#and there's a lot more fandoms i followed

[fading-event-608]

Listen, I know, you all have been seeing fundraiser posts all day long. I've seen people complain that the tags for Palestine are "unusable" now because… genocide victims use it to find aid to survive.

Thing is, those posts will be here until Israel ceases it's aggression. And Palestinians will need your aid as far as they are left with no income and besieged. I've tried reaching out to other platforms, and Tumblr is still the best place for at least Falastin (Gazan who I spotlight for more than 2 months) to get donations; because here you don't need thousands of followers to get interactions. And at least we get one in ten response here; on other platforms both of us don't get any.

So yes, a dying website for fandom is her best bet to save her family right now. We don't speak of evacuation anymore (even though we hope for it), this is a battle for day-to-day survival. The prices in Gaza are increasing every hour, and they have no income and Falastin has gone into multiple debts to help them before starting the campaign in June. And yes, she receives more attention now but her family is still in starvation - she tries to support 26 people now, since her cousin was martyred and his 2 children joined 24 of her family in Al-Mawasy.

Yes, they should get free aid from all those countless non-profits that raise millions. But if they see something labelled as "aid" it is because they have bought it themselves. Yes, you can see (and maybe touch!) aid if you subject yourself to hours-long queues and/or humiliation of being a part of a photoshoot. They also said that the aid they get is stale at best and spoiled at worst; and that's again, if they get it.

Yes, there are grassroots organizations but they cannot reach everyone, because they are in small teams and they don't receive a lot of funds. And you can of course donate to them to try "fix" this; but please do not think that it means individual fundraisers are not worth supporting. I did not see any evidence of individual fundraisers "taking" money from others; on the contrary, when Falastin's fundraiser struggles, I see others struggle too. When we celebrate a good day of donations we celebrate it with others too.

And I could talk about Harris campaign get 1 billion in donations and still receiving them or how AO3 got 200k in a couple of days; but the post is getting too long.

Anyway. Please consider donating to Falastin's campaign; the money would buy food and water first, shelter and clothes for the winter second. There's a raffle for hand-made Palestinian thobe that Falastin's friend makes (LINK); and please follow her here.

Donate via Gofundme (in SEK! check rates below please): LINK

10$ = 108 SEK

25$ = 272 SEK

50$ = 544 SEK

100$ = 1,088 SEK

Donate via PayPal (in USD): LINK

Vetting info: #282 in El-Shab-Hussein and Nabulsi's spreadsheet [here], #957 in the Butterfly Project spreadsheet [here]

[animarune]

Since I started listening (a week ago) I have been describing it as "BBC Sherlock except it's actually Good" or "if BBC Sherlock was good"

Like Sherlock's immediately upfront about his ADHD and autism and everything else and it's not treated as a joke or an excuse to be an asshole, it's just to explain why he's Like This, and they bring it up in a lot of good ways like needing sunglasses and ear defenders to go for a walk.

I really loved his whole "I spent many years studying [several different speech sciences] in order to mask effectively, how hard can it be to learn swingers' code?" speech because it was funny and he's not as good at masking as he thinks he is which is relatable xD

Also yeah John and Mariana aren't there to play dumb, they have their parts to play, and John has his own flaws to overcome, and it's so interesting when he and Sherlock are really gelling together (with their "rapport") and where they bounce off each other. I'm thinking of Sherlock effectively reading his mind in The Cardboard Box up until he opens said box and immediately can think of nothing else but the thrill of the game, and thus misses how John's upset about not telling him it's his birthday and misses the fact that he's triggered John with the contents of the box. I'm thinking of John constantly reminding himself, Sherlock and the listeners that "he was an army doctor" and trying to take charge in situations he has no business doing so.

I'm thinking about the two of them effusively complimenting each other for several minutes before the guy John tackled tells them to shut up already.

I'm thinking about how full of heart this Sherlock is even while struggling with empathy.

Genuinely, this show is so good. Like I follow a few blogs who share quotes from the books about how soft they are or how funny they can be and I feel like this podcast adapts their relationship amazingly compared to the friggin BBC show.

I told my dad my whole "if it were actually good" bit and he was like, "but you really liked that show?" I was like "yeah these videos I watched [hbomberguy's and Sarah Z's] forced me to realize how bad the writing was all along" and we talked about Moffat struggling with concise stories when given too much time to fill. (I explained there was a shorter pilot episode that was actually good.) I forgot to mention the reason I liked the show so much had more to do with the fandom surrounding it at the time and all the fan works I consumed lol

Anyway, yeah, tl;dr: Sherlock & Co. is great and anyone interested in Sherlock Holmes and/or true crime podcasts ought to give it a listen!!

Sh&co vs. bbc sherlock

Something I feel that really separates Sh&co from bbc Sherlock is that Sherlock is not some super computer mind thats a million steps ahead of everyone.

Yes he is incredibly smart, but he's not the only one who is solving the problems. Like there are several episodes where he couldn't have solved the crimes without John and Mariana.

I just really love how they all work together- Like Mariana and John don't just exists to look stupid compared to Sherlock.

[galedekarios]

i don't know how to put this into words yet so it makes complete sense so bear with me while i gather my thoughts, but...

i think a lot of the criticism i have re: decisions bioware made with veilguard are (at least in part) the company's direct responses to the (in my eyes) often unfounded and disproportionate hate that inquisition received from the fanbase.

[utilitycaster]

this may seem needlessly finicky but I do actually believe it's important: calling Verin a himbo is just one of many examples where like, one of the cast says something off the cuff and it's not exactly the right word or it is highly contextual, and that is fine because no one is perfect especially in improv, but then it gets repeated ad infinitum within the fandom when it never really fit in the first place. We have Verin's stats and he's decently more intelligent than average with a 13 (smarter than most of Bells Hells for one; as smart as Pike); it's just he's the guy with a bachelor's degree with good grades followed by military service in a family where everyone has two PhDs - Matt said "himbo of the family" the way in a family where most people are exceptionally tall you'd call the 5'11" child the short one. In Call of the Netherdeep he appears as thoughtful and competent and promoted to a difficult position at a very young age, and in the campaign his appearance is simultaneously as a leader of troops in a dangerous mission, and someone who cares enough about poetry from a completely foreign and distant culture to have tried to learn more about it. I'm sorry, but if you're using the word "himbo" I don't think you're processing a thing about the character yourself; you're just the latest repetition in a game of telephone that's been going on since mid-2021.

And that's not deeply bad on the surface, and I'm using Verin not because he is the character most wronged by this sort of thing but because he's recent and it's really clear where the word came from and that it's not a good assessment, but something I happen to have a decent knack for is pattern recognition in language. I usually find it really easy to pick up on when someone's plagiarized because of the language and pattern shifts. I tend to remember urls and out of place words well. So I do tend to notice when everyone suddenly starts using a single turn of phrase and I tend to flag it. Sometimes that's not bad; sometimes it means everyone came to a similar conclusion and that's the best way to express that conclusion. But like, when Taliesin called the Yios episode a gas-leak episode and the entire fandom started parroting it? The line "bone-dry takes"? The fact that a lot of ship defenses I see were phrased precisely as "I have eyes"? without actually talking about the ship itself? the fact that I've seen a spike in the use of the term "ontologically evil" including in myself and not all uses are actually correct? And extending this beyond strictly language but consider any headcanon with minimal textual support that catches like wildfire (sidebar: remember how we make, or made fun of the SPREAD THIS LIKE WILDFIRE tendency on Tumblr a decade ago? same concept of repetition of a specific turn of phrase without internalizing) all sort of ping this.

And it's fine, truly, to come to fandom and turn off your brain. I know this will sound sarcastic from me, and that's because I don't personally agree, but I do strongly agree that you can do what you want in fandom and you don't have to listen to my opinions so in the end, yeah, it's fine because I am not the arbiter of "fine". But I think critical thought is a vital exercise and I think precision with language is part of it and so if you find yourself using the same exact words and thoughts as everyone else, that should, ideally, trigger a process of "but are these the right words? what do I see when I see this character and how would I describe them? do I agree with this assessment?" Fandom is an interesting and easier microcosm than reality in which to start doing that.

[ree-dee-art]

Honestly, I must admit that I'm not too fond of fan artists changing/headcanoning Harry and James to be as desi/dark skinned. I personally think the Dursleys are far more despicable due to hating on someone not because of skin color/racial prejudice(because then they would've no doubt hated Kingsley), but because someone is not their definition of 'normal'/ looks & acts not to their standards. It's already stretching it with race changing Hermione and making her a big target of wizard prejudice on muggles. And it also kills the prejudice Lily faced, because she's still fair skinned.

Initially, I was just going to respond to this by encouraging anon to go touch some grass.

However, I feel somewhat compelled to respond, because there is just so much to unpack in this single nonsensical message.

Firstly, I honestly don't get a whole lot of asks or messages in general, so receiving this one out of the blue was a bit wild for me. The nature of fandom itself allows for and embraces a plethora of different interpretations and headcanons for any given character. In many ways, this is the beauty of fandom--to take a beloved character and ask "what if?" I have no problem with someone having a different interpretation of a character from my own. What confuses me is this person's method for expressing their opinion. Why are you anonymously sending this to a stranger? Why not make a text post on your own blog about it? Like...what is your goal here, anon? I'm an artist who draws what I enjoy, and sometimes I share these drawings in the hopes that someone else might enjoy them too. Not your vibe? Not my problem. Go find some white Harry artwork to appreciate, there's plenty out there. Were you hoping I would change my own interpretation and headcanon of Harry or Hermione to fit your own? Lol, tough luck. No one is stopping you from drawing your own pictures.

All of that aside, your reasoning for your preference of having characters like James, Harry, and Hermione not be POC is incredibly confusing to me. You said you believe the Dursleys are "far more despicable" for hating Harry not because of skin color but because he didn't match their "definition of normal." I have a few follow-up questions regarding this (wildly inane imo) take:

1. Does this mean you believe the Dursley hypothetically also hating Harry because of the color of his skin is in some way less despicable than them hating him because he can do magic?

2. What exactly do you think racism is, if not "hating someone because they don't match your definition of 'normal?'"

3. How does Hermione being black and muggleborn erase the discrimination Lily faced for also being muggleborn? Do you know that intersectionaily exists?

Some of the most interesting creations I've encountered in the HP fandom (fics and art) explore the complexities in the intersections between racial discrimination, white supremacy, and pureblood fanaticism. And there truly is so much to explore in these themes (for example: ways in which Harry could have been separated not only from his loving family, but also a part of his culture. It also allows for interesting and more complex ways for Harry and Hermione to bond and relate to each other in their friendship, etc).

For me, more diversity within these characters (whether it be race, queerness, or anything else) allows for much richer storytelling and much more interesting characters. If that's not your jam, then perhaps my work isn't for you.

However, I will say--this message is very much giving "only white characters and muggle discrimination allowed!!!" and I encourage you to ask yourself why that is the only context for these characters you feel comfortable with.

But seriously, go touch some grass.

[chevelleneech]

I love the show for the lack of plot, tbh. I think around episode four or five I felt like it was getting bland, but that’s mainly because I didn’t think they’d actually follow through with Ody3. Granted all we got was a threesome at the moment, but I’m a little more optimistic, so I can see that being a better way to have the stories of the guests continue to flow into Max, Avery, and Tristan. I also think they should continue bringing in more of the crew we currently know, because I like all the actors so far.

Aside from that, I don’t think the show needs huge plots every season like 9-1-1, which I think turned people away initially. It almost made me not bother, because the trailers made me think they were going to go for a s7 opening cruise arc sort of drawn out series, but it’s not. The s7 arc was way more serious, whereas DO is sort of weightless. It’s almost more like a soap opera than a drama, which I’m enjoying so much.

I hope they don’t kill anyone off, but I do also like the idea of the show being in Max’s head for real. Yes, that’s an unconfirmed fandom theory, but how good would it be? Max still in a coma and living a life he’s always dreamt of? Doing what he loves as a doctor, finding love at the same time with two people he also has fun with?

Idk, I feel like this show has a lot of potential so long as they keep it fun. Once they start trying to make it serious or make the medical emergencies realistic, it’ll lose its light. I’m not watching this to see how cruise line first responders deal with a crisis. What grabbed me is the cast chemistry and the characters themselves, which is just as good as a procedural drama that wants to tell a fleshed out story through its characters and setting.

Doctor Odyssey is a show that is fun and quite unrealistic, but it’s comforting because the characters are enjoyable above all else. And they also have very solid weekly stories. 1x06 was very well acted, and even though only three medical professionals exist on the ship, and the captain is almost too comically devoted to his job… it works. It’s not Law & Order, it’s not Grey’s Anatomy. It’s a show that’s kind of a tv writers dream gig. A set cast, a set location, and free rein to write whatever plot and chaos you want.

Tbh, it’s almost like the show Bones. That show had serious moments and was a bit more grounded than Doctor Odyssey, but it still had a lot of fun with itself. It had whimsical episodes and even crossed over with the show Sleepy Hollow (a fantasy about the Headless Horseman), despite being a crime/medical drama itself. DO can be that. It’s a show that can decide to port in LA and crossover with 9-1-1, with Grey’s in Seattle, and can even dabble in fantasy if it wants by simply saying the crew was drugged by someone smuggling something aboard.

There is just so much space for this show to stretch its legs, but it has to be given the chance by the network.

people on reddit complaining about the plot (or lack thereof) in doctor odyssey… how do i break it to them that no one is watching that show for the damn plot! we’re here to see if those hot doctor and nurses get a bit challengers with it!

[morrowlegacy]

Greetings!

You can call me Jae! I’m a 20 year old Christian artist who loves Hogwarts Legacy!I got the game on my switch back in September and I absolutely adored it! I’ve been lurking around the community since then, until finally deciding to make a Tumblr blog so I could interact with everyone for real! This is a side blog so I will follow from my main: @bailey-jae-art (You can find out more about me, and the other fandoms I am in, on there!)

My main MC is named Meredydd Morrow, and she is the face of my this blog. Though, I have lots of other HL ocs too, who I will also be sharing here. I used the template made by @kiwiplaetzchen to give some basic information about her character below. In time, and through more art (possibly writing too), I want to share more of her story. I will say that I do ship her with Sebastian 👀

I can’t wait to share my art, writing, and thoughts with the fandom! I know there has been some drama surrounding this community lately, which is what inspired me to finally sum up the courage to make this blog! I hope this can be a safe space for me to talk about my original characters and help other people feel comfortable sharing theirs too.

Sending lots of love and encouragement your way! 💜

[izzythehutt]

The Sirius being in love with James if he was into dudes is so real - how did Jegulus and Wolfstar become so popular when Prongsfoot was right there?!

The real reason is that shipping is more often a product of what fan culture wants than what the story itself shows (which is fine!) When Wolfstar became a thing, Jily was still the most popular ship for the MWPP era, and so you basically could have everyone's favorite characters double-dating (perfect excuse to cut unpopular Peter out of the dynamic altogether.) It was insanely popular for years and dominated all fanart and fanfic for those two characters—people when the books came out really thought it was canon and there was a lot of drama when Remadora sailed. The dynamic with Sirius and Remus in those fics played with a lot of typical/popular slash tropes (cool guy and bookish hot nerd) of the early 2000s.

Now, people ship what they ship, that's fine. My biggest issue with Wolfstar is that I feel like it led to people in the fandom fundamentally misinterpreting the dynamic of the Marauders as a group. James is clearly the person both of them like and trust the best of their friends, and it's canon that they both distrusted each other enough to each think the other was a spy. There is nothing in the books that would indicate there is anything particular in Lupin and Sirius's relationship (they might have actually been the least close of the four, given what happened.) In the Willow scene there is a classic adolescent boy group pecking order and Lupin is very obviously below James in Sirius's esteem. It's not a friendship of equals and is never portrayed as such. Lupin's inability to check Sirius and James's less savory behavior is a major character defining trait—he and Peter are both the followers in the group.

For the record, I think you could write Sirius/Remus in a romantic dynamic that would be consistent with their characters in the books, it would just be a hell of a lot more dysfunctional than fandom usually portrays them. Sirius would probably be using Lupin because he can't get James and Lupin would understand that's what's happening but put up with it because he has low self-esteem. He would still be passive-aggressive as hell, though.

Of course, Sirius and James having a romantic relationship gets in the way of the most important canon relationship, that of Harry's parents, which is why I suspect it never got a lot of traction in the fandom.

Jegulus seems to be a product of just moving away from the books/straight ships tbh. Back in my day Jily was a totally sacrosanct ship, nobody shipped either of them with anyone (except Snape with Lily, which actually had a canon basis! I guess Snape/James sort of existed too, but that was pretty fringe.)

Bonus: I even find Sirius and Snape being shipped together more plausible/interesting than Sirius and Lupin, lol. Shout out to the Snack people.

[read-write-thrive]

there are all of 6 fics on ao3 that come up when you search the word “disabled” in the dead boy detectives fandom. I’m dealing with a fibromyalgia flare up rn so I’ve decided to come up with some (potential!) disability/condition/syndrome/etc. headcanons. enjoy!

(oh and just to note: I stayed away from conditions with obvious facial / appearance difference as no actors with facial / appearance difference were cast in the show and I was unsure if it would be appropriate. while I have experience with a lot of the following diagnoses, I do not claim to be an expert on any of them and do not intend for this to be used as a diagnostic tool. if you feel any of these are offensive/inappropriate, please message me and I’m happy to talk about it :) this is more just to encourage broader disability representation within the fandom!)

Edwin: autistic, PTSD (from hell), chronic pain/fibromyalgia (from his death/hell), minor visual impairment (not enough to need the hard-to-come-by testing needed for glasses when he was alive and so assumed the various limits/effects were normal. was told otherwise by Niko), would’ve had shingles if lived long enough

Charles: ADHD, PTSD (from his father/growing up in an abusive household), dyslexia, Reynaud’s syndrome (either already born with it or as a result of his death—both angsty), was in the beginning stages of an ED prior to his death, post-concussion syndrome, near-sightedness (never given glasses bc he wasn’t about to tell his dad the board looked a little blurry sometimes)

Crystal: cPTSD (reminder that neglect is also abuse :), bipolar 1, IBS, endometriosis

Niko: autism, depression, POTS, hEDS, anxiety, sprite-induced agoraphobia, epilepsy, lactose intolerance

Monty: Depersonalization-derealization disorder, selective amnesia (this is not the first times Esther has messed with his form/killed and revived him, but the experience is traumatic and so his brain decides not to remember it), recurrent arrhythmia, synesthesia

Jenny: OCD, BPD, ED recovered, Celiac’s disease, diabetes type 1, anemia

TCK: autism, NPD, lactose intolerance, colourblind

Esther: chronic pain (I’m choosing to believe that the cane isn’t just for show!!), NPD, endometriosis

Tragic Mick: cPTSD, depression, HoH, arthritis, diabetes

(The Night Nurse , the Dandelion Sprites, and various other characters felt either too supernatural and/or not developed enough to assign anything to lmao)

[melonelle]

just chiming in with my experience as someone who got a lot of notes like three years ago and now it's a dead simblr.

we used to be a proper community; from 2015 to 2019. i think people nowadays don't know how exciting it was to just log on to see people sharing cc just because it was a passion project; that was the norm.

i'm so thankful that there's still people doing the same thing now in this artificial wasteland that simblr has become.

now i think that our decline as a community started with the monetization of cc, now cc isn't a passion project that you can appreciate and be thankful that the creator decided to share it in the first place. it's a product that you buy, and you better like it because you're paying for it.

also, as someone who used to support a lot of creators on patreon back in the day, i don't think that i did it because i actually wanted to support them; instead, their cc had become an exclusive item, and i just couldn't wait to get it.

it's gotten to the point where i think that of the 15 creators i used to be a patreon of, now if i could i'd only support 2, and one of the is not longer active, so let's get that number back to 1.

now the popular cc creators only come here to post their links to patreon, because they are making bank and they no longer need to build a community for it to happen.

or they give the collections to popular simblrs to post with a similar model to a sponsored post, and that's when you get content fatigue because i have seen like five different simblr posting the same damned collection, and even if it has not been released to the public i'm already tired of seeing it.

and i carry some of the fault too, back in 2018 i had no problem with reblogging cc that i liked or other people's posts, but somewhere along the way i got into the mindset that i needed to build my own brand (which i think is what's currently happening on a major scale now) and that meant i only had to post my own stuff. during the time, i was getting a lot of notes; it was getting to the point where i stressed myself with getting posts out just to keep the roll going, and then it came the burnout that made me leave the community for a couple years.

now for me, simblr feels so artificial on a large scale. i think that's probably because a lot more people realized you can make an easy and big buck creating cc for this game, and ea won't care or put rules in place to prevent this happening because they want a piece of the cake too, so they'll never go against big name creators.

but that has left us with a community that feels more individualist and artificial than never before.

dude, it's unreal because i have around 2.5k followers here, and i actually prefer to spend my time here on tumblr in my fandom-specific sideblog, where i have less than 150 followers, but whenever i post i get a real sense of a community responding to my posts.

hell, i have even posted some of my sims there, because if i were to do it here in simblr my post feels like a drop in the bucket.

I've been seeing alot of people felling discouraged from simblr and feeling like they don't belong

Especially when there is alot of posts going around telling you not to focus on popularity etc

But im here to tell you ITS NOT YOU

You did nothing worng you do infact belong here its not your fault people in this community are not interactive (and yes its just this community im in two other fandom spaces and they work just fine people here are the outlier)

And my proof that its not your fault?

I have 3200 follower (all real people i removed the bots myself)

So you would think i would get alot of notes and feel included right?

WRONG

3k+ followers and this year the most notes i got on any non cc post i made was 15 and on cc posts it was 56

The only post that got alot of notes all year was my simblreen treats post and you would think with 3k people watching it would be 1000 notes or something but no last time i checked it was barely over 100

There are like 3 people that occasionally talk to me sometimes on my posts lol (very thankful i know no one owes me anything)

And i have had this blog for 6+ years

My point is

You belong just fine and i personally am happy you are here

Its not your fault people are being stubborn and refusing to reblog on the reblog website

(imma be real with you if i owened this website im removing the like option this is the reblog website you don't need to only like stuff but i dont own it so 🤷‍♂️)

[dropthedemiurge]

So I went to LFLS encore = last fanmeeting and now I feel sharper than ever that I really don't want to part ways with this universe 🥺

They pretended that it's Yeowoon and Myungha's first fanmeeting (following the canon story) which was so funny and cute and then also showed and talked a lot about behind the scenes work, Taevin and Joowan bickering with each other but also being sweet~

Taevin said he's proud to be one of the representatives of Korean BL genre and he hopes people will like BLs more, Joowan was also thankful and wished for everyone's happiness 🥺 They also said they'll forever love LFLS fans - which with the unfortunate happenings of BL rookie actors trying to erase BLs from their career I think it's also why people feel TaevinJoowan sincerity. I couldn't be more happy with my choice to stan!

AND THEY MADE A SURPRISE HI-TOUCH FOR US!! I saw them right in front of me?? Taevin's voice kills me every time and Joowan is so tall and SO SMILEY! I am still. Uh. Shaken. Okay?xD

And there were so many young and old fans, fanboys and fangirls and obviously queers, they call themselves "ssaem/teachers" and everyone's eager to give each other gifts - I got so many snacks and merch, couple and solo actors! Unfortunately, I didn't know anyone so I couldn't have long conversation but I still felt warm within the fandom and I'm sad that it's my first and last time to feel it *_*

Anyway. I feel like my hyperfixation won't go away easily, so I will definitely share more translations of the epilogue or fun moments in scriptbook when I read it, and maybe - uuu maybe I'll draw and make more fan projects because why not, if only I have more time 👉👈 And I also have to finish my OT3 spinoff story on AO3! So please, stay in this fandom with me 🥺

[offtorivendell]

Why is Azriel so "different"?On Dusk, Hel and the Valg...

This post was written for @azrielappreciationweek Days 1, 2 and 3: Cool Quiet, Scarred and Belonging

Disclaimer: the following is only a theory which, as usual, makes no claim of being canon. It's LONG, even though I've almost certainly forgotten to add some thoughts I've misplaced. I'm sorry, but by the time I realised how stupidly long it would be I cbf splitting it up into smaller posts, so... no offence taken if this gets chucked into the too-hard basket.

My thanks, as always, go out to the lovely @wingedblooms, @ladynightcourt3 (the queen of quotes), @silverlinedeyes, @psychologynerd, @elrieldreamer, @cassianfanclub @shitwillnotbegiven, and anyone else who has helped me process my thoughts along the way. 💜

Spoilers: the entire Maasverse is referenced, reader beware.

One theory that seems to be (mostly lol) accepted across the fandom is that Azriel, the shadowsinger of Prythian's Night Court, may be more than simply Illyrian. Back in 2021, before reading the Crescent City series, I had wondered whether he might be descended from the Dusk Court (here, here and here), but after HOSAB was published - and then HOFAS especially - I had other thoughts. This post is just incredibly fucking belated.

Firstly, what evidence do we have to suggest that Azriel is different?

Quite a bit, in my opinion. From the moment Feyre met Azriel back in ACOMAF, there have been hints that, even beyond his seven siphons, he is not your average Illyrian warrior. That he may, in fact, be significantly different even to Rhys and Cassian.

As we can see, Feyre felt his otherness right from the start.

But the second male, the more classically beautiful of the two … Even the light shied from the elegant planes of his face. With good reason. Beautiful, but near-unreadable. He’d be the one to look out for—the knife in the dark. Indeed, an obsidian-hilted hunting knife was sheathed at his thigh, its dark scabbard embossed with a line of silver runes I’d never seen before. Rhys said, “This is Azriel—my spymaster.” Not surprising. Some buried instinct had me checking that my mental shields were intact. Just in case. - ACOMAF, chapter 16

Now, there's a lot to unpack in that brief passage - and I aim to do so over the course of this post - but let's begin with Feyre's instinct to ward against Azriel; a reaction that was unique to him. This was followed by further suggestions that Azriel is not purely Illyrian throughout the rest of the series, some of which are quite blatant.

Cassian finished his laughing. “Illyrians are certainly not High Fae. And glad of it.” He hooked his black hair behind an ear—rounded; as mine had once been. “And we’re not lesser faeries, though some try to call us that. We’re just—Illyrians. Considered expendable aerial cavalry for the Night Court at the best of times, mindless soldier grunts at the worst.” “Which is most of the time,” Azriel clarified. I didn’t dare ask if those shadows were a part of being Illyrian, too. - ACOMAF, chapter 16

"You'll get used to it—the wording," he said. Clinging to him so tightly, I couldn't see his face. I watched the light shift inside the sapphire Siphon instead, as if it were the great eye of some half-slumbering beast from a frozen wasteland. "I don't really know where I fit in any- more," I admitted, perhaps only because the wind was screeching around us and Rhys had already winnowed ahead to where Cassian's dark form flew-beyond the wall. "I've been alive almost five and a half centuries, and I'm not sure of that, either," Azriel said. - ACOMAF, chapter 22

Azriel just shook his head. "I'll go. The Prison sentries know me—what I am." - ACOWAR, chapter 16

I was rasping for breath, sweat sliding down my spine, by the time he said, "Good." He cleared his throat. "I know you're not Illyrian, but amongst their kind, it is considered inappropriate to touch someone's wings without permission. Especially females." Their kind. Not his. - ACOWAR, chapter 19

One glance at Azriel’s unreadable face and I added, “Don’t bother to answer that.” A corner of Azriel’s mouth curled up, the shadows about him sliding over his neck like living tattoos, twins to the Illyrian ones marked beneath his leathers. Shadows different from anything my powers summoned, spoke to. Born in a lightless, airless prison meant to break him. Instead, he had learned its language. Though the cobalt Siphons were proof that his Illyrian heritage ran true, even the rich lore of that warrior-people, my warrior-people, did not have an explanation for where the shadowsinger gifts came from. They certainly weren’t connected to the Siphons, to the raw killing power most Illyrians possessed and channeled through the stones to keep from destroying everything in its path. The bearer included. - ACOFAS, chapter 7

"Azriel can winnow all the time, though." "Az is different. In a lot of ways." His tone didn't invite further questioning. - ACOSF, chapter 16

He left the rest unspoken. Because her mate was here, sleeping a level up. Because her mate had been in the family room and Azriel had needed to stay by the door the whole time because he couldn't stand the sight of it, the scent of their mating bond, and needed to have the option of leaving if it became too much. - ACOSF, Azriel's Bonus Chapter

There was even a hint or two about Azriel's possible Starborn heritage in HOFAS, thanks to Bryce.

“What have you done?” Azriel rasped, and Bryce twisted to find him on his feet, wings tucked in, Nesta leaning against him as if wounded, Ataraxia dangling from her grip. The male now held the Starsword at the ready, Truth-Teller gripped in his other hand. He must have had some sort of Starborn blood in him, then—a distant ancestor, maybe. Or maybe his possession of the knife somehow allowed him to also bear the Starsword. - HOFAS, chapter 24

Obviously Azriel is still Illyrian, I don't know anybody who disputes that in a non-crack theory manner, but it seems likely to me that he's also something more¹. All of the above hints about his shadowsinging powers, his own feelings of otherness to his people, and - potentially² - his ability to smell the Elucien bond as Lanthys did Nessian, the fact that we have yet to meet his mother? Is it simple coincidence, or intentional hints?

I could definitely be wrong, but I'm choosing the latter.

¹ "More" as in quantity, not quality. This is by no means a diss at Cassian or Rhys.

² To be fair, the true mate theory could also explain this; by the point in ACOSF that Nesta and Cassian met Lanthys they'd already been intimate, even if their bond was not yet "accepted."

The Dusk Court

As mentioned above - here, here, and here - I've been wondering for a long while if Azriel could be connected to the Dusk Court (or what remains of it).

I'd even started a meta on it, one of many that I lost track of and then never got around to finishing because my magpie brain latched onto other shiny theories or books, but the gist of it was that Azriel's mother (or, more likely imo, a distant female relative, such as his grandmother) hailed from Dusk. Given I thought the Hewn City/Court of Nightmares was the Dusk Court acting as a sub court to the Night Court, I had written an entire spiel about how one of Lord Thanatos' troublesome daughters may have been this female ancestor who fell in love and had a child with an Illyrian warrior who died prematurely, leaving her with nothing (not even a family who would take her back, because Hewn City bullshit amiright? Especially if she was unable to have further children after birthing a winged child), and that we hadn't met Azriel's mother yet because she might have spoilery traits like small/different wings or her own shadows. I went a lot deeper - funnily enough, my thoughts actually mirrored quite a bit of Hunt's mother's relationship with the father he never met (HOFAS, chapter 61) - and even wondered if this was partly why the Darkbringers and Illyrian soldiers disliked each other in ACOWAR... but those are the basics.

HOSAB then gave a different sort of importance to Lord Thanatos, but I don't think it necessarily precludes my original theory being right somehow, especially as "daughter" might be used as loosely as "son" was by Apollion in HOFAS, to mean that some power was donated for their creation. Even now, I still suspect Azriel may have hidden - or even corrupted - Starborn powers, which should indicate some minimum level of Dusk-based heritage.

While we now know the Made blades can be wielded by the Starborn - descendants of the Dusk Court - in addition to Made faeries such as Elain Archeron, I always suspected that Truth-Teller was much more important than we knew from the start (and I know I'm not the only one intrigued by the blade). After reading Crescent City, the parallels between Azriel's and Ruhn's almost guardianship of their respective magical blades until a female character³ came along to activate their power seemed to be significant (though of course with Elain it's still hypothetical, as we haven't had her POV yet).

³ Bryce may have been Theia's magical heir (though I suspect it may be through Ember rather than Einar), but she lives on Midgard - an entirely different planet. While the Archeron sisters may (or may not) spring from more humble beginnings than Fae royalty, imo they do share some notable parallels with Bryce and Theia herself. I discussed those in this post after HOSAB came out; since reading HOFAS, I suspect the Archeron sisters will grow to, as a unit, replace the Starborn magic that Bryce took, leaving Prythian unguarded. The power of three will set the land free, so to speak.

But back to Azriel. We know that Ruhn Danaan - the shadowy male who claimed the Starsword/Gwydion until a female associated with light came along and was able to activate its magic... sounds familiar, huh - is a Starborn prince who can wield shadows, and has some powers that appear similar to Az (shadow walking and mind speaking), though imo it may have been suggested that his light - aka Pelias' light - might be considered corrupt by Rigelus (while posing as Aidas).

Is Azriel's light magic corrupted as well?

“You knew the last Starborn Queen?” Ruhn asked. Starlight glinted among Ruhn’s shadows, shimmering down the length of his sword. Aidas’s eyes now flared with a strange sort of rage as he looked upon the Fae Prince. “I did. And I knew the sniveling prince whose light you bear.” A ripple of stunned silence went through the room. [...] “Theia was dead by that point,” Aidas said flatly. “Pelias slew her.” He nodded to the Starsword in Ruhn’s hand. “And stole her blade when he’d finished.” He snarled. “That sword belongs to Theia’s female heir. Not the male offspring who corrupted her line.” - HOSAB, chapter 15

Morven’s shadows gathered at his fingers, his shoulders. Wild, angry shadows that Ruhn’s own balked to meet. They seemed corrupted somehow, like those Seamus and Duncan wielded mentally. “You are Starborn. You have an obligation to our people.” - HOFAS, chapter 51

Further, Cormac and Morven Donnall are both Starborn and Avallen faeries, with "wild" shadows that seem to more closely mirror Azriel's own.

“How the hell did you manage to survive this long without anyone killing you?” Cassian tipped back his head and laughed, a full, rich sound that bounced off the ruddy stones of the House. Azriel’s brows flicked up with approval as the shadows seemed to wrap tighter around him. As if he were the dark hive from which they flew and returned. - ACOMAF, chapter 16

Azriel nodded his agreement, his shadows twining around him. Most of the camp women had ducked into their homes when he’d appeared. - ACOWAR, chapter 18

She set down her teacup. “Is that a threat, Shadowsinger?” Cassian took a long drink from his own tea. Drained it to the dregs. Azriel said coolly, “I don’t need to resort to threats.” The shadows coiled around him, snakes ready to strike. - ACOSF, chapter 8

Azriel nodded his agreement, his shadows twining around him. Most of the camp women had ducked into their homes when he’d appeared. - ACOFAS, chapter 26

The thought was … not comforting. But neither were the shadows that curled like snakes around the king, wild and twining. A coiled crown of them sat atop Morven’s dark head, blacker than the Pit. - HOFAS, chapter 47

Without delving into the "why" of their wildness - was it the magical imbalance of the chained land that led to their wilder shadows, their prolonged proximity to an incredibly strong thin place (the obsidian or mists), was their line intentionally corrupted by a high power as Prythian's Cauldron was, or do they potentially have ties to demons, or the princes of Hel themselves? - it's not implausible to suggest that Azriel could also hail from the Starborn Fae of the Dusk Court, same as Rhys.

That being said, I think Hel will also play a part...

Prince of Hel

As I suggested in this reblog of @nikethestatue's post from way back when, I've been eyeing off one Lord Thanatos of the Hewn City (and his wayward, troublesome daughters) for a while. So when SJM dropped the bomb in HOSAB that the Prince of the Ravine, the soul eater, was called Thanatos, I was basically shaking my feet and screaming internally.

Because it had to be the same being, right? Right?!

I know I'm not the only one who noted the use of Thanatos' name, as others across the fandom have since suggested that Azriel may be related to the princes of Hel, or even be one himself... and as I've said before, I would not be surprised if this was the case (actually, at this point I would be shocked if Azriel wasn't related to the Hel Princes in some way, especially after what we learnt of Hunt's ancestry in HOFAS).

“Fine,” Hunt cut in. “Great, we’re protected.” He eyed the Prince of the Pit. His very bones shook, but he forced himself past his fear, his dread. “What the fuck did you mean by calling me son?” Thanatos scoffed. “You are no son of his.” He yanked off his war helmet, cradling it under an arm. “If anything, you are mine.” Hunt’s knees buckled. “What?” [...] “Because the Princes of Hel cannot be contained by the black crowns. The Asteri learned that—it was their downfall. As you were made by Hel’s princes, it should not be able to hold you.” Made by them? By these fuckers? - HOFAS, chapter 59

“Can we please rewind for a moment?” Bryce cut in. “You guys made the thunderbirds to complement my power—in case I never got the sword and knife, and if I ever needed a boost to open the Rift. But when they were hunted down, you … made Hunt, and then I was born …” “Athalar was already enslaved by then,” Aidas said, “but we kept a close watch.” Apollion nodded to Hunt. “Why do you think you’re so adept at hunting demons? It’s in your blood—part of me is in your blood.” Nausea clawed its way up Hunt’s throat. The thought of owing anything at all to the Prince of the Pit … “Just as he gave over some of his essence for the kristallos,” Thanatos said, “so he gave something to me for you. His Helfire.” “Helfire?” Bryce demanded. “The lightning,” Thanatos said, waving an irritated hand. “Capable of killing almost anything. Even an Asteri.” “That’s how you killed Sirius?” Bryce asked. “With your … Helfire?” “Yes,” Apollion said, then added to Hunt, “Your name was a nod to that, whispered in your mother’s ear as you were born. Orion … master of Sirius.” “Clever,” Hunt snapped, then demanded, “Wait—my lightning can kill the Asteri?” Hope bloomed, bright and beautiful in his chest. “No,” Apollion said. “It is … diluted from my own. It could harm them, but not kill them. I believe your mother’s angelic blood tempered my power.” - HOFAS, chapter 61

“Your father knew your mother briefly,” Aidas said. “And he knew having a partner would help lift her from her poverty. He had every intention of staying. Of leaving behind his life and raising you in secret.” Hunt could barely ask, “What happened?” “The mystics told Rigelus of your father’s connection to us. They didn’t discover everything—nothing about you or your mother. Only that he had been speaking to us. Rigelus had him brought in, tortured, and executed.” Hunt’s heart stalled. “He didn’t break,” Apollion said with something like kindness. “He never mentioned your mother, or her pregnancy. The Asteri never knew you were tied to him in any way.” - HOFAS, chapter 61

Bryce squeezed his knee, her hand so warm—or was he unnaturally cold? “Okay, so Hunt was made to be a backup battery for me—” “Can I do the same for Ruhn, then?” Hunt interrupted. “No,” Thanatos said. “The prince’s light, his affinity for these thin places, isn’t strong enough. Not like hers.” Hunt gripped Bryce’s hand atop his knee. “Is it in my DNA that Bryce and I are mates? Was that engineered, too?” “No,” Aidas said quickly, “that was never intended. I think that was left to higher powers. Whatever they may be.” Hunt turned to Bryce and found nothing but love in her eyes. He couldn’t stand it. Horror cracked through him, as chilled as hoarfrost. He’d been created by these males to give and to suffer, and where the fuck did that leave him? Who the fuck did that make him? “Okay,” Bryce said, “Helfire and starfire: a potent combination. But Helena left all this shit to help end this conflict. It sounds like you guys just want me to open a gods-damned door for you to come in and save the day instead.” - HOFAS, chapter 61

Thanatos used some of Apollion's helfire (lightning) to create Hunt as a weapon for Bryce, so it stands to reason that he may have done something similar in the Hewn City/Court of Nightmares that eventually resulted in Azriel, possibly with a different Prince of Hel - was it Koschei, or even himself - leaving "poisoned honey" on Prythian in case the Daglan/Asteri ever regained power? Feyre once referred to Azriel as a "dark hive," and we now know that he often helped Cassian to hunt down monstrous creatures like Blue Annis... could this be why? Does he have a natural talent for it, like Hunt? Was Az also created for a specific purpose?

I've been on the "Azriel and Elain are carranam" train from the time I joined the fandom, and since then I really do think that the three brothers and three sisters will act as paired conduits to save their world, as I mentioned in my third note above. In addition to the parallels I've noted between the Archeron sisters and Bryce (and Theia), Elain and Az shared a "charged" glance in ACOSF.

Nesta shook her head slowly, not understanding. Elain just linked her arm through Nesta’s and led her toward the family room, where Azriel stood in the doorway, monitoring them. As if he’d heard Elain’s sharp laugh and wondered what had caused it. “I was just checking on dessert,” Elain explained as they approached the doorway and Azriel. Nesta met the shadowsinger’s stare and he gave her a nod. Then his gaze shifted to Elain, and though it was utterly neutral, something charged went through it. Between them. Elain’s breath caught slightly, and she gave him a shallow nod of greeting before brushing past, leading Nesta into the room. - ACOSF, chapter 58

The very first book of the ACOTAR series confirmed that magic can appear as a charge in Prythian...

I opened my mouth to again ask him for his name, but a growl of annoyance rippled out of him. I didn’t have a chance to struggle, to fight back, when a charged, metallic tang stung my nose. Exhaustion slammed down upon me and blackness swallowed me whole. [...] I awoke with a jolt atop the horse, secured by invisible bonds. The sun was already high. Magic—that’s what the tang had been, what was keeping my limbs tucked in tight, preventing me from going for my knife. - ACOTAR, chapter 5

And then HOFAS gave us this - Azriel learning that he can charge up a Starborn Fae. A point that was so important to make that SJM ignored - or had reasons we are yet to learn - the fact that Azriel could have winnowed the three of them across the gap himself. Curious, given how she made doubly sure we knew how "different" Az was in ACOSF.

But Bryce frowned deeply at Azriel. “Do you ever use that power to, uh, charge people up?” “Charge?” “Fuel. Um. Give your power to someone else to help their power.” “Are you implying that I could do such a thing to you?” “I’m pretty sure the concept of a battery won’t have much meaning here, but yeah. My magic can be amplified by someone else’s power.” The other untranslatable word—battery—lay heavy on her tongue. But Nesta looked her over. “For what purpose?” “So I can teleport.” Another word that didn’t translate. “Winnow.” She pointed to the other side of the divide. “I could winnow us over there.” - HOFAS, chapter 16

Obviously there's always the possibility that SJM simply wrote that Azriel didn't winnow because A) he didn't want to expose any further facets of his magic unnecessarily to a Fae he had no reason to trust, or B) he wanted to see what Bryce could do, but what if it was C) that he lacked the strength to winnow at the time, as @ladynightcourt3 has so brilliantly thought? Because potentially, if light can blind an Oracle - one who may or may not use the murky realm of the Void to See - then there's a possibility that their growing proximity to the power chained deep in the land, or even Vesperus herself, may have made Azriel less able to see where he was going with his shadows to safely winnow them. Or was it that, similarly to whatever bond that exists between Elain and Lucien becoming too much for Azriel to bear, maybe the singing between Gwydion and Truth-Teller was distracting him?

As an aside, furthering the parallel between Hunt and Bryce that I noted earlier, I think the following passages support the idea that Azriel may be able to charge Elain, or that Elain can charge him as well, in addition to suggesting that he may be able to sense minds, or enter some that are more susceptible.

And what Hybern would do to Elain, might already be doing— From the shadows near the entrance to the tent, Azriel said, as if in answer to some unspoken debate, “I’m getting her back.” Nesta slid her gaze to the shadowsinger. Azriel’s hazel eyes glowed golden in the shadows. Nesta said, “Then you will die.” Azriel only repeated, rage glazing that stare, “I’m getting her back.” - ACOWAR, chapter 64

Azriel slid back the curtain— Elain was in her nightgown. Gagged, wrists wrapped in steel that glowed violet. Her eyes went wide as she saw us—Azriel and me— I shifted my face back into my own, raising a hand to my lips as Azriel knelt before her. I kept up my litany of praying, beseeching the Cauldron to make my womb fruitful, on and on— Azriel gently removed the gag from her mouth. “Are you hurt?” She shook her head, devouring the sight of him as if not quite believing it. “You came for me.” The shadowsinger only inclined his head. “Hurry,” I whispered, then resumed my prayer. We had until it ran out. - ACOWAR, chapter 65

Azriel’s power gave out on the outskirts of our camp. The girl, despite the burns and lashings on her moon-white skin, was able to walk. The gray light of morning had broken over the world, mist clinging to our ankles as we headed into that camp, Azriel still cradling Elain to his chest. He dripped blood behind him the entire time—a trickle compared to the torrent that should be leaking out. Contained only by the patches of power he’d slapped on it. Help—he needed a healer immediately. - ACOWAR, chapter 65

Azriel didn’t give Rhys a chance to reconsider. Didn’t say good-bye to any of us. He shot into the sky, those still-healing wings beating hard as they carried him toward the scrambling northern flank. - ACOWAR, chapter 71

Elain’s mouth twitched into a smile. "Nesta wouldn't appreciate the joke.” He offered her a smile back. "I wasn't sure if I should give you your present." He left the rest unspoken. Because her mate was here, sleeping a level up. Because her mate had been in the family room and Azriel had needed to stay by the door the whole time because he couldn't stand the sight of it, the scent of their mating bond, and needed to have the option of leaving if it became too much. Elain's large brown eyes flickered, well aware of all that. Just as he knew she was well aware of why Azriel so rarely came to family dinners these days. - ACOSF, Azriel's bonus chapter

Bryce squeezed his knee, her hand so warm—or was he unnaturally cold? “Okay, so Hunt was made to be a backup battery for me—” “Can I do the same for Ruhn, then?” Hunt interrupted. “No,” Thanatos said. “The prince’s light, his affinity for these thin places, isn’t strong enough. Not like hers.” - HOFAS, chapter 61

We know that Elain likely shares that strong affinity for thin places, as may Az. Feyre mentioned the gray light of morning, mist around their ankles. Does this make them the ideal conduits for each other, as Hunt and Bryce were? As Feyre and Rhys - and, I suspect, Nesta and Cassian - are? Are they all meant to be "weapons" against a long, deeply sleeping foe?

Finally, let's revisit the first passage I mentioned at the top of this post, when Feyre first met Azriel:

But the second male, the more classically beautiful of the two … Even the light shied from the elegant planes of his face. With good reason. Beautiful, but near-unreadable. He’d be the one to look out for—the knife in the dark. Indeed, an obsidian-hilted hunting knife was sheathed at his thigh, its dark scabbard embossed with a line of silver runes I’d never seen before. Rhys said, “This is Azriel—my spymaster.” Not surprising. Some buried instinct had me checking that my mental shields were intact. Just in case. - ACOMAF, chapter 16

Hunt stilled. There was only one being whose name was not uttered in Midgard. The Prince of the Pit. Apollion. His blood chilled. This was a fucked-up, weird-ass dream, no doubt caused by Quinlan literally blowing his mind into smithereens— “It is no dream.” The seventh and most lethal of the demon princes of Hel was in his mind— “I am not in your mind, though your thoughts ripple toward me like your world’s radio waves. You and I are in a place between our worlds. A pocket-realm, as it were.” “What do you want?” Hunt’s voice held steady, but—fuck. He needed to get out of here, to find some way back to Bryce. If the Prince of the Pit could get into Hunt’s mind, then— “If I went into her mind, my brother would be very angry with me. Again.” Hunt could have sworn he heard a smile in the prince’s voice. “You certainly worry a great deal about a female who is far safer than you at the moment.” - HOSAB, chapter 21

“During my time with Theia, Helena was a quiet girl, but she always listened.” “You spoke too much,” Thanatos snapped. Aidas ignored him. “Helena learned black salt would allow her to commune with us while protecting her mind and her soul.” - HOFAS, chapter 59

Given the princes of Hel were fathered by the Void - Apollion, the Prince of the Pit, said he resides in true darkness and has the ability to enter minds - and mothered by Chaos (who is possibly Wyrd?⁴), that they are attracted by obsidian (the material from which Truth-Teller's hilt is made), who may or may not use wyrdmarks that might match the runes on Truth-Teller's hilt (post on this to come), who appear to be able to use a black salt-induced dream state to communicate across worlds with their minds... it seems a little more than coincidental to me that Feyre would think to protect her mind from Azriel.

⁴ A personal crack theory that I'd love to be true - I think the eight pointed star may be Urd/Wyrd's or Chaos' symbol: a Chaos star. @wingedblooms has discussed Wyrd and Chaos here and here.

I once noted Azriel's similarities to Koschei, who can send his whispers on the wind, twisting distant minds to do his bidding. If Koschei is a prince of Hel - the sixth prince, of the Abyss? - could he have contributed towards Azriel's creation, either directly, or through the making of a female ancestor? Azriel has the ability to speak the language of shadow, wind and stone, which could plausibly tie in with Koschei as a hell prince: void, wind and obsidian. Or if it was Thanatos - the eater of souls - does this affect Azriel's ability to sense others around him, as Rhys once suggested? We know he's capable of using his shadows to read people. Was Azriel's existence, intentional or not, a secret like Hunt's?

Or to be completely cracked, is Azriel actually the heir to a currently empty throne in Hel?

Elide asked Lorcan, “Do you—do you feel any different?” The lack of the gods who’d watched over them. Lorcan peered up at the trees overhead, as if reading the answer in their entangled branches. As if searching for Hellas there. “No,” he admitted. “What does it mean,” Gavriel mused, the first rays of sun beginning to gild his golden hair, “for them to be gone? Is there a hell-realm whose throne now sits vacant?” “It’s too early for that sort of philosophical bullshit,” Fenrys said... - KOA, chapter 101

Whatever is going on here, please consider me still all aboard the Azriel is related to the Princes of Hel train until told otherwise by SJM. Choo Choo!

The Valg

Moving on from the princes of Hel, many of the fandom - myself included - are desperate to know exactly how Aidas and his brothers may be related to the Valg, a race of demons we met in SJM's 'Throne of Glass' series. Are they the same as, or simply related to each other? Did Hel's princes - or possibly Void and Chaos - create the Valg as well, or did the Valg just evolve naturally on the planet that is Hel, eventually turning it cold and barren? I know some in the fandom have drawn parallels between Rhys and Maeve, and theorised that he may be partly Valg, which would be such a twist if true! I'd love it.

But more than all of that, I want to know what Azriel may have to do with the Valg. Because in addition to my suspicions that the King of Hybern may have been infected by a Valg/Valg-type being (and that Elain assassinating him with a sunlight charged Truth-Teller was akin to Yrene healing Erawan out of existence), I have been wondering about Azriel and his shadows for years. I know I've suggested that Koschei could be a prince of Hel, but I also think there's a chance he could be Valg. I outlined in this post, where I wondered if Koschei was once known as Fionn - yes, I can see there's a pattern forming here, thanks 😂 - if he had once loaned magic to the King of Hybern, who had "hateful black eyes" and a "galaxy" in his palm, in order for Hybern to be powerful enough to orchestrate a scenario that Koschei was unable to himself, given he's trapped at his lake; considering this possibility in the context of the Valg existing in Prythian, and that Koschei may be one of them, it could mean that Koschei himself, or a loyal Valg prince, was possessing Hybern's king; a pawn until he was no longer required.

As I mentioned earlier, there are significant parallels between Azriel and Koschei that should not be ignored, especially if Koschei ends up being his magical ancestor in some way. In addition to this, Azriel's history and habits are intriguing when laid out next to what we know of the Valg as a species. Although, given the similarities between the Princes of Hel and the Valg, much of the following could indicate some sort of link to either species (that's assuming they're actually different, of course).

The Valg's true form involves a smokey, shadowy aura, while Azriel is a shadowsinger, described as a "dark hive" from where his shadows originated.

Cassian tipped back his head and laughed, a full, rich sound that bounced off the ruddy stones of the House. Azriel’s brows flicked up with approval as the shadows seemed to wrap tighter around him. As if he were the dark hive from which they flew and returned. I tried not to shudder and faced Rhys, hoping for an explanation about his spymaster’s dark gifts. Rhys’s face was blank, but his eyes were wary. Assessing. I almost demanded what the hell he was looking at, until Mor breezed onto the balcony with, “If Cassian’s howling, I hope it means Feyre told him to shut his fat mouth.” - ACOMAF, chapter 16

While a Valg's possession of someone's body is often confirmed through their unnaturally black eyes, it's interesting that Erilea's witches - who are half Valg and half fae - are increasingly prized the more golden their eyes are. Though Azriel's eyes are naturally hazel, a colour which often contains flecks of gold, they have notably glowed golden before. @psychologynerd and I have both discussed the possibility that Azriel could be a witch; this could be another indication of his hypothetical Valg ancestry. Edit: I just found this brilliant post, by @sak2605 which included a passage where Valg described Manon's gold eyes as the eyes of their masters!

The Valg fear fire so much they attempted to wipe out Aelin's entire flame-wielding family.

And what Hybern would do to Elain, might already be doing— From the shadows near the entrance to the tent, Azriel said, as if in answer to some unspoken debate, “I’m getting her back.” Nesta slid her gaze to the shadowsinger. Azriel’s hazel eyes glowed golden in the shadows. Nesta said, “Then you will die.” Azriel only repeated, rage glazing that stare, “I’m getting her back.” - ACOWAR, chapter 64

“Hello, princeling,” she said, her voice bedroom-soft and full of glorious death. “Hello, witchling,” he said. And the words were his own. For a moment he was so stunned that he blinked. He blinked. The demon inside of him recoiled, clawing at the walls of his mind. Eyes of the Valg kings, eyes of our masters, it shrieked. Do not touch that one! - QOS, chapter 58

Credit for the observation goes to @ladynightcourt3 but Azriel's brothers burnt his hands. Furthering the possibility we have discussed before, that his horrible half brothers were pouring oil onto some sort of Starborn flame that he may have unwittingly exhibited, could said Starborn magic have sparked in the first place because it was trying to purify itself from a dark, shadowy infestation taking root in the lightless dungeon? Imagine if the pain of the burns only fuelled the Valg attempting to hijack young Az! And, while Nesta thought Azriel was lying when he said his shadows don't like the flames so much because he's sat in front of the fireplace "plenty," we do know they tend to avoid the light of a different sort of flame: the sun.

I didn’t doubt his claim. And the other Illyrian … “Azriel—his hands. The scars, I mean,” I said. “Where did they come from?” Rhys was quiet a moment. Then he said too softly, “His father had two legitimate sons, both older than Azriel. Both cruel and spoiled. They learned it from their mother, the lord’s wife. For the eleven years that Azriel lived in his father’s keep, she saw to it he was kept in a cell with no window, no light. They let him out for an hour every day—let him see his mother for an hour once a week. He wasn’t permitted to train, or fly, or any of the things his Illyrian instincts roared at him to do. When he was eight, his brothers decided it’d be fun to see what happened when you mixed an Illyrian’s quick healing gifts with oil—and fire. The warriors heard Azriel’s screaming. But not quick enough to save his hands.” - ACOMAF, chapter 18

Azriel lingered near the door, quiet enough that when Feyre and Mor began talking about some of her paintings, Nesta went over to him. “Why don’t you sit?” She leaned against the doorway beside the shadowsinger. “My shadows don’t like the flames so much.” A pretty lie. She’d seen Azriel before the fire plenty. But she looked at who sat close to it and knew the answer. - ACOSF, chapter 58

The Valg use rings and necklaces of wyrdstone, an obsidian material, to infect a host, and in addition to Truth-Teller's hilt being made from obsidian - I've wondered before whether it could be a wyrdkey, or even possessed - Azriel was once described as not having shadows at his ear, or darkness ringing his fingers when around Elain. Does this mean that his shadows - which we now know are concentrated magic - could be infected by a Valg-type being such that they can influence his mind, and maybe even control his body? Could he become a "mindless" soldier grunt?

But the second male, the more classically beautiful of the two … Even the light shied from the elegant planes of his face. With good reason. Beautiful, but near-unreadable. He’d be the one to look out for—the knife in the dark. Indeed, an obsidian-hilted hunting knife was sheathed at his thigh, its dark scabbard embossed with a line of silver runes I’d never seen before. Rhys said, “This is Azriel—my spymaster.” Not surprising. Some buried instinct had me checking that my mental shields were intact. Just in case. - ACOMAF, chapter 16

Cassian’s dark brows narrowed. I dragged a hand over my face before going to Elain and touching her too-bony shoulder. “Can I set you up in the garden? The herbs you planted are coming in nicely.” “I can help her,” said Azriel, stepping to the table as Elain silently rose. No shadows at his ear, no darkness ringing his fingers as he extended a hand. Nesta monitored him like a hawk, but kept silent as Elain took his hand, and out they went. - ACOWAR, chapter 30

The Valg princes can feed on pain and nightmares; in the ACOTAR, shadows are frequently associated with - and can even darken with - pain. Azriel was once described as having shadows and terrors over his shoulder, and there are many examples of his shadows gaining strength when he is uncomfortable or hurting, and lightening when he is happy or content. Is this because his nightmares/negative emotions are less potent and so stop fuelling the Valg he is - hypothetically - carrying around?

I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two. The only bridge of connection … that knife. - ACOWAR, chapter 69

“Can’t sleep?” Cassian took up a fighting stance. A shadow curled around Azriel’s neck, the only one brave enough to face the sunlight. “Something like that,” he said, and settled into his own stance across from Cassian. Cassian let it drop, knowing Az would have told him already if he’d wanted to share what had been hounding him enough to exercise at night, rather than in the morning with them. - ACOSF, chapter 23

Speaking of, what is going on with this newly brave shadow? If Azriel or his shadows are hosts in some way for Valg-type being/s, is something causing them to gain on him? Is it his notably intensified depression from ACOSF, or the fact that he was standing above the House of Wind, the heart of which might be connected in some way to Hel? Alternatively, is it a positively denoted response to his new proximity to the Archeron sisters and their (hypothetical) different forms of Starborn light?

Could Azriel's shadows/magic simply be possessed, or are they actually a swarm of Valg in their own right, either wholly or in part, and attempting to use Azriel and Truth-Teller as a thin place to cross into Prythian? This behaviour fits with what we know of them as a species, though of course we don't know if they have the ability to do this specifically. But if Azriel does harbour some sort of Valg infestation, it becomes very interesting that his shadows respond by brightening around Feyre, who is a powerful healer, Mor - whose power is Truth (Damaris, the sword of Truth, was used in Erawan's death), and Elain⁵ (of whom many have wondered if she contains pure life or rebirth from the Cauldron, which could potentially allow her to heal - especially given the frequent use of "dawn" to describe her, another parallel with Yrene, the Torre Cesme, and even the Dawn Court in Prythian).

⁵ I'm including this information in the discussion not because of any shipping preference, but due to its relevance if Azriel really is infected by a Valg-type being.

Could this phenomenon extend beyond the fact that they, like the rest of his found family, all make Azriel feel comfortable within himself, and mirror what we learnt about Yrene⁶ and her powers? Otherwise, it would be incredibly coincidental that Elain is the sister who loves to nurture the cycle of life by gardening, who is so often described with imagery pertaining to warmth and the sun (especially at dawn), who has wielded Truth-Teller in such a way that may indicate she activated its powers and weakened a possible Valg prince, who has been strongly linked to hope, who has a different sort of strength, who has even brought a king to his knees...

⁶ @wingedblooms has previously discussed Elain's parallels with Yrene here and here; as always I suggest reading her brilliant posts!

Erawan panted as he approached. “Healer,” he breathed, his unholy power emanating from him like a black aura. She backed away a step, closer to the balcony rail. The dark king followed her, a predator closing in on long-awaited prey. “Do you know how long I have looked for you?” The wind tossed his golden hair. “Do you even know what you can do?” She hesitated, slamming into the balcony rail behind her, the drop so hideously endless. “How do you think we took the keys in the first place?” A hateful, horrible smile. “In my world, your kind exists, too. Not healers to us, but executioners. Death-maidens. Capable of healing—but also unhealing. Unbinding the very fabric of life. Of worlds.” Erawan smirked. “So we took your kind. Used them to unbind the Wyrdgate. To rip the three pieces of it from its very essence. Maeve never learned it—and never shall.” His jagged breathing deepened as he savored each word, each step closer. “It took all of them to hew the keys from the gate—every one of the healers amongst my kind. But you, with your gifts—it would only take you to do it again. And with the keys now returned to the gate …” Another smile. “Maeve thinks I left to kill you, destroy you. Your little fire-queen thought so, too. She could not conceive that I wanted to find you. Before Maeve. Before any harm could come to you. And now that I have … What fun you and I shall have, Yrene Towers.” - KOA, chapter 113

Erawan’s power swelled, but Yrene was already glowing, bright as the far-off dawn. - KOA, chapter 113

Erawan didn’t seem to know where to look. Not as Dorian sent out a punch of his healing light that knocked him off balance. Not as Lysandra leaped upon the dark king, pinning him to the stones. Not as Elide, Damaris in her hands, plunged the blade deep through Erawan’s gut, and between the stones below. Erawan screamed. But the sound was nothing compared to what came out of him as Yrene reached him, hands like burning stars, and slammed them upon his chest. The world slowed and warped. Yet Yrene was not afraid. - KOA, chapter 113

He arched, shrieking, but Damaris held him down, that ancient blade unwavering. His dark power rose, a wave to devour the world. Yrene did not let it touch her. Touch any of them. Hope. It was hope that Chaol had said she carried with her. Hope that now grew in her womb. For a better future. For a free world. - KOA, chapter 113

The gods might have been gone, Silba with them, but Yrene could have sworn she felt those warm, gentle hands guiding her. Pushing upon Erawan’s chest as he thrashed, the force of a thousand dark suns trying to rip her apart. Her power tore through them all. Tore and shredded and ripped into him, into the writhing worm that lay inside. The parasite. The infection that fed on life, on strength, on joy. Distantly, far away, Yrene knew she was incandescent with light, brighter than a noontime sun. Knew that the dark king beneath her was nothing more than a writhing pit of snakes, biting at her, trying to poison her light. - KOA, chapter 113

A thought and Yrene’s power flared brighter. Erawan screamed. The power of creation and destruction. That’s what lay within her. Life-Giver. World-Maker. Bit by bit, she burned him up. Starting at his limbs, working inward. And when her magic began to slow, Yrene held out a hand. She didn’t feel the sting of her palm cutting open. Barely felt the pressure of the callused hand that linked with hers. But when Dorian Havilliard’s raw magic barreled into her, Yrene gasped. Gasped and turned into starlight, into warmth and strength and joy. - KOA, chapter 113

Yrene’s power was life itself. Pure, undiluted life. It nearly brought Dorian to his knees as it met with his own. As he handed over his power to her, willingly and gladly, Erawan prostrate before them. Impaled. The demon king screamed. - KOA, chapter 113

I could be wrong of course! But it just seems too coincidental to me that we have all of these parallels between one of the Archeron sisters⁷ and the unassuming healer who - together with her friends - executed a Valg king in Erilea when I have suspected for a while that Azriel's shadows had been hijacked or corrupted in some manner.

⁷ I once posted, ages ago, that Azriel's shadows do not recoil from Elain Archeron, and even though I just outlined why I think she might be able to heal/purify them (assuming they're corrupted, of course), I stand by the theory. It is the corruption that would be vanishing/weakening around her and not the concentrated magic itself. And it would be an interesting tie in to the "purity language" (not my term) that SJM has used between them. That's the only shippy note I'll make here, and only because it would otherwise appear like I was contradicting my earlier self.

Anyway! If you've read this far then well done you, I'm sorry I didn't break this up into more manageable sized posts. I hope it all made sense, I did leave a bit out to try to salvage some of its atrocious length, so if I realise I forgot to tie something back around I may come back and fix it. But to sum up once more, I do think - and others have also noted - that there are many parallels between Azriel and the Starborn/Dusk Court Fae, the princes of Hel and the Valg, though one could argue that the latter two parallels extend to any void-based or demonic beings in general (which tracks if I'm correct that Illyrians can trace at least some of their origins to Hel).

Thank you for reading! 💜

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

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Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3

[morrowlegacy]

Honestly, the drama weirdly gave me the courage to finally make a Hogwarts Legacy blog today (and just an account on Tumblr in general) after debating it for months.

(Now, I’m not educated on what the drama is, so I’m just spilling my thoughts out of context)

I’ve been a lurker since September, which is when my obsession with the game started. A lot of the fandoms I have been a part of in the past have always had some negativity around them for various reasons, but in a way it always makes me more passionate about the fandoms I love.

I’m not saying the drama, hate, and shaming is a good thing, (That’s not what I’m saying AT ALL) but what I will say is that when people come around and try to bully me for my interests, it always inspires me to keep doing what I’m doing. Because at the end of the day, they’re my characters from my favorite media. If they don’t like it, they can just move on. And if not? Well, that’s why we set boundaries with the block button.

Fandom is meant to be fun, but there will always be people who try to ruin it. Taking a break from a fandom if you need it is always a good option if it will help you (and it’s something I’ve done a few times over! And recently too with other fandoms). But for those who decide to stay, let me be the first to say there will always be people out there who appreciate what you’re doing, regardless of how many likes or followers you have. Even if haters try to bring you down. And if the only person who is loving your work is you? Well enjoy that! That’s why we create after all. To have fun with ourselves and escape from the world for a bit. Just like OP said, this fandom is for everyone to brain rot together and just enjoy a common interest as a community. That’s why I made my account in the first place. To meet people and share my art because I love being creative and seeing others be creative too!

Again, I don’t really know what happened to make the Hogwarts Legacy fandom so divided lately, (the context escapes me), so maybe what I said here isn’t relevant, but regardless, here’s the bottom line:

Don’t be a jerk to people simply because they have a different perspective on canon lore, characters, etc, or because you don’t think their art, writing, and edits are not as good as yours. It’s not cool. Just block if you see something you don’t like. No need to start unnecessary drama. And if someone is being a bully to you because of your interpretation, then do what you need to do in order to make the fandom fun for you again. Whether that means taking a break, blocking a bunch of people, or continuing to post. You will always have the good side of the community to come back to, even if it takes time.

All of you are so talented and amazing. We will get through this together 💜

WHAT IS UP WITH THE HOGWARTS LEGACY FANDOM?????????????

I am so fucking fed up with this fandom & honestly it makes me lose any desire to post anything here anymore.

So many people here look at EVERYTHING as a damn competition and it’s NOT. It should be a place for people to brainrot together, talk about theories, and enjoy seeing what other people draw and write etc. Have I sometimes felt insecure bc I don’t get as many notes as other people?! Yes of course…but I always focus on the connections and the lovely people I’ve met and like talking to bc that’s why I post in the first place. I didn’t spend 4 months posting my fic to 10 kudos and 1 comment with basically no feedback bc I care about popularity😆😆

I’ve never been part of a fandom before this one but honestly everything feels so immature here, especially lately. Is it NORMAL to send hate to people who interpret the characters differently than you?! Or send hate to people who ship something you don’t like???? Is it NORMAL to start a confessions blog that’s for people to vague post about others & give everyone reading it anxiety??? (And NO, it’s not “leveling the playing field” wtf). Is it NORMAL to be so close minded, that you’re always trying to start shit with other people?!!??

It is SO FUCKING EXHAUSTING & honestly I try my hardest to NOT feed into any negativity and I’ve never posted the hate I’ve gotten because quite frankly, it’s ridiculous.

I genuinely love seeing what all of you post and always try to comment when I have the mental energy, because I love having a sense of community and you’re all very talented.

[skemford]

So far Arcane S2 is looking cool. Almost all characters are complex and it's impossible to look at them through "good vs bad" lenses.

There are certain takes from fandom/community that i don't agree with... but alas, i don't consider my opinions to be 100% correct either.

More thoughts about some characters (Cait, Vi, Isha, Sevika) in Arc 1 under the cut (beware of spoilers):

- Cait loosing herself while going through the grief is written in a realistic way. She's a privileged girl who never experienced major losses, lost an important person (a mother) and she's supposed to keep a facade of a stoic leader for the sake of her community. I felt truly uncomfortable when she decided to use the ventilation system to poison the air of Zaun & her degrading rhetoric (both toward citizens of Zaun and to Vi) was terrible. Her perspective can be understood but it cannot be redeemed with a couple of empty words. I'm curious to see where her dictatorship arc will lead her and how it ends. Honestly a lot of people underplay police brutality that was shown through her.

- Vi taking the role of enforcer was shocking to me considering everything that happened to her in the past. Gassing up her own people while wearing the uniform of her oppressor felt OOC but i can understand that she's motivated by endless grief and her fear of loosing Cait too. At least she did acknowledged that some things are wrong once she's face to face with a child protecting Jinx. Her role was more passive than in S1 so hopefully she'll shine in arc 2 and 3.

- Isha (little girl that follows Jinx) is a plot device that may die sooner or later. I'm not sure what i feel about her but i cannot hate her either, she did nothing wrong. I don't understand those who are mad about the scene where this child is protecting Jinx; Jinx unwillingly saved her life and was a bit soft while Isha saw only brutality from Vi & Cait. This is a matter of perspective, really. Outside of this, i think that some people are forgetting that she's younger than Powder was in S1.

Did she gave Jinx a couple of sympathetic points? Maybe. But Jinx herself was a bit calmer than in S1. A moment before meeting Isha she's walking around the city and reflects on what Silco's death led to.

- Sevika didn't switched her opinion on Jinx "abruptly". She was loyal to Silco and his absence made her acknowledge how much work she was forced to do for him. In her perspective Jinx was a brat who had it easier and created mess that Sevika was supposed to clean... turns out, it wasn't like this. Her "grief talk" with Jinx about Silco shows that Jinx was under the pressure too. Sevika's loyalty lies with her beliefs about what's the best for Zaun and its people and Jinx may be the hope that they'll need (which was shown in Arc 2 teaser). You can argue that she was brutal in S1 but she's not "a villain". Wanting to fight for your freedom from Topsiders is way more complicated.

On less serious note:

- Caitvi hugs and kiss were sweet. Let's hope that it'll happen again. If it's possible after everything :)

- My favourite fight is Sevika vs Smeech. I loved visuals, music and seeing Sevika getting her own screentime.

- Vi vs Jinx fight was on entirely another level in terms of animation, I'm excited to see what's in store for unreleased episodes.

[myokk]

✨MASTERLIST✨

(fanart, longfics, oneshots)

Welcome to my blog!!! Here is my masterlist of ALL of my little sketches, artwork, writing, and general brainrot related to Hogwarts Legacy💘

🌿 - Madeleine / Maddy / myokk

🌱 - AO3

🌿 - likes and follows come from my main blog, @oerflink, because this is a sideblog (🥲)

🌱 - Eloise Babbit, my MC and basically the whole reason for this blog🫶 I don’t necessarily view her as the game’s MC, as my fic is quite canon-divergent and she is sweeter than the evil gremlin I played in-game😆💓 [link to her character sheet]

🌿 - my art tag🫶🫶🫶 here you can see basically every drawing I've done since joining the fandom!

Writing:

Before It Felt Like A Sin (AO3 / tumblr - ongoing)

Sebastian Sallow x F!MC, canon divergent, longfic, wip, dual pov Eloise/Sebastian

Summary: Eloise never wanted to be different.

And yet, her differences are what have defined her life up until this point: growing up as a squib in one of the most prominent wizarding families, being exiled to muggle society, and then attending Hogwarts at the age of sixteen.

She finds herself thrust into the life she should have been prepared for from birth but was denied. As she navigates this new life and her new precarious position in her family, she must come to terms with the fact that maybe what she dreamed of her whole life isn't turning out how she ever expected it would.

Tags: slow burn, angst, magical theory, mythology references, pureblood culture, occlumency, legilimency, hurt/comfort, family dynamics, eventual romance, eventual smut, sacrificial magic, blood magic, dark magic rituals, implied/referenced child abuse

[coming soon] - an excerpt from the Ominis longfic I’m working on💘

Oneshots:

clumsy (AO3 / tumblr)

pairing: Sebastian Sallow x f!MC

word count: 9,1k

rating: E

summary: sebastian is clumsy.

or: two stubborn brats make things more difficult than they have to be.

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving), no y/n

legilimency (AO3 / tumblr)

pairing: Ominis Gaunt x F!MC

word count: 1,7k

rating: m (language)

summary: (His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

or: The Gryffindor student has caught on that Ominis can read her thoughts and decides to get her revenge.

tags: ominis is a natural legilimens, he is entirely too introspective, fluff, no y/n

remembering the snow (AO3 / tumblr)

pairing: Imelda Reyes x Poppy Sweeting

word count: 3,3k

rating: G

summary: Imelda remembers the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

or: a character study on Imelda and how she grew up because I love her & she doesn't get enough appreciation :)

tags: character study, fluff, romance, first kiss, emotional hurt/comfort, I just wanted to write a sweet story & explore Imelda as a character

Illustrated scenes:

(aka where I illustrate little scenes from my longfic and oneshots💓)

🌿 - the summer before Sebastian and Anne’s first year at Hogwarts🥺💓

🌱 - Sebastian hates Eloise’s guts😳

🌿 - Eloise is really, really bad at chess😔 (this scene always makes me laugh SO MUCH)

🌱 - right after the pensieve scene🫶🫶🫶

🌿 - Eloise and Sebastian’s first kiss😇😇😇

🌱 - some angst after their first kiss😇😇😇

🌿 - sebastian overthinks things a lot😔

🌱 - an excerpt from my oneshot, clumsy💘

🌿 - another scene from my clumsy 🫶 I really love writing Sebastian’s pov & this was just so much fun to paint and write😫💓

🌱 - Eloise and her mother😔