#and this have become too much sharing
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ratguy-nico · 10 months ago
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Geneuary prompt Mermaid / Magical
People I can not tell you how happy I am with how this one turned out >w<
I'll be honest... I forget today was prompt day XD I didn't find out until I saw @golden--doodler post (beutiful drawing by the way)
And talking about golden doodler thanks her for this one cause I was actually not gonna post anything for mermaid XD for real I decided to let 2 prompt out for different reasons and this was one of them.
I didn't know what I wanted to draw on this one, magical was too general for my brain and mermaid was the one that caught my attention the most. But didn't know what I wanted to do with it.
But then golden made me think in the Little Mermaid, and Gene and Rudy been Little Mermaid fans, and they bonding over the Little Mermaid, and this practically drew by itself... and I had to add a jelous Louise, cause I have to.
Gene is always stealing his mans, first Bob and now Rudy XD (Spaghetti Western and Meatballs reference) (of of my fav episodes)
So yeah.
Did I color it this way cause I had short time? Actually no, which made me very proud.
I really envisioned like this, since I made that Jimmy Jr x Zeke piece (you youngsters say Jimmy Jr/Zeke) I wanted to do something similar... if you dont know about what drawing am I talking about thats alright is a little old 😅
But yeah, really like this one, could be my actual fav, if I do say so myself (see I do one nice thing and it goes straight to my head 🙄)
Oh and the text is in spanish cause this is from my childhood memories and as a child if I heard the smallest word in english I would burst into tears... I was englishfobic as a child. The irony.
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lunarharp · 9 months ago
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What led to this (orufrey comic, cw an uncomfortable/creepy scene)
#witch hat tag#orufrey#er.... i'm too tired to have anything to say..i worked several days on this.#wait.. didn't i say just recently here that i probably wouldn't ever depict 'what if alaira is qifrey's sort-of ex'. What's going on#i don't even remember deciding to draw this..it's all a blur..i'm not sure why i WOULD decide to draw delicate scenes in my head#that i wouldn't really want to share with anyone/discuss so why did i draw it...#some part of me really really wants to draw things that are more and more true to myself...#maybe because of my alienation with most romance/shipping/dynamics the rest of the world depicts.#orufrey really is perfectly suited to me - what i read in the text and what is in my head. well anyway#i am TIRED of drawing poses and angles and..maybe now i will actually take a break from drawing bc of the tediousness of Angles#btw it really is a 'stretch of time' . . . assuming witches graduate age 18-20#well orufrey are canonically 30-ish. they've only had agott around for presumably about TWO years (?) bc she took the test age 10#and it feels like oru moving in/unknown atelier acquisition/building (?) .. i guess that could be a year or so before agott at most#(she was the first disciple) so... ????????? What about the other 7 or so years ?!?!?!!?!?! Unemployed Brimhat Hatred era#that time is very nebulous. after qifrey went to the tower i feel like it's been implied he and oru drifted apart a little.#certainly they didn't live together at first... no way. that doesn't feel like how it is based on things oru has said about becoming Eye#idk. I'm tired now. i don't usually think of alaira as necessarily qifrey's ex and this being how things went in that 'sliver of time'.#i usually prefer the idea that they have their first kiss with each other in their 30s cause That's Just The Orufrey Lifestyle#just felt like making a more relatable alternative view of my own Cai Orufrey Canon one time. btw im a big monoshipper and it hurt a bit#let's leave it there. this is surely the most i've worked on a 'single' art - though now i realise just how much longer the fic took :')
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willowser · 2 years ago
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you don't know how much comfort your dragon king bkg drabble has given me ever since you posted it!! i keep reading it i love it sm 🥹
as it turns out, the man bakugou is — a bit harder to handle.
he sleeps like a heathen; you once thought the dragon bakugou to be a bit lazy, with how often he tended to curl up in the fields of grass, warm under the sun, but now — it would seem his little human form needs significantly less rest.
almost up all hours of the day, and when he does finally lay down, he's everywhere. a mess of limbs: one thrown carelessly out to the side and the other bent at an angle you can't believe doesn't hurt his joints. his head stays tucked into you somehow, either buried in your neck or pressed against your ribs — or you'll wake to find him nose-to-nose with you. he still snores like a dragon, however.
you're also beginning to wonder if there is a bottom to the pit of his stomach. he ate much before, whole fields of things, but you expected that appetite to dwindle, at least a little, now that his stomach has decreased considerably in size. and in number ? you're not even sure how many stomachs a dragon has; that's not something that was mentioned in the fairytales.
it burns through him quickly, gives him more energy than he needs, and it doesn't ever seem to affect his weight much. already, he's huge and thick with muscle and eating as much as he does never dulls the severity of his cut abdomen. not that you're looking all that much.
— not that you have a choice not to, as he seems to have little-to-no understanding of —
the door to the bathhouse kicks open, with enough force that you already know who it is without ever turning to look. you try not to shriek when you see him, because he seems to like that in some evil, impish way.
you've been alone to wash so far, thankfully, as the inn you'd managed to find was small and far enough out from the nearest kingdom that the occupancy was low — enough for you and your little brute.
the man bakugou comes to stand in front of the bath, blinking and huffing against the steam. finding clothes for him was — nearly impossible, and so the trousers you'd found hanging on someone's line outside fit above his ankles, a bit too tight around his waist. instead of a shirt, you've wrapped him in a scratchy linen, swaddled him up like a baby to cover the small smattering of scales that decorate his body, almost like freckles from the sun, though they gleam just as bright and red as they ever have. no matter his form.
a horn has started to sprout, on the right side of his forehead, and you've done your best to cover that, too.
you have no idea how long this man thing will last. if it's permanent or if he even has control over it. the last thing you need is for him to switch back, somehow, while you're in the middle of feeding him, absolutely demolishing whatever tavern you're in and calling all of king todoroki's guards to attention.
bakugou grunts, almost sleepy, and tosses a fat, weighty sack onto the edge of the bath. it jingles a certain jingle that makes your heart stop.
"oh, allfather—" you move for the edge, awkwardly keeping one arm against your chest despite the fact that he's seen it all by now. when you peek inside and confirm your fears, you lob it back to him furiously, as if it were a steaming potato. "where do you keep getting this stuff?"
things have started to turn up, miraculously. shiny things — like coins and rings and gems. things he could not have simply found rolling around in the dirt.
"go put it back!" you hiss at him, and the tone of your voice makes his frown deepen. you never realized how pouty he was, when he was still a dragon.
you think he understands you, and you're pretty certain he just chooses not to listen; instead of doing what you've told him in the slightest, he simply dumps the coin-purse to the floor, and then lets his linen and stolen trousers cover it as he unceremoniously undresses.
the biggest issue that you would say the man bakugou poses is — his complete lack of understanding of personal space.
"bakugou!" your voice wavers, shocked again by his nakedness. as if you haven't seen it all by now. "no, you — get out!"
but he does the exact opposite, which is hop into the steaming water, ignoring the arm you hold out to keep him away as he saddles up beside you. skin against scales, pressing a nose into your hair to huff out his annoyance, to make it something you can feel.
if anyone were to walk in right now, they would — probably think the lie you'd told the innkeeper was true. that you are a simple traveler and this is your mute, over-sized husband.
regardless, you think this behavior isn't polite. especially in a public bathhouse.
"bakugou," you try again, turning your face away as you speak to the wood-paneled wall. "i'm taking a bath, you have to wait your turn."
all you receive in response is another huff against your ear and a low rumble of disagreement from his chest.
he has yet to speak back, and has only used inhuman sounds as his points of conversation. the only word you've ever heard him utter is oi, which he does when he really thinks he needs your attention. you're starting to wonder if he's named you that in his head. oi.
curiously, you turn back to him and the movement has him pulling his face from your hair, just enough that he can look down at you, too. watch you, with the red-rippled sea in his eyes.
they're — amazing, you will admit. just as bright and detailed as they always have been. fit for a fairytale told by the fire, veiled by the soft-ash of his lashes. he watches you through them, half-lidded, and you wonder if it's something other than fatigue that has them so heavy.
"do you know what i'm saying?" you ask quietly, voice lacking the firm heat you want it to. instead it's heavy, too, weighted by something soft and unfamiliar and frightening. "can you even understand me?"
bakugou doesn't respond, not with a huff or a rumble or ever a purr, like the one he let out on the night he lay over you by the lake. you've only heard it sparingly since then, oftentimes in his sleep when his face is pressed into you.
you try not to frown at his silence, try not to let it disappoint you because it shouldn't; he's a dragon afterall, and you're not sure what it matters. the little horn protruding from his forehead catches your eye and you reach up to touch it gently, watching him blink away the water that drips from your wrist — and then he's turning into you again, too close.
beneath the water, you feel his hands skate up your bare thighs, wrap around your waist until your chest is pulled flush against his. you feel his huff, again, against the damp skin of your neck but it's slower, lighter. not laced with his frustration. some unknown thing you feel guilty for liking.
you drop your hand to his hair, rushing full force into all the damned things you've thought about doing but have been too afraid to. he's soft between your fingers, and you trace your nails lightly against his scalp until he groans quietly; a new noise, one you don't know how to translate.
your fingers stop when they brush upon little spines that have grown at the base of his skull, that have started to trail down the center of his back.
suddenly, tangled up in the bath with him, you wonder how much time you have left.
bakugou huffs again into your skin, a little fiercer this time, and it's because of his light jostling that you realize how rigid you've gone. you try to relax so that he will, too, though you must not do a convincing job, because a sharp nip comes to your earlobe.
"ow!" you squeal, but he doesn't let you go far, not even as you try to jerk away from him. in fact, the harder you try the more his teeth show: into your cheek and the point of your jaw and then dangerously low on your neck.
it's not until you finally freeze that he stops, huffing again, with a warmth that burns more than the steaming water.
and then, very quietly, he grumbles, "shitty wife," into your collarbone, just before biting you again.
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raviola-triggers · 5 months ago
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steven universe gem!aventurine au because i can
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gophergal · 1 year ago
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Life on the farm
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puppyeared · 5 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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olivegardenhunter · 7 months ago
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one thing that I find really really interesting is that in practically every scene where it's just jiraiya and tsunade alone, kishimoto very deliberately draws at least a panel of the two of them being completely silent in each other's companies, even refusing to look at each other.
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when jiraiya got drinks with tsunade in og
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when he got drinks with her before he left. notice that neither of them are making any eye contact, refusing to look at each other.
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the iconic bench scene ofc
why this is important to me is cause I think it's an excellent way on kishi's part to show the dynamic and history between the two of them (and the sannin as a whole too). ((note this isn't a jiratsu post))
the few scenes we get of the two of them talking alone, you always get the impression that there's a secondary, entirely silent conversation going on in the background that only the two of them even know about. a conversation about all the things they cannot say. and he conveys that so well in these deliberate panels. you can SEE in their expressions, in the things that they do say when they choose to break the silence. there's so much between them, so much they yearn to say. and the weight of all of that, the depth of those feelings and emotions, is ultimately what makes them not say anything at all.
because you've known each other since you were SIX years old, you fought WARS together, this is a person you'd put your life on the line for without a second of hesitation. yet. there is a 20 year gap. you haven't spoken with each other for as long as you grew up together too. they've lived an entire lifetime together, but then an entire equally as long lifetime apart. they're the same person they've always been but yet... you can't really recognise the person in front of you. they both can see that they've become shells of the people they used to be. you both have gone through so much, and you know the the other person knows this. you know it so intimately, what things you can say, what things you can't. youre being so careful yet you both know there's this pretense going on.
there's so much left, yet so little. after all of that, what is there even left to be said? what CAN be said? they're already so intimately aware of what the other is thinking, there's nothing new, yet somehow, there's this gap. there's this emptiness that both know they can't really do anything about.
in the end, the sannin are a tragic trio. and kishi does an excellent job of showing this through their stories and histories, sure. but he does an even better job at showing it through their small interactions together. the way they always end up talking about the past, the attempt to bring up happier times (like tsunade trying to reminisce about their genin days as team hiruzen), yet how they ALWAYS come back to ultimately how they fell apart, and the world kept spinning, and all they can do is try to make sure the future doesn't make the same mistakes they did.
what can you even say to someone like that? it must've been so freeing, to have someone that understands them to such an extent. that would know them more than anyone else in the world ever could imagine. and yet. so suffocating. because they're a reminder. a reminder of what you used to be, a reminder of what could've been, a reminder of how everything went wrong, every single mistake you ever made. and so despite the person in front of you being the only person in the world that likely knows exactly how you're feeling, what you're going through, all your experiences, they're also somehow the last person you can ever speak to about any of it. because it becomes like a trap almost. they're constantly reminded of their pasts when they look at each other. how can you ever begin to move on with someone like that right in front of you?
once upon a time, they were the hope of konoha. they were the young shinobi, meant to bring in a new era of peace, meant to be the change. and they wholeheartedly believed this too. and then, to make it to 50, after everything they went through, and realising they were no better off than the generation before them. that everything they ever stood for, ever fought for, were all practically in vain. and how suddenly the people meant to be the change for the future can only hope to make sure there is still even a chance for change for the next generation.
really, what else are they meant to do around each other than continue their little dance or chess game and let the unspoken remain unspoken?
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kingkatsuki · 10 months ago
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Mother Mitsuki, who despite Masaru’s pleas, is way too invested in Bakugou and your relationship.
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yandere-yearnings · 1 month ago
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i do have words and a story to tell,
it's just really fucking hard sometimes when
these are all pieces of me i feel like i should keep to myself.
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wellfine · 6 months ago
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Hey I found ur art uncredited on tik Tok
https://vm.tiktok.com/ZMreQSnaw/
They said they "found it on Reddit" so they just decided to steal it and post it ig?? Ugh!!
Wow, that's a whole other repost to the one I thought it was going to be, lol. It's been reposted to TikTok once before, and I'm also not surprised this person got it from Reddit, where I doubt I was credited either.
At the end of the day I appreciate the heads up but there's nothing I can really do about it. The most helpful thing anyone can do is to leave comments on the reposts to provide credit,* because if artists ever try and comment then we pretty invariably get attacked. Don't be mean or aggressive, that just builds their animosity towards the artists, but I do think people respond positively to outside pressure to do the right thing 🤷
*Remember to make sure there's enough context - eg. something like "art by @ landegart on Twitter" is more searchable/useful than "artist is Landeg" to someone on TikTok who has no idea who I am haha
#this comic has been reposted A Lot and I appreciate people keeping me in the loop but it's just wearing me down#I can't do much about it and I'd rather just ignore it rather than spend time thinking about it#especially when people get into arguments with them on my behalf and now suddenly I'M the one catching heat#like it's been reposted a couple of times to twitter too and when people tell them to credit me-#-the reposters call *me* a bitch like. I'm not even there any more you're arguing with the wall#anyway. it makes me happy to see people politely but firmly crediting artists in the comments section :) thank you!#also it's kind of interesting that the conversation has become entirely about credit. when I don't want it reposted WITH credit either#I just don't want my art reposted to sites like reddit or tiktok at all. if I wanted it there I'd share it there myself#and the fact that I don't says a lot about what kind of communities those places have fostered#there's a reason like zero artists use reddit to share their own work even though it's a pretty big platform#anyway that part isn't @ you at all anon thank you for your message & keeping me informed#it's more just how the conversation has gradually shifted from 'reposting is bad' to 'reposting without credit is bad'#i understand that it's because we can't stop people from reposting so it's basically the most we can ask for. but still#and make sure you guys aren't following reposters here on Tumblr. even a lot of the ones who say they get permission just lie lol
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betterthanbatman1 · 1 year ago
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Umm I love them???
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headphonemouse · 9 months ago
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redraw (light mode users try clicking it! dark mode users there's a solid version below)
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My favorite tags from @borealiszero that gave me the strength to finish this
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hhhhleb · 4 months ago
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based on this concept they got soul bond and sans can feel when smth wrong with papyrus
good thing that sans didn't see the actual injury.. grillby knew that would greatly upset sans, so that's why he pushed him away. it also could have trigger some really bad memories for Sans..so grillby did good job x2 (more thoughts in tags)
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distressed-bird · 8 months ago
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Kalina is the most interesting character to me because of all she has going on…
she is Cassandra’s familiar, she is simultaneously a pet and a friend and a servant and a family to a goddexx that is simultaneously her owner and friend and creator and parent and her god and reason to be—Kalina’s relationship to Cassandra is hard to put a name or label on (since what does being a familiar even mean?) but the bottomline is that this cat loves her deity enough to put everything and everyone on the line for her…
And adding in that she is a child of divorce. So to speak. I am extremely normal and haven’t been driven mad by the detail that baby itty bitty kitty Kalina was at Cassandra’s wedding to Ankarna and is remembered to have been toddling after her as she walked down the aisle…
Kalina will be the death of me /lh
#fhjy spoilers#fantasy high junior year#kalina#oh my god and the fact Kalina was there at that wedding—there at the period of time where Ankarna was alive and still a known god and not#presumed dead… this makes the Sylvairean Heresy even WORSE of a life event for Kalina and Cassandra…#the existence of baby kalina implies that Cassandra *raised* Kalina��� and the fact they were married means that Kalina wouldn’t have been#raised by only Cassandra but *also* Ankarna.#you are Kalina and one of your parents just was killed by your uncle—their domains were too alike—and you can never talk about them again.#you can never speak their name—share in their memory—the only place they exist is quietly in your memories that must go unspoken due to#Oblivata Mori. And there’s nothing you can do about it…#And then the followers and clerics of your remaining parent start trying to kill her—being mislead by the followers of your goddexx’ sister#Cassandra is the only family Kalina has left—and Kalina’s sentience leds me to think she agreed to become a Curse#kalina let herself be unmade and changed to keep Cassandra alive… and even as the shell of herself—a familiar once but now a living plague—#is so deeply loyal and only interested in what is to the benefit of her *everything*… even if they are currently a Walking Corpse.#Kalina dislike Kristen so much because Kristen is just not being a good cleric and is in the precarious spot of being Cassandra’s only#follower… but ultimately won’t harm or attack Kristen—killing herself first—because Kristen is the only one keeping Cassandra uncorrupted.#yeah im crazy about the relationship and history between a cat familiar and her witch goddess and the layers of their relationship
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sapphorror · 8 months ago
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Y'know... A lot of ZaDr fics have them either gradually drifting into a less contentious status quo or establishing a deeply bizarre multilayered dynamic that is nonetheless very consistent and beholden to its own rules—which works, to be clear, because slavish adherence to the rhythm of their endless 'game' is already their canon baseline.
WITH THAT BEING SAID. I think it would be very funny to depict a ZaDr dynamic in which they're like, on-again off-again nemeses. As they get older theyre gradually forced to acknowledge the true depth of their mutual attachment, but instead of actually improving themselves in any lasting way or compromising the conflicting elements into an ill-definable state of contentious codependence, they just start oscillating wildly between periods of obscenely clingy allyship and devotedly murderous enmity. There's never an in between. They'll dedicate all their energy to trying to horrifically torture each other to death, until one of them gets uncomfortably close to actually dying or an external crisis pushes them together or they just get bored—at which point, they become obnoxiously glued at the hip until one of them relapses into anxiety about their ambitions or an argument escalates past the the point of no return or they just get bored. And every time they both Really Mean It, They're Not Gonna Do This Anymore, before naturally going ahead and doing it again
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makorragal-312 · 3 months ago
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I really hope that Tim understands how much of a disservice it would be if he decides to make Eddie's arc about going full Catholic instead of realizing his Catholic upbringing suppressed his sexuality and eventually coming out.
Because if he decided to go that route, what exactly would that show?
Like "Oh, the reason Eddie couldn't maintain a steady relationship with women was because he wasn't religious enough. And now that he is, that won't be an issue anymore!"
That literally makes no sense from a narrative standpoint and it definitely sends a certain message from a realistic standpoint.
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