#lmk what yall think
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foresthouseowo · 1 day ago
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wilko222 · 5 months ago
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just look how terrified they are
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when they see how many eyes are on him thys must have been so much of power used by H.E.D.
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bugs013 · 8 months ago
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“You stayed?”
Spencer Reid x BAU!Reader
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Not my pics
Warnings- basic criminal minds violence, blood, hospitalization, nightmares, mentions of suicide, mentions of making out, use of ‘Y/N’ but only a few times, i don’t think any pronouns were used but correct me if i’m wrong! Lmk if i missed anything!
A/N- this is my first time actually writing something so it’s not the best. I wrote this for my sister and she wouldn’t shut up about it so here it is lol. Also I’m dyslexic so if there are any mistakes then please let me know! (I reread it at least 3 times lmao) i’m open to criticism just don’t be too extreme pls lol
When you started at the BAU everyone seemed pretty nice except for one person, Spencer Reid, you weren’t sure why but for some reason you two just didn’t get along. As time went on nothing changed. The team tried to get you two to be friends but it never worked, everyone just got used to it, simple shaking their head or laughing when the two of you would glare at each other or make comments about each other’s ‘bad’ performances.
This case has been horrible, you’ve gotten so many leads but it keeps hitting dead ends, everyone was sitting around the table pissed until Spencer of course figured something out. He started writing on the board.
Morgan noticed first, his brows furrowed. “Whatcha got kid?”
At that everyones heads snap up at Reid and the board, why is he so stupidly smart?, there is silence for a moment as everyone shares some confused glances.
Spencer rambles on about where we will find the unsub and how, it took a minute to explain but soon enough everyone is up and heading to a house where supposedly the unsub will be.
You, Morgan and Rossi go in the back while JJ, Reid and Hotch go through the front. Everyone searches around but no one is in the house, that is until You and Spencer find a way to the basement, Spencer went down the creaky stairs but before you could even make it down two step’s Spencer was hit by the unsub, you point your gun at the man.
“Let me see your hands!”
He points a gun at his hostage’s head, holding her tightly with his free arm. “I’ll shoot!”
You glance over to see Reid was back up with his gun pointing at the unsub as well, geez that was fast.
“She is not who you think she is. You don’t want to kill her.” Spencer said to the man.
“She killed my girlfriend! She deserves to die!”
“She had nothing to do with it, she’s innocent. Lily killed herself Adrian. She was hurting herself.”
“Shut up! You’re lying!” The gun now pointed at Spencer and you can see that he’s about to pull the trigger, as soon as you hear the gun shot you quickly jumped in front of the bullet, you have no clue what came over you but all you know is the pain you felt in your shoulder was brutal. You hit the ground with a loud yelp, you look to your shoulder and see the blood oozing out. “Shit”
“Y/N!” Spencer shouts as he soon fell to his knees next to you.
But then you see the unsub running up the stairs and you push Spencer with you free hand, the other over your bleeding wound. “He’s getting away idiot.” But Spencer didn’t bother moving, besides the rest of the team already had the guy now. He shouts that you need an ambulance and the last thing you remember was Spencer shaking you and saying; “stay with me Y/N.” As your vision then went black.
~~~~
You wake up to the sound of machines beeping around you and the cool air of the hospital giving you chills, the thin blanket draped over you didn’t do much to warm you. You blink a few times as your vision slowly unblurs, then you realize someone was holding your hand, you squint to see who it was and when you realize it was Reid you squeeze his hand gently and his head pops up. “You’re awake?”
“You stayed?” He smiled softly. Then he glances at your interlocked hands, he clears his throat as he pulls his hand back awkwardly. Your brows furrowed and you chuckle weakly. “I don’t mind.”
His brows raised and he gives a bit of a confused look before then speaking again. “Why did you do that?” He asked. “Do what?” You ask, forgetting that you literally took a bullet for him some hours ago.
“Don’t be dumb.” He said before answering your question. “Jump in front of the bullet?”
“Ohh.” You shrug. “The team needs you…” His brows furrowed. “So? They need you too.” You shrug with one shoulder. “Yeah but without you half the cases would never get solved.” “That’s not true-” “Spencer. It’s true and you know it. We sat in that room for hours, days even, constantly hitting nothing but dead ends…until a little nerd finally figured it out and look, we got the guy-” You paused, you don’t remember if they actually got the guy. “Wait we did get him right?” Spencer chuckled softly as he nods. “Yeah, we got him.” You laugh softly. “Good.”
~~~~
It’s been about 4 weeks now since you had gotten shot and the whole time Spencer was by your side, while in the hospital and after. it was nice, but he was only doing it because he owed you, right? I mean you did save him from a bullet. You have basically fully healed now though.
Spencer is over at you apartment, you already told him you were fine on your own but he insisted on staying while you were hurt and he is still insisting to stay while you get over it all too. And while you did appreciate the help a lot you were starting to feel things you didn’t think you’d ever feel for him. The two of you are enemies, the only time you are ever civil is on the field. But now that you have actually spent some time together and got to know each other, you like him. You like him?
You yawned as you adjust your position on the couch, your eye lids were barely open when you heard Spencer speak. “Tired?” You nodded lazily. “Well i made some soup, you should eat before you go to sleep.” He says as he walks over to the couch. “Mmm, that sounds sooo good but ‘m sooo tired…” You said as you forced yourself to sit up. “It’s only 6:40, you can’t be that tired, can you?” You yawned and shrugged as you sat up. “I didn’t get much sleep last night.” He gives a bit of a confused look. “Oh, why didn’t you get sleep?” “Nightmares.” You say with another shrug. “Nightmares?” He asked and you nodded. “Do you want to talk about it?” You shook your head and got up, walking towards the kitchen. “Come on, food’s gonna get cold.” You say, ignoring the look of concern that filled his face. He’s worried but he can’t force you to talk so he just reluctantly follows you to the kitchen.
~~~~
Your were still drowsy as you put your bowl in the sink but the food did give you at least a little energy. “Y’know, I still don’t understand how you’re such a good cook, i can barely make grilled cheese without burning it.” You say with a little chuckle, Spencer has cooked some pretty delicious food throughout the past weeks and at first you told him he was a bad cook but then he stopped cooking so you had to tell the truth. He lets out a soft laugh as he followed behind, placing his bowl in the sink as well. “It’s easy, just read some cook books, watch some videos and try.” He said as the two of you make your way to the couch.
~~~~
You lay on the couch, your legs hang over the armrest giving Spencer enough room to sit on the other side, near your head. You were asleep, well that’s what Spencer thought at least but when he clicked off the TV and got up to leave he felt a hand on his own and heard your sleepy, quiet voice. “Don’t go…” His brows furrowed as he looked down at you for a moment. “It’s almost nine-” “please…” You interrupted and squeezed his hand lazily. He was sorta confused but then he sits back down. You put your head on his lap as you start to doze back off. “Thank you…”
Spencer fell asleep confused that night.
~~~~
The next morning you wake up to the smell of coffee and you smile, he really stayed? With a yawn and a stretch you got up and went to the kitchen, seeing Spencer with a book in hand, a random one from your bookshelf, you walk over to him. “Did you actually stay all night?” You ask as you lean against the counter, his back still facing you. He spun around at the sound of your voice, putting the book down on the counter and giving you an sweet yet awkward, soft smile. “Yeah, you wanted me to didn’t you? Besides you fell asleep on my lap so i kinda had no choice.” He shrugs a little and you chuckled. “You didn’t have to stay, you could’ve told me to move.” But he shook his head. “You were tired, i didn’t want to wake you up.” You shrugged but then your brows furrowed as you realized you didn’t wake up in the middle of the night like you have been. “Hey! y’know I didn’t have nightmares last night? I actually slept through the night.” You smiled, thankful that you finally got a full nights rest. “Really?” He says as he pours some coffee in a mug, handing it to you. “Yeah, that’s the first time in like a week.” You say, taking the coffee and saying a soft thank you as well. “Thank you for staying…i think that helped…” You looked down at the coffee in your hand as you spoke. Spencer smiles softly. “Oh, it’s no problem, although it would’ve been nice to at least have a blanket.” He joked, after all he was in an awkward position sitting on the couch without a blanket or pillow, but he was just happy you got to sleep well. You chuckled. “Ah, yeah sorry, the couch probably wasn’t very comfortable.” “It’s ok i’m just glad you got some sleep.”
~~~~
It’s been three days of Spencer staying at your apartment to help you sleep at night and the two of you have gotten pretty close, neither of you were really sure why but somehow him being there helped. It’s now 6 PM and you’re helping watching Spencer make dinner for the two of you. You were having a good time just chatting and laughing. At some point you turned on some music, when a song you like starts playing you smile as you took his hands into your own and make him dance with you. When the song ends the two of you were face to face. Both of you froze as you stare at each other for a moment and then slowly the gap between you closed and your lips met in a soft kiss. You felt like a swarm of butterflies had been let loose inside your stomach. Spencer slowly pulled away and both of your faces were flushed. “Um…” You felt like your heart stopped for a minute, ‘did he hate it? Did you ruin everything?’. You thought until you were snapped from your thoughts by his lips pressed back onto yours. Well there’s your answer. As you kiss back your hands go up to his hair while his hands cupped your cheeks holding your face to his. The kiss quickly grew more passionate as your tongues invaded each other’s mouth hungrily and his hands began to carefully roam your body.
Ping
Both yours and Spencer’s phone went off with a text from Garcia; duty calls!
You groan as you heard the devices, knowing it’s probably work. The two of you separate as you check your phones to see that of course it’s time for work. “Stupid job.” Spencer chuckled lightly as he pulled you in for one more gentle kiss before the two of you ate quickly then headed off to the BAU.
~~~~
(a little bonus cuteness)
On the jet ride back home you were exhausted, you end up falling asleep on Spencer’s shoulder and as Spencer carefully covered you with a blanket and kissed the top of your head JJ noticed, she furrowed her brows at Spencer and he gives a little smile then rest his head on yours and closed his eyes, soon falling asleep as well.
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hascious · 13 days ago
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Sammy i dare you to kiss Jack or Henry 🔫
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although im not about to draw them kissing, you can have the next best thing i guess
c360 sammy would much rather just stare at henry from afar... or more likely a foot away
plus some bonus sammy x jack because i fw it. they've been a duo for so long, and knowing each other for a while before joining the studio i think brought them closer. jack's the only person who really gets sammy, and sammy only really opens up to jack. i think despite the fact that they get into meaningless arguments (like in TIOL, whatever their bickering was about) they still care for each other at the end of the day.
more important question, has cycle 360 drawn in senry shippers? cause, like, it wasn't really intentional, but if you get that from my au then by all means ship them.
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littleolfandomblog · 1 year ago
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a head cannon that i genuinely don't see enough of is coach wymack being polynesian. like it was the first thing i thought of when i heard about his tribal tattoos. idk it just always made sense to me that wymack and kevin were either maori or samoan
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thetomorrowshow · 5 months ago
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intruder
backstory of why jimmy and scott moved out of the super neighborhood in my empires superpowers au!
cw: murder (in SELF-DEFENSE) of an unnamed character, blood/violence, like a decent bit of it, injury, dissociation
~
Scott’s been missing for two days.
Scott’s been missing for two days, and Jimmy isn’t going to wait around doing nothing.
The news had come in the form of a knock on the front door, around 3pm on the first day. Jimmy doesn’t officially live at Scott’s house, but he spends a fair amount of time there, and now he pushes back from the kitchen table and heads to the front door, snapping on the mask that hangs on a hook by the entrance.
“Oh, hi, TJ!” Blossom says when he opens the door to find her on the step, flowers actively winding around in her hair. “Is Major around?”
Jimmy frowns, checks his watch. “Um, he left for work this morning, around eight? He shouldn’t be back until four, at the earliest.”
Why would Blossom be asking him this? Don’t they all have some sort of hero group chat?
“Are you sure?” Blossom’s smile drops. “Did he say he was headed somewhere else?”
“Just to work,” says Jimmy. “Why? What’s up?”
 Blossom bites her lip, the flowers in her hair wilting. “He never showed,” she says. “He isn’t responding to messages.”
That’s enough for Jimmy to shut the door and run back to the table, grabbing his cell phone. Then he returns, pulling it open again. Blossom is still there, looking a little surprised.
Jimmy pulls up his contacts, clicks on the one labeled ‘scott :) - super’ and hits call.
“You’ve reached Major, I’m probably winning a battle right now. Send me a text and I’ll get back to you when I have a moment.”
Straight to voicemail.
That can’t be good.
“Try the Mad King,” Jimmy tells her. “I’m still working until four, but keep me updated. Do you have my number?”
But Blossom never texts him any news.
And Joel tells him, that night, that Scott’s officially missing, and they’re moving Jimmy to a safehouse.
So it isn’t even 8pm when Jimmy finds himself in a small apartment downtown, the dim light of the setting sun half-illuminating the single room.
And Jimmy stays there all night, staring at his phone, as his worry crescendos over and over again, blowing out lightbulbs and spoiling food can by can.
They still haven’t found him in the morning.
Jimmy can do nothing but sit, alone, in this cheap, unused apartment of Joel’s, waiting for some message that his boyfriend has been found.
But there’s nothing, and Jimmy isn’t going to wait around doing nothing when Scott could be getting tortured right now.
Because that’s it, really. When Jimmy went missing, it was because some horrid, insane villain kidnapped him and ran experiments on him and treated him like an animal—
One of the blades on the floor fan comes off, crashing to the bottom of the fan cage.
Jimmy takes a deep breath.
He can’t continue to sit here on the ragged carpet (because there’s no furniture other than a single folding chair and a mattress) while Scott could be going through the exact same things that he had been subjected to.
Or worse, he thinks, pushing back a sickening memory.
So Jimmy packs up his little backpack that he hasn’t actually unpacked yet except to get his toothbrush, grabs the mask he’d left on the kitchen counter (which he balls up and shoves in the pocket of his jeans), and leaves, ready to find Scott.
Where does Scott usually go first?
He covers all of the city, but rarely ventures away from the most densely populated areas. Downtown is one of his favorites to frequent, as well as the pier.
Good thing Jimmy knows downtown like the back of his hand.
He catches the bus like it’s second nature, the schedule practically tattooed on the inside of his eyelids (despite the fact that he rarely rode the bus for fear of causing an accident. He learned it in case anyone ever asked him the bus schedule). He hasn’t spent much time out and about on his own, but he can get around and he’s lived with Lizzie long enough to know how to go somewhere by himself. That doesn’t mean he isn’t careful: he sits at the back of the bus with his back pressed against the window and watches everyone, careful to sort them into threat categories and keep tabs on everyone.
It’s exhausting. It always is.
It isn’t long at all before he leaves the bus at one of Scott’s favorite places—right across the way from the elementary school. Scott heads here first thing most mornings, keeping an eye on the children as they arrive at school.
The mask is scrunched uncomfortably in Jimmy’s pocket. He wishes he could put it on. He hates going out in public—not without at least a baseball cap.
It feels like everyone at this park is watching him.
Any of them could be in league with whoever took Scott. Any of them could have been one of the thugs that worked for Xornoth. Any of them could be someone he hurt in the past.
Every time someone walks past him, Jimmy automatically tenses. That woman could attack him. That man could crush his skull. That child could be a distraction. That man could grab him and pull him into an alley.
Jimmy shoves his hands in his hoodie’s pocket so that he doesn’t have to look at how they tremble. This is why he doesn’t go places alone. This is why he works from home right now.
This is why people need to not get kidnapped. Specifically the people that can help him not panic about being kidnapped.
Right, now, does he usually patrol around the school? Or just wait out front and watch the kids go in?
If he was Scott, what would he do?
Scott would probably patrol. He likes to be moving, likes to show off his skills.
So Jimmy hikes out of the park and crosses the road to the school, following the sidewalk all around the building.
On one side is an alley between some run-down apartments, and Jimmy passes through, keeping a close eye on anything out of place. Any knocked-over trash cans, any smears of dirt or dried blood on buildings, anything that could be the signs of a struggle.
He feels more and more anxious the further down he goes, swallowing back the thrumming of his power within him, the scar at the base of his skull burning.
He can’t cause an accident here. He's next to an elementary school, he can’t risk it.
Can he?
What accidents can he cause here?
Jimmy’s never really reached out with his powers before on purpose—not in a long time, not in a searching way.
But his powers can cause terrible things to happen, things as far away as inside the school, and if his power can know that there’s things that far away to ruin, then can’t he know, too?
So he reaches out into the surrounding buildings.
There are a lot of people here.
That’s the first thing he feels.
There’s hundreds of children in the school, and one of these buildings is an apartment complex, and Jimmy can’t see them or even really sense them? He just . . . knows that they’re there, in some kind of . . . sixth sense?
There are so many other things that he knows are there, but can’t verbalize. He simply knows, to an overwhelming degree, the contents of everything around and maybe there’s a reason he’s never done this before because he thinks he’s going to be sick—
“TJ!”
Jimmy flinches, hears something crash in the distance. He wheels around—this could be it this is the moment he’s kidnapped—, only to find fWhip standing at the mouth of the alley.
“Why are you out and about?” fWhip asks, moseying over, hands in his pockets. “Don’t you usually stay home from the cool parties?”
Right. He knows fWhip. Kind of. fWhip is nice, right? He helped save him.
Jimmy isn’t wearing his mask. Which is fine. It’s fine to not be wearing it, because fWhip recognized him anyways and his secret identity isn’t contingent on a mask anymore.
“Um, I’m looking for Major,” he says, head still spinning a bit. “He usually goes here every morning, and nobody saw him for his whole shift, so if he got kidnapped it was probably near—”
“Wait, Major’s missing?”
Jimmy frowns. “Yeah, did you not hear? He disappeared yesterday.”
fWhip checks over his shoulder, adjusts his goggles. “Okay. Not good. And if Major’s missing, why aren’t you in a safehouse?”
“Well, I was,” Jinmy says, looking down at his feet. How has he been caught already? He just barely left!
“But you couldn’t stick around when Major could be . . . being tortured?” guesses fWhip.
Jimmy shifts uncomfortably. “Yeah,” he says dejectedly. “But I can go back. The Mad King would—”
“Nah, don’t do that. I’m not going to make you do anything you don’t want to. Do you need help looking?”
And before Jimmy can so much as process what he’s said, fWhip is reaching up to the window in the building beside them, testing the latch and finding it open.
“Let’s check out this place,” he suggests, shoving the window open and grabbing the sill, pushing himself up and into the window in an impressive show of upper-body strength.
Jimmy blinks.
He didn’t expect to be joined in his search.
Let alone by fWhip.
“Okay, nobody’s here,” fWhip calls out the window. “You coming?”
“Is there a door?” Jimmy asks halfheartedly.
fWhip shrugs.
Jimmy sighs, grips the windowsill (a bit lower for him than it had been for fWhip), and heaves himself up, legs kicking for purchase on the wall and arms trembling under his weight.
He falls back once, arm scraping a bit against the sill, then manages to pull himself up the second time, his ribcage pressed in painfully against the windowsill, where he hangs for a moment before tipping over and landing in a heap on the other side.
“Try to roll when you come in,” fWhip advises as Jimmy picks himself up. “It’s easier. And way more cool.”
“I’ll remember that,” Jimmy grumbles, brushing the copious streaks of dust off his hoodie.
“So we’re looking at an abandoned first floor of some office building, I think,” fWhip says, flipping a switch on his goggles. “See anything?”
Jimmy looks around. It’s a fairly large space, the concrete ground scarred by the torn-up carpet (some of which still lies in an awkward heap against a wall), a single dead office chair sitting in the middle of the room. Otherwise, there’s some brightly-colored papers in a corner, and—
The front door slams open.
“TJ,” comes a suspicious and familiar voice.
The Mad King is standing in the doorway.
“Rats,” fWhip says, frowning. “Did you follow me?”
“You and Mythics are always up to no good,” Joel tells him dismissively, before turning back to Jimmy, arms crossed. “Why are you here?”
“Um . . . looking for Major?” Jimmy tries.
Joel raises an eyebrow. “With fWhip? Come on, TJ, if you were going to break house arrest it should’ve been with someone respectable.”
“Hey!”
“Come on, back to the safehouse.”
“But—”
“TJ,” Joel says firmly. “We aren’t arguing about this. I’ll keep looking for Major, yeah? You need—”
“But I, I can help!” Jimmy insists. This isn’t fair, he shouldn’t be locked up when his boyfriend could be going through the worst experiences of his life—
“Jimmy,” Joel grits out. fWhip makes a ‘yikes’ face, turns to start going through the neon papers in the corner.
“Since Major has been kidnapped, they will want to get the people he cares about the most—you,” Joel stresses. “They will want to hurt you to get him to give up whatever information they’re looking for. That’s why—”
“I know, I know, but I can defend myself,” argues Jimmy. “It’s—it’s Sc—I mean, it’s Major. I have to help. And I know—”
“You’re helping by staying safe,” says Joel. “I’m not arguing about this, okay?”
“Who would have a bake sale and then put the signs in an abandoned building?” fWhip murmurs, examining one of the said signs.
Which is stupid.
This is stupid.
How does Joel expect him to just sit there?
How can he tell Jimmy to go hide and let Scott get hurt?
But there’s no point in fighting this.
“Maybe there’s some way you can help from the apartment, okay?” Joel says placatingly, and Jimmy rolls his eyes.
“Sure. Fine, take me back, officer.”
“Don’t get an attitude with me, young man,” Joel warns, sputtering jokingly, but Jimmy’s stomach squirms just the slightest bit.
He’s not a child.
“fWhip, I’ll be back here in half an hour, okay?” Joel says. “Let me know if you find anything.”
Then he strides out the door, Jimmy reluctantly following along behind.
-
Joel finds Scott the next day.
It’s a small place, a closed mechanic shop, near the East side of the city, where this particular gang of villains decided to keep him.
Joel finds him by checking the security footage of the elementary school. He sees, in the corner of one of the cameras, a couple of neon signs hanging on the side of the building fWhip and Jimmy had broken into.
Backing it up a little bit, Joel finds the car that carried the people who hung up the signs (something they did several hours before dawn).
And when he tracks down that car, he finds Scott.
Jimmy receives the text that Scott’s been found and instantly calls Lizzie, begging her for a ride home. Lizzie agrees, and when Joel and Scott come through the front door, Jimmy is there waiting, a frozen pizza in the oven.
Jimmy drops everything, his stress releasing in a little burst of power that crashes his phone and knocks all the cushions off the sofa, hurrying toward Scott.
Scott looks absolutely exhausted. His suit is torn here and there, his hair tangled and greasy, his eyelids drooping. But he gives Jimmy a small smile and acquiesces to a gentle hug.
“Glad you’re safe,” Scott murmurs. “I was worried.”
Jimmy chuckles, pitched a little high with nerves. “You were worried? Imagine my state!”
Scott pulls away, plants a small kiss on Jimmy’s lips before tugging off his mask, mouth twisting in a grimace.
There’s a large bruise on his cheek, and a small line of them down his jaw, but he otherwise doesn’t seem to be in very bad condition. Still, Jimmy frets, hands twisting anxiously.
“Where are you hurt? Do you need to get checked out? You really should go to the hospital, just in—”
“I’m fine,” Scott cuts him off. “Just some bruises. It’s all right.”
Even so, Scott stands there patiently, as Jimmy takes in every part of him.
He seems to be telling the truth. Nothing looks broken or like it’s bleeding too badly. He’s holding himself a little gingerly, though, that could be a broken rib—
Jimmy prods at his chest and Scott steps back, hands over himself.
“It’s not broken,” Scott says, teeth gritted. “Joel already tried it. Just a deep bruise.”
“Probably the worst kidnappers I’ve ever seen,” Joel calls from the kitchen, where he’d gone after pushing past the two of them in the hall. “Didn’t even know how to torture him properly.”
Torture? “Scott, I’m so sorry—do you need anything? Should I schedule you a therapy appointment?”
Scott bursts out laughing. “Thank you, baby,” he says. “I’m fine. I promise. Just tired.”
“And an idiot,” adds Joel. “How’d you manage to get kidnapped by such an incompetent lot?”
“Their signs said homemade croissants,” Scott moans, walking into the kitchen as if nothing ever happened (though his arm is still wrapped around his ribs). “You know I love supporting small local businesses.”
“’Twas your downfall,” Joel intones, snickering. “Sorry, mate.”
Jimmy follows awkwardly, not entirely sure how to behave.
Scott’s . . . fine?
He hadn’t even considered that as an outcome. He hadn’t dared to think that Scott might return without severe injuries, without being traumatized by the torture and greatly needing help returning to the real world.
Like Jimmy had been.
He doesn’t know what he can even do.
How can he help Scott when Scott doesn’t need help?
So Jimmy just kind of hovers, near Scott, as he sits there and eats pizza and jokes a little with Joel.
Then Scott leaves to go shower, and Joel shoots Jimmy a sympathetic smile.
“He’s fine,” Joel assures him. “He may be a bit clumsy for a while—his hands were zip-tied pretty tightly together—but he’s really fine.”
It’s hard to believe him.
But Jimmy just nods and resolves to not treat Scott strangely. He’s fine, after all.
If he’s fine, then so is Jimmy.
-
That night, there’s something wrong.
Jimmy wakes up quite suddenly, the odd sixth sense that he’d probed at the other day ringing with the notice that something is off.
He doesn’t know what. He doesn’t know what’s changed in their surroundings, but he knows that it’s not quite right and he needs to be aware of it.
Jimmy blinks open his eyes, glances over to Scott to reassure himself that his partner is safely there.
And leaning over Scott, a knife gleaming in their hand and poised above Scott’s chest, is a person dressed in black.
Jimmy reacts immediately.
He dives over Scott, knocking the man’s arm just as he sinks the knife down—Scott wakes with a cry of pain, the knife carving a jagged line in his chest and up his shoulder as the man is knocked off course.
Jimmy rolls off of Scott, faces the intruder for a brief second.
The intruder spits out a curse, then barrels into Jimmy, brandishing his knife.
Jimmy moves on instinct. He grapples with the man, twists his wrist with the knife—the man slashes at him, but Jimmy twists further until his grip loosens on the hilt, and then he takes the knife.
He spent hours and days and weeks training with Xornoth in knife work and he knows exactly how to attack to injure, which spots are the most painful without being fatal. He stabs the knife into the attacker’s upper arm, then into his side when he howls and twists away, and Jimmy can’t help but show off a bit as he flips the knife to his other hand and drives it into the man’s knee.
The intruder falls to his knees, and Jimmy’s head is pounding with the adrenaline, and he can’t move his focus from taking this man out entirely because he tried to kill Scott—
Jimmy spins around to be behind the man, hands on his throat—the man grabs at his wrists, nails scrabbling against his skin—and sends a burst of power out.
Under his sweaty palms, knife still tucked between the fingers of his right hand, Jimmy feels the man’s neck break. Not just the bone: his vocal cords snap—his muscles fall loose—his throat collapses, and so does the man, falling heavily to the carpet.
Jimmy stands there, panting.
Scott wheezes in pain.
Jimmy fumbles on the bedside table, grabs Scott’s hero phone with fingers slick with blood. He presses the emergency button on the side, holds it down for a solid five seconds.
Then he drops it back on the table, opens one of the drawers to pull out Scott’s mask.
“Jimmy,” Scott gasps, sitting up, clutching his arm over the slash in his shirt. “Are—are you okay?”
Jimmy nods, then he clicks on the bedside lamp, bathing the room in low, yellow light, and surveys Scott.
There’s a sheen of sweat over Scott’s bruised face, his eyes pained and confused (and concerned, and very very worried), but Jimmy barely registers that as his eyes find the wound.
His nightshirt is soaked in blood, spreading out from the slash, and it only takes one glance at the wound for Jimmy to know that it needs a professional to take a look at it. He doesn’t know near enough about injuries to know anything other than that it looks bad.
He leans over Scott (Scott flinches back) and pulls the mask over his face, carefully holding the knife pointed away from him. His hair catches a bit in the eyeholes and Jimmy doesn’t do anything about it.
"Major?" calls a voice from below, and Jimmy spins around, knife held out, as he hears the stairs creak with running footsteps. Was there back-up? No matter. There won’t be, soon.
A pajama-clad Blossom pushes open the door from where it's half-open (Scott always closes the door when they go to bed), her hands flying to her mouth when she takes in the scene. "Oh my gosh—Major, TJ, what happened? Should I call an ambulance? I'll call one—"
"Hello? Is everything okay?"
More footsteps, then Gem appears, mask pulled over tangled hair.
"Hi, we need an ambulance—the address—"
"What happened?" Gem says, echoing Blossom's words as Blossom turns away, one hand covering the ear not pressed to her phone.
Scott pushes himself up further, grimacing. "Intruder," he manages, nodding toward the body on the floor. Gem glances at it, before her eyes fix on Jimmy.
"TJ, sit down—where are you hurt? Where do you guys keep your first aid kit?"
"It's not my blood," Jimmy says, his voice too loud in his ears. He gestures with the knife toward the motionless body, the neck appearing kind of . . . squashed. "I'm fine. Check Major."
"Shoot, the attacker," Gem mutters. "Blossom, tell them that there's two or three people that need—"
"He's dead," Jimmy interrupts. "Don't worry about him. Check Major."
Gem blinks.
Meets Jimmy's eyes.
"Okay," she says after a moment. "I'll check Major. Did you kill him?"
Jimmy swallows.
"He was attacking us," he says stiffly. "He stabbed Major. I acted in self-defense."
Gem moves around and climbs onto Jimmy's empty side of the bed, still keeping an eye on him even as she checks out Scott, pulling away his shirt and asking quiet questions (to which Scott responds, his breath shallow and words faltering).
"The ambulance should be here soon," Blossom says, moving toward the foot of the bed. "TJ, you're covered in blood—set that knife down, let me help you."
"It's not my blood," Jimmy says again. "I'm fine."
"Okay, then—"
"You help Major," Gem says, slipping off the bed and coming back over. "I'll help TJ wash up. C'mon."
Numbly, Jimmy follows her out of the room, checking over his shoulder to make sure Scott is okay. Scott waves him on with the hand that isn’t held to his chest, and Jimmy continues down the hall, into the bathroom.
"We'll have to make this quick," Gem says. "Sit down. And give me that knife."
Jimmy doesn't want to give her the knife. He pulls it back to his chest when she reaches for it, thumbs the blade protectively.
"I need the knife to give it to Major, so that when the police get here we can have a convincing story without you in it. Make sense?"
After considering, Jimmy nods. It makes sense.
And that means he needs to not be here.
He hands over the knife. "I killed him," he says. "If they ask, Major stabbed him three times. Then he fell and broke his neck."
Gem shakes her head. "Okay. Wow. Okay. You know we don't normally kill people, right? Never mind. I'll go give this to Major."
Jimmy glances in the mirror as she steps past. There's blood spattered across his face, more in splashes on his nightshirt and shorts and arms. His eyes, cold and wide, peer back at him out of his pale face.
He needs to get out of here.
Gem returns after two or three minutes, handing Jimmy a jacket (one of Scott’s, he distantly notices).
"Zip that up over the blood, rinse off your hands, and let's go," she says. "We'll head to my place. Blossom will ride with Major in the ambulance. It doesn't look too bad, so he should be okay."
Jimmy obeys, letting Gem turn on the water so he can stick his hands under the cold spray.
For a moment, he's back there—just trying to scrub the blood off his hands from his first intentional murder in the sink with the broken handle.
Then he blinks, looking down at the sink, at the red running off his hands.
"Good enough. Let's go."
-
Joel joins them in Gem's dark kitchen after about two hours, stripping off a pair of gloves. He's fully dressed in his supersuit, his hair unbrushed and his posture stooped, looking more exhausted than ever.
"Gem, you have anything caffeinated?" Joel asks, opening a cupboard.
"Yeah, there's a pot of coffee already made. Mugs are in the left cupboard."
Jimmy watches as Joel finds a mug, fills it up with coffee, and then takes a swig of it black.
"Thanks," he says, face scrunching up at the taste. Joel doesn't like black coffee. Jimmy knows that. He always adds cream and sugar.
"Major's okay," Joel informs them, pulling out a chair at the kitchen table to sit across from them.
Jimmy's been here more or less in silence for the past hour and a half, staring at the wooden table. When they'd first come in, Gem had sent him to wash his hands and arms and face better than he had before, but there's nothing they can do about his sleepclothes, so he's just been sitting here in a blood-spattered t-shirt for a while. Gem had joined him after pulling a hoodie over her pajamas and starting the coffee maker, and has since sat beside him, working on a crossword puzzle.
"Major's okay, he and Blossom are at the hospital now. The intruder was pronounced dead on site. Major identified him as one of the men who kidnapped him."
Jimmy doesn't feel anything.
No sense of satisfaction at knowing that the man truly deserved it, no fear at how close they had been to getting killed, no guilt for his actions.
Nothing.
"TJ," Joel says hesitantly, "how are you doing?"
Jimmy shrugs.
He's still covered in the blood of the man he murdered.
"They say killing is like riding a bike," Jimmy says after a long pause. "You never quite forget how to do it."
Gem sighs. Joel winces.
"Right. Well, we don't really kill people, as a general rule. It's kind of, like, against the law."
The law.
As if the law applies to heroes and villains.
Jimmy's not really sure which one he is right now.
Neither, probably. Which means the law should apply to him, even if it hasn’t stuck in the past.
"I've never really been one to follow the law," Jimmy says.
"Sure, but as a person—"
He isn't a person. If anything was to prove that fact, it would be tonight. He hadn’t thought, he’d just acted, and even now the first feeling that he can even register is the feeling of not feeling. He isn’t a person.
He's a weapon.
He's a pet.
That's the word that triggers his therapy brain.
"I'm in a bad headspace," Jimmy interrupts Joel, using words that he'd rehearsed with Nora. "I don't feel like a person right now. I might be dissociating."
"We have to talk about this," Joel insists. "We can't run away from hard conversations—"
"I promised I would never kill again," Jimmy whispers, and, ah. There’s the panic. Detached and not quite real, but panic nonetheless. "I can't escape it. I'm not—I can't. I'm a weapon, I was made to be a weapon, I—"
"Stop that right now," says Joel firmly. "You are a person, and you just saved someone from being killed. It was self-defense, not mindless."
Jimmy almost laughs, because to some extent, it was mindless. He acted entirely on instinct, following the training Xornoth had given him, whether or not it was self-defense.
He doesn't like hurting people.
He never wanted to go back to being a villain.
It's not even that he's upset about killing that specific man. Screw that man, he tried to kill his boyfriend.
He's really just afraid that now that he's killed one person, he'll keep doing it. It isn’t like anyone can stop him. Nobody can stop him, not even himself, and he wouldn’t even care if his current state has anything to say about it.
"TJ," Gem says carefully, "why did you kill that man?"
Jimmy frowns. Why? "To protect Major."
"Do you have any desire to kill people outside of defense?"
Does he?
He's never had the desire to kill.
Not even when he was getting rewarded for it. Killing was something he did to survive, to escape severe punishment, or accidentally.
And here, he killed to protect. To save his boyfriend. He didn't get any satisfaction out of it. He certainly didn't enjoy it. He doesn't want to do it again.
That cuts through the foggy panic in his mind, the fear that he might keep going, that he wouldn’t be able to stop himself.
"No," he says, then stronger, "no. I never want to kill. I hate it. I only do it when I have to."
Joel lets out a breath of relief. "Thank goodness. Okay, next issue. You and Major clearly aren't safe here. Do you want to try to stick it out, or should we start moving you two as soon as possible?"
Jimmy hadn't even thought about it.
Of course they aren't safe here—he hadn't been safe alone, when Scott was kidnapped and he had to be moved to the safehouse. Why did he think that things would magically change just because Scott was here? Every villain in the city knows where they live. The rest of the gang that kidnapped Scott could show up on their doorstep at any time, even more angry than before.
Anyone could show up at any time.
Jimmy doesn't feel as secure as he used to feel, surrounded by superheroes as they are.
"We'll move," Jimmy decides. "As soon as Major is back, we're moving. It just isn't safe here."
They’ll move.
Then he’ll deal with this numbness.
-
"Hey!" Jimmy calls, running into the kitchen. "No! You aren't allowed to lift anything more than ten pounds, put that down!"
Scott sighs with an over-dramatic roll of his eyes, sets the box back on the counter. "It's not that heavy. And it doesn't even hurt right now."
"Just because it doesn't hurt doesn't mean it isn't injured, Mister," Jimmy tells him. "You don't want to pull out your stitches."
"You haven't let me help at all. Pearl already handled the actual heavy stuff, let me do something."
Jimmy shakes his head and picks up the box. "That's your own fault for getting stabbed right before we moved."
"We're moving because I got stabbed," Scott points out. "It's not like any of this was planned."
"You should have thought about that before you got stabbed, then."
Scott groans, then reluctantly laughs. "I guess I should have. Can I at least drive?"
Jimmy lets out a very put-upon sigh. "I suppose, since I don't have a driver's license, you can be allowed to drive. But only if you behave yourself."
Scott giggles again. "You're adorable," he says fondly. "You know I'm the Primary Protector of the city, right? I don't think you'd be able to stop me."
"And I killed a man last week," counters Jimmy. "I don't think you want to be on my bad side."
"Oh," Scott says after a moment. "Are we joking about this now?"
Jimmy shrugs. "We're in the laugh-or-cry stage. I'm trying to laugh about it right now."
Scott looks at him. Really, truly, looks at him.
Then he laughs. Just a little bit, but still a laugh.
"I love you," he says. "I'll help you hide the body next time."
Jimmy laughs a little, too, but Scott pauses.
"There . . . isn't going to be a next time, right?" he asks uncertainly.
"Oh, absolutely not. Not unless it's entirely necessary."
Scott nods several times. "Good," he says. “Yep. Cool.”
Jimmy turns back toward the door, box in his arms, and waits until he’s out of the house to huff, shaking his head (though a smile plays on his lips).
They’re okay.
He pushes away the numb feeling that threatens to seep into his brain and thinks and remembers and knows that they’re okay.
That’s good enough for him.
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catbox730 · 5 months ago
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l have Lmk brain rot help (this is a WIP by the way)
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read-write-thrive · 1 month ago
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there are all of 6 fics on ao3 that come up when you search the word “disabled” in the dead boy detectives fandom. I’m dealing with a fibromyalgia flare up rn so I’ve decided to come up with some (potential!) disability/condition/syndrome/etc. headcanons. enjoy!
(oh and just to note: I stayed away from conditions with obvious facial / appearance difference as no actors with facial / appearance difference were cast in the show and I was unsure if it would be appropriate. while I have experience with a lot of the following diagnoses, I do not claim to be an expert on any of them and do not intend for this to be used as a diagnostic tool. if you feel any of these are offensive/inappropriate, please message me and I’m happy to talk about it :) this is more just to encourage broader disability representation within the fandom!)
Edwin: autistic, PTSD (from hell), chronic pain/fibromyalgia (from his death/hell), minor visual impairment (not enough to need the hard-to-come-by testing needed for glasses when he was alive and so assumed the various limits/effects were normal. was told otherwise by Niko), would’ve had shingles if lived long enough
Charles: ADHD, PTSD (from his father/growing up in an abusive household), dyslexia, Reynaud’s syndrome (either already born with it or as a result of his death—both angsty), was in the beginning stages of an ED prior to his death, post-concussion syndrome, near-sightedness (never given glasses bc he wasn’t about to tell his dad the board looked a little blurry sometimes)
Crystal: cPTSD (reminder that neglect is also abuse :), bipolar 1, IBS, endometriosis
Niko: autism, depression, POTS, hEDS, anxiety, sprite-induced agoraphobia, epilepsy, lactose intolerance
Monty: Depersonalization-derealization disorder, selective amnesia (this is not the first times Esther has messed with his form/killed and revived him, but the experience is traumatic and so his brain decides not to remember it), recurrent arrhythmia, synesthesia
Jenny: OCD, BPD, ED recovered, Celiac’s disease, diabetes type 1, anemia
TCK: autism, NPD, lactose intolerance, colourblind
Esther: chronic pain (I’m choosing to believe that the cane isn’t just for show!!), NPD, endometriosis
Tragic Mick: cPTSD, depression, HoH, arthritis, diabetes
(The Night Nurse , the Dandelion Sprites, and various other characters felt either too supernatural and/or not developed enough to assign anything to lmao)
#maybe I’ll give edwin fibromyalgia to project on him again#also just to be clear none of this is meant to demonise or speak poorly on any of these conditions !!!#ppl are just varied and have varied bodies and I think it’s fun to explore that with fictional characters :)#lmk which you agree/don’t agree with !!!#also while I don’t see most of the characters as deaf/HoH I do think Charles and Niko have the potential to be CODA(s?)#like I think Charles’s mom and Niko’s dad could’ve been deaf/HoH#granted idk if Charles would know any BSL bc of his father#but I think Niko would know JSL!#she loses her dad and then has no one to use it with :((((#like her mom maybe stops signing or was never great at signing with her husband’s death#and Niko’s father’s friends don’t really hang around even before she’s sent to the states yk#let the record show I was very tempted to give Edwin all sorts of chronic shit that was popular at the turn of the century#but like polio felt a bit too far#TCK is based on how cats are ofc#I think Crystal having manic episodes and having to come to terms with the fact that it doesn’t make her a bad person would be interesting#also Monty is roughly based on how crows be but like how it would translate wrong if that makes sense#like crows can see more colors than humans so I think that screws with his senses in human form => synesthesia#you could give most of them here ptsd just from the events of the show but that felt too repetitive so I kept it to pre show traumas#lmk what yall think#dead boy detectives#dbda#edwin payne#charles rowland#crystal palace#niko sasaki#monty the crow#jenny the butcher#esther finch#the cat king#tragic mick
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raylasrightbraid · 7 months ago
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The dragon prince x How to train your dragon would go crazy chat
“How to train your dragon prince”
🔥🔥🔥
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rika1991tr · 6 months ago
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Lmk spoiler but a shadowpeach angst spoiler!
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My pure baby crying after seing the trauma 😪
And yeah I am going to post or rb that kind of thinks until we get the special episode!
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foresthouseowo · 3 days ago
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Heart.
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wilko222 · 5 months ago
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FANDOM OF LMK WE WIN MK HAS CANONICLY MANY DADS
-do snakes represent my childohood?...(exitment) no! they represent my many, many dads!
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astroreoreoreoreoreoreoreo · 8 months ago
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ok so you guys know how fugo is like. from a rich family. like no matter who you ask his backstory is that he was a rich kid and then he got kicked out of his family for getting too silly.
but like if his family is really influential why doesn't anyone seem to be taken aback by his last name?why does no one care? he literally goes by it all the time. you would think people would be a little surprised that the son of a rich family is part of a gang
therefore i think either one of two things is true:
1. literally everyone and their mother heard about him being disowned by his family (oof) (also feels unlikely) (i can't imagine parents that seemed to care so much about their image would allow such bad publicity to be spread)
2. "fugo" isn't his family name- he made it up as a way to distance himself from his previous life (interesting for many reasons) (but mainly because one wonders what his actual surname was)
anyway if i'm wrong fugo fans please come tell me id be thrilled to meet someone more insane about him than I am
here's a meme for reading this far (thank u)
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freddie-77-ao3 · 7 months ago
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rookinthecrownest · 24 days ago
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Out of Curiosity
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myownsharky · 11 months ago
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daryl dixon kink hcs
contains: sub daryl dixon, early seasons (s1, s2, s3,) daryl, small SLIGHT LIGHHT dacryphilia, implied mommy/daddy issues,
daddy kink (or mommy kink. but im a boy so-)
wouldnt be apparent at first, i think it would come out in the heat of the moment
maybe youre holding him down and riding him hard, putting a harsh slap across his face.
a little "'m sorry daddy-" would slip out between his lips between choked sobs.
he doesn't realize it until you ask him to repeat himself
whenever you tease him about it outside of sex, he would get grumpy and defensive.
a few hours later that night youve got him on his knees, apologizing profusely to his daddy.
feminization (might be controversial, idk)
darylina was a teasing name he got from his brother, merle, he despised being called it.
but hearing it come from your mouth, jokingly at first, it did things to him.
it was a name meant to degrade him, but it had a whole new meaning when you said it.
he'd probably play it over and over in his head, you calling him darylina, picturing himself face down ass up on your bed.
"aww... look at my little darylina all dolled up for me..."
when he was getting really into it, he might imagine himself in some pink lacy panties, or a little slip dress.
power play (ouch)
this really gets him riled up
when you've gotten into an argument with him, out of jealousy or something, and you just grab him by the collar of his shirt and slam him into the wall.
he tries to throw his hands up in defense, but he goes weak. hes like mush in your grip.
it's even better if physically he's stronger than you, but he likes to drop his tough-guy facade and let himself be manhandled by someone like you.
def likes getting stepped on, at first he'd be like "th' fuck are you doin'?" but when you move your foot lower nd put pressure on his crotch, he becomes a mess.
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