#and this is the same scene from that episode 2 still!!!!

[archives-of-a-hidden-writer]

Something Else

Thanos / Choi Su-bong X Nonchalant!Cold!reader

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》 [Entry No.003 - Something Else]|

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》 Location of Entry: Archivial's |

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》 Summary: Sometimes, being too calm at intense situations and gaining a bit of attention, even if it's from someone who is too high for this bloody game.|

》 Warnings: Spoilers for Season 2 of Squid game until at least episode 3-4, occur during and before the 1st game, reader's number is 457 & choosing 'o' later on, implications of drug use, flirting, murder, blood, swearing, Thanos flirting with ji-woo before going after you. |

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You thought everything was messed up, as you had somehow gotten yourselves into this so-called 'Squid Games'.

You wake up in an unknown place filled with people you barely recognize. Although some gave a sense of familiarity, you didn't delve deeper into this feeling. You don't know what was happening after all, all you remember was playing ddakji with some salesman who definitely did not give you a suspicious feeling and gave you a weird card after the game, and then all of a sudden, you're here in this children-themed place. Now, you are being told to sign a waiver before playing a 'game'.

As everyone lined up to sign the paper, the one in front of you, who's number is one lower than you, seemed to be slower than the rest, seemingly actually reading the written rules before signing it.

Shrugging the man's intentions off, I signed the paper with a quick glance at the rules. It might be useful to me in the future, keyword, might.

As I finished signing mine, I walked off the line to go somewhere in the room, or the called dormitory. As this occurred, a ruckus was happening on the sideline as a purple-haired man attempted to punch another guy but was stopped by his friend.

You somehow recognized those two from social media, one known for making his fans invest in a crypto coin and the other being a rapper.

I just silently tsked at them before moving along, not noticing the gaze that followed me from the purple-haired dude, but it was soon averted as took noticed another girl.

■■■■

"Everyone please line-up one at a time," the announcement echoed through the labyrinth of a room as people, now called players, each took their turn standing in front of the monitor and taking a pic.

As you waited for your turn, another scene occurred with none other than the rapper from before as many approached him and started mentioning how much of a fan they were of him. He then called all of them to group-up and take a picture together, followed by the man calling the braided girl that you now noticed as player 196, but she rejected him. The whole ordeal was soon stopped by a pink guard nearby.

■■■■

As you reached the end of the labyrinth of stairs of a room, you and the players reached the seemingly 1st game.

An announcer soon welcomed you all before saying to wait as the game starts, Red light, Green light, the game is said. Everyone scoffed and snickered as the said game was a kids' game, but one man wasn't having it as he ran to the front and started screaming of how they would kill you if moved.

As the man screamed, you just raised an eyebrow at the player's antics, what a weird guy, but it wouldn't hurt to d whatever this crazed man says. But it seems a few were still snickering and joking at the man.

Soon, the game started, the child-like doll then started to turn and chanted 'Red light, green light'. Everyone started to move until the doll stopped speaking and turned its head at us. The man earlier screamed to freeze, no one moved.

The same thing repeated until mostly everyone reached the halfway mark.

As everyone froze, the few silent seconds were disrupted by a girl's scream as she spun around and moved before being followed by a gunshot and a thudding of a body. It was soon followed by another scream and gunshots as everyone who panicked and moved was shot and killed with the man from earlier screaming for everyone to not panic and freeze.

The real chaos and hell began.

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A few moments after the wave of deaths, everyone stood close to each other, lining themselves into lines to hide from the doll's detectors.

The plan somewhat worked, with a few getting detected and shot as they either failed to hide or accidentally moved.

It was once again disrupted as the purple-haired man had killed at least 3 players as he pushed them while the doll's head was still towards everyone. You scoffed at the man for killing others, but did you even have anything to say as the two of you met gaze before you looked away from him, focusing on the game at hand.

As you focused on the game, Thanos, the purple-haired man, couldn't remove his eyes from you. Unlike the other players, you were somehow a bit calmer than them, more eased at this as if it doesn't phase you one bit. It didn't help that he was, at this moment, had already taken his little candy and is over his own head. You were really something.

■■■■

Soon enough, mostly everyone got through the line, and now everyone can finally have a breather as they survived.

Everyone was then brought back to the dormitory, pretty shaken up by the game given to them. Well, everyone but you and some few players, you were pretty shaken up as well, but not to the point you looked like you just went to an actual war field.

As you do your own thing on your bunk bed, Thanos had his gaze on you from the other side. 'Player 457... You're...' "Something else..." he muttered his thoughts as his pupils twitched, looking around before seemingly coming back to you. His looked over to him and asked if he was alright. He answered that he's alright in english, earning a confused look from his friend.

Despite barely meeting nor talking to you like what he did with player 196, he seemed to be just as smitten at you. But could he even manage to muster his hyped feelings before the games take his life?

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》 Archiver's Notes: A short something for someone, @sukratyaropia24 , as a fellow squid game watcher and heavy on Thanos aka T.O.P. Had to skip the majority of what happened during the first game. Apologies for that.

[vi-is-badass]

@lady-griffin I agree with most of what you said here, but I definitely disagree that Vi was motivated by revenge when it comes to Silco. She believed in season 1 that taking out Silco was the only way to get her sister back.

I think this is clear in almost every action she takes. When she attacks Sevika in episode 5 she calls her a traitor but when she finally has her on the ground the only thing she asks about is her sister, not Silco. She went after Sevika because she knows she's one of the last people who saw Powder that night and might know what became of her.

In episode 8 when she's talking with Caitlyn in her bedroom she talks about that night as a failure on her part to protect her sister from Silco.

In episode 9 when she fights Sevika for the second time it's because she thinks that to get her sister she has to get rid of Silco and to do that she has to take out Sevika, his right hand man.

In that same episode when Vi talks about what gets her through prison it's the thought of getting back to Jinx, not getting revenge on Silco.

Her motives for the raid with Jayce are personal, but I don't believe revenge is what motivates her. If she was given the opportunity to live with her sister away from Zaun and Pitlover-- away from Silco-- I think there is a chance she would have taken it because at this point especially she’s motivated by her desire to protect and fear of losing those she loves.

Vi is a character that tries to do the right thing-- she does have a "good heart"-- but her trauma and the fact that she's constantly put between a rock and a hard place make it so she frequently makes the wrong decision or her decisions rarely pan out. (Vi was trying to mitigate casualties and damage when she became an enforcer, but it was definitely the wrong decision. Tries to do the right thing, but makes the wrong decision)

But everything you said in your last response about the lack of exploration of Vi's perspective on the grey, Caitlyn's descent, and the increasing brutality of the strike team are things that are sorely missing from the show. (my initial response was meant to counter the idea that Vi was out of character in act 1)

While this lack of exploration doesn't make her actions in act 1 out of character, I do believe it makes certain beats not hit as hard as they could have (like you mentioned with the scene where she stops Caitlyn from at shooting Isha and Jinx) and in some cases really hurt the "resolution" for her character in act 3.

I especially agree with your point about Vi turning the "I thought you were different" back on Caitlyn because her thoughts on Caitlyn's actions in act 1 and occupation of Zaun are woefully underexplored.

We only really get insight on her guilt over it all in the montage at the start of episode 5. She feels responsible for what Caitlyn has become and for being a part of the start of something that turned into an oppressive occupation of her people.

But we don't get true insight into her feelings on Caitlyn’s role as the commander, the checkpoints, the detainments that lack adequate cause, the brutality and oppression disguised behind a thin veneer of justice.

And I think this is a huge missed opportunity because of just how Vi falling for Caitlyn was framed in season 1.

Vi falls for Caitlyn in season 1 because Caitlyn chose to fight for her and the undercity. She didn’t have to fight— she had nothing to gain, nothing to lose if she didn't fight like everyone in the undercity— and yet she chose to fight anyway.

Caitlyn was genuine in her desire to help and fight against a system she learned through her connection to Vi has oppressed the people of the undercity. She also sees what Vi believes is the worst of her during the bedroom scene and still reaches for Vi anyway, giving her empathy and grace that has never been afforded to her before.

But then all of that crumbles in season 2. Caitlyn becomes the worst version of herself out of grief and the sudden immense responsibility thrust upon her shoulders and actively becomes the face of the oppression Vi and her people face. Caitlyn no longer wants to fight corruption and actively participates in it. Gone is the empathy and understanding of season 1. Gone is that desire to fight for Vi and the undercity that made her fall in love in the first place.

There isn't really any exploration of the betrayal that might have felt like because like you said Vi really did think that Caitlyn was different.

(Side note: I really love the idea of Vi repeating Caitlyn's justification for using the grey to Jinx. That would have been a fantastic way of showing that Vi was losing herself. Honestly every point you made in that last response was spot on. I also agree with your take on the hellfire montage. The lyrics definitely fit Vi and her perspective much more than Caitlyn's while the visuals are from Caitlyn's persepctive)

Caitlyn and Vi weaponizing toxic air pollution against the undercity and then Jinx and Sevika using Janna’s temple to recreate her legendary miracle by blowing that toxic air back onto Piltover.

Jinx (and Sevika) just became the hero Zaun needs.

[thoughtfulchaos773]

The Art of a Slowburn

Besides the commonality of Jon Bernthal playing a partner/brother, there's also the art of the slow burn happening in Twd and the Bear- and yes, I know, different writers can't quite compare. But the art of foreshadowing is always the same. If you didn't see the show spoilers ahead I'll provide a recap if you don't care to watch Twd.

Here's the gist of the show: Rick wakes up from a coma and finds his wife and son. He is fighting off the end of the world and zombies and reunites with his family along the way- his wife dies during childbirth, and literally 3 episodes later, amid Rick's grieving, Michonne arrives.

The matching! They're showing and hinting at the audience early on; these two are a great match.

More matching:

Was it the stares, I wondered? It's something richonners loved to analyze while the burn was slow. Particulary, Rick stares at Michonne like Carmy. They focus on this so you can get a feel of the main character's reaction to their love interest. For me, it's the preceding scenes that hinted at Richonne, and I'll compare them with Sydcarmy in a second:

But check out his flirting- there was much gaslighting on the ship. People said we were overthinking; they were just friends, and she was like a brother to Rick and a partner he lost in Shane. But Michonne fulfilled both for RIck- she was a partner and wife. Just as Sydney is a partner to Carmy.

Now let's talk about the dialogue and preceding scenes. In season 4, the prison is calm- domesticated. Rick is taking a break from the violence and is almost making peace with his wife's death. At this point, we don't know about Michonne's history, but Hershel- Rick's advisor- says this before Michonne arrives from being on the road.

(Things break, but they can still grow- a new plant, a new family tree. They hint at the Grimes 2.0 family after Lori's death. Right after Hershel says this- Michonne arrives.)

Plants? Family tree? Things growing you say?

Sydcarmy's preceding scenes hint at a ship:

Also, can I mention the tension? Here’s the thing: Rick treated Michonne differently than the rest of his found family. Just like Carmy. He listened to Michonne's advice early on—what Michonne wants goes. Sound familiar?

Even amid Michonne Challenging him as Sydney challenges Carmy- you can feel the closeness- the partnership and trust growing between them.

Jessie/ Claire, a blast from the past.

In TWD, Jessie represents Lori (Rick's dead wife) before Richonne happens. We got the Jessie storyline- a big session of major gaslighting here; some WD fans figured Jessie would replace Andrea, Rick's love/partner in the comics. But it didn't make any sense to us- they built all this tension and closeness between Rick and Michonne, and suddenly, Jessie happens?

Then they point to the signs visually- such as Jessie wearing a plaid shirt, the same style his wife Lori wore when he last saw her alive.

Lori's ghost:

Jessie & Claire, and nothing thereafter.

Rick doesn't sleep with Jessie, but after their kiss the night before, Jessie touches Rick's face, and he feels nothing for her- even after he stares at his wedding ring. When Richonne becomes Cannon in the very next episode, the first shot we see is Rick's wedding ring on the dresser- showing us he's past his grief and is in a new place to be with Michonne, his soulmate.

Comparing to Carmy and Claire. After he declares Claire his girlfriend they sleep together he feels nothing because dating her was all about getting past his grief with Mikey.

In this same episode, they do more proceeding scenes hinting at Richonne happening. When Deanna, the town leader, asks Michonne to look into what she wants after they get through the herd. They cut to scenes of Michonne caring for Carl- Rick's son.

But all this foreshadowing- I should get into the cinematography parallels that honored Lori's role and show Michonne fulfilling the matriarch of the family just as Sydney honors Mikey. But this is enough for now. Maybe a part 2 I got plenty more comparisons.

The same will happen with Carmy and Sydney- the show gives us clear obstacles that stop Sydney and Carmy from slowing down, taking a look, and realizing their feelings for each other. For carmy to get to that place, he has to get past his grief.

I think, if anything, if this is the last season and they don't end with a kiss, Storer is hinting at it. Like the bear, the pairing was planned from the beginning and you. Tell by the foreshadowing and if people really watched, they could see the signs.

One last thing, this was a comment once richonne became cannon and it's so similar to sydcarmy. Tells you all about how misdirection in slow burns work with most audience. When a ship becomes cannon some say wow! I didn't see that comingʻ where there's been hints from the start..when it's planned.

I saw their relationship develop in a platonic kind of way, and it was a complete surprise for me when they got together. Now, looking back, I'm so embarrassed because it was so obvious all along.

Be safe, and Happy Holidays, Folks!

[synchodai]

That Arcane AU episode

S2E7, Pretend Like It's The First Time, is my favorite and most hated season 2 episode. I like it because it mirrors S1E7, The Boy Savior, my (and most people's favorite) episode: Ekko-centric, Silco stealing the show, gorgeous emotional choreography between Ekko and Jinx, a microcosm of its season's themes, etc.

I hate it because it is a microcosm of its season's themes and said themes contradict S1E7.

Let's talk about what The Boy Savior showed us:

Vi rediscovering her community and agency with the Firelights. For the first time in the series, Caitlyn is prisoner and Vi is the one with power over her, but Vi chooses to vouch for Caitlyn so that the Firelights ease up on her and agree to give the Hextech core back to the Piltover Council. This shows Vi and Caitlyn as equals with power and influence in two different realms that they use to move together towards a common goal. (Compare that to S2 where Vi is fully dependent on Caitlyn and contributes almost nothing in their mission to capture Jinx.)

Powder vs Jinx. Ekko tells Vi Powder is dead and only Jinx remains. Vi argues with him saying she can still save Powder. We see the seed of doubt she planted in Ekko sprout when he hesitates to kill Jinx on the Bridge of Progress when he sees Powder in her. (Inadvertedly, Vi saved Jinx's life here. Both Ekko and Vi are wrong because Jinx IS Powder.)

Zaun vs Jinx. Chem-Barons want Silco to hand over Jinx so that the Enforcers will lift their blockade. Sevika tells Silco Jinx is a liability in their mission for an independent Zaun. Silco refuses to hand over Jinx (because it's not a choice between Jinx or Zaun — Jinx IS Zaun, but that's a post for another day).

The Enforcer's brutality is shown in full force. Viktor argues with Jayce for ordering a blockade on the undercity. Ekko calls out Vi for the Enforcers treating people in the undercity like animals.

Why Silco fights for Zaun. He gives a whole speech about suffocating in the toxic fumes of the mines to reestablish his dominance and reaffirm Sevika's loyalty. He reminds them that just because they've had a taste of fresh air, it doesn't mean they should forget that they still all come from the dirt.

Jayce's moral spiral in the name of progress. He's tormented by his betrayal of Heimerdinger, calls on Enforcers to terrorize the undercity, alienates Viktor, and eventually makes the choice (with Mel's urging) to weaponize Hextech.

Ekko vs Jinx. The quick 3-minute scene on the Bridge of Progress did so much for Arcane's reputation. If you asked me what Arcane is about, I would point to that scene. It showed who Ekko is. It showed who Jinx is. It showed the history and relationship between them. It is a commentary on Zaun and its children. Every frame is literally a well-conceived painting. It placed Ekko and Jinx as foils — Ekko is what could be if everything went right and Jinx as what happened when everything went wrong.

Let's talk about what Pretend Like It's The First Time showed us:

Only Powder grieves Vi. Whether purposefully or otherwise, the episode paints Vi as someone who would have been better off as a child martyr. Mind you, in the original timeline, she was presumed dead at about the same age, but I suppose a teen languishing in prison doesn't have the same impact as a public tragedy with a visibly gruesome corpse. Vi's previously established connection with her community is diminished. They DID already mourn her and thought they lost her, and their grief was memorialized through a mural because they cared for HER. In S2, Ekko only paints a mural of Vi to placate Powder, implying that her sister was the only one to truly mourn Vi's passing.

Everyone is free to move to and from the Bridge of Progress. Where are the Enforcers? Why are they gone? Who's keeping out the undercity folks sick from mining gas from mingling with the topsiders? The episode doesn't care.

Silco's life is made better by forgiving Vander. This makes it seem that Silco turned to a life of crime out of spite for one person, when S1E7 had him make a whole monologue why he built his Shimmer empire in the first place. They were being poisoned in the mines — did him and Vander making up clear up all the toxic waste in the undercity? How? When they were younger and working together, Zaun was still polluted, so what's different now?

Perfection is either pretending problems never existed in the first place or everyone turning into lifeless statues. Ekko's version of a perfect world and Viktor's version of a perfect world are both heavily sanitized dystopias utopias that ignore history and come at the cost of sacrificing innocent people. The episode never interrogates this.

Ekko and Jinx. I love Stromae but that dance sequence does not live up to S1E7 at all. The animation consists of blurry and choppy frames — an unimaginative way to simulate the feeling of being in love. Ekko apologizes to Powder for being "consumed" by all the ways the undercity wasn't perfect and "giving up on it" WHEN HE NEVER DID. Maybe he gave up on trying to save Powder, but he kept fighting for the undercity. His flaw was (understandably) looking down on Jinx as an enemy and seperate from the undercity rather than someone who shared their plight. What Ekko had to overcome was seeing everyone as deserving of saving and not just establishing another gated community. He shouldn't have seen Jinx deserving of love only when she was Powder. He should have seen Jinx as Jinx (mental illness, full of shimmer, uncontrollable) and came to the realization she's still one of them.

TL;DR: The Boy Savior was supposed to throw the nickname in Ekko's face because instead of saving Jinx, he was already counting her out as a "necessary sacrifice" for their community to move forward. S1E7 tackled with the idea of having "necessary sacrifices" in the name of progress. Give them this problem child and save Zaun, give up on your sister and move on with your life, just sell out this person that no one cares about and is only a burden on society and everything would be hunky-dory. Silco said no, Vi said no, Ekko said yes and then hesitated (which still led to her death if Silco hadn't saved her). But the message is clear — you do not better your society by sacrificing a scapegoat. Jinx is a product of the evils of her environment, not the cause of it. Class solidarity and all that, something something we are closer to the homeless and the drug addicts than we are to the politicians and billionaires.

However, S2E7 affirmed that, yes, sometimes children do have to die and we do have to sacrifice people for the world to be a better a place. What a mess.

[vampirewuwu]

Is episode 7 really fan service?

I’ve seen people who don’t really like Timebomb claiming that episode 7 is fanservice because of the ship itself but is it actually? Now we know that Timebomb is a popular ship in the Arcane fandom along with CaitVi and JayVik, the ship got pretty big and, like CaitVi, got attention from the people involved with the show. Reed Shannon ( Ekko’s VA ) is shown to be very supportive of the pairing along with Amanda Overton ( Arcane’s writers ). So let’s go talk about the episode along with debunking.

So Ekko has not appeared in act 2 at all and we wonder as to why he didn’t show up, it turns out that he was in an alternate universe which being that what would’ve happened if everything was okay.

We see him countering Adult Powder, he got cautious around her until he sees Benzo being alive but it’s not only him being alive but the others as well. Ekko ends up running into Heimerdinger and has a conversation with him about going back to their own universe until Powder accidentally interrupts their conversation by telling Ekko that she’s going to visit Vi and invites him over.

This turns out that despite everything in the AU being okay, it ended up taking Vi’s life instead, Ekko being confused as to how she died ends up asking Powder questions that weren’t really the best to ask her, she finds it very insensitive that she refuses to talk to him. The scene cuts to Ekko walking but the setting that he was walking on was actually the bridge where him and Jinx fight on, he started having a flashback of him looking over her unconscious body before it ended. Now we see him and Heimerdinger having a conversation about finding a way back to the universe and notice how Ekko was scooting over for Powder to see him? Powder did see him, Ekko gave a smile but she looks away thus leaving him feeling bad about what he asked her. He ends up painting a memorial of Vi as not only a way to ask for her help but to apologize. Now during the heartfelt conversation of them speaking about Vi, we can see that he’s still thinking about Jinx when he was speaking to her but then we get this quote “Sometimes taking a leap forward means leaving a few things behind.”

Now during the scene where Ekko, Powder and Heimerdinger were building the time loop, I’ve seen people pointing out which I didn’t know but it started making sense that Powder knows that this was definitely not her Ekko because of her looking at the notebook and the look that she was giving him like she knows that something’s off but just chooses not to force it out of him.

Now going to the party scene where Powder and Ekko have this romantic moment of them dancing together, during this scene, we see them siting together while watching the sky. We had a heartfelt moment of Ekko admitting that he dreamed of the undercity to be like the alternate universe and Powder comforting him. Ekko did ask if she ever wish she could just stay in one moment to which Powder responded the same thing that Ekko had said to her, “Sometimes taking a leap forward means leaving a few things behind.” Powder was about to lean in for a kiss but due to this being Ekko’s first kiss, he hesitated and ask her if they can pretend that it’s their first kiss to which they did.

Now I’m not sure if Ekko gave her that necklace but it does have his and Powder’s silhouette but if he did, it was definitely something for her to remember him by.

When Ekko was ready to go back to his own universe, Powder comes in to check up on him to find an unconscious body of her Ekko. This is the moment where Powder first sees Ekko and what I love about this moment is when Ekko at first gave her a sad look but then gave a heartwarming smile, it looked like he was about to wave a goodbye when he leaves.

I’ve seen people claiming that Ekko doesn’t love Jinx but loves Powder, I will say that this is false and ridiculous to say because they are both the same person. If we are talking about AU Powder then I will still say that this statement is false because if he only loved her and not Jinx then he would’ve just stayed in the AU.

I’ve seen people say that Jinx hates Ekko or doesn’t care about him. This is later debunked by the official artbook of Arcane where we see Jinx’s doodles, when we see Ekko on the page, she draws hearts around him and there is this walkthrough event where along with her doodles, we see the “Ekko + Jinx” on the wall and if she were to hate him then she wouldn’t bother helping him.

So this all comes down to the question, is episode 7 pure fan service? I would honestly say no as Ekko wasn’t out of character in this episode. I know that people will say “But Jinx killed a friend of his” or “But he ended up hitting her on the bridge” and I feel like people forget that this pairing is a enemies to lovers troupe ( also Ekko was defending himself when she was about to shoot him ). Enemies to lovers troupe is extremely popular when it comes to pairings such as Batman and Catwoman as an example. I have also seen people say “Ekko all of a sudden falls in love with her” and I want to point this out that Ekko didn’t randomly fall in love with her, the two were childhood friends and it’s been hinted that Ekko has a crush on her when they were kids.

The one thing that I will agree with is that Ekko and Jinx need more interactions as we have been told that there was more interactions in Act 3 but it was unfortunately cut. It does make me disappointed since we could’ve had more interactions to show but from what Christian Linke ( Arcane’s co-creator ) said, he has stated that their story is worth continuing so maybe we might get more of their interactions in the future if they ever appear in the spinoffs.

[winnie-the-monster]

He is going to kiss her!!! He is going to kiss her!!!

[rockpaperscissuhs]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

JOSEPH "JOE" RAMIREZ

Born October 5th, 1921, in Nebraska

Died April 8th, 1988 (age 66), in Martinez, California

Joe Ramirez enlisted in September 1942 (age 20) in San Francisco, CA, and he trained with Easy Company at Toccoa. Holding the rank of Private, he served in Normandy, Holland, and Bastogne. He was hospitalized in January 1945, and discharged in July 1945. After the war, he was married for many years, and had children and grandchildren. When he passed away he was buried with his wife, who had passed away 11 years earlier. Further information about him is scarce, but the brief character profile in the Band of Brothers series bible describes him as Mexican-American, and his personality as "sensitive and nervous."

Appears in Episodes 1, 3-8, and 10; portrayed by actor Rene L. Moreno

Sources below

A million thanks to @bleedingcoffee42 for tracking down this info for me!

[crownspeaksblog]

Okay, what a whiplash going from the last few minutes of episode 4 where i was having fun to being so uncomfortable watching the sex scene in episode 5..

Okay so going into this season, i already knew that colin and penelope were gonna have a sex scene involving a mirror, so when colin turned penelope towards the mirror and started describing things he likes about her, i thought that this was a foreshadowing to a sex scene that'll happen later on, because in my mind they're so not at the point of full on sex yet, so when i realized that they were gonna have sex i was taken back because this scene feels so unearned to me, it feels like we jumped several steps ahead, even though last episode they were making out and colin was grabbing on her, his hand under her dress, it still doesn't feel like enough build up for a sex scene to happen the next episode, again it feels like we jumped so many steps to get here..

And i don't know why but i started getting a little uncomfortable when he touched her lower lip and i definitely got uncomfortable with her laying naked in bed with him on top of her, and then he started talking her through it and i know some people like this, but i just wanted him stop talking!! (i was genuinely so close to fast forwarding this scene but instead I'm here writing this).

So yeah i didn't like this scene because it has alot of talking, but mostly it because their relationship literally started last night!! I don't think i can say there's no building up whatsoever, to me it's just there's very very little build up and development in their relationship.

[kerryweaverlesbian]

You legit have the best spn takes I love the patheticness of Rowena but never actually thought too much about it but your post makes me appreciate that part of her sm

Thank you! People are so nice to me 🥹 she needs to be a little scheming worm who gets maybe two thirds of what she wants maximum. She needs a project. She would be bored of running Hell with no conflict or further goals within about a week. Rowena has wanted the IDEA of running Hell for a long time but from what we've seen of what being monarch of Hell actually IS with Crowley (or, what he made it into) she's going to be bored out of her skull. She looked bored in the episode. She's a schemer!! Let her scheme! It's like if Chandler from FRIENDS just stopped telling jokes forever as his final position on the show and all his (titular) friends agreed it was good for him. Or if Winston from New Girl put down his racoon costume and said "I'm going to become an ivestment banker" and did it with no issues and no silliness that was his endgame. It doesn't feel right.

Anyway!!!!! Pathetic Rowena is so good. When she was trying to build a coven and all the witches were like. Have you forgotten that you're a complete loser??? Or when she "reconnects" with Crowley as his untrustworthy advisor and gives the most obviously scheming bad advice and the only reason he lets her get away with it is because she's his mother and he pities her a little. Or when she manages to get in good with Amara but Amara's like hm. You kind of suck huh. like that's golden.

I would have had, for her final appearance as "queen of hell", she does her whole big grand entrance being carried around by demons (loved that for her), giving (slightly quicker) lofty advice* about working on relationships (because that IS necessary for the theme of the episode) and getting her demons to look for Michael. And THEN after they get the news that he's not in Hell, have one of her demon aides warn her that the actual queen is coming so she's gotta go and the boys are like. The who. What. Meanwhile Rowena is scrambling to get her things and is like 'aye well maybe introducing myself as queen was a tad preemptive, but I will be. Good luck boys, best get out of here sharpish if you want to keep yer heads ❤️" and a specific goodbye to Sam with a kiss on the cheek since she was. His best friend???? and they don't presently have A Moment in the episode. It wouldn't take much. It would also solve the weird place of them being best friends with the queen of hell where - presumably - eternal torture is still happening. Easier to handwave if the position of power is incredibly tenuous like Crowley's was always depicted as.

To conclude. Kiss kiss kiss 💋

*not to be confused with giving Lofty advice, a character from BBC Casualty who crossed over to BBC Holby City and whom I hate with the fire of a million suns.

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[infamous-if]

✭INFAMOUS UPDATE IS HERE ✭

238K -> 457K WORDS

Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)

This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.

Please let me know of errors! I tested it a few times with no problems but we know how it goes lol

IN THIS CHAPTER THREE UPDATE:

drama

mayhem

chaos

some betrayal

some surprises

just...read it lmao

PROLOGUE - CHAPTER 2 CHANGES:

**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**

fixed up grammatical errors and typos

expanded some scenes and added some more choices

you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)

you can choose to have changed your band's genre before/after seven

TECHNICAL CHANGES:

you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.

the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.

You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.

There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!

I changed a few stat names but their functions remain the same.

You will be able to choose how you would like to be described (masculine, feminine, neither, both).

O is officially gender-selectable.

You can set the genders of the ROs at the start or wait till you meet them.

PLAY HERE

[shitpostingkats]

An Asexual's love letter to Good Omens 2

There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.

I disagree.

The final episode of season 2 was deeply, deeply comforting to me. 

I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.

For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it. 

Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.

We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic. 

We were just quiet and gentle.

And that wasn’t love.

Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.

Then I found myself in stories, and it felt like a revelation.

Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.

Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just. 

It's just that. 

Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps. 

That sequence means far more to me than any kiss ever could.

Love isn’t only real when it's hot and sudden and ephemeral, it can also be

Quiet.

And gentle.

And still romantic.

Still real.

[aboutcustardcreams]

Wake up call

Agathario x reader

Another scene I'm deeply in love with is Agatha and Rio's fight happening in the first episode. So, here it is what would happen with r joining it.

pt. 2

Rio leaned closer to Agatha with a lopsided grin, “I’ve missed you,” she purred, tracing her former lover’s jawline with the curved blade in her hand. 

Agatha’s chest rose and fell, an expression of pure hatred flashed upon her blue eyes, mingled with a hint of something else, mabe fear. “I hate you.”

Rio lolled her head back and laughed bitterly, “course, you do.” 

The day you and Agatha vowed to never see her face anymore, her heart shattered until nothing was left of it. But she was Lady Death, meaning that no matter what you wanted, someday your paths would cross again and that’s what kept her going. 

You had just parked in the driveway, when an explosion coming from inside the house alerted you. On your way back from the grocery store, your memories came back one by one, and you almost hit a pedestrian or two at the realization that you and Agatha had been trapped under a spell for about three years. And now that you were ‘awake’, you were pretty sure she was too. You quickly got out of the car and stepped inside, silently praying that Agatha was okay. 

Last person you thought you’d see was Rio. 

“Drop the dagger now,” your voice came out sharp and dangerous. 

Both witches snapped their heads towards you. Your eyes locked with Agatha’s first. She breathed a sigh of relief at your sight, her blue orbs filled with all sorts of thoughts. 

“Hello, mi nena,” Rio quipped, tone softening at the sight of you. “Glad you’re awake too. Agatha and I were just.. catching up, right?”

You took a step closer, keeping your eyes on Rio. “I see– rude of you to start without me,” there was a hint of sarcasm in your voice, that both witches grasped. “Now, don’t make me repeat myself, you know I hate it.” 

“Uhm, I don’t know.” Instead of listening to you, Rio pushed the blade deeper against Agatha. The witch struggled to keep the blade at distance, trembling while doing so. 

Your hands turned into fists, a gust of wind rose up around you. Objects started levitating, the chandelier in the lounge room swayed and Agatha’s lips curled upwards, happy to realize your powers were still part of you. 

The vibrancy of your magic brought back all sorts of memories of the time you three spent together. “Looks like our sweet girl over there is in control of her powers. How does it feel, Agatha?” Rio asked in a mocking tone. “Don’t you resent her like you resent me?” 

The purple witch was quick to shake her head, scoffing to herself at the same time. 

“You have no idea what you’re talking about.” 

When she looked at you, she saw one of the most incredible witches she ever had the pleasure to meet.

“You’re nothing like her.”

Rio let out a whiny sound, “why does she get special treatment and I don’t, huh?”

In the meantime, your irises turned the same color of your magic, a bright hue of silver and enveloped your entire body as well. 

“She did everything she could, while you–” she winced when the tip of the dagger pressed further against her skin. “What, huh? What are you blaming me for? I’m the natural order of all the things baby, and you know it. You always knew it!” 

When she pushed the blade further closer to her skin,  Agatha’s grip on Rio’s wrists loosened and the dagger scraped her. While Rio grinned at the sight of Agatha’s blood flowing so deliciously from her collarbone to her chestline, you levitated from the floor and your palms opened wide, exploding with your magic. 

“You’re nothing!” 

Rio let out a strangled yelp, as her body was thrown on the other side of the corridor. Agatha let out a sigh of relief, mouthing a fragile thank you in your direction as you rushed towards her. You didn’t say anything at first and simply hugged her, your heart thumping in your chest at incredible speed. 

“Are you hurt?” 

She shook her head, but you knew better. While that small cut wasn’t anything serious, you knew the pain in her heart was greater. You pressed your lips together, giving her a skeptical look. With a flick of your finger, you healed the wound on her skin,  and for some reason, it made Agatha feel even worse, but she didn’t say anything to you. 

Rio pulled herself up, stretching both arms and legs, “Ahw, did she make it better?” 

Agatha growled, fingers wiggling as if she could actually summon magic. 

You immediately stood in front of her, “don’t come any closer,” you warned her. 

The Green Witch hummed and her brows knitted in a frown, “where did I see this scene before?”

You swallowed thickly at the painful memories she was able to bring back with such ease. You had so many questions going on inside your head, the most important would probably be, why? Why the betrayal, why the lies, why the pain? 

“Cut the crap, Rio,” Agatha snapped, worrying about your sudden discomfort, “what do you want?”

She fake pouted at her angry tone, “you used to be much nicer to me,” with the tip of the blade, she moved a strand of hair from her face. And when you scoffed, a dark shadow passed through her eyes, “I’m just missing the old days. I want you back– in a way or another, meaning that if I have to kill you both, I will,” she added the last part with a strange look in her eyes. Almost hysterical. You only had a couple of seconds to react. Rio’s dagger flew in your direction, missing you and Agatha by a nose, as you shoved her to the side, shielding her with your body. 

Agatha grunted at the sound of Rio’s giggles, “I’m gonna kill her.” 

You rolled your eyes in annoyance, “it’s not possible, unfortunately.” 

Propping yourself up, you helped Agatha do the same. 

While doing so, you spotted the dagger behind you. You pointed at it to Agatha with a nod of your head. She was closer to the weapon so she lunged forward to grab it. Rio ignored her and focused on you. She gave you little time to anticipate her move and with a yelp she sprung forward, fuelled by her magic. Before you knew it, her fingers tightened around your neck and squeezed. 

Her head lolled to the side, and watched you with a mixture of nostalgia and admiration, “naughty, naughty–”

“Let her go!” Before Agatha could even make an attempt to stab Lady Death on the shoulder, Rio sent her flying in the lounge room, her back hitting a cabinet that after the impact, crashed on top of her.  

Your eyes snapped open, as you squirmed but to no avail, “Agatha!” 

“Do you remember pain, my love?”

“I never stopped feeling it since the day you betrayed us.”

You still resented her for the things she did. And you probably would for the rest of your life. Her face dimmed and her lips pursed into a grimace; the grip around your neck loosened, but she didn’t let go. Was that disappointment settling in her chest? 

“You’re so clueless about the things I did for you.” 

Tears pricked at your eyes, but despite them a choked chuckle slipped from your lips. She did nothing for you, nor for Agatha and even less for Nicky. She only took, betrayed your trust and hurt you in the most inexplicable way. 

“All you did was make things worse.”

Rio snarled at your accusation,“you knew that messing with the Fates wasn’t without consequences!” 

Your answer came out in a faint, yet determined whisper, “you were the one to send the Furies my way.” 

In the meantime, Agatha straightened herself out, wincing at the pain in her arms, as shreds of glass cut through her skin. She scanned the surroundings  in search of something, anything that could be used against Rio. While her eyes landed on a wooden tray, Rio blasted you against the wall behind you with full demoniac force, her voice distorted as well, sounding deeper and animalistic, “I had no other choice!”

Agatha mentally screamed at the chunks of plaster coming down at you. 

You whimpered, feeling Rio’s body towering over yours, “sorry, did it tickle too much?” 

Despite the dizziness, you found the sassiness to roll your shoulders, “No.” With the corner of your eye, you spotted Agatha coming your way, holding something in her hands. Realizing what it was made you almost chuckle. “But I bet this will.” 

Before Rio could ask you what you meant, the purple witch hit the back of her head with an angry growl and a deadly stare in the eye.  

“Dark Mother, I’m so sick of her,” she muttered, glancing back at you. 

You chuckled briefly, before erupting into a fit of coughs. Your throat felt on fire because of Rio. You were pretty sure it was bruising already for how much she squeezed. Agatha kneeled in front of you, her fingers hovering over your neck, but barely touching it, for fear of causing you extra pain,  “I’m sorry about–” 

“Don’t. The ‘s’ word isn’t allowed,” you chided her softly. She nibbled the inside of her cheek, blinking back the tears from her eyes. She hated feeling powerless, even more now considering you could really use some of her purple as backup.

Noticing the veil of sadness in her eyes, you tried to cheer her up, giving her a playful nudge, “what you did was rather hot by the way.” 

She snorted out a laugh, “are you turned on, love?” 

A playful smirk tugged at your lips, “maybe.”

She pulled you closer, tugging at the fabric of your blouse. Her forehead adhered against yours and you closed your eyes for a moment, allowing yourself to inhale her sweet. Her hand ran from your collarbone up to your chin, her thumb gently grazed your bottom lip, pushing it down and making you smile. When you reopened your eyes, you took her hand in yours, and intertwined your fingers together in the attempt to brush aside all the worries you spotted in her eyes. 

Rio let out a frustrated growl, “Good job, Agatha. I’m impressed. A little higher and that would have really hurt.” 

On instinct, you tried to move Agatha behind you, but she resisted, making you frown. 

“Ugh!” Rio swept her tongue over her lips, “the way she would throw herself in Hell for you really warms my heart.” 

You said nothing because it was true. You would do the craziest things for her, just like you did for Nicky. 

Agatha smacked her lips, almost laughing in her face. “Please, you don’t have a heart.” 

Rio locked eyes with her, and for a moment you spotted a veil of hurt in her brown orbs. “Yes, I do,” she argued, before dropping her voice into a softer murmur, “it’s black and it beats for both of you.”

Agatha said nothing, while you couldn’t bring yourself to be quiet after that colossal lie, “you’re pathetic.”

Her gaze narrowed towards you; a flash of fury dimmed her features. “Madness turned you into a real brat. Perhaps you fancy another ride?” 

You swallowed thickly and turned stiff. Those words stung painfully, there was no point in hiding it. You hated how easily she could bring back the memories of your trauma, making you feel as if you were reviving it all over again. 

A single tear slipped from your eye, but you were quick to wipe it. Agatha’s hand found yours and squeezed; she felt your magic tickling her skin, it was mirroring your emotions and she knew it would burst soon. 

“You’re a monster,” Agatha’s voice came out in hiss. 

Then it happened. You let go of Agatha’s hand and tackled Rio on the floor. Her back hit the ground with force, and despite that, she laughed. You pinned her wrists above her head, digging your fingernails into her skin, wishing to hurt, to tear the skin apart, and make her feel even an ounce of the pain you endured because of her. 

Agatha’s eyes widened both in shock and surprise at your outburst. 

“My, my, aren’t you sexy when you’re mad?”

You smacked her across the face. Hard. 

“Woah, okay girl–”, she conceded, calling a truce, “tell me what you want.” 

“I want you to get the fuck out of my life.” 

Rio lifted her chin up, a dark chuckle escaped her lips, “All roads lead to me, mi nena. Whether you like it or not, you’ll die. Why can’t we speed up the process?” 

“You’re not allowed to kill us,” your voice dropped in an icy growl. 

“I second that,” Agatha quipped. 

Rio scoffed amusedly, “are you sure about that?” Before you could respond with another sassy remark, she headbutted you straight on the nose. You fell to the side, letting go of Rio’s wrists and allowing her to flee from your grasp. You groaned and cursed under your breath, when she kicked your side with the boot of her shoe. Agatha took you in her arms, as quickly as she could, then started crawling backwards with you firmly pressed against her chest, “you okay?” 

“Fine,” you croaked out, in annoyance. 

By the look on your bloody face, she realized you’d very well use a break. 

But Rio seemed to have other ideas, the knife was back in her hand as she approached you. 

“Wait, just wait a damn second–” Agatha held out a hand towards the Green Witch, while the other remained wrapped around your underarms. 

Rio hummed and traced the tip of the blade with her fingertips. 

“This isn’t what you want. Plus, I don’t have any powers so it’s not exactly a fair fight, is it?” She gave a nervous chuckle, hoping her words would buy you some time to recover. “Don’t you want us at our best?” 

Rio grinned, with a devilish light in her eyes, “Horizontal, in  a grave?”

“Not exactly,” she muttered, “I mean, in full control of our powers. Just let me get my purple back, let her recover and if you really want to– come back and find us.”

Your breath hitched, it was hard to breathe properly with the blood clogging your nostrils. You summoned your magic, and despite being a tad weaker, you knew it could heal you if given proper time. 

“Why don’t you take mine?” Rio’s suggestion made your stomach lurch. 

“That’s cute,” Agatha mused. “But you know that would kill me.”

“Then what about hers?” 

It didn’t seem like a terrible idea to you. But Agatha’s answer was categorical, “No.” 

You looked up at her, noticing the hesitation in her features. Maybe fear too. Truth was, she didn’t trust herself to do such a thing, not to you. You knew she found immense pleasure in sucking away powers from witches, she knew it was wrong, and for years the only reason why she did that was to keep Nicky alive. That’s the reason why you helped her do it. As a mother you could back up from your responsibilities and as a witch, you learned the hard way that in order to survive you had to do all sorts of things. 

There was something about your magic that scared Agatha. You were the only necromancer witch she ever crossed paths with, so she wasn’t sure she would be able to pull away from you, once she got a taste of your forbidden  magic.

Rio pursed her lips in a grimace, “you’re such a coward.”

“She isn’t,” you argued back. 

When Rio finally put the dagger down, both you and Agatha frowned in confusion. “Show me, then. Blast her. Help her restore her purple.” 

“We aren’t doing this, Rio,” Agatha insisted rather adamantly. 

“I’d think about it before making a decision, my love,” Rio leaned closer, her voice soft and eerily calm. “You see, I'm not the only one that wishes you dead. I’d expect guests at sundown.”

You frowned at her words, “who do you mean?”  

Rio’s eyes flashed with excitement. “The worst of them. The Salem Seven.” 

For a moment both you and Agatha fell quiet. You felt Agatha turn still behind you, and your heart ached for her. You turned to face her, as the grip around your middle loosened. 

“Hey, I’m here, Agatha,” your voice came out both firm and tender. “It’s going to be alright”

Rio laughed softly at that. She shoved your shoulder in a playful way, “I have a feeling we will meet again, very soon.”

She paused where once it stood the front door, “Hasta luego,” she waved her fingers before stepping out of the house. 

You considered Rio’s words, and as much as you wished to find another solution, there wasn’t really another way to restore Agatha’s powers, especially not in such a short time. 

“Maybe–”

“Don’t,” she cut you off, sharply. 

You raised your hands defensively, “Fine, sorry. But I think we should at least think about it.”

When she didn’t respond, you decided to give her a moment. Pushing yourself up, your eyes darted to the mess around you. There were pieces of furniture pretty much everywhere, shreds of glass, plates and cutlery and even sections of ripped wallpaper, along with chunks of plasters, “this is not how I imagined to spend this Friday…” you hoped your little joke would put a smile on Agatha’s face, but she remained motionless. 

Agatha started to regret having woken up from Wanda’s spell. Now not only was she awake, but she had no power, the Salem Seven and Rio wanted her dead, her house was falling to pieces, and on top of that, you were in potential danger because of her. The only reason why she survived the loss of Nicky was because of you. But if she lost you too…

She clenched her eyes and took a deep breath, refusing to dwell in such thoughts. 

“Uhm, Agatha?” You were wrong to think nothing else could surprise you that day. 

She made a hum sound, finally getting on her feet, face turned towards you. 

“Why is there a gagged boy in our wardrobe?”

[apocalypticginger-blog]

The fact that Crowley grabs Aziraphale's lapels the same way in season 2 as he did in season 1 shows how that action was always meant as an intimate gesture by him. It meant intimacy to Crowley back then, and it means intimacy now.

We're talking about a deliberate acting choice from David, here. He chose to grab Michael that way in episode 6 for a reason. He's creating a connection to season 1, bridging two separate moments in the characters' relationship with a single gesture.

Crowley and Aziraphale have loved each other for a long, long time. They were never able to say or act on it before. But they both knew the meaning behind every little touch, every look, every lapel grab.

Yes, they both knew it. Aziraphale didn't feel threatened the first time it happened. Well, he certainly doesn't feel threatened now, either. Look at how he lets himself get dragged into the kiss. The amount of trust between these two! He's leaning in even before he realises where Crowley is dragging him (towards those gorgeous lips, of course).

It gets worse... Neil knows precisely how much we've treasured that scene from season 1 since it aired, so he decided to use it against us.

Absolute genius!

...Evil.

.......but still genius!

[divorceblogger]

the loumand bench scene is a bdsm scene at its very essence and you’ve also got to appreciate the erotic/phallic imagery of lighting cigarettes in that and the ones that precede it. louis and armand light their cigarettes independently in their 2x02 murder mansion date because they’re not really intimate yet and are still appraising each other as potential sexual partners. the cafe scene in 2x03 where they’re smoking and discussing philosophies of evil is adapted from a passage in the book which says louis felt his mind was ‘deeply excited’ and ‘feritilised’ by his conversation with armand. when dreamstat attempts to light his cigarette in 2x04, louis blows out the candle because he’s specifically shutting him off from interfering in & insinuating himself into what is a very intimate moment between him and armand. later in the same episode, armand lighting both, his and louis’s cigarettes, coincides with them finally coming together to shape the future of their relationship after dithering and hesitating so much to articulate what they’re hoping to receive from one another (re: the conversation on whether they’re involved in a companionship in 2x03). armand lighting both their cigarettes also serves as the third and final act of submission that he performs in that scene (1: holding the umbrella, 2: calling him maitre), allowing them to finally settle into the dom/sub dynamic that dictates their sexual lifestyle going forward.

[tealvenetianmask]

Visual Parallels: The Full Moon and Mastermind

It's mad scientist mode time ya'll.

The visual references to other episodes in Mastermind are wild. People have already beautifully pointed out how the duet sequence references Blitz's "Truth Seekers" hallucination and "Just Look My Way," and makes the two inner worlds mesh.

"The Full Moon" is also heavily referenced. I first noticed it in this shot of Stolas . . .

Which is repeated quite similarly a few times in the trial scene, and looks a lot like . . .

The camera angle (if there were a camera) is pretty much identical.

This made me realize that the whole sequence (the duet and Blitz getting pulled away afterward) has them positioned with Blitz facing Stolas and Stolas's back to Blitz, with a similar distance between them to what we see in "The Full Moon."

And as I rewatched both, I saw more and more.

An attempt by Blitz to touch Stolas, and Stolas not turning around, having already decided his course of action.

(Is anyone noticing a similar color palate yet?)

And a forced exit, based on a decision that Stolas makes:

So this very well might show that Stolas is holding a lot of the power in their relationship. But also, the similar elements in these scenes aren't identical- they simply rhyme.

There are some interesting differences with Blitz's physical expressions of desperation. Even though he's set away from Stolas against a bright red background when he's expressing himself in both.

In "The Full Moon," well . . .

He's guarded. His hands spend a lot of their time in fists. He's moving toward Stolas but not giving all of himself until it's too late.

But in "Mastermind . . .

It's like he's drawn by a magnet to Stolas while being forcibly pulled away. He's fighting the forces that would keep them apart, that would harm Stolas. He's fighting with everything he has. His hands are open the whole time he's fighting. The walls are gone.

Doors are also interesting in their contrast.

In "The Full Moon," we see Blitz bursting into the room like this:

In "Mastermind," the door behind Stolas serves as Blitz's exit point, but the camera angle, again, is very similar . . .

I don't know what to make of this one, honestly, except that these moments seem to reverse each other. I think there COULD be symbolism here (barriers and who creates them), but I'm not sure there's enough evidence that it's intentional like the others.

Now for a few key things "Mastermind" has that "The Full Moon" needed. Our boys weren't ready yet, but now they are.

Obviously the duet . . . but did you notice that their movements synchronize too? They're not looking at each other, but literally and figuratively, they're in tune.

2. Eye contact. FUCKING EYE CONTACT. It's so brief you could miss it.

There's recognition there. They each see that the other feels the same way.

Even though Stolas never turns around, and still has A LOT to learn about Blitz, they meet at the core of the matter. "Harriet, don't get on that train. It's going to London, and I CANNOT BE WITHOUT YOU."