suddenly makes me being endogenic a lie? Is that the proof that people need to hate me? You hate systems with trauma and you hate systems without it. There's no winning.

Is it because I promote daemonism? *GASPS*

I'm not mad at being blocked. The internet hates and blocks people for so many reasons. I block a specific group of people every time we see them in the tags. I do it because I TRY to live by the motto if I have nothing nice to say I shouldn't say it at all. I also apply this to thoughts. If I see posts that constantly make me think shitty things about people and they aren't actively harming me or the people I care for, I block them. Because placing that into the universe is kinda fucked, even if they never would know about it.

I don't NEED people to like me. But I'll admit it's been a HUGE hurdle in my life. Trying to not care about what others think about me has always been a major issue growing up. I think everyone and anyone can relate to that. There's a saying I try and keep to and its how I'm going to end this post. [GRANTED this post has been an intoxicated, headache fueled rant at 2 in the morning. We all know how things get around 2 and 3. That's when shit gets fun (no it really doesn't I just want to sleep please) ]

[anonymoushotsexyperson]

This post on twitter PISSED me off and I can't stop thinking about how no one cares about their friends anymore! SOOO here's a blog post about it.

LIKE ALWAYS THE BIG BOLD PURPLE TEXT ACTS AS STAMPS TO BREAK THE READING UP INTO SMALLER SECTIONS TO ACCOMMODATE THOSE WITH SMALLER ATTENTION SPANS WHO ARE MORE INTRIGUED IN ONE PIECE OVER THE ENTIRE POST! ^-^

Reading everything is encouraged though!

HOW ARE WE SUPPOSED TO CREATE THE LEVELS OF COMRADERY NEEDED TO OVER THROW THE GOVERNMENT IF YOU MOTHA FUCKAS CANT FIND THE SPACE TO TEXT YOUR FRIENDS BACK?? BESTIE BE SO FUCKING FORREAL!:

(THIS section is a little bit off topic from the rest but I can't HELP but mention it.) I think we should all start doing what the original poster did with our friends to be honest. We need to make space for our feelings and expectations in our friendship. Like learn how to fucking leave space for your community. I may have wrote about this before if not I will def be writing about it soon but the lack of community building and intimate friendship skills in gen z is so harmful in so many ways. Not only does it create this 'loneliness epidemic' ( if you're anything like me you've watched a million YouTube video essays on) but dude... DO YOU THINK ROSA PARKS JUST GOT ON THAT DAMN BUS HER DAMN SELF ON A RANDOM ASS DAY AND IT STARTED A REVOLUTION???? NO. They organized that! IT WAS AN ACTIVIST GROUP WHO DID IT AND PLANNED IT! How do you think black activism was able to prevail through the racist ass civil rights movement? COMMUNITY BUILDING AND GRASS ROOTS ORGANIZING AND GIRL LOOK AT THE STATE OF THE WORLD WE COULD USE THAT RIGHT NOW !

"SOMETIMES YOUR FRIEND IS DEPRESSED" IS AN EXPLANATION NOT EXCUSE (DONT SHARPEN ANY PITCHFORKS YET JUST LISTEN):

NOWWWW listen, I know we are all at our own pace with interpersonal relationships I get that, I can already hear the "Sometimes your friends can be depressed though so maybe YOU should consider that" crowd grabbing their pitchforks but, dude. Especially if you're an adult, you need to learn how to master these obstacles in certain situations. I know this sucks so bad and its unfair but your relationships are still half your responsibility hurting someone because you weren't mentally well still hurt them. I know this better than fucking anyone as someone who has borderline and had to come to terms with that myself. It's an annoying and unfair and hard truth but once you admit it to yourself you can become a better companion. We all have things going on but the people in your life deserve the respect of you at the least attempting to communicate on why you're not upholding the level of intimacy you have set for yourself with said person. Next section are two fairly easy skills to help manage your mental health but be a good friend. ALSO if you're doing the things in the next section with them and your friends still is an ass about it because they don't like the compromise you were able to give or whatever DO be mindful that the relationship is half their responsibility too. Friends should be able to leave space for their mentally ill friends (if they're being properly communicated to and their needs are also being taken into account) that can look like patience understanding and willingness to compromise or lending a helping hand or shoulder to cry on, meeting you where you're at. And if they can't do that after you extend that communication or compromise to them maybe you guys shouldn't be close friends who expect those things from one another or possibly not friends at all but thats up to you to choose!

A TIP FOR YOU DEPRESSED BITCHES :

( I use bitch and hoe as terms of endearment I love my depressed shawty baes)

You bad at communicating and you about to ghost all your friends? Well before you do or better yet when you're in a healthy state of mind tell them thats a problem you have and if its a friend you're really close to who might still need reassurance when you go ghost try to come up with some compromise like "I will still go ghost in the sense that I won't communicate but ill send memes I see to let you know your on my mind!" or "I will do a week/ monthly check in with you but thats all I have the energy for." (remember not to abuse these strategies though! throughout your journey of healthy confrontation you will learn how to discern between whether or not you are using them because you genuinely need them in that moment or if its because you are closing yourself away from the world a toxic amount and need to face your feelings around and with other people)

A TIP FOR YOU HOES OUT THERE WHO HAVE TROUBLE COMMUNICATING :

Muster up the strength to say or set up something like this maybe before you enter that state of mind while you're still in the good place! "hey I have a habit of doing ____ if i'm not in a good place. So when you text me I will text back this same funny meme or tiktok etc as a symbol to let you know i'm in I wanna die mode!" this is a way to communicate to your close friends that you're in a bad headspace at the moment and can't give much energy to the friendship without really having to say anything besides the first time you bring it up if you're uncomfortable all you have to do is send that meme or maybe emoji etc! (Make sure you aren't abusing this strategy to avoid working on your communication issues though because that can regress your communication abilities and friendships even further this is something you will learn and determine for yourself through trial and erorr)

Remember both of these sections are first steps but we also wanna work on being able to compromise SOMETIMES when we haven't left the bad place yet but I know many of you aren't ready for that. SO I won't scare y'all away.

OVERALL TAKE/ CLOSING STATEMENT:

Maybe you're someone who genuinely can't maintain close intimate friendships with sensitive people and maybe i'm wrong here and this might offend you but in most cases I believe thats not true. A lot of people are just scared of sensitivity and emotions. A lot of people are fed up with life and won't allow themselves to push passed their own imaginary limits to open up the can of worms that truly is making and maintaining intimate friendships.

The truth is a lot of us ARE sensitive, but we make ourselves smaller for all the people we love because "they have other stuff going on". I can't help but think if you agree with the qrt or had an 'its not that deep' reaction thats the qualities of being a bad friend (and its not your fault because within especially western individualist culture and patriarchal culture thats what we are taught to be but UNLEARN it).

Also I understand being traumatized by someone who was really sensitive and didn't know how to communicate and they became abusive, I also understand that having a sensitive friend again after that can be triggering. I'm so sorry that happened to you. BUT I hope you don't let your abuser take away this learning experience from you because healthy confrontation once learned is such a beautiful thing. ALSO healthy confrontation doesn't mean devoid of any emotion or things that make you uncomfortable don't expect people who are upset at you to shit sunshine and fart rainbows but its important to make sure you're NOT being verbally abused either. (I will make a post soon about healthy confrontation soon and what that looks like). Hey i'm not saying the original poster had the healthiest response either (im pretty sure the kms thing was meant to be a self deprecating joke not actual emotional manipulation keep that in mind) but it is a natural response to being hurt and more than likely the type of response you give after multiple offenses not just one thing. That is the behavior of someone who's felt ostracized for a while. I would not in any way shape or form consider it an abusive response though yeah it makes you uncomfortable, which circles me back around to the beginningof this. Stop making yourself smaller for the people you love, it's okay to make things uncomfortable by mentioning your feelings because they need to learn to be comfortable with talking about things.

If you continue to make yourself smaller for the people you love, one day you will look around you and you will see all the people you love, but you won't see the people who love you and... that? THAT is pain.

so reader, what do you think? Leave a comment even if you disagree! I genuinely wanna know.

[plantsanddictionaries]

How to hide from your feelings 101: live in the library

[makeste]

BnHA 323: “I Don’t Know How to Explain to You That You Should Care About Other People”

Previously on BnHA: Kacchan was all, “Izuku, I’m sorry.” Bakugou Stans were all, “[sobs for a week straight and tearfully awards him the Nobel Prize for character development].” Deku was all, “[faints in Kacchan’s arms].” Iida was all, “[trying to decide if Ochako genuinely tried to kill him a few minutes ago].” Horikoshi was all, “NO TIME FOR HUGS WE MUST GET BACK TO UA.” The civilians holed up at U.A. were all, “WE TOOK A VOTE AND DECIDED THAT WE’RE ALL GOING TO BE JERKS ABOUT THIS AND MAKE A BIG FUSS ABOUT YOU LETTING DEKU BACK INTO THE SCHOOL.” Deku was all “[stands there looking like he expected nothing less and breaking my heart more and more with each passing moment].” Ochako was all, “that does it, looks like I’m gonna have to do something about this... next chapter, that is.”

Today on BnHA: Flashback!Rat Principal is all “I just want you all to know that I spent nine million dollars turning U.A. into a giant Battleship-style grid that can burrow underground and zoom around in a giant subway maze because Horikoshi lacks a grounded understanding of both civil engineering and economics.” Back in the present day, Jeanist is all, “EVERYONE TAKE HEED, MY COMRADES AND I HAVE DEEMED IT EXPEDIENT TO CONVEY THIS AUSPICIOUS YOUTH BACK TO THIS STRONGHOLD. WE ANTICIPATE THAT WE MAY DEPEND UPON YOUR GOODWILL AND ACQUIESCENCE TO THESE TERMS.” The civilians were all, “NO.” Ochako was all, “EMPATHY, MOTHERFUCKERS, DO YOU SPEAK IT?!” The civilians were all, “oh shit.” Anyway so Ochako is a giant badass, but I’m a little worried that she’s going to get struck by lightning. Please come down from there.

so before we start this chapter, I would just like to apologize for having not posted the ch 321 recap yet, and would like to reassure everyone, and especially Iida who is staring at me with Sad Wobbly Guilt Trip Eyes, that I will get to that as soon as I can

OMG FLASHBACK??

yes please Horikoshi please show us more of class 1-A and their Deku intervention strategy jam sessions

oh dear

Iida you are too pure and good for this cruel world. [sprays the U.A. civilians with a water bottle] NO. BAD CIVILIANS! NO OSTRACIZING SCARED AND EXHAUSTED CHILDREN IN THE HOUSE

EXCUSE ME RAT PRINCIPAL WHAT’S WITH THESE MIXED MESSAGES

???

RAT PRINCIPAL: he’s free to return to us at any time!!

ALSO RAT PRINCIPAL: but it’s too risky for him to return to us

?? ??????? ?????????????????????

so now he’s going on about how strong the U.A. Barrier is, and how it’s comparable to the defensive capabilities of Tartarus. this would have sounded a lot more impressive before chapter 297 lol

OH!!!! HELLO, WHAT’S THIS!!!

A TIMELY CALLBACK TO A CERTAIN MYSTERIOUS EVENT WHICH HASN’T BEEN REFERENCED SINCE USJ? [U.A. TRAITOR MUSIC INTENSIFIES]

so now Rat Principal says he upgraded U.A.’s security systems with his own “modifications”, whatever the fuck that means. I mean look, I’ve been saying for a long time now that U.A. is the best place for everyone to hole up, don’t get me wrong. but that was mostly on account of there not being any other practical alternatives. but you’re making it sound like you figured out a way to actually make it Decay-proof or some wild shit like that

-- hold up, DID YOU ADD A FORCE FIELD. DID YOU TRICK THIS SCHOOL OUT WAKANDA-STYLE YOU CRAZY MARSUPIAL. HOLY SHIT. because that would actually be perfect

LMAO

WHAT KIND OF GALAXY BRAIN BULLSHIT. “NAH THERE’S NO NEED FOR A FORCE FIELD, LET’S JUST PUT WHEELS ON IT”

oh okay so the whole campus is basically capable of burrowing itself underground. that’s insane lol I wonder how they pulled that off. probably got poor Cementoss working overtime

blah blah blah so basically the entire campus is split into a grid and each section of the grid is capable of its own independent movement. lol this is just the Merone Base from KHR. you thought no one would notice this casual plagiarism ten years after the fact, but YOU UNDERESTIMATED YOUR AUDIENCE, HORIKOSHI

“joke’s on you imma just lampshade it” WELL ALL RIGHT THEN

“look at me I’m so fucking self-aware” fucking swear to god. I can’t believe this man is my favorite mangaka of all time smdh

“excuse me, I wasn’t finished describing all the rest of this bullshit yet,” Rat Principal breaks in impatiently. “we also added a steel wall all around the underground of the campus that’s 3000 steel plates thick. that’s fifteen fucking meters of solid fucking steel just fyi. and if anyone fucks around with any part of it the defense system will activate immediately! and also all of the plates are independently motorized, whatever the fuck that means!! in conclusion you’re gonna need a fucking tower crane to suspend all of your disbelief by the time I’m through with this paragraph”

“also Shiketsu is almost as reinforced as U.A. but not quite because we still had to make sure we were better.” but of course. and apparently the two schools are connected via a secret tunnel as Hagakure mentioned earlier

LSDKFJLSDKJFLK

“WAIT WHAT” LMAO YOU HEARD HIM, NOW INASA CAN VISIT YOU BOTH IN THE MIDDLE OF THE NIGHT AND TELL YOU ALL ABOUT THE WEIRD DREAM HE HAD. GOD BLESS YOU HORIKOSHI

(ETA: moment of appreciation for Shouto and Katsuki having the same thought at the same time and making Knowing Eye Contact and saying the exact same thing out loud in perfect unison like the best friends they are. what a blessed day.)

so Tokoyami is all “but wait if you engineered all this shit all the way back during the Band arc how did you even know that Tomura’s quirk awakening would become a thing, Horikoshi -- uh, I mean, Principal Nezu”

and Rat Principal is all “lol idk”

“basically I just woke up one morning and was all ‘say, you know what this school really needs? a fifteen-meter-thick underground steel wall, and the ability to break up into little pieces that individually zoom around wherever the fuck they want.’ jesus christ. lol if money and common sense were apparently no obstacle why didn’t you just teleport U.A. to the fucking moon or something. maybe I should shut up before I given him any ideas

dsfaelkjldkjgl

you heard it here first, folks, all of this cost a grand total of nine million U.S. dollars. well technically it cost “more than” nine million dollars. never has that distinction been more important lmao. are we sure this barrier was really made of steel and not cardboard? who the hell sold it to them, Ea-Nasir??

this is my favorite manga series of all time. yes I am ashamed

“in conclusion please do your best to reach Deku-kun” SO WHAT WAS ALL THAT NONSENSE ABOUT IT BEING TOO RISKY THEN. anyway thank you for this super informative and edifying flashback, Horikoshi. I will cherish it always. I don’t even want to read another translation of this absurdity lmao, there’s something special about it just the way it is. pretty sure Horikoshi just had a cracked out fever dream one night and transferred it to the pages of the manga verbatim

anyway so back to the unruly mob

not their finest moment. please excuse me while I cover poor Deku’s ears and give him a good shoosh pap

oh wow the parents are out here too

is Mitsuki trying to hold Inko back?? that’s the last thing this fandom needs right now is more Mitsuki discourse fffwlkjs. and even Jiroudad, scientifically proven to be the best dad in all of BnHA, is just standing there silently looking vaguely unhappy. way to rise to the moment you guys

MONOMA

so this settles it for me that Aizawa is not at UA. I know a lot of people have been wondering about his whereabouts, and if I had to wager a guess it would be that something happened with Shirakumo/Kurogiri. I can’t think of anything else -- even the loss of an eye and a limb -- that would keep him from his kids at a time like this

anyway but this is excellent Monoma content right here though. I love that he apparently adopted Eri after a single interaction with her. also WHERE IS SHINSOU DAMMIT. THE PEOPLE NEED TO KNOW

and Kouta’s there too looking like he wants to run over to Deku but Ragdoll won’t let him :/

it’s gotta be pretty upsetting for him to see his hero like this and not having anyone stand up for him. [taps megaphone] IS THIS THING ON. OKAY YEAH IT SEEMS TO BE WORKING. AHEM. PAGING URARAKA OCHAKO. GONNA NEED YOU TO GET OVER HERE ALREADY AND MAKE THAT BIG DRAMATIC SPEECH WHICH YOU ARE CLEARLY DYING TO MAKE. IF YOU DON’T DO IT SOON I’M GONNA HAVE TO STEP IN, AND YOU REALLY DON’T WANT ME TO DO THAT SINCE MY SPEECH WILL NOT BE VERY GOOD OR INSPIRING, AND WILL PROBABLY JUST CONSIST OF “HELLO, YOU ARE ALL STUPID, PLEASE SHUT UP AND GO AWAY”

so now Mic is telling them to calm down. at least someone’s speaking up here, geez

OH MY GOD

MY MAN JEANIST OUT HERE DOING WHAT HE DOES BEST: MAKING EVERYONE FEEL GUILTY AND JUDGED

OH MY GOD HE IS GIVING SUCH A LONG AND BORING SPEECH LMAO IS YOUR STRATEGY TO PUT THEM ALL TO SLEEP OR WHAT

truly in awe of this man’s ability to take messages which could easily be conveyed in ELI5-speak, and stubbornly convert them into incomprehensible language the likes of which you need a graduate degree in order to understand

“hey guys, so originally our plan was to use Deku as bait for the villains, but that didn’t really work and also we realized it was kinda dumb and was probably gonna get him killed, so we brought him back here instead.” was that really so hard, Jeanist. also are we all really just gonna sit back here and watch Jeanist take full credit for Bakugou’s plan just like that lmao

(ETA:

WHERE DID ENDEAVOR GO AND WHO IS THIS DIABOLICAL MASTER OF DISGUISE. lol I genuinely didn’t notice this because I was too busy digging through thesauruses trying to rewrite Jeanist’s speech; many thanks to @class1akids​ for pointing it out and making my day immeasurably better. take it easy there Dick Tracy.)

���anyway so please stop being dicks and let him fucking rest so he can save all your ungrateful asses” what an impassioned and inspiring plea. time to see if the masses will listen to reason

narrator: they did not listen to reason

oh my god finally Ochako is doing something. YEAH OCHAKO WOOOO SHOW THEM HOW IT’S DONE

hmm

this entire chapter is truly and utterly nonsensical to me lol

(ETA: on my second readthrough I’m fucking dying at how she stole the megaphone right out of Mic’s hand lmao. and how Kacchan is all “fuck yeah nothing I appreciate more than some quality fucking larceny.”)

oh I see she was jumping on top of the main building so as to scream down at them all more impressively

“ANYWAY DEKU IS PRETTY COOL ACTUALLY, YOU GUYS ARE JUST MEAN” couldn’t have said it better myself Ochako

lol uh

gotta say I did not have “Ochako reveals the secret of OFA to the entire U.A. Citizen Clown Parade” on my bingo card for this week. it’s a bold strategy cotton let’s see if it pays off

SDLFKJSL

“NO, SERIOUSLY, HAVE YOU LOOKED AT HIM YOU GUYS. YOU THINK HE LIKES RUNNING AROUND DRESSED LIKE A RUSTED OIL DRUM?? HE DID THAT FOR YOU YOU UNGRATEFUL SLOBS”

so she is basically explaining the entire Deku Angst arc to them and explaining what a good and selfless protagonist Deku is, YES, PREACH

OMG IT’S THE GIGANTIC FOX LADY

not to insinuate anything, but what exactly were you doing standing out here with the hysterical mob, Gigantic Fox Lady? you’re better than that

-- KACCHAN SIGHTING!!

sdlkfjl. thanks for weighing in with that helpful and important observation. where have you been for the last five minutes. were you asleep. was it Jeanist’s speech

never mind, now he’s yelling at the civilians so I instantly forgive him

THE FUTURE NUMBER ONE HERO, EVERYONE. THANK YOU, THANK YOU. HE’LL BE HERE ALL WEEK

“anyway so I’m just going to end the chapter here” lmao seventeen pages truly do go by so fast. at least he didn’t try to force in a cliffhanger at the end this time. dare I say, growth

so I guess the civilians are either gonna have a Kamino and/or Fukuoka-esque moment where they remember how to be decent people and apologize to this poor young man, or else they’ll remain unpersuaded, and so Kacchan will have to knock a few of their heads around until they become more inclined to be reasonable. either option is fine by me lol

[tomodachi-z]

A different take on their relationships

So I was scrolling through the genshin thread and soon came to a realization that most of the relationship Hc’s were pretty fluff based, which got me thinking - was that really all there was?  Even if Genshin was a heartfelt game i couldnt really believe that all of them would be pure husband material - which sort of spiraled into this.

- This is purely my take on how some of the Genshin boys would approach relationships, its just some random thoughts though so take it as you will.

Characters: Zhongli, Diluc, Kaeya, Childe

Tw: angst, abuse, toxic relationships, mentions of death, just overall scummy behavior.

Slight NSFW

Minors DNI

Zhongli

Honestly, out of the whole lot of them i think he’d be the most civil. Apart from his bad traits that is.

First of all I dont believe Zhongli would actively pursue a relationship, however he would be open to it, though the chances of it being a special “love at first sight” is practically zero. Hes lived thousands of years and seen humanity evolve as a whole, hes met millions of people over the years and peoples faces really arent that different, they just blur together at this point. So if we were to go by that logic, his love interest would have to be someone he interacts with on a day to day basis - or at the very least weekly.

If he was starting to develop an attachment to you, I believe he would also be fairly upfront about it, asking you out and courting you wouldn't be anything new, he’s had lovers before after all.

But this is where it starts to get a bit off-putting. Even if your relationship is sailing along fine, he’d still compare it to the others he’s had. Your taste in clothing, your choice of books, how you style your hair. Every now and again he’d utter something like “Ah ___ used to style their hair like that.” Or “Your eyes are so familiar, just like ___...” in which case the blank space is a previous lovers name. Not that he’d divulge that to you. Even if you ask him about the people he keeps mentioning he’d brush you off and change the subject. Though sometimes he forgets himself and calls you by a different name.

He would also never tell you he’s a God. And you wouldn’t find out either.

 Hes hidden it from the whole of Liyue, why would you be any different? His role as Archon was over anyway so there would be no point to it.

So you would live your life never finding out about him, not ever truly reaching his heart, because his heart is already filled to the brim with memories, and whatever little space you occupy there would also fade along with your passing. You would have no children, for I truly believe that Zhongli just would not want children, his one and only child would remain Liyue, and your name would be uttered in passing, when he confuses his next lover with you.

Happy Ending?

Zhongli would still love you

He would cherish and comfort you

But there was nothing in this world more lonely than immortality.

He would love again but it would only repeat the cycle unless he truly comes to terms with himself.

It would take a lot of time, perhaps even an eternity, but I believe that his past relationships would actually help him realize something.

That even though humans were much the same he loved you all individually.

At the end of time he would recount each one of your names, in the hopes that you would take him with you, so that he could finally apologize.

Diluc

I honestly believe he just does not want a relationship. Not now anyway, not when hes 20+ years old. So the thought of him forming a crrush on you or any sort of real romantic attachment would also be pretty slim. He’d be your friend, sure, your best friend even, but when it comes to being your boyfriend? It wouldn’t be what you think it is.

If he does form a relationship with you its because you confessed, and you asked him whether or not he was willing to give it a go, and considering you already know each other so well he didn't really see a reason why not. Though it wasn't out of love that he’d agree.

I do believe that he’d still be a gentleman, he would send you flowers, and he would take you on walks, he would also give you gifts, but all of those were just out of courtesy. He was taught to behave like a gentleman, and so he would.

He would never be available, always working, always busy, never in a good mood. “Don't bother me, I'm busy.” He’d coldly order. And if you tried to do something nice to him like cook him a meal whilst he’s working he’d just tell you not to bother, the butler can make it better than you so why even try.

You would be a hitch in his schedule, an added task every day, another time consuming detail he had to take into consideration. But considering he was the one who agreed to the whole idea, he would simply have to deal with it.

As for intimacy, it would be rare. He’d kiss you just because he was curious how it would feel, he’d fuck you just because you asked him to, and sure he might have enjoyed it, you even said you enjoyed it, but it wouldn't become a regular thing between you two. He would come home exhausted, sore and half asleep, so on most days you can expect him to share simple words of greeting before he falls asleep.

If you got tired of it he would just let you go, both of you could see it wasn't working, so why bother try to fix it. You deserve better than him, a man that would love and cherish you, but right now, he simply cannot.

Those are your parting words, he wishes you luck and thanks you for your patience, whether or not you remain friends after that is really up to you.

Happy Ending?

What Diluc needs more than anyone else is time

Time to really heal

Time to forgive himself

Time to start loving the world again.

And I believe he would learn to do those things if time was given.

He would one day realize that his heart yearned for something other than day to day work, something that you tried to show him long ago.

He would fall in love eventually, perhaps not with you, but he would finally open his heart.

He would love earnestly and faithfully till the end of his days.

Kaeya

He’s well known as a flirt in Mondstat, he’s slept with people around town and chances are that’s how he first met you. Whether you slept with him or rejected him didn’t matter, what he was after was your looks after all.

He’d seduce you with praise and compliments, he’d lavish you with gifts and roses, as long as you give him something in return that is.

If you didn’t it wouldn’t really bother him much, he’d simply abandon the thought of you and turn his eyes on another pretty face, if you ever ask him about why he suddenly stopped he’d respond with “I don’t like wasting my time sweetheart.”

However if you give in to his seductions I believe he would eventually start enveloping the idea about being your boyfriend, the idea of you being his and him being yours was tempting for sure. It would take a while but he would also stop flirting so shamelessly with other people, he no longer saw a reason for it now that you were his after all.

But he would never truly yield his heart to you, always keeping secrets, always masking his emotions with sly words. I don’t think he’d ever really open up about his past or about the depths of his mind. But he would love you, and he would protect you, he would cherish you the only way he knew how, by keeping you in the dark, lest you regret your decision in loving him.

Happy ending?

His habits would change as he grows older

They would truly shift when he sees his first child in your arms.

He would cry, not even knowing why

He would fall so helplessly in love with the thought of a happy future and he would be terrified by it

But if you stay by his side, if you make him believe he can have a happy life and a future with you

He would give you the world, if only you make him believe those words.

Childe

Honestly the worst out of all of them.

Now, I firmly believe that he also would not pursue a romantic relationship if given a choice, but his heart is fickle and easily swayed by his own emotions, so when he sees you pop up every now and again he’d undoubtedly would act on his feelings.

He’d charm you, wine and dine you and treat you like a princess if you so wished. He would make sure you had everything you had ever wanted, he’d make promises of love and marriage, but after he gets what he wants, he would leave you.

Just like that, without a word, without a note, nothing. So when you see him after months of confusion, guilt and regret you would ask him why he had left, and all he would say is “What else did you expect?” He’s a Fatui after all, and he has no time for thoughts of tomorrow or promises for the future. His eyes would hold no warmth as he noted that the interaction was rather fair in his eyes, he had treated you like a princess after all.

He has no time to think of anyone else but his family and his duty to Tsaritsa, you were just a toy he liked playing with for a while till you got boring, now move before he breaks you.

Happy Ending?

Now I truly believe that there is someone out there for everyone

Even for someone like Childe

But that someone would have to be exceptional - someone with a commanding sense of self respect, someone with purpose and belief, someone with a fate of their own.

They wouldn't have to be a fighter or even an adventurer, but they would have to be a force of their own to be able to show Childe what kind of life he was truly living.

He knew he was in hell, but meeting someone like that would make it all the more apparent

But if they reached out their hand to him, if they gave him a chance.

He believed he would see a world in colors he never knew existed.

And he would love truly and openly, he would shed his heart to them and only them.

[immaturityofthomasastruc]

Do you any suggestion for Super Sentai?plz

*cracks knuckles*

Well first off, if anyone wanting to get into Super Sentai watched Power Rangers growing up, I’d check out the series whatever season you watched was adapted from to see how things went there in comparison to how they were in the United States. So if you grew up with the original Mighty Morphin’ Power Rangers, watch Kyoryu Sentai Zyuranger. If you don’t know what the Sentai the season you grew up with is called, I’d check out RangerWiki, which provides a lot of information on both franchises.

I’d also recommend checking out a few episodes of the very first Super Sentai entry, Himitsu Sentai Gorenger. Not all 84 episodes, mind you, but I’d just watch a few to see where Super Sentai got its roots from, because the team football attack gets referenced a lot further down the line. Yes, you read that correctly.

But for individual seasons for beginners, it’s harder for me to answer. Super Sentai has varied aesthetically and tonally across its 45 year run. Some shows are dark and gritty, while others are light-hearted and goofy. Some shows have a vehicle motif, while others use animals for a motif. So the seasons I’m going to talk about will cover all kinds of tones and themes across the years. I also haven’t seen every single entry, so these are the ones I’ve seen that I recommend for beginners.

Denshi Sentai Denziman (1980-1981, 51 Episodes)

Centuries ago, the evil Vader Clan conquered and decimated the Denzi Civilization. In the modern day, the talking dog IC awoke from his slumber when the Vader Clan began their invasion of Earth. So IC recruits five people to become the Denzimen to defend their planet and stop the Vader Clan once and for all.

The first three seasons of Super Sentai were very experimental, but Denziman was where Toei started to get an identity for Sentai down. Not only would the black visors and sculpted mouthpieces become a staple for Sentai’s (and by extension, Power Rangers) suit designs, but this was also the first season to really start a few Sentai traditions. It was the first season to have female villains, the first to use a transformation device for the heroes, the first time the monsters grew to fight the team’s giant robot.

The Denzimen, while not really going through any character development, are still very likable characters, especially Denzi Blue/Daigoro (played by legendary tokusatsu actor Kenji Ohba). The villains are also a lot of fun, a real improvement from the first three villain groups, who were all basically Earth-based terrorist organizations and/or death cults. The Vader Clan is full of villains who are just as entertaining to watch as the heroes, especially Queen Hedrian, played by the late Machiko Soga, who would later go on to play Witch Bandora, the character Rita Repulsa is adapted from in Power Rangers. There’s not that much of an ongoing for most of the series, and it can get pretty goofy at times, but it’s still a really good show.

Choushinsei Flashman (1986-1987, 50 Episodes). 

Five infants are abducted by the Reconstructive Experiment Empire Mess to use as test subjects for experimentation, but are saved by benevolent aliens from the Flash Solar System. They all spend the next twenty years in the system developing their combat skills and special powers until they decide to head back to Earth to fight Mess themselves as the Flashmen, despite the warnings of their alien caretakers.

The 1980s are usually referred to by fans as Super Sentai’s golden age, with a string of great seasons thanks to famed writer Hirohisa Soda. Flashman is no exception. While Denziman tended to have more stand-alone episodes, Flashman is more story-driven. Later on, there’s a really dark plot twist that I don’t want to give away. Admittedly, some of the special effects can be dated to showcase the Flashmen’s powers in addition to stock footage being reused a lot, but the action and camerawork are still fast-paced and rarely do the fight scenes get boring.

The villains are the kind you love to hate, and their actors all give great performances, especially the late Unsho Ishizuka (the Japanese voice of Professor Oak) as Great Emperor La Deus. This is easily one of the darker Super Sentai entries, but if you don’t mind that, I highly recommend it.

Choujuu Sentai Liveman (1988-1989 49 Episodes). 

At an academy for the finest minds in the world, three of the students feel their talents are being wasted on designing a satellite to conduct scientific research. They soon join up with Great Professor Bias, leader of the Armed Brain Army Volt, who takes them all under his wing as his students and generals. Before they leave, they kill two students, leaving their three friends traumatized. Two years later, Volt begins its plan to conquer Earth, but the three friends of the two victims developed their own technology to fight them as the Livemen in the two years since they last saw their former classmates. Bias’ students have developed their own abilities through mutating their bodies, starting a conflict between some of the most intelligent youths in the world while figuring out what Bias’ evil plan is...

Some Sentai fans consider this to be even darker than Flashman at times due to the themes discussed. Unlike earlier seasons, the heroes have a more personal connection to the villains, and act as foils to them in terms of morality. The show also has some surprisingly deep themes at times, deconstructing the harsh standards the Japanese have for education and the effects they can have on people. Seriously, the main villain, Great Professor Bias, sets up a competition for his generals as a way to advance his plans, treating it like a high academic honor. 

This series also has some amazing special effects for the time. This was the first Sentai series to have an animal motif, so they go all out by using one of the most complicated models for his giant robotic lion, a stunning innovation for special effects. It was also the first series to introduce the gimmick of combining two robots, which is a genius marketing tactic when you think about it, motivating kids to buy both robots to combine them. Even putting those technical aspects aside, this is still one of the most iconic Super Sentai seasons, and a must-watch for beginners.

Choujin Sentai Jetman (1991-1992, 51 Episodes)

An elite soldier is chosen for a top-secret military project meant to turn him into the leader of a team of supersoldiers called the Jetmen. After he gets his powers, the satellite base is attacked by the Dimensional War Party Vyram. Not only are the four remaining “Birdonic Waves” meant to empower the rest of the Jetmen scattered across Earth, powering four civilians instead, but the soldier’s fiance is killed in the process. So he has to recruit the rest of the Jetmen and form a competent team to stop the Vyram from conquering their dimension.

A lot of Precure fans view Heartcatch as the best series in the entire franchise, and many Sentai fans view Jetman the same way. It was a huge success in ratings and toy sales, which actually helped to save Super Sentai from cancellation after the disastrous sales and ratings of the previous series, Chikyuu Sentai Fiveman. It also had some elements that made it stand out from earlier Sentai seasons. While I’ve talked about how Marinette was forced to become Guardian against her will while the show doesn’t acknowledge it, this show actually does point out that almost the entire team is a group of civilians with no combat experience. Earlier episodes are not only spent assembling the team, but also training them to better fight the Vyram and pilot their giant robot.

The series introduced a love triangle for three of the Jetmen, and while controversial among fans, was very popular with Japanese mothers, who were rumored to find Gai/Black Condor very attractive and begged Toei to not kill him off. The love triangle, while arguably one of the weakest parts of this show (but still better written than the Love Square), was part of the main theme of the team being more conflicted, showing they weren’t all best friends all the time.

This extended to the Vyram, who also tended to fight with each other over their plans to conquer the Earth. Sure, there was the occasional villain in earlier seasons who tried to overthrow the big bad, but this was the first time we had a whole group of villains trying to one-up each other. The best way to describe the Vyram is if the cast of It’s Always Sunny in Philadelphia were supervillains who were still competent at their jobs.

The series is also incredibly dark, and is often seen as the darkest Sentai has ever gotten. There’s a lot more violence and blood than usual, and a lot more onscreen deaths that aren’t just limited to the villains. Humans are actively killed or hurt in the crossfire, and it shows just how painful this war is. And because of all of that and many other reasons, this is seen as the peak of Super Sentai. If you have to watch a single Sentai series, watch Jetman.

Ninja Sentai Kakuranger (1994-1995, 53 Episodes)

During Japan’s Sengoku Era, a team of five ninja sealed away the leader of an army of Youkai, rendering their kind powerless. In the present day, one of the few surviving Youkai tricks two bikers, who are actually descendants of two of the ninja in the past, into undoing the seal and giving all of the Youkai their powers back. Another descendant of the ninja recruits them into taking on the legacy of their ancestors to fight the Youkai, becoming the Kakurangers.

The 1990s were when Super Sentai was starting to delve more into fantasy elements rather than just science-fiction, and also started to take on a more light-hearted tone. Kakuranger is no exception. It’s a lot more goofy than the other entries, even using comic book-style graphics during its fight scenes. There’s also a narrator who appears to explain the history of the Youkai of the week, a detail I really like. While this show is still unashamedly goofy, it still gets more serious in the second half, but never loses its comedic moments entirely.

Like with Jetman, Kakuranger shows the reality of drafting two civilians to fight a war against the supernatural, with only one of the first three Kakurangers knowing how to fight. That Kakuranger in question, Tsuruhime/Ninja White, is easily one of the best Sentai heroines of all time. Not only was the first female and non-Red to lead a Sentai team, but she was only fifteen years old while the other Kakurangers were in their twenties. Marinette could learn a lot from her, and no, that’s not an insult. Tsuruhime is a complete badass, and a team-up with Ladybug would be the coolest thing ever.

What was I talking about? Oh yeah, watch Kakuranger.

Kyukyu Sentai GoGoV (1999-2000, 50 Episodes)

The demonic children of the Grand Witch Grandiene begin causing natural disasters to bring destruction to Earth in order to revive their mother. In response, five rescue workers who also happen to be siblings are recruited by their estranged father to become a team dedicated to saving lives from the Psyma Family’s actions.

Did anyone ever watch Rescue Heroes as a kid? Imagine that show, but with the intensity turned up to eleven. This show is epic, with amazing action and some of the coolest giant robots in Sentai history. One of their robots is a giant train armed to the teeth with guns. Even putting aside the action, this show does a great job at highlighting all the dedication rescue workers have to their jobs by showing a lot of rescue scenes in addition to having GoGoV fight the Psyma. It even teaches the audience about firefighters from Japan’s Edo Period. There’s really not a lot of shows that explain what rescue workers were like in the past, which shows just how invested this show is in teaching people about rescue workers.

While this wasn’t the first Sentai series to feature a team of siblings (the first being the aforementioned Fiveman), I think it managed to capture the dynamic best. Family is a key theme of the series, with the healthy relationship between GoGoV contrasting with the more toxic environment the Psyma Family has.

This is easily one of the most action-packed Sentai series ever made. It is literally Fire Force twenty years before that anime premiered, and it is AWESOME.

Tokusou Sentai Dekaranger (2004-2005, 50 Episodes)

In the not-too-distant future (Next Sunday, A.D.), the universe has come together to the point where Earth has made contact with several intelligent alien civilizations. However, intergalactic arms dealer Agent Abrella starts to help out the extraterrestrial criminals on Earth, called Alienizers, by providing technology and giant robots to them because he enjoys profiting from crime, and dreams of a world without the police. In response the organization Special Police Dekaranger, or S.P.D., brings together a team of officers to apprehend the Alienizers.

You want to see space cops doing space cop stuff? Then this is the show for you. Admittedly, this isn’t the most story-driven show, but is instead carried by its characters, who go through a lot of development. The Dekarangers have one of the best team dynamics in Sentai history. All of them are very likable characters, and it’s a lot of fun to see them interact. But the best character in the show goes to the Dekarangers’ boss, Doggie Kruger/Dekamaster, a dog alien who becomes a Dekaranger himself, labeling himself The Watchdog of Hell. That has to be the coolest title any superhero has ever had. Dekamaster is another one of the greatest Super Sentai characters ever, taking down a hundred goons in his first battle by himself.

I haven’t even gotten to Agent Abrella, one of the coolest Sentai villains of all time. He’s obsessed with profit and chaos, and he’s easily one of the most sadistic main villains compared to his predecessors. He isn’t some evil emperor who wants to rule the world. He just wants to raise hell and make a quick buck from it. He’s also voiced by Ryusei Nakao, the Japanese voice of Frieza from Dragon Ball Z. That’s another appeal of Sentai, the voice talent. A lot of big-name voice actors have voiced characters, like Mao Ichimichi and Kotono Mitsuishi. Hell, the currently ongoing Kikai Sentai Zenkaiger has Yuki Kaji of Attack on Titan fame voicing one of the main characters.

Dekaranger is easily one of the most popular Sentai seasons out there, as it has a lot of additional material. Not only did the Dekarangers get a theatrically released film like many other seasons before it, they teamed up with two separate Sentai teams, some of them cameoed in the anniversary series Kaizoku Sentai Gokaiger, they got a reunion movie ten years after its finale, four of the Dekarangers guest starred in another Sentai series two years after that, Uchu Sentai Kyuranger, which served as a prologue to a team-up with another Toei hero, Uchuu Kenji Gavan, and then that led into the Dekarangers cameoing in another Kyuranger movie meant to be an epilogue to that series.

Yeah, this is why I haven’t talked about the Sentai movies in this post. You don’t have to watch any of these unless you really enjoy Dekaranger, which you should at least check out. It’s slow at times, but it’s still a lot of fun.

Engine Sentai Go-Onger (2008-2009, 50 Episodes)

The Banki Clan Gaiark have traveled from their home dimension of Machine World and chosen Earth as their new home, but they have to pollute the planet to serve as an ideal living space for their kind. In response, sentient animal-themed vehicles called the Engines choose five humans to partner up with, the five humans in question becoming the Go-Ongers.

Unlike most of the shows I talked about, Go-Onger is incredibly goofy, and I love it. The characters are all incredibly likable, both the Go-Ongers and the Engines. While Sentai had touched upon the idea of treating the mecha as sentient beings, this was one of the earliest series to actually have their partners talk, leading to some interesting character dynamics. The villains are also really fun to watch. While they’re about as competent as Team Rocket at times, there are moments where you actually feel bad for them, especially towards the end of the series.

It’s also really funny. Granted, comedy is subjective, so you may not find the same things as funny, but there are a lot of funny moments in this show, all helped by the actors giving amazing performances. Go-Onger can get extremely wacky at times, like in Episode 31. I’m not going to say what happens, you should watch it for yourself.

What makes the humor really work unlike the last attempt at a comedy-focused Sentai, Carranger, it didn’t really feel mean-spirited by portraying the heroes as idiots by claiming to be “parodying” Sentai. Yes, the Go-Ongers can be dumb at times, but they still take their jobs seriously when they’re not goofing around. There’s not really much I can say about Go-Onger other than it being a bunch of dumb fun. If you’re in the mood to start off with something more light-hearted, I’d check it out.

Samurai Sentai Shinkenger (2009-2010, 49 Episodes)

For centuries, generations of samurai have waged a war against a race of demons from the underworld called the Gedoshu. After their leader was temporarily sealed away for several years, the Gedoshu begin another invasion of the surface while trying to flood the Sanzu River, which grows through human misery. In response, the current generation of samurai, the Shiba Clan, assemble to fight the Gedoshu as the Shinkengers.

This was actually one of the first Sentai seasons I ever watched, as my first Power Rangers season was Samurai. And yeah, while Samurai is a really bad adaptation, I’m here to judge Shinkenger on its own. Admittedly, there are a lot of qualities that can be chalked up to cultural differences, like the whole honor code samurai have and certain plotlines you’d see in a jidaigeki film. The Shinkengers themselves are all very likable characters, and you can really relate to their struggles of being forced into this war (again, handled a lot better than what’s going on with Marinette). All of them have different responses to their situation. Some of them dedicate themselves to wholeheartedly following their lord (Takeru/Shinken Red) or being more vocal in their hatred of their duties.

The villains are also really interesting. Sure, the big bad is pretty boring, but the side villains are just so twisted they really steal the show. Takeru/ShinkenRed gets a rival who serves as a perfect foil to him, representing the idea of why one fights. Even the concept of the Gedoushu is pretty terrifying. Demons from another world hellbent on causing misery to flood our world with their water, which I must point out, is deadly to humans. They’re not my favorite villain group, but they’re a close second.

There’s also some clever plot twists that happen late into the series that I don’t want to give away. Sure, you might have a hard time getting used to the Japanese culture at first, but Shinkenger is still a great series.

Kaizoku Sentai Gokaiger (2011-2012, 51 Episodes)

The Zangyack Empire invades Earth and because of their army reaching across the universe, they become the greatest threat the planet has ever had. In response, the previous thirty-four Sentai teams unite to fight them. They succeed, but the attack they used to wipe out the battle fleet stripped them of their powers. A few years later, a group of space pirates come to Earth in search of “The Greatest Treasure in the Universe”. While the pirates couldn’t care less about stopping the Zangyack, they still have to deal with them while searching for the treasure, which is somehow connected to the previous thirty-four Sentai teams. Also, the pirates form their own Sentai team, the thirty-fifth Sentai team in particular, the Gokaigers, who have the ability to TRANSFORM INTO ANY OF THE PREVIOUS SENTAI TEAMS.

For Super Sentai’s 35th anniversary, Toei wanted to go big this time. While the previous two anniversary seasons only had movies that paid tribute to Sentai as a whole, this was the first season where the anniversary aspect was in the premise alone. 

The interesting thing is that the series was changed last-minute, and it was totally for the better. See, in March of 2011, Japan’s Tohoku Region was devastated by an earthquake registering at a 9.1 on the Richter scale. To this day, it was the largest earthquake ever recorded in Japan’s history, and that’s not even getting into the tsunami it caused the same day. What does this have to do with Gokaiger? In response to the tragedy, several tokusatsu stars including Super Sentai alumni took to social media to encourage kids to stay positive, and even asked some of Gokaiger’s showrunners if they could reprise their roles in an episode. Originally, there were going to be some cameos from past Sentai heroes, but it would only be limited to the ones whose powers would upgrade the Gokaigers’ giant robot. After this, there were a lot more cameos from Sentai alumni in the latter half of the series. Out of Gokaiger’s 51 episodes, 24 of them were tributes to past seasons. And that’s not even getting into all of the cameos in the movies too.

This was another one of the first Sentai seasons I ever saw, and it really helped me get into the franchise as a whole. It manages to explain things to people who haven’t seen certain seasons, while paying tributes to said seasons and making clever homages older fans will understand. Admittedly, the show does spoil the endings of the older seasons like Liveman and Jetman, so keep that in mind before starting this one.

Even outside of the tributes, the Gokaigers are some of the most memorable characters Super Sentai’s had in recent years. While they aren’t exactly evil, they start off not really interested in protecting Earth and care more about getting the Greatest Treasure in the Universe. The only reason they fight the Zangyack in the first episode was because their lunch was interrupted. A team of anti-heroes in Super Sentai hasn’t really been done before. Even then, there’s an interesting dynamic where some of the Gokaigers have more of a moral conscience than the others. And as the series goes on, they start to care more about protecting the Earth, even if they don’t admit it.

It’s just a really good show, and even if it isn’t your first, I’d check it out.

Zyuden Sentai Kyoryuger (2013-2014, 48 Episodes)

When the alien entity known as Deboss invades Earth during the prehistoric era, another bird-like alien named Torin empowers several dinosaurs into the mighty Zyudenryu to fight off the invading force. After a brutal final battle, Deboss was sealed away, but his army of followers was still growing. In response, Torin started to recruit several humans throughout time into the modern day to become the Kyoryugers.

While Gokaiger was the first Sentai I ever watched, Kyoryuger was the first Sentai I watched every week as it aired, so it has a special place in my heart despite its middling reputation. Yeah, Kyoryuger has been criticized for starting the trend of Red Senshi stealing all the screentime, and while that can easily be applied to later entries like Shuriken Sentai Ninninger and Kishiryu Sentai Ryusoulger (the latter basically made Red and Gold the only ones to pilot the giant robots while the others watched), I don’t think it's as bad as everyone says it is.

There is just an amazing cast of characters here. It’s the first Sentai to be composed of ten rangers (while Dekaranger also had ten, three of them were just one-offs), and it does a really good job at balancing them all out. Yes, Daigo/Kyoryu Red does get a handful of power-ups and can be the focus at times, but the other characters all have their own distinct personalities and are just a blast to watch. I’d honestly recommend watching a few episodes of this show to get an idea on how to do an ensemble cast. If I end up doing the whole “tokusatsu has better toy tie-ins than Miraculous” thing, expect me to talk about how Kyoryuger introduces its new characters and giant robots.

And then there’s the soundtrack. Oh my God, the soundtrack. Sentai tends to have banger songs for their seasons, and Kyoryuger is no exception. “Vamola! Kyoryuger”, “Solid Bullet”, “Kyoryu Gold! Iza!”, “Yuuki Bakuretsu”, “Chou Shinka! Kyoryu Beat”, “Houkou! Bragigas”, and “Senkou no Brave”. So many of these songs are incredibly catchy, and I haven’t listed all of them. The show has a bit of a music motif, so it makes sense for there to be a lot of insert songs.

The one major flaw I have to point out is that you kind of have to watch the theatrical movie (which is only slightly longer than an average episode), in order to understand some of the plotpoints for the season’s endgame, but other than that, it’s still a really good season to start off on.

Mashin Sentai Kiramager (2020-2021, 45 Episodes)

The Dark Empire Yodonheim attacks the planet Crystalia, with the king’s brother betraying him and siding with the enemy. The kingdom’s princess is sent to Earth to recruit five warriors to fight the Empire. The chosen five all possess “Kiramental”, a way of weaponizing their imagination, which they use to defend the Earth’s radiance.

Precure fans might remember this being the season where Cure Star met the Red to promote the latter’s season (actually referring to Cure Star as his sempai), and I can kind of see why. A lot of fans have jokingly compared this season to Precure because of the gemstone motif and focus on creativity, with Juru/Kiramai Red acting like a Pink Cure according to some of the comments I’ve seen in Sentai discussion forums.

This is the most recent season to finish as of this post, and it’s already gotten a lot of praise in terms of writing, characters, story, and managing all of these during the COVID-19 Pandemic and having to adapt to losing five episodes in the process. The characters are very likable, the Red is one of the better ones in recent years with him being more timid compared to the more hotheaded ones, and the villains are also amazing, and some of the best in recent years. Episodes can range from funny to tragic to just plain awesome in terms of writing, with seemingly innocent filler episodes being the source of major bombshells and plot twists. 

Honestly, there’s not much I can really say about this show other than check it out for yourself.

But these are just my recommendations. If you do some research and see a season you like, I’d go for it. If anyone else wants me to do these for Kamen Rider and Ultraman, I’d be happy to.

Sorry this took so long.

[itsclydebitches]

Hey there! Admittedly I'm a little bit nervous since this is my first ask, but I'll try to not be too rambly.

So, recently the main subreddit, r/RWBY, made a ban on active users of the r/RWBYcritics subreddit. As a result there's been discussion around bad-faith criticism in the latter subreddit. What are your takes on bad-faith criticism?

For me personally, I think a bunch of people are misusing the term "bad-faith" and using it as a way to shut down criticism, but I'm curious to hear your thoughts on it.

Hey there, everyone! We woke up to some drama this morning, huh? And hello to you too, Tortoise! I'm so glad you decided to send in an ask, even if it's following some pretty tumultuous events...

Right, I'd like to start with a story. The story of how I personally don't spend time on Reddit, but I have plenty of friends who will occasionally cross-post something for me to see. Yesterday (or the day before? Idk time is meaningless) a friend told me about a post — which, significantly, I'm now having trouble finding — that covers RWBY's inconsistent writing and the fandom's tendency to try and explain away those missteps. They'd thought I'd be interested because I'd just had a conversation here on tumblr where I made that exact point to someone who, also significantly, vehemently disagreed with me, but in a very civil fashion. Given everything going on, I feel like this side point needs emphasis: we debated, we did so in a sometimes heated, but nevertheless respectful manner, it was clear neither of us was going to sway the other, and the conversation ended. The two "sides" of the community interacted without Armageddon coming about.

But back to the purpose of this tale. I went to take a look at this point and found that it no longer exists. There's just some vague message about it not obeying the subreddit's rules. "What happened?" I asked. "Why'd they take the post down?" "People were getting too heated in the comments," my friend replies. So, given that the comments were still visible, I proceeded to read through them, expecting personal attacks, slurs, harassment, etc. Any number of things that would justify deleting the post itself to put an end to such behavior. Instead, I found a thread of people having a conversation. Was the conversation heated at times? Sure. Did one or two individual posters edge into the realm of petulant, "No. You're wrong and stupid" responses? Yes. Was any of this remotely what I was expecting given the post's removal? NOPE.

"This isn't allowed?" I said. "Well then what is? People were being civil! Or at least as civil as hundreds of strangers ever get when discussing a series they're passionate about online."

Then, this morning, I hear that the entire critic subreddit has been banned.

So to answer your question, Tortoise, I don't actually think that "good faith" criticism exists. Meaning, it's not just that fans are misusing the term "bad faith criticism," but rather that there is no unified, agreed up method of writing criticism that will meet their standards. It's not possible and we know it's not possible because fans have been trying to meet those elusive standards for years:

A fan posts nothing but praise for RWBY until changes make them criticize the show as it is now. Their entire body of work is dismissed as the product of a "hater," despite the overwhelming gap between positive and negative reviews.

A fan posts a review that's a pretty balanced mix between praise and criticism. They're dismissed because it's still too much criticism.

A fan posts a review that's 99% praise with 1% criticism. That's still too much, with fans focusing on the single problem they had with the work and using it as an excuse to dismiss the entire review out of hand.

(As an aside, the argument that critics are "obsessed" with only saying negative things and that the only problem here is that they're "too" negative ignores the argument that... RWBY has a lot of flaws nowadays. Few are willing to acknowledge the possibility that it's not fans insisting on making things up to be mad about/ignoring the good parts of the show, it's the that show is, as of now, legitimately more of a mess than it is a praise-worthy product. If I'd been writing recaps in the Volumes 1-4 days, my work would have been skewed far more towards the positive. The critics' stance is that RWBY has gotten worse, which yes, results a higher volume of critical posts. To say nothing of how criticism takes far longer to explain, likewise resulting in posts focused primarily on that side of the divide. I really enjoyed the image of a crying Jaune reflected in his sword. I did not enjoy that moment's context. Saying that you liked an animation choice is a one sentence thing. Explaining the complexities of Jaune securing emotional moments, the problems with Penny's second death, the hurt many fans experienced watching an assisted suicide, etc. takes a whooole lot longer. Hence, you get massive, multiple posts about these nuanced topics and fewer, smaller posts about the details that are working well.)

A fan talks about a topic that has been metaphorically banned by the fandom as a whole. They have something good to say about Ironwood. They dislike something about Blake/Yang. They enjoyed Adam as a character. They have a problem with Ruby's leadership, etc. There's a whole list of topics nowadays that will result in an automatic dismissal, regardless of the point the fan is trying to make or how well they make it.

A fan talks about the minority representation of RWBY — its black characters, its queer characters, its disabled characters, etc. — and as a result has something to say about the biases and missteps of those writing these characters. This is considered an attack on the writers and, therefore, automatically bad.

A fan talks about how they enjoyed RWBY as it was years ago and is having trouble reconciling the dark, complicated story with the simple, hopeful one we started out with. This is seen as an attack on Monty's vision and an unwillingness to accept that "everything is planned."

A fan does as asked and ensures that their post is meeting all the requirements of "real" criticism. They have an argument to make. They have a point. They provide evidence. They recommend a solution. They keep their tone respectful. They don't attack the creators. They provide disclaimers in every single paragraph about how they do not hate RWBY. It doesn't matter. They're considered too negative.

I have, quite literally, seen every one of the above examples on multiple occasions. I have had many of the above accusations leveled at my own work. When fans say that they're fine with criticism provided it's not "bad faith" criticism, they don't actually have a specific post-type in mind; a checklist of behaviors another fan can emulate and, provided they do that, no hate will come their way. Or, if an individual fan does actually go, "Yeah. That criticism I'm fine with" that response is in no way universal. One person's "They make a good, civil point" is another person's, "Omg stop bashing the show!" Because "bashing" has come to mean everything from curse-laden insults towards everything RWBY has ever done, to posts that just happen to say something other fans don't agree with.

It's a rigged game. There is no way to post criticism about RWBY in an agreed-upon, appropriate manner. This recent ban is proof of that. I think it's incredibly telling that almost immediately after I was going, "Wow. A pretty calm debate about the flaws of RWBY in the main sub. That's great to see," all posters from the criticism subreddit were banned. The main sub literally just had the sort of criticism that they claim to accept — people respectfully posting analysis-based arguments resulting in calm debate — and yet they implemented the ban anyway. I'm not going to pretend that I've never gotten too heated on my own posts, never made snarky comments when I'm frustrated, never used exaggerated reaction GIFs that can come across as insulting... but I'd say on the whole my RWBY work is precisely the sort of "good faith" criticism that other fans are supposedly looking for. I never make an argument I don't think I can back up with evidence. I try to allow for the nuance and differing opinions of complicated topics. I try — even if I don't always succeed — to write in a clear, respectful manner. Yet none of that work has stopped people from telling me I'm a "bitter... raging asshole," a "deranged, delusional psychopath," telling me to set myself on fire, threatening to smash my head in, or just messages to straight up kill myself. If someone like me who legitimately works hard to create fair, defendable criticism and who only ever posts on a personal blog that people can easily block, who never engages in debate until someone else starts it first, never seeks out other fans I disagree with to harass them about what they like... if someone like me is still a "bad faith" critic who "deserves" that kind of hate mail... then what kind of criticism do people want?

Nothing. That's the answer. No criticism whatsoever, of any kind, no matter if it's delivered respectfully, is making a good point, whatever. That's why "RWDE" was created. That's why the critic subreddit was created. The community at large has demanded a complete separation between Praise and Anything That's Not 100% Praise, which has now resulted in this ban. Any other explanations we see are excuses, which becomes glaringly obvious when you look at the mods' supposed reasons for implementing the ban:

"Constant arguments with r/RWBY users" - As opposed to the arguments surrounding things like shipping that never, ever happen?

"Vote manipulation and comment brigades" - The subreddit with 3,000 participants, with around 200 on at a time, is manipulating the votes of a subreddit with 155,000 participants, with over 1,000 on at a time? Those numbers just do not check out. If a positive post is downvoted, or a critical post upvoted, maybe that's because large swaths of the community actually agree/disagree with that assessment, not because the incredibly smaller group is somehow manipulating things.

"Attacking and harassing those they disagree with" — Again, as opposed to those non-critics that never, ever harass people? This is an individual problem, not a community problem. Both critics and non-critics have their sub-groups acting in ways they shouldn't. If anything, the main sub will have more individuals harassing other fans, simply by virtue of being so much larger. As the above examples attest, it's not other critics who have told me to light myself on fire and, just to be clear, the asks I've responded to are a miniscule number compared to the amount I've received. I delete the lion's share for my own sanity and to save my followers from reading the really graphic threats.

"Months-long NSFL spam brigades" — I am, admittedly, not sure what this is referring to. Spamming of NSFW content? If so, that's also an individual problem.

"Homophobic, transphobic, and racist attacks towards our users" — See the above points. Again. If someone is being homophobic, transphobic, or racist, then yes please, ban them. Don't ban an entire community for the actions of a few. It's like walking into a store and banning a customer for causing a scene... but then also banning everyone else who happened to be shopping at the same time. It's guilt by association.

The silver lining to all this? The community as a whole isn't pleased. At least according to the main subreddit comments and a few individual voices like MurderofBirds. Despite the increase (from my perspective anyway) of critical voices post-Volume 8, criticism of RWBY is still very much seen as taboo. As this ban showcases. But it's really reassuring to see so many fans, critics and non-critics alike, going, "This was a mistake." A community is meant to include all aspects of engagement: praise, criticism, and the gray area between. If anything, fans like the mods of the main subreddit should be creating a separate subreddit that is specifically for praise. In the same way that there should have been a tag for RWBY praise, rather than trying to eliminate any and all criticism from the main "RWBY" tag. The majority of fans, even those who claim to hate critics and all they (presumably) stand for, recognize that a blanket ban of all criticism is not the way to go, especially when "criticism" has come to have such a staggeringly broad definition. If you want your RWBY experience to be nothing but sunshine and roses (ha), then cultivate your own internet experience to reflect that. Create your own pockets with rules about how this is the space for praise and if you're not up for praising RWBY right now, don't interact with us in this particular space. Don't try to make the entire community — the main tools used to discuss the show online — conform to your preferences. As established, there is no "good" criticism that everyone in the fandom will accept, which just leaves a fandom with no criticism at all. I'm glad to see I'm far from the only one who, when presented with that extreme, is going, "Nope. No thank you."

[kaizokuou-ni-naru]

The Voyage So Far: Alabasta (Part Two)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

crocodile is one of my favorite villains in one piece for a number of reasons, and one of them is because he’s such a threat, the first real one faced in the grand line and one of the toughest in all of paradise. the villains from the arcs before this, like wapol or the agents from little garden, could barely even land a hit on luffy in actual combat. so crocodile is introduced here as an absolute force of nature, a complete contrast to recent villains and a very tangible threat. 

it’s an impression he very much lives up to later in the arc by crushing luffy not once but twice, which only makes luffy’s ultimate hard-won triumph feel all the better. luffy closes a huge gap over the course of alabasta in order to be able to beat crocodile, and giving us a sense of just how strong he is from the very start gives luffy clawing his way up to that level a lot more weight. 

the successive reveals of luffy’s family never fail to absolutely delight me, because in any other series they would almost certainly feel contrived, but knowing luffy, it is absolutely unsurprising he just never happened to mention his relatives. nobody asked! luffy’s unique brand of honesty is one of my favorite character quirks, because he’s very straightforward and in fact can’t lie for shit, but his priorities are so completely off the wall that he winds up omitting highly relevant information completely by accident. 

ace’s scene in alabasta really does impress me. oda’s said in an sbs that he knew ace’s fate from his introduction, which i find absolutely unsurprising given the intricacy of his story planning. that means he needed ace’s introduction to make him both likable and memorable enough in the space of just a couple chapters that the audience would be engaged when he became the focus of the story a couple hundred chapters on despite barely appearing at all in the intervening time, and he really succeeded. 

kohza is one of my favorite minor characters in the whole series, and i think he’s a big part of why alabasta’s civil war plotline works so well and feels so real. nobody on either side of the war actually wants to fight, but everyone has been driven to such desperation that they feel they have no other choice in order to save their country; and kohza exemplifies that. he's a good person who loves his country a lot, and who genuinely likes and cares about the royal family and vivi especially, and the only option he can see to save alabasta is terrible, but there’s nothing else he can do. 

it’s just fun for me to think about the fact that if crocodile was literally anything other than a very skilled logia, vivi would have ended the whole entire arc right here. 

i really like civil war storylines when they’re well-done, and i think alabasta is one of the best ones i’ve seen in media. most of it is down to what i mentioned earlier, about how nobody on either side actually wants to fight but feels like they have no choice but to. nobody here is actually in the wrong except for crocodile, and so until crocodile is defeated, nothing can be fixed- which is what luffy, of all people, is the one to realize. 

sanji’s mr. prince gambit is probably my single favorite part of alabasta, and i think one of the reasons i like it so much is because he basically beats crocodile at his own game. crocodile is terrifying in battle, but before anything else he’s a manipulator. he’s always working from the shadows, always deceiving people doing what he wants, and sanji manages to turn the tables on him and do the exact same back to him, twice. 

also sanji looks great in glasses

smoker and tashigi both get kind of unfortunately sidelined after this saga, but they’re both really great characters in alabasta. (tashigi especially; i’ll get to her later.) much like the rebel army, they’re good people trying to do the right thing in the tangled mess of tension and politics and resentment that is alabasta- and when that means working with pirates, they’ll buckle down and do it, despite how much it might contradict their worldviews. 

i love when events align in one piece so that people who don’t particularly like the strawhats wind up working with them for some common goal (as seen most prominently in impel down), and smoker and tashigi in alabasta are the first and still one of the best examples of that. 

the entirety of luffy versus crocodile round one is so well done. we’re a hundred and fifty chapters in, and although luffy has struggled in fights before now and then, we get the sense he hasn’t ever really been pushed to the brink, and he’s certainly never lost.

and then he does, completely and absolutely, without ever even landing a hit on his opponent, and it hits like a punch. 

oda seems to be a fan of characters just barely missing each other- the similar panel of robin and olvia running past each other from robin’s flashback comes to mind.

i’ve always liked that of all the strawhats, it’s usopp who gets the first “luffy is going to be king of the pirates” moment. they’ve all said it by the current chapters in wano (with the sole exception of robin, i believe), but usopp said it first, and that feels significant to me. he’s always been the one who feels the least secure in his place on the crew, but even so, he has so much faith in luffy. 

nami’s fight with miss doublefinger is pretty silly in places and i think it gets frequently (understandably, it must be said) overshadowed by zoro’s fight with mr. 1 directly afterwards, but i really like it nonetheless. it’s nami’s first real solo fight in the whole series, and once she finds her feet she kicks ass, and i really like that. it feels like a very satisfying development for her, to stand up and risk her life in direct combat for vivi’s sake. 

we’re now almost a thousand chapters in and its my firm belief that zoro versus mr. 1 is still one of the best fights in the entire series. i definitely think it’s probably zoro’s best fight- only his match with kaku compares. the narrative build over the course of the fight, from zoro struggling just to match mr. 1 (and getting shredded to pieces in the process) to cutting him down in one final stroke, is incredibly cool and satisfying to watch. it feels like a very tangible step forward for zoro in terms of ability, like a massive obstacle has been surmounted and, as he himself says, he’s now stronger for it. 

its also very cool that this is, i believe, the first appearance of what is probably observation haki, though it isn’t named or recognized as such. i’m always endlessly impressed by all the little moments of internal consistency that oda manages to sprinkle into his story. 

there’s barely any dialogue on these entire two pages, from crocodile dropping vivi to luffy and pell swooping in- the story is briefly told entirely through visuals- and i love that. it gives the impression of a single tense, frozen moment as vivi falls, which is then broken in spectacular fashion when luffy catches her. 

i really, really like the progression that runs through all three of luffy’s fights with crocodile. the gap between them goes from being impossible, with luffy unable to even land a hit and crocodile basically toying with him; to surmountable but still huge, with luffy able to land some hits but still outclassed; to finally putting them on basically even ground. and every inch of that growth on luffy’s part is hard-fought and hard-won and well-deserved. 

crocodile’s confidence in his abilities isn’t misplaced- he genuinely is that powerful. but if there’s anything we know about luffy by now, it’s that he doesn’t ever give up. it’s very fun to watch crocodile’s dismissiveness turn into disbelief turn into rage and frustration when luffy just won’t die. 

luffy is, additionally, pretty clearly a better brawler than crocodile (which makes sense, crocodile is clearly used to devastating long-range attacks with his powers while luffy grew up fighting giant wildlife with his bare hands), which means that by the time of their last fight, where they’re just whaling on each other in the catacombs and crocodile is starting to get sloppy and desperate and lose control, if anything it’s luffy who has the upper hand. 

zoro and sanji’s dynamic is always a favorite of mine, and one of the things i like best about them is how perfectly in sync they always manage to be when it comes to things that actually matter, despite fighting like cats and dogs pretty much every other time. i’ll never understand people who think they genuinely aren’t friends. 

tashigi is really good in alabasta, okay. she essentially has her own entire character growth arc. she goes from her stance in loguetown, where she isn’t even tolerant of (fully legal!) bounty hunters, to here, where she’s forced to confront that the world isn’t nearly as black and white as she’s always believed it to be, that sometimes pirates are good and allies of the government are bad, and ultimately makes the right choice to help the strawhats even though it clearly pains and frustrates her that she can’t do anything more herself. 

i’ll be forever mad that her only really significant appearance after this in punk hazard didn’t really live up to what her character deserved. 

i really like how the countdown sequence is done. the tension is ratcheting up and up and up as the clock ticks down in the final seconds, panels cutting all over the city to show all the different characters, everyone who’s caught up in this conflict and everyone who’ll die if the cannon fires-

and then the clock hits zero, and we get this panel that’s just... quiet, after all the madness, as we see how vivi stopped the detonation. i think oda is very good at setting up his pages so they have a flow to them, so no matter how quickly you actually read sometimes things feel like they’re going very fast and all happening at once and then it slows down and gives the reader a chance to breathe, if only to speed up again later. i think oda is really good at pacing in general, really, both on a micro level like this and on a larger scale. 

luffy’s greatest strength isn’t really his strength. he’s strong, absolutely, but that’s not really why he wins the fights he shouldn’t win. he wins because he just doesn’t fucking stay down. his fight with katakuri is probably the best example of this, because katakuri has him beat in pretty much every category except sheer endurance, and there as here, it’s that endurance that winds up getting luffy the win in the end. 

i do love that it’s the rain that ends the war. not the explosion and pell’s sacrifice, not vivi’s pleading, not even luffy kicking crocodile into the stratosphere, but the rain, the thing alabasta’s been missing for too long, the thing crocodile stole, the only thing all these people are fighting over. 

it’s crocodile’s symbolic defeat- at the same moment his power is broken by luffy, the stranglehold of dehydration he’s been using to foment war and rebellion is all at once gone, and he’s left with nothing at all, and alabasta can finally find peace and start to heal again. 

i always love the little moments that show, usually without words, just how much the strawhats love each other, and all of them unanimously waiting until vivi is out of sight to collapse so that she won’t worry, won’t see how ragged they ran themselves for their sake, is definitely one of them. 

i adore vivi’s sendoff, because while its sad she has to go, the certainty that someday they’ll meet again and that even if not they’ll always be crew manages to make this scene endlessly hopeful instead (which, i think, is also a good summary of one piece’s tone as a whole, at least in its more serious moments). luffy never says goodbye, after all, and nobody ever really leaves the strawhat pirates. 

i’m really looking forward to vivi’s re-entry to the story. i really, really want to see her reunion with the strawhats. 

hey look, it’s the panel my profile picture is from! 

the mystery surrounding robin and her past is built up in little ways long before enies lobby, from her harsh reaction when confronted with by tashigi to her aversion to being called by her given name to this flashback, of her talking to cobra about her dream. of them, the latter is my favorite, because i think it’s probably the most sincere she is until enies lobby- which makes sense, given she thinks she’s about to die. 

like many things about robin in alabasta, this gets cast in a new light by her backstory. if she dies here, so too does the entire legacy of ohara- but she’s so beaten down and hopeless that she really doesn’t see any light ahead to strive for. there’s no hope left, for her, and the whole world against her. 

and then there’s luffy, who creates hope everywhere he goes, who makes her live anyways. 

this is a hell of a spread to hook us very effectively right into the sky island saga. it’s a perfect reminder of just how much we still don’t know about all the endless mysteries of the grand line, and just how many adventures are still yet to be had.

[derinthescarletpescatarian]

Pro-variation vs. pro-selection culture

Evolution requires three things: some form of information that’s inheritable, some way to create variation from that information, and some way to select what information will be passed on to future generations. In biological evolution, of, course, we all know what these three things are: genes (information) can mutate (variation) -- well, it’s more complicated than just mutation, but this isn’t a biology lesson -- and those that are worse at surviving and reproducing themselves are of course naturally weeded out through cause and effect (selection). But other things -- art, culture, language, science, technology -- evolve as well, and they all need the same three things.

When it comes to variation and selection in things like culture and politics, there’s a sliding scale of which one people think is most important -- whether they’re more pro-variation, or pro-selection.

People on the pro-variation end of the spectrum tend to view diversity as a positive thing and selection as something that will take care of itself, or even something to be actively suspicious of because of its tendency to cause harm -- a rainbow queer community, an education system available to people of all cultures and economic backgrounds, country borders that are as open as practical, and embracing a diverse array of art make a community stronger, and things like gatekeeping, means testing and heirarchies on ‘what counts as art’ should be abandoned unless there’s a really good reason for the selective process to exist, in which case it’s grudgingly tolerated. To pro-variation people, exclusion and oppression within a community are threatening. Pro-variation people recognise that yes, you’re going to get some freeloading drains on resources and obvious money laundering schemes masquerading as terrible art and a few people pretending to be gay for a few years to look more interesting to their straight friends, and this is largely a non-issue, a perfectly acceptable price to pay for a diverse and fair world.

People on the pro-selection end of the scale tend to view selection as the main means of advancing or healing a society, and see diversity as something that will take care of itself and as something to be deeply suspicious of. Gatekeeping, unequal opportunities and financial heirarchies are needed to sort the what from the chaff and make sure everyone does their best (”capitalism breeds innovation”); initiatives to redress inequality and give minorities or poor people an ‘unfair’ advantage or make it easier for outsiders to enter the country should be abandoned unless there’s a really good reason for their existence, as they’re dragging down the ‘deserving’ and polluting the culture. To pro-selection people, contamination or invasion from outsiders is threatening. Pro-selection people recognise that yes, you’re going to lose some talented geniuses in sweatshops and stop some deserving people from achieving success and bully some LGBT people out of the community to face abuse and oppression alone, but this is largely a non-issue, a perfectly acceptable price to pay for an advanced and fair world.

“Oh, Derin, you’re just talking about left-wing vs. right-wing philosophies.” Sort of, but not really. It fits the stereotypes and common arguments to a T, but one can’t assume that all righties are pro-selection or all lefties are pro-variation. I have met pro-variation righties, although I’m not really sure how. And there are leftie TERFs out there, despite TERFism being an undeniably pro-selection philosophy. I find determining where people sit on the variation-to-selection scale to be a lot more useful for communication than left-to-right.

I say this because often I’ll see pro-selection and pro-variation people talking to each other, and notice that they’re having fundamentally different conversations. For example, let’s look at the issue of meritocracy. Most modern people would say that meritocracy is a good thing, but ’meritocracy’ means a fundamentally different thing to pro-selectionists than pro-variationists.

A pro-selectionist, when conceiving of meritocracy, tends to think in terms of, well, selection; devising a system where the strongest (those that excel in whatever the thinker thinks is important; innovation or determination or whatever) rise to the top and gain special privileges and power over others, that they can use to determine the rules and make life better for themselves and their children, elevating society as a side effect. To the pro-variationist, this is absolutely not a meritocracy. “You’ve built a system whereby those who don’t start out with more, those who are born poor or disabled or underprivileged in some way, have to work way harder and be lucky in order to get anywhere than those born lucky. People don’t get ahead on merit in this system because the playing field becomes drastically uneven after a couple of generations. This is not a meritocracy.”

A pro-variationist, on the other hand, would concentrate on making sure that everyone has a fair chance at exercising their skills and getting ahead. They’d focus on making sure that people had the space and security to exercise their skills and that, when it came to supporting the society to make that happen, those with more contributed more. To a pro-selectionist, this is absurd. “So those who have pulled ahead and succeeded are being penalised by having to give more? That’s the opposite of a meritocracy! That’s a system designed to drag the best down!”

I find this framework useful in explaining a lot of weird political quirks of certain subcultures. TERFs and tradwives, for example, are theoretically political opposites, but in practice their logic sounds almost identical to outsiders, sounding rather a lot like standard right-wing talking points and Fascism Lite. This is because they’re all using pro-selection arguments. To a pro-selectionist, the arguments of these groups look very different -- “we’re saying that X kind of people are good/virtuous/victims, and Y kind of people are bad/oppressors/sinners, which is the exact opposite of what the other group is saying!” To a pro-variationist, the fact that they are making literally the same argument makes them identical -- “you’re still putting people in your little ‘keep or cull’ boxes for exactly the same reasons, you just wrote different names on the boxes to keep or cull according to your personal taste.”

I think a lot of the things associated with right-wingers could be more accurately associated with people on the pro-selection end of the spectrum in general. It’s known, for example, that right-wingers tend to have a more sensitive disgust reflex and, as a consequence, be generally more xenophobic. You can see this in the way xenophobes talk of making room for outsiders; they talk of invasion, contamination, infection, hygeine, purity. LGBT exclusionists, lefties and righties, talk in the same sort of language. So do antis.

It’s also notable in the sorts of innocuous-seeming things that such people get really angry about. Right-wingers and authoritarians are known for their trend of an almost comical hatred of modern art. The idea that anything can be art, or that art can be measured on any level that isn’t strict complexity and realism of paint and sculpture, causes a surprising level of dislike in such groups. (See also arguments like ‘what is a video game’, ‘does this even count as a game’, althoughpeople thankfully seem to be bored of that now). Exclusionists are equally renowned for campaigns against inclusive terms like ‘queer’, and TERFs get obsessively nitpicky about people’s genitals to a really creepy degree and get very uncomfortable when you mention the ‘grey area’ in biological sex. This is normally assumed to be just dislike at people challenging their arguments, but I think it’s deeper. I think it’s like the modern art thing. Any kind of radical inclusivity is threatening to pro-selection thinkers, not because it’s a challenge to their rules and definitions -- they can have those arguments perfectly comfortably -- but because it is an attack on the very concept of meaning. “Words mean things! Groups exist! You can’t just... just get rid of groups and open up categories to include more people without putting them through a serious, rigorous proving ground first! You can’t just call anything you want to ‘art’, you can’t just call anyone outside cisheteronormative expectations part of the LGBT community, you can’t just call people men or women based on how they feel! That’s chaos! How can any progress be made if we just decide words don’t mean anything??”

(I also think this is a much-overlooked aspect of the same-sex marriage debate. Yes, most of that was garden-variety homophobia, but I’ve known a lot of people who were perfectly fine with ‘the gays having equal rights’, they just didn’t want it called marriage. To a pro-variationist, having the same legal language for partnerships regardless of the sex or gender of the participants is really important -- it’s a shield against future discrimination as the laws relating to either marriages or civil partnerships change over time. To a pro-selectionist, changing the definition of words related to fundamental cultural activities is a huge deal. “They’re eroding the very meaning of marriage! Chaos! How much more will the word change? Can people marry animals or cars next?!”)

As I said, this is a spectrum. I’ve met very few people who are on either extreme end -- even the most pro-equality liberal anarchist acknowledges that some standards of behaviour, community responses to inappropriate action and definitions of different communities do have to exist, to protect people, and the most hardocre fascist admits that there needs to be some measure of generating diversity to avoid stagnation and extinction. And people’s default reaction isn’t necessarily their position on all issues -- somebody who’s generally pro-variation might feel specifically threatened by immigration and think a strict proving ground for immigrants is necessary, or someone who is generally pro-selectionist might think that a robust social system is necessary because one’s economic status at birth has no bearing on one’s merit or value. But I’ve always found it to be a very useful general model.

[zuko-always-lies]

Why Azula Staying a Villain Will Only Lead To Bad Stories Part 2: Negative Effects on Other Characters, World Building, Lore, and Thematic Expression[Submitted by justanotherthrowaway1950]

Part 1 Link: https://zuko-always-lies.tumblr.com/post/662081384160067584/why-azula-staying-a-villain-will-only-lead-to-bad#notes

I know already in part 1 how I briefly mentioned how keeping Azula a villain causes everyone to start acting stupid and incompetent (and thus denigrating them and their arcs/character growth) whenever Azula is involved so Azula can remain a credible threat despite The Gaang all being masters in their respective fields and having the resources of several nation-states at their beck and call plus a PMC (The White Lotus).

But I understand that I didn’t go into details and so my analysis was lackluster at best and very controversial at worse. So I am going to go into detail based on importance and with that said here I go.

Zuko (The Search)

Realistically, other than some minor complaints most people agree that TV!Zuko’s arc is one of the greatest in Western Animation. For the tale of someone who had at times almost given into his abuse and conditioning but, with the help of loving Uncle, his travels, and mercy/compassion showed to him by his enemies/future friends, he had managed to overcome it and start the journey of not only becoming a better person, but also help his country heal after several decades of propaganda and brainwashing.

And part of said arc is what he comes to realize about Azula: that she is not worth emulating; that she is abusive to him and the people he cares about like Mai and Ty Lee; and that she (a genocidal authoritarian colonizer) needs to be stopped and locked up by any means, even if it hurts him. For it is the only way that the world and his country can achieve peace and balance once again…that is until Azula starts showing signs that either she has realized the error of her ways or that she wants to take a new path, but needs help finding it.

But, in an effort to allow Azula to become a villain again, Bryke has Zuko engage in several actions that not only betray his character growth, but worse, aren’t really explained and negatively reflect on him.

Like, during that conference concerning Yu Dao where Zuko “realizes” that the sorry state of his nuclear family negatively reflects on him, why would Zuko care suddenly about what his subjects think of him? 

Did Zuko forget that basically he not only betrayed his nation and caused them to lose a war they had already won, but is also forcing them to pay reparations (as is said in North & South)? 

And that he is going to remain a pariah in his subject’s eyes until he manages to undo the decades of brainwashing considering his only real allies are foreigners, Iroh (who is just as much of a traitor in the FN’s eyes as Zuko), and Mai (who committed treason that led to the FN’s lost) & Ty Lee (who did commit a less extreme version of treason but immediately post-war left to join a foregin military/PMC, which would look suspect in the populance’s eyes)?

But things really start to go sideways when he goes to Azula’s asylum to get Azula to extract intel from Ozai about Ursa, allows the two to talk alone, and foolishly wheels Azula alone while promising to move her back into the palace.

Like when he went to the asylum, how come he didn’t ask them about Azula’s treatment and whether it was safe to take her out to see Ozai (her abuser and co-conspirator), let alone take her back to the palace? Maybe he would have found out she was being abused in the asylum and he could have done something about it so Azula and her fellow inmates could be treated better.

But maybe not considering it is Azula and she deserves to be abused for making Zuko’s life hard from the moment she was born.

Like why would he allow Azula and Ozai to talk alone considering their conniving natures and the fact that they are the two biggest threats to his regime (at least politically)?

Why would he wheel Azula alone, especially after Ty Lee told him that the chi-blocking is wearing off? For I know this depends on how much Ty Lee knows about chi-blocking and its effects (I’ll talk about this more in Ty Lee’s section), but Azula has already shown that she is still hostile/violent towards Zuko. That in combination with her previous showings of being able to escape nearly any situation she finds herself in should have made Zuko wary of being alone with Azula when the chi-blocking wears off instead of trying to have a soft brother-sister moment.

And then that whole sequence where Azula breaks free, and manages to burn every single letter in Ozai’s chest, save for the “Zuko is Ikem’s bastard” letter before blackmailing him into going on the search free, unbound, and with dignity. *Sigh*

Like why would Zuko shoot a fireball of the perfect size and speed that would allow Azula to break free of the chains on her legs instead of, I don’t know, calling the rest of his elite guard to subdue Azula? Especially after she has managed to bullshit instant lighting out of nowhere and thus has tricks that Zuko does not know about?

After Zuko had caught up to her and found out that she had supposedly burned every single letter and tried blackmailing him into going on the search for Ursa free and unbound, how come Zuko didn’t pat her down? For even if he had no way of knowing that she had that “bastard” letter, wouldn’t it be wise to check if she hid any letter on her body? 

I mean this is one of the most trickiest characters in the franchise so why not be extra cautious?

And the whole blackmail situation? Look I understand why Zuko agreed to Azula’s terms for who doesn’t want to find out what happened to their beloved mother? But doesn’t Zuko have a responsibility and duty to the world and his subjects to make sure that Azula remains in jail until she at least tries to reform herself? 

I know this sounds callous, but the moment Azula tried blackmailing him, he should have told her that finding Ursa was not worth letting Azula free and should have jailed her again. For why run the risk that Azula could do something horrible or escape? I mean what could go wrong if she escaped…?

Also, even if she had to be free, unbound, and travel with dignity, why didn’t Zuko have a small platoon with him? For even if he did have The Avatar and the world’s greatest waterbender by his side, shouldn’t Zuko have taken precautions in the event that Aang and Katara got separated from them, leaving just him (I know Zuko is stronger than Crazy!Azula but not to the point that she couldn’t cheapshot him) and Sokka (I know he is a badass, but as of current canon he is still weaker than Crazy!Azula) with her?

But most galling is the fact that he made this decision unilaterally without asking Mai and Ty Lee for their opinion, or, if he was adamant about agreeing to Azula’s terms, not providing them with 24/7 security until Azula was safely back in the asylum and/or prison.

For Azula was not just Zuko’s abuser, she was Mai and Ty Lee’s abusive friend and commander before almost killing Mai (The Boiling Rock Part 2 script said Azula was going to generate lightning) and then throwing the two into jail for life.

Considering that Mai saved Zuko’s life, that Ty Lee saved Mai (who is the love of Zuko’s life) and is part of Zuko’s current protection team, and that the both of them are closest thing to childhood friends that Zuko has, why didn’t Zuko treat them with the respect they deserved? Especially since post-redemption Zuko is someone who is supposed to be empathetic and caring?

But moving on to the rest of The Search, how come after Zuko found out about the “bastard” letter, how come he didn’t burn it? For even if he did want to find out the truth, isn’t it more important that he prevents a civil war by not allowing his “illegitimacy” to become public knowledge. At least until he can give power to Iroh in the case that he was truly a bastard?

Or, even if he didn’t want to burn the letter until Ursa confirmed the accuracy of it, why would he allow Azula to keep it on her person? I mean, what would have happened if she had managed to escape with it on her person? 

Sunshine and roses or a bloody civil war that threatens to undo everything Zuko and his friends fought for in the war?

Which ties into my last point about Zuko’s behavior in The Search (and to segue way into Smoke and Shadow) why the hell did Zuko not chase after Azula?!

For even if he would be risking his life and potentially Noriko’s, couldn’t Zuko have seen the danger in letting Azula free? Especially considering as far as he knew she still had the letter on her person?

Or, once Ursa had her face and memories restored, how come he didn’t leave Katara with Ursa and her family, and search for Azula with Aang and Sokka?

Did Zuko forget that it was all his fault in the first place that his life, as well as Noriko’s, was in danger and that he had a responsibility to the world, his country, and his friends to make sure Azula got back into his custody?

But anyway, even if Azula was still free, at least Azula is no longer a threat to Zuko, his regime, and/or anyone he cares about? 

Right?

Zuko (Smoke & Shadow)

After searching for Azula for a couple of weeks, he goes home and tells Ursa that he “tried.”

But did he really? Cause if we take his word at face value do you know what that means?

(Note: I think his statement could be interpreted to mean that Aang, Katara, Sokka, and him spent weeks searching the old fashioned way. But if that was the case he really didn’t try considering all the options he had. So I am taking Zuko’s statement at face value.)

That means a mentally broken Azula with no allies or no resources, managed to avoid an Avatar State powered seismic sense, June’s shirshu, Toph’s seismic sense, as well as anyone Iroh and/or the White Lotus sent over to help Zuko find his sister.

Do you know what that implies about the competency of everyone involved? How bad that makes them all look?

Anyway moving on, it appears that not only did Zuko fail to issue a public proclamation that Azula had escaped but also failed to give Ty Lee and Mai (and their families) protection. 

For if he had issued a proclamation maybe Azula would have been found earlier instead of being able to break six girls out of her asylum or manipulate the New Ozai Society (NOS)/Safe Nation Society. And in regards to Ty Lee and Mai, even if he felt they didn’t need protection while Azula was free but by his side, the moment she managed to escape him, he should have given them and their families protection.

For Zuko didn’t know that Azula wasn’t seeking revenge; as far as he knew she probably was going to kill everyone between her and the throne, including everyone who betrayed her. And even if Zuko hadn’t seen Mai since their break up, Ty Lee is part of his detail and thus Zuko should have realized how paranoid and scared she was and asked her what he could have done to alleviate her fears as well as her best friend Mai’s as well.

And Zuko still makes similar grave errors even after he finds out that Azula is behind the kidnappings and after he had found out that she had been manipulating the NOS/Safe Nation Society as part of a long-term plan to turn Zuko into a tyrant.

For after Kiyi’s kidnapping, instead of issuing curfews, searching Caldera City citizen’s homes without cause, and engaging in mass jailing of anyone who was on the streets when the Safe Nation Society was rioting he should have called all of the Gaang and had Iroh call the White Lotus before starting an all out manhunt for Azula and her followers.

And he especially should have done this after she told him his plan and he found that Aang had gotten knocked out by Azula’s henchwomen.

For not only has Azula basically gotten rid of his trump card over her (lighting redirection), she has become the GOAT lighting manipulator and H2H fighter in ATLA. That, combined with her and her Fire Warrior’s smoke bending abilities, makes them the biggest threat to Zuko’s throne and world peace. 

Thus, Zuko should have spent every waking moment hunting down Azula instead of doing stupid shit like going on a diplomatic trip to the South Pole. 

For I admit the image of the leaders and the most important people in the four nations eating with each other is a powerful one, but it is still hollow as long as the biggest threat to the post-world order is still roaming free and plotting to bring it to an end.

Aang (The Search)

Right off the bat when Zuko told him about the whole blackmail situation he should have either said ok but call in Toph as well as anyone else who he thought was needed or told Zuko that finding his mother was not worth it since the was a chance, no matter how small, that Azula could escape and put Azula back in the asylum himself.

For yeah, I know the first point sounds OOC but Aang out of all people should know how dangerous Azula is (the lighting wounds on his left foot and back say hi) and thus take the proper precautions. 

And yes, I know the second point sounds really OOC but doesn’t Aang know that his duty isn’t to his friends but to the world? And thus even if it hurts, he has to prioritize the world’s safety over his friend’s well-being and thus not allow arguably the most dangerous (both politically and bending wise) non-Avatar person in the world any chance of escaping?

Especially when it appears the only thing Azula regrets is losing and not any of the actions she took during the war?

But alas, this blatant disregard towards his duty as an Avatar continues not only when he finds that “bastard” letter with Zuko, but also when he fails to give chase to Azula after helping Ursa restore her face and memories.

For even after Zuko refused to burn the letter because he wanted to find out the truth, Aang should have taken the letter and burned it, or at least not let the letter get back into Azula’s hands.

For if that letter ever became public, it would ruin everything that Aang fought for in the war, for either Iroh (an old man who has no inclination to produce heirs as far as canon is concerned) would have to take the throne to prevent Ozai and/or Azula for taking it or it would cause a massive civil war considering Zuko is already on thin ice with his subjects.

And once he had helped Ursa restore her face, he should have entered the Avatar State and used his seismic sense before entering his elemental shield to look for Azula. 

For even if Azula is mentally broken at that point, she is still a Top 4 fire-bender, at worst, in the world with a strong claim to the throne and thus should be his highest priority. Not staying by Zuko’s side, especially now that he has been reunited with his mother and can adequately protect Ursa and her family now.

Aang (Smoke and Shadow)

Assuming that we take Zuko’s comments at face value about how he tried, what does that say about Aang that Azula not only managed to escape his Avatar powered seismic sense, but also that even with his elemental shield providing unmatched mobility, he still couldn’t find Azula?

But moving onto something that requires no assumptions: what he did, or didn’t, do after finding out that Azula was behind the Kemurikage kidnappings due to working with the New Ozai Society.

Why didn’t Aang call in the rest of The Gaang and/or White Lotus to help apprehend Azula? For the worst case scenario has happened and Azula is actively working to restore the old regime (as far as Aang knows at this point), has become the strongest firebender and H2H fighter in the world, and has regained her sanity (as far as he knows).

Considering all the harm Azula has caused, and is currently causing, how come Aang didn’t take every measure to make sure that Azula would get back into their custody as well as make sure the kidnapped kids were in no danger whatsoever?

How come when he went into that room to help rescue the kids, how come he didn’t have his guard up or enter the room with his elemental shield up?

For Aang knows that The Fire Warriors have smoke-bending abilities, it was smoke (combined with volcanic gases) that had killed his predecessor, and that the Fire Warriors are seditious, mass child kidnappers in league with Azula. 

So why didn’t Aang take them seriously?

For if Aang wasn’t protected by the fact that he has to die as a 66 year old man (LoK), after the Fire Warriors had knocked him out, they would have killed him instead of monologuing just long enough for Mai and Kei Lo to save him by knocking out the Warriors.

And then what? A world without a fully realized Avatar that is liable to fall back into war long before his successor could be identified and become a fully realized Avatar. Especially if Azula had killed Zuko in after their tomb shuffle, leaving no one really able to fight back against The Fire Warriors as they consolidate power and restart the 100 year war as far as Aang knows.

But most galling in my opinion is how Aang doesn’t drop everything and lead an all out manhunt for Azula and The Fire Warriors, especially once he found out that their true goal is to break Zuko and make him into a tyrant. For Aang out of all people should know what Azula is capable of when she is “sane.”

So why does he fuck off?! 

What is he going to say when The Fire Warriors do something irredeemable and/or unfixable and so Zuko and him and have to explain to the world community why Azula got free in the first place, why they lied about her involvement with The Kemurikage kidnappings, and why she has managed to avoid capture despite no longer having a nation-state backing her (and her lack of resources in general considering she is a homeless, penniless fugitive), and the fact that she is no match for the Avatar State (or even a bloodlusted 4 element Aang)?

Mai

A lot of people hate on Mai, calling her a bad, high-maintenance girlfriend who doesn’t understand Zuko and an undeveloped character among other things.

But I think TV!show Mai was a loving girlfriend who was trying her best with a boyfriend dealing with trauma on top of his precarious position in court before ultimately betraying her and her country without any warning from her POV.

Moreover, for a tertiary character, I think her arc is short, sweet, and powerful: she was a girl who was heavily implied to be forced into an abusive friendship for the sake of her father’s political career in addition to having to suppress her true emotions.

But, thanks to her boyfriend having the courage to stand up against their abusers, she learns to stand up against her abuser, while also helping her real best friend find the courage to also stand up against their mutual abuser, and is on the path to healing and learning how to establish healthy relationships.

In other words, Mai learns that she doesn’t have to put her head down and ignore her emotions/capacity for love. And it is this realization that allows her to help create the promise for a better day for herself, her boyfriend, her best friend, and the rest of the world, including her own nation once they come to the same realizations as she has.

But instead of continuing on that path, the comics have her completely forget the realization she had and have her behave OOC, in my opinion, in several contexts.

For even if she, like Ty Lee, where completely done dirty by Zuko in that he let Azula free without asking them how they felt about it before losing her and having the gall to not assign protection to them and their families until he recovers Azula, it doesn’t excuse the fact she hid from Zuko/the proper authorities the existence of the New Ozai Society and that her father and “boyfriend” where members of it, with her father leading and funding it as well.

For it is quite obvious what are the out-of-universe explanations for why Mai didn’t go straight to the palace after The Rebound (so Azula, who no longer has a nation-state backing her, would have the means and funds to manipulate terrorist groups as well as house her kidnapped kids as part of a longer plot to make Zuko snap) and tell Zuko but there is no good-in universe answer that is inline with her previously established character.

For when did Mai suddenly care about her father to the point that she was willing to commit treason by supporting, or at least covering up, his seditious plot? 

For didn’t Mai, as part of betrayal at the Boiling Rock, essentially betray her father and the rest of her family in favor of Zuko?

Moreover, why would she prioritize her father and his potential political power considering what would happen if Ozai ever got back into power? For I know Avatar is a children’s franchise but I am pretty sure one of Ozai’s first acts once he got back on the throne after he had Zuko, Ursa, Iroh, Noren, and Kiyi killed, would be killing her and Ty Lee for their treason. 

Especially considering that if hadn’t turned when she did, half the Gaang would have died and Ozai would have very likely won the war. For without Aang learning lighting redirection, unless rock-kun (rock-kun is the younger cousin of Naruto’s swing-kun) intervenes much earlier, Aang dies to Ozai’s lighting spam and no one else on the remaining Team Avatar is a match for Comet!Ozai except in the very unlikely chance Katara manages to develop 24/7 blood-bending in the aftermath of her brother’s death.

But alas, Mai decides to act in an OOC manner and hides from Zuko the existence of The New Ozai Society/Safe Nation Society until her Zuko’s half-sister, along with her brother, have been kidnapped by The Fire Warriors after Zuko, Ursa, Noren, and Kiyi barely survived a New Ozai Society ambush.

And by barely, I mean if it wasn’t for the combination of Ukano’s monologue, Kei Lo’s last minute heel-face turn, and Zuko managing to bullshit the greatest non-Avatar fire redirection feat in the franchise, Zuko and his family would have been burned to death and/or brutally stabbed to death.

But even more galling, when confronted with her treason, Mai claims that Zuko out of all people should know how hard it is to betray your father as if there wasn’t a difference between betraying the all powerful ruler of your country who has a cult of personality, has burned you before, can quickly fire off lethal amounts of lighting on command, and has said before he wanted to kill you versus betraying your mentally and physically weak father who rejected being integrated into the new government and seeks to put someone back in power who would likely kill you for committing treason against him.

Especially that Zuko accepts her explanation and no one in-universe or the narrative never challenges Mai on why she committed treason again.

For I understand that Mai is a tertiary character, and thus can’t have the same narrative focus in regards to her redemption arc like Zuko. But if the narrative is going to treat Mai as a hundred percent redeemed good guy, she should be held to the same standards and be criticized when she acts in a villainous manner.

But yet again, the comics fail to challenge Zuko for almost restarting the Hundred Year War instead of calmly showing Aang and Kuei why he revoked his unconditional support for the Harmony Restoration Movement so why should we expect any “hero” to face any criticism?

Ukano

How come Ukano was willing to work with Azula to restore Ozai for the sake of his nation and family when not only is Fire Lord Zuko indebted to him for life due to Mai saving him at The Boiling Rock (not to mention Zuko offering him a job when his governorship disappeared after Bumi retook Omashu), but also when one of the first things Ozai would do after taking back power is killing Mai for her treason (imo, it is clear that after Zuko’s defection, the only punishment for treason was death, with no chance for life in prison like Iroh had)?

What is Ukano’s plan for dealing with a fully realized Avatar considering that Ozai with Sozin’s Comet got utterly stomped by Aang? I don’t think it is wise, or in line with someone leading a vast seditious conspiracy, to rely on Azula getting another cheap shot on Aang or The Fire Warriors able to get one over Aang using their smoke-bending.

Also, as a matter of storytelling, why should I root for his heel-face turn and acceptance of his prison sentence when one of the last things he does before being sent to prison is subtly imply that he was manipulated/coerced by Azula.

For in-universe, didn’t Ukano have several opportunities to tell Aang and Zuko about the kidnapped kids? And out of universe, even if Azula is extremely dangerous, it is kind of pathetic to hear a grown-ass man essentially be bullied by a bunch of mentally ill teenagers.

I mean how would you react if someone in a similar situation tried pulling Ukano’s excuse? 

Sympathy or mockery?

But in any case, how am I supposed to feel that even if Ukano has to go to jail, he at least did good by standing up to Azula and her followers if Ukano tries to deflect blame by blaming Azula?

I mean, would Zuko’s apology to The Gaang during The Western Air Temple felt as sincere if he blamed Azula’s manipulations and the promise of his father’s love for why he acted the way he did during The Crossroads of Destiny even if it were valid explanations for his behavior? 

Would the audience have so readily accepted Zuko into The Gaang if Zuko didn’t take sole responsibility for his actions?

Ozai & Ursa (The Letter)

Note: Ursa is a kidnapping victim who is highly implied to never had consensual sex with Ozai and thus her kids were highly likely to be conceived without her consent. The combined trauma combined with the fact that Ozai had all the power in the household in addition to his emotional and (heavily implied by artwork) physical abuse explains almost all of her bad parenting decisions and behavior towards Azula and Zuko…except for what I am going to describe below imo. So the point of this is just to make it clear that I don’t blame Ursa for what went wrong in Zuko’s or Azula’s life, for the responsibility solely lies on Azulon and Ozai’s shoulders, I am just criticizing one particular choice she made in-universe and the creators’ out of universe decision to make her act in that fashion.

Most people talk about the letter in relation to Zuko and how it affects him but I have a very hot take: the letter only really exists to allow Azula to be a credible antagonist during The Search considering her still mentally broken state and the fact that Zuko, Katara, and/or Aang where keeping eyes on her at all times. 

That and to also facilitate a means for Azula to get free of her restraints and eventually escape Zuko’s custody because without blackmailing Zuko, Azula would have never been free, unbound, and treated with dignity.

Also, the letter serves to unnecessarily woobify Zuko but that is not the focus of this post.

So with that in mind, let’s delve into what that letter implies Ursa’s and Ozai’s characters.

In regards to Ursa, I find it hard to believe that someone who basically begged for her son’s life and constantly shielded him to the best of her abilities would reckless endanger Zuko’s life by writing a letter that claimed Ikem, not Ozai, was Zuko’s father.

For Ursa, out of all people, should know that she, along with Zuko, only have value to the Royal Family if Zuko is Ozai’s kid. And that if Ozai was so inclined, he could have used the letter to kil Zuko and/or herself.

And even if it is a hundred percent Ozai’s fault that he used the letter as an excuse to essentially treat Zuko as a bastard (though personally I think Ozai just continued treated Zuko the way he previously did and just said that to further emotionally abuse Ursa), why would Ursa ever give Ozai the means to (further) torment her beloved son? Especially when she knows Ozai, and most likely Azulon considering how quick he was to order Zuko’s death to punish Ozai, has it out for Zuko?

In regards to Ozai, the letter, and what he did and didn’t do with it, makes him even more incomptenent than what previous canon suggested.

For even if he couldn’t have used the letter during Azulon’s reign to get rid of Zuko and/or Ursa (ex. Due to fear of retaliation from Azulon due to being a “cuck”), how come he didn’t use the letter to disinherit Zuko, instead of burning Zuko and having to cover it up?

Or, after Zuko went full traitor, how come Ozai didn’t use the letter to ensure that Zuko could never inherit the throne…at least through his claim as Ozai’s son (Iroh could have adopted Zuko and then abdicated in favor of Zuko)?

Iroh

I understand that Iroh is technically retired and doesn’t have to do anything. Moreover, I understand that the adults in child/teenage led action-adventure series can’t really be as proactive and/or responsible as IRL adults due to the constraints of the genre.

But Iroh is still involved in politics as seen by his willingness to serve as Zuko’s temporary Fire Lord when Zuko is gone. Moreover, Legacy of The Fire Nation does say that Iroh is still a White Lotus Grandmaster during the period the White Lotus becomes the Avatar world’s version of the UN Peacekeepers.

So with that in mind, we can criticize his lack of proactiveness in regards to Azula. For even taking away the assumption that Iroh offered the White Lotus’ help to find Azula after she ran into The Forgetful Forest, how come after Azula has been found to be masterminding the Kemurikage kidnappings, or after Azula revealed her plan to turn Zuko into a dictator, Iroh didn’t drop everything, call up the White Lotus, and lead a manhunt for The Fire Warriors?

For not only is Azula the biggest threat to world peace and balance in their world, she is the biggest threat to Zuko throne and safety. Especially after she has removed Iroh and Zuko’s one trump card over her (lighting redirection) and is arguably way stronger (at least as a combatant) than Ozai ever was.

For someone who lost his son and watched his beloved nephew be abused due to the effects of the Fire Nation’s imperialism and authoritarianism, why doesn’t Iroh make sure that the horrors of the past just stay in the past? Especially when he has the power, means, and connections this time around to make sure no one ever gets hurt again, not now and not in the future?

Ty Lee

In regards to The Search, Ty Lee was mistreated by Zuko when he first took Azula out without asking Mai or her about their feelings and then when he had the gall to lose her without granting her and Mai (and their families) 24/7 protection.

Though if Ty Lee is as much of a chi-blocking master as the narrative implies, when she warned Zuko that Azula’s chi-blocking was wearing off, she should have also warned him that there would be a period of time that Azula would be super flexible and have full control of her muscles and chi.

For even if Ty Lee had no idea that Azula had apparently learned instant lighting in the two years she had spent in the asylum, Azula is still capable of short bursts of fire that could have disoriented Zuko, leading to a similar outcome as to what actually happened in canon once Azula had the above period of time.

But moving on to something much more concrete, Ty Lee remembering the Fire Nation Palace’s secret tunnels and being able to pinpoint locate the one leading to Azula’s secret lair has some very negative implications about Ty Lee.

For even if she says it in a really roundabout way, The Sisters comics has Ty Lee say that she joined The Kyoshi Warriors at least in part to make up for the imperialism she helped perpetuate under Azula’s command.

Moreover, The Kyoshi Warriors agreed to be Zuko’s bodyguards in order to help protect the fragile peace that The Gaang helped establish at the end of the war. And in order to do so that means they have to be able to secure the Fire Nation Palace to the best of their abilities.

However, despite knowing about these secret tunnels, Ty Lee apparently never mentioned them in the year that the Kyoshi Warriors had been in The Fire Nation (The Promise takes place one year after Sozin’s Comet Part 4; The Kyoshi Warriors become Zuko’s bodyguards during The Promise; The Search takes place one year after The Search with the main plot of Smoke and Shadow taking place a couple of months after the climax of The Search).

And this lead to not only The Fire Warriors being able to walk into the palace and almost kidnap Kiyi unmolested (in fact, if it wasn’t for their smoke, The Fire Warriors would have kidnapped Kiyi without anyone being wiser), but for an entire conspiracy to operate right under their noses.

Not to mention what could have happened if The Fire Warriors where a little bit less mentally ill and used the fact that they had access to secret tunnels that no one knew about to do the obvious: carry out covert assassinations of all their enemies, which, depending on the time, could include important foreign figures like Aang, Katara, and Sokka.

Making things worse is that just like Mai really wasn’t challenged narratively or by anyone in-universe for her treason, Ty Lee is never challenged by the narrative or by her fellow warriors, Zuko, and/or Aang for knowing such a gaping security hole and not telling anyone earlier.

I mean the lack of knowledge of the secret tunnels could help, partially at least, explain why Zuko faced so many assination attempts, like Kori’s, that got frighteningly close to killing him. 

For instead of his original guard being disloyal and/or incomptenent, they could have had a lack of knowledge about the tunnels and thus didn’t know how to protectly seal them off and/or monitor them for threats.

Like I understand Azula being freed probably impacted her ability to think rationally (Ty Lee all but says she hasn’t had a peaceful night of sleep ever since Azula got out) but it doesn’t excuse the fact that she forgot to tell anyone about this security gap beforehand.

For doesn’t Ty Lee have a professional and moral duty to protect the Fire Nation palace and The Royal Family to the best of her abilities?

Kei Lo

I don’t hold him to the same standards as the heroes and outright adults in this analysis since  most of Rebound and Smoke and Shadow was about his heel-face turn and redemption arc.

But there is one thing that does bother me about post-redemption Kei Lo’s actions and this is when he attacked Azula in The Garden of Tranquil Souls without any apparent plan and got himself turned into a (brief) hostage.

For I understand that it was a moment to not only show how far Kei Lo had, but also to show Azula evilness by mocking Mai’s taste in men and implicitly threatening his life for daring to touch her/interrupt her “dialogue” bullying, assault, and psychological torture of with Mai.

But looking at Kei Lo’s actions from the bigger picture, they don’t really make sense and don’t paint a good picture of Kei Lo at all.

For Kei Lo had not only seen Mai defeat an entire NOS hideout with a toddler strapped to her back, Kei Lo was in fact the last person she fought before she left (spoiler alert: it was a total curb stomp battle).

Moreover, during the time that he had spent dating Mai and spent with Zuko and Aang, it is highly unlikely that the topic of Azula didn’t come up even if there was no comic panels showing us this (when you have limited space, you can’t waste panels on “superfluous” dialogue) and should have known that just like Mai was way out of league in terms of combat prowess, Azula is similarly beyond his abilities.

In addition, even if he didn’t believe what people mostly likely told him about Azula, he should have believed his own eyes as he wanted Azula basically toy with Mai despite Mai actually fighting with true lethal intent (I know some people might disagree with me but the art makes it clear that Mai was trying to kill Azula and not just pin her).

And finally, instead of rationally thinking and trying to get Zuko and/or Aang’s attention so someone way more equipped could help rescue Mai, he charges at Azula. But instead of using his knife or trying to get Azula into a chokehold, he just shoves her. 

Allowing Azula to not only shoot him with concussive lighting but then hold him at firepoint, forcing Mai, who had been able to stand up to Azula, albeit terribly I admit, to basically beg for Kei Lo’s life and leave herself vulnerable to Azula’s attacks as well.

For I know they are not analogous situations, but what Kei Lo did reminds me of dumbasses who try to intervene in active shooting situations, thinking they can be the hero, but end up making things worse due to being taken hostage, if they aren’t outright killed, making a peacefully resolution that much harder for the relevant authorities.

Likewise, Kei Lo, by getting himself taken hostage, could have, and should have as far as he knew, led to a nasty outcome. 

For as far as he knows, Azula is a sadistic, seditious, child-killing, child kidnapping, genocidal domestic terrorist who has no qualms about killing or cruelly treating “friends” or family. And so what is not to say that Azula wouldn’t have tortured him to get back at Mai and/or tortured Mai in front of him, forcing Mai to take her cruel punishment in order to prevent Azula from killing her boyfriend?

Kei Lo is very lucky that Zuko intervened when he did and is even more lucky that Azula was more interested in making her brother “strong” than really hurting anyone.

But instead of showing everyone berating him after the kids had been rescued, there was no narrative time spent at all. 

Which leads me to believe that that particular moment just happened, in part, just to showcase how vile Azula is despite in not being in line, imo, with the conscientious and aware person Kei Lo seemed to be growing into (as seen when he broke up with Mai since he realized despite being aloof for Smoke and Shadow that Mai could never get over Zuko).

Sokka & Katara

There isn’t much to say other than they were the only ones who interacted with post-canon Azula who treated her like the threat she.

That and it was obvious they were written out of Smoke and Shadow before Azula’s involvement with the kidnappings was revealed because if they were still in the Fire Nation when it happened, Azula and her girl gang would be back in jail instead of remaining menaces to society. 

Or at least at bare minimum they would have had to work much harder during the climax (ex. The Fire Warriors, including Azula, would have had to fight with lethal intent).

Toph

Other than the assumption that Toph helped Zuko search for Azula after the climax of The Search, all I have to say is that there is a good reason why Toph has not really shown up in any of the comics Azula has been. 

And that is because Toph would have never tolerated any of Azula’s bullshit or treated her with kid gloves instead of the genocidal war criminal who is still trying to negatively influence Fire Nation politics that she is as of current canon.

Other World Leaders

Note: Yes, there is no evidence that Azula was part of the war council meeting that ordered the attack on the Northern Water Tribe. But considering how comfortable Azula was in the “let’s burn down The Earth Kingdom” war council meeting plus the fact that Iroh thought it was appropriate for a 13 year old Zuko to partake in a war council meeting, I don’t think it is that much of a leap to assume that Azula was part of the war council meeting that ordered the Northern Water Tribe attack.

From Kuei’s perspective, Azula led a coup that ended with him in exile before suggesting and helping plan a genocide of his people. From Hakoda’s perspective, Azula almost killed both of his children several times. From Chief Arnook’s perspective, Azula was part of the war council that decided to not only invade his country, but to also kill the Moon Spirit and indirectly force his beloved daughter to sacrifice her life to restore said spirit.

So once Azula gets into Zuko’s custody, shouldn’t they have had established monitoring protocols to make sure that Zuko, who had less than six months ago willingly worked with her to conqueror Ba Sing Se and help Azula kill Aang, keeps one of the most dangerous war criminals in their world locked up while also establishing contingency plans to deal with scenarios in which Azula escapes?

Especially since Aang took mercy on her and didn’t remove her bending, meaning that Azula could grow stronger if she ever escapes (though I guess being in an asylum does allow for exponential growth anyway…) and eventually be able to get a cheap shot on Aang again before violently retaking the throne and restarting the 100 year war?

But instead of doing that, they naively trust that Zuko will keep Azula locked up without any check-ups (none of Zuko’s interactions with Kuei or Hadoka ever imply the topic of Azula’s status ever comes up). And while I understand the meta-reason for this (so it is more believable that Azula could remain an undetectable fugitive), it still has the potential to make them all look really, really bad.

For what happens, for example, The Fire Warriors create an international false flag terrorist attack that gets people from the other nations killed, in addition to Fire Nationals, that leads to a short skirmish that gets even more people killed before The Fire Warriors are found to be the true culprits and dealt with.

For even if they manage to capture The Fire Warriors, how are the world leaders going to explain to their subjects/citizens the lack of security measures they took in ensuring that Azula stayed in jailed or, if she ever escaped, the lack of plans to make sure she was apprehended as swiftly as possible?

Moreover, how are they going to explain the fact that they naively wholeheartedly trusted Zuko to make sure that Azula remained in prison or, if she escaped, that he would tell them and ask for their help if needed in apprehending her instead of trying to cover up the fact that it was his selfish desire to find mommy that gave the most dangerous person on the planet the means to escape? 

Especially after the Yu Dao fiasco showed that Zuko might not be the most trustworthy or reliable partner?

Do any of them take their responsibilities seriously!? No and that is why the Red Lotus had a point for why should a bunch of clowns be in charge of nation-states if they can’t even use state power to properly protect people.

Bending & Combat

One of the more endearing things about Avatar is the fact that its combat & magic system is based on IRL martial arts. And this is reflected in the fact that all of the named prodigies except for Katara & Sokka (who likely the greatest prodigies in the franchise in terms of speed of skill acquisition and mastery) have undergone years of rigorous training to be the master benders and fighters that they are shown to be in the show.

Moreover, the show explains that bending & fighting are not just martial arts, but are also a spiritual practice as well and that the more spiritually in tune you are the stronger your combat prowess will be. And that the less spiritual and/or the more out of balance you are, the weaker your combat prowess will be. 

For not only does your mental state affect things like your breathing or tactics, but also your willingness to incorporate other styles of bending/fighting into yours as well.

And the show makes it very clear that the strongest and best benders/fighters incorporate all the other styles of bending.

Finally, the show, whenever it introduced new bending/fighting techniques and/or power ups, made sure they didn’t contradict what was previously established (ex. Metal bending is possible only because most metal still has pieces of unrefined earth in them; chi-blocking is possible because everything has chi in it) or gave them logical weaknesses to make sure they weren’t completely game breaking (ex. Lighting redirection does negate lighting bending, but you need to be in the proper stance and make sure the lighting never touches your heart or else you will still die; chi-blocking only works if you can touch someone).

But the comics, in an effort to keep Azula a credible threat, seem to disregard all of the previously established rules and themes about bending and in doing so leaves the Avatar franchise in a worse off state.

For why was Azula, after two years in an asylum where it can be presumed she wasn’t able to train like she used to, didn’t have anywhere near the same resources, and went further into psychosis was able to retain her physicality and remain the hype-athletic fighter she was during the war?

Moreover, how did Azula get so strong and fast during her time in the asylum (and later in the wilderness and as a fugitive) to the point that she is arguably the best H2H fighter in Avatar?

For not only did Azula manage to hold off a serious and in armor post-canon Suki and Ty Lee despite wearing a billowing cape and a mask that blocked vision in her left eye, she also managed to consistently and causally dodge Mai’s knives despite the latter actually trying to kill her.

Not to mention how she managed to over-power Zuko, who was arguably the second best swords fighter in the franchise before having two years to add to his sword fighting prowess, in their short fire-sword fight in the tomb to the point that Zuko thought he could only prevent his death by convincing Azula that no one would ever accept her on the throne.

Zuko! You know the person who literally has to be knocked out and/or dying before giving up in a fight did not believe he could get out of Azula’s hold before she presumably stabbed him to death.

How come Azula’s fire managed to not only get stronger (ex. During the war, if she released her fire from her control it became orange, but after the asylum, it stays blue) but also why was Azula able to develop several new lighting techniques, several of which where completely unseen in the franchise, or hadn’t been seen for centuries as far as the reader was concerned (ex. Concussive lighting; instant lighting; quick charge lighting; lighting sphere; a bootleg chidori; instant area of effect lighting; lighting zaps; the ability to split and control her stream of lighting after she has fired it; lighting redirection).

And speaking of new lighting techniques, how did Azula manage to learn the lighting redirection technique on her own? For none of Iroh, Zuko, and Aang ever showed her the technique and Azula only saw the technique like four times (Iroh on the ship during The Avatar State; Zuko during Sozin’s Comet; Zuko twice during The Search). 

And as far as I remember, the TV show never implied or showed that Azula was a Goku-level prodigy in that she only had to look at technique only a handful of times to completely master it and/or develop a counter to it.

Not to mention the fact that Azula is still a hyper-nationalist who still has no respect for the other nations, let alone their bending arts.

Like have you seen all the times she calls Sokka and Katara snow peasants despite the two of them technically being her equal politically, Katara defeating Azula during Sozin’s Comet and almost defeating her during The Crossroads of Destiny? Does comics!Azula seem like the person to willingly incorporate waterbending principles into her bending, which is necessary to redirect lighting?

Also, what the hell is smoke-bending?! For I know in the Kyoshi novels, Kyoshi bends smoke as part of her first attempt at firebending and that Aang generated smoke during The Firebending Master (so smoke-bending is a subset of firebending as the seeming precursor to firebending itself).

https://www.youtube.com/watch?v=DqLW99cn1A8

But how did The Fire Warriors manage to learn how to psychically generate and manipulate smoke?

Moreover, how did The Fire Warriors manage to learn how to use smoke-bending while using their firebending at the same time? 

For as far as I know, other than Azula in the Smoke and Shadow Omnibus Cover, there is no other instance as far as I know of a non-Avatar bending an element and a sub-element at the same time. So how were they able to do so?

And how come Aang and Zuko (two master firebenders, one of which is also a master airbender) were not able to do anything about The Fire Warrior’s smoke? 

For shouldn’t they have been able to use their bending to clear to smoke instead of either choking on it (Aang) or allowing Azula to escape despite being a tomb with only one exit (Zuko)?

But I think the most frustrating thing is how strong the Fire Warriors are. For yes, I understand that the Gaang aren’t the only prodiges in the world and that for a children’s action-adventure series, it is hard to write conflicts if heroes face no physical challenges whatsoever.

But there is no justification both in-universe or out of it for why the Fire Warriors are so strong both in terms of bending but also in terms of athleticism as well. Especially considering the fact they were heavily implied to have been kept in the same conditions that Azula was (and thus shouldn’t have been able to train to an elite master level) and the fact that they too were wearing long billowing capes with their left eyes blocked by their wood masks.

In fact, this ties into my next point…

Fire Warriors & The Asylum System

How was Azula able to break out six girls from her old asylum without Zuko finding out? For even assuming that Azula killed everyone there, eventually someone had to have come and found out that at least six girls where missing? Especially when, assuming Zuko really did try to find Azula, one of the things he would have done is put a guard there since it was likely that Azula would try to return there.

But instead of getting an answer on how Azula was able to break them out without anyone finding out (other than the meta-textual answer of Azula needed a new girl gang and the only people who she could have plausibly convinced considering her living conditions of the past 2 years were her fellow asylum inmates), all we are left with is speculation, some of which implies some very nasty things about Zuko’s reign and The Fire Nation. 

Like the idea that the asylum system remained in control of Ozai loyalists and are currently weaponizing the inmates to create a shadow army to overthrow Zuko using the group of people Zuko and his regime would be least likely to suspect.

And speaking of speculation, what are The Fire Warriors’ motivations and/or goals in regards to joining Azula’s ongoing seditious domestic terrorism plot? For I understand that Azula needs new hench-women in order to carry out her plots since it would break the suspension of disbelief to have Azula carry them out by herself, but neither non-ableist explanation I could think of makes any sense.  

For either they are scared of her and/or being manipulated, but that doesn’t make sense since Azula no longer has any political power and thus they can ignore her once she breaks them out. Not to mention Azula doesn’t seem to have regained all of her mental faculties (ex. her Mochi rant during Smoke and Shadow and how her eyes bulge out like crazy!Azula in The Search at the end of the rant). 

Or because she became non-ironic friends with them, which doesn’t make sense since Azula during her time in the asylum was clearly not in the mental state to take care of herself, let alone make friends not relying on her status or fear-mongering. Especially when The Search has Azula blame “Ursa” for making Zuko, Mai, and Ty Lee stop fearing her, heavily implying Azula still thinks fear is a good way to maintain relationships.

Which leaves us with the ableist answer (sorry for the language, it is to get my point across): they are crazy bitches and crazy bitches don’t need any reason to do harm!

And do you know how harmful that is to IRL mentally ill people? For mentally ill people have had to fight really, really hard to fight the association that being mentally ill makes you evil or prone to evil. And it is only recently they have been able to fight back against such associations thanks in part due to positive representations in various artistic works.

So it makes me really disappointed that Avatar, a franchise that handles several difficult topics (ex. Child abuse, rescue parents, imperialism/colonialism, child soldiers, physical disabilities, war orphans, sexism/misogyny, hyper-nationalism, genocide, abusive sibling relationships, abusive friendships, etc.) with such grace that even children can clearly understand and learn from them, engaged in such harmful stereotyping. Especially when one of the most highly regarded arcs in LoK is Korra overcoming her PTSD from being poisoned with mercury over the course of several years and with the help of several people.

For at least Azula, with all the cries of ableism about her treatment in the comics and other post-canon works like Legacy of The Fire Nation, has reasons for being evil other than her mental illness. 

Like the fact that she was indoctrinated and groomed from birth to be an active member of the ruling family of an authoritarian, genocidal, imperialism empire.

But what are the Fire Warrior’s reasons for helping Azula outside of being mentally ill?

Themes (The Search)

To be quite honest, I really don’t think The Search has a theme since it mostly exists to answer the question of what happened to Ursa. So I don’t think there is much to analyze or criticize in terms of themes.

Themes (Smoke and Shadow)

However, Smoke and Shadow does have a central theme: fear, or more importantly, getting over the fear of: Ozai (for Ursa), Azula, and/or being a tyrant (in Zuko’s case).

And in regards to Ozai, I think Smoke and Shadow actually did a good job of showing Ursa getting over her fear of Ozai. In fact, I think their confrontation in Ozai’s jail cell, with Ozai being reduced to a mad dog after seeing he has no hold on Ursa anymore is one of the few good things that come out of the comics.

But in regards to the other two themes, which are heavily tied to each in my opinion, are butchered by the need to keep Azula a credible villain.

For I think fear does serve a valid purpose: to make sure we avoid situations and/or people that are likely to put ourselves or the people we love in danger. 

And boy do a lot of people have a lot to fear about post-Smoke and Shadow.

Mai and Ty Lee have every reason to continue to fear Azula after Azula basically humiliated them in combat and made it very clear that they are only still alive because Azula wants them to be. Not to mention in Mai’s case, Azula basically bullied Ukano into action, causing her father to eventually have to go to jail for a long time, and kidnapped her brother before put him in a holding cell for a good period of time.

Aang has ever reason to continue to fear Azula considering she has several lighting attacks that can bypass lighting redirection, the fact that Azula herself knows lighting redirection, the fact that Azula has smoke bending powers similar to The Fire Warriors that caused him to be knocked out cold, and that Azula has successful shown that she can cause Zuko to fall down the path of his ancestors, meaning that Azula could eventually succeed and indirectly wipe out everything Aang and his friends fought for during the war.

Zuko has ever reason to fear Azula considering: she basically broke into the palace and operated a conspiracy from right under his nose; she kidnapped a bunch of kids, including their half-sister, and he could do nothing until Ty Lee remembered the secret passageway; that she has taken away his trump card over her and has essentially become the strongest firebender in history; that he is only alive because Azula has plans for him; and that she is still loose and plotting the next step in her dastardly plot to remake Zuko in her image.

Moreover, Zuko has every reason to fear turning into a tyrant since he not only has failed to capture The Fire Warriors post-Smoke and Shadow, all that he has done to show that he won’t fall prey to the Fire Warriors manipulations and assaults once.

He doesn’t order a sweep of his government to make sure that there aren’t any more mavericks like Constable Sung in his ranks. 

He doesn’t try to craft policies to ensure the various Ozai loyalists groups can’t take advantage of alienated people like Kei Lo to fill their ranks with people willing to die since they have nothing in life. 

He doesn’t institute any safeguards or protocols to make sure that if he has to ever institute authoritarian measures ever again, he does so because it was the best and logical decision possible and not out of fear. 

He hasn’t undergone training (ex. Combine his firebending with his sword skills as is implied in the “Old Friends” artwork) to close the gap that has once again opened between him and Azula so that if he ever encounters Azula again, his life won’t be in her hands once more.

Hell! People like Iroh, Noren and Ursa have a lot to fear considering that Azula has easily breached the palace (and probably has other means of getting in undetected even if the tunnels are now known since she was responsible for evacuating Caldera City during the DoBS), one of the secure places in the world, and has demonstrated continued willingness to not only hurt Zuko but also now hurt Kiyi.

Moreover, assuming they ever find out where the other Fire Warriors came from, they will (and should considering their eras’ lack of knowledge on mental health) fear the inmates in the asylum system. 

For if six of them were willing to join Azula and were really strong benders who could even knock out a fully realized Aang, what will happen, hypothetically, when Azula builds herself an army out of the asylum inmates she and her warriors break out of the various asylums in the country?

So I guess what I am trying to say is that, by keeping Azula a villain, Smoke and Shadow undermined its own theme of “we have to learn to live with fear and never let it rule us.”

For only fools would not live in fear of Azula and The Fire Warriors until they are apprehended and I don’t think any of the characters mentioned in this section are big enough fools to underestimate what Azula and The Fire Warriors can do and what they are willing to do to achieve their goals.

Conclusion

Azula was one of the best villains in Western Animation and part of that is because the characters and the narrative treated her like the threat she was and that, even if her schemes did rely on good fortunes (ex. Sokka vouching for The Kyoshi Warriors before leaving with Aang to his father) they were created by various characters acting like they did normally and not in OOC fashion (ex. Kuei is an airheaded fool and so it is not out of character for Kuei to forget that he told Azula about the DoBS invasion plan and/or tell anyone associated with the plan that he spilled the beans before going on exile) just so Azula could win. 

Moreover, Azula doesn’t display new powers/abilities when the plot demands it just to remain a threat; all she does is exploit her previously established abilities and intelligence/cunning (ex. The Avatar is slowly floating up in the air in his Avatar State that is previously established to turn him into a berserking force of nature. Ok. I’ll just take advantage of the fact that he is exposed to shoot him dead with lighting before he can harm my allies, my friends, my brother, and/or I).

However, in the comics, Azula, despite remaining just as big as a threat, if not bigger, is not treated as such by either the narrative or the characters she interacts with. Moreover, Azula and her henchwomen frequently come up with new powers just so they remain a credible threat. And it not only ruins Azula as a villain, but also the characters that she has the misfortune of interacting with directly or indirectly.

For it really hurt to see a fully realized Aang essentially get knocked out by some faceless goons.

It really hurt to see Mai break up with Zuko because he visited Ozai without telling her and then hide from Zuko the existence of the New Ozai Society and the fact that her father was leading it. Not to mention, when confronted for treason, seeing her avoid owning her mistake before everyone unceremoniously dropped the subject.

It really hurt to see post-canon Suki and Ty Lee, two of the best H2H fighters who have learned each other’s techniques, essentially get fodderized by a half-blind Azula. Or to see Azula learn lighting redirection with no prior indication of how she managed to learn the technique. Or to see her invent concussive lighting because the comics want her to spam her iconic lighting at everyone like the villain she is but don’t want to deal with the consequences previously established in the TV show or in LoK.

It made me angry to see Zuko keep giving Azula second chance after second chance when Azula deserves no chances as long as she is on her current path. Especially when she keeps on hurting the people Zuko supposedly loves and the subjects he supposedly cares about.

Anyway, before my rant gets too long, the point is that not that Azula can’t remain a good villain. For even I, as someone who believes an Azula redemption would be compelling, believe there are ways to keep Azula a credible antagonist in line with what was shown in the TV show.

But if this is the way Azula is going to be continued to be written as a villain, as a living plot device, I don’t want her to remain a villain. 

Especially when the bad writing surrounding villain!Azula starts to ruin other character’s previously established characterization as well as previously established world building and lore.

–Submitted by justanotherthrowaway1950

[mizunetzu]

PART 3 OF ITS YOUR FAULT PLS !!!! I LOVE IT EKDBJSHD

Well since y’all asked so nicely-

——————

Kuroo x reader - it’s your fault (pt. 3) (final)

⚠️warnings - angst

Pronouns - male, he/him

part 1 can be found here!

part 2 can be found here!

——————

Sports sucks. That’s what Kuroo knew about (y/n), yet he still egged him on to play volleyball with him. He had a choice to say no, which was what younger him was hoping for, yet he still did it in hope of gaining his affection.

All his life he thought he was annoying. All his life he’d been in the mindset of how annoying he was, and how blissful it would’ve been for him to just disappear off the face of the earth.

So when (y/n) suddenly stopped showing up to practice, Kuroo didn’t expect himself to get worried.

He was starting to miss all the clingy touches, or the ‘good morning, Kuroo-kun!’ every single morning practice. He didn’t realize how quiet the walk was to his classes, or to and from home, when (y/n) wasn’t there to fill the noise on random things he found cool or how his day was. He didn’t know how expensive the drink (y/n) religiously bought him from the vending machine was, even though he bought him the drink with a smile plastered on his face like it was nothing.

“Oh, (y/n)? He quit the team.”

Kuroo dropped the volleyball he was holding. He’d gone up to coach nekomata to ask where (y/n) was, and why he wasn’t showing up to practice. But he was regretting asking in the first place. Nekomata gave him a sympathetic look.

Kuroo picked up his volleyball, gave him the best smile he could afford, and walked away. Why was he so devastated? Why did his heart feel like it sunk into his stomach? Why was his chest hurting like that? He should’ve been glad that (y/n) was finally gone.

So why does his heart hurt so much?

————

Kuroo figured he’d stop by his apartment to see what was going on. It’s been weeks, yet he couldn’t find him anywhere in his classrooms, and he nor Kenma could reach him on his phone.

When he walked up the stairs, looking for the ever familiar door to his apartment, he was nervous. For once in his life when going to talk to the boy, he was nervous. It wasn’t a good feeling, he never felt nervous to talk to him before.

When he noticed the door slightly ajar, he clutched the apology basket of sweets in his hand tighter. He wasn’t sure what he wanted to apologize for, though. Maybe for yelling at him, or maybe for something else.

“...hello? (Y-y/n)?” When he opened the door, he was met face to face with construction workers, and a blank apartment. Kuroos heart stopped beating. A man, who Kuroo believes was the apartment owner, looked at Kuroo, to his schools jacket, and down to his basket saying “I’m sorry (y/n) :(“

“Oh? Are you here for that (h/c)-haired kid?” Kuroo nodded vigorously.

“Sorry bud. He moved out a few days ago.” Kuroo couldn’t hide the devastated frown from tugging at his lips. He mumbled a small “sorry” and spedwalked out of the building.

He spammed (y/n’s) phone, probably texting more than he ever did his whole life combined, with “where are you’s” and “hey look I’m sorry, okay? Please answer me’s”

None of them were even read.

Kenma didn’t react well to knowing one of his best friends moved away so suddenly. Unlike Kuroo, (y/n) was good friends with him, practically attached to the hip. When Kuroo told him he couldn’t find (y/n) at his apartment, Kenma clutched his ds harder and glared at the screen like it was it’s fault for making him disappear.

But as much as Kenma blamed the ds, they both knew it was Kuroos fault.

———

Kuroo strived to be a better person. He came to terms with his feelings for (y/n), and how he could never repeat his mistake again.

He grew to love (y/n), and he messed it up so bad.

He’d be sure to never lead anyone on again, minus when he’d lead his team to victory as their new captain. He’d try and hold less grudges, tell someone when he doesn’t like them, as to let them down easy instead of blowing up in their face, and even bought his team snacks and filled up their water bottles during practice.

Kuroo walked around the unknown streets of miyagi, scanning his eyes for a mop of bleached hair. He knew Kenma got distracted on his phone, but this was excessive, even for him.

Eventually, his eyes landed on two bright figures. Kenmas usual bright blond hair, and a tuft of orange next to him.

“Kenma!”

Kenmas head whipped up, and he shut off his phone, but then a flash of (h/c) came into his peripherals. He looked a little further down and locked eyes with someone who made his throat close up.

(Y/n).

He looked older. Not in the way that he looks physically older, but he carried himself with a somewhat mature, grown stance that made Kuroo so a double take. His hair was slightly longer and he was wearing a black team jacket instead of the red Nekoma jacket he used to wear. Shocked (e/c) colored eyes morphed into an expression of pure resentment, making Kuroos shocked happiness short lived. Kenma walked up next to him, about to ask what happened when Kuroo turned his head away, walking with his head down.

Kenma waved bye to Hinata, when his eyes landed on (y/n). He was talking to a silver headed guy, with a distasteful frown directed at Kuroo. He didn’t say anything though, just ducked his head and walked beside his captain.

———

(Y/n) kept his eyes fixed on the ground, as Nekoma and Karasuno stood in a line, facing eachother. Kenma was practically standing in front of him, shocked to the core, but also averting his gaze. Not just because (y/n), but Hinata next to the boy was staring at him with his mouth agape.

Eventually everyone filed into the gym, Hinata stopping Kenma to talk, while taketora eyed him menacingly. (Y/n) side-eyed the little interaction with an unwanted jealousy. He wanted to talk to Kenma, he WAS his childhood and best friend. But it soon dissipated when he felt a hand on his shoulder.

That jealousy turned into hatred.

“Can we talk, (y/n)?”

(Y/n) slapped Kuroos hand away and stepped past him, pushing him back slightly with his shoulder.

“Don’t call me that. You have no right. It’s

(L/n).”

Kuroo watched as (y/n) stepped into the gym, his lips pressed into a fine line.

—————

(Y/n) sat on a bench in the corner with an obviously closed off aura, watching as people set up the net or the players from both schools talked to eachother. He walked as Kuroo shook hands with Daichi, not noticing the mop of bleached hair sit himself next to him. (Y/n) flinched when he felt something brush his shoulder.

He whipped his head around to find Kenma, sitting right next to him, but looking straight in front of him. He said nothing, and fiddled with his fingers. Guess he didn’t change, even after a new school year.

(Y/n) relaxed a bit and went back to stalking his team and old teammates with a somewhat less intimidating aura. They sat in heavy silence for what seemed like forever, until (y/n) coughed into his Karasuno jacket.

“S-so how you been Ke-“

“So you’re just not gonna tell me why you left?”

Kenma was looking straight at (y/n), with his normal, neutral gaze. It looked like his normal face, but (y/n) knew how hurt he was. He understood, though. He would be hurt too if his best friend moved without saying goodbye.

“I’m...I’m sorry.”

“It’s fine.”

More silence consumed them. Sounds of sneakers squeaking and the rustle of the net being hung up seemed to vanish under the cloud of quiet sheltering them. Kenma stood up.

“I’m not mad. But I know why you left. And I’m not saying it’s a stupid reason, but you should talk to him.”

Kenma walked away without another word, leaving (y/n) to trail his eyes over to his old teammate, now captain. The frown that summoned up on his face came naturally, despite taking Kenmas words to heart.

He also stood up, brushing himself off and turning his cheery attitude back on. Why play a game with a frown when you’re about to destroy your old team?

—————

(Y/n) wasn’t mad he lost. He was actually quite satisfied with ticking off some of his old teammates by receiving spikes or feints no one saw coming. He sort of felt like an inside man. A spy even. It wasn’t enough to secure a win, but (y/n) never really cared for that.

Everyone was bidding their new friends goodbye, or just idly standing by. He promised Kenma to unblock his number, but only if they never talked about Kuroo again. (Y/n) knew he was being petty, but if it meant never talking to that piece of shit again, so be it-

“Stop ignoring me.”

Speak of the fucking devil. (Y/n) didn’t turn around, choosing to clutch the edge of his black jacket instead.

“Then stop trying to fix a friendship that never existed, Kuroo.”

“Oi!” Kuroo grabbed onto (y/n’s) shoulder harshly, pulling him back and making him stumble a little. (Y/n) pried and clawed at Kuroos iron hard grip. As much as he hated to admit it, he missed Kuroos touch, a lot.

“Can we please have a civilized fucking conversation? I’m fuckin begging you here!”

“Stop fucking cursing and let go of me you fuckass scheming bitch!”

(Y/n) swung at Kuroos head, but avertedly missed. He wasn’t sure if he missed on purpose, or if Kuroo ducked. Kuroo grabbed onto (y/n’s) waist, earning a choked squeak, and hauled him over his shoulder. Kuroo looked for a secluded area, ignoring the fists digging repeatedly into his back and the confused stares he got passing by his team and (y/n’s) teammates.

Kuroo practically threw (y/n) off his back, him stumbling down and hitting the back of a wall a bit harshly, and trapped him between his body and the wall. Both of his hands were on either side of (y/n’s) head, and his legs were long enough to trap him in if he tried to escape.

(Y/n) shrunk back into the wall ever so slightly, but kept the scowl present on his face. Kuroo pursed his lips and sighed.

“(Y/n)-“

“Let me go. I don’t wanna tal-“

“GODDAMNIT (Y/N) IM BUSTING MY BALLS HERE TO TELL YOU THAT IM SORRY!” Kuroo slammed his hands against the wall again, earning a surprised flinch from the smaller boy. “FUCKING LISTEN TO ME! PLEASE!”

Kuroos eyes softened a bit when he finally met eyes with (y/n’s) petrified form, cowering against the wall with his arms tucked in shakily. (Y/n) was quick to push past Kuroo though, diving past him and turning around, free from the wall.

“You see-this is what I fucking hate about you! You act so slick and perfect to the point where you lead people on to think they mean something important to you! I wanted to be a writer, Kuroo! I gave that up to spend my time bouncing a fucking volleyball around with you, and what did I get?! Nothing! I only did it for your stupid friendship, yet I didn’t even get that!”

(Y/n) practically had steam rolling out up his ears, and his words dripped with pure hatred with each retort. Kuroo opened his mouth to speak, but (y/n) beat him to it.

“So if you really want to apologize, give me back the blood sweat and tears I wasted on this stupid volleyball shit!”

(Y/n) punched at Kuroos chest with trembling hands. He kept punching and hitting Kuroo until Kuroo gently grabbed his wrists and pulled him into a hug. Kuroo felt him balling his fists into his back, trying to push him away, but he knew he was stronger. (Y/n’s) mouth was muffled by the cloth of Kuroos shirt, yet he still kicked and screamed at the top of his lungs.

“LET ME GO! I WANT MY CHILDHOOD BACK! I WANT ALL THE YEARS I COULD’VE BEEN WRITING OR LITERALLY BE DOING SOMETHING I ACTUALLY FUCKING LIKE BACK! ITS YOUR FAULT! ITS YOUR FAULT THAT MY ARMS HURT EVERYDAY! ITS YOUR FAULT I GAVE UP ON WRITING! ITS YOUR FAULT! I HATE YOU! I HATE VOLLEYBALL! I FUCKING HATE YOU! I hate you! I-I hate...I....”

Yelling turned into incoherent sobs as (y/n’s) punches died out into love taps. Kuroo said nothing, rubbing circles onto (y/n’s) back, who finally gave up and weakly wrapped his arms around Kuroos waist. He stained Kuroo with his salty tears, choking out half assed “let me go”s in between hics and sobs like a broken record.

They stood like that in comfortable silence, Kuroo combing fingers through (y/n’s) hair while the smaller boys sobs turned into occasional sniffles. Kuroo rocked gently from side to side, attempting to calm him down until he was ready to talk.

“I just wanted to be your friend, stupid Kuroo...” his words were barely understandable through the cracks and sniffles of his voice-also being muffled by Kuroos chest-but the taller boy heard every word as clear as day. He rested his chin on top of (y/n’s) head, looking off to the side.

“Sorry. If it means anything, I was stupid enough to hold a childhood grudge against you. You did nothing wrong. I just...i was dumb and disliked you because I thought you were lazy and annoying even though you were anything but that and...yeah. Sorry.”

Kuroo pulled away from the hug, the cold air hitting (y/n) like a truck. He silently whined at the loss of contact, wiping away stray tears with his team jacket. Kuroo awkwardly held his hands behind his back, his tongue suddenly feeling too big to fit comfortably in his mouth.

“...I’m sorry too.”

(Y/n) averted his gaze, his eyes half lidded and puffy from crying. Kuroo looked at (y/n) with a blank expression.

“Why?”

“For um...being annoying or something. And like...bitching a lot. I’m sorr-.”

Kuroo grabbed hold of (y/n’s) shoulders and shook him violently. “Don’t apologize! You don’t have anything to be sorry for! It’s my fault! Let me take the blame!”

“God shut up you’re gonna make me cry again.”

“...sorry.”

Kuroo looked like a kicked puppy, which made (y/n) burst into a fit of laughter. Kuroos ears perked up as he was graced with the sight of (y/n) wiping happy tears off his face and clutching his stomach. It was a beautiful sight, so beautiful that it made Kuroos chest tighten.

Chuckles died out into snickers as (y/n) huffed and leaned against the wall.

“So-what are we? Friends?”

Kuroo hesitantly nodded, watching (y/n’s) face intently for any sign of protest. When (y/n) broke out into a smile, Kuroo felt like he was on cloud nine. Like a weight had been lifted off his shoulders after so long. He felt like he was flying.

“We should probably head back. I gotta go back to my schoo-“

“Yeah. Yeah that’s probably..smart...”

It was kind of bittersweet knowing you had to say goodbye to someone you just got your hands back on, but after (y/n) unblocked his number right infront of him before enveloping him in a hug, he supposed it was alright.

“Bye~! call me~” (y/n) mouthed out, stepping onto the bus. People started asking him if he was crying, or what that meltdown was about, but he just shrugged and put some earbuds in with a reserved smile.

Sports sucks. That’s the mindset (y/n) has, and probably will have forever.

But not when I’m with you.

——————

Epilogue:

“(Y/n)!” Kuroo ran up behind the boy and picked him up, twirling him around before setting him down. Tsukishima visibly gagged while Yamaguchi snickered behind him, stepping off the bus and preparing for the training camp.

“Yo! What’s up! God I missed you and your stupid hair.”

“I missed you too~”

...

“So...are we-“

“Yeah, that’s what we said on video chat right? I mean-if you meant it and all.”

“I DID!” Kuroo picked his new boyfriend up, this time placing a chaste kiss on the bridge of his nose.

“And god I love you so much.”

——————

And that’s it!! I hope you enjoyed this series!! Also thank you for 100 followers!! I’m so thankful!!

[nightswithkookmin]

I am a hard Taekook shipper but recently Jikook have been melting my heart by being so cute and cudly and loving. I understand and i am sorry for so mhch hate from Taekookers but trust me Taekookers are a bit shaken right now. I cannot disclose my name here but i would like to say if Jikook is real or they decide to come out which i higly doubt then i am 100% in support and also ur page helped me open my eyes and see a diff sude of shipping which is needed alot more. I am Loving Love ryt now.

C'est la vie!

So sorry for the late response love. You've always been on my mind.

I get not every Taekooker is wild and rabid just as not every Joker is sane and fake woke. Lol.

I mean I'm still holding on to my grudge against your people for storming my business pages and leaving shit reviews on my books- and laughing about it? What was that? Damn. Had to change my author name and everything and I've since been publishing under an alias- let me tell you, it's no fun at all.

In retrospect, I shouldn't have called y'all's ship dead- but honestly it dead, it dried up like a drop of sweat on a dessert. What can I say? People just don't want the truth, lol- had these angry thirteen year olds and fake woke Jokers coming for my ass and my business ass on the flamingo app. Chilee. Your people don't want to be civil. Sigh.

Some people just have no sense of personal responsibility and when they get called out for it they slap you with the whole, 'no one asked you to put yourself and your business out there' - this creepy behavior and mental adroitness is not far from rapists blaming girls for wearing short shorts and mini skirts or thieves blaming people for not putting up a fence and shit to protect their property. It's fucked up.

And don't get me started on what they do to Jimin or JK... or even Tae- not to make you feel bad or anything. It's just my people suck, your people suck, we all suck square- don't apologize for it unless you plan on doing something to change it?

As for Taekook, yea I don't think there is anything wrong with shipping them. They have a beautiful bond, they are both visuals and both funny as hell. If you won't ship them I will. Lol.

Just know the reason you are shipping them? If you are shipping them because you genuinely believe they are a couple too then you need to stop shipping them and start supporting them?

And once you start supporting them then I think you'd sooner realize there isn't anything there to support in the first place. Lol.

I support Jikook because I believe with my full chest they are real and are closeted- emphasis on closeted. And for the record, they are the only queer couples in BTS.

Tae lost his queer card when he accidentally outed Jimin on that radio show. 'I think he likes men' yea, straight up het behavior. Lack of homo sensitivity.

Did you see JK's reaction when JM was asked to spill tea on their pervy behaviors behind cams? My butt quivered. Chilee, I thought he was gone out JK too. Damn.

I think the word real and closeted have come loose and cheap on these streets these days. I don't think most of these shippers when they throw it around fully understand the term or realise what it means and what it takes. If they did, they wouldn't randomly be labeling every ship as 'real' within the fandom.

If you believe Taekook is real and that they are equally hiding their sexuality as well as their relationship within the group, then you should understand how severe and traumatizing this fact is and would be for them as gay men?

The thing is, they are not just hiding parts of themselves and their identity for the sake of their careers or military or whatever if they are real, they are lying to millions, millions of people at a time about who they really are by keeping their identity a secret. Secrets are lies honey, however way we want to see it.

If they are real then they are concealing their true identity away from not just their families and friends- if they haven't come out to them, but acquaintances from work, businesses who wouldn't work with them otherwise, brands, sponsors, Heads of states, their fans....

It's one thing for a heterosexual to keep their heterosexual relationship a secret, it's another for a queer person to keep their queerness and or queer relationship a secret.

A lie as heavy as this is bound to take a toll on them, no matter how good they are at hiding it. A secret gets heavy before it gets easy. Not to sell you on anything but do you see any such secret taking a toll on Taekook? Because I see it taking a toll on Jikook.

Do you believe Taekook are closeted? Because I believe Jikook are.

Being closeted means they have to carry the guilt of knowing that each time they pander to heteronormative roles in variety shows or interviews, or imply by omissions that they are straight, or make generalizing statements about their sexuality to avoid addressing their sexuality directly or give it away, that they are lying to people and spewing half truths- seven years in a roll.

Being closeted is not a joke. It's heavy. I think you need to grasp this before you claim it for anyone.

People like to throw the 'closeted' phrase around willy nilly but fail to comprehend its weight and complexity and consequences especially for people that they believe are actually queer.

It's not easy lying to people about who you are. Unless you are a pathological liar and a psychopath, it's like drowning each day you wake up. You die a little each time. Your sexuality is a huge part of your identity and when you deny it for so long by lying and suppressing it, it's like shutting out a peice of yourself and silencing your own voice. The more you push it aside the louder it screams and the harder it fights to come out.

It's a state of constant internal struggle. You wake up everyday contemplating whether to risk the perfect life you've spent years building just so you can turn off the guilt that comes with keeping a secret of this nature.

And each time you get better at omitting or generalizing and evading questions that hint at your truth, the more you hate yourself and the more guilt you feel. This guilt can become a driving force that pushes you to make risky moves and take impulsive actions such as 'borderline outing your relationship'- does that sound like Taekook to you?

If you are not driven by the love you feel for your partner, you are driven by the guilt and neither is a great place to be if you are queer.

You lie everyday, you get caught up in the lies and soon you start believing in the web of lies you've woven around yourself such that you don't even recognize who you are or why you are, anymore. As such, you are constantly searching for yourself, to reconcile the bits you've hidden away and perhaps forgotten, and you keep exploring your identity because you are unsettled- honey, that sounds more like Jikook than Taekook to me but c'est la vie.

Being closeted is not about moments that get cut by editors, or less interactions, or being seperated or seated further apart from eachother. These are just ship street parlance. Being closeted is an attitudinal, internal attribute rather than external manipulations or influences- it's a science. Lol

Coming out may be risky for any of these boys if they are real, but I promise you hiding is much harder for them.

And so When I look at Taekook, and I see how beautiful they are yet I don't in God's honest truth see them 'dealing' with any or all of these struggles Jikook deal with or have dealt with at one point, in my opinion- forget the homophobia, the wanting to come out, the low key microaggressions they deal with even within the group- 'the Jk never stops crying,' 'the real men don't do this and that talk' talk, the toxic masculinity and internalized homophobia traits JK and Jimin used to exhibit in their early days talking about 'real men don't twerk,' 'real men don't wear rings on their pinky'- all the times Jimin have had to defend his masculinity or even femininity, or stand up for Kook's within the group. 'Men, men, men. What is men?'

Jikook are the only two within the group that in my opinion have struggled most with their identity, with embracing aspects of themselves; you hear them complain about 'living a lie' 'tired of hiding, lying' and all these are themes consistent with closet behavior that they've both explored in one way or the other and even as of 2020 they are still dealing with or 'exploring' their identities perhaps as a means to reconcile their true selves? I'm really struggling with this post because I don't wanna get salesy on your ass. Lol.

Don't get me wrong, Tae struggles and deals with issues too- mostly with loneliness, lowkey depression in my opinion, lowkey bullying- sometimes, lol and he often expresses a desire to find someone and be happy and yet 'his supporters' don't recognize that...

You can wait till Jikook come out officially as queer, if they ever chose to, to support them- Or you can choose to support them and love them now because that's what they need in order to officially come out as and when they choose to? Ok I'm being salesy. Lmho. I'll stop. Don't mind me. But think about it.

Ship whatever ship you want but support Jikook. It's all I'm asking. And by support, I mean don't exhibit any anti homosexual attitude towards them- deadass. You and I gone fight, square up toe to toe, if you do. Lol.

People don't need to be afraid of Jikook. They just need to treat them as human beings and not reduce them to a mere ship. They are a ship too yes, but they are more than that if you ask me.

You sound nice. I love you. I'm glad you enjoy my posts. Merry Christmas and cheers to our ships.

Keep supporting Jikook. Jikook is real.

Signed,

GOLDY

[raisansgrapeon]

My Views on Some of the Cast of the DSMP

We got a lot of things flying left, right, and center right now about characters in the dream smp fandom and I love it. I love seeing the perspectives and the stances and everyone's opinions as long as we're all being civil about it. So, I'm civilly putting in my two cents about... Well... Everything. But mainly just Ghostbur, Phil, and Techno since this post would get obscenely long if I did everyone.

I'd like to just say one thing about my approach to this story:

The characters are morally ambiguous. No one is the good guy. No one is the bad guy. No one is an exception.

Yes, even Dream falls under this.

These are all people, and I always hesitate to call people bad or good in real life because there is so much more beyond what I can see of them, and I think it's a testament to the wonderful acting, improv, writing, and character establishment/writing that it can get me to see fictional block men who do things like claim their mother is a salmon and fill their palaces with flamingos as people.

With that information, I say that I love every character for who they are in the context of the narrative and how they play their role in said narrative.

And I love how each and every one of them are in the wrong somehow in some way.

Ghostbur is suffering the loss of everything he built, technically, a fourth time over.

First with Dream's initial explosion of L'Manburg, second with the actual explosion of L'Manburg, third with the explosion of Logstedshire, and finally with the final explosion of L'Manburg. He's hurting and yes, we all feel immensely bad for this little amnesiac ghost boy who only ever wrote books and built what he loved.

But he acknowledges that he's also hurt people. He knows that. That's why he wants to be resurrected. Even if he forgets conversations, impressions and residual feelings and ideas still hold over, since he clearly didn't just forget about his desire to be resurrected after he forgot his spat with Phil. He recontextualizes his desires and feelings under new sources but the idea of, this is the only way I can make everyone feel better, still lingers. Fundy told him that he needed to stop running away from his problems and face them. He may have forgotten that conversation, but the idea that who he is and what Ghostbur, as an entity, represents is hurting everyone, lingers.

Ghostbur has hurt people. Not of malicious intent, but intent does not dictate the feelings and actions of those around you in response to your own actions. Ghostbur uses his blue to forget his sorrows, and that action cuts those around him off from the emotional reconciliation Ghostbur knows they need from him.

Even then, who he is is not primed to deal with the fallout that would come if he even had voluntary control over his amnesia. Ghostbur insists he's not Alivebur, but he kinda is in a way. Both are very rigid in their beliefs when their mind is made up. There is no negotiation afterwards. Ghostbur's fundamental ideals have been locked in from the start of his existence. He makes others happy, and he restores L'Manburg. The idea that he no longer has the capability to do either of these things as he is now lingers without context. A ghost of a conversation forgotten that got held onto as the only good thing to come out of it.

Ghostbur is not 100% good. He's airheaded and well meaning, but he's never addressed the core issues that he caused.

Phil is trying to prevent what happened to his son from ever happening again.

Phil is a bigger picture man. He sees the world around him as a collective that works together to maintain itself. He doesn't have many personal ties beyond Techno and Wilbur in canon. He truly acts like a third-party hanging above the fray watching as the tides of war ebb and flow. He sees the corruption and sickness that lies within L'Manburg that killed his son thrive long after the mad king had been struck down. He held hope that in the wake of tragedy, Tubbo and the citizens would turn the tides, but they proved him wrong. What killed his son tried to kill his friend, and Phil was going to stop it.

But Phil was too zoomed out to see the personal aspect that L'Manburg held. He was too focused of the bigger picture to remember that Friend was in his house. He couldn't see L'Manburg as the home of many. He was still too detached from the feelings of the people to understand why Ghostbur was upset in the first place. The conversation between the two was not about Phil trying to get Ghostbur to understand why L'Manburg needed to go, it was Ghostbur trying to get Phil to understand why this was not the right option.

Philza has hurt people. He hurt his son by not only aiding in the destruction of his son's home and Friend, but also refusing to see the individuals in the conflict. He hurt Fundy by rejecting him the moment he realized that his grandson was following the tide of battle in the wrong direction. In the end, Phil never chose to see the situation from any other perspective other than his own.

He's disjointed and disconnected from the world around him. He truly loves and cares for two, at one point three, people on the server canonically and beyond that is an ambiguous blur. This isn't really his battle, in all honesty. He came when he saw that Wil was gonna do something everyone would regret, and he tried to step in and stop it, but beyond that, he was never there for anything. He never cared about L'Manburg and he never cared about its people. He's kind and caring to those in passing and he has a sense of nobility and honor where he respects and helps those who helped him. Still, he sees the world around him as a collective, and rarely anything more.

Philza is not 100% good, but he's not 100% bad. He's principled and intelligent, but he has no concept of how his actions affect the individual beyond the collective.

Techno has been abandoned and played like a fiddle this whole time.

Technoblade is, beyond a shadow of a doubt, the most straightforward character in the smp in terms of motivation. He is explicit and blatant about his anarchy and goals. Yet, somehow, everyone keeps falling into the thought that Techno is a naturally passive force that can be activated into action. In actuality, Techno is very proactive. He prepares and plans beyond wartime. He acts swiftly and precisely. He follows Sun Tzu's tenants faithfully. He does not idle and sticks to his most recent plan to a T if he thinks he can win.

But Techno doesn't see outside himself. He knows what works for him but is blind to others' needs and desires. Anarchy is how Techno can live comfortably, but not everyone can and certainly not everyone in the server. He plays by his rules and rational and imposes those thoughts onto others, not understanding when they act contrary to his understanding and thus rules them to being irrational on purpose. That they just want to ruin his life.

Techno has hurt people and we all know this. Everyone here believes that Techno betrayed them not when he wouldn't join their government, but when he wouldn't leave well enough alone. He did that too late. If he had conceded at the end of the Manburg-Pogtopia war that he did what he was called to do and just left for retirement in the first place, he could've lived just fine. But he's proactive, and he felt betrayed by them when they instantly instilled not only a new leader, but one under the same format and structure that had already failed twice. But who ever said that was his problem?

Techno, as well as everyone but especially Techno, sees himself as the one in the right all the time. He doesn't regret a single thing he's done, at least not anywhere I've seen. He is sure in his beliefs, lifestyle, principles, and logic. He enforces these on other's and sees them as ignorant and dumb for thinking different to him. It takes a lot for him to let bygones be bygones, and it's easy to provoke him into action. Albeit, none of this is helped by the literal chorus of voices constantly memeing in his head, but my point still stands.

Technoblade is not 100% bad, nor is he 100% good. He's motivated and honest, but he doesn't think about other's preferences having the possibility of having a logic behind them.

I could go on and on with nearly every main player in this story but this is what I have off the top of my head.

Basically: no one is good. No one is bad. They all make mistakes as a result of their flaws and those mistakes negatively affect real people in real ways. And I wouldn't have them act any other way.

Your favorite doesn't need to be a saint. You don't have to bend over backwards to defend your fave in order to make them the morally correct person in any given situation. Let yourself love a rich, flawed character. Because they deserve to be loved for their flaws and all.

They deserve to be loved as people.

[all-things-are-nothing-to-me]

The New Nihilism

It feels increasingly difficult to tell the difference between—on one hand—being old, sick, and defeated, and—on the other hand—living in a time-&-place that is itself senile, tired, and defeated. Sometimes I think it’s just me—but then I find that some younger, healthier people seem to be undergoing similar sensations of ennui, despair, and impotent anger. Maybe it’s not just me.

A friend of mine attributed the turn to disillusion with “everything”, including old-fashioned radical/activist positions, to disappointment over the present political regime in the US, which was somehow expected to usher in a turn away from the reactionary decades since the 1980s, or even a “progress” toward some sort of democratic socialism. Although I myself didn’t share this optimism (I always assume that anyone who even wants to be President of the US must be a psychopathic murderer) I can see that “youth” suffered a powerful disillusionment at the utter failure of Liberalism to turn the tide against Capitalism Triumphalism. The disillusion gave rise to OCCUPY and the failure of OCCUPY led to a move toward sheer negation.

However I think this merely political analysis of the “new nothing” may be too two-dimensional to do justice to the extent to which all hope of “change” has died under Kognitive Kapital and the technopathocracy. Despite my remnant hippy flower- power sentiments I too feel this “terminal” condition (as Nietzsche called it), which I express by saying, only half-jokingly, that we have at last reached the Future, and that the truly horrible truth of the End of the World is that it doesn’t end.

One big J.G. Ballard/Philip K. Dick shopping mall from now till eternity, basically.

This IS the future—how do you like it so far? Life in the Ruins: not so bad for the bourgeoisie, the loyal servants of the One Percent. Air-conditioned ruins! No Ragnarok, no Rapture, no dramatic closure: just an endless re-run of reality TV cop shows. 2012 has come and gone, and we’re still in debt to some faceless bank, still chained to our screens.

Most people—in order to live at all—seem to need around themselves a penumbra of “illusion” (to quote Nietzsche again):—that the world is just rolling along as usual, some good days some bad, but in essence no different now than in 10000 BC or 1492 AD or next year. Some even need to believe in Progress, that the Future will solve all our problems, and even that life is much better for us now than for (say) people in the 5th century AD. We live longer thanx to Modern Science—of course our extra years are largely spent as “medical objects”—sick and worn out but kept ticking by Machines & Pills that spin huge profits for a few megacorporations & insurance companies. Nation of Struldbugs.

True, we’re suffocating in the mire generated by our rule of sick machines under the Numisphere of Money. At least ten times as much money now exists than it would take to buy the whole world—and yet species are vanishing space itself is vanishing, icecaps melting, air and water grown toxic, culture grown toxic, landscape sacrificed to fracking and megamalls, noise-fascism, etc, etc. But Science will cure all that ills that Science has created—in the Future (in the “long run”, when we’re all dead, as Lord Keynes put it); so meanwhile we’ll carry on consuming the world and shitting it out as waste—because it’s convenient & efficient & profitable to do so, and because we like it.

Well, this is all a bunch of whiney left-liberal cliches, no? Heard it before a million times. Yawn. How boring, how infantile, how useless. Even if it were all true... what can we do about it? If our Anointed Leaders can’t or won’t stop it, who will? God? Satan? The “People”?

All the fashionable “solutions” to the “crisis”, from electronic democracy to revolutionary violence, from locavorism to solar-powered dingbats, from financial market regulation to the General Strike—all of them, however ridiculous or sublime, depend on one preliminary radical change—a seismic shift in human consciousness. Without such a change all the hope of reform is futile. And if such a change were somehow to occur, no “reform” would be necessary. The world would simply change. The whales would be saved. War no more. And so on.

What force could (even in theory) bring about such a shift? Religion? In 6,000 years of organized religion matters have only gotten worse. Psychedelic drugs in the reservoirs? The Mayan calendar? Nostalgia? Terror?

If catastrophic disaster is now inevitable, perhaps the “Survivalist” scenario will ensue, and a few brave millions will create a green utopia in the smoking waste. But won’t Capitalism find a way to profit even from the End of the World? Some would claim that it’s doing so already. The true catastrophe may be the final apotheosis of commodity fetishism.

Let’s assume for the sake of argument that this paradise of power tools and back-up alarms is all we’ve got & all we’re going to get. Capitalism can deal with global warming—it can sell water-wings and disaster insurance. So it’s all over, let’s say—but we’ve still got television & Twitter. Childhood’s End—i.e. the child as ultimate consumer, eager for the brand. Terrorism or home shopping network—take yr pick (democracy means choice).

Since the death of the Historical Movement of the Social in 1989 (last gasp of the hideous “short” XXth century that started in 1914) the only “alternative” to Capitalist Neo-Liberal totalitarianism that seems to have emerged is religious neo-fascism. I understand why someone would want to be a violent fundamentalist bigot—I even sympathize—but just because I feel sorry for lepers doesn’t mean I want to be one.

When I attempt to retain some shreds of my former antipessimism I fantasize that History may not be over, that some sort of Populist Green Social Democracy might yet emerge to challenge the obscene smugness of “Money Interests”—something along the lines of 1970s Scandinavian monarcho-socialism—which in retrospect now looks the most humane form of the State ever to have emerged from the putrid suck-hole of Civilization. (Think of Amsterdam in its heyday.) Of course as an anarchist I’d still have to oppose it—but at least I’d have the luxury of believing that, in such a situation, anarchy might actually stand some chance of success. Even if such a movement were to emerge, however, we can rest damn-well assured it won’t happen in the USA. Or anywhere in the ghost-realm of dead Marxism, either. Maybe Scotland!

It would seem quite pointless to wait around for such a rebirth of the Social. Years ago many radicals gave up all hope of The Revolution, and the few who still adhere to it remind me of religious fanatics. It might be soothing to lapse into such doctrinaire revolutionism, just as it might be soothing to sink into mystical religion—but for me at least both options have lost their savor. Again, I sympathize with those true believers (although not so much when they lapse into authoritarian leftism or fascism)— nevertheless, frankly, I’m too depressed to embrace their Illusions.

If the End-Time scenario sketched above be considered actually true, what alternatives might exist besides suicidal despair? After much thought I’ve come up with three basic strategies.

1) Passive Escapism. Keep your head down, don’t make waves. Capitalism permits all sorts of “lifestyles” (I hate that word)—just pick one & try to enjoy it. You’re even allowed to live as a dirt farmer without electricity & infernal combustion, like a sort of secular Amish refusnik. Well, maybe not. But at least you could flirt with such a life. “Smoke Pot, Eat Chicken, Drink Tea,” as we used to say in the 60s in the Moorish Church of America, our psychedelic cult. Hope they don’t catch you. Fit yourself into some Permitted Category such as Neo-Hippy or even Anabaptist.

2) Active Escapism. In this scenario you attempt to create the optimal conditions for the emergence of Autonomous Zones, whether temporary, periodic or even (semi)permanent. In 1984 when I first coined the term Temporary Autonomous Zone (TAZ)

I envisioned it as a complement to The Revolution—although I was already, to be truthful, tired of waiting for a moment that seemed to have failed in 1968. The TAZ would give a taste or premonition of real liberties: in effect you would attempt to live as if the Revolution had already occurred, so as not to die without ever having experienced “free freedom” (as Rimbaud called it, liberte libre). Create your own pirate utopia.

Of course the TAZ can be as brief & simple as a really good dinner party, but the true autonomist will want to maximize the potential for longer & deeper experiences of authentic lived life. Almost inevitably this will involve crime, so it’s necessary to think like a criminal, not a victim. A “Johnson” as Burroughs used to say—not a “mark”. How else can one live (and live well) without Work. Work, the curse of the thinking class. Wage slavery. If you’re lucky enough to be a successful artist, you can perhaps achieve relative autonomy without breaking any obvious laws (except the laws of good taste, perhaps). Or you could inherit a million. (More than a million would be a curse.) Forget revolutionary morality—the question is, can you afford your taste of freedom? For most of us, crime will be not only a pleasure but a necessity. The old anarcho-Illegalists showed the way: individual expropriation. Getting caught of course spoils the whole thing—but risk is an aspect of self-authenticity.

One scenario I’ve imagined for active Escapism would be to move to a remote rural area along with several hundred other libertarian socialists—enough to take over the local government (municipal or even county) and elect or control the sheriffs & judges, the parent/teacher association, volunteer fire department and even the water authority. Fund the venture with cultivation of illegal phantastice and carry on a discreet trade. Organize as a “Union of Egoists” for mutual benefit & ecstatic pleasures—perhaps under the guise of “communes” or even monasteries, who cares. Enjoy it as long as it lasts.

I know for a fact that this plan is being worked on in several places in America—but of course I’m not going to say where.

Another possible model for individual escapists might be the nomadic adventurer. Given that the whole world seems to be turning into a giant parking lot or social network, I don’t know if this option remains open, but I suspect that it might. The trick would be to travel in places where tourists don’t—if such places still exist—and to involve oneself in fascinating and dangerous situations. For example if I were young and healthy I’d’ve gone to France to take part in the TAZ that grew around resistance to the new airport—or to Greece—or Mexico—wherever the perverse spirit of rebellion crops up. The problem here is of course funding. (Sending back statues stuffed with hash is no longer a good idea.) How to pay for yr life of adventure? Love will find a way. It doesn’t matter so much if one agrees with the ideals of Tahrir Square or Zucotti Park—the point is just to be there.

3. Revenge. I call it Zarathustra’s Revenge because as Nietzsche said, revenge may be second rate but it’s not nothing. One might enjoy the satisfaction of terrifying the bastards for at least a few moments. Formerly I advocated “Poetic Terrorism” rather than actual violence, the idea being that art could be wielded as a weapon. Now I’ve rather come to doubt it. But perhaps weapons might be wielded as art. From the sledgehammer of the Luddites to the black bomb of the attentat, destruction could serve as a form of creativity, for its own sake, or for purely aesthetic reasons, without any illusions about revolution. Oscar Wilde meets the acte gratuit: a dandyism of despair.

What troubles me about this idea is that it seems impossible to distinguish here between the action of post-leftist anarcho-nihilists and the action of post-rightist neo-traditionalist reactionaries. For that matter, a bomb may as well be detonated by fundamentalist fanatics—what difference would it make to the victims or the “innocent bystanders”? Blowing up a nanotechnology lab—why shouldn’t this be the act of a desperate monarchist as easily as that of a Nietzschean anarchist?

In a recent book by Tiqqun (Theory of Bloom), it was fascinating to come suddenly across the constellation of Nietzsche, Rene Guenon, Julius Evola, et al. as examples of a sharp and just critique of the Bloom syndrome—i.e., of progress-as-illusion. Of course the “beyond left and right” position has two sides—one approaching from the left, the other from the right. The European New Right (Alain de Benoist & his gang) are big admirers of Guy Debord, for a similar reason (his critique, not his proposals).

The post-left can now appreciate Traditionalism as a reaction against modernity just as the neo-traditionalists can appreciate Situationism. But this doesn’t mean that post-anarchist anarchists are identical with post-fascism fascists!

I’m reminded of the situation in fin-de-siecle France that gave rise to the strange alliance between anarchists and monarchists; for example the Cerce Proudhon. This surreal conjunction came about for two reasons: a) both factions hated liberal democracy, and b) the monarchists had money. The marriage gave birth to weird progeny, such as Georges Sorel. And Mussolini famously began his career as an Individualist anarchist!

Another link between left & right could be analyzed as a kind of existentialism; once again Nietzsche is the founding parent here, I think. On the left there were thinkers like Gide or Camus. On the right, that illuminated villain Baron Julius Evola used to tell his little ultra-right groupuscules in Rome to attack the Modern World—even though the restoraton of tradition was a hopeless dream—if only as an act of magical self-creation. Being trumps essence. One must cherish no attachment to mere results. Surely Tiqqun’s advocacy of the “perfect Surrealist act” (firing a revolver at random into a crowd of “innocent by-standers”) partakes of this form of action-as-despair. (Incidentally I have to confess that this is the sort of thing that has always—to my regret—prevented my embracing Surrealism: it’s just too cruel. I don’t admire de Sade, either.)

Of course, as we know, the problem with the Traditionalists is that they were never traditional enough. They looked back at a lost civilization as their “goal” (religion, mysticism, monarchism, arts-&-crafts, etc.) whereas they should have realized that the real tradition is the “primordial anarchy” of the Stone Age, tribalism, hunting/gathering, animism—what I call the Neanderthal Liberation Front. Paul Goodman used the term “Neolithic Conservatism” to describe his brand of anarchism—but “Paleolithic Reaction” might be more appropriate!

The other major problem with the Traditionalist Right is that the entire emotional tone of the movement is rooted in self-repression. Here a rough Reichean analysis suffices to demonstrate that the authoritarian body reflects a damaged soul, and that only anarchy is compatible with real self-realization.

The European New Right that arose in the 90s still carries on its propaganda—and these chaps are not just vulgar nationalist chauvenist anti-semitic homophobic thugs—they’re intellectuals & artists. I think they’re evil, but that doesn’t mean I find them boring. Or even wrong on certain points. They also hate the nanotechnologists!

Although I attempted to set off a few bombs back in the 1960s (against the war in Vietnam) I’m glad, on the whole, that they failed to detonate (technology was never my metier). It saves me from wondering if I would’ve experienced “moral qualms”. Instead I chose the path of the propagandist and remained an activist in anarchist media from 1984 to about 2004. I collaborated with the Autonomedia publishing collective, the IWW, the John Henry Mackay Society (Left Stirnerites) and the old NYC Libertarian Book Club (founded by comrades of Emma Goldman, some of whom I knew, & who are now all dead). I had a radio show on WBAI (Pacifica) for 18 years. I lectured all over Europe and East Europe in the 90s. I had a very nice time, thank you. But anarchism seems even farther off now than it looked in 1984, or indeed in 1958, when I first became an anarchist by reading George Harriman’s Krazy Kat. Well, being an existentialist means you never have to say you’re sorry.

In the last few years in anarchist circles there’s appeared a trend “back” to Stirner/Nietzsche Individualism—because after all, who can take revolutionary anarcho-communism or syndicalism seriously anymore? Since I’ve adhered to this Individualist position for decades (although tempered by admiration for Charles Fourier and certain “spiritual anarchists” like Gustave Landauer) I naturally find this trend agreeable.

“Green anarchists” & AntiCivilization Neo-primitivists seem (some of them) to be moving toward a new pole of attraction, nihilism. Perhaps neo-nihilism would serve as a better label, since this tendency is not simply replicating the nihilism of the Russian narodniks or the French attentatists of circa 1890 to 1912, however much the new nihilists look to the old ones as precursors. I share their critique—in fact I think I’ve been mirroring it to a large extent in this essay: creative despair, let’s call it. What I do not understand however is their proposal—if any. “What is to be done?” was originally a nihilist slogan, after all, before Lenin appropriated it. I presume that my option #1, passive escape, would not suit the agenda. As for Active Escapism, to use the suffix “ism” implies some form not only of ideology but also some action. What is the logical outcome of this train of thought?

As an animist I experience the world (outside Civilization) as essentially sentient. The death of God means the rebirth of the gods, as Nietzsche implied in his last “mad” letters from Turin— the resurrection of the great god PAN—chaos, Eros, Gaia, & Old Night, as Hesiod put it—Ontological anarchy, Desire, Life itself, & the Darkness of revolt & negation—all seem to me as real as they need to be.

I still adhere to a certain kind of spiritual anarchism—but only as heresy and paganism, not as orthodoxy and monotheism. I have great respect for Dorothy Day—her writing influenced me in the 60s—and Ivan Illich, whom I knew personally—but in the end I cannot deal with the cognitive dissonance between anarchism and the Pope! Nevertheless I can believe in the re-paganaziation of monotheism. I hold to this pagan tradition because I sense the universe as alive, not as “dead matter.” As a life-long psychedelicist I have always thought that matter & spirit are identical, and that this fact alone legitimizes what Theory calls “desire”.

From this p.o.v. the phrase “revolution of everyday life” still seems to have some validity—if only in terms of the second proposal, Active Escapism or the TAZ. As for the third possibility— Zarathustra’s Revenge—this seems like a possible path for the new nihilism, at least from a philosophical perspective. But since I am unable personally to advocate it, I leave the question open.

But here—I think—is the point at which I both meet with & diverge from the new nihilism. I too seem to believe that Predatory Capitalism has won and that no revolution is possible in the classical sense of that term. But somehow I can’t bring myself to be “against everything.” Within the Temporary Autonomous Zone there still seems to persist the possibility of “authentic life,” if only for a moment—and if this position amounts to mere Escapism, then let us become Houdini. The new surge of interest in Individualism is obviously a response to the Death of the Social. But does the new nihilism imply the death even of the individual and the “union of egoists” or Nietzschean free spirits? On my good days, I like to think not.

No matter which of the three paths one takes (or others I can’t yet imagine) it seems to me that the essential thing is not to collapse into mere apathy. Depression we may have to accept, impotent rage we may have to accept, revolutionary pessimism we may have to accept. But as e.e. cummings (anarchist poet) said, there is some shit we will not take, lest we simply become the enemy by default. Can’t go on, must go on. Cultivate rosebuds, even selfish pleasures, as long as a few birds & flowers still remain. Even love may not be impossible...

[kaizokuou-ni-naru]

Some Reasons I Love One Piece

So I set up a poll to ask what I should do for my 4000 follower milestone, and something like 85% of the responses to my poll said you wanted me to do a compilation of stuff I love about One Piece! So hell yeah, get ready for me to talk about pirates for way too long (a sentence that could also serve as an accurate blog description).

Before that though, lemme just say- thank you all! Seriously! When I started this blog I figured I’d be extremely lucky to end up with like a thousand followers, and now I have four times that and it just keeps growing, which just constantly baffles and amazes me. I adore every one of you, and you’re providing me something fun and productive to do in quarantine, and I love you for that.

Anyways! Let’s talk good shit.

Let’s start with Luffy. The whole story starts with him, after all.

I love Luffy, just as a character. He’s one of my favorite protagonists in anything, ever, when ordinarily protagonist characters don’t really appeal to me all that much. I genuinely think he might be my favorite character in One Piece now that I sit down and really think about it. I love how unconventional of a main character he is- he actively shuns the idea of being a hero and is in fact the most chaotic neutral motherfucker on the planet, and yet he’s so friendly and loyal and fun that you straight up can’t not love him both in-universe and out. 

I also love the Strawhats just in general, both as a group and individually. Found family is one of my all-time favorite story tropes, and they do it better than like, the vast majority of stories out there. They’re all so completely unique from each other and play off each other so well and they really do feel like a family. I love how often Oda just shows them fucking around and hanging out. (One of my only gripes with post-timeskip is how much time they spend split apart.) I think it says a lot about them that I struggled so much when someone asked me to rank the Strawhats a few months back and had to rearrange the list like four times. I just!! Love them all!!

One of my favorite things about One Piece is that it’s the story of Luffy’s rise, and that it occurs in a world that’s so solidly scaled and well-developed that all progress he makes actually feels tangible and impactful. Some of my favorite moments in One Piece are the ones where we can see how far he and the crew have come and see other people’s reactions. His reappearance at Sabaody after the timeskip is my favorite scene in the manga, full stop. His entrance at Marineford and all of the Decks of the World cover stories delight me for the same reason.

Speaking of the worldbuilding, god it’s so good? I think one of the greatest potential strengths of a long manga is that its just got so much time to establish and build on so much information, and sometimes that leads to mangaka kind of tying themselves in knots with too much lore and explanation, but Oda just fucking nails it. 

I recently read a conversation during Zou where the Strawhats are talking to Inuarashi, Nekomamushi and the Wano folks about all their mutual acquaintances on the Roger Pirates- Brook asks about Crocus, Franky mentions Tom, etc- and I had a moment where I realized how in pretty much any other series all those connections might seem contrived, but in One Piece it works so well. So much time has been dedicated to establishing all these facts and characters and connections over years and hundreds of chapters that when they do come together, it just feels so satisfying. 

Like, at Twin Cape Crocus mentions he was a ship’s doctor and then mentions Roger as the Strawhats leave, at Thriller Bark we find out he’s Brook’s friend, at Sabaody in conversation with Rayleigh we find out for sure which ship he was a doctor on and that he joined them to look for Brook’s crew- and it all just falls together so nicely. One Piece is maybe the strongest series I’ve ever read in terms of how it establishes its characters and concepts and how they all fit into the world and cross over and connect with each other. The world of One Piece is huge, but it also feels so alive and interconnected, and that’s just wonderful. 

I love how hopeful One Piece is. I was talking to a friend a couple months ago who doesn’t watch it, and she kind of dismissed it as ‘a show where nobody dies.’ Which- setting aside the fact that that’s just not fucking true- my first response to that was, “So?” I think it’s nice that we can all know for pretty much certain that the Strawhats will achieve their dreams in the end. There’ll be a happy ending, and Luffy’s going to be Pirate King, we’ve known that from the start. The fun is in seeing how they get there. 

Aside from a few specific cases, I also really like how Oda does his character writing just in general. The female characters in One Piece generally get a bad rap, largely from people who haven’t watched the show and judge it on the (admittedly exaggerated) artstyle, but fuck if I haven’t seen such a widely varied and developed and flawed female cast writing-wise since- I don’t even know. Oda does a really good job of giving his characters, both male and female, unique and memorable personalities, which is super fucking impressive considering just how many there are. Similarly, I’m impressed by how new characters are introduced without getting repetitive or annoying, and very often those characters are really fantastic. I could talk about all the different One Piece characters I love and why, but we would legitimately be here all day. 

I also love how unlike a lot of long-running series like this, characters don’t just go away when their time in the spotlight is done. In just about any other series, characters like Buggy and Coby and Crocodile would just be gone and never to be heard from again after they’ve served their purpose. Instead you have the stupid clown villain from the second arc becoming a fucking shichibukai several hundred chapters later, and it makes sense in the context of the story! The whole concept of the cover stories works really well towards this aspect of One Piece, letting us see what all these other characters are up to without taking attention off the main story. This fits in with the interconnectedness I mentioned earlier, too. 

And I like how (and I know there are people who will argue this, I have had them in my inbox, but I do not care) One Piece has stayed so strong for so long. I’ve mentioned before that both of my favorite big arcs are pre-timeskip- Alabasta, for the civil war storyline and great supporting cast and villains, and W7/Enies Lobby, for the epic emotional highs and lowers + ANOTHER great supporting cast. But like, I’ve been enjoying the more recent arcs just as much! Honestly, now that I’ve finished Dressrosa, I think it definitely ranks up there among my favorites as well, for how chaotic and fun and high-stakes the whole thing felt when I was binging through it. I’m only a few chapters into Whole Cake Island so far but it seems very promising, and I’m really excited to get to Wano from what I’ve seen of it.

I haven’t even really touched on the art yet, either. I know the artstyle turns some people off of the series, for how kind of cartoony it is sometimes and how different it is from most other series, but honestly I just love it. I wasn’t sure about it at the start but it grew on me very fast. Hell, I have a whole tag (which I should use more) dedicated just to appreciation of pretty panels.

And the action scenes in One Piece are so fun and expressive and creative and almost always at least a little silly just by the nature of Luffy’s powers. I don’t think I’ve ever been bored during a One Piece fight. And the splash pages are frequently just breathtaking. I’m a writing person, not an art person, so I’m bad at putting this kind of thing into words nearly as well, but- yeah. One Piece Art Good. (My friend Narramin also has a really, really good series of posts about how great the visual storytelling in OP is starting here that I highly recommend, if you’re interested.)

Finally, I think my favorite thing about One Piece is that it’s all one story, start to end. I kind of touched on this above with the worldbuilding thing, but you can see what a ridiculous degree of thought and planning Oda has put into his story, and how well everything comes together. It’s the main aspect that got me to give One Piece a try in the first place- I heard how good and thought-out the long term storytelling is, and I just eat that shit up. I don’t think I’ve ever had the level of trust in a creator to handle and end their story satisfyingly that I have in Oda. It’s a good feeling. 

[thingsifeelicantsayhere]

About Kink at Pride

One: Thanks SO Much to the person who decided to @ me about 6 different times after I already mentioned how I can’t reply. Edit: Just read them! Thank you for linking me to the same article twice. I saw that one to, and at least 7 others! I closed out of all of them. Read on to see why!! And I call everyone hon, hon - sorry if I offended you!

Two: Kink at Pride thoughts, below the cut. TL;DR: Yes, I was wrong on certain things. Does that change my opinion? Nope! Still think Kink shouldn’t be at Pride.

Note: an entire history of gay Pride is listed below, starting with the Reminder marches. I started there because it felt like the logical place to start, given the organizers of Pride participating in those as well. It’s a LONG one guys, so strap in.

So, starting out: Gay Rights Timeline (it’s brief, because I don’t have an entire night of getting triggered and showing I can research things)

July 4, 1965: “Gay rights activists gathered outside Independence Hall in Philadelphia carrying picket signs and demanding legislation that would secure the rights of LGBT Americans. Referencing the self-evident truth mentioned in the Declaration of Independence that “all men are created equal,” the activists called for legislative changes that would improve the lives of American homosexuals. Activist Craig Rodwell conceived of the event following an April 17, 1965 picket at the White House led by Frank Kameny and members of the New York City and Washington, D.C. chapters of the Mattachine Society, Philadelphia’s Janus Society and the New York chapter of the Daughters of Bilitus. The groups operated under the collective name East Coast Homophile Organizations (ECHO). It was called the “Annual Reminder” to remind the American people that a substantial number of American citizens were denied the rights of “life, liberty, and the pursuit of happiness.”

June 28, 1969: A police raid on Stonewall [a mafia run gay bar] occurs, leading to the Stonewall Riots. Marsha P. Johnson, a “transexual drag queen” and known sex worker, frequented the Stonewall Bar, being the first drag queen to go to what had previously been a bar only for gay men. Police raided the bar to check for unlicensed liquor sales, but also to arrest those who were in violation of the state’s “gender-appropriate clothing statute” (which meant that any female-presenting people in the bar who passed as female had their genitals checked by female police officers, and female-presenting people who did not pass were arrested). Fed up with harassment from the police, the community around the bar became agitated. After a policeman hit Stormé DeLarverie, a “dyke” lesbian on the head while pushing her into his police van, the crowd grew violent. Police barricaded themselves inside the Stonewall Inn for safety, which was soon set on fire. It is still debated whether police or the rioters began a fire in the building, but most sources claim the rioters began the fire. Marsha P. Johnson became well known as the one who “Threw the first brick at Stonewall” (though she herself has stated that she came late to the riots).

That night, while returning home, Craig Rodwell passed Stonewall, and alerted the press in order for there to be news coverage of the historic event. Rodwell was a well known activist at the time, one of the organizers of ECHO, sitting in on protests, opening the first Gay Bookstore (dedicated to Oscar Wilde), and of course, helping to organize the first Gay Pride Parade in the bookstore.

Five Months after the Riots: Among those who proposed the Gay Pride parades were Craig Rodwell and his partner Fred Sargeant (who later tried to claim transgender people and POC did nothing in the riots), Ellen Broidy (former member of the Gay Liberation Front, Lavender Menace, and Radicalesbians), and Linda Rhodes (genuinely having trouble finding information on her; I just know she was friends with Ellen and Craig). Together, they made a proposal for an annual march on the last Saturday in June where there were “no dress or age regulations.” Their proposal was given at the Eastern Regional Conference of Homophile Organizations (ERCHO) in Philadelphia.

After the proposal was made, Brenda Howard (a life-long bisexual and openly sex-positive activist, as well as anti-war feminist “radical” by some sources) helped plan it. Making use of the Oscar Wilde mailing list, word got out. It was Howard’s idea to turn this march into a week-long celebration. Also on this committee was L. Craig Schoonmaker, who had been arrested the previous year for talking to another male. He coined the term “Pride” for the slogan of the parade. (Note: L. Craig Schoonmaker was an INCREDIBLY problematic person, and discussing just how stupid that story is really deserves its own post – needless to say, I’m a little sad he’s the one who coined “Gay Pride” as the slogan.) This was the one and only contribution he had to the parade.

June 28, 1970: The first Parade, organized by Chicago Gay Liberation. The first parade was originally called the Christopher Street Liberation Day March, named after the street where Stonewall Inn was. These were different from the Annual Reminder marches, where those in the gay community “walk in an even line, wear professional clothing, and do not display affection for a partner of the same gender” (Waters, 1). “The march was 51 blocks long from west of Sixth Avenue at Waverly Place, in Greenwich Village, all the way to Sheep’s Meadow in Central Park, where activists held a “Gay-in.” Borrowing a technique that had been popularized by the Civil Rights Movement, the “Gay-in” was both a protest and a celebration.”

From there, there were more parades of course. But as promised, here’s all my research on Kink at Pride.

….

I would provide sources. I would share what I tried to look at for multiple hours tonight. But the fact of the matter is, this is the part where I got triggered, nearly threw up, and had to exit most tabs.

What I managed to find out: Yes, Kink has been a thing at Pride for a long time. I do not know the extent of this, but I do know at the very least (due to some image sourcing) that the 1980s saw men in leather that covered most of their skin (it was not inredibly revealing). I was incorrect about this fact, so shit on me I guess. Now, what all I saw was just… men in leather sometimes. I did NOT in fact see people on leashes, naked with only a bandana around their legs to hide genitals, or muzzles (as I have seen in modern-day prides). I saw people who took pride in being leather gays without doing strict sexual acts – costumes, not whipping their partners in broad daylight or walking them like dogs, which is sexually gratifying for the sub (which I have also seen at modern day prides).

Note: I have not personally been to a Pride parade, but I have seen pictures and videos of modern day prides showing these acts. For obvious reasons, I am not including them here.

The reason for the previous inclusion of kink in pride seems to have grown from the fact that, for many LGBT+ people, they are both kinky and LGBT+ in some way. I saw numerous sources talking about how being Kinky is just part of being LGBT, and how pride in being LGBT+ also means pride in being Kinky.

I deadass could not look at anymore sources because I am so physically nauseated by it, and reading about this (as I mentioned numerous times to every single person who DMed me tonight telling me to “Read fucking sources”) triggers me. But can’t stop getting screamed at unless I “do my research” right?? Joy of all joys.

So what do I think about getting rid of kink at Pride?

I still think we should move to phase it out.

Reasoning:

1.      The original people who thought up Pride were not the best. They thought up Pride through transphobic, sexist, radial feminist, insert-other-dated-views here. And I don’t blame them – it was the 1970s. But I feel that, by the 2020s, the idea of “Pride” should have changed. And it has! I saw that Ellen B. discussed how Pride had changed “Far” from what was originally intended in the interview with her (raising the entirely valid concerns that I agree with that Capitalism has too strong of a foothold in current pride). I just think that it should change more, to fit with what is currently needed.

2.      This leads to my next point: what is currently needed? Back in the 1970s, Gay Pride was about having pride in, well, sex. Pride was based so strongly in having sex with the same-sex, being deviant, being different. But that isn’t what Gay Pride is anymore, or at least, Gay Pride includes much more than just sex now. Pride is meant to be an inclusive place for all LGBT+ communities – including fucking asexuals. Like me. See, when researching all of this, I had a hell of a time, because I’m “damaged goods” so to speak. I’ve been hurt through sexual stuff in the past, and yes, that has probably influenced my asexuality. Am I against sex? No! I enjoy it! With my partner. And that’s basically it. Am I okay seeing sex stuff? Yes! Most of the time. On a consentual basis. Would I probably be okay seeing it at Pride? IDK Maybe? But it would spark bad memories, to the point that I would rather avoid Pride, avoid going to the Big Event™ that everyone always says You Have To Go To that would make me feel validated… than go to it. Because of Kink Gear. And I have had other people contact me tonight saying the same thing – they can’t go to Pride because you Kinksters. They can’t because of triggers, or the fact that it’s uncomfortable, or the fact that “well, my parents aren’t homophobic, but it’s too adult.”

3.      “Okay, so make a PG Space – we were here first.” “It’s not inclusive if Kink isn’t there.” “Children won’t even understand the kink in the first place.” Here’s my problem with all of this. Kink already has spaces, but PG spaces don’t exist in this much openness. See, I’ve always heard of kinky spaces. Expos, dungeons, etc. I’ve always heard of safe-spaces for kinky gays. Including Pride. But I rarely hear of PG Spaces for Gay People. I rarely hear of PG spaces at all. It’s hard to exist in this world without people making it about sex, so much so that I find myself often getting stuck in Children’s Fandoms, Children’s Spaces, because they’re the only spaces that haven’t been touched by sex stuff. So we need PG Spaces for Gay People - and yes, we COULD make a PG thing for gay people. I think that’s a great idea. I think a parade sounds nice. A PG Parade for Gay People!!! It sounds perfect, like a perfect solution ----- except now I’m not being Inclusive Enough.

We’ve wrapped around to my big problem with Kink at Pride. It always boils down to not being inclusive of Gay People. But the issue is… By keeping Kink at Pride, we aren’t being inclusive of a lot more people.

Banning Kink at Pride: We have gays, lesbians, trans folks, queer folks, people who still aren’t sure, allies, asexuals, aromantics, children, and yes, kinky people who are not wearing fetish gear. You can still come to pride and have pride in your sexuality. You have now excluded anyone who cannot stand to not wear leather/chains/leashes in a sexual manner for a few hours.

Keeping Kink at Pride: We have Kinky Gays, Kinky Lesbians, Kinky Trans Folks, Queer Trans Folks, People who aren’t sure but Are Kinky, Kinky Allies, a handful of Asexuals/Aros, please god don’t bring children, and kinky peope in fetish gear. You have now excluded anyone who is uncomfortable with sex, triggered by sex, or minors.

I assure you, the amount of people who are exluded keeping Pride Kinky is more than if you could just not be sexual for a few hours. Literally. I’m not saying Kink isn’t valid – fuck, dude, I’m kinky. But there is a reason sex isn’t meant to be public. Consent is important, and I’m shocked that people who insist they know about kinks and BDSM don’t understand that.

Pride has changed. In a lot of ways, not for the better, but in some ways, yes, for the better. It’s bigger, with more people, and more inclusiveness. But your idea of making a “PG Pride over there away from ours” --- well, where do you think we should? How can we do it without getting screamed at for not being inclusive? When can we do it without people screaming at us for “taking up too much time with being gay”? We already have a full month and a whole parade – and clearly everyone should be okay with the kinky shit that goes on.

My suggestion is this: Have Pride be PG, and have the Kinky Pride things isolated to Private Kink Party things that aren’t publicied on television because we don’t need people to know more about our sex lives – the majority of gay people just want to exist now. Those in 1970 needed to be loud, proud, and yes, openly kinky – but we don’t need that now. With keeping sex stuff private, you can still celebrate your Kinky Pride with all those who are capable of celebrating that Pride, while those who can’t, don’t need to be subjected to it. Because the fact of the matter is, Pride Parades are subjected to the eyes of the world – the most public thing you can have right now as a gay person. Subjecting people to nonconsentual kink is not the way to make people approve of sex work or kinky pride. It makes them rage against it. And I would rather be able to work for sex positivity through conversation and hard work, rather than alienating anyone who speaks against it (and those who speak for it).

 Some of the sources I used (not all - again, no kink sources here, because I closed all of them. I couldn’t handle it.)

http://www.phillygaypride.org/annual-reminders-50th-anniversary/

https://www.nbcnews.com/feature/nbc-out/lgbtq-history-month-road-america-s-first-gay-pride-march-n917096

https://www.history.com/topics/gay-rights/the-stonewall-riots

https://www.refinery29.com/en-us/when-was-first-gay-pride-parade-origin

https://www.smithsonianmag.com/history/first-pride-marches-photos-1-180972379/

https://greenwichvillage.nyc/blog/2019/06/13/remembering-craig-rodwell/

https://phaylen.medium.com/stonewall-vet-fred-sargeant-attempts-to-erase-black-trans-activists-from-history-2e82ac59e96f

https://addressesproject.com/memory/ellen-broidy

https://www.them.us/story/brenda-howard

https://talbertario.medium.com/pride-and-prejudice-the-craig-schoonmaker-story-122c8a4c1339

https://www.history.com/news/how-activists-plotted-the-first-gay-pride-parades

https://en.wikipedia.org/wiki/Marsha_P._Johnson

 One last thought, after the sources, because I work in Analogy the best:

Imagine this amazing bakery. This bakery sells a lot of cakes: chocolate cakes, strawberry ones, blueberry ones. This bakery gets national press coverage. Now, from day one, this bakery has used gluten in every single cake. It’s a time honored tradition! And every single Cake Eater goes to this bakery. It becomes a rite of passage, to the point that some people even say “You aren’t really a cake eater if you haven’t gone to this bakery.”

But as the bakery gets more and more popular, people start saying “Hey. We need some gluten free cakes too. Can you please keep the gluten away from our cakes?”

“NO!!! If you want gluten free, go somewhere else!”

“But everyone else only has gluten cakes. Even when they say they’re gluten free, they still bake other gluten cakes. Please, we know how to make the gluten free cakes taste just the same as gluten cakes – we’re only getting rid of the one thing. It’ll be taste almost exactly the same, and you can make those other cakes, so long as they don’t touch our cake. You can still enjoy your cakes. We just ask that we can enjoy ours.”

“NO! Go make your own then!”

“But… This is the bakery with the most famous cakes. We could always make our own, but the world will never know about it, because YOU’RE the biggest bakery in the world. And of those few who have tried, they’ve been yelled at for not using gluten because they aren’t inclusive. We wanted to be able to enjoy cake with everyone else – we just need our cake to be a little different.”

“If I make YOU Gluten Free cakes, that means the Gluten won’t be included!”

“That’s the point – gluten is bad for us. If we have gluten near us, it will actively hurt us.”

“No. This is a gluten bakery only. We refuse to change.”

And so, those who were going to enjoy the cakes there – who wanted to enjoy the cakes there – couldn’t. And even those who would try to make their own gluten-free cakes were overshadowed by the behemoth that was the gluten bakery.

That is how this entire night has felt.

Night, y’all.