#and to be like 'the creator of this art style is controversial'

[skitskatdacat63]

Tiktok artists confuse me, I don't understand how art styles can be a trend? I remember there's always been stuff like art style challenges, where you try and replicate another person's style. But I don't understand the way people on there treat them like a trend to hop on ig? To me all art styles are unique, even if sometimes similar, and if someone were to ask me what style I draw in, I'd say "Catie style, of course." But on there they're like "jelly art" or "chicken scratch art" and I don't get it 😭😭 like is the joy of art not that we're all different and unique in our own ways?

And discuss about the "creator" of the style. There was some controversy recently where some artist put up tutorials of how they render, right? And got, justifiably imo, annoyed when some person straight up directly copied their art. And then people started ragging on them being like "you can't post a tutorial and then complain when someone follows it." I just find it odd how they treat art, it's like it's being commodified honestly. Of course we refer to older art in eras which is a similar concept ig, but to me that's just an easy way of grouping art and artists together as a style movement, which isn't really comparable to how art works nowadays.

I guess I'm very focused on improving and evolving my own personal style. So I can't imagine just adapting into someone else's style, y'know? I've certainly been inspired by other artists' techniques and detailing, but never enough where it felt like how these artists just completely change their style. Ah idk, I find it to be a very personal thing, so it's very weird to see it as a trend. Am I making sense????

[sunderwight]

Shen Yuan with a Luo Binghe dakimakura is great but sometimes I stop and think about how a role reversal would have looked (i.e. Binghe as the reader who transmigrates in, Shen Yuan as the fictional character he was obsessing over) and oh my god. Fan Binghe who grew up with chronically online geek culture would have been next level in the absence of an actual, physical Shen Yuan/SQQ. Fan Binghe would have owned everything. He probably would have had to commission it all himself, either because the novel wasn't popular enough for the level of desired merch or because the mainstream commercially produced products were too cheap or flimsy or inaccurate for his specifications or probably both. Perfect hand fan recreations. Replica Xiu Ya (it's an actual sword) hanging on his wall. Fanart both done in a classical style (as in, 'what Shen Qingqiu might actually have hanging on his walls') as well as a variety of character portraits and erotic art zines. Printed and hand-bound copies of his favorite fanfics. Somewhere in China there's an amateur bookbinder who is making BANK off of this obsession, producing the most high level gorgeously bound copies of the filthiest smut and fluffiest hurt-comfort teacher/student fics.

Luo Binghe would be controversial in fandom because he is just as nitpicky and wank-y as Shen Yuan, with an extra dose of turning up in the comments sometimes to act like a jealous/possessive boyfriend accusing writers of being a little TOO lustful towards his unlikely waifu, but on the other hand he is rich and he will pay through goddamn nose for anything and everything that caters to his preferences. So a solid chunk of the fan creators just do things they think he'd like because they want in on the cash cow, while much of the rest of the fandom hates his guts because they feel like he hijacked everything with his own fanon and headcanons and obsessions. Shen Yuan isn't even that popular! Most of the rest of the fandom is kind of down on him as a cliche clueless danmei protagonist, they're all there for the score of blueballed love interests. Beautiful Liu Qingge and darkhorse Shang Qinghua and mysterious, tortured Yue Qingyuan and whatever the hell is going on with his evil doppelganger, Shen Jiu. Luo Binghe doesn't ever commission Shen Yuan with any of them, though! He's always solo, or maybe with a faceless tentacle monster or something!

It gets weird. There are probably Woman Buying Wonder Bread-esque memes about Binghe's highly specific kink commissions. On the other hand, Luo Binghe comes down harder than the actual artists on unsanctioned reposts because he commissioned Shen Yuan in that sexy lingerie fondling a really huge sword and it's not just for anyone to go around putting that up on whatever website they please!

He would own several dakimakura and they would arguably be more normal than a lot of the rest of his collection, is what I'm saying. He'd have them in different poses and seasonal outfits and versions that were acceptable for company and ones that had to get tucked into a drawer under the bed every morning because they were for Binghe's eyes only. And it wouldn't even just be the sexy ones, but also the ones where Shizun looks soft and fond and gentle and affectionate. The man was definitely working his way up to commissioning a lifelike Shen Yuan sex doll when the universe did absolutely everyone a favor and yeeted him into a transmigration scenario.

[kovilm]

Rada Krivokapic Radonjic is a famous fashion designer and stylist whose signature style of classic, elegant yet luxurious ready-to-wear helped introduce ease and streamlined modernity to 21th-century dressing.

Early life

Rada Krivokapic Radonjic is originally from Kotor, Montenegro. Her parents are father Djuro Krivokapic and mother Vidosava Kaludjerovic. She also has an older brother named Radoslav Rajo Krivokapic. Her brother is a sailor, her mother a health care worker/nurse at Kotor General Hospital, and her father a factory worker.

Education

Talking about her educational background, she passed her Master's level in 2018. The program was funded by the German Government and was also designed according to the German education system. She had enrolled in Law, Professional, and Occupational Pedagogy, Trade, and Economy. She joined the School of Fashion and Specialization for Fashion Designer and Stylist. She graduated from this school of fashion from Belgrade in 1996, which was under the Paris system in collaboration with the Academy of Fine Arts. For her fashion school, she did an internship under Giorgio Armani Milan in 1997. Working for one of the world's most famous fashion creators, she got the opportunity to meet the best fashion creators to advance her knowledge base. Likewise, she completed her Ph.D. in Fashion Design in Belgrade in 1998.

Rada Krivokapic Radonjic, a visionary in the world of fashion, hails from the picturesque town of Kotor, Montenegro. Her creative journey has been nothing short of exceptional, combining classic designs with a deep commitment to sustainability. Born into a humble family, Rada’s passion for fashion stemmed from her early exposure to the industry through her work with esteemed designers like Giorgio Armani, Gianni Versace, Valentino Garavani, Karl Lagerfeld, and Roberto Cavalli.

Professional Life and Career

Talking about her professional life, she is famous as a designer and a stylist. She is the founder of Rada Krivokapic Radonjic, Kovilm and Rada Radonjic luxury clothing brands. They were established in the city of Kotor, Montenegro. In 2006, she designed the collection "Ostvarene Rijeci". The collection was inspired by her deceased father. Moreover, she collaborated with model Filip Kapisoda in 2010 and had a number of fashion shows in 2018. Furthermore, she also organized several fashion shows in the city of Yugoslavia. She also work as Costume Designer in Kotor. Moreover, Rada also designed a new fashion accessory called "Kovilm". She designed it for the 2019 fashion show called "Svijet Bez Sukoba". Kovilm is a garment worn around the neck, which symbolizes the transformation from tie and bow-tie. Additionally, Rada has also written the books 'Odijevanje' that translates to "Dressing" and 'Krojenje i sivenje' that translates to "Tailoring and sewing". Her books are related to the issues in the fashion and clothing world, which is influential for aspiring models, designers, and stylists. She is mostly based in her hometown Kotor. However, she also has her professional links in Podgorica, the capital of Montenegro. She designed common folk costume called Zentivns 2022.

Awards, Net Worth

Rada Krivokapic Radonjic has won several awards for her humanitarian contributions and assistance. She has also received Humanitarian Contribution Awards. In 2023, Rada Krivokapic Radonjic is The World's Best Fashion Designer of The Year 2023 London, United Kingdom by Corporate LiveWire.

Personal Life

Reflecting on her personal life, Rada Krivokapic Radonjic gave birth to four children Nedjeljka Nadja Radonjic (1999), Valentina Radonjic (2001), Nebojsa Radonjic (2007) and Teodora Radonjic (2013). Furthermore, she maintains a good professional and personal life, free of scandals and controversies.

[regretevator-confessions]

I don’t understand the appeal of Gnarpy’s old design and why it’s missed by so many fans.

I love Gnarpy. Xey are my favorite Regretevator character, but something that bogs my mind is the constant obsession some Regretevator fans have with a design that was replaced due to behind the scene controversy. I will admit, I do feel bad that the design was tarnished as a result of its creator’s degenerate behavior, but I can’t help but ask why people continue to view the redesign as a terrible thing. Let me take you through a crash course about why I dislike the old design and how the redesign is actually the best thing to happen to Gnarpy in an artistic standpoint. Allow me to explain:

Let’s face it, the original design was bland. For what is supposed to be an anthropomorphic alien cat warlord with a superiority complex, the original design fails at conveying that. Good character design should be able to tell the viewer something about that character’s personality and who they are just by looking at them. The original design fails at doing that. It’s just a generic green cat with some antennae and glowing stuff, that’s it. There’s nothing that tells me xyr an intergalactic general, no attributes that makes xem seem otherworldly like an alien should be, and it just doesn’t match the rudeness, arrogance, and exaggerated energy of xyr in-game dialogue. Instead, it just made Gnarpy look like uninspired furrybait for the sake of furrybait, which to me is an insult towards a genuinely interesting character concept.

The redesign on the other hand is way more faithful to Gnarpy’s character than the original design ever was. Redesigned Gnarpy looks more cartoony, having more alien-like details such as four arms, four eyes, conjoined ears, double tails with pincers, and a red outfit with a yellow star badge. Not only that, xyr color scheme is more interesting, xey have a recognizable silhouette, and xyr new animations perfectly capture xyr pompous ego. Some may argue that the deviation from the blocky style makes xem less charming, but to me, I feel the opposite. The complex goofiness of the new design not only fits xyr personality perfectly, it also gives xem a sort of an Invader Zim/Peridot type of charm that makes me like Gnarpy’s character so much more.

Overall, I know that art is subjective and I know that making this confession may have put me at risk of getting publicly executed (French Revolution styled). I just don’t get the appeal of such a bland design, especially one made by a creep. I like the way Gnarpy looks now and I feel that most Regretevator fans are too harsh on it solely because it deviates away from the original. Yes, it was a sudden change nobody asked for, but that doesn’t make it right to immediately hate it without giving it a chance (also it’s not like the developers had a choice). If you genuinely prefer the old design, have no ill intent on bashing you for your preferences. If you like it, all power to you. I’m just tired of hearing the vocal parts of the fandom complain about a fictional character just because they were changed. Old Gnarpy is dead, xey died behind the Shwaffle House parking lot. Just be glad Gnarpy didn’t suffer the same fate as Miché did: completely removed from the game.

.

[rinchfest]

Coming this September to an internet near you: Rinch Fest 2024, a ship week for Harold Finch/John Reese from Person of Interest! This is a low-pressure event meant to encourage the creation of more fanworks for Finch/Reese or Finch & Reese’s friendship. Fic, art, gifs, vids, podfic, you name it—all are welcome, as long as they’re Rinch-centric.

Posting for Rinch Fest will run from September 24 through September 30, 2024

PROMPTS:

Day One – September 24 Fluff• Pining• "Always" • Dark• Domesticity

Day Two – September 25 Be Nice To John• Established Relationship• Road Trip • Food/Drinking/Cooking • Art

Day Three – September 26 Be Nice To Harold• Belly• "Beach Cabin in the Woods• "Five+1" • Pets/Animals • Music

Day Four – September 27 Kids/Babies/Pregnancy• Hugs• Clothes • Setting/Genre Change AU• The Machine

Day Five – September 28 Bed Sharing• Wedding/Marriage• Crossover • Canon Divergence • Tropes

Day Six – September 29 Finch Whump • Reese Whump • NSFW/Kink • Retirement • Home

Day Seven – September 30 Free-For-All/Catch-Up Day

Keep reading for more info!

Who’s running this? ArgylePirateWD. Hi! Now with mods @alexsrousseau and @stingalingaling

Any changes since last year? None! As in previous years, Reese&Finch friendship is also allowed

Why not call it Rinch Week? It started out as Rinch Fest on The Rinch Loft on Discord, and that’s what stuck.

Plus, Rinch Fest and Reese & Finch share the same initials.

What’s allowed? Complete fanworks focusing on Harold Finch and John Reese in a romantic or close platonic relationship with each other. Fic, art, vids, remixes, sequels, you name it! No length requirements, no style requirements, all ratings allowed—do what you want!

Anything not allowed? Works where Finch/Reese or Finch & Reese is not the primary relationship (additional ships are fine), works that are incomplete at the time of posting, and remixes or other transformative works for other people’s fanworks that are done without the original creator’s permission. Anything else is fair game, as long as it’s labeled.

Also, don’t be a jerk.

What about [insert controversial topic here]? Can I make something with x?/OMG someone made something with x! Anything else is fair game, as long as it’s labeled. This includes works featuring tropes and kinks that you may not like or approve of. As long as it’s warned for, it’s fine and allowed.

Please warn for the usual AO3 warnings (Major Character Death, Graphic Violence, Rape/Non-Con, and Underage) and any subjects others may find deeply unpleasant, and clearly label any NSFW works.

What about poly? Gen? Poly is wonderful, but this is a Finch/Reese or Finch&Reese event. Sorry.

Finch & Reese gen is allowed!

What do I do with x prompt?/Can I do [insert concept here]? Anything goes! Seriously, however you want to interpret a prompt is fine.

Do I have to make something for every prompt? No! You can if you want, but it’s not required. Feel free to skip days, combine prompts, create multiple fills for each day, anything! This is as flexible as it gets.

If it fits multiple prompts, when do I post it? Whatever day works best for you!

What if I want to do something NSFW? There's no nsfw prompt this year. Is it still allowed? YES! Bring on the spicy if you want!

What about a multi-chapter/piece thing where each chapter fulfills one day’s prompt? When do I post that? Post an update each relevant day until you’re done! (Just make sure you can finish it by the end of the event.)

What if it doesn’t fit a prompt? That’s what Day 7 is for! :D

What if I need to post my fill(s) on a different day? Life happens. The AO3 collection is set to Unrevealed, so I can reveal early submissions on the right day, but if that doesn’t work for you, I’m sure we can work something out.

Can I work on a previously-posted WIP? As long as it’s finished when you make your post for the event, sure! If you’re just updating a WIP without finishing it, no.

Can I start working now? Absolutely! That’s why I’m announcing it now—so there’s plenty of time for people to make things.

Can I talk about/share previews of what I’m working on? Sure!

Wait, there’s a Rinch Discord server? Do I have to join to do this? Of course not. We’d love to have you at The Rinch Loft, and it’s a fun place to hang out, but Rinch Fest is for anyone into Rinch.

If I want the Discord link… Send in an Ask to the @rinchfest Tumblr, contact ArgylePirateWD somewhere, or ask around. It’s open to anyone who likes Rinch or Person of Interest. I’m happy to give it out to anyone who wants it.

Where do I post? On Tumblr, post to your blog and use the #rinchfest23 or #rinchweek23 tags. You are They are being watched. 👁 And maybe add @rinchfest in your post to be sure. Tumblr is as hungry as Bear and Shaw.

Submissions are also open.

On AO3, you can post it here: https://archiveofourown.org/collections/rinchfest23/

Do I have to have a Tumblr? AO3? As long as you’re on some kind of platform and can get a link to the work to me somehow so I can share it with the world, you’re welcome to play.

On October 1st, I’ll make a round-up post full of links to all the shiny things people made. If I know you made it, it’ll go in!

What time zone? The daily prompt posts will be going up at 12 am Central Time, but as long as it’s the relevant day for your fill somewhere in the world, go ahead and throw it in!

(And if you want to sneak in some Day 7 things a little after, as long as they get posted before the Master Post goes up… 😉)

Sounds fun! How do I sign up? No signups! Just post your stuff somewhere on the right day(s), and you’re in!

[maybe-boys-do-love]

So far, Kidnap the series, is BL-ing in all the right ways. It's light fare, but that's exactly what it aims for, and its hitting near the bullseye every episode. Just because its light doesn't mean its bad. Consider this my plea to everyone--for the sake of romance, BLs, and Thai BLs in particular--to stop equating dramatic naturalism with 'good' art. Kidnap is silly, sweet, and such a throwback to classic BLs--it's already hit most of the BL tropes. More importantly, Kidnap understands a major 'why' of BLs and light fare, and the series, itself, is depicting that 'why': they can give an overwhelming sense of reparation for queer people's buried traumas.

On the podcast Boys Love Boys Love, hosts and gay married couple Adam and RJ have been recapping their first watch of ITSAY (which very much broke open many traditions of the BL genre) with guests. In all three recaps so far, the guests and hosts have detailed vividly how, despite feeling 'proud' of their sexuality, BL shows allowed them to revisit painful experiences of isolation and abandonment in adolescence that occurred because of homophobia and then re-imagine an adolescence in which they weren't constantly on guard but instead experienced genuine adult care, friendship, and uninhibited explorations of first love. BL shows and their happy endings help queer people process griefs we don't realize we've suppressed.

I see a parallel to this experience in Kidnap as Min aids Q in coping with his acute PTSD, especially in the play acting scenes. Q can safely engage with his past experience and gain a sense of control and compassion over what he couldn't manage originally. Because I'm a performance dork at heart, the context of Ohm, the 'king of BLs,' leading Leng, an entirely green actor, within the show and through the actual process of acting in BLs doubles down on the theme. With each clear-from-outer-space romance beat, the show promises that this is a safe place to be vulnerable.

In the latest episode (episode 5), the series even began to reveal plot-relevance to its BL levity. We've all joked about Min's incompetency with all the crime he's been drawn into. After the first episode, the people on the internet chucked it up to a cheesy show disinterested in researching and committing to the realities of crime, but then James walked in the next week and called him out on it all. It was just Min, not the show. His exuberant care and desperation to please has led him, unsurprisingly, into a web of deception with no way out.

Brother Mhen laid it flat out this week: just because Min takes care of him doesn't mean he doesn't also provide kinds of care for his brother. Min, like any human-being, has his own weaknesses and issues of self-worth, and Q, with his savvy and prerogative of self-preservation learned from his upbringing, is positioned perfectly to provide the care and encouragement Min needs. I don't think the show has invited this comparison as directly, but it does make me think about how we figure the lighter BL shows and people like Ohm, a particularly evocative representative for creators in the industry, who endure controversies and vitriol to bring their best attempts to lighten the burdens of audiences.

For all the intense feelings ITSAY or The Eight Sense or The On1y One produced in me, I can recognize that their 'cinematic' style, with its naturalistic performances and precise camera work, is still just a style. It's not inherently better than shows recorded on sound-stages with more theatrical performance styles, though many critics and scholars have trained us to think that way. I Love Lucy, The Golden Girls, and shows like them are undeniably celebrated series that have no interest in approaching cinematic style.

Stable cameras, broader characters, and more absurd situations allow for subversive problems to be broached and tackled (and laughed at) while maintaining audience comfort. The slapstick and screwball comedy is one of the things I've adored about Thai BLs, in particular. The audience can feel for but not with the characters. And, that healthy distance is not to be diminished. Comfort can be a vitally important aesthetic experience, and the rules for judging genres that prioritize it are very different than those used for judging prestige tv and *poetic cinema.*

Too much realism would be detrimental to an action rom-com like Kidnap because the audience would no longer feel safe to laugh and coo about these characters in their situation. Although GMMTV is leaning more into its cinematography for BLs recently with this series and The Trainee (maybe toss Moonlight Chicken in there), I personally appreciate how they've maintained the genre's unpretentious sentimental tone, even as they've allowed creators to expand the breadth of the genre and address its problems. That tonal lightness allows us, in Kidnap, to safely dive into PTSD and perhaps our own experiences as queer adolescents with parents who left us unseen as we suffered alone; we trust the show will leave us and the characters resolved in the end.

But I don't want to mistake that kind of depth as the main point of BLs. Those are the undercurrents but we're meant to have fun here. You don't pull-up Miss Congeniality on your TV to understand the human condition. We like these characters, feel safe to open up our hearts, and trust, even as threats of death loom, queer love will conquer all.

[astra-ravana]

Aleister Crowley's Thoth Tarot Deck

The Thoth Tarot deck, created by the enigmatic occultist Aleister Crowley and artist Lady Frieda Harris, is a masterpiece of esoteric symbolism and artistic expression. Its history is intertwined with the mystical and magical traditions of the early 20th century.

Crowley, a prominent figure in the Hermetic Order of the Golden Dawn, had long been fascinated by the Tarot. He believed that the traditional Tarot deck, while powerful, could be further enriched with deeper symbolism and occult significance. In the late 1930s, he embarked on a project to create a new Tarot deck that would reflect his own unique understanding of the mystical arts.

To bring his vision to life, Crowley enlisted the talents of Lady Frieda Harris, a skilled artist and Egyptologist. Together, they embarked on a five-year collaboration that would result in one of the most influential Tarot decks ever created.

The Thoth Tarot is renowned for its complex and layered symbolism, drawing from various esoteric traditions such as Kabbalah, astrology, and Egyptian mythology. Each card in the deck is a microcosm of the universe, representing specific archetypes, divine forces, and psychological states such as:

• Kabbalistic Correspondences: The 22 Major Arcana cards are aligned with the 22 paths of the Tree of Life, a central diagram in Kabbalah that represents the structure of the universe.

• Astrological Associations: Each card is also associated with a specific astrological sign, planet, or element, adding another layer of meaning and interpretation.

• Egyptian Mythology: Crowley's fascination with ancient Egypt is evident in the deck's artwork, which often features Egyptian deities and symbols.

The Thoth Tarot, like its creator, has been a subject of both admiration and controversy. Its complex symbolism and unconventional approach to Tarot have made it a challenging but rewarding deck for many. However, its association with Crowley's often controversial beliefs and practices has also led to its reputation as a dark and dangerous tool.

Despite the controversies, the Thoth Tarot remains a powerful and influential deck that continues to inspire and fascinate Tarot enthusiasts around the world. Its unique blend of art, symbolism, and esoteric wisdom offers a profound exploration of the human psyche and the mysteries of the universe.

Thoth Vs. Raider-Waite-Smith, Key Differences:

• Naming: Some cards have different names in the Thoth deck, reflecting Crowley's unique interpretation of their symbolism.

• Symbolism: The Thoth deck often uses more complex and esoteric symbolism, drawing from various occult traditions like Kabbalah and Hermeticism.

• Artwork: The Thoth deck's artwork, created by Lady Frieda Harris, is known for its bold, geometric style and its emphasis on color and symbolism.

Additional Notes:

• While the Thoth deck can be more challenging for beginners, it offers a deeper and more nuanced understanding of Tarot.

• Both decks are valid tools for divination and personal growth. The best deck for you will depend on your personal preferences and learning style.

So, which would you choose?

[queen-schadenfreude]

now that I've finished datv.. i have some first pass thoughts

spolers below

first of all why is this game trying so hard to rehabilitate in-universe controversial aspects? I mean like. Slavery in Tevinter. It's swept under the rug with a few lukewarm platitudes and codices about how it's being addressed off-screen. Previous games have established how horrific it is, but the tevinter we see in veilguard doesn't reflect that at all. it feels dismissive of a lot of major setting and character development. Same with the antivan crows! they were described as a brutal, cruel organization but now they're the underdog protectors? Sure, there was family drama and a few mentions of how cut-throat things HAD been before, but we don't get to *see* any of that. illario was weak as an example of this bc he was the only thing to be shown as bad. There's no tangible impact.

it seems like a feeble attempt to make sure the players understand that the writers do not condone the unsavory aspects of the setting and characters, while making everything a Teachable Moment. honestly half of the game felt like a psa on extremely basic ethics, like surface-level shit children already know.

on top of that, idk why the game is trying so hard to therapize the player via companions' emotional journeys. The extremely basic and direct "your feelings matter and it's okay to feel your feelings! " scenarios were so repetitive and cringe. Sesame street level bullshit. am i crazy for expecting a more mature and nuanced approach to emotional struggle??? I swear previous games were better at this

also fuck all of southern thedas, it's cooked. hope yall didn't care!

Anyway.

ive only played through Neve's romance and i chose her bc she talks and acts like an adult and not a flustered teenager like harding, or a quirky mpdg like bellara. I liked it, it was fine. no strong feelings about it tho.

I didnt consider Taash as a romance option bc they act like a petulant child most of the time and that's just not fun for me.. and I don't love that Taash seems more like a prop for Gender Ideology 101 rather than being a fully complex character who is working through a gender identity crisis. I am not trans and cannot fully speak to this but as someone who knows more than the absolute basics of gender ideology, their story felt patronizing.

the boys are... fine, I guess. I wrecked treviso so I think i got locked out of some Lucanis stuff but his possession just isn't as compelling as previous characters who have been possessed. Davrin is fine, inoffensive. Emmerich is funny I do like him, Manfred is delightful.

I played as an elf bc I hoped it'd be extra relevant to the story, what with the Big Bad(s) being evanuris. it didn't matter at all. the crossroads doesn't even look different for an elf character like it did in Trespasser.

I expected everything to drive torward making Solas out to being a Good Guy Actually, and it kind of did. but super aggravating for have phantom varric to say that after being actually murdered by him like damn!! you are just gonna let that guy walk all over you bc yall were friends for a short while a decade ago. Where was that sympathy for Anders??

varric being a figment of rook's imagination the whole time was a fun reveal, tho.

siiigghhh. but listen. there were things I liked about the game, too. the gameplay is fun. the environments are GORGEOUS. the characters look good, i think the art style is fine actually. the character creator is great (except those qunari fiveheads RIP)

a lot of the banter and jokes did genuinely make me laugh, and i did like exploring maps and interacting with the new companions generally.

I havent given a lot of thought to it but I think a lot of the plot-related issues i have could've been solved by just setting the game like, 100 years in the future. All of the questionable and unsavory aspects of the cultures the game tries SO hard to diminish and write off would've had time to be organically rectified in-universe. I guess.

well. whatever.

[homestuckreplay]

Webcomics at Day 100 #2: Penny Arcade

Pages read: 11/18/1998 – 8/20/1999 & 4/13/2009 – 8/19/2009 (including accompanying blog posts); about 180 pages

Reason for selection: Penny Arcade is important. The Gamer Webcomic is kind of the archetypical webcomic, and Penny Arcade is its most famous example. But PA has crossed over into the world of mainstream gaming and nerd culture enough that it’s transcended just webcomics, hosting major gaming conventions, pioneering the medium of TTRPG actual play, and running a successful charity. Their projects are known by people who don’t read the comic itself, and they’ve arguably played a role in normalizing video games as a hobby in broader culture.

Current status: Has updated three times a week pretty consistently throughout its entire run. In 2024 the two main characters are still wearing the same shirts they wore in 1998.

Content warnings: misogyny, sexual humor, general period typical humor including slurs

Overall thoughts: Penny Arcade relies so much on references to real-time video games and nerd culture moments that it doesn’t read well as an archive. I enjoyed the 2009 comics more than the 1998-9 comics simply because I understood a lot of the 2009 cultural references while the 90s ones go right over my head. Without that context, reading it feels like sitting on a bus behind two guys who are having a loud and opinionated conversation about their own lives. Playing the same games and running in the same circles as the creators is near essential to enjoy the work.

Penny Arcade doesn’t do anything with the webcomics medium that wouldn’t be possible in print – they primarily make three-panel strips with text and still images, and since 2002, these have been accompanied by blog commentary from one of the creators. Despite or because of this, Jerry Holkins and Mike Krahulik are the platonic ideal of Guys Who Make Webcomics. Cishet white men in their early twenties (when PA began) who didn’t have any formal training in comics or any previous notoriety, but who had internet access in its early days, a sarcastic sense of humor, and strong opinions that they really liked to share. The first few years of strips have their text written in Comic Sans, and an early strip (‘A VERY Special Penny Arcade!’ February 17, 1999) features Mike (‘in character’ as Gabe) proposing to his then-girlfriend Kara.

These early strips are far better preserved than the average 90s webcomic, and I do think that reading the full archive would be a fascinating case study of how the PA brand was built, and more broadly how a creator develops their skills and grows their audience. The art style has become more exaggerated and distinctive over the years, and the lettering looks like a published comic book. Even though there’s no narrative to the strip itself, there’s this classic American Dream, come-from-nothing narrative to the first decade of the comic’s history that I think is compelling to a lot of people, especially to gamers in the 2000s when gaming is still an often ridiculed hobby.

Capturing this, there’s scholarship on the economics of webcomics that discuss Penny Arcade and how its creators managed to turn the comic into a well-paying day job. I hate thinking about money and can’t stand economics as a discipline so I didn’t read these, but I did read Bryanne Miller’s 2007 Master’s thesis ‘Making “Cents” of Subcultural Capital: The Preservation of Authenticity and Credibility in Penny Arcade Subculture,’ a really fascinating exploration which includes interviews with fans talking about their experiences with the comic and community. According to this, PA fans see themselves as a subculture within a subculture, a particular flavor of grassroots gamer who is skeptical of major games companies and journalism. To them, Holkins and Krahulik are the witty spokespeople for their underdog gamer sect fighting against the mainstream.

The thesis also delves into the major controversies PA has been involved in, where they’ve picked fights with more powerful celebrities, as well as their open resistance to advertising even while participating in it. It also discusses Child’s Play, PA’s official charity, set up with the explicit purpose of changing the public perception of gamers at a time where the ‘video games cause violence’ panic was at its height in mainstream media. I don’t know how calculated vs truthful PA’s image of being against corporations and commercialization is, but I have to give them some credit. PA accepts donations and sells merchandise but is entirely free to read, and always has been. This is in contrast to PvP, another popular gaming webcomic of the 2000s, which has fully paywalled its archive.

Finally, ‘two gamers on a couch’ may be PA’s main mode, but it’s not their only mode. In June 2009 they posted the first pages of Lookouts, a fantasy woodland survival adventure, and Automata, a 1920s noir with artificial intelligence. These are formatted more like comic book pages, with distinct art styles, and both of their first pages are effective at establishing their worlds, which are immediately intriguing and honestly both feel like great settings for TTRPG campaigns. Comparing these to a 1999 strip gives me a lot of hope for how much I could improve at writing and analysis in ten years. Also, ‘No Heart, No Soul, No Service’ is a great line.

Relevance to Homestuck: Without Penny Arcade, Homestuck might not exist – the first MS Paint Adventure, Jailbreak, was originally hosted on the PA forums (as was early Sweet Bro and Hella Jeff). The formal ties go further - Penny Arcade is one of around fifty webcomics linked from MS Paint Adventures beneath the heading ‘No Shortage of Good Websites,’ and Andrew Hussie announced in July that their PA fanart will be featured in the upcoming PA book The Splendid Magic of Penny Arcade. I also found this gem in a forum thread from March (s_o is Andrew Hussie) and while I don’t think this directly incited Homestuck, it was definitely prophetic.

Penny Arcade’s writing style, where the writers use unnecessarily obscure and archaic words to suggest intelligence paired with a tone of aggression and self-superior humor, likely influenced Homestuck given that Hussie was a regular, popular user of their forums. I see GameBro magazine as in part a parody of PA’s blog posts and their ‘gamers against mainstream gaming’ perspectives. I wonder if anyone has ever made something like Dave’s GameBro review blog but for Penny Arcade.

Continue reading? I will definitely read more from a ‘learning about internet history’ perspective, but I won’t read this for enjoyment. To be honest, I see enough gamers yelling on the internet without specifically seeking it out in webcomic form. I do think I'll read the short form narrative comics, like Automata, that the creators have made.

[tavyliasin]

Baldur's Date Open Creative Challenge!

Artists, Writers, Creators of All Kinds!

You are cordially invited to join a creative challenge!

You must be 18 years old or over to join, but there will be 2 categories, one for SFW works and one for NSFW works!

Accepted Submission Types

Please note all works must be your own and not made using any AI, including AI RP bots for writing.

Art

Comics

Valentine's Card

Fiction

Drabble collection (series of short fic, 1-5 paragraphs each)

Poetry

Song lyrics

Full songs/music

Podfic (With agreement from the fic writer)

Cosplay (No Nudes/NSFW/Explicit please)

Other Crafts (Puppets, embroidery, paper figure cut outs - whatever you like!)

For the Rules and More Details, please see below! Credit to Morb for the new event banner!

Welcome to the Baldur's Date Challenge!

Please be aware this event will include spoilers to characters, storylines, and endings, as well as NSFW content. Proceed with care!

The idea is to create something themed around a Date or Valentine Event. It doesn't even have to be romantic or positive, there are lots of ways to take this from Valentine's Cards from characters to slow burn romance to fully brutal heartbreak and violence. The choices are yours!

The Rules

By participating, even in the SFW version, you agree and confirm you are 18 years old or over.

All creators retain full rights to their works, subject only to the conditions of the platforms they share them on (ie, AO3)

Submissions must contain at least one named character from Baldur's Gate 3

Submissions must also be based around a date, valentine-type event, or similar

AUs, non-canon, alternate versions of characters are all WELCOME

You may choose your own prompt, or use the quiz to help you decide!

Poly Romance Welcome

Characters only, no actors or real people, other than using "Reader Insert" with 2nd person writing styles.

All works must be tagged appropriately for any CWs (please ask TavyliaSin for a list if required)

All characters must be 18 or over in the game as well as in the work you create

No characters in romantic relationships are to be related to each other.

Trans and gender-swapped characters are welcomed, unless it is only for the explicit purpose of making a canon homosexual couple into a heterosexual couple (eg, making Aylin a man so that the relationship with Isobel is straight) 

Deadline is 10th Feb to allow for time to check entries

Collections will go live just before midnight on 13th Feb so they are ready to be viewed on Valentine's Day

If you would like to help with the event running, please contact TavyliaSin on Twitter, Discord, or anywhere else you can hunt her down~

Dead Dove and controversial topics, kinks, and characters are allowed but must be properly tagged to give people a choice of what they engage with. This also means there is to be no shaming - Tavylia would like to support all creative works even ones she isn't personally fond of or would avoid.

How Do I Join?

You can either send your submissions directly to the AO3 Collections, or if you don't have AO3 you can wait until 14th Feb and reblog/retweet the posts I'll make for the collections on the day to add your contributions. It's open to EVERYONE who is 18+! Join in, give it a try! Submissions on AO3 close on 10th Feb 2024 (just before midnight GMT/UTC 0) so please try to get things in on time to be on AO3 so we have a few days to accept and check submissions. The collections will go live on 14th February for Valentine's just around midnight UTC0/GMT

Select "Post to Collection" to add your work! All works will be hidden until the collection releases on 14th.

Are there any Prompts?

Yes! Aside from the general theme there are prompts for art and writing (and anything else) on the following google form. You can roll dice to decide for you as each question has numbered answers and instructions on the dice to use! But you don't have to stick to the result you get - choose what you like. You don't even have to roll dice at all if you don't want to, just take a look at the selection for some ideas and choose what's interesting in it.

You can enter as many pieces as you like, so please use this to have fun and enjoy yourselves~

If you have any questions please drop them in comments, or contact me anywhere you can find me~

[daystarvoyage]

Luz Shouldve Been Dressed By A POC (Person Of Color Or Luz Batista To Show Better Cultural & POC Reprensation)

Hello Tumblers, This is kyoko cane of daystar voyage, as a proud black person who’s genderqueer who makes content creations On Pop culture such as Cosplay & drag, I do talk on Animation & Family Entertainment So glad to get this topic cause what we see on tv can be put into reality, Now (Disclaimer)

I will not accept hate on the daystar voyage anyone who can’t handle different opinions, ship whatever (unless legal) if not walk out or off this spaceship into a asteroid belt and black hole

Don’t hate appreciate.

One more thing I do love my girl Luz pilot outfits, there goals however wish they had time to put patterns into her clothes often, like I said in my hootview

However the female cast had a better closet then her, and I did discuss that in my video, for some time they did make her dress in a shonen archetype, (which I made a post about her hair) or an spicy Latina Which of of course personality wise too, (cause she’s made to be the gender non confirming character) but excuse all that cause in a way, the staff shoulda hired someone whos Either Afro, African American Or Latin to dress this girl.

Oh boy now that im done rewatching The Owl House there’s so much in store soon anyway,

I do feel its time to start this short post, I have a fashion hootview which is the intermission so there’s still a lot to come meantime, finished my rewatch of The Owl House as an animation lover,

Lets discuss this topic at hand,

2020s animators need to take notes on costuming & style tips to make characters stand out in environments and to treat there characters better in fashion or color coordination,

yes you can have a color coded character and not rely of a main palette to be able to bring out there features & complexion,

Animators need to take notes, how to properly show kids & there audience that good clothing could be put onto a character of any occasion & not have to rely on sexuality or Stereotype (Disney Programs have a hit or miss on certain shows.)

while proper fashion can do justice, that goes into making a franchise and making a product to sell for marketability in retail & consumers.

if the character or product can be sold with a great design if executed flawless by character, design, costuming, and the app that comes within the series,

This goes to the fandom cause there might be future artistsor small indie creators reading this who probably never read, or look up fashion brands, magazines either hot couture or brand clothing and don’t have that knowledge But that shouldn’t stop you from being able to experiment with different color palettes on what goes into your art.

The fandom needs a wake up call that not only is everything’s perfect and people have the right to critic and criticize a show or any form of art.

cause fandoms today has a self righteous way of bullying others of different opinions and ostracizing others and ithas to stop,

Here’s a quick tv trope in color-coded characters, & a Toonsmag article on fashion in animation.

Marketability is a important factor, industries rely on that to make the money off of that series, be a cartoons or projects,

it impacts the character and representation that kids see when they purchase said item and teaching kids, see good representation within media can matter if done right.

Especially POCs if executed well however

DONW BELOW in some cases miraculous ladybug fumbles it hard, at one point had all the poc of color (EXAMPLE limited to alya and nino if not max be lighter tones on there merch.)

You know lighting character's skin tones like Alya and other brown or dark skin characters, on their products & merch (bad ethnic representation award goes to them).

Not to mention the whole Vas underpaid controversy, that’s been discussed countless times.

(still disappointed about there business decisions)

I appreciate the love of anyone who can view and read this article if you gotten this far,

thanks for reading make sure to check my Tumblr and YouTube vlog cause so much of this particular series I’m gonna debunk

The show had a-lot going for it however feel flat including in the fashion department along miraculous ladybug that’s another thing to be discuss OH BOY so anyway

here’s an example of the video game art of Guilty Gear showing great costume progress years later

always educate yourself cause I do want my platform to show variety on what I offer creatively and semi-education-wise to be able to let people be inspired and that you don't need to follow trends, thank you very much seeya on the next space voyage.

[jjinx1998]

xxtc-96xx Callout post

To start I want you to know I didn't want things to have to come to this but after recent developments and discussions from others I cannot ignore what's been going on for years now. This is a problem revolving around the user @xxtc-96xx , the comic Endertale, and the Undertale fandom. I will try to explain what I know and offer proof when I can, but there might be some sloppiness as this is my first real post on Tumblr. If there is any technical issues about this post, please let me know so I can fix it.

Let me start from the beginning. I have been a long time fan of xxtc-96xx since about 2016 (I will refer to them as TC to make it easier). I have enjoyed looking at the art they create for many years, mainly the ones revolving around Endertale.

Endertale is a fan comic that TC made of the game Undertale. It's a very decent story with a pleasant art style. I would recommend it but I cannot and I will get to why. You see TC has suffered from something that just about any creator can relate to, burnout. The most recent comic page being posted in 2021 though there was already a hiatus established before that.

While they made it long clear that they needed to go on break for personal reasons, people wanted to ask for when they will continue it. Some of them calm and reasonable and other's were very much not nice. TC answered them honestly at first.

Then it started to devolve into troll responses or just not answering.

Not just on Tumblr but people kept asking on Deviantart as well. In fact people are still asking today in 2024. It has gotten so frequent that TC felt it necessary to change their profile header to this:

And it has stayed that way for so long I lost track of when it started. To be fair, even I found the frequent questions to be overwhelming and they just like every artist who makes stuff for free is entitled to take a break from their work. However this post isn't a complaint about how long it takes to finish a comic, it's about something that started because of the wait.

See, their original reason to take a break was because they were too busy with personal matters for them to commit to an actual comic. But as their history up to today has shown that's no longer a valid excuse. As time went on they started to show an interest in the Pokemon fandom. specifically the pokemon known as Mewtwo. To make a long story short, what started as small doodles grew into a whole bunch of fancomics and animations. To compare, they have drawn nearly four times as many Pokemon drawings compared to Undertale. Now, it is perfectly fair and acceptable to find an interest in a different fandom. And while I personally prefer Undertale over Pokemon I completely supported their decision to focus on other fandoms and enjoyed what they made. I also understood their issues with the fandom at the time, some people were rather aggressive, rude, or demanding the comic to be completed, a comic that's completely free that they make no profit out of. I even recall one point they tried to unsuccessfully drag a different content creator into this issue as if it would somehow work.

However I started to notice they had a warped perception on the fandom. Rather than blame the few people that harassed them online with constant asks, they believed that the entire fandom as a whole is to blame as declared it all toxic. Something they insist on repeating to all their fans and making them believe their opinion as fact.

Now for the record I am very aware of how toxic this fandom was and can be at times. I was around since the beginning and have seen just about every drama that has come. From the fans harassing you for not doing the pacifist route in the first time playing, people arguing if either Frisk or Chara is a really bad person, arguing over Frisk's and Chara's gender, is genocide the right choice, is Toriel the bad guy or Asgore, and a controversy revolving around a certain creator of the au Glitchtale (the last one TC coincidentally emulates their "Delay work for one week for every ask" and finds it amusing). I know this fandom is not the best but I love it all the same, it's as much a part of my life as it is for TC. I know I am not perfect at showing my interest for Undertale, as this image of a private ask shows.

Or this time I made a obviously joke ask and apparently I didn't realize a lot of people don't understand sarcasm.

Or when I tried to ask this sincere and nonaggressive question, one of the few times TC isn't putting up some kind of attitude.

Or this other ask from me.

At the end of the day this is just a comic. No one has any right to demand them to continue it or make death threats, this is completely unacceptable. However, at the same time this doesn't mean the creator should dehumanize the entire fandom or punish the few that are being respectful. They wait and what do they get, people mocking them and bullying them. That's what I realized in the past week when I engaged in the comments of a few posts. TC allow their fans to bully the fandom.

I tried to be as calm and reasonable as I can and yet I get called out as a toxic fan. And in the end did TC scold everyone else, no, they basically told me to shut up. I overestimated the fans intelligence and if they could handle basic logic, read the comments for yourself to see my point. As someone with Asperger and anger issues, it's a god given miracle I am still trying to maintain my composure within this insanity that has been going on for years. I have spoken with several content creators who asked to remain anonymous about this entire fiasco and we have similar conclusions about TC.

TC has been through a lot of painful and hurtful comments over the years that they did not deserve in the slightest. They are entitled to do whatever they want with their comic and works. Saying a fandom is or isn't toxic is unhelpful as you fundamentally miss the mark on how fandom culture works. As a creator, it is not right to hang this hiatus over people's heads and string them along. TC does not respect their Undertale fans in the slightest and mocks those who is still waiting. They indirectly encourage their other fans to bully and dehumanize the rest.

I held back on making a comment about all this for two reasons. One, TC's fandom terrifies me. They are complete smug hypocrites who spend way too much time on the internet that they don't realize that if they use their words in real life they will get punched in the face for it. Two, despite everything I still believe that TC can change. I like to believe the best in everyone and that there is hope that maybe this time TC will realize they have become the very thing they hate. That hope has faded to cinders. I'm done with TC, my only concern is the people remaining to wait for the comic.

To everyone who is waiting for Endertale and/or following TC because you like their Undertale stuff, leave them and never come back. They do not respect you, they look down on you, they laugh watching you wait, you deserve better than them. Even if they do finish the comic eventually it will not be made out of love or passion.

DO NOT harass and bully them because of my words. I will not tolerate any attempt to do so.

My final words are for TC if they even decide to read this:

TC, I know we are not friends, you made that clear long ago but I was hoping we could've been. You were a huge inspiration for me in the past and was what pushed me to attempt learning about art. I looked up to you and tried to support you when you were feeling down. You are no longer that person.

You do not have the right to condemn an entire fandom as toxic and declare it as a fact of life. It's people like you that keep the fandoms so divided to this day. It's because of people like you I am scared for my life if I ever mention Undertale in public. Your fixation on the sins of the past prevents us from moving forward. I do not excuse what happened but the past is in the past, get over it and grow up, you are an adult so act like it.

You say you don't owe us any comic or works, well at the same time if you want to mistreat the fandom I care about then I or anybody don't owe you any respect yet I did for nearly five years.

Why? Because I cared about how this all made you feel. What do you see when you look at me, another obsessed toxic fan who should keep their mouth shut or a PERSON with their own thoughts feelings and beliefs?

One of your problems is that you think nothing ever seems to be your fault, just the fans who keep asking. Well maybe they wouldn't have asked if you didn't leave them hanging for almost five years. To me, it no longer matters if you finish Endertale or not.

Maybe you still think it isn't your fault, then that makes me the idiot for hoping you can be better. You hurt me, really hurt me. I don't think I can ever trust someone like you again.

Do you know what I really want?

Your apology. I want you to make a genuine apology to me and the fandom at your actions over the years. I won't block you because being the idiot I am I hope my words mean something to you and you'll want to chat.

But until you wise up ask yourself this familiar question,

Do you really think you are above consequences?

[sapphiel]

Pevious anon talking about your sprunki designs

I find it really strange that you draw characters with big tits, something thats been KNOWN to be sexualized for god knows how long, and then proceed to lose your mind and overreact so much when people take it as a sexual thing.

Along with that, i can understand not looking into creator's ages at first, but it's literally been KNOWN by the community that sprunki was made by a child. There is so much talk and controversy around nsfw or suggestive stuff in the sprunki community because of the fact that the creator is a minor, literally anyone who's looked at the sprunki community would know.

Please quit acting like a baby when people call you out on your weird art/actions. Quit trying to make yourself seem better by pointing and going "W-WELL THIS DOES IT TOO!!! IF YOU FIND MY ART SUGGESTIVE YOU MIGHT AS WELL FIND THIS SUGGESTIVE TOO!!!" Instead of acknowledging your own problems with your art and how you act when people criticize it.

Please do better.

I draw characters with big tits because that is my own fucking art style because that's how I like drawing. I've drawn this way for years, way before any of you came along, and I ain't gonna stop all because some of you find it bothersome. If you literally do not like the things I draw, then shut up and keep it to yourself. There is literally no point in you telling me this.

The creator IS a minor, but it's not like I drew the creator themselves, now did I? The creations are separate, have their own details, the creator even confirmed them to be 18+ because they most likely expected people will do FAR WORSE THINGS with them. Need I remind you that Sprunki has become so popular that they breached the community it was in and was found by people well outside of said community. At that point, what happens to Sprunki is sooo out of anyone's hands. Anyone can do anything with them. Whether you like it or not.

So, what's the harm that I drew the characters as curvy women? Did I draw pornography of them? Did I draw them in VERY revealing outfits and/or poses? Suggestive, sure, you can say, but so what? This what I like drawing, and I wanted to draw them in my style.

Also, "it's literally been KNOWN by the community that sprunki was made by a child" -- honey, not everyone knows what you know. I don't know shit in this community. Not since the majority of you started alienating me for nonsensical drama that blew out of proportion because of a few bitter fucks. I had no idea who Nyanko was, and quite frankly, I only knew what Sprunki was BECAUSE it got super popular. But even then

If you really do not like the things I draw, then kindly shut up and never come back. YOU find my arts weird? Well, cool. I can understand that. My style is not for everyone. But why are you climbing onto this pedestal and try to enact this moral high ground onto me? It's a fucking drawing. Of curvy women. With no bare tits at all. There were no cleavage in any of em, no bare ass.

I'm not gonna further entertain this, people like you absolutely make no sense. You treat as if I've defiled Nyanko, when Nyanko themselves has literally personally confirmed to me that they are okay with the artwork.

Now go be offended on someone else's behalf somewhere else, this isn't a hill worth dying on, mate.

[darkreflections-zine]

Dark Reflections is now accepting submissions!

Dark Reflections is an all-Trek zine focusing on the Mirror Universe and other dark universes. We welcome the dark, the macabre, the unsavoury and the morally dubious.

Please read the FAQ under the cut before submitting anything. Feel free to join our Discord server for quick answers to questions, hanging out with other submitters, beta reader requests, and work reminders.

Submissions close October 10th. Send submissions to ollieaster@gmail.com

FAQ

What counts as a mirror universe?

According to Fanlore, a mirror universe is any alternate universe which is a dark reflection (pun intended) of the original. Whether this is the mirror universe we see in the shows or in beta canon, or a completely new universe that is simply not as kind to our characters as the original is up to you. Keep in mind that this zine focuses on and embraces the more "evil" aspects of those universes.

What can I submit to the zine?

Writing (fic and poetry) and art (traditional or digital, including comics) can all be submitted. We don't accept manips, meta essays (essays written in-universe may be allowed), mood boards, or anything that can't be printed, such as vids and podfics. Fics must not exceed 25,000 words, though depending on quality and number of submissions we may choose more, shorter works over fewer, longer ones. There is no lower limit for writing. Art must be completed, which means no sketches. Traditional art should be scanned, 300p. Written files should be .docx or .pdf, and art files should be .png, .jpg or .tiff. Links to Google Docs are also accepted.

Is there anything I can't write about?

Despite this zine embracing and encouraging potentially controversial subject matters, there are a few things we won't accept. Generally speaking, though, unless you're writing nazi roleplay erotica (for example) we're not likely to reject your fic on subject matter alone.

What show/ship/characters does the zine focus on?

Ideally, all of them. We'd like for this to be an all-Trek zine. However, if we get an overwhelming majority of one series we may end up rejecting a single work from a different one, even if it normally would have gotten in, just to keep everything cohesive. Either way, we will not accept OC-centric works.

Can I submit a work that has been published somewhere else? e.g. AO3, another zine, ect.

No. We only accept new works.

Does my work need to be beta read before submission?

Preferably, yes. We will edit works which have been accepted and which require it. All works in the zine will match in editing style, though we'll try to keep the author's style intact.

If I submit multiple works, how many are likely to get in?

We would prefer to give as many creators an opportunity to participate as possible, but if there is room or your works are particularly fitting, we will include multiple.

Do I need experience to submit works?

No. We will gladly accept works from new creators.

Do I need to join the discord server to participate?

No. The server gives you easier access to the editor, granting quicker answers to any questions you may have, as well as general accountability and greater sense of community, but that is all.

How do you match fic and art?

Ideally, we will have some solid matches from the get-go. If necessary, we will ask submitters who have volunteered to pinch hit for fics with no art. Art with no matches will separate poems or end up on one of the covers.

Will there be merch?

Possibly.

After the zine is published, can I post my work to AO3/social media?

We reserve printing rights for six months after publication (the day printed zines will be shipped). After that, you may do with your work as you wish.

How much will the zine cost?

This depends on a number of factors. However, we will endeavour to keep the zine as cheap as possible. We cannot legally make money off of fanworks, nor do we wish to. A free pdf copy of the zine will be sent to everyone who has purchased a physical copy, and these digital copies will be available to purchase at a much discounted price.

I have another question that isn't listed here.

Shoot us an ask! All asks are tagged #qna to make finding them easier. Please check if we have answered your question there before sending a new one.

[dandydingo]

Why I’m Leaving Freelance Commission Work An essay about doing furry commissions by DandyDingo

Preamble  First and foremost I’d like to state that this is not a post geared toward complaining about commissioners or fellow artists in my industry. I’ve simply noticed a concerning disconnect between commissioners and artists about several topics and wanted to make something that explains, clarifies, and elaborates on some of those issues. The following points I’ll be rambling about are also based on my personal experiences working in this type of career for 3 years. I am by no means the most qualified but I’m not the least qualified either; this to say please take what I say with a grain of salt. It won’t apply to all situations!

What is this job and how does it work? Typically when someone is referring to a furry artist they mean an artist selling illustration commissions on a freelance basis. There are many different kinds of independent creators though and this could include someone who sells merchandise, makes a living off patreon with comic work, or does fursuits. For the sake of staying focused we’re discussing artists who specifically sell illustrations and work one-on-one with commissioners to accomplish this.

As any seasoned commissioner knows, the way an artist’s process works can be varied but typically involves:

buying an open slot for a commission type (ex: a painting)

handing over your references, requests, and paying 

waiting for a work in progress image to approve 

receiving the final product

This process is the basic premise, an industry standard if you will. The artist gets the benefit of controlling when they can take on work and the commissioner has the opportunity to communicate what they want at multiple stages of the project.

But why are there so many variations to what projects an artist will even accept, what’s in their TOS, and how long it takes them to do it?

Specialization  The thing about many furry artists is we’re independent creators with little to no formal education in illustration. We’re not the type of artists you see putting together Magic the Gathering cards or developing a big title game. To expect that level of industrial standard with speed and quality would be ludicrous! This is what makes us appealing to commission though- you’re not going to find our product anywhere else and you’re supporting an artist you like directly. 

Most furry artists in fact specialize in a certain style or type of commission. This is partially since art takes a ridiculous amount of time to get good at. An artist is almost forced to choose what they can offer and what they’re going to invest in trying to sell.

Specialization directly rewards furry artists with more steady income / clients and thus they might have to restrict what they can offer. Again, learning to draw something new takes a lot of time. An artist who has never touched backgrounds will struggle a lot to suddenly try and include them in their work. This doesn’t mean it can’t be done or that an artist doesn’t want to. I would even argue this hyper specialization can often leave artists in a depressing loop they feel they can never escape from. If they suddenly draw something else it's more likely to not sell. Their personal interests have been buried by what actually works on the market.

Some artists do break this mold though and either enjoy the specialization they’re in or are experienced enough to draw whatever they fancy at a high quality. Perhaps even, their audience expects and celebrates an experimental approach from them which is something that’s true in my case. Others are not fortunate enough to have that option though. For context, the level of skill you see in my art took 5 years to get to and I would consider myself intermediate at best. It’s truly an underrated skilled trade.

Prices - Part 1 Cost of Living Money, everyone’s favourite non-controversial topic! So why is furry art so expensive? 

It costs a lot to be a living breathing creature with a roof over your head and food in your belly. We all feel the current effects of inflation and ridiculously high rent. This is definitely a big reason why art can / should cost a lot and believe it or not many artists do not make minimum wage.

This doesn’t just apply to furry artists of course and I would be beating a dead horse on something we all already know, the economy is in a terrible state right now. It depends on what country / area you live in, what your living situation is, if you have any pets or health issues, etc.

In general though, that $200 price tag for a reference sheet doesn’t make the cut in many places. It might be the single biggest reason why I cannot continue this work anymore. The price I can sell something for is only so high but my workload will remain the same. That reference sheet will take me 2-4 days to complete no matter what if I want to maintain the good quality a commissioner is (understandably) paying me for. 

Depending on what you're selling and where your experience level is at (the more experienced you are the less time it takes to complete something at an acceptable quality) a commission can take 1 hour to finish or it can take 12 hours. So… just do a lot of smaller cheaper stuff right? 

Prices - Part 2 The Great Artist Killer, BURNOUT If an artist cannot manage to sell a few big things to meet their monthly bills they might instead switch gears to sell lots of small affordable things. This can mean doing 20-40 commissions a month at a back breaking pace. While all jobs slowly drain the life out of your soul, art demands a level of mental focus that is often overlooked and in the case of this career, you only have you to do the work that is required. 

There is no one to cover your shift, there is no one to assist you, and if you don’t make your deadlines your reputation is at stake. The very same reputation of good work ethic that keeps your commissioners coming back the next opening. You must push through the burnout! You must work until your hand aches and bleeds! You must- there is no one to save you from this Hell!

If you try to be an affordable or high production artist this is the life you have to look forward to. Desperately churning out product as you retrofit your creativity and passions into a well oiled machine. Often to try and prevent this artists will raise their prices to something they can live off without breaking themselves or have a mix of high / low prices. A middle ground if you will, something that still doesn’t make the standard of living but isn’t a death march either. It’s a precarious and strange limbo with financial insecurity but hey… at least you’re not dead. It should be noted as well that most artists struggle with some form of mental illness and selling commissions might even be the only career open to them. This is not a topic I feel qualified to speak on but it does play an enormous role in experiencing burnout and the general struggles of this career. 

Prices - Part 3 Afterthoughts While I wish artists could push for an appropriate living wage, I understand the commissioners' side as well. Spending $100 that could go toward groceries is just not feasible for the vast majority of us and so when we see something that is actually in our range, a $20 headshot or $10 sketch, we often hop on it without a second thought on the ethics of paying that low. It is okay to buy a treat for yourself that is within a price range you can afford though! You should never spend what you can’t nor should you ever feel pressured or guilty to buy something.

If a commissioner is concerned about paying enough I would recommend saving up and giving as big of a tip as you can! Artists are almost always underselling themselves and even just a $5 tip covers the cut that Paypal takes or buys them a coffee to get through the day. Buying what’s reasonable for you is absolutely still supporting them and a little goes a long way! Making Art - Part 1 The Process So how does making art work? Given how closely a commissioner and artist must work together in order to achieve a desired result I think it’s worth breaking down what goes into making a piece. Of course every illustrator is different but here’s how it generally works:

Hope You’re Mentally Well Art requires mental concentration, particularly for something complex such as a city. Often a bad mental state can be worked around but sometimes the process stops here- you’re just not able to focus enough to measure out that perspective or break down the complex anatomy that goes into drawing a hand.

Find References An artist may need to take an hour or so to find the right references or to make thumbnail sketches. Especially if your client asked for something specific (like a particular brand of whisky) you need to know what it looks like and how it will fit into the piece. For small quick pieces though this is usually a waste of time and skipped.

Sketching Here is often where the commissioner sees the first glimpse of work done- the sketch! Some artists are messy, some are neat and tidy. They might be drawing you a reference sheet or a headshot but either way you typically get to take a glimpse at their blueprint and ask for changes before the rest happens. Sketches are easy to change and can be redone from scratch with the least amount of time lost if needed. It is the optimal step to work with the client on making sure expectations are met.

Rough Render To keep it across the board for all types of art (painting, cell shading, lineless, etc) we’ll call this part the rough render. A commissioner may be shown the flatcolor swatch to ensure markings were drawn accurately, the lineart to double check all requested details have been included, the rough lighting to give an idea of the mood… the list goes on and on! Some artists skip this step entirely if it’s not needed, there is such a thing as oversaturation when it comes to communication.

Final Product This is simply where the commissioner and artist part ways once everything has been approved, the final product! It may have taken hours or days to get to this step but either way it’s been completed.

Making Art - Part 2 When It Doesn’t Go Smoothly Sometimes an artist’s workflow is so rigid even a single missed day from bad mental health or a life event can have a cascade effect that puts them behind schedule. Quite literally an artist can only draw for so many hours before their hand (or body in general) physically gives out. I’ve had work days where I’ve tried to push myself in order to catch up, to the point of rubbing the skin off my finger enough to make it bleed. In the long run this can mean career-ruining cases of carpal tunnel in the wrist or hand and like with any other desk job; your neck and back aren't very happy about the workload either. Artist work days are often shorter than what’s considered normal which adds to the general difficulty of the career as well. While some artists can certainly work that full 8-10 hour shift, others might only be able to handle 3-6 hours before they can’t concentrate or are in too much pain to continue (speaking in long term for that one, it took a few years of regular work before I started having real physical issues from drawing too much). Given most are stuck at certain price points for selling their art it’s almost impossible to charge more in order to compensate for these possible missed days. It’s an issue with other careers as well which I do want to acknowledge; missing even one day of work could mean less groceries that week or cost someone their job in extreme cases. It should be noted though that keeping an impossible schedule is a huge stressor for artists who are stuck having to produce more than they can mentally or physically take on. They often know they can’t do it but what other choice is there- not buying the medication you need that month? This always seems to lead to something public and discussed a lot in the community; the instances of being issued a refund out of the blue or seeing a lengthy mental breakdown post about suffocating in the stress of it all. The wear and tear on creativity is visible as well. An artist’s work may dip in quality as they sink further from the weight of impossible to meet expectations and they might struggle to produce what they used to be able to. If the unsustainable workflow continues for too many years passion becomes strangled and real physical consequences are apparent. 

Some are able to escape this or don’t have this issue. Others suffer in silence or might not be aware of the strain they are being put through, as is the case with plenty of other careers.

How Can I Support Artists? If you’re interested in making life easier for your favourite artist there are a few simple things you can do; specifically in regards to the commission process.

Read the Terms of Service This is not something you should skip over as it could detail how edits are handled, what an artist is willing to draw, etc. It's beneficial for everyone that the TOS is read.

Look Before You Buy Take a peek at an artist’s gallery and decide if you like their style before you purchase anything OR buy a small sample to see if you enjoy how they draw your character. I feel some commissioners don’t understand that an artist cannot change how they stylize on a whim (for example a semi-realistic artist isn’t going to suddenly draw anime). If you’re indifferent or you like experimentation then this isn’t something you need to worry about.

Have A Reference Sheet Although reference sheets are expensive, if you frequently commission artists and are able to afford it BUY ONE. It saves a huge amount of time and frustration- so much so that some artists won’t even consider accepting your commission without a proper reference sheet. Having to guess the body type or colors takes a lot of time and can easily be prevented!

Leave Wiggle Room Give an artist some room to breathe with a bit of artistic freedom! Do not expect them to get that exact #CCE5FF shade of blue you want or draw every single marking of a complex pattern. Lower your expectations if they’re that high, you’ll enjoy the piece more when you do!

Tip Particularly if you’re commissioning a character with a lot of detail or have very specific requests, leave a tip. Again all it takes is a $5 tip to make a difference!

Advice For Artists If you’re truly looking to get into this industry or have been in it for a while, here are some tips that can (hopefully) help make your job a little easier or get started. I don’t want to discourage people from this job by any means! We wouldn’t have the community we do without freelance artists. NEW ARTISTS

Start Small If you’re just starting out you’ll want to aim for the $10 - $50 price range with marketable pieces such as icons. You may have to heavily undersell yourself for a while to grow a client base. If you don’t sell anything at first don’t be discouraged! It’s perfectly normal to struggle for a while (even years) before you have anything steady.

Experiment Now is the perfect time to experiment and see what works and what doesn’t, what you like and what you hate. Try different platforms, different commission types and styles, whatever you fancy! The goal is to find a niche you can wedge yourself into, feel happy with, and work towards; not to fish around for immediate results.

Focus On Studying The more experience and tools in your belt, the better. For the first while you should be focusing on improving your art if you’re not at an intermediate level. Once hands don’t feel like such a struggle you know you’re at the right place! This will set you up to be more efficient and feel less frustrated down the road.

EXPERIENCED ARTISTS

Personal Time For the sake of your mental health you need to set aside time to do personal art, experiment, and relax. This could mean having a consistent day off, finding a new hobby, or making vent art just for yourself. Also, don’t be afraid to post personal art! You should not be apologizing for taking reasonable time to yourself.

Experimental Commissions Allow yourself to open weirder commission types from time to time. Maybe lately you’ve been really into drawing beach scenes, you could open a 2 slot commission that promises summer vibes. These could be filler between your bigger pieces or replace them every now and then depending on what you can get away with. Other examples I’ve seen are selling goretober calendar slots or $10 artistic freedom sketches. Just try to get yourself out of that repetitive loop if you feel like you need to, worse case it doesn’t sell!

It’s Okay To Quit Not all of us have this option given personal circumstances but there is no shame in leaving this career. Doing commissions even as a casual filler can rob you of the passion you once had for your hobby. If you feel genuinely unhappy with this job and come across the opportunity to safely leave, go for it! In my case I’m going from commission work to comic work, something within the same general field that I can do at my own pace. 

Afterword Although I tried to cover as much as I could with this, I know not every issue of the relationship between commissioners and artists was addressed. There are artists who take large amounts of money and then ghost their commissioner. There are commissioners who negatively nitpick at every step of the process and leave an artist feeling like a beaten down dog. The furry community is huge with lots of different folks, there will of course be bad eggs that make things harder for both sides. 

I simply hope this leaves commissioners with a better understanding of an artist's perspective and gives some well deserved compassion to the creative people that breathe so much life into our community. We as artists should also appreciate the clients that support us with positive enthusiasm. This special relationship doesn’t exist in a lot of places and I hope I've offered something to help furries have a better understanding of one of the biggest aspects of our community. 

Written with much love for the wonderful people that have cheered me on over the years and the community that has always shown it's full support toward me.

[rinchfest]

Coming this September to an internet near you: Rinch Fest 2023, a ship week for Harold Finch/John Reese from Person of Interest! This is a low-pressure event meant to encourage the creation of more fanworks for Finch/Reese or Finch & Reese’s friendship. Fic, art, gifs, vids, podfic, you name it—all are welcome, as long as they’re Rinch-centric.

Posting for Rinch Fest will run from September 24 through September 30, 2023

PROMPTS:

Day One – September 24 Huddling for Warmth • Belly • Nesting The Oh of Realization • Hurt/Comfort

Day Two – September 25 Family • Flowers • Food/Drinks/Cooking Time Travel/Loop • "Always"

Day Three – September 26 Pets/Animals • Road Trip • Beach Cabin in the Woods • Music

Day Four – September 27 Dancing • Bookshop • Declaration of Love Surprises • Retirement

Day Five – September 28 The Machine • Only One Bed • Bird Watching Mutual Pining • "Five+1"

Day Six – September 29 Power Outage • Outsider POV • Boundaries Wedding/Marriage • Gender

Day Seven – September 30 Free-For-All/Catch-Up Day

Keep reading for more info!

Who’s running this? ArgylePirateWD. Hi!

Any changes since last year? More prompts for each day and Finch and Reese friendship works are now allowed.

Why not call it Rinch Week? It started out as Rinch Fest on The Rinch Loft on Discord, and that’s what stuck.

Plus, Rinch Fest and Reese & Finch share the same initials.

What’s allowed? Complete fanworks focusing on Harold Finch and John Reese in a romantic or close platonic relationship with each other. Fic, art, vids, remixes, sequels, you name it! No length requirements, no style requirements, all ratings allowed—do what you want!

Anything not allowed? Works where Finch/Reese or Finch & Reese is not the primary relationship (additional ships are fine), works that are incomplete at the time of posting, and remixes or other transformative works for other people’s fanworks that are done without the original creator’s permission. Anything else is fair game, as long as it’s labeled.

Also, don’t be a jerk.

What about [insert controversial topic here]? Can I make something with x?/OMG someone made something with x! Anything else is fair game, as long as it’s labeled. This includes works featuring tropes and kinks that you may not like or approve of. As long as it’s warned for, it’s fine and allowed.

Please warn for the usual AO3 warnings (Major Character Death, Graphic Violence, Rape/Non-Con, and Underage) and any subjects others may find deeply unpleasant, and clearly label any NSFW works.

What about poly? Gen? Poly is wonderful, but this is a Finch/Reese or Finch&Reese event. Sorry.

Finch & Reese gen is allowed!

What do I do with x prompt?/Can I do [insert concept here]? Anything goes! Seriously, however you want to interpret a prompt is fine.

Do I have to make something for every prompt? No! You can if you want, but it’s not required. Feel free to skip days, combine prompts, create multiple fills for each day, anything! This is as flexible as it gets.

If it fits multiple prompts, when do I post it? Whatever day works best for you!

What if I want to do something NSFW? There's no nsfw prompt this year. Is it still allowed? YES! Bring on the spicy if you want!

What about a multi-chapter/piece thing where each chapter fulfills one day’s prompt? When do I post that? Post an update each relevant day until you’re done! (Just make sure you can finish it by the end of the event.)

What if it doesn’t fit a prompt? That’s what Day 7 is for! :D

What if I need to post my fill(s) on a different day? Life happens. The AO3 collection is set to Unrevealed, so I can reveal early submissions on the right day, but if that doesn’t work for you, I’m sure we can work something out.

Can I work on a previously-posted WIP? As long as it’s finished when you make your post for the event, sure! If you’re just updating a WIP without finishing it, no.

Can I start working now? Absolutely! That’s why I’m announcing it now—so there’s plenty of time for people to make things.

Can I talk about/share previews of what I’m working on? Sure!

Wait, there’s a Rinch Discord server? Do I have to join to do this? Of course not. We’d love to have you at The Rinch Loft, and it’s a fun place to hang out, but Rinch Fest is for anyone into Rinch.

If I want the Discord link… Send in an Ask to the @rinchfest Tumblr, contact ArgylePirateWD somewhere, or ask around. It’s open to anyone who likes Rinch or Person of Interest. I’m happy to give it out to anyone who wants it.

Where do I post? On Tumblr, post to your blog and use the #rinchfest23 or #rinchweek23 tags. You are They are being watched. 👁 And maybe add @rinchfest in your post to be sure. Tumblr is as hungry as Bear and Shaw.

Submissions are also open.

On AO3, you can post it here: https://archiveofourown.org/collections/rinchfest23/

Do I have to have a Tumblr? AO3? As long as you’re on some kind of platform and can get a link to the work to me somehow so I can share it with the world, you’re welcome to play.

On October 1st, I’ll make a round-up post full of links to all the shiny things people made. If I know you made it, it’ll go in!

What time zone? The daily prompt posts will be going up at 12 am Central Time, but as long as it’s the relevant day for your fill somewhere in the world, go ahead and throw it in!

(And if you want to sneak in some Day 7 things a little after, as long as they get posted before the Master Post goes up… 😉)

Sounds fun! How do I sign up? No signups! Just post your stuff somewhere on the right day(s), and you’re in!

Finally, thank you to everyone who participated last year, and to everyone on The Rinch Loft that contributed prompts for Round 3!