#and then there will only be three more characters left!

[lostfracturess]

REMEMBER ME IN SUMMER — SATORU GOJO

pairing — one night stand!satoru gojo x fem!reader

summary — six months ago, you left satoru gojo's apartment before sunrise, thinking you'd never see him again. now, trapped in a beach house for a weekend with mutual friends, you're forced to face the man who doesn't seem to remember that night—or does he? between shared walls, heated touches, and games of pretend, you're starting to think maybe one night wasn't enough after all. but in a house full of friends, some things are better left in the past… right?

word count — 9.5 k

genre/tags — beach house AU, summer romance, one night stand to lovers, mutual pining, fluff, tension, awkward reunions, friends gathering, miscommunication, beach vibes, satoru is a little menace in this one

warnings — 18+ ONLY. contains explicit sexual content, alcohol consumption, all characters aged up (mid 20s), language

author's note — hi everyone ! this fic came out of nowhere, and i literally wrote it in three days, but i really love the idea and the summer vibes in this one, even tho i wrote it while it was literally snowing outside, but somewhere on earth it's summer rn, so why not post it lol. hope you enjoy this mess of a summer romance story as much as i enjoyed writing it ! <3 (credit/art)

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The last person you expected to see in Okinawa was Satoru Gojo.

Yet there he was, lounging on the deck of the beach house like he belonged there, white hair catching the sunlight as he laughed at something someone had said. Your heart tumbled over itself as memories of that night six months ago flooded back unbidden.

"You okay?" Maki nudged you with her elbow. "You look like you've seen a ghost."

More like the ghost of past bad decisions. "I'm fine," you managed, gripping your weekend bag tighter. "Wasn't expecting so many people."

The beach house was supposed to be a simple weekend getaway with close friends. But somewhere between planning and execution, it had turned into a "friends of friends" situation to fill the eight-bedroom house Okkotsu's family had offered.

"Yeah, Yuta's cousin's boyfriend invited some people to fill the space," Maki explained, completely unaware of your internal crisis. "That's Satoru over there, by the way. He's actually pretty fun once you get past the whole—" She gestured vaguely at all of him.

You wanted to laugh. Or cry. Maybe both. Because you were already very familiar with how "fun" Satoru Gojo could be.

Six months ago, you'd met him at a bar in Tokyo. He'd been charming and gorgeous, all easy smiles and playful banter. One drink had turned into several, flirting had turned into kissing, and kissing had turned into...

Well.

You'd slipped out of his apartment before dawn, leaving nothing but a lipstick stain on his collar and a dip in his pillow. It had seemed like the right thing to do at the time. You weren't looking for anything serious, and someone like him definitely wasn't the settling down type.

Now, watching him chat lively with your friends like the universe's cruelest joke, you wondered if you should have at least left your number.

"Girl," Maki waved her hand in front of your face. "You sure you're okay?"

Before you could answer, Satoru looked up. His eyes met yours across the deck, and for a moment, your heart stopped. 

But there was no recognition in those sea blue eyes. No hint that he remembered the way you'd gasped his name in the dark, the way his hands had traced every inch of your skin, the way he'd whispered "stay" against your shoulder just before you'd fallen asleep.

He just smiled politely, the same smile he’s probably giving everyone else too, and went back to his conversation.

Right. Of course he didn't remember. You were probably just one in a long line of one-night stands for someone like him. The thought shouldn't hurt as much as it did.

"Come on," Maki said, tugging you towards the house. "Let's get settled in before the others arrive.”

Up close, the beach house was even more impressive. A sprawling three-story mansion of white stone and floor-to-ceiling windows that caught the afternoon light like rippling water, a wraparound veranda with a cozy sitting area led to a private path down to the beach, lined with swaying palms and colourful flowers.

Inside, the house opened into a huge room with soaring ceilings and an open floor plan that made the space feel endless. Ocean views followed you everywhere through the massive windows, and the whole place smelled of salt and lemon.

"The bedrooms are upstairs," Maki said as she led you up a floating staircase. "Most of them are on the second floor, but there are two master bedrooms on the third."

The universe, it seemed, had a twisted sense of humor. Not only did you have to spend the weekend pretending you didn’t know how Satoru's brows draw together when he'd cum, but your room ended up right next to his—the two largest bedrooms on the top floor, sharing a wall and a connecting balcony. Of course.

Your room was bigger than your entire apartment in Tokyo, with a king-size bed draped in soft white linens. One wall was entirely glass, offering an unobstructed view of the ocean, while the other walls were decorated with pictures and minimalist art.

"My god, the view’s amazing!" Maki gushed and threw open the balcony doors. The sound of waves immediately filled the room, along with fresh, salty ocean air. "You can see the whole beach from here." 

But you were too busy staring at the wall next to you, where a door that must lead to Satoru's room was hidden behind a cupboard. You could hear muffled movement from his room, the sound of his laugh drifting through the wall that suddenly felt far too thin and your mind helpfully supplied memories of other sounds he could make, and you wondered if it was too late to fake some sudden illness and go home.

"Yeah," you said, dropping onto the edge of the bed. "Amazing."

Maki flopped down beside you, bouncing slightly on the plush mattress. "I know I've been here like five times already with Yuta, but it never gets old." She rolled onto her stomach and rested her chin on her hands. "Usually it's just us and his family, maybe a few cousins. This is the first time we're doing a friend group thing."

You tried to focus on her words instead of the sound of suitcases being wheeled into the room next door. "How long have you and Yuta been coming here?"

"Since we started dating three years ago. His family does this whole summer tradition thing." She smiled. "First time I came, I was so nervous I barely left the room. Now it feels like a second home." She sat up, crossing her legs. “And since his parents said we could use it this weekend, we thought why not invite friends.”

Through the wall, you could hear male voices chatting and laughing, followed by the sound of a door sliding open. Probably the balcony doors. Your shared balcony. Where he could walk past your windows at any time.

“You’re okay with this, right? Yuta’s friends are actually really fun once you get to know them. Especially Satoru, even tho he can be a pain in the ass.” Your stupid heart tumbled over itself once more at his name. "And single, if you're interested. I could—"

"No!" The word came out louder than intended, and you heard the conversation next door pause briefly. Lowering your voice, you added, "I mean, no thanks. Not really looking for anything right now."

Maki gave you a strange look. "You sure you're okay? You've been weird since we got here."

"Just tired from the drive," you lied and stood up. "Maybe I'll take a quick shower before everyone else arrives."

"Okay..." She didn't sound convinced but got up anyway. "I should go find Yuta anyway, make sure he's not letting Satoru destroy any of Yuta's mum's favourite vases."

You waited until she left before falling with your face first onto the bed with a groan. Perfect. Not only did you have to spend the weekend next door to your one night stand who might or might not remember you, but now your best friend was trying to set you up with him.

Through the wall, you heard Satoru laugh at something, the sound familiar enough to make your chest ache. 

It was going to be a very long weekend.

𓆝 𓆟 𓆞 𓆝 𓆟 

You'd barely finished unpacking when Yuji burst into your room without knocking. "Hey! We're setting up a net for beach volleyball. You in?"

"Ah, I don't really—"

"Everyone's playing!" He was already on his way back to the door. "Even Megumi, and you know how he is about fun."

Before you could form a proper excuse, Maki appeared behind him. "Come on, it'll be fun, the sun is out and it’s better than hiding up here all afternoon."

And that's how you found yourself trudging down to the beach, trying to convince yourself this was fine. Totally fine. Just a fun game of volleyball with friends. Nothing to worry about.

But then the boys started stripping off their shirts. It was like watching some ridiculous scene out of Top Gun as they all shed their shirt in the afternoon heat. But it was Satoru who made your brain go silent completely. 

He pulled his shirt off, and suddenly you were having vivid flashbacks to exactly how that toned chest felt under your hands. The sun caught his hair like a halo, and when he stretched his arms over his head, the muscles in his back shifted in ways that should not make your knees so weak, but here you were, rooted to the spot, your pulse racing as if it had a mind of its own.

"You're staring," Maki whispered next to you.

"I'm not," you said, even though you definitely were. How could you not? It was like someone had taken every beach volleyball scene from every summer movie ever and combined them into one ridiculous moment.

Teams were forming, and with an uneven number, you volunteered to sit this round out. Not that you were particularly eager to participate in the first place. You were perfectly happy watching from the safety of your beach towel, where the risk of accidentally brushing against Satoru's unnecessarily perfect body was thankfully minimized.

The game started, and it quickly became clear that everyone was taking it way too seriously, as Satoru and Yuji seemed to be in some sort of competition to see who could spike the ball more impressively. 

"Show off," you muttered to yourself as Satoru delivered a rather dramatic jump serve, the ball landing dangerously close to your foot. But he must have heard you, because he caught your eye with a wink that made your stomach flutter. "Like what you see?"

"I've seen better," you said before you could stop yourself.

His eyebrows shot up and a slow smile spread across his face. "Have you now?"

Oh god. Were you flirting? This was definitely flirting. You needed to stop staring at the way sweat was making his skin glisten and focus on... literally anything else.

"Pay attention!" Nobara yelled, and Satoru barely managed to dodge the ball she'd spiked directly at his head.

The game continued, growing more competitive with each round. You had to admit, it was entertaining watching your friends become more and more dramatic with each point. One of Yuta’s cousins and Yuji had some sort of rivalry going on, while Maki and Nobara were trash-talking each other.

But it was Satoru who kept drawing your attention. The way he moved was almost unfair and you found yourself following the drops of sweat as they made their way down his neck, remembering how that skin had tasted under your tongue.

"Incoming!"

You looked up just in time to see the volleyball heading straight for your face. Before you could react, Satoru dove in front of you and caught the ball just inches from your nose. The movement sent him sprawling across your legs, his face entirely too close to yours.

You blinked at him for a few moments, then whispered, "Thank you.” But the words came out too soft, almost like they had that night in Tokyo when he'd helped you into a taxi and then convinced you not to take it and instead come home with him.

Time seemed to slow, the crashing waves and voices of the others fading into white noise as Satoru's eyes met yours. For a moment, something flickered in those blue depths—a flash of recognition, perhaps even remembrance. 

His breath caught, barely noticeable, and his hand on your leg tightened ever so slightly. You watched his eyes, saw the exact moment his gaze dropped to your lips, and suddenly you were back in that Tokyo bar, both of you caught in that same magnetic pull.

"You're welcome," he said, his voice so low that only you could hear it. There was something in his tone, a hint of question, like he was trying to place a hazy dream. His thumb brushed against your skin, possibly by accident, possibly not, sending shivers up your spine.

The moment stretched, taut as a bowstring, thick with shared memories—memories you weren't even sure he had. Then someone yelled "Dinner!" from the direction of the house, and the spell broke.

𓆝 𓆟 𓆞 𓆝 𓆟  

The sun was setting by the time everyone had showered and gathered around the huge dining table on the deck. Fairy lights twinkled overhead and the sound of the waves could be heard in the background as the chaos of fifteen people trying to organize a meal unfolded.

You'd taken extra care getting ready, telling yourself it was just because of the salt and sand, not because of the way Satoru had looked at you on the beach. You'd chosen a light summer dress that happened to be the exact shade of blue as his eyes—pure coincidence, of course—and had let your hair dry naturally in the sea breeze.

Yuta ended up ordering way too much from the local seafood restaurant, you concluded as you surveyed the spread of food on the table. 

You ended up squeezed between Maki and Megumi, which should have been a relief. Instead, you found yourself very aware of Satoru sitting directly across from you, his hair still slightly damp from his shower, wearing a loose white linen shirt that he should really button up and stop teasing the entire table with glimpses of his toned chest.

"Pass the crab?" he asked, and when you handed him the plate, your fingers brushed. The contact sent a shiver through you, and you could have sworn you saw his breath catch. But then he was turning to laugh at something Yuji said, and you were left wondering if you'd imagined the whole thing.

"—and then he just fell face first right into the sand!" Yuji was saying, gesturing wildly with his chopsticks. "You should have seen it!"

"We were all there, literally two hours ago," Megumi deadpanned.

"The game was rigged anyway," Nobara said, reaching for another plate of grilled shrimp. "You can't put Mr. Perfect over here on a team and expect it to be fair." She jerked her thumb in Satoru's direction.

"What can you do?" Satoru said, his eyebrows knitted together, but a grin played on his lips. "I just happen to be naturally gifted." And then his eyes caught yours once more across the table. 

Heat crept up the back of your neck as you remembered how he'd felt when he'd sprawled across your legs, his skin sun warm and slightly sandy. How his touch had lingered just a fraction too long to be casual. 

Something had changed in his expression, so subtle that anyone else might have missed it. But you'd spent hours that night memorizing his faces. His smirk when he had you right on the edge, his soft smile when you were trembling beneath him, the way his eyes darkened just before he—

Maki snorted. "Yeah, sure." And you looked over at her, breaking the eye contact before you could do something stupid like climb across the table and find out if he tasted as good as you remembered.

When the dinner was over, Nobara suggested to play drinking games, truth or dare to be specific, to which "What are we, fifteen?" Megumi commented but Maki already chimed in with "Never ever I ever" and so it was decided.

Your stomach dropped. The last thing you needed was a drinking game where people confessed their secrets. Especially with the way Satoru kept looking at you, like he was one memory away from connecting dots you really didn't want connected.

"I think I'll pass," you said, pushing your plate away. "The sun really did take it out of me."

You gathered your plates and the sound of the others setting up their drinking game followed you into the kitchen—Yuji's voice carrying over everyone else's as he argued about rules, Nobara shouting something about "no questions about exes," and Megumi's long drawn out sighs.

A salty ocean breeze swept into the kitchen through the open wall of windows overlooking the water as you rinsed your plate. "You know," a voice came from behind you, making you jump, "I was starting to think you hate me."

Your heart skipped a beat. You didn't need to turn around to know it was Satoru—would recognize that voice anywhere, had spent months trying to forget how it sounded when it was rough after he’d cum. But you turned anyway, finding him leaning against the doorframe and the kitchen suddenly felt so much smaller. 

"What?" The word came out embarrassingly breathless.

"Let me rephrase, for someone who doesn't hate me, you're doing an impressive job of avoiding me."

"I'm not avoiding you.” You turned back to the sink. "I'm doing dishes."

"Sure. The dishes." His voice got closer, and you could feel the heat of him just behind you. "Though I have to wonder why someone would work so hard to avoid someone they've never met before."

Your hands stilled under the running water. "I don't know what you're talking about."

"You've barely looked at me all day." He was close enough now that you could smell his perfume that had lingered on your clothes for days after that night. "Want to tell me what I did to deserve the cold shoulder? Because usually, I at least remember if I've pissed someone off."

Your heart pounded so loudly you were sure he could hear it, but at the same time the irony of his words made you want to laugh. "You haven't done anything," you said, which was technically true. He hadn't done anything wrong. Except maybe be too good in bed and then forget about it entirely.

"No?" His voice dropped lower, and you could feel his breath on your neck. "Then why—" He cut himself off. "Wait. Have we met before?"

You spun around, hands dripping water onto the floor. The motion brought you chest to chest with him, trapped between his body and the counter. "No," you said, too quickly, way too quickly. "Definitely not."

"You sure about that? Because you seem familiar—"

"Must just have one of those faces."

He moved closer still, one hand braced on the counter beside your hip, effectively caging you in. "Is that so? Because I’m sure I’d remember a pretty one like yours." You felt your breath catch in your throat, every nerve in your body screaming. He was going to kiss you, wasn't he? You should probably do something. Like move. Or breathe.

But then he simply stepped back, his smile widening. "Sorry. Must have mistaken you for someone else,” he said and the loss of his warmth felt like whiplash, leaving you cold despite the summer heat that still lingered in the air. You watched him retreat towards the door, casual as anything, like he hadn't just turned your world sideways.

Through the open door, laughter spilled in from the deck, breaking the spell that had held you captive. Satoru paused in the doorway for a moment, silhouetted against the warm light from outside, before disappearing back into the noise of your friends.

You stayed at the sink, trying to convince yourself that the heat in your cheeks was just from the summer air and ignoring the way your heart refused to settle in your chest. What had just happened? You had no idea. But one thing was painfully certain.

This weekend was going to be a long one.

𓆝 𓆟 𓆞 𓆝 𓆟  

Next morning, you decided to get up early and have your coffee on the beach before anyone else was awake. Sleep had been hard to come by anyway, with too many thoughts of certain one night stands keeping your mind racing. 

Dawn was just beginning to break over the horizon, painting the sky in orange and gold watercolours and the ocean stretched out before you, quiet and calm, each small wave catching the early light like diamonds.

You'd wrapped yourself in an oversized cardigan against the morning chill, bare feet buried in sand that was still cool from the night before. And of course, because the universe hated you, that's when Satoru appeared.

"Couldn't sleep?" he asked, settling into the sand beside you without invitation.

You clutched your coffee mug tighter. "Something like that."

"Yeah, me neither." He stretched his long legs out in front of him, and you definitely didn't notice how his shorts rode up slightly, definitely weren't thinking about how those thighs had felt under your hands. "Keep having these weird dreams."

"Oh?"

"Mmm." As he turned to look at you, the rising sun painted his profile gold, catching his eyelashes. There was something different about him in this light — softer somehow, more like the man who'd asked you to stay than the one who'd cornered you in the kitchen last night. "About a girl in a black dress. Red lipstick. The most amazing laugh I've ever heard."

Your heart stopped.

"Funny thing is," he continued casually, "I can never quite see her face in the dreams. But I remember how she tasted. How she felt pinned beneath me. How she clenching around my fingers. How she said my name when she—"

"Stop," you whispered.

"Why?" His voice was softer now. "Because you don't want to talk about that night? Or because you thought I wouldn't remember?"

You stared at the ocean, unable to meet his gaze. "You didn't seem to yesterday."

"Don’t be stupid. I recognized you the moment you walked into the beach house."

Your coffee nearly slipped from your hands. "What?"

"Did you really think I wouldn't remember the girl who stole my favourite shirt on her way out the door?"

Heat flooded your cheeks, you totally forgotten about the shirt. "Then yesterday, in the kitchen—"

"I wanted to see how long you'd keep pretending." He smiled, the bastard had the audacity to smile at you when he revealed that he was playing you the whole time. "You're cute when you're nervous, you know that?”

"You're mocking me."

"Mocking you?" His eyebrows rose. Then he leaned closer to you, but you still refused to look at him. "I spent six months trying to find the girl with the kind of laugh that makes you feel drunk just hearing it, who left before I could ask for her number—" 

"It was just one night," you interrupted.

"Was it? Because I distinctly remember asking you to stay."

"I couldn't."

"Couldn't? Or wouldn't?"

You finally met his gaze fully, and immediately wished you hadn't. Because he was looking at you the same way he had that night. He was enjoying this, wasn't he? Playing with you, teasing you, making you feel like a flustered schoolgirl. 

"Does it matter?" you asked.

"You're really a bit slow, aren't you?"

You wanted to protest, to tell him exactly what you thought of his arrogant everything, but then Maki's voice carried across the beach, "Breakfast! Come and get it before Yuji eats everything!"

𓆝 𓆟 𓆞 𓆝 𓆟  

The breakfast table was just as chaotic as the dinner the night before. Fifteen people crammed around the table had that effect, especially with Yuji already piling his plate high with pancakes while Nobara complained about him taking too many. 

You'd barely settled into an empty chair when Satoru slid into the seat next to you, as if he hadn't just admitted that he'd been playing jokes on you the whole day before. 

"Can you pass me the syrup?" he asked innocently, but there was nothing innocent about the way his thigh pressed against yours under the table. 

You handed him the bottle without looking at him, trying to focus on pouring your coffee without spilling it everywhere. Which was made all the more difficult when his hand found your knee under the table.

"So what's everyone's plans for today?" Maki asked, passing around a plate of fresh fruit.

You tried to concentrate on the conversation, you really did. But Satoru's hand was inching higher up your thigh, and your brain was shorted out. You kicked him under the table, aiming for his shin.

He didn't even flinch, just smiled wider and continued whatever conversation he was having with Megumi about later activities, all while his fingers danced along the hem of your shorts. You felt a sudden surge of heat, definitely not from the summer sun.

"You okay?" Nobara asked suddenly. "You look a bit flushed."

"Fine!" Your voice came out higher than intended as Satoru's fingers skimmed just slightly under the edge of your shorts. "Just... hot."

"It is pretty warm this morning," Satoru agreed, his tone perfectly pleasant even as his thumb pressed into that sensitive spot on your inner thigh that he somehow remembered. The bastard. You kicked him again, harder this time.

"Did someone just kick the table?" Maki looked around suspiciously.

"Must have been the wind," you said stupidly.

You grabbed his wrist under the table, intending to push his hand away, but he just interlaced his fingers with yours and kept them there on your thigh. It was like he was asserting dominance, staking his claim, and you were suddenly trapped.

"Hey, are you sure you're okay?" Yuji asked through a mouthful of pancakes. "You're acting weird."

"Totally fine," you managed. "Just didn't sleep well."

"Hmm, me neither," Satoru chimed in, his voice all false innocence. "Must be all these weird dreams I keep having." You dug your nails into his hand in warning, but he just squeezed your hand in response, his grip tightening.

"Dreams?" Nobara asked.

"Oh, you know," Satoru began thoughtfully, "the kind that keep you up all night, thinking about... things that got away."

You were going to murder him. Slowly. Possibly with the butter knife you were currently gripping way too tight.

"That's... weirdly poetic for you," Maki said, raising an eyebrow.

"You wouldn't want to know,” he replied, and you felt his fingers inch just slightly higher once more, making you jump and bang your knee on the table.

"Jesus, what is wrong with you two this morning?" Nobara asked, looking between you and Satoru.

Under the table, you finally managed to grab his hand in yours and hold it still. But that backfired when he started playing with your fingers instead, his thumb brushing across your knuckles in a way that made you gasp. You definitely wanted to kill him. Right after you figured out how to breathe normally again.

"So, beach day? I wanna go snorkelling," Yuji said, thankfully drawing attention away from whatever was going on under the table, and everyone agreed. JJust then, Satoru freed his hand from yours and placed it back on your knee before trailing it up your thigh. 

Okay, nope this had to end now.

"I need more coffee," you announced abruptly, standing up so fast your chair scraped against the deck.

"I'll help," Satoru offered, already rising.

"No!" The word came out too sharp, making everyone look at you strangely. "I mean, I'm good. Thanks."

You practically fled into the kitchen, your skin still tingling where he'd touched you. Through the window, you could see him chatting with the others, looking completely unaffected while you were here trying to remember how to make your heart beat normally.

When is this weekend going to end?

𓆝 𓆟 𓆞 𓆝 𓆟  

"You sure you're okay?" Maki asked, swimming up beside you. "You've been weird all morning. Is the sun too much?"

"I'm fine," you said for what felt like the hundredth time today. "I’m not used to be around so many people."

The water was crystal clear, stretching out in various shades of blue that seemed to go on forever. Everyone had eagerly jumped into snorkeling, with Yuji and Nobara already in a heated competition about who could spot the most fish.

You adjusted your mask for the tenth time, trying to focus on anything except how good Satoru looked in just swim shorts. He was a few meters away, the sunlight catching the droplets of water that clung to his ridiculously toned shoulders.

My God. You needed distance. You needed space to breathe, to think, to do anything other than stare at him.

"If you say so." Maki didn't look convinced. "But tell me if something’s bothering you, okay?"

If only she knew. "Sure."

"Guys, come look at this!" Yuji called from where he was floating near some corals. "Rainbow fish!" 

Everyone swam over to where he was pointing, and you had to admit, the sight was beautiful. Countless colourful fish swam through the coral, creating a vibrant palette under the water.

You followed the fish as a sudden pressure against your calf made you flinch. Satoru. He had brushed against your leg. It could have been an accident, a mere consequence of the crowded water, but somehow, it felt like anything but. You knew better. Nothing about Satoru was ever accidental.

You drifted slightly away from the group, desperately needing to put some distance between yourself and Satoru. The vibrant corals blurred into streaks of colour as you swam further from the group, the shouts of Yuji and Nobara fading.

The water a bit away from them was deeper, a darker shade of blue. As you peered down, you noticed the sandy ground was dotted with small stones, and a different kind of life seemed to thrive here. Sea anemones swayed gently in the current, and schools of silver fish, smaller than the ones near the reef, darted in and out of the anemones.

You floated on your back for a moment, gazing up at the sky, a vast expanse of pale blue flecked with fluffy white clouds as the sun warmed your face. It was so peaceful, and you were happy for the small pause amidst the chaos of the house.

"Beautiful, isn't it?"

You startled at Satoru's voice right behind you, nearly inhaling water through your snorkel. He'd somehow managed to swim up without you noticing, and now he was close enough that his arm brushed yours in the water.

"What are you doing?" you hissed, pulling your snorkel out.

"I know a better spot.” He nodded towards a more secluded area around the curve of the beach. "If you're interested."

You glanced back at the others, but they were all absorbed in whatever Yuji had found. "I don't think—"

"Come on," he said, already swimming away. "Don't you trust me?"

"Not even a little bit." But found yourself following him anyway.

He led you around a small outcropping of rocks, the current tugging gently at your fins, to a quieter part of the reef. His hand on your arm gently guided you through the water. The water here was somehow even clearer, as if a veil had been lifted, revealing a breathtaking underwater scenery with colourful coral formations that created a labyrinth of archways and caverns with small fish swimming in between.

"How did you—"

"I came here earlier this morning," he said, treading water close to you. "While you were pretending to ignore me after breakfast."

"I wasn't—" You cut yourself off as he dove under the surface, the sunlight playing across his back as he swam deeper.

You followed him down, your breath taken away by the sight. This part of the reef was like something out of a documentary. Swarms of tropical fish swirled around you in ribbons of colour, and the coral itself seemed to shine in the filtered sunlight.

When you surfaced, Satoru was watching you with an annoyingly knowing smile. "Worth following me?"

"It's alright," you said, trying to sound unimpressed even though you were anything but.

He laughed. "You're still trying to play hard to get?"

"I'm not playing anything."

"No?" He swam closer, close enough that you could see droplets of water clinging to his eyelashes. "Then why did you follow me here?"

"To see the fish.”

"The fish." His voice was amused. "Sure. That's why you've been watching me all morning?"

"I have not—"

"You know," he cut you off, moving even closer, his body brushing against yours in the water. "You're pretty when you get all flustered. Just like that night in Tokyo. Same flush you had when I made you cum three times.”

Ha? Had he been keeping count or what? You frantically tried to replay that night in your head — there was the first time against his apartment door, then on the kitchen counter, and... oh god, he was right. The bastard had been counting. The smirk on his face told you he knew exactly what you were thinking about.

You splashed water at him. "We are not talking about Tokyo."

He wiped water from his face, grinning. "No? Should we talk about this morning instead? About how you nearly jumped out of your skin when I touched your—"

You dunked him mid-sentence.

He came up spluttering, pushing wet hair from his eyes. "Okay, I probably deserved that."

"You definitely deserved that."

But he laughed, and despite yourself, you found yourself laughing too. There was something infectious about him, something that made it hard to keep your walls up, dissolving your defenses with unnerving ease, like mist beneath the morning sun.

"We should head back," you said finally. "Before they come looking for us."

"Probably," he agreed, but made no move to leave. Instead, he floated closer, until his chest pressed against yours. "Or we could stay here a bit longer. I could remind you of all the other ways I can make you wet."

Heat flooded your body. "Satoru..."

"Yes?" His hands found your waist under the water, pulling you flush against him. One thigh slipped between yours, and you had to bite back a gasp at the friction. "You know, I still remember exactly how you sound when you're trying not to moan my name."

"We can't." But your body betrayed you, arching into his touch as his fingers skimmed along your ribs, dangerously close to your breast.

"Can't?" His lips ghosted over your lips, his thumb tracing circles on your hip under the water in a way that made you think of how those fingers had felt inside you. "Or are you afraid you won't be able to keep quiet this time?"

Before you could answer, Nobara's voice carried across the water. "Where did you guys go?"

You pushed away from him quickly, already swimming back towards the group. "Coming!"

"This isn't over," he called after you, and you could hear the smile in his voice.

"It never started!" you shot back, but you were smiling too.

𓆝 𓆟 𓆞 𓆝 𓆟  

Satoru spent the rest of the afternoon driving you absolutely insane.

After snorkeling, he'd positioned his beach towel suspiciously close to yours, spending an unnecessary amount of time applying sunscreen to his chest and arms. His movements were deliberately slow, borderline pornographic, fingers sliding over muscle in a way that had you remembering exactly how those muscles had felt flexing under your tongue. 

You knew without a doubt he was putting on a show for you—every movement a reminder of how those arms had looked braced above you as he'd fucked you against his apartment door, how they'd felt pinning your wrists to his sheets.

During lunch, he'd somehow ended up next to you again, his bare thigh pressed hot against yours under the table like this morning had taught him nothing. Except this time, his hand didn't just rest on your knee. It spent the entire meal tracing patterns up your thigh, fingertips dancing dangerous close to where you'd been aching for him.

Your breath caught every time his hand "accidentally" slipped under the hem of your shorts, remembering how those fingers had curled inside you, how they'd made you beg.

The afternoon beach volleyball rematch was even worse. He kept finding excuses to touch you—steadying you with a hand on your waist when you stumbled in the sand (the same way he'd gripped your hips while taking you from behind), reaching around you to grab the ball (his breath hot on your neck like when he'd whispered how good you felt around him), his chest pressing against your back, closer than needed (making you remember how it felt to be pressed between him and that apartment door).

But dinner? Dinner was pure torture.

He'd shown up freshly showered, hair still damp and tousled in that way that made your fingers itch to grab it (like you had when he was between your thighs), wearing a dark blue linen shirt that he hadn't bothered to button properly once more and spent the entire meal finding new ways to make you squirm.

He'd catch your eye across the table and slowly lick sauce off his thumb, making you remember exactly how that tongue had felt when he'd spread you open. When passing dishes, his fingers would brush against yours unnecessarily long, making you shiver. At one point, he'd stretched his arms above his head, his shirt riding up to reveal his lower abs that had you gripping your fork so hard your knuckles turned white.

He knew exactly what he was doing, too—you could tell by the smug look on his face throughout the whole dinner. 

Thankfully, no one else seemed to notice anything amiss. They were all too busy with their own conversations, completely oblivious to the way he was systematically dismantling your sanity with nothing more than glances and touches.

Every time you thought you'd gotten yourself under control, he'd do something else — run his fingers through his hair the same way he had when you'd been on your knees in front of him, or bite his lip in a way that had you crossing your legs under the table. By dessert, you were a mess of sexual frustration and murderous impulses. 

He was enjoying this, the bastard. Testing your control, seeing how far he could push before you broke. And the most infuriating part? 

It was working. 

𓆝 𓆟 𓆞 𓆝 𓆟  

After dinner, everyone wandered into the living room in various states of food induced laziness. You'd barely managed to claim a corner of the big couch when Nobara disappeared into the kitchen, returning with an armful of wine bottles and a certain look in her eye that spelled trouble.

"No one move," she announced, setting the bottles on the coffee table. "I have an idea."

"Your ideas usually end with someone crying," Megumi commented from his spot on the floor.

"Or arrested," Maki added helpfully.

"Or both," you muttered, trying to ignore how Satoru had somehow appeared in the armchair closest to your corner of the couch. He'd rolled up his sleeves during dinner, forearms on full display, and you were having a hard time not staring at his fingers. Fingers that you knew from experience felt so good in your mouth to keep you from—

"Never have I ever!" Nobara's voice cut through your dangerous train of thought. A collective groan rose from the group.

"Not again," Megumi said, already trying to get up.

"Sit your ass down," Nobara commanded, pushing him back down. "We're bonding."

"We bonded plenty last night," you Yuta tried, but Nobara was having none of it and before you knew it, everyone agreed.

"Okay, I'll start easy," Yuji said, clearly excited despite his earlier protests. "Never have I ever cheated on a test."

Several people drank, including Satoru—and you, okay let’s be real. 

The questions started innocent enough. Never have I ever broken a bone. Never have I ever been arrested. Never have I ever dyed my hair. But as the wine flowed, the questions got progressively more suggestive.

"Never have I ever kissed someone of the same gender," Maki said, and half the circle drank. "Never have I ever faked it," was Nobara's contribution, and several people groaned but drank.

You were starting to feel a bit hazy, the wine making everything feel warm and soft around the edges. Which was dangerous, because Satoru kept looking at you like he was remembering exactly how you'd sounded that night when you definitely hadn't been faking anything.

"Never have I ever," one of Yuta’s cousins announced then, "had sex with someone in this room." For a moment, no one moved. Then Yuta and Maki drank, of course. And then Satoru raised his own glass slowly and took a long sip.

"Who?" Nobara shrieked, looking around the circle. "Satoru just drank, so someone else here has to—" Her gaze swept over everyone suspiciously.

"Someone's lying," Maki sang, already tipsy enough to find this hilarious. "Come on, fess up!"

You kept your face carefully neutral, even as you felt Satoru's eyes burning into you. You wouldn't give him the satisfaction. Not this time.

"Maybe it was before any of us knew each other," Yuji suggested, but Nobara shook her head.

"No way. Look at his face!" She pointed accusingly at Satoru. "He's got that look. You know, that 'I know something you don't know' look."

Satoru just smiled lazily from his armchair, swirling the wine in his glass. "Maybe I just like keeping you all guessing."

"You're a dumbass," Nobara said, but the group's attention was already shifting as Yuji launched into the next question, something about falling asleep at work.

You released a breath you hadn't realized you were holding, but made the mistake of glancing at Satoru and he gave you a look that sent a shiver of heat through you over his wine glass. 

God, you were going to murder him. Slowly. Painfully. Preferably with the very wine glass he was currently smirking into. 

Who did he think he was, just casually drinking like that, nearly exposing everything? He could have at least warned you, given you some sign he was about to blow up your secret. But no, he'd just taken that deliberate sip, probably getting hard on watching you squirm as you tried to keep your poker face. 

That sick bastard.

𓆝 𓆟 𓆞 𓆝 𓆟  

Sleep was impossible. You'd been tossing and turning for hours, replaying the day's events in your mind—from that moment in the ocean to his deliberate almost-reveal during the game. The walls of this fancy beach house seemed paper thin at night, every small sound amplified in the darkness.

That's how you heard his door open around 2 AM, followed by quiet footsteps heading downstairs.

You waited a few minutes, telling yourself you were just thirsty, that going downstairs for water had nothing to do with knowing he was maybe down there. The wooden steps creaked softly under your bare feet as you made your way down.

Silvery moonlight streamed through the massive windows, creating silver patterns on the marble countertops of the kitchen. Satoru stood at the island, drinking water from a glass, looking unfairly handsome in just sleep shorts and a wrinkled t-shirt.

"Couldn't sleep?" he whispered when he spotted you.

"What's your game, Satoru?" You kept your voice equally low, padding closer. "That thing earlier? During never have I ever?"

"Game? I'm not the one who was afraid of drinking".

"Because unlike you, I don't feel the need to announce our business to everyone."

He set his glass down, turning to face you fully. "Our business? So you admit there's something to announce?"

"That's not—" You caught yourself before your voice could rise. "What are you trying to achieve here? With all the—" you gestured vaguely, "touching and teasing and almost exposing everything?"

He stepped closer, and suddenly the kitchen felt way too small, even though it was like three times the size of your Tokyo apartment. "Maybe I just want everyone to know that night wasn't as casual for me as you seem to think it was."

You felt the weight of his words settle in the quiet kitchen, heavy with meaning you weren't prepared to unpack while moonlight caught his features in a way that made him look softer, almost vulnerable.

"What are you talking about? It was only one night."

"Was it?" He moved closer, until you had to tilt your head back to keep eye contact. "Because I remember asking you to stay. I remember waking up to an empty bed and spent the next six months thinking about why you left."

"I... you were just saying that in the moment. People say lots of things in the moment."

"Do they?" His hand came up to brush a strand of hair from your face. "Is that why you ran? Because you thought I didn't mean it?"

You swallowed hard, trying to ignore how your skin prickled where he'd touched you. "Satoru..."

"You know what I think?" His voice dropped even lower, barely a whisper in the quiet kitchen. "I think you're scared. Not of me, but of the fact that you wanted to stay too."

"That's not—" But the words died in your throat as his thumb traced your jawline.

"Then why are you down here?" He was close enough now that you could feel the heat of his body against yours. "If it was just one night, just something casual, why did you follow me down here in the middle of the night?"

The counter pressed against your back—when had you started backing up?—and Satoru's arms came to rest on either side of you, caging you in. Position achingly familiar, reminding you of how this all started six months ago.

"I was thirsty," you said. You did not even believe yourself as you said it.

His laugh was barely a breath against your skin. "Liar."

And then his mouth was on yours, and god, you'd forgotten how good he was at this. His lips were soft but demanding, one hand sliding into your hair while the other gripped your hip, forcing you close against him. You gasped into the kiss, and he took the opportunity to deepen it, his tongue against yours in a way that made you forget your own name.

It was different from that first night—less urgent, but somehow more intense. He kissed you like he was trying to prove a point, like he was laying claim to every moment you'd denied him these past six months. His teeth caught your lower lip, and you had to bite back a whimper, too aware of the sleeping house above.

"Still want to pretend this is nothing?" he whispered against your mouth, and you could feel his smile when your only response was to pull him back down for another kiss.

His hands slid down to grip your thighs, lifting you onto the counter. You wrapped your legs around his waist, drawing him closer as his mouth moved to your neck, kissing your throat just the way you like it, just the way he somehow remembered.

"Someone could come down," you breathed, even as your fingers tangled in his hair.

"Then I guess you'll have to be quiet." His teeth grazed your skin, making you shiver. "Think you can manage that? Because I distinctly remember you being quite vocal last time."

You tightened your grip on his hair in return, but that just made him groan softly against your throat. "You're stupid."

"Mm, that's not what you said in Tokyo." His hands slid higher under your shirt, thumbs brushing the underside of your breasts. "In fact, I remember you saying some very different things—"

You cut him off with another kiss, partly to shut him up and partly because you needed his mouth on yours like you needed air. His fingers teased along your ribs, your back, your thighs, touching you everywhere except where you desperately wanted him to.

But then his fingers found the edge of your underwear, and you had to bite his shoulder to keep from moaning as he slid his fingers inside you, making you cum all over his fingers in seconds—just like that night in Tokyo.

You were done, dizzy, breathless, clinging to him as he stripped your shorts and underwear down your legs. He pushed one leg up your chest as he lowered you back down onto the marble kitchen counter, your other leg still wrapped around his waist. His forehead pressed against yours as he thrust inside, hard, slow, perfect angle—just like that night in Tokyo.

He tossed you around, manhandled you, fucked you against the fridge, threw you onto the couch and fucked you there too. He whispered your name, his voice husky against your ear, every letter a caress, even as he picked up pace, even as his hand closed around your throat, even as you bit into the pillow below to muffle your screams as he made you cum again. Multiple times. In various positions. Using his own cum as a lube for the next round—just like that night in Tokyo.

Afterwards you laid outside on the veranda in a big chair you both shared, gazing up at the stars scattered across the deep velvet sky, countless and impossibly bright. A second later his lips found yours and another second later you were on top of him, underwear pushed to the side and your head thrown back as he watched you chase your release on his dick—just like that night in Tokyo.

And his hand found yours, intertwining your fingers as he ate you out on the stairs just before you wanted to go back to bed, but he wouldn't let you, making you cum again before he carried you off to the laundry room to fuck you one last time for sure good mesure—just like that night in Tokyo.

𓆝 𓆟 𓆞 𓆝 𓆟  

Morning came way too early, sunlight streaming through windows you'd forgotten to close. Every muscle in your body ached in the most pleasant way, reminding you of exactly how many surfaces you and Satoru had christened last night. 

Yeah. You were definitely going to be feeling this for days. You winced slightly as you sat up — apparently kitchen counters weren't the most ergonomic choice for certain activities, or the stairs, or the laundry room, or... Okay, we get it.

When you finally made it downstairs, moving perhaps a bit more strangely than usual, Satoru was already at the breakfast table. Because of course he was, looking absolutely perfect and fullyfull rested in a fresh shirt, casually sipping his coffee like he hadn't spent half the night making you bite down on your fist to keep quiet.

"Well, someone looks rough," Nobara commented as you lowered yourself carefully into a chair. "Too much wine last night?"

You caught Satoru hiding a smirk behind his coffee cup. The bastard didn't even have the decency to look tired.

"Something like that," you muttered, reaching for the coffee pot and trying not to wince at the stretch. Your thighs burned in protest of the movement, and you could swear you saw Satoru's smile widening at your slight grimace.

"Must have been some wine," Nobara said, eyeing you suspiciously. "I don't remember you drinking that much during the game."

"Are you sure you're okay?" Yuji asked, looking concerned. "You're walking kind of funny."

"I'm fine, really," you managed. "Too much wine, that’s all."

Maki, who sat next to you, leaned in closer. "Your 'too much wine' is showing," she whispered, pointing to your collarbone. Your hand flew to your neck, suddenly remembering all the attention Satoru had paid to that area—especially that moment on the stairs when you'd begged him to finish what he'd started before anyone heard them, while he sucked a very dark bruise right above your collarbone.

You quickly buttoned up your cotton shirt higher, but from Nobara's growing grin, it was too late. But thankfully, no one commented on it.

𓆝 𓆟 𓆞 𓆝 𓆟  

The rest of Sunday passed in a lazy haze, with everyone moving a bit slower thanks to varying degrees of wine headaches. Most of the day was spent sprawled out on beach chairs, hiding behind sunglasses and drinking coconut water that Yuta swore would help with hangovers (but, in fact, did not).

You dozed on and off under an umbrella, trying not to think about how your body still ached in several places from the night before, and enjoyed your last day in Okinawa before you'd return to work on Monday.

When evening rolled around and it was time to pack up, the house became a chaos of suitcases and forgotten phone chargers once more. You were struggling with your bag next to your car, trying to figure out the best angle to lift it into the trunk without stressing your still sore muscles, when Satoru suddenly appeared and took it from your hands without a word.

"I can manage," you protested, but he was already lifting it into your trunk with an effortless ease that really shouldn't be as attractive as it was.

"I'm sure you can," he said, closing your trunk with a soft thud. "But maybe I just want an excuse to do this." 

Before you could ask what 'this' was, he pressed a small folded piece of paper into your palm. You opened it to find a phone number written in his surprisingly neat handwriting.

"Since you didn't stay for it last time," he said softly.

"What makes you think I'll use it?"

"Because this time, you want to stay just as much as I want you to." He leaned closer, his voice dropping so only you could hear. "Besides, I believe we still have a few surfaces in my apartment left to explore."

You shoved his shoulder. "Stop." 

He caught your hand before you could push him again. "Use it. Please?" His voice held a note of softness, an unexpected tenderness that made your heart ache with a strange longing. You nodded, tucking the paper safely into your back pocket.

"Still not announcing anything to everyone tho," you warned as Maki called out that they were ready to leave.

"Yet," he said with an eye roll. Then, before you could react, he pulled you in for one last kiss. It was slower, deeper this time, his hands cupping your face as he kissed you, as if he was afraid he might forget the feel of your lips.

"Someone could see us," you whispered against his lips, even as your fingers curled into his shirt.

"I don't care," he murmured, one hand sliding down to your waist to draw you closer. "Let them see." He kissed you again, shorter this time but no less intense. "Besides, they'll find out soon enough when I take you to this little ramen place in Shibuya I've been wanting to show you."

You pulled back slightly. "Oh? Someone's confident about getting a second date."

"Third, technically," he said. "If we're counting Tokyo. And that thing against the washing machine last night."

"Those don't count.”

"Then I guess I'll have to make the next one special. Maybe dinner first. Then I can show you my apartment. Properly this time, not just the entrance hall and kitchen counter."

"Is that your way of asking me out?"

"That's my way of saying I'm not letting you disappear for six months again." He pressed a quick kiss to the corner of your mouth. "Use my number this time, yeah?"

"Satoru!" Yuji's voice carried across the driveway. "Stop making out and help me with these bags!"

Satoru laughed against your lips, stealing one more kiss before reluctantly pulling away. "Think about it. The ramen place. My apartment. All the surfaces we haven't used yet."

"Go help Yuji," you said, pushing him away even as you smiled. "Before he comes over here."

"Call me," he said, walking backwards with that stupidly handsome smile. "Or I'll just have to show up at your office. Make a big scene. Maybe bring flowers. Really embarrass you in front of all your coworkers."

"You wouldn't dare."

"Try me!" He finally turned then to help with the bags, leaving you to shake your head, your lips still tingling from his kisses.

The drive home felt different somehow. Every now and then, your hand would drift to your pocket, fingers brushing over the folded paper with his number, making sure it was still there as the familiar roads back to Tokyo stretched ahead.

The beach house grew smaller in your rearview mirror until it disappeared completely, taking with it the memories of lazy afternoons under the summer sun and heated nights. But other things lingered—the ghost of his lips against yours, the warmth of his hands, the way he'd looked at you like you were something worth waiting for.

Maybe you'd call him tomorrow. Or maybe you'd wait a day or two, just to prove you could. But knowing you, you'd likely message him the moment you set foot in your apartment.

A smile tugged at your lips as you pulled onto the highway, the setting sun painting the sky in strokes of rose and  lavender. Whatever happened next, one thing was for sure — this weekend had changed everything.

And maybe, just maybe, that wasn't such a bad thing.

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author's note — and that's a wrap on our beach house summer story ! thank you so much for reading :)) & thank you again to @/nanamis-baker for beta reading !!

for anyone wondering, yes, she kept the shirt. and yes, he definitely noticed when she wore it to their first proper date to that ramen spot in shibuya.

if you enjoyed this fic, please feel free to leave a comment or reblog. it means so much !! until next time. stay thirsty hydrated, my friends <3

ps: if you want to get notifications for future updates, you can join my taglist here.

tags — @fayuki @starmapz @starlightanyaaa @sxnkuna @cocomanga

@nanamis-baker @rosso-seta @sugurbo @chiyokoemilia @janbannan

@bloopsstuff @snowsilver2000 @ihearttoru @momoewn @yokosandesu

@90s-belladonna @fairygardenprincesss

© lostfracturess. do not repost, translate, or copy my work.

[the-grey-hunt]

The quote is from this article:

TL;DR Entangled Press (best known for their Red Tower imprint, which publishes the Fourth Wing books) is being sued on the allegation that an agent used a former client's manuscript to help Tracy Wolff write the "Crave" books (or at least the first one).

article copied in full below the cut for people who get paywalled:

In the autumn of 2010, Lynne Freeman, a family-law attorney and an unpublished author, put the final touches on her first novel, “Blue Moon Rising.” The story revolved around a teen-age girl named Anna who falls in love with a werewolf and learns that she has magical powers. It was a fantasy, but it drew on Freeman’s own experiences growing up in Alaska. For years, Freeman had been fiddling with the material, imagining and reimagining characters, revisiting childhood memories. She even dreamed about the idea, and kept notes on it in a shoebox in her bedroom. In 2002, after becoming pregnant with twins, Freeman lost one of the babies and gave birth prematurely. Long nights lay ahead. She spent them caring for her son and working on her book.

A few months after she’d finished, in December, 2010, Freeman signed with an agent, Emily Sylvan Kim, the founder of Prospect Agency, a small firm based out of Kim’s home, in New Jersey. Kim, a slight woman with a youthful aura and a bright, clenched smile, struck Freeman as a kindred spirit—she’d launched her own business, just as Freeman had, and she’d even briefly attended law school. For the next three years, Freeman and Kim worked together to expand and refine the manuscript.

Kim sent pitches of “Blue Moon Rising” to more than a dozen publishers. The results were discouraging. “I thought the writing, the storytelling, in this manuscript was simply wonderful,” one e-mail read, but “we are . . . looking for things that fall into a newer territory.” Another editor wrote,“While the writing is really great and Anna was a very likable heroine, I worry that there are not enough new and different elements to the story here that would set it apart from the rest of the novels in the competitive paranormal/romance/YA market.” By March, 2014, all but one of the publishers had rejected the book, and Kim and Freeman parted ways. Freeman withdrew her outstanding submission from the final publisher, a press called Entangled.

In 2021, Freeman and her son, now a senior in high school, stopped at a bookstore in Santa Barbara on the way to receive their COVID vaccinations. Freeman, lingering in the young-adult section, picked out a book called “Crave,” by the author Tracy Wolff. She liked the cover: black with a large, bloodstained white flower in the center. It reminded her of “Twilight.” By the time she got home, she was already noticing muscle pain and fever from the vaccine. She began reading the novel, which was published by Entangled, and experienced a panic attack, the first she’d had in five years.

Freeman immediately spotted similarities to her own unpublished book. The main character was named Grace, not Anna, and her love interest was a vampire, not a werewolf, but in both stories the heroine moves from San Diego to Alaska after members of her family are killed in an accident. She lives with the only two relatives she believes she has left, both of whom are witches. A female rival slips her drugs. There’s an intimate moment under the northern lights. In a climactic scene, an evil vampire kidnaps her, and she ends up accidentally freeing a different vampire, whose return is said to herald the end of the world. (In Freeman’s planned sequel and Wolff’s actual ones, this vampire replaces the previous hero as the main character’s primary love interest.)

In addition to what Freeman felt to be the books’ obvious similarities, “Crave,” to her mind, contained details that could only have come from her, from her life. The novel’s opening scene describes flying in a puddle jumper above the Alaskan landscape. Freeman’s grandfather had been a bush pilot: she recalls reminiscing to Kim about what it had been like to go up in his tiny plane. A fantastical chessboard figures early on in “Crave”; a wall-size painting of a fantastical chessboard hangs in Freeman’s office. Wolff’s heroine is revealed to be a gargoyle. Freeman collects gargoyles—they guarded the path to the front door of her former home.

A Google search revealed that Tracy Wolff was a nom de plume for Tracy Deebs, a star client of Freeman’s former agent, Emily Sylvan Kim. Kim had introduced Freeman and Deebs at a Romance Writers of America conference in 2012. (Wolff and Kim claim to have no recollection of this meeting.) The name Stacy Abrams, which appeared in the acknowledgments section of Wolff’s book, was another pinprick. Abrams was the editor who had fielded Freeman’s book submission at Entangled. Freeman grew convinced that Kim and Liz Pelletier, the publisher and C.E.O. of Entangled, had shared the manuscript of “Blue Moon Rising” with Wolff and used it as the basis for the “Crave” series.

On February 7, 2022, Freeman, who had hired a lawyer, sent a letter threatening legal action to Kim, Wolff, Entangled, the company’s distributor Macmillan, and Universal Studios, which had optioned a film project based on the “Crave” books. “I really assumed that they would just apologize and fix it,” Freeman said. But, two days later, the Entangled counsel issued an icy response stating that “neither Pelletier nor Wolff ever heard of Freeman, read her ten-year old manuscript nor were aware of any details concerning the Freeman work.” The attorney added, “The agent, Kim, recalls nothing of this manuscript.” Freeman’s allegations were “speculative, unfounded, and easily rebutted as fanciful.” A month later, Freeman filed a copyright-infringement lawsuit. The litigation, which is ongoing, has cost Freeman several hundred thousand dollars and the defendants more than a million dollars.

The “Crave” series belongs to a powerhouse genre known as “romantasy”—romance plus fantasy. Stories have mingled love and magic for centuries, but the portmanteau crystallized as a market category during the pandemic. Works such as Sarah J. Maas’s novel “A Court of Thorns and Roses,” about a nineteen-year-old girl who falls in love with a fae high lord, surged in popularity, offering escape to readers stuck at home, often with company that was harder to view as enchanting under the circumstances. “The genre really caters to this perspective of, ‘If your life were going to be different, if you were plucked out of this reality, what would your dream reality be?,’ ” Emily Forney, an agent who works with young-adult and fantasy authors, told me. Romantasy sells a lightly transgressive form of wish fulfillment that holds out the enthralling promise of sex with vampires, manticores, werewolves, and other types of monsters and shape-shifters. (There’s even a “cheese-shifter” paranormal romance, by the author Ellen Mint, in which characters can turn into different types of cheese.)

In the past several years, the genre has attained a remarkable fandom. Print sales of romance novels more than doubled between 2020 and 2023. Meanwhile, the number of romance-focussed bookstores in the United States, with whimsical names such as the Ripped Bodice and Beauty and the Book, has swelled from two to more than twenty. Romantasy is helping to drive that boom. Publishers Weekly reported in October that five of the ten top-selling adult books of 2024 were written either by Maas or by her fellow romantasy icon Rebecca Yarros: the authors, combined, had sold more than 3.65 million copies of their novels in the first nine months of the year. A National Endowment for the Arts survey found that the number of Americans who reported finishing a single book in a year declined about six per cent between 2012 and 2022, but romantasy’s mostly female readers seem exempt from that downturn. They gather at midnight release parties and ardently break down their favorite titles on BookTok, a literary alcove of TikTok, where the hashtag for Maas’s series, #ACOTAR, has earned more than a billion views.

Many of these readers are millennials who grew up on “Harry Potter” and “Twilight” and expected more of the same once adulthood struck. Maas was among the first to acknowledge the sexual maturation of her audience. Although “A Court of Thorns and Roses,” published in 2015, featured mild erotic content by romance standards, it was far steamier than most Y.A. (“We moved together, unending and wild and burning, and when I went over the edge the next time, he roared and went with me.”) Love scenes in the later books went further, often adding anatomical specificity. In 2020, Maas’s publishers changed up their marketing strategy, causing the series to be rehomed in the adult section. “It birthed this genre of romantasy,” Cassandra Clare, the author of the best-selling fantasy series “The Mortal Instruments,” told me, “which to me is books that contain a lot of the tropes that make Y.A. popular but also have explicit sex in them.”

In some respects, romantasy has the feel of young people’s literature. The themes are Pixar-coded—forgiveness, compassion, overcoming adversity, celebrating difference—with a swoosh of black eyeliner. Cat Clyne, an editor at the Harlequin imprint Canary Street Press, described the genre as more welcoming than twentieth-century fantasy, which many readers now see as sexist. Romantasy “is emotion-positive—it’s about communication and falling in love,” she told me. “There’s less emphasis on world-building” and more on representing “strong female characters.”

Despite the genre’s egalitarian spirit, the most prominent romantasy authors are white. A reductive but not entirely spurious industry archetype has emerged, of temperamentally if not politically conservative women, often mothers, who find in their writing a means to success outside a traditional career path. “Twilight,” the precursor to today’s paranormal-romance novels, transformed Stephenie Meyer, a Mormon stay-at-home mother of three, into a millionaire. Yarros is a mother of six and a military spouse who began writing when her husband was deployed to Afghanistan. Like Freeman, Wolff first attempted commercial fiction after her son was born prematurely. Between 2007 and 2018, she published more than sixty romance, urban-fantasy, and young-adult novels, but it was not until she wrote a vampire-gargoyle love story that she shot to the top of the New York Times best-seller list. In April of 2024, Publishers Weekly reported that the six-volume “Crave” series had sold more than three and a half million copies worldwide.

All genre fiction (and arguably all fiction) is patterned on tropes, or received bits of narrative. But tropes have assumed a new importance in the creation and marketing of romantasy. On BookTok, users sort and tag titles by trope (#morallygreymen, #reverseharem, #daggertothethroat), allowing authors to tune their creative process to the story elements that are getting the most attention online. Entangled, “Crave” ’s publisher, gives visitors to its Web site the option to browse its selection by tropes such as “enemies-to-lovers” and “marriage of convenience.” Entangled editors fill out a form for every work they acquire; on the version of the form I viewed, there were fields in which to specify “tropes,” “paranormal elements,” “authors similar to,” “Heat level” (on a five-point scale from “mild” to “scorcher”), and the ratio of romance to suspense (from a maximum of 100/0 to a minimum of 20/80).

Romantasy’s reliance on tropes poses a challenge for questions of copyright. Traditionally, the law protects the original expression of ideas, not the ideas themselves. A doctrine named for the French phrase scènes à faire, or “scenes that must be done,” holds that the standard elements of a genre (such as a showdown between the hero and the villain) are not legally protectable, although their selection and arrangement might be. The wild proliferation of intensely derivative romantasies has complicated this picture. The worlds of romance and fantasy have been so thoroughly balkanized, the production of content so accelerated, that what one might assume to be tropes—falling in love with a werewolf or vampire, say—are actually subgenres. Tropes operate at an even more granular level (bounty-hunter werewolves, space vampires). And the more specific the trope, the harder it is to argue that such a thing as an original detail exists. For example, the “dark paranormal romance” subgenre mandates physical injury and a brooding, inhuman male lead. In 2018, the author Addison Cain filed a takedown notice against the author Zoey Ellis, accusing her of ripping off Cain’s lupine society of aggressive Alphas and submissive Omegas. Ellis sued Cain and her then publisher Blushing Books, arguing that she and Cain were both practicing the subgenre of “wolf-kink erotica,” which is based on open-source fan fiction. (Blushing Books settled out of court; a second suit Ellis filed against Cain was dismissed.)

Freeman’s suit rests on hundreds of similarities, compiled by Freeman and her lawyers, between her own manuscripts and notes and the “Crave” series. Taken one by one, few examples seem to rise to the level of infringement. The Alaskan setting, which Freeman saw as her intellectual property, is surprisingly common: Pelletier estimates that about ninety-five per cent of vampire novels take place in Alaska, New Orleans, or Las Vegas. Gargoyles have joined the menagerie of trendy paranormals, owing to the “Dark Elements” series, by Jennifer L. Armentrout. Small-plane pilots are standard issue for romance, a genre that loves a man in uniform, and it goes without saying that trysts under the aurora borealis are de rigueur. (One novel memorably features a hunky physician’s assistant who pleasures the heroine as “a brigade of ghostly rainbows jostled in the northern sky.”)

Other similarities are harder to explain away. In both books, the heroine’s parents bind her powers with tea; the male lead is guilty and grief-stricken over his older brother’s murder. I scoffed when I saw that Freeman’s side had listed “shining white courts” as a similarity, referring to the fact that, in both works, the heroine is brought to a marble building with white columns. But the court scenes have more than architecture in common. In each, the main character is transported to a timeless place presided over by a green-eyed woman. The heroine feels a sense of belonging; she is told that this is the home of her ancestors. In Wolff’s version of the scene, there are “thick white candles burning in gold candelabras.” In Freeman’s, there are “candles flickering to life in all of the wall sconces.” You can’t copyright candles any more than you can copyright marble, or ancestors, or green-eyed women. But the composition of these details, the totality of how the obvious or ordinary beats are strung together in each, is startling.

To show copyright infringement, Freeman will have to demonstrate that “actual copying” occurred and that the two texts are “substantially similar.” Because plaintiffs can rarely provide direct evidence of copying, the law allows them to prove it circumstantially, by establishing that the defendant had “access” to the allegedly infringed-upon work, either firsthand or through an intermediary. A problem for Freeman is that none of the 41,569 documents that the defendants were compelled to hand over make any mention of “Blue Moon Rising.” And Pelletier and Wolff both assert that they never saw Freeman’s novel or discussed it with anyone. Without direct proof of access, Freeman will have to take the weaker position that Wolff had a “reasonable possibility” of viewing the manuscripts, given her relationship with Kim. Another problem for Freeman is “substantial similarity” itself, a notoriously slippery standard located somewhere between works that raise suspicions of copying (probative similarity) and works that are almost identical to other works (striking similarity). The defendants argue that the two books feel extraordinarily different in tone, pacing, voice, and style. And “if they feel different,” Pelletier told me, “then they are.”

In romance, the heroine’s H.E.A., or happily ever after, often depends on how smoothly she can adapt to a new situation. The same might be said for publishers of romantasy, who have had to adjust to an unruly landscape of self-publishing that is adjacent to, and increasingly competitive with, mainstream publishing. The reigning principles of this indie world are “more” and “faster.” Because Amazon’s search algorithm appears to favor writers with larger backlists, there’s an incentive to flood the platform with titles—and to pad those titles with as many pages as possible, as Kindle Unlimited distributes royalties to the creators with the highest number of pages read. (This has spawned an epidemic of “page-stuffing,” in which authors load their novels with bonus material; authors have also been accused of using bots to artificially inflate their reader tally.)

Although many of the romantasy agents, writers, and editors I spoke to were not concerned about the field’s frenetic pace, a few felt that it could be overwhelming. “I think it puts authors in an impossible position,” the award-winning fantasy novelist Holly Black told me. “No one wants to cut corners on quality, and so you have to do this kind of heroic thing to get your book to be how you want it in a time frame that’s pretty much impossible.” The same conditions that promote speed can also foster “a pressure toward clickbait,” she added. Authors identify the most irresistible tropes and reproduce them as efficiently as possible. The book blogger and author Jenny Trout told me that, “in romantasy, copycats are commonplace. Authors are giving the people what they want, but it’s also like you’re reading the same book over and over again.”

To stand out, Entangled combines a careful attention to the physical look and feel of its novels—its deluxe editions, with adornments such as foil and stencilled edges, pop on Bookstagram—with a strategic, at times unconventional production process. The house accepts manuscripts from authors with a clear concept of what they want to write, but it also works collaboratively on special projects, in which “we are invited into the author’s process from day zero and continue in that spirit throughout editing,” Pelletier told Publishers Weekly. Entangled’s biggest romantasy titles, including Yarros’s “Empyrean” series, now come from its Red Tower imprint, whose model falls somewhere between that of a book packager and that of a traditional publisher. Book packagers assign teams of writers and editors to create content for an outside client, who can request specific elements, such as “the fae” or “hockey-themed romance.” Often, the writers receive a flat fee for their work (“work for hire”), sign over their I.P. rights, and are not entitled to royalties. Packaged titles are relatively safe bets for publishers, offering agility and responsiveness to subtle changes in market demand. Still, many houses want to avoid the perception of either working with packagers or packaging themselves, so as to attract prestigious authors and dodge accusations of predatory contracts.

Pelletier denies engaging in book packaging, but acknowledged, through her attorney, that, “unlike some other traditional publishers, Entangled tends to work more with its authors at the ideation stage to try to organically bake in a high concept.” “Crave,” according to the defense counsel, was “a collaborative project with Pelletier providing to Wolff in writing the main plot, location, characters, and scenes, and actively participating in the editing and writing process.” On the phone, Pelletier, a former software engineer, insisted that her approach isn’t particularly different from those of “publishers in New York.” (Entangled has no physical office; Pelletier operates out of Austin.) “They do the same thing,” she told me. “I’ve just been very successful at it.”

Opinion on Pelletier in the industry is divided. Publishers Weekly named her its 2024 Person of the Year, citing her “out-of-the-box” thinking. The agent Beth Davey called her “a visionary, brilliant marketer.” Trout, the author and blogger, described Pelletier as “shady” and characterized Entangled as “a Mickey Mouse operation” pushing “nice, nonpolitical white ladies who are good at being pretty in photos and building parasocial relationships online.” One of the more than fifteen writers I spoke to for this piece told me that she’d met with Pelletier to discuss her finished book, but that Pelletier had urged her to develop an entirely different, as yet unwritten, story idea, complaining that “the problem with traditional publishing is that they just let writers write whatever they want, and they don’t even think about what the TikTok hashtag is going to be.” (Through her attorney, Pelletier said she didn’t recall any such conversation and that “Entangled doesn’t rely heavily on hashtags when marketing books on TikTok.”)

Buried within Pelletier’s deposition testimony is an origin story for “Crave.” Toward the end of the twenty-tens, she decided that the time had come for a vampire renaissance. A decade had passed since the “Twilight” movies, and she’d read that fads take about ten years to cycle back around. She’d also heard that teen-age readers weren’t finding the current wave of paranormal heroines relatable enough: the characters were too sure of themselves, too perfect. Pelletier, whose colleagues describe her as a gifted trendspotter, wanted a “fish out of water” story, one that thrust an ordinary girl into a rarefied world.

Early in 2019, an Entangled author was unable to deliver her book as planned, leaving a gap in the schedule. Wolff and Kim both recalled Pelletier needing a writer who could produce good work at a sprint. Wolff is “one of the fastest, but not the fastest writer I’ve ever worked with,” Pelletier said to me. Abrams reached out to Wolff, who responded with five pitches, the second of which featured a sexy, degenerate teen-age monster and a straitlaced scholarship student. With Abrams as an occasional intermediary, Pelletier and Wolff hammered out a basic story shape.

At the time, Wolff was regaining her footing after a difficult period. Her twenty-year marriage had fallen apart a few years earlier, and divorce was not ideal for an author trying to convert fantasies of romantic bliss into rent and groceries. Wolff had written paranormal fiction before, but love stories were her O.T.P., her one true pairing. She was nervous about jumping into the vampire tradition. “I didn’t think I had anything new to bring to the table,” she told the podcaster Hank Garner in 2020. But her doubts lifted when the series’ heroine, Grace, popped into her head and started talking. “She was funnier than I expected,” Wolff told Garner—witty, spirited, a bit sarcastic. In a Q. & A. with the Nerd Daily, Wolff said, “I actually identify a lot with the heroine, Grace. There’s a lot of me in her, including the snarky sense of humor—especially when things get bad.”

The process of putting out “Crave” was chaotic. Wolff wrote a rough draft in two months, from May to June of 2019, but Pelletier didn’t start editing in earnest until December, several weeks before the book was scheduled to go to press. “My editor had a couple of other projects that she was working on,” Wolff recalled on Garner’s podcast, “and then when she came back, she was, like, ‘This is good, but’ ”—Wolff’s voice sped up as if to simulate a torrent of feedback—“ ‘you need to change this, you need to change this . . . you need to add that.’ ” The pair of them revised the manuscript, adding about fifty thousand words in a week and a half. Wolff said, “We were so exhausted . . . the two of us by the end were blithering idiots.” The novel came out in April, 2020. A sequel, “Crush,” followed in September, 2020, and two more, “Covet” and “Court,” appeared in March, 2021, and February, 2022. (During her deposition, Wolff explained that she wanted each title to evoke love, a statement that confused the lawyer, who asked, “What does court have to do with love?”)

Entangled was motivated to push the sequels out swiftly because COVID was catalyzing book sales. Correspondence among Kim, Pelletier, Abrams, and Wolff suggests that, in the hectic days and hours before a book deadline, an already collaborative creative process could become an all-out emergency. It was sometimes hard to tell who added what. “Love ‘our tree of trust is just a twig’ did you write that?” Kim texted Pelletier, about a line in “Crush.” Referring to a different line, Pelletier said, “I wrote that sentence, but I was using Tracy’s voice.” And: “I came up with every header but the first chapter lol.” While closing “Court,” which was on a particularly tight schedule, author, editor, and agent supplied sentences and ideas, all of which swirled together in the various documents being updated in tandem on each of their laptops. Pelletier asked Kim, “Tracy wrote that moonstone description?” Kim texted Abrams, “Tracy and I are team speed writing new scenes,” and “I’ve stopped copy editing because I helped write all this.” (The defense said that Kim’s contribution “was extremely limited and was entirely technical.”)

Wolff seems to find value in a more coöperative workflow. She described herself to Garner as “one of those weird . . . very rare extrovert authors” who “loves to go on writers’ retreats and loves to meet up at, you know, Barnes & Noble and write with their friends.” Like Wolff, Grace is a team player, the center of a big ensemble cast. There are also nurturing Macy, the “cheerleader” of the crew, and tough-as-nails Eden. Wolff told me that she wanted to use her novel to “talk about feminine strength in all its forms.” Her female characters “build the life that they want, not on the shoulders of others, but with others.”

Wolff is an only child. Her father died unexpectedly when she was twenty-two; a few months later, she suffered her first panic attack. Grace, the “Crave” heroine, is also an only child who has panic attacks stemming from the loss of her parents. “I was absolutely channelling some of my own past,” Wolff told me. Her present was impinging, too. She was falling in love with her current partner while she was writing “Crave”; she suspects that some of her elation soaked into the story.

In the “Crave” series, Grace speaks in a knowing, casual, Avengers-inflected tone. Referring to her gargoyle nature, she says, “I sleep like a stone—pun totally intended.” Facing down an abominable beast: “Yep, we’re all going to die.” The series renders the potentially odd and inward aspects of fantasy salable—paranormals are just like contemporary humans, with familiar psychologies, politics, and value systems. They even like the same Top Forty pop songs. World-building details, such as the logistics of being a vampire, are left unexplained. Dénouements can feel duct-taped together, with jarring omissions and convoluted exposition. In the course of the series, characters learn never to underestimate themselves; they grasp the importance of empathy, forgiveness, and friendship; they manifest prolific and appealing forms of feminine power. Most vivid by far are the sex scenes. “Tracy is a romance writer at heart,” Pelletier told me.

Freeman’s manuscript is quieter, more internal. Unlike Wolff, she always knew that fantasy was her genre. She’d immersed herself in Tolkien growing up, and she used to imagine that the people walking around Anchorage were deer shifters or veela, long-haired maidens who called down storms from the sky. She wanted her novel to be as awash in mysterious possibility as her adolescence had been. Her book’s posture toward the natural world is one of respectful awe; reading it, you sense a deeply ingrained isolation.

In “Blue Moon Rising,” Anna is reeling from the sudden loss of her father and his parents. This struggle is drawn from Freeman’s life. When she was four and a half, she and her mother returned from a trip out of state to a completely bare apartment. Her father had left, forcing a split between Freeman and the paternal side of her family. “I wanted to write about a heroine who has tremendous courage because she has panic attacks from loss,” Freeman told me. “She thinks about loss all the time. It’s a thorn in her heart.” Shadowy father figures loom over the story. In one version of the manuscript, Anna’s father is a wise werewolf. In another, he is a cruel vampire prince.

The female characters are foils and antagonists to the heroine. Anna feels judged by her childhood friends: they’ve been “acting moody and unpredictable,” she narrates in one draft. “I felt constantly on edge with them.” At home, the most dramatic conflicts unfold between Anna and her mother, Marcheline, who can be warm and loving but also “controlling,” “obsessive,” “crazed,” and occasionally violent. “It’s like M is schizophrenic with her,” Freeman wrote in one e-mail to Kim, after they had already been going back and forth about the manuscript for six months. “Nice one moment and shredding her ego to bits in the next.”

Part of the reason Freeman was drawn to Kim as an agent, at least initially, was that she seemed to respect the uniqueness of Freeman’s vision. According to Freeman, Kim praised her unusual writing voice, which blended dreamlike imagery with wry humor. (“The moon is full overhead, pregnant with possibilities and none of them good.”) Kim loved the dramatic setting. They spoke on the phone for hours, Freeman says, with Freeman explaining her inspirations, her family and personal life, and her plans for a larger series based on “Blue Moon Rising.” In Freeman’s recollection, Kim would often say that she didn’t have such lengthy or intimate conversations with her other clients. (Kim denies saying this and does not recall any extensive conversations about Freeman’s personal life.)

Freeman was eager to respond to Kim’s suggestions. Kim wanted to see more strength and agency in Anna, the heroine, and Freeman revised the manuscript so that Anna went to greater and greater lengths to rescue her werewolf mate. She produced copious notes, chapter synopses, and character descriptions for Kim; she wrote pitches and taglines and letters for Kim to send to editors. Throughout, she says, Kim insisted that the manuscript was close to being ready. In one e-mail, from June, 2011, Kim wrote, “You’ve been a real pro throughout this revision process so I’d figure you’d want to really wade in those final slogging steps and be rewarded with true greatness!”

But, as the months dragged on, Freeman’s hopes began to wilt. No matter how many times she renovated the main arc, developed a subplot here, updated the lore there, she couldn’t bring the book to where Kim said it needed to be. She believes that she sent her agent at least forty meaningfully different versions of her manuscript. She started to refer to Kim’s edits as “the hydra,” an allusion to the many-headed monster that sprouted two new heads every time one was chopped off.

In September of 2013, Freeman sent Kim a fresh synopsis of her novel. The agent replied in a tone she hadn’t previously used. “My comments don’t always seem to lead your book to the next level,” she wrote. “I really think you owe it to yourself to be really certain you are putting the best book out there.” At the end of the message, she wrote, “I know this email is long and perhaps long overdue. You deserve honesty from me above all else. . . . But the bottom line is you need to move forward and I need to move forward too.”

In Kim’s recollection, Freeman took up less time than some of her other authors—she remembers that Freeman was juggling work and other commitments���but Kim did try to make Freeman feel valued. “Looking back, I feel very proud of the work that I did with her,” Kim told me. “So having that thrown back in my face is very sad,” she said. When we spoke, she stressed that she values “each and every one of my authors so much that it’s just so painful to think that anyone would think that I would do this to them.”

Wolff and Kim were close. Kim’s daughter, Eden, was one of “Crave” ’s first readers, and Wolff named a character Eden in gratitude. Kim’s contributions to the “Crave” series sometimes extended beyond the traditional work of even a very hands-on agent. She helped to create the project’s “bible,” a compilation of names, backstories, and details that Wolff used to keep tabs on Grace’s expansive universe. She proposed plot points: What if two witch characters “are just texting”? What if the magical portals malfunctioned? When Wolff was on deadline for “Court,” Kim sat in a Google Doc with her for nineteen hours, allegedly to provide moral support. “I want to help you rage finish the rest of this book,” she texted on October 24, 2021. Then she suggested that they get coffee “and crash it out.”

Kim didn’t always evince this level of enthusiasm for Freeman. On October 10, 2013, Kim pitched “Blue Moon Rising” to Liz Pelletier, addressing the Entangled publisher as “Lynne.” The language feels boilerplate and impersonal. “If you are looking for something unique in young adult paranormal romance,” Kim wrote, “this is something I think would be a perfect fit for you!” Pelletier forwarded the pitch—without reading it, she claims—to Stacy Abrams, who requested the full manuscript on October 18th. Kim replied on October 23rd. “Hi Stacy,” she wrote. “Sorry for the delay. Here you go! And aren’t you happy about Tracy? I am!” Abrams agreed that she was happy about Tracy, whose new Entangled book was doing well. She also gently noted that Kim had forgotten to attach Freeman’s novel to her e-mail.

An effective romantasy novel conveys the experience of falling in love, but it also touches on themes of talent and purpose, of becoming who you were meant to be. A girl is ordinary and then she is chosen. Her destiny is to wield power beyond imagination. A cold, hard man turns malleable in her hands. Those who dislike her are jealous, those who disagree with her are evil, and those who try to stop her are vanquished—righteously.

A decade or so ago, Y.A. readers telegraphed their fandom by affiliating with types. They picked a Hogwarts house or a Divergent faction to identify with; they declared for Team Edward (the vampire in “Twilight”) or Team Jacob (the werewolf). But romantasy novels are more character-driven, and readers approach them more individualistically. They come to the genre concerned about their own place in the world. “A really good writer makes you feel like a book is about you,” Kim told me. She suggested that maybe Wolff had performed her job too well: Freeman looked into the “Crave” series and encountered her own reflection.

A paradox of romantasy novels is that they express the longing to be unique, but they pour that desire into imitative forms. Many of the genre’s tropes are clichés about specialness. When the heroine is discovered to be secret royalty or the chosen one, readers feel singular, like they are the main character. Both Wolff and Freeman emphasized to me the deeply intimate experiences that fed into their books—falling in love, becoming a mother, struggling to accept the loss of a parent. They lived their tropes. Wolff, a contemporary romance writer who dove gamely into vamps-and-shifter lore, was the normal girl in an alien new world. Freeman was the lost child with an attunement to nature who comes into her power. Maybe these experiences were universal, but they were also personal. If it happened to you, how could it not be yours?

But life isn’t a romantasy novel. For every Sarah J. Maas, there are thousands of first-time or self-published writers toiling away in obscurity. The promise of the genre is transformation—reality into fiction, vulnerability into strength, humans into animals, ordinariness into distinction—but the labor of producing romantasy rarely changes your life. Some authors get picked, and many more do not. The outcomes can feel especially arbitrary when everyone is telling more or less the same story.

The defendants fear that the suit may embolden bad actors to weaponize copyright law against talented and successful authors. Pelletier cautioned that she could see why I might be drawn to a salacious tale of betrayal, but that the real story of the lawsuit was the threat posed by fencing off the creative commons, discouraging writers from crafting their own narratives of alluring monsters or forbidden love. She spoke about a “well” of shared ideas, imagery, and language that irrigates our cultural life and enables our traditions to morph and evolve. “You can’t claim ownership to the well,” she said. “It will stifle everyone’s creativity.” Referring to Freeman, Pelletier added, “She doesn’t own heroes in black jeans, as much as she would like to.”

Black told me, “It’s just true that there are enough things being written, when you’re working with tropes and tradition and folklore, that sometimes you hit some of the same things.” But she dismissed Pelletier’s anxieties about repercussions from the coming verdict, saying, “I don’t think it’s going to create some kind of new standard.” Trout likewise warned against extrapolating too much from a sui-generis situation. “The case with ‘Crave’ and ‘Blue Moon Rising’ is not simply about tropes,” she said. “The books are too similar.”

The defense is right that no one could mistake the experience of reading “Crave” for the experience of reading “Blue Moon Rising.” Wolff’s story is sassy, fun, commercial, and hot. Freeman’s is raw, ruminative, interior, and possibly unsalable, given the murky volatility of the family dynamics and the protagonist’s wariness, bordering on hostility, toward other women. What is strange and spiky in one is palatable and familiar in the other. Freeman strews esoteric asides about Egyptian mythology, Captain Cook, and the passage of Celtic artifacts from New Zealand to Alaska, which have no counterpart in the “Crave” series. (Instead, there are the singer-songwriter Niall Horan, Restoration Hardware catalogues, “Final Destination.”) The mysticism that pervades “Blue Moon Rising” is muted in Wolff’s novels. The sense of phantasmagoria and unreality is gone. Many of the details that overlap are tropes, or close enough. Many more are trivial: the color of a character’s eyes, the title—such as “Bloodletter”—by which she is known.

But the preponderance of commonalities and the sum of how they unfold is harder to discount. Wolff said that she’d been “completely blindsided” and “devastated” by Freeman’s accusations, and that she “hurt for everybody involved in this case.” “I didn’t do what I’m accused of,” she said. Freeman, who has sold her home in Alaska to pay her legal costs, told me that she was fighting in part because she no longer saw herself as unique. “If this can happen to me,” she said, “it could happen to somebody else.” ♦

I admit I always find it funny when people whose entire business is media give on-the-record quotes that sound this much like the villain of a movie about hosting a charity talent show to save the beloved local library.

[chuulyssa]

୨・──── ALL I WANT IS LOVE THAT LASTS, IS ALL I WANT TOO MUCH TO ASK ? ────・୧

link to part i

pairing ⸺ satoru gojo x reader

teaser ⸺ trying to mend your broken bond with gojo satoru becomes difficult at the entrance of a rival, a distinct memory from your past. torn between love that aches and love that heals, you are left to pick up the remnants of what could have been and lay to arrange what will be. choices hold the power to break or mend, and satoru meets your guarded heart that threatens to either tear you apart or weave you back together. will satoru be able to win you back in time — or will the scars of yesterday refuse to tie you to a love that was never meant to be?

content ⸺ fluff, mostly f!reader, heavy angst, misunderstandings, mutual pining, slowburn, hurt/comfort, angst with happy ending, love triangle, shitty choices, implied abuse, jealousy, implied torture, implied slavery, mentions of grape, death, massacre, murder, royal!au, magic!au, historic!au

count ⸺ 22k + 2k

author’s note ⸺ so this marks the end of the series with gojo! watch out for ones with other characters <3 this came out way later than i had expected it to, oof. sorry to keep all of you waiting! for some reason tumblr is not letting me post the whole thing, so if you want to read what happens after 22k words, i’m leaving the ao3 and wattpad links as well.

🎧 ao3 wattpad

Three years had passed since that incident. You were now twenty years old, working a respectable job at Jujutsu High as a teacher. It was nice to utilize the knowledge you had gained back at the School of Royalty. Jujutsu High, as a school, was similar to the one you used to attend as a child, except the children here were far more humble.

You preferred this over anything else though. You wouldn’t want to spend the rest of your time around spoiled kids who had never heard the word ‘no’ in their lives.

It wasn’t necessarily the kids of the nobility that you despised, but rather the ideologies they carried with them. You still cringed remembering Kamo Alina babble about traditions “back at her kingdom”. Perhaps you had hatred against all noble clans, except your own, the Gojo clan, of course. The rest seemed too hollow and self-absorbed, and their kids seemed either too coddled or too burdened.

You were in charge of the first years at the school. You had few students, but they were all the best ones you could ask for: Maki Zenin, Toge Inumaki and Panda.

Maki was from the Zenin clan, whom you knew to be cunning and sly. She was very different from what the papers said about her lineage though — Maki had a knack for being good at fighting and war skills, whereas her clan was famous for running with their tails in between their legs from their opponents. You had caught the little girl staring at you more than once during your training sessions with Utahime. It was nice to have her watch; perhaps it was best that way for her to learn the things you did as well.

Toge was from the Inumaki clan, and used to speak in only food ingredients to not accidentally curse those around him. And finally, Panda was the ‘son’ of Principal Yaga, and a cursed corpse.

Here, you were glad you weren’t in charge of shaping heirs of stupid clans in a factory. Rather, you were to train and enhance those who were willing to learn. And in this humble, quiet school, you had found something even the nobility, who looked down upon the place as often as they could, could never offer to you: peace.

Things back at home… weren’t the best. Satoru was almost always away for ‘missions’ with Suguru, and it had been a long time since the two of you had even seen each other, let alone talk. You couldn’t recall the last time you both even sat together in the same room alone. He never told you where he was going, and you never asked — what was the point after all? He wouldn’t say even if you screamed at the top of your voice.

His mother had quite a few times tried to fix the situation between you two, but it never worked. Satoru had developed a strained relationship with his mother as well. After all, she had a hand in keeping the secret of your engagement from him, so how could he trust her again? Every time she tried to help, the gap between the entire family seemed to widen even more. It didn’t help that his father had stopped talking completely to his mother as well. There were rumours around the clan that the leaders were sleeping in separate rooms after that incident with the Kamo clan. You would have felt bad for her, if you didn’t feel worse for yourself.

Shoko had decided to pursue her medical education in a different kingdom. There was a void from where she had left, and although you were happy for her that she was able to live her dreams, the emptiness you felt whenever you reread your old letters made you feel sorry for yourself.

Utahime had been the only one to stay back with you. When you told her about your plans to teach at Jujutsu High, she immediately dropped her own things and joined the same school. You would often feel guilty for leading her to a different path than she had originally intended, but she would constantly reassure you that she would never have it any other way. At the school, the two of you would fool around with each other a lot, but the hollow space left by the old memories of the others would always nag at your brain the second you were by yourself.

Dinnertime at the table became a quiet affair. Oftentimes, while playing with the food on your plate, you missed the old banters between Satoru and his father. It almost felt like a distant memory from a whole other timeline, as if those little moments never happened at all. You usually ate your dinner alone in your room now, since it wasn’t worth coming all the way to the dining room anymore. Satoru’s father ate out every day, and his mother used to be the only one to eat at the table. If it weren’t for her, you wondered if you would be eating at all.

This night seemed like any other night when you had decided to eat at the table. Yet you couldn’t look up at your mother’s face and into her eyes. She looked paler than ever as if she was sick. Her eyes seemed hollow and dark, and if it weren’t for the tight grip she had on her chopsticks, you would have wondered if she had any strength in her left at all. After finishing your food quietly, you set your chopsticks down, and were about to stand up to bow and leave, when she stopped you.

“Stay,” she said this one word softly, and it took everything in you not to collapse in her arms at the sound of her weak voice. She didn’t look at you directly, but rather somewhere on the table, and she looked as if she was lost in thought, though you knew she had become this way ever since that night.

You sat back down, and stared at her as her grip on her chopsticks tightened ever so slightly. She opened a quivering lip to speak. “My son... my Satoru... He’s never been this upset… at me.”

You swallowed. He had never been this upset at you either. He had never been upset at all. You used to wonder if Satoru Gojo even had the word ‘upset’ in his dictionary. And now that was all you could see.

“I just hope…” she trembled slightly, “... that you can find it in your hearts to… to forgive me.” She looked up, and you looked away, for you knew the sight in front of you wouldn’t let you breathe another moment. You knew she was holding back tears. You were too.

“There is nothing to forgive,” you croaked out, hoping what you were saying was making sense. “I just wonder if this is worth going about if he isn’t happy with it.”

“It’s not, you’re right,” she murmured, looking back down to her plate. “I was a princess. I was told I could never be wrong. Yet here I am, hoping I am not, even though every cell of my body tells me I am.” Then she looked right into your eyes, and something in your heart broke again at her state. “Would you want to marry someone who was not him?”

You stopped. No. No, of course not. No, you would never, ever even dream of marrying someone that wasn’t him. But what could you do now? What could be done? If he did not want it, then how could you? How could you do something like this to him against his will? So slowly, you nodded. “Perhaps I could think about it. But not now.”

“I understand. Goodnight to you.”

“Goodnight, mother.”

──── ୨ৎ ────

“Good morning, Miss!”

“Good morning, Miss.”

“Salmon.”

“Yes, yes, good morning to all of you. Hurry up now, the first class starts in 15 minutes,” you said swiftly, waving at the kids. You turned to Utahime, who was staring at the parents dropping their kids off to catch some hot single dad she, or rather you, could have a chance with. “What class do you have first, Miss Transfiguration?”

“The annoying third-years,” she grumbled. “How about you, Miss Charms?”

“My first years. I’m charmed.”

“Sure, you are.”

You watched the carriage Maki had stepped out of. It was rather modest for someone of Zenin lineage. But what really caught Utahime’s attention wasn’t the car — it was the man who stepped out to escort Maki.

He was tall, with dyed blond hair that shimmered under the morning light, and striking brown eyes. Utahime froze.

“Wow.”

“What?”

“Wow. Is that… him?” she whispered, gripping your arm.

“Him?” you asked.

“The guy! From years ago!” she hissed as if that explained everything.

You raised an eyebrow, watching as the man exchanged a brief word with Maki before returning to his carriage. “Iori, you’re not making any sense.”

Utahime pulled out her wand and immediately began tapping it on her temple at a rapid pace. “Don’t you remember when those exchange students introduced themselves? In the hall? That cactus transfiguration kid? This is him. Look.”

A floating picture hovered in your hands. It was slightly blurry, moving up and down serenely, but you could make out the younger version of the man fixing his carriage in front of the school gates clearly. You blinked at the picture, then at Utahime.

“You… remember him enough to produce this complicated magic?” you asked, though you didn’t know whether to be amused or alarmed.

Utahime shrugged unapologetically. “You gotta do what you gotta do.”

You sighed, shaking your head in disbelief. “‘hime, you’re a stalker.”

She grinned, utterly unbothered. “A resourceful stalker, I’d say. Anyway, don’t you think he’s—”

“Don’t say it,” you warned, already seeing where this was going.

“—handsome?” she finished, her grin widening mischievously.

You groaned, covering your face. “Utahime, he’s Maki’s guardian. You make it sound like I’m ready to adopt her or something. That’s weird.”

She waved off your protest, nudging you playfully. “Come on, he’s single. Uh, probably. And if he’s not, well, that’s just unfortunate for him.”

“Why are we even talking about this?” you muttered.

“Because,” she said with mock seriousness, “you’ve been single for far too long, and this is an opportunity. So…” She leaned closer. “Why don’t you try flirting with him?”

You stared at her like she’d grown another head. “Preposterous. Absolutely not.”

“Why not?” she teased, clearly enjoying your discomfort.

You glanced at the man who was now pulling away in the carriage looking like a war hero, and then back at Utahime. “Because I don’t feel like dying today. You know, the Zenin clan and all of that?”

She laughed, throwing an arm around your shoulders as you both headed back inside. “Suit yourself, but just know — I’m rooting for you!”

“Utahime,” you sighed, “you’re impossible.”

But her laughter was infectious, and you couldn’t help it.

You smiled.

──── ୨ৎ ────

The staffroom was unusually quiet, save for the faint scratch of your quill against parchment as you graded the first-years’ essays. Utahime, however, was anything but quiet. She had perched herself on the edge of your desk, her hands gripping the back of your chair as she swung it gently back and forth.

“Flirt with him,” she said.

“No,” you replied flatly, not looking up from the parchment.

“Come on, just a little?” she coaxed, leaning over your shoulder and nearly smudging the ink you’d just scrawled across a particularly poor attempt at a levitation charm essay.

You leaned back slightly, giving her a deadpan look. “Utahime, I am trying to work.”

“And I am trying to help you!” she shot back, as if her nagging about your love life was an act of selfless charity.

You sighed, putting down the quill and crossing your arms. “For the last time, I am not flirting with Maki’s guardian. That’s weird.”

“It’s not weird. It’s romantic,” she argued, dragging out the last word like it was a persuasive spell. “You’re single. He’s single—”

“We don’t know that he’s single,” you interjected, but Utahime waved you off.

“Semantics,” she said. “The point is, he’s clearly into you. Did you not see the way he looked at you yesterday?”

“The reason he even looked at me was because you shoved me in front of him like a sacrificial lamb,” you retorted.

“Details,” she said breezily, now swiveling your chair side to side. “But seriously, what’s the harm in a little bit of flirting? He’s charming, dashing, hot, and you’re… uh, you…?”

“Wow, thanks,” you said dryly, though you couldn’t hide the small smile tugging at the corner of your lips.

She grinned. “See? You’re already warming up to the idea,” she leaned in close to your face.

The door swung open. There he was, the same man both of you had just been talking about. He took one look inside the room and raised an eyebrow. Your eyes widened, because of course, without any context it looked like you and Utahime were just about to kiss. You shrieked and pushed her away and she laughed at you, though she stopped when she saw the man judging her silently. Maki face-palmed behind the man.

“Excuse me if I am interrupting something intimate,” he looked at you. “We had an appointment regarding Maki’s performance, yes?”

“Ho ho ho! Yes you did!” Utahime giggled and left the room, and it seemed like she had taken all the comfort out of it too, leaving you, him and Maki standing in it, staring at each other awkwardly. Maki coughed loudly and excused herself, and you made a mental note to reduce some points on her essay.

You cleared your throat as he took a seat across from you. His presence seemed to shrink the staffroom. He leaned back in the chair as if he owned the room. You focused on the stack of papers in front of you, determined to act professional. In your mind, you could hear Utahime’s voice still echoing: Flirt with him!

He folded his hands on the desk and his gaze flickered briefly to the papers in your hands before locking onto your face.

“I have to ask,” he began casually. “Are you and that colleague of yours… together?”

You froze mid-flip of Maki’s report card, staring at him as if he’d just asked you to duel. “What?”

He leaned back slightly with a faint smirk. “You and that woman. The way you two were before. It crossed my mind that you might be…” He trailed off.

“I’m not— she’s— what? No!” you sputtered, feeling your cheeks burn.

“Ah,” he said softly, as if the weight of the world had just been lifted off his shoulders. “Thank heavens. I wouldn’t have known what to do with myself if you were.”

You blinked. “Excuse me?”

His smirk softened into something more playful. “Well, I’d have had to rethink all my plans, for starters.”

“Plans?” you echoed, your voice coming out higher-pitched than you had intended it to be.

“Mhm,” he murmured, tilting his head slightly. “Plans like how to win your favour, of course. You can imagine how devastating it would’ve been to learn I stood no chance from the start.”

You could feel your brain short-circuiting. Was he flirting? Or was this just his sense of humor?

“I— uh— Maki!” you stammered, blurting out her name like it was a life saver. It technically was. “We’re supposed to be talking about Maki’s progress!”

“Of course,” he said smoothly. “Her progress is paramount. But forgive me — I’m a man of focus, and right now, my focus seems to have shifted.”

“Let’s have it shift back to Maki then,” you insisted.

He chuckled softly, leaning forward just enough to close the space between you ever so slightly. “As you wish. But if I may, just one more thing.”

You hesitated warily. “…What now?”

“You have the most fascinating reactions,” he said. “I could watch you get flustered all day.”

Your hands gripped the papers tightly, and you let out an exasperated sigh. “Mr Zenin, do you ever stop talking?”

His grin widened. “Not when I’m talking to someone this delightful. And it’s Naoya, to you, darling.”

──── ୨ৎ ────

For the school’s 107th anniversary, you and the other teachers had decided to plan a surprise event for the students, guardians and even the principal. But as you stared at the chairs lying askew everywhere, and the food stall looking like it had undergone a raid, you sighed. Who would have to clean everything up in the end? The teachers, of course.

You bent down to pick a random flask up from the ground, and you looked up to see Naoya standing at the entrance of the schoolgates. You watched as he shooed away the carriage with Maki and their driver in it, and walked towards you.

You got up quickly and panicked, eyes darting everywhere to see if he really was walking to you or not. Naoya stopped in front of you, and suddenly the flask in your hands seemed too heavy. You dropped it, but he caught the tin, lips curving into a smile at your surprise.

“Astonishing reflexes, hm?” You nodded at his words and he laughed. “That was quite the show, I believe. You handle large crowds really well.”

You half-laughed at the compliment, looking down at your shaking hands. Why were you so nervous?

“Yeah, well, the crowd has departed now, and this is the tough bit.”

“I can help,” he smiled at you, and you blinked in surprise.

“Ah, you don’t have to. Besides, we can’t make guardians work for us.”

“I insist.” He pulled the sleeves of his shirt up and put his hands on his hips. “Where are the inconveniences that have you so troubled? I shall fight them.”

You snickered a bit. His dramatic actions reminded you of someone.

A certain someone.

Maybe that’s why you liked his company.

You snapped out of your thoughts when you saw him staring at the upturned tables with dread. “Has there been a call of war here?”

“Close enough. The seller had mochis on his bill of fare.”

“That sums it up. But you can’t possibly expect me to dirty my hands with this. A nobleman shouldn’t be doing manual labor,” he shook his head and sighed.

You raised an eyebrow at that. “You’re the one who insisted on staying to help.”

Naoya grinned. “Well, I can’t leave my favorite teacher to fend for herself. Besides…” He picked up two chairs effortlessly with one hand, and turned around to see if you were still watching. “It’s a chance to show off.”

Maybe it won’t be as boring with him around after all.

You had found yourself in this lonely teahouse far more than you could admit for someone of your status. It usually buzzed with the chatter of lonely workers, gossiping seamstresses and little children. But it was better, far better than what was going on at home anyway. You stared at your chawan, and put your fingers around it to drink. But the vessel was hot, and you hissed as you withdrew your hand back, the tea inside seemingly hissing back menacingly.

“Careful, darling,” a voice said from behind you and you jumped. “I said, careful,” he taunted, rubbing the top of your head affectionately. You looked up to meet Naoya’s eyes, your own widening when you saw him.

“Naoya!”

“Fancy meeting you here. I didn’t think I’d find you in such a quaint little spot.”

“Me neither. Isn’t this place,” you waved around at the dull walls of the room, “below your usual standards, Mr Zenin?”

He crossed your table to pull out a chair in front of you and sat down. “I could say the same about you. Or perhaps,” he brushed his fingers on your lips to wipe the wetness of tea from earlier, “we were led here by fate.”

You choked on air at his action. “Fate? We’re just at a teahouse. It’s not exactly a meeting of the stars.”

Naoya grinned at your fluster, and leaned forward playfully. “Ah, but you see, fate works in mysterious ways. And right now, it’s working to bring me closer to the most captivating woman in the room.”

“Ha, ha,” you mumbled, staring into your vessel to avoid meeting his eyes. “You talk too much.”

He laughed softly. The server arrived with a platter of sweets, and bowed, “For the lovely couple.”

You spat the tea you had just sipped out. “We— we’re not—”

“Thank you, miss,” Naoya interrupted you swiftly, and nodded at the server, who immediately straightened up to take his leave.

You stared at him, aghast. “Naoya, we’re not—”

“Not yet, at least. But I’m not opposed to the idea. How about we take the first step?” He leaned in closer and planted a teasing kiss on your cheek.

Your jaw dropped — from embarrassment or at his audacity, you did not know. “What—?”

“There. Now we’re official.”

──── ୨ৎ ────

You clutched your bag tightly. Great, another rainy day. And you had refused the umbrella your maid had offered to you as well. Sighing, you looked at the sky. The downpour didn’t look like it was going to stop anytime soon. If only a miracle happened that would escort you back home safely.

“Stranded, are we?” Naoya’s voice broke through the rain. You turned to see him standing with a pristine black umbrella, grinning at you as if he was not surprised at all to meet you here.

“Yeah. You stayed back? Where’s Maki?”

“Oh, I left her to go home in the carriage,” he shifted the handle of his umbrella to one shoulder. “Need me?”

“I’ll manage,” you replied, not wanting to disturb him. Though part of you wondered whether he would be here if you hadn’t been stuck here as well.

“Let’s not ruin such a lovely sight with such a disaster. Come on, I’ll walk you home.”

“I’ll be fine, really. You don’t have to—”

“I insist. Or would you prefer I let you catch a cold? Then you’d have no choice but to rely on me to nurse you back to health.”

You groaned. “You’re impossible.” Realizing you had no way home without his help, you stood under his umbrella. He grinned at you, tilting the umbrella more towards you to shield you from the harsh rain.

“You’re getting wet,” you pointed out.

“It’s a small price to pay.” He glanced at you with a sly smile. “Don’t tell me you’re worried about me.”

“I’m not,” you scoff slightly.

“Good. I’d hate for you to think I’m fragile.”

The walk ahead was comfortable, although you didn’t think that was the case for Naoya. By the time you had reached the entrance of the clan, you could see Naoya’s sleeves were drenched. But he didn’t seem to mind at all. His eyes followed something ahead that you coulldn’t see through the fog that covered the atmosphere.

“Naoya? What are you looking at?” You asked, and he huffed in irritation — more so at the thing he had seen than at you.

He wrapped an arm around your waist and you involuntarily sucked your stomach in at it. He led you to the figure.

White hair… Lovely blue eyes…

Your fiance who refused to be yours.

Gojo Satoru.

He was leaning against a pillar with his arms crossed in front of him, staring at you two through his sunglasses as if he would rather be looking at anything else than at the fingers curling around your waist.

Naoya, much to your horror, approached Satoru with you still in his arms. “Greetings,” he said pleasantly. “We’ve met before, yes?”

“Yes,” Satoru replied coolly. Then he addressed you, though his eyes didn’t quite meet yours. “Who’s he?”

You started. Fuck. What was he to you? An acquaintance? The guardian of one of your students? An associate—?

“Her boyfriend,” Naoya stepped in before you could respond, and you watched Satoru’s eyes lose what little warmth they had earlier. He turned to you as if expecting you to deny the claim.

“What? I mean, I guess…? Maybe? But I’m not sure—”

Satoru arched an eyebrow, and let out a single syllable that made your heart break into pieces all over again. “Oh.” He looked at you with an expression you couldn’t understand at all. His lips were twitched, but he wasn’t happy. His eyebrows were furrowed, but he wasn’t confused. You felt like he was toying with your brain on purpose with all the failed hints his face gave.

Naoya grinned smugly. “Don’t worry, I’ll leave her in your care now, brother.” He was clearly enjoying himself.

Your eyes widened.

Look… I’ve never thought of you that way before, okay? You’re… you’re pretty, but you’re like a sister to me. That’s how I’ve always seen you.

Satoru’s eyes darkened, and he shoved his hands in his pockets, taking a step back. “Great. Fantastic,” he mocked you. “I’m so glad you’re being taken care of, my little sister.”

A few more minutes passed, though they were so awkward you did not have the courage to relive them. Naoya had left with a smirk and a wave, and Satoru had followed you inside the estate when all you wanted to do was get away from him.

“You’re… back, haha,” you mumbled, and he nodded. The rain patted against the windowsill softly, and each drop felt like it rained in your heart.

“Is he really your boyfriend?” He blurted out.

“Huh?” You were caught off guard. “Oh, um… I don’t know? He took me out for coffee once. Does that count?”

“No, absolutely not,” Satoru scoffed.

You paused. And then you let out a laugh. He stared at you and let out a bark of laughter as well.

“Him? Your boyfriend,” he wiped the tears off from his eyes. “The audacity!”

“Typical of him, I suppose,” you chortled.

“What did he even ask you for the coffee thing?”

“He said he wanted to talk about Maki’s essays,” you snickered, and he cackled.

“Essays?”

“Yeah!”

“You know, you should probably go on a real date sometime. Just so you can tell the difference between a parent-teacher conference and, y’know, an actual date,” he rolled his eyes.

“Oh, yeah? And who’s going to take me out on this ‘real date’? You?” You teased.

Satoru froze. He opened his mouth as if to respond, then quickly closed it, his gaze flickering away from you.

You felt the awkwardness returning from earlier. Forcing out a laugh, you waved your hand dismissively. “I’m kidding! Obviously. Haha. Anyway, I should, uh, go now. Busy day tomorrow and all that. So, um, goodnight!”

You practically bolted from the room, leaving Satoru standing there, staring at where you had just been. His hand twitched as if he wanted to stop you, but he stayed silent, his jaw tightening as he watched you retreat.

You locked your door, hoping you weren’t being wishful as always when you heard the faint murmur of his voice.

“Maybe I would.”

──── ୨ৎ ────

The next morning, you stepped out of your house, adjusting your bag of supplies on your shoulder. Rejecting your driver who had offered you a ride in the luxurious carriage, you walked on, greeting the little children of the various families of your clan. Crossing the gate of the main estate, you found Satoru leaning casually against a nearby carriage, waiting for something — or rather, someone. 

“Morning,” he said, grinning like he had been there for hours. His sunglasses reflected the surprise in your eyes under the morning light.

“Uh… good morning?” You blinked in surprise. “What are you doing here?”

He shrugged at you. “Thought you might need a ride.”

“Don’t you have work?” You asked sceptically. He had had missions and trips to be on all this time, so why was he here now?

He shrugged again, shoving his hands in his pockets. “Not yet. Free morning.”

“Oh,” you frowned at his excuse. “Well, I usually just walk to work. Sorry.”

“Ah, well, no problem then,” he straightened up, brushing imaginary dust off his sleeves. “I’ll walk with you.”

“What? No, it’s alright—”

Satoru waved the driver of the carriage off and waltzed over to you. “Too late. I’m committed now.”

You sighed in defeat, letting him walk with you. Silence loomed over you, the kind that made you hyper aware of every crunch the leaves under your feet made, every chirp the birds on nearby trees let out, and even every breath you didn’t know you kept holding.

“It’s a nice morning, huh?” He finally broke the tense silence, though the strain in his voice made it even more awkward.

“Yeah it is,” you glanced and nodded at him briefly.

Another long stretch of silence. When did you two become this way? Nevermind, you remembered the day it all had started a bit too clearly for your liking. But this seemed too delicate, too much. How was your walk with the arrogant Naoya Zenin more comfortable than one with the person you had spent nearly all your life with?

“So,” he started again, clearing his throat, “you walk this route every day?”

“It’s not that far,” you nodded.

“It’s been a while since I walked anywhere,” he chuckled softly to himself.

You risked a small smile in the midst of the unpleasant stillness. “Yeah, I remember. You always complained if the carriage wasn’t ready, or if you were sent to meet other clans on foot.”

“I was spoiled,” he grinned proudly. “Still am, probably.”

Despite yourself, you laughed softly. But it was fleeting, and the silence returned to keep reminding you of how much everything has changed. By the time you reached the gates of Jujutsu High, the sun was higher in the sky. Satoru stopped a few stops short of the massive gateway.

“Well, here you are,” he turned to look at you with softened eyes.

You nodded and adjusted your bag. “Thanks for walking with me.”

“Anytime,” he smiled. Faint as it was, it still didn’t reach his eyes.

In the faculty lounge at Jujutsu High, you sat with Utahime after she had barked at the other teachers to let her have some “alone time” with you. It seemed as if although she was trying her best to get you and Naoya together, she was hardly denying the rumours between you and her.

 She suddenly perked up mid-cursing at an answer paper of one of the third-years. “Oh, right! Did you hear? There’s a new recruit for a teaching position. Principal Yaga told me yesterday.”

“Oh, cool,” you snapped out of your own thoughts about the weird tension Naoya had landed you in. “Who’s interviewing them?”

“You, duh.” You groaned audibly and she laughed. 

“Hopefully it’s not another Ijichi,” you grumbled, wincing as you remembered the interview you had with him a few months ago.

“Be nice,” she said, though she snickered at the memory. “He was just nervous!”

“Nervous?” You huffed loudly. “Utahime, the man tripped over his own feet before he even sat down. And I wasn’t even intimidating!”

“You? Not intimidating?” She raised an eyebrow. “Yeah, definitely. Tell that to the first-years.”

“I’m a delight,” you shrugged, batting your eyelashes innocently. “Ijichi, on the other hand… couldn’t even make eye contact during the interview. I had to repeat my question three times before he answered.”

“Maybe this one will be better,” she got excited, and you knew what she was thinking of before it even came out of her mouth. “Who knows? They might even impress you—”

“No,” you snapped, and she giggled.

You were in enough of what your teenage self would have called “boy troubles” already to have a third one enter your life. First Satoru, then Naoya, and now Satoru again. You sighed. Shouldn’t you be flattered that a guy like Naoya shows interest in you? He’s rich, a noble (although the Gojo clan wouldn’t care about status either way), handsome and romantic. What more could you want? But on the other hand, Satoru is… well… him? You hardly think anyone would be able to compete with the Satoru you knew.

Utahime set down her papers and held your hand, as if determined to show you how a real man should hold you. “Alright, what’s wrong?” She asked gently. “You’ve been off for days. Don’t think I didn’t notice.”

You hesitated. “Satoru,” you muttered.

“Of course,” she sighed. She inhaled loudly before— “That insufferable, pompous cretin! A walking disgrace to his lineage! I’ve met noble horses with more grace and tact! A royal pain, in every possible way. That walking definition of idiocy needs to be knocked off his pedestal, preferably into a pile of mud.”

You blinked rapidly. You’d be lying if you understood a single word that she just said.

“What does that even mean?”

“Doesn’t matter,” she waved a hand dismissively, fuming with rage. “The point is, he’s an idiot. The biggest idiot. And if he’s making you feel like this, then I’m going to—”

“Okay, okay!” You smiled faintly at her ambitious attempt to choke thin air with her hands as if grabbing his throat. “But it’s not just him.”

“There’s more? It’s alright, I can fight—”

“Not for fighting!” You added quickly, alarmed. “It’s Naoya.”

“What did he do?” She stopped her antics.

“I just feel like I’m stuck between those two,” you palmed your face. You were utterly distraught. “Satoru keeps walking me to work, like he’s trying to fix things, but then Naoya, he’s been kind, attentive, and all of the good stuff you keep babbling about. I don’t know what to do if it ever came down to choosing between them.”

She leaned forward seriously, and forced your chin upwards to meet her eyes like your second mother. “Listen. Ask yourself two questions. First: Who sees you for you? Not the ‘I’m-strong-enough-to-not-need-anyone-else’ image you’ve been trying to put up, not the teacher you’ve become, but just… you. The good and the bad.”

“And the second?” You frowned thoughtfully.

“Who makes you feel safe?” She said simply. “Not just physically, but emotionally as well. Who can you trust with your heart, knowing they’ll look after it like the finest treasure?”

Like the finest treasure? The answer was simple.

But not the one you wanted.

Not who you craved.

“You don’t have to decide right now,” Utahime gave you a small smile. “Just don’t settle for less than you deserve, okay?”

You nodded gratefully. “You’re way better at this than you seem like, you know.”

“I’m a delight,” she echoed your words from earlier, giggling.

──── ୨ৎ ────

It had been almost a month since the walks with Satoru had begun. You had hoped as time went by you would’ve gotten more used to the tension it carried, but each day seemed to offer a new, worse one. The quietness lingered heavily between you, just like it had been all this while.

“So,” he started, glancing at you, “am I annoying you?”

“What?” You cross-questioned, startled at the insecurity in his voice. “No, why would you think that?”

“I dunno,” he shrugged, trying his best to be nonchalant, but you knew him too well to know it was an act. “It’s been over a month of me tagging along, and you haven’t said much. I thought maybe you’d prefer walking with someone else. Like Naoya,” he mumbled the last part.

“No,” you said firmly. “You’re not annoying—”

“I just hoped,” he cut you off, “you’d think this was better than with him. That’s all.”

You didn’t know how to respond, so you just hummed, looking away at a nearby tree and counting the number of leaves on it.

“Yeah,” Satoru chuckled quietly, though it didn’t quite reach his eyes. “Thought so.”

You couldn’t reply to that.

“Here we are,” he murmured, opening the schoolgates for you just to find something to do. But when he followed behind you inside, you raised an eyebrow.

“You’re coming all the way in? Don’t worry, Naoya won’t step inside the school.”

“Good to know,” he adjusted his sunglasses, “but I’m not worried about Naoya.”

“Then?”

He closed the gates and turned to face you, beaming despite his earlier demeanour. “I’m a candidate for the teaching post.”

“What?!”

“What? You didn’t know?” He tilted his head, acting innocent. “Thought I’d apply for the position. Figured it was about time I contributed my immense knowledge to the next generation.”

“You’ve got to be kidding me. You? A teacher?”

“I’ll take that as a compliment even though it’s meaningless that way,” he pouted at you. He then pushed past you to the hallway. “You’re the one interviewing me, hopefully? Race you!”

“What the— Satoru, come back!” But he was already running to whatever empty classroom he could find. Talk about professionalism.

You marched off to Principal Yaga’s office and burst in, resulting in him nearly stabbing his own finger with a sewing needle. “Sir! I can’t do this.

“It’s 8 in the morning,” he sighed wearily. “And what is it that you can’t do?

“I cannot interview that man.”

“Why not?”

You gestured wildly at the hall, from where audible noises of furniture being dragged around could be heard. “Because it’s Gojo Satoru.”

“I see.” Yaga leaned back in his chair, staring at the hall with a transfixed look. “Well, if it’s such a problem, I’ll just have Utahime handle it.”

Uh oh.

“No, no. She’ll kill him. Literally.” And you didn’t feel like cleaning up a crime scene today.

“With killer questions?” He remarked thoughtfully, rubbing his chin. “Then it’s settled. She’ll—”

“No, sir! I’ll do it.”

“Are you sure? You don’t have to.”

“Yes I do,” you gritted your teeth. 

You had finally found the man after looking through twenty three whole classrooms spinning rapidly on a chair. You coughed loudly and he jumped, though he sighed in relief when he saw that it was just you.

“Thought I’d get fired if the Principal saw me this way,” he said as you sat on the chair in front of him. “And I haven’t even been hired yet. Imagine that!”

“You know I could reject you as a candidate as well, right?” You rolled your eyes.

“What? No, you wouldn’t!” He shouted indignantly. “I knew I shouldn’t have eaten your last mochi.”

“What? You ate my last mochi?”

Satoru gulped, and you groaned.

You clutched your clipboard, already regretting your decision. “Alright, Mr. Gojo. Let’s begin.”

He grinned. “Of course, Mrs. Gojo. Don’t let me distract you.”

“Let’s start with the basics,” you tried to sound as professional as you could. “What experience do you have working with students?”

“Well, I’ve been mentoring the younger sorcerers unofficially,” he leaned back in his chair with a lazy smile. “Does being charming count?”

“No.”

“Really?” He tilted his head. “Because I think it’s working on you.”

You paused. “This isn’t a date,” you glared at him. “It’s an interview.”

“So you do know what a date is,” his grin widened in size. “Guess Naoya didn’t ruin you completely.”

“Why do you want this position?” You gritted your teeth.

“Figured I’d spend more time with you.”

“How do you handle indiscipline in the classroom?” You deadpanned.

“Depends,” he tapped his chin thoughtfully. “Are we talking about kids or you?”

Fucking—

“Do you even want this job?”

“I do,” he said simply.

You slammed your clipboard on the table in annoyance and stood up. “You’re following me, aren’t you?” You pointed an accusing finger at his face.

He looked at you incredulously. “What? No. Why would I—” He stopped, and his tone softened. “I’m here because I’m sick of the nobility and their entitlement.”

“Huh?”

“You heard me.” He stood up as well, crossing his arms and speaking more earnestly than you had ever heard from him. “Kids from those circles? You can’t change them — they’re too far gone. But here? The students come from humble families. They still have a shot at thinking for themselves, at doing things for the right reasons. I want to make sure they don’t grow up like us.”

You were stunned into silence, but before you could respond, a voice came from the doorway.

“Congratulations, Satoru Gojo. You’re hired,” said Principal Yaga, sparing one glance into the room and then leaving again.

Satoru’s expression changed again, and he was beaming like he hadn’t just bared his soul out to you a few moments ago. “Looks like you’re stuck with me, huh?”

You groaned, burying your face in your hands. “…Great.”

──── ୨ৎ ────

“This,” you gestured to a nearby door, “is the main classroom. It’s where first-years have their lessons. It’s equipped with barriers for live combat simulations, so the—”

“You know, you’ve got a really soothing voice,” Satoru cut in. “Ever think of switching to narration?”

“Shut up,” you shot him a glare. “Are you just here to waste my time?”

“Can’t I appreciate you a little?” He pouted, but when your look refused to soften, his shoulder sank and head drooped, and he trailed behind you like a small puppy.

So cute.

No, fuck, what the fuck are you thinking?

You walked on ahead, and the whispers from all those years ago that had remained in your thoughts seemed to bloom louder again.

You don’t even belong in this house!

We’re not kids forever, you know.

The two people I trust the most in this world!

Nothing more. Nothing less.

“Are you oka—?”

“Why are you here, Satoru?”

His smirk faltered. “I told you. I want to help shape the next generation—”

“And you’re telling me it has nothing to do with me?”

His gaze softened. “Would it be so bad if it did?”

You bit your lip, trying to shut out all the voices echoing in your head. “After what you said to me all those years ago? Because if you think that can be fixed then—”

“Stop.”

You did.

“I don’t know how old you think I was then, but it’s not like you were any older than me at that time. I want you to understand that,” he spun you around to face him, “I want to change. I want to show you how much I regret raising my voice at you that way.”

“Is that all you regret?” You asked.

He paused a bit, then fixed his sunglasses to cover his eyes completely. “No. I regret saying that—”

“Hey there!” chirped in a voice you almost didn’t recognize from how much you were focussing on Satoru’s words. Satoru’s face hardened when he saw the person waving at you from behind. You turned to look at him.

“Naoya?”

“Yes, missed me? I dropped Maki with the driver earlier than usual for you,” Naoya strode up to you, and hooked his arm with yours, snatching you away from Satoru’s grip. “Let’s walk you home, darling.”

“You know, Naoya, for someone who talks a lot about class, you’re pretty shameless when it comes to interrupting private conversations,” Satoru spat venomously, making the latter turn around to face him sneering.

“Private? Oh, forgive me,” Naoya snickered. “I didn’t realize you were finally learning how to talk to a woman. But could you get a different one? This one’s taken.”

“Oh, shut up. Isn’t it past your bedtime, Zenin? Shouldn’t you be off practicing your bowing skills or groveling to your clan?”

“Groveling?” Naoya smirked, clearly unbothered. “Not my style, Gojo. That’s more your speed, isn’t it? Or did you think running off to teach would make people forget how much of a disappointment you are?”

“Uh, okay,” you tried to interrupt. “I don’t think—” 

“Oh, I’m sorry,” Satoru cut you off, leaning forward with mock curiosity. “Must be hard living in a world where your only personality trait is kissing your elders’ feet.”

“Says the man who threw away everything his clan worked for,” Naoya mocked back. “Couldn’t handle the pressure of actually being useful?”

“Useful?” Satoru laughed maniacally, and you felt a shiver run down your spine. “Is that what you call wagging your tail for every decision the Zenin fossils make?”

“Enough! Please. You two are acting like kids—” You stepped in between them and raised your hands.

“Don’t think I don’t see what you’re doing, Gojo,” Naoya chided. “Trying to fix what you broke, crawling back like the desperate little rat you are.”

“Desperate, huh? And what are you? You’re just a carbon copy of every other one of your morons. Must be boring living without a spine.”

“Better a spine than whatever it is you call yourself. A disgrace to the Gojo clan. No wonder they’ve been so quiet about you. They’re probably embarrassed.”

“Okay, enough! I don’t have time for this,” you shouted.

Naoya immediately shut up. “Are we overwhelming you, darling? I can always walk you home. Gojo here,” his expression soured again, “can find his own way back.”

Satoru’s jaw tightened. “Funny, I was about to say the same thing about you.”

“Yeah? Then why don’t you just let her choose?”

“Of course.”

Both of them turned to you simultaneously, and you made a mental note to never interrupt their conversations ever again. Before things could escalate further, however, a sharp voice cut in.

“What in the name of all things holy, proper, appropriate, virtuous, demure, and absolutely not Utahime Iori is going on here?”

“Wow, did you just compare yourself to a holy being?” Satoru snickered, and earned a slap on the back of his head by her.

“I said ‘absolutely not’, you white-haired freak.”

“Utahime!” You sighed in relief, running to hug her around the waist, and she patted your head pitifully.

“There, there. You were stuck in this pissing contest between manchildren, weren’t you? You poor, poor soul.”

“Woman,” Naoya curled his lip, “don’t you have better things to do than stick your nose where it doesn’t belong?”

“Like you’re doing right now?” Utahime replied coolly. “We’re leaving,” she yanked you away from them with her.

“Wait—” Naoya protested.

“Hey—” Satoru stepped forward.

“No. Bye,” Utahime turned around with her nose high in the air, and you gave a meek wave to both of them. They did cancel their plans to walk you home, but god did you feel grateful to be dragged away from their fights about winning you like an object.

──── ୨ৎ ────

Life had taken a strange, twisting turn ever since Satoru had re-entered your world. The once awkward silences during his walks with you were replaced by lively conversations now. He was speaking to you more now. He would sometimes do or say things that reminded you of how he was, but it wasn’t quite the same. He still hadn’t joined you for dinner again, despite the seat you subconsciously left empty every night at the table.

Meanwhile, Naoya was relentless in his pursuit — walking you to school, picking you up, showing up at your door with every excuse in the book, Impress to Repress: A Noble’s Guide to Obtain the Perfect Wife. Funnily enough, you didn’t suppose it would be too far-fetched to think he had that book somewhere in his room with the way he would speak with you.

“I thought you might need help carrying your books,” he’d say, flashing you that perfect smile as though you couldn’t see past the charm. Or: “A lady shouldn’t walk alone in the evening.” And his favorite: “I dropped Maki off early for you.”

It wasn’t entirely unwelcome, though. Naoya was charming and thoughtful in a way that had its appeal, but it also left you feeling like you were being swooped away too far, like he was a strong tide made to sweep you off your feet. But when the tide receded, you found yourself glancing over your shoulder, wondering if Satoru had noticed.

Just who should you love?

Naoya was kind — kinder than you’d expected him to be. He knew how to make you laugh, smile, blush all the same. But his ego often left you bristling. He would decide for you even though you wanted to do it yourself, and part of you wondered if he was just like the Kamo servants and nobles you had seen earlier.

And then there was Satoru. He’d shattered your heart three years ago with careless words. The memory still burned like a fresh wound, but there were moments now when you saw something different in him. Something softer. Something that almost made you believe he could fix what he’d broken. But it was too toxic to linger on.

You reached the teacher’s lounge and found it empty except for Utahime, who was leaning against a desk, flipping through a stack of papers. She glanced up as you entered.

“Finally decided to get a break?”

“Yeah. Did you bully all the other teachers out again?”

“Thank me for that,” she poked her tongue out as you sat down laughing.

“Actually, I came here to ask you something,” you hesitated.

“Hm?”

“Why—” you huffed. “Why did you step in that day? You know, with both of them. You were supposed to let me… choose.”

Utahime set her pen down with a soft sigh. “Because you weren’t ready.”

“What do you mean?” You frowned. “I could’ve—”

“Could you, though?” She wondered loudly. “I’ve known you long enough to recognize when you’re drowning in your own head. You’re still holding onto pieces of your past with Satoru while Naoya’s practically dragging you into his future. And you? You’re just standing there, caught in the middle, hoping someone else will make the choice for you.”

You spluttered at how accurately she described your situation. “But you said—”

“I said ‘take your time’, didn’t I?”

“You did,” you sighed. “But what if it’s too late?”

“If it is, then a choice will be made for you,” her eyes darkened. “You know what clans are like. The Kamo clan even set up a proposal for Satoru, and he was just seventeen at the time.”

You opened your mouth to argue, but what could you say? If it wasn’t for your mother that day, Satoru would’ve been married off at the mere age of seventeen. The Kamo clan’s elder daughter had been married off at a young age as well, from what you had heard from their maids. Who’s to say that won’t be the case for you as well? How long could your mother shelter you after all?

Utahime softened slightly. “I stepped in that day because you needed time. But don’t think for a second that I’m going to keep doing it. This is your life. Your future. And you’re the only one who gets to decide who’s in it. So stop running in circles.”

“But I’m scared,” you croaked out.

“Scared?”

“What if I make the wrong choice?” You said quietly, looking down at your own hands.

Utahime leaned back with a small smile. “Then you deal with it, just like everyone else. But at least it’ll be your choice, not theirs.”

You nodded slightly.

“Oh, and one more thing — next time, don’t let two grown men fight over you in public. It’s embarrassing.”

You sat there, chewing on your own nail and wondering if you should laugh, cry, or start packing your bags to run away from both Satoru and Naoya entirely.

──── ୨ৎ ────

On Utahime’s advice, you had prepared two separate diaries to recount heart-fluttering scenarios you had with each man to help you ‘decide’ between them. As much as you found the whole idea ridiculous, you figured trying it won’t hurt. You had asked both Naoya and Satoru to buy you a diary each just to see how differing the outcomes would be.

Now, you picked a diary that looked posh and had a sophisticated-looking leather twine to strap it shut. The cover looked menacing, and the pages were eerily white. You did not have to second-guess to know who bought this one.

“Naoya,” you muttered, scribbling his name along the first page. You then turned to the next page, and began writing.

1. Cafe dates... he always ordered my drink without asking. Polite, attentive, charming... but also predictable.

2. Parent-teacher meeting dates? Oh god, does that even count? It’s just like what Satoru said.

You paused. Were you supposed to add Satoru’s name while writing in Naoya’s diary? Scoffing, you continued.

He made sure my notes were perfect, held doors open, smiled at every passing teacher like he was running for class president.

3. Dinner at the estate — ugh. The way he spoke to mother, like he was auditioning to be the next clan leader. Why is he so flawless?

You groaned aloud.

“Is he just too perfect or am I just being unfair?”

Annoyed, and also running out of romantic scenarios to write for Naoya’s diary, you picked up Satoru’s diary. It was like the old one you had maintained when you were thirteen. You giggled a little remembering how much you had to plan and strategize on the diary’s hidden location to keep it away from him. You couldn’t be caught dead with him knowing what was in it.

The first thing he had said when you had asked for a new diary was, “Why, is my charm too much for you that you have to pen it down so you don’t overflow?” And god, was he right.

You ran your fingers on the spine of the diary. It was your favourite colour — you wondered how he still remembered that. Did he have his own secret diary you had to find soon? You opened it and began writing.

“Where do I even start with you, you pumpkin?” You giggled at the words you had just scribbled.

1. The staff room date. Well, if you can even call it a date. You barged in uninvited, stole half my lunch, and started criticizing my handwriting like you were some literary genius. Just like you used to. What did you call it when we were kids? A calligraphy competition on every page, huh?

You remembered the scenario all too well.

The staffroom was peaceful for once, the only sounds coming from the ticking clock and the low murmur of the other teachers quietly going about their breaks. You were tucked into the corner by the windows, your lunch spread in front of you, savoring the rare moment.

And of course, it was then that the door flung open with an obnoxious swing.

Satoru Gojo.

You didn’t even have to look up.

“Well, well, look who’s having lunch all alone! No invite for me? Rude.” he smirked, sliding into the chair opposite you like he belonged there. Without waiting for your response, he reached over and casually snatched a piece of your lunch.

You sighed. “I didn’t invite you because I didn’t want you here.”

“Fair enough. Lucky for you, I’m here to grace you with my presence anyway.” He gobbled up your lunch. “Hmm, not bad. You didn’t cook this yourself, did you?”

You snatched your box away from him. “Can you not? This is my lunch.”

Satoru leaned back with a huff. “Whatever.” He noticed your open notebook. “What’s this? Lesson plans? Don’t tell me you’ve been taking this teaching thing seriously.”

“Don’t touch that!”

But he did. And he held it out of reach, flipping through the pages. “Relax, I’m just taking a look. Whoa. Your handwriting hasn’t changed a bit.”

“And what’s that supposed to mean?”

“You know, it looks like you’re trying to win an award for best handwriting or something.”

You flushed. “I just like making it neat!”

“Neat? Are you kidding? I remember trying to copy your style once when we were kids, and mom thought I was possessed.”

You snorted. “Maybe you were just bad at writing.”

“Oh, absolutely. I gave up halfway and just stuck to my chicken scratch.”

2. The sparring match. I hated you for pairing up with me for what? “Showing the kids how it’s done”? What does that even mean? And what kind of lunatic goes easy for three rounds and then wipes the floor with you in the fourth? But afterward, you stayed to help me fix my form. You didn’t have to... but you did.

In the grounds, you stood with your wand in your hand, and across from you stood Satoru, smirking confidently, his wand poised like an extension of his arm.

“Showing off, huh?”

“Shut up, you’re the one who needed my help in ‘teaching these kiddos’,” you shot back. “And besides, I don’t need you to show off in front of them."

“Who said I’m showing off?” He grinned. “Just here to make sure you don’t embarrass yourself.”

He flicked his wand, sending light spells your way. You blocked them as best as you could, but he was always one step ahead.

“You’re not even trying!” You shouted.

“Of course not, I’m just giving you a chance.”

But then, without warning, he shifted his stance and cast a powerful spell that knocked your wand from your hand.

“What the—?”

“Language.”

“—hell”

“Just showing you how it’s done,” he shrugged, and you gritted your teeth.

He stepped closer, handing you your wand. Reluctantly, you took your wand.

“Since when did you become better than me at this?” You asked him.

“Since you forgot your old self among your new troubles,” he replied with a twinkle in his eye.

3. The stargazing. God, Satoru, you’re insufferable. Who even points out constellations while lying on the grass and makes up fake names for them just to make someone laugh?

You laid on the grass, watching the night sky stretch endlessly above you. Satoru was beside you, dramatically pointing at every star he could set his eyes on.

“You see that one? That’s the Satoru constellation. Handsome, charming, and clearly the best in the sky.”

“I don’t think that’s a real constellation,” you giggled.

“It is if I say it is,” he pulled a face.

“Alright, alright,” you shook your head. “You’re impossible.”

“And yet, here you are. Lying next to me, staring at my constellation.”

You stayed quiet, watching as his expression softened. He turned to you, lifting his head with the palm of his hand and looking right into your eyes with his bright blue ones.

“You know,” he whispered. “Stars are kind of overrated.”

You turned to look at him. “Why’s that?”

He spared half a glance at the sky before leaning in to nuzzle into your neck, but he stopped short, barely a few inches away from your skin. “Because I’ve been staring at something brighter all night.”

Your breath hitched, but before you could respond, he turned back to the sky, his usual grin breaking the moment. “I’m just a chill guy, just thinking, you know.”

“About what?” You asked curiously.

“How someone as brilliant as you still gets stars in her eyes every time she looks up.”

“Wow, that’s surprisingly poetic of you.”

“Right?” He gushed over himself. “Don’t get used to it though. I have a reputation to maintain.”

“There it is,” you smiled.

“But seriously,” he laid his head down on the grass right next to your chest. “I don’t mind the stars. I just think the view’s better when you’re in it.”

You turned away, pretending to admire the flowers, but the heat in your cheeks might have given you away.

Why did you look at me like that, like I was the only star that mattered?

──── ୨ৎ ────

Maki leaned against your desk, watching you intently. “So... what's going on with you and Naoya?”

You widened your eyes. She had insisted on staying back to help you rearrange the chairs after class, yet here she was now, asking you questions about your personal life. 

“Why does that matter?” You asked, sounding more defensive than you had intended to be.

“He’s from my clan,” she said, as if that was enough of a reason for you to talk about the weird love triangle you had landed yourself in. She sat on your desk, swinging her legs up and down.

“Look, I... I don’t really know. I mean, it’s definitely more than what I expected, but I’m not sure where it’s going.”

Maki raised an eyebrow, her lips pressing into a thin line as if she was considering something. She seemed rather skeptical.

“Alright, just don’t martyr yourself for him.”

Your stomach twisted at her words. Did she even realize what she was saying? You looked up at her, trying to read her expression, but it was hard to tell what she was really thinking.

“What does that even mean?” You asked incredulously.

Maki sighed, pushing herself off from the desk. She walked a few steps towards you. “He’s not worth it,” she said, and then she left the classroom just like that.

What the hell?

You’d known all this while the Zenin clan was among the more orthodox and conservative ones, and you considered yourself lucky to be part of the Gojo clan, one of the more lenient ones. But seeing a young girl, a student you had been teaching for a while nonetheless, voice out a cryptic message, or rather a plea for help from misogynistic fucks, perhaps, made you second-guess the whole idea all over again.

Just what has this girl been through?

Later that day, you spotted Maki and Naoya leaving together, and felt the pit in your stomach deepen.

Something was not right.

──── ୨ৎ ────

Your ears had perked up when you had been told by your mother that there was another meeting of the clans of the nobility, but that wasn’t what had you interested. It was the fact that all the clans would be present, and that included the Ieri, Iori and Geto clans. As much as you were sure your friends would hate to attend this stupid meeting, Satoru’s suggestion of sneaking out made you far more excited than you should be.

So here you were, writing letters to Shoko and Suguru to attend the meeting at all costs after barking Utahime’s ear off to do so as well. You crumpled your parchment up and threw it in a corner for the fifth time.

What were you even supposed to write to friends you’ve grown apart from?

You huffed and began scribbling on fresh parchment once more.

Dear Shoko,

I can already picture you rolling your eyes at this letter. “What is she up to now after not keeping contact for ages?” you’re probably thinking. Well, for once, it’s not mischief, or boy troubles, or even weird investigations cough cough.

It’s been so long since we last saw each other, and I’ve missed you more than words can say. Remember when we used to sneak out of classes just to sit under the old tree and complain about literally everyone? Things have changed so much since then — we’ve changed so much. But I think a part of me still hopes that when I see you, it’ll feel like no time has passed at all.

There’s a clan meeting coming up (ugh, I know), and I heard your clan will be attending. Please tell me you’re coming. I’ll even tolerate your sarcasm if it means we can catch up properly. Bring your flask, too — I have a feeling we’ll need it. Oak tree, Iori Estate, don’t forget.

I can’t wait to see you again. Write back if you have the time, or just show up and surprise me. Either way, I’ll be waiting.

With love and exasperation, Your favourite patient

Good enough, you thought, but Shoko probably won’t even read all of that. Eh well it didn��t matter anyway.

Dear Suguru,

How have you been? Really been? I’ve missed having someone to talk to who actually listens. I’m sure your clan keeps you busy, but I hope you’ve found a moment or two to breathe.

There’s a clan meeting coming up, and I heard the Geto Clan will be attending. Just the thought of seeing you again after all these years makes me... well, nervous, if I’m honest. Not because of anything bad, but because there’s so much I want to say, so much I’ve wanted to ask you.

Do you remember the last time we all sat together, back when things were simpler? I miss that. I miss us. Maybe this meeting will give us a chance to find that again — at least a little.

I hope you’ll be there. No pressure, of course, but if you come, we’ll be waiting under the oak tree out back in the Iori estate. We’d really like to see you.

Take care of yourself, Suguru. And don’t overthink this letter as much as I overthought writing it.

Yours, Your favourite troublemaker

──── ୨ৎ ────

You sat across from Satoru in the carriage to the meeting in silence. His eyes were fixed on the passing scenery outside, but you could tell from the way his fingers fidgeted against his knee that his mind was elsewhere — most likely at the fact that both his mother and father were in another carriage together.

Over the years, their relationship had grown even more strained than it had become on that unfortunate day. You couldn’t imagine what it would be like for either of them to be forced to act like a healthy couple for the sake of a few hours in front of thousands of other people.

“Satoru?” You called softly, and he snapped out of his thoughts.

“Hm?”

You patted his knee. “They’ll be fine.”

He huffed a short laugh, turning his head just enough to glance at you. “You’re too optimistic. What if they explode at each other in the middle of the meeting? Or worse, drag the entire Gojo name through the mud?”

“Then you can just blame me,” you shrugged, trying to lighten the mood. “Say I tripped and caused a distraction, or spilled tea on someone important, or whatever it is that nobles dislike.”

“Oh? And they would believe that? Miss perfect student?” He cracked a small smile.

“I’m not a student anymore,” you stuck your tongue out at him, and he laughed.

“Yeah, but I don’t think that would really improve things.”

“It might. Chaos is a great way to bond people. Just look at us!”

He turned fully to face you now in amusement. “That’s your big plan? Turn the meeting into a comedy night?”

“If it gets you to stop worrying for five seconds, then yes,” you smiled.

He leaned back in his seat, the faintest smile tugging at the corners of his mouth. “You’re ridiculous, you know that?”

“Maybe. But ridiculous is what you need right now.”

He held your gaze for a moment, the storm in his eyes quieting just a little. “Thanks… for, you know, trying.”

“Trying?” You gasped as if offended. “I excel at this. Just wait — by the end of this night, you’ll owe me for single-handedly saving the Gojo name.”

──── ୨ৎ ────

You tiptoed through the dimly lit corridor, Satoru trailing behind you with his usual cocky grin. He wasn’t exactly stealthy, but he was trying his best, even if his ‘best’ meant occasionally tripping over his own feet and knocking random armours on the way.

“This is dumb,” he whispered to you. “We should just portal her out.”

“No! Tha’ll make it too obvious,” you whisper-shouted. “We’re supposed to be discreet.”

“You’re whispering like a toddler playing hide-and-seek,” he snorted and you shushed him. “That’s the opposite of discreet.”

“Shut up. Now where’s the oak tree?”

“Out?”

“Obviously, genius, but where’s ‘out’?”

“Uhhhh,” he dragged out his response before pointing to a very clear exit. “There? You didn’t see that yet?”

You chose not to dignify that jab with a response, pushing open the door to where Shoko and Suguru were supposed to wait for you as per your letters.

“Fuck, it’s dark in here,” your voice echoed for some reason.

“Careful, princess. Wouldn’t want you to be caught swearing like you’re not from a noble clan,” Satoru snickered, and you wanted to whack him on the head like Utahime had done the other day.

“About time,” a bored voice said, making the two of you jump and turn in horror, staring at the darkness to make out the figures that were inching closer and closer to you. “We thought you chickened out from what you said in the letter.”

“Sh-Shoko?”

“Duh.”

“Shoko!” You ran up to her as she came into the light of the estate, hugging her like your life depended on it. “Missed you.”

“Missed you too,” she patted your shoulder. “Did you two get lost, or were you off making out in a broom closet or something?”

“What?” You deadpanned. “I haven’t seen you in years, and this is how you greet me?”

Suguru grinned from beside her. “I mean, she’s not entirely wrong,” he gave a light punch on the chest to Satoru. “You’re a little flushed.”

“See?” Satoru smirked. “I told you we should’ve taken the broom closet route. Much more efficient.”

You groaned. “Leave that! Utahime’s stuck in some ridiculous ceremony, and we need a plan to get her out.”

“How bad could it be?” Shoko said. “Light some incense, wave your hands, maybe sacrifice a virgin or two, chant a bit, and she’s done, right?”

“You’ve clearly never been to an Iori ritual,” Suguru replied. “They’re like a cult, but boring.”

“Oh, they’re worse than boring,” said Satoru. “They make you kneel for hours, bowing and chanting. And if you screw up, they start over. It’s like boot camp for spiritualists.”

“Exactly,” you said, sighing. “So, we need a distraction. Something big enough to pull her out but small enough not to get us executed by her clan.”

“I say we fake an emergency,” suggested Suguru. “Like, ‘Oh no, a curse is loose!’ Then she’s got to leave.”

“Too obvious,” Shoko lit a cigarette. “They’ll know it’s fake when Satoru doesn’t stop the ‘curse’ immediately.”

“How about an eating contest?” proposed Satoru, immediately earning an actual punch from Shoko.

“What if we convince them that Utahime has to perform an exorcism somewhere else?” asked Suguru. “Like, say, the riverside.”

You snapped your fingers at his brilliance. “Yes! Perfect! We’ll say her ‘spiritual energy’ is needed for a very urgent ritual. Shoko, you’ll pretend to be an elder. Suguru, you’re the messenger. Satoru, just— stand there and look important.”

“Excuse me? I am always important.”

“Anyway—” Shoko interrupted, taking a long drag. “I bought props just because.” She pulled out her bag and unzipped it. Out came tumbling fake moustaches, eyebrows, caps, cloaks and god knows what.

“What the—” you were stunned. “Why did you get this stuff?”

“Told you, just because,” she shrugged. “It’s a stupid clan union meeting. Thought we’d need some entertainment.”

“Shoko, you’re a genius.”

The four of you tried to find the ritual hall amongst the many rooms of the estate. After bullying a random security guard and having him lead you to the hall, Satoru dramatically banged the door open. The elders of the Iori clan all turned to look at the four of you, and Utahime, who was kneeling in the center surrounded by them, glanced up and immediately put her head back down with curses disguised as a cough.

The air was thick with incense and your eyes were burning. Shoko scratched her fake beard, and stepped forward to speak in a loud, rumbling voice. “Elders of the Iori clan!” She lifted her hands up and flailed her arms around wildly to address them. “There has been a disturbance under your watch,” she thundered, “in the northern woods, of which none can speak.”

“A disturbance?” A grandma squeaked. “What kind, Master Yoo?”

You had no idea who Master Yoo was, but if this plan was working, you didn’t care either.

“It shall remain classified,” Suguru stepped forward slowly with a hunchback and a stick. “None can speak of it without endangering  everyone else.”

“It is the kind,” you bowed to them, “that only the heir of a true princess born to a clan as unique as yours, in the shadow of an oak as old as yours and for a purpose as grave as this may resolve.”

“Us?” An old man exclaimed. “So you have chosen us?”

“Your heir, to be exact,” Suguru clarified.

“Ah, well, then, we shall send the boy—”

“The girl, please,” you deadpanned.

The elders blinked. “Why the girl?”

“Her energy is unique and, uh, mesmerizing,” Shoko boomed, making them fall to their knees. She dramatically walked to the squeaking grandma and grabbed her by both collars of her kimono. “Your heiress has been chosen by the spirits of the longgone.”

“Chosen, you say?” She squeaked in response. “Why wasn’t this revealed earlier?”

Satoru sighed dramatically while you lifted Utahime up. “Do you always question the will of the spirits? No wonder they never bless this place.”

The elders were flustered. They waved Utahime away. She rose stiffly and, still muttering long strings of curses, followed you all out.

Minutes later, the five of you were lounging by the riverside, the cool night breeze rustling the trees. A bottle of sake was being passed between you, the props of earlier long discarded.

“A divine mission? Really?” Utahime was exasperated. “That’s the best you could come up with?”

You laughed, and Shoko said, “Well, it worked, that’s all that matters.”

“You’re welcome by the way,” Satoru grinned. My ‘important face’ is the only thing that made the whole act believable.”

“That’s because you’re aging,” you sighed. “Aging enough to be one of those elders by now.”

“Owie, that hurt.”

“Your face is important for comedy, not authority, Satoru,” said Suguru. Then, he raised his drink. “To divine missions, friendships, and chaos wherever we go.”

“Cheers!”

The moon was still high, and you wondered how long it would take for your clans to realize that all of you were missing from the main event. The air was filled with the faint sounds of laughter and clinking bottles as your friends enjoyed themselves nearby. Satoru, however, had wandered off to the water’s edge. He crouched, plucking smooth stones from the shore and skipping them across the surface with surprising precision.

You hesitated for a moment, then walked over, unable to resist teasing him.

“What’s this?” You asked playfully. “The Gojo Satoru, retreating from the crowd to have a quiet moment with his thoughts? I thought you thrived on attention.”

Satoru did not look back at you. “Oh, I do,” he half-chuckled. “But I also thrive on balance. Can’t be too perfect all the time — it makes people insecure.”

You snorted. “How generous of you to consider the feelings of the peasants.”

He glanced back at you, a smirk tugging at his lips. “See? You get it.”

“Oh, I get it. You’re just here to keep the river from feeling too plain without your dazzling presence.”

He laughed, straightening up and brushing his hands on his pants. “Alright, you caught me. I was giving them all a break from my charm. But what’s your excuse? Couldn’t handle the drinking game?”

“More like I couldn’t handle Suguru trying to explain his ‘philosophical approach’ to sake. What did he say again? ‘Is the sake good because you’re dreaming, or are you dreaming because you’re drinking good sake?’ My brain was melting.”

“Fair point. His monologues can be,” he grinned, “intense.”

You stood beside him now, staring out at the water. He tossed another stone, this one skipping three times before sinking. “Is this what you do when no one’s watching? Brood by the river and play with rocks?”

“First of all, it’s called skipping stones, not playing with rocks. Second, brooding? Me? That’s your job.”

“Excuse me?”

“You’re the one standing there like the protagonist of a tragic romance novel, sighing at the stars. Very dramatic.”

You nudged his arm, rolling your eyes.

“You’re impossible.”

“And yet, you’re still here.”

There was a comfortable silence over both of you. The night felt quieter now, the laughter from the group fading into the background. You shifted, suddenly aware of how close you were standing.

“...You okay?” You asked softly.

He turned to you, his usual grin faltering just slightly. “Why wouldn’t I be?”

“I don’t know. Just feels like there’s something on your mind.”

He held your gaze for a moment, then looked back at the water. “Maybe. But nothing a little stone-skipping and your terrible jokes can’t fix.”

“Terrible?” You grinned. “I’ll have you know I’m the funniest person you love.”

“You’re the only person I love.”

Your smile faded a bit as you looked into his eyes, and he did the same. Suddenly, everything you did was making you feel embarrassed — your breathing, blinking, shaking hands… until he grasped your fingers and put them on his chest.

“Do you feel that?”

Yes.

I feel the love.

You nodded, and he smiled a little. He tipped your chin up to meet your gaze. “How about we ditch the ditching of our super important clan meeting?”

“There’s nothing I wanna do more,” you breathed.

You and Satoru were sneaking back toward the main hall, your laughter still echoing softly as you wiped imaginary dust off his shoulder.

“I can’t believe you slipped on that rock,” you poked your tongue out at him. “All that talk about being graceful—”

“It was one rock, and it was slippery,” he cut you off. “Besides, I saved it. You’re the one who almost fell in the river trying not to laugh.”

“Saved it? You looked like a baby seal trying to ice skate.”

His mock-offended gasp earned another burst of laughter from you. But as you approached the entrance to the meeting hall, your mirth faded. Standing just outside the large carved doors was Satoru’s mother, speaking to a few people. But then she turned around, and her piercing eyes narrowed as they landed on the two of you.

“You two,” she said sharply, and you winced in unison. “How fortunate you both decided to rejoin us.”

“Fortunate?” Satoru was unfazed. “Or just impeccable timing, Mother? You know I always aim to impress.”

“Your absence was noted.” She ignored him completely and turned to look at you. The subtle scrutiny in her eyes made you feel like you’d been caught sneaking sweets from the pantry.

“We just needed some air after all the formalities,” you added hastily.

“Then I trust you’ve had enough of it.”

Without waiting for a reply, Satoru’s mother coolly turned and swept back into the hall. Satoru let out a dramatic sigh. “Well, that was fun.”

Shaking your head, you followed him into the hall. The hum of conversation and clinking glasses immediately engulfed you. The room was grand, the walls lined with banners representing the noble clans in attendance. You recognized faces from the Kamo and Iori clans, along with a handful of others. The two of you slid into unoccupied chairs near the back, just out of your parents’ immediate line of sight.

“Let me guess,” Satoru whispered to you. “Five minutes in here, and you’ll be begging to sneak out again.”

“Ten minutes. I’m trying to behave.”

“You? Behave? That’s new.”

True to his prediction, boredom set in quickly though. The speeches droned on about alliances and tradition, and Satoru began fidgeting. At one point, he caught your eye and mouthed, ‘Let’s go.’

Before you could answer, he grabbed your hand and led you toward the balcony doors. He tugged you through the crowd, weaving around clan leaders and dignitaries with the ease of someone who knew exactly how untouchable they were. You barely managed to stifle a laugh at the old nosy lady he had pushed as he pushed them open and pulled you into the cool night air.

“Satoru — people are watching!”

“Good. They can admire how stunning you look while I steal you away.”

You stood against the railing, the city lights below shimmering like scattered stars, though none of them could light you up like the man in front of you did. Satoru leaned beside you, his elbow brushing against yours.

“Do you ever wonder why they even bother with these meetings? It’s just a bunch of old people pretending they’re still important.”

“Careful,” you smiled. “Those ‘old people’ include your parents.”

“Apologies. Allow me to rephrase: a bunch of old people... and my extraordinarily distinguished parents.”

You laughed softly. “It’s not like you and me here are any better. What is to guarantee that I won’t be bored here?

“Bored? Here, with me? I’m hurt. My company is way more exciting than whatever that was,” he gestured wildly towards the hall. He leaned against the railing, his silver hair catching the moonlight like it was showing itself  off. “And besides, you’re the one who kept looking at me like you wanted to escape. Don’t deny it.”

You crossed your arms, raising a brow. “Oh, I was looking at you? Pretty sure it was the other way around, Gojo.”

His grin widened, his eyes narrowing in mock challenge. “Caught me. Can you blame me, though? You’re kind of hard not to stare at.”

The way he said it — too casual, too confident — made your heart skip a beat. Just like it always would when he was around. Just like always.

“Do you ever get tired of flirting?”

Without missing a beat, he replied, “Do you ever get tired of pretending you don’t like it?”

You opened your mouth to retort, but nothing came out. He tilted his head, watching you with an expression that was both smug and softer than usual. “Speechless? That’s a first. I’ll take it — and your blushing face — as a win. See, you like my balcony adventures!”

You sputtered, trying to deny it, but he only laughed, the sound low and warm in the quiet night.

“Maybe I just like the view.”

“Flirting back now?” said Satoru, and you furrowed your brows at him. “I knew you’d cave eventually.”

“That is not what I meant.”

“Too late now,” he grabbed your hand for a second time that night. “I think I like this better,” he leaned in.

The space between you felt smaller. His voice was quieter as he added, “I meant what I said near the riverside. I always will.”

A hand wrapped around your waist, and you couldn’t care less about the number of people that could walk in on you at this exact moment. You inched closer to him, too shy to ask for what you wanted. But he did so as well, granting you the permission you needed.

You closed your eyes, parting your lips.

A sister.

No, that was a lie.

He loved you.

Your lips brushed against each other’s for half a second before—

“Oh, there you are. I’ve been looking everywhere for you.”

You both jumped slightly, and Satoru pulled back, his expression immediately darkening. You turned to see Naoya strolling toward you with his usual smug smile.

“Hope I’m not interrupting anything important,” he bowed in front of you, kissing the back of your hand like he owned it. “Care to join me for a dance?”

You opened your mouth to answer, but Satoru stepped forward, his hand still lightly brushing your other one. “Actually, we were in the middle of something—”

“I’m sure it can wait. After all, a Zenin doesn’t ask twice.”

You glanced between them, and with a resigned sigh, you forced a polite smile and stepped toward Naoya, your heart sinking as you felt Satoru’s hand fall away.

“...I’ll be back,” you said to Satoru.

His only response was a tight nod. As Naoya led you back inside, you couldn’t help but glance over your shoulder. Satoru stood there on the balcony, his hands in his pockets, watching as you disappeared into the crowd.

Naoya led you onto the dance floor with confident strides. “You’re light on your feet. A perfect match for me, wouldn’t you agree?”

You bit back a retort, focusing instead on the music and not the way his hand lingered just a little too long on your waist. You still weren’t sure whether the tingling on your hand was because of Naoya’s little kiss or due to Satoru’s touches earlier. And you didn’t get a chance to ponder on it either.

Naoya twirled you out dramatically, and when he pulled you back in, his lips brushed your knuckles in a gesture too showy to be sincere.

From the corner of your eye, you caught Satoru leaning against a pillar stiffly. His hands were shoved deep into his pockets, but you could see the tension in his shoulders. His jaw was tightened as he watched Naoya spin you across the floor.

“Unbelievable,” you read his lips.

But if he had a problem, he’d say something, you thought. Or was he too much of a coward to do so?

Naoya dipped you — dramatically, of course — and you couldn’t miss the way Satoru’s expression darkened, his knuckles whitening as his hands clenched into fists. Finally, he pushed off the pillar, striding toward the two of you.

“Mind if I take over?” He said smoothly. “The lady looks like she’s had enough of your theatrics.”

“Is that so?” He raised an eyebrow. “I didn’t hear her complaining.”

“You didn’t ask,” you said flatly.

Naoya’s smirk faltered just enough to give you a flicker of satisfaction before Satoru stepped between you. “Thanks for warming her up for me, man.”

Without waiting for a response, Satoru took your hand and placed his other hand on your waist, effortlessly guiding you into the next step.

“Jealous much?” You teased him.

“Jealous? Nah. Just couldn’t stand watching him butcher a perfectly good waltz.”

You rolled your eyes but couldn’t help the small smile tugging at your lips. At first, the dance felt awkward. His hand was just a little too tight on your waist, and your steps were slightly out of sync.

“For someone so full of himself, you’re surprisingly bad at this,” you said.

“Excuse me?” He replied, mock-offended. “I’m amazing at this. You’re just distracted by how good I look.”

“Yeah, yeah. Keep telling yourself that.”

But as the music slowed, and the crowd dispersed, his teasing grin softened. His hand on your waist relaxed as his thumb brushed against the fabric of your dress.

“You didn’t answer me earlier.”

That caught you off guard. You looked up, meeting his gaze, and for a moment, the noise of the room faded into the background.

“You didn't ask.”

The corners of his mouth lifted, not in his usual cocky smirk, but in something gentler, more genuine.

“Well, then, I will. Do you still… you know?”

“You know what?”

“Love me like you did?”

Your feet stopped.

Did you?

Or more than that, should you?

“Is it bad if I do?”

“No, not bad at all,” he smiled.

“Satoru.”

“Hm?”

“Why did you? That day. Why?” You asked him softly the one question you had been dying to ask for three whole years.

“I… Fuck. Naoya, him, I couldn’t—” his hands dropped from your waist, and you flinched a little, moving a few feet back, realizing that your question might have messed your moment up. “Angel—”

“Attention, please,” Naoya clinked a glass loudly. “I have an announcement I’d like to make here.”

The hum of conversation in the room died down as all eyes turned toward him. You and Satoru both turned to look at him.

“This is a moment I’ve been looking forward to all of tonight. All my life, I have wanted nothing more than to serve the woman of my dreams, and tonight, I wish to solidify not only the bonds between our families but also the bond I share with this remarkable woman.”

He turned to you, his smile widening as he reached into his pocket. He strutted towards you. Your blood ran cold as he pulled out a velvet box, dropping to one knee in one fluid motion. Naoya opened the box, revealing a glittering ring) “Will you do me the honor of becoming my wife, Ms Gojo?”

The room erupted into soft gasps and murmurs of approval, particularly from the Zenin elders. You stood frozen, every pair of eyes in the room drilling into you. All of them, all their stares and expectations felt suffocating.

Your eyes looked at Satoru’s and he seemed like he wanted you to say no. You looked at the elders and they all wanted you to say yes. You looked at your mother, and her eyes were glossy, yet you would take that more than anything else at this moment. Because they didn’t have your answer ready for you in them. They wanted to let you choose. 

“I… I don’t—” you were barely audible. Could everyone just look away from you?

The words stuck in your throat. The weight of Naoya’s proposal, the stares—

“I don’t know.”

The collective murmurs grew louder and confused. For a split second, Naoya’s expression flickered. He looked irritated with your answer. But just as quickly, he smoothed it over, standing and pulling you into a light embrace.

He laughed softly and brushed his lips against your cheek. “She’s overwhelmed. It’s a lot to take in, I understand. These things can’t be rushed, can they?” He turned to the crowd, his tone light and reassuring. “She’s just shy, that’s all. I’ll give her all the time she needs.”

Polite applause broke out, and the pressure in the room became unbearable. Naoya’s hand settled on the small of your back, guiding you toward a quieter corner, and you wanted to wrench it away from your body.

But you couldn’t. Your eyes darted to Satoru. He hadn’t moved. His icy gaze was locked on Naoya, his jaw tense, his entire body screaming for you. And yet, beneath the frustration in his expression, there was something else — something raw and unspoken.

Something you recall seeing in your own eyes.

Three years ago.

You finally cornered Satoru in the training courtyard after quite a while of him dodging your presence for the rest of the night. He was leaning against a pillar, arms crossed, staring at a fountain in the middle of the gardens.

“Satoru.” You stepped closer to him. “Why have you been avoiding me?”

He didn’t even glance at you, his gaze fixed somewhere in the distance. “I’ve been busy.”

“That’s a lie and you know it. You’ve been avoiding me like I’m some kind of plague.”

Satoru finally turned to you, and said with a bitter laugh, “What do you want me to say? That everything’s fine? That I’m thrilled about everything that’s happening?”

“You could at least tell me the truth! I don’t understand why you’re acting like this.”

His jaw tightened, his hands curling into fists at his sides. “You don’t understand? Fine. Do you know how hard it is for me to see you with him?” His voice cracked slightly, the anger giving way to something new. “To know he gets to touch you? To see you smile at him like that?”

You froze, the weight of his words hitting you like a tidal wave. “Satoru…”

But he didn’t let you finish. He took a step back from you. “You didn’t even reject him. You stood there, and you let him—”

He stopped himself, his voice breaking off. He looked away, running a hand through his hair in frustration.

“I didn’t know what to do! Everyone was watching, and I—”

“You should’ve said no!” He shouted. The silence that followed was deafening. He stared at you, his chest rising and falling as he tried to rein in his emotions. Then, he whispered quietly, as if about to cry any second. “You should’ve said no.”

You opened your mouth to respond, but the words wouldn’t come.

“I can’t do this anymore.”

──── ୨ৎ ────

The Gojo estate was eerily quiet as you made your way to Satoru’s mother’s quarters. Your heart pounded in your chest. You knocked softly, and her calm voice invited you inside.

Satoru’s mother was seated by a low table, a cup of tea in hand. She looked up, her eyes softening as she took in your disheveled state. “Darling, what’s the matter?”

You sat across from her, your hands trembling as you tried to form the words. You choked a sob. “Did I make a mistake?”

“Mistake?”

“By not saying no to Naoya right away?”

Her expression didn’t waver, but she leaned forward, placing a comforting hand over yours. “You were caught off guard,” she said gently. “Anyone would’ve been overwhelmed in that situation."

Tears welled in your eyes again, and you shook your head. “But now I’ve hurt Satoru. He… he’s so angry with me. I don’t even know how to fix this.”

She sighed softly, her grip on your hand tightening slightly. “Listen to me, dear. Voicing your uncertainty was not a mistake. It’s far better to be honest about your feelings than to make a choice you might regret.”

You wiped at your tears. Her words were comforting, but they were not enough to ease the ache in your chest.

“But what if I choose wrong? What if I lose everything?”

She stood then, moving to sit beside you. She wrapped an arm around your shoulders, holding you, and you took this moment to let it all out. You cried on her shoulder, staining her dress, but she didn’t care. She merely held you and let you cry and scream all you wanted.

“If you choose to marry into the Zenin clan, I won’t stop you. But make sure it’s truly what you want. Not what they want, not what Naoya wants. What you want.” You clung to her, your tears soaking into her sleeve. “As for Satoru…” she smiled faintly. “He’s stubborn, but he’ll come around. He just needs to be reminded that he’s not losing you.”

The school courtyard was quiet that morning. The winter night had forced most of the kids to stay indoors, and the chilly effect of the weather had perhaps drowned out their usual noise. You were lost in thought, replaying the events of the previous evening, when Maki appeared in front of you.

Her stance was confident as always, but her eyes betrayed her. They were rimmed with red, and her face was pale with exhaustion.

“We need to talk.”

“What?”

“I said we need to talk.”

You shrugged and nodded, signalling her to begin speaking.

She took a deep breath in. “Don’t do it. Don’t marry into the Zenin family.” The words came out in a desperate rush.

“Maki, I—”

“You don’t understand. They’ll destroy you. They’ll take everything good about you and crush it until there’s nothing left.”

Her hands were clenched into fists, trembling at her sides. You reached out to touch her arm, but she pulled away.

“I’ve seen it. I’ve lived it. The way they treat women, like we’re nothing but tools. They’ll smile to your face and stab you in the back the moment you’re no longer useful.” Her voice cracked, and she stopped, her back to you.

You called her gently. “Maki…”

She turned to face you, tears spilling down her cheeks despite her obvious effort to hold them back. “You’re stronger than me, I know that. But they’ll find a way to break you too. Please… don’t let them.”

The raw emotion in her voice shattered something inside you. You stepped forward and wrapped your arms around her, holding her tightly as she cried into your shoulder.

“I’m so sorry, Maki,” you whispered to her. “For everything they’ve done to you."

She clung to you for a moment before pulling back, wiping at her tears furiously. “Just promise me you’ll think about it. Don’t let them win.”

You nodded, your throat too tight to speak. As you watched her walk away, shoulders hunched against the weight of her past, you couldn’t help but wonder what horrors this brave girl had endured — and what kind of future awaited her if she stayed under the Zenin family’s thumb.

──── ୨ৎ ────

“What the hell are they doing here?” you whisper-screamed to your  mother. Your voice was trembling despite your attempt to sound composed.

The last time the Kamo clan had graced the Gojo estate with their presence, it ended disastrously. More than that, he was here — the face of your nightmares, the man who had haunted your memories for over a decade.

You clenched your hands in your lap, nails biting into your palms as you stared down at the tatami mat, praying for this to be over. But no prayer could save you now. Not when you were practically being forced to bow in front of Kamo Daijiro, the man who had shattered your childhood before it had even begun.

Kamo Daijiro grinned wickedly as he took his seat, his wife Lady Akane and his daughter trailing behind like his shadows. His voice was oily and smug as he broke the silence.

“Ah, the Gojo family. Always full of surprises, aren’t we?” He said mockingly. “First, a marriage proposal with my daughter, Alina, rejected outright by your mother. What a waste of time, huh?”

The room seemed to blur around you. His words faded, replaced by the echoes of the past: the cold stone walls of the basement, the suffocating darkness, the metallic clink of chains binding your wrists.

“Stay quiet,” his voice whispered in your memory. You could feel his hand gripping your arm, dragging you down those steps into hell. Your chest tightened. You blinked rapidly, trying to ground yourself, but his next words yanked you back into the present.

“And now, of course, the Zenin proposal with you.” His gaze landed on you sharply his lips twisting into a cruel smirk. “Two rejected proposals. Not every family is lucky enough to fail so spectacularly, hmm?”

Your heart pounded painfully, the edges of your vision going white. The scars on your fingertips throbbed — perhaps from the rough stones you had used to carve evidences of your torture on the walls of the Kamo estate.

“Sell her,” his voice echoed in your mind. “She’ll fetch a good price.”

The memory hit you like a punch to the gut. You were three years old, crying for your mother, and he was laughing. Laughing as strangers examined you like a product, bartering for your life.

Why did you remember the worst moments of your life?

Satoru’s — no, your mother’s voice broke through the haze. “Speak something sensible or leave, Kamo.” Her words were firm, but you could hear the strain in her voice. She was trying to protect you, but she seemed to realize that even she couldn’t erase the ghosts of the past from your mind.

Kamo Daijiro tilted his head, feigning politeness as he bowed slightly. “Ah, but you should be made aware of what you’ve caused, Lady Gojo. Two lives ruined because of a stupid fantasy between your kids.”

“Enough, Daijiro,” said Satoru’s father.

You blinked, startled by the unexpected intervention. Satoru’s father rarely spoke, let alone in defense of his family. Wasn’t he the one hellbent on getting Satoru married just a few years ago? Perhaps his time in isolation in his room made him realize his mistake. 

“Let me remind you that the Gojo family does not bend to the whims of the Kamo Clan. We never have and never will. So whatever you think, we do not care. Yet you cannot stand here under our roof and speak that way about us, Kamo. Leave.”

Daijiro’s smirk faltered,. The confidence in his posture waned for a fraction of a second. But that moment was enough for you to breathe again. Your mother’s hand slipped over yours under the table, grounding you back to reality, your present away from the horrors of your past.

As Daijiro stood to leave, he glanced at you one last time. His eyes gleaming with a twisted satisfaction.

“You’ll never escape me, little one.”

Beat.

Did he know?

The Kamo family took their leave, but one pair of eyes lingered. Kamo Alina.

She hadn’t said a word throughout her father’s tirade, but now her gaze bore into you, there was something haunted in her expression, something that wasn’t there three years ago when she had tried to charm Satoru out from under your nose.

You didn’t trust it one bit.

You found yourself alone in the garden after the fiasco from earlier. The crisp air nipped at your skin, but it wasn’t enough to shake the phantom memories of The Kamos’ voices echoing in your mind.

A soft rustle behind you made you turn. Alina stood there, her posture hesitant. That was new — gone was the confident, smug girl who used to mock you mercilessly as a child.

“You don’t have the Gojo surname.”

It wasn’t a question. Her tone was quiet, almost confused.

You stiffened, your fingers curling into the fabric of your sleeves. “Why does it matter?”

Her lips pressed into a thin line, and she stepped closer, her hands wringing nervously. “It’s just... strange. You’ve lived with them for so long, haven’t you? And you were even engaged to… you know. Shouldn’t you have their name by now?”

The words cut deeper than you expected. You knew why you didn’t have their name. Why Lady Gojo had never officially adopted you despite raising you like her own. Because your past was a stain that no amount of time could wash away, and your future a fate you wanted to live.

But you didn’t say that. Not to Alina. Not to anyone.

Instead, you crossed your arms, forcing a smirk. “Why do you care? Planning to make fun of me again, like when we were kids?”

Her expression faltered, and for the first time, you saw something genuine in her eyes. Regret. “I…” she paused. “I’m not here to make fun of you.”

You blinked, caught off guard by her tone. It wasn’t what you expected, and that unsettled you more than anything else.

“I just... I don’t understand. Why aren’t you proud to be a Gojo? To have a family like that?”

Because I’m not one of them.

Not yet, anyway, a voice in your head hoped.

But you didn’t say that either. Instead, you looked away, your voice colder than you intended. “You wouldn’t understand.”

She flinched like you had just yelled at her, and her hands dropped to her sides.

Yet, you couldn’t shake the feeling that she might understand, more than you gave her credit for. Because for all her faults, she wasn’t Kamo Daijiro. Or Kamo Akane. Or those auctioners. She wasn’t the one who had abandoned you, sold you off, abused you like you were a piece of meat.

And then it hit you. The thought that had been nagging at the back of your mind ever since you saw her face.

Kamo Akane’s daughter. That was who Alina was. Which made her...

Your half-sister.

The realization made your stomach drop. Your eyes widened at nothing in particular, and your fingers began shaking.

Sister?

All this time, you never gave a thought about it. But it was so obvious, so clear.

Your blood.

The Kamo blood.

You gulped. No, never. Never the Kamo blood. You didn’t want to be associated with the Kamo clan, not in any way.

“I guess you won’t tell me, will you?” Her voice broke the silence, and you glanced back at her. There was no malice in her expression, no smugness, just confusion.

“No. I won’t,” you responded firmly.

She nodded slowly, her shoulders slumping in defeat. “Maybe I deserve that.”

She turned to leave, and for a moment, you almost stopped her.

Almost.

The Gojo estate was unusually quiet that week since the chaos of the Kamo family’s visit was finally behind you. Yet, you couldn’t sleep at all at night. So you did what you always do. You wandered the halls aimlessly, walking from door to door in search of sleep.

You paused outside the study, hearing low voices.

“...I know I failed you, Satoru.”

Your breath caught. That was Satoru’s father.

“I was so focused on the family, on tradition,” his father continued with regret. “I thought I was protecting you, ensuring our legacy would thrive. But all I did was push you toward a life you didn’t want. A life you didn’t deserve.”

Satoru’s response was softer than usual. “You didn’t just push me — you forced my hand. That engagement with Alina... I didn’t even have a say.”

There was a heavy silence.

“I know,” his father finally admitted. “And when your mother stood there and defied me... I hated myself for it. Because deep down, I knew she was right.”

You inched closer to the door. You know you shouldn’t be eavesdropping on this intimate conversation between a father and a son, but you knew you would have stayed awake for a couple more hours if you didn’t hear this completely.

His father sighed with a sound that was weary and old. “I wanted to say this to you for a long time. I’m proud of you, Satoru. Not because of what you are, but because of who you are. Strong, stubborn, and a lot like your mother.”

There was a soft chuckle from Satoru, tinged with disbelief. “Like mother? That’s a first.”

His father continued. “I know I have no right to ask for your forgiveness. But I want you to know, I’ll never stand in your way again. Whatever you choose for yourself, for your future... I’ll support it.”

You could hear the emotion in Satoru’s voice, even as he tried to hide it. “That’s all I ever wanted, Dad.”

Another pause, this one heavy with unspoken words.

“I’m sorry it took me this long to figure it out,” his father admitted.

There was the faint sound of movement, and you imagined Satoru standing. “Thanks, old man.”

You pushed open the door to Satoru’s room a few minutes later. You didn’t expect him to be present there, obviously. He might still be with his father, and you didn’t wish to eavesdrop on their conversation anymore.

Satoru’s room was empty, eerily quiet. His desk was tidy, his bed neatly made. Everything was in its place, except him. You sighed, sitting down on the edge of his bed.

For days, the memory of his half-finished confession had haunted you. The way he’d almost spoken, almost revealed just why he had told you those harsh words all those years ago. Almost. Before Naoya cut him off, of course. Why did he do that? Why did he say that? Why had he pushed you away? You clenched your fists, planning to stay there and wait all night if you had to, just to get the answers of those questions that had haunted you all this time.

The sound of the door creaking open jolted you from your thoughts. Relief flooded you, only to freeze when you realized it wasn’t Satoru standing there.

“Who are you?” You immediately asked.

It was a young woman. She was dressed as if she was a servant of the Gojo clan, but you didn’t recognize her.

“I–It’s me, Princess!”

“Tomoko?” you asked, frowning at the maid’s pale, trembling figure. “From the Kamo clan?” Your eyes widened in realization. “What are you doing here?”

“I... I need to tell you something, Princess,” she stammered. Her eyes darted nervously around the room. Her fingers fidgeted with each other. She couldn’t even look you in the eye. What was she hiding? Why was she here anyway? Something was wrong — terribly wrong.

“What is it?” you asked cautiously, standing up.

Tomoko wrung her hands, tears brimming in her eyes. “I... I poisoned Gojo-sama,” she whispered, her voice barely audible. “Your father, your highness.”

“What?” The word burst from you like a gunshot. For a moment, you couldn’t breathe. “What the hell are you talking about?”

Tomoko flinched, but she continued, her voice shaking. “I didn’t want to do it. I swear on your greatness, Princess! But I was ordered to — by my clan… The Kamo clan.”

The Kamo clan?

Of course, it’s them.

It’s always them.

Your knees felt weak, and you stumbled, grabbing the bedpost for support. “What poison? How long — how long does he have?”

“It’s a rare poison,” Tomoko said, her voice cracking. “They got it from somewhere and had me— had me seal it in his wine. There is no cure. He has days left. A week, at most, Princess.”

The room spun, and anger surged through you. “You poisoned him, and you’re only telling me now?”

“I didn’t have a choice!” Tomoko wailed, falling to her knees. “They threatened my family. And— and me too! If I didn’t do it, they said they’d kill us. I— I’m so sorry.”

“Sorry?” Your voice rose, trembling with fury. “Oh, you’re sorry? And what the fuck do you expect me to say?” She gasped at your choice of words. “You expect me to forgive you for poisoning someone? For poisoning my fucking father?”

“I didn’t know what else to do!” she sobbed, her hands clutching at her chest. “Please, I can’t live with this guilt.”

You stared at her, your hands shaking, your mind racing. Satoru’s father, the man who had finally begun to reconcile with his son, finally, finally begun to relive and make up for all the wasted time, was dying.

And the Kamo clan was behind it.

They had already torn your life apart when you were a child. And now they were doing it again.

Why couldn’t they just leave you alone?

“Get out,” you said, your voice low trembling with barely contained rage.

Tomoko looked up at you, startled. “But—”

“Get out,” you repeated, louder this time. “And don’t ever show your face here again.”

“Please, I—”

“Leave!” you screamed, your voice breaking. “You will only get killed here — by my soldiers or by my hands!”

Tomoko scrambled to her feet, stumbling toward the door. She hesitated for a moment, as if she wanted to say something else, but the fury in your eyes made her think better of it. She fled the room. The door slammed shut behind her.

For a moment, you just stood there, your breaths coming in short, ragged gasps. Then, slowly, you sank onto the bed, burying your face in your hands. Tears stung your eyes, but you refused to let them fall. Not yet. Not until you figured out what to do.

Because another piece of your newfound life was tearing, and no amount of rage or despair could change that.

──── ୨ৎ ────

Ever since that night, you had been hoping, praying even, that whatever Tomoko had said that day was false. That your father was perfectly healthy, and he’d live a long life. But Satoru noticed how his father would stumble on his steps at times. Your mother noticed her husband’s loss of appetite. And overtime, as this worsened, you couldn’t deny it anymore.

Your father was dying.

And that was going to break you.

You hadn’t spoken a word about it to anyone. You should, you knew that. But how? Mother was always too busy fussing over him. Satoru had been avoiding you since that night with Naoya. How were you supposed to say a word?

The hallway outside Satoru’s parents’ room was dimly lit. They had begun sharing rooms again, and you wanted to be happy for them. But this would only go on for about five days longer, you thought ominously. You stood awkwardly near the door, waiting for your mother to emerge. Inside, you could hear her fussing over her husband tenderly.

“Stay in bed, please. The tea is still warm — I’ll bring it to you.” “I’m fine, love,” he replied weakly. “You’re the one who needs rest.”

There was a muffled sound of her setting something on a table, and then footsteps. she opened the door, stepping out into the hallway. She startled slightly at the sight of you, but her face quickly softened when she realized it was you.

“Are you waiting for Satoru? He’s not back yet,” she said, smoothing her sleeves. “No, I—” Your throat felt tight, and you took a moment to gather your courage. “Mother, I need to tell you something.”

Her eyes narrowed slightly in concern, and she gestured for you to follow her into the small sitting room across the hall. She sat gracefully, folding her hands in her lap. You tumbled into your seat, taking a deep breath.

“It’s about Father,” you begin hesitantly.

“What about him?”

“I… I know what happened to him,” you said cryptically. She raised an eyebrow at you, gesturing for you to continue. “One of the Kamo maids, Tomoko… She stayed back after the leaders had left and disguised herself as one of ours. And she told me. That she had poiso—”

“Enough,” she held up a hand to stop you, and you flinched. For a moment, her expression didn’t change. Then she closed her eyes and let out a long, quiet sigh. “I know,” she said softly.

The admission took you aback. “You... you know?”

She nodded, her fingers tightening briefly around the fabric of her kimono. “He told me as soon as he realized. In the past two days, we’ve consulted every healer, every remedy. There’s nothing… nothing that can be done now.” Her voice trembled just slightly, and she pressed her lips together to steady herself.

“Mother,” you whisper.

She waved a hand dismissively, but her eyes glistened with unshed tears. “I should apologize to you for allowing the Kamo clan to enter our lives. I couldn’t protect my family as I should have. I’m a terrible mother.”

You shook your head vehemently. “You’re the best. The best mother and the best leader. And everything else you are.”

“Thank you, darling.” You could see the strain in the smile she gave you, and she looked older in the candlelight.

“But what do we do now?”

Lady Gojo exhaled, leaning back slightly. “Now, my only concern is making his last days as peaceful as possible. If Satoru were to find out...” Her voice broke for a moment, and she looked away as if to compose herself. “It would destroy him,” she continued. “He’s been through too much already. I won’t let this pain touch him — not yet.”

You felt a lump forming in your throat at her last words. “What can I do?”

She smiled faintly, though it didn't reach her eyes. “Just be there for him. When the time comes, he’ll need you more than ever.”

You were pacing outside the garden. Every step crunched against the gravel path. Your thoughts were swirling with your mother’s confession, and her desire to keep it a secret from Satoru. But the last time you had kept something a secret from him, it had resulted in the loss of three years from your life. You couldn’t let that happen again.

But could you disobey your mother? So you had been doing the best thing you could possibly do in that situation — avoiding Satoru all day. But apparently, that wasn’t enough.

“Hey,” his voice startled you as he appeared seemingly out of nowhere. “What’s going on with you?”

You whirled around, clutching your chest. “W-What do you mean?”

He squinted at you, crossing his arms. “This!” He said, as if that explained everything. “You’ve been acting weird. Stuttering, avoiding eye contact, mumbling when you talk to me. That’s not like you at all.”

You forced out a laugh, waving your hand dismissively. “Oh, come on. You’re imagining things.”

Satoru took a step closer. “Don’t lie to me.”

You panicked and shouted. “I’m not lying!”

He narrowed his eyes in frustration. “You can’t even say that without stuttering.” Then he sighed. “Alright, tell me. What’s going on?”

“If you think of me as your sister were all the moments we spent together false or am I overthinking?” You blurted out.

Satoru froze, caught off guard. For a moment, the only sound between the two of you was the rustling of leaves in the evening breeze.

“What?”

“Three years ago,” you pressed, your voice trembling slightly. “At the Kamo meeting. You called me your sister after they had brought up—”

“I know what I said,” he cut you off, his jaw tightening. His hands clenched into fists at his sides.

“Then… why?” you whispered, stepping closer. “Why would you say that? Why would you—”

“Naoya,” he spat venomously.

You blinked, utterly confused. “Naoya?”

He let out a bitter laugh, running a hand through his hair. “That bastard. He...” Satoru trailed off, his expression darkening.

“What about Naoya?”

Satoru hesitated, as if weighing whether or not to tell you. Finally, he exhaled sharply. “He said... things. About you. About what he’d… do to you if we, you know, got closer to each other. And I couldn’t let that happen. He was older, definitely experienced and all of that. I didn’t feel like the strongest anymore when I saw him say that.”

Your breath caught, and a cold chill ran down your spine. “Satoru. When did this happen? What did he say to you?”

“Don’t make me say it,” he snapped, but his anger seemed to be directed more towards Naoya than at you. “It happened right around the time you got detention, I still remember. He had told me he didn’t like how we were with each other. And how I was nothing, pathetic. How I could never protect you from… from him. And he had struck a deal with me that day — that he would stop it all if I was able to convince everyone that we couldn’t... that we didn’t...”

“That we didn’t what?” you whispered.

Satoru met your gaze with guilt. “That we didn’t belong together. That you were like a sister to me.”

You let out a breath you didn’t know you were holding. But he continued.

“And then that day I had found out we were engaged. I was so happy, but also devastated. If that guy didn’t like us then, how would he like it if we got married? So I tried to stop it. Tried to break your heart. Like a coward. Like a fool.”

“Stop it!” You staggered back. “You’re not a coward!”

“Yes I am,” he shook his head. “You don’t understand. I got scared. He was older than me. He knew more. What if he whipped out some charm I didn’t recognize and killed you or something? I’d never be able to forgive myself. Not that I can now either.”

“Satoru—”

“I didn’t deserve the tears you spent on me that time. I didn’t deserve to see you break down. All those times your eyes would brim, my heart would claw at me to stop itself.”

“You don’t mean—” Your eyes widened, and he merely nodded, not looking at you at all.

“I didn’t have a choice,” he said quietly, his shoulders slumping. “But it doesn’t matter now. None of it matters now.”

──── ୨ৎ ────

Satoru’s father’s funeral was held on a chilly afternoon. The air was thick with unspoken grief. The Gojo estate, usually buzzing with life, was eerily quiet. Even the wind seemed reluctant to disturb the solemn atmosphere. The bare branches of trees trembled like fragile fingers.

A sea of black-clad mourners gathered, their heads bowed in respect, but it all felt hollow to you. Each condolence, every whispered prayer, was a reminder of the man who was no longer here, and you couldn’t shake the gnawing guilt in your chest.

You stood off to the side, your hands clasped tightly in front of you, staring at the pristine white casket adorned with lilies. The sight blurred as tears welled in your eyes, but you blinked them away, unwilling to cry in front of so many people. Your grief felt undeserved, selfish even, given the weight of your secret.

You had known about the poison. You knew about the slow and inevitable death of Satoru’s father. You knew, yet you had done nothing, just let it all happen. Could you have stopped it? Could you have saved him? The questions circled in your mind like vultures.

Satoru stood at the front, his back straight. His face seemed like it had been carved from stone. The usual spark in his eyes was gone. It was replaced by a cold emptiness that made your stomach churn. He hadn’t cried, not even once, as far as you knew. You wished he would. You wished that he would let himself grieve, scream, do anything to release the agony he must be feeling. But he was silent, like a statue among the living, and it broke your heart.

The ceremony dragged on. Each passing moment felt heavier than the last. When it finally ended, the crowd began to disperse, murmuring their condolences to Satoru’s mother, who stood like a ghost beside her son. You watched her, too, feeling a pang of sadness at how frail she seemed. 

You wanted to approach Satoru, to say something, anything. But your feet felt rooted to the ground. What could you possibly say that wouldn’t sound as numb as you were feeling? The guilt in your chest tightened its grip, and you turned away, unable to face him.

Back at the estate, the house felt colder than ever. Dinner was a silent affair, just as it had been a few months ago. Because just as the lively chatter had begun to replace the clinking of utensils and the occasional sniffle, it had been snatched away from you.

Satoru’s mother tried to maintain some semblance of normalcy, asking if anyone needed seconds or more tea, but her voice was brittle, and no one answered her with more than a shake of their head. You couldn’t bring yourself to eat, pushing the food around on your plate as you stole glances at Satoru.

He sat across from you, staring blankly at his untouched meal. The shadows under his eyes were darker than ever, and his usually flawless posture was slightly slouched. It was as if the weight of his father’s death had physically pressed down on him. You wanted to reach out, to say something, but the words died in your throat. Instead, you watched in silence as he eventually stood, his chair scraping against the floor, and left the room without a word.

You couldn’t sleep that night. The house was too quiet, the kind of quiet that made every creak of the floorboards and every whisper of the wind feel deafening. You found yourself wandering the halls, your feet carrying you to the room that had once belonged to Satoru’s father. It was untouched, as if he might walk back in at any moment. The faint scent of his cologne lingered in the air, and it made your chest ache.

“I’m sorry,” you whispered into the emptiness, tears streaming down your face. “I’m so, so sorry.”

The days following the funeral were no easier. The once lively Gojo household felt like a mausoleum. Meals were eaten in near silence, and the air was heavy with unspoken grief. You found yourself avoiding Satoru more and more, not because you didn’t want to comfort him, but because you didn’t know how.

One evening, you found yourself in the library, hoping to distract yourself with a book. But the words on the page blurred together, and you couldn’t focus. The guilt was a constant, gnawing presence, and no matter how hard you tried, you couldn’t shake it. The image of Satoru’s father lying in his coffin haunted you, and you couldn’t help but wonder if things would have been different if you had acted sooner.

“What are you doing in here?”

You jumped, the book slipping from your hands as you turned to see Satoru standing in the doorway. His hair was slightly disheveled, and his expression was unreadable. You quickly wiped at your eyes, hoping he hadn’t noticed the tears.

“I just needed some quiet,” you said, your voice barely above a whisper.

He walked into the room, his footsteps soft against the carpet. He picked up the book you had dropped, glancing at the cover before handing it back to you. “Mother’s calling you,” he said, his tone carefully neutral.

“For?” you asked, trying to sound casual.

“Dinner,” he said bluntly. “You haven’t been eating at all.”

You nodded, and he stood up and left without saying another word.

Dinner that night was a solemn affair. The dining room was heavy with silence, broken only by the occasional clinking of chopsticks against plates. Satoru’s face was blank, his appetite long gone. His mother sat at the head of the table. Her posture was perfectly composed. You sat beside her, feeling like an interloper in this world of quiet mourning. A seat was left empty, for whom, you didn’t have to guess.

The ache in your chest was unbearable, but guilt magnified it tenfold. You had been the one to discover the truth, the one who knew about the poison before anyone else. And yet, you had done nothing.

A soft knock on the door broke the oppressive quiet. One of the maids entered, bowing deeply as she held out a folded piece of paper. “Lady Gojo—” she glanced at her, unsure of how to approach her in her desensitized state — “we found this while cleaning the late master’s study. It’s addressed to you, Princess,” she bowed to you.

The maid extended the letter to you, and you accepted it hesitantly. Your heart immediately sank at the sight of your name scrawled in bold, deliberate handwriting. Satoru’s mother nodded at the maid to dismiss her, then at you.

“Read it,” she said softly. “Whatever he’s written, it’s meant for you to hear.”

You unfolded the paper carefully, your hands shaking as you smoothed it out. The opening lines confirmed your suspicion.

“To my dearest child,

If you are reading this, then it means I am no longer among the living. There are matters I could not speak of while alive, and so I leave them here, trusting you to read with an open heart.”

Your voice wavered as you read aloud. Satoru and his mother both watched you intently. 

“In my absence, I leave behind all that I have built, not as burdens, but as tools for you to continue shaping our legacy.

To my wife, the pillar of my strength, I entrust our estate and all its affairs. She has always been my compass, and I know she will guide our family with the same wisdom and grace she has always shown. To my son, Satoru, I leave my knowledge, my pride, and my unwavering belief in your potential. He is destined for greatness, and though I may not be there to see it, I know he will honor the Gojo name with dignity and strength. So I shall also leave our ancestral blade, a symbol of our family’s strength and honor, along with the records of our techniques and histories.”

To you, my dear daughter, I bequeath the east wing of the estate, yours to claim as a sanctuary and a symbol of your place among us. Furthermore, I leave a yearly stipend from the family���s accounts, ensuring you will always have the means to build a life of stability and comfort.”

But then your voice caught, the words ahead freezing in your throat.

The second paragraph shifted abruptly, no longer a formal testament but a recounting of events that made your blood run cold.

“The past few years I had spent alone were ones spent to find the roots of your journey home, here. I know the pain you carry, and the secrets you keep. I know how you came into this world. Kamo Akane, your mother—”

You stopped reading it aloud, and instead your eyes began darting back and forth the lines as you read it in your head.

Kamo Akane, your mother, made the impossible choice to keep you despite everything she endured. She bore you with strength, but her circumstances were cruel. Kamo Daijiro never accepted you, and he made sure she couldn’t either. When you were only three years old, they both agreed to sell you to the traders of Mizuho.

Your breath hitched. The paper in your hands crinkled as your grip tightened. You couldn’t read further. The memories you had buried deep threatened to overwhelm you. The cold basement. The chains. The voices. The pain.

“What is it?” Satoru asked with concern. “Why did you stop?”

You shook your head, unable to meet his gaze. “It’s nothing.”

“That’s a lie,” he said flatly.

You tried to fold the letter, to hide it away, but your trembling hands betrayed you. Satoru reached out, his fingers brushing against yours as he snatched the paper. “If you won’t read it, I will.”

“No!” you protested, but it was too late. His eyes scanned the words quickly, his expression darkening with each passing second. He reached the part about the traders, and his jaw clenched. His hands shook, but he didn’t stop until he reached the final lines.

I knew about the poison. I knew what the Kamo clan had done to me. But this is not a burden you should carry. You have suffered enough, and I do not want you to feel guilt for something beyond your control.

And Satoru.

Satoru’s eyes flicked to you briefly before continuing.

I know you’re reading this as well. You won’t listen even if I told you this letter is meant for her alone. Satoru, please do not fight.

But the word “fight” was blotched with ink. A tear had smudged the letters. Satoru’s hand hovered over the page, and you realized with a sinking heart that the tear was his own.

He folded the letter carefully, setting it down on the table. His movements were unnaturally calm, but you knew better. The storm was brewing.

“Satoru,” you said hesitantly. “Please don’t—”

He stood abruptly, his chair scraping loudly against the floor. “Mother.” His voice was tight, barely restrained. “May I have your permission?”

“Satoru!”

Satoru’s mother regarded him for a long moment. Her gaze flicked to you, then back to her son. Finally, she nodded. “Do what you must. But remember, no harm is to come to the Gojo clan’s reputation.”

He bowed deeply, his fists clenched at his sides. “Thank you.”

“What?” You stood, panic rising. “You can’t just let him go! This isn’t—”

Satoru’s mother silenced you with a look. “He deserves his revenge.”

You stared at her, incredulous. “Revenge won’t bring him back! It won’t fix anything!”

Satoru didn’t wait to hear more. He left the room, his footsteps echoing down the hall. You called after him, your voice breaking, but he didn’t look back. The door slammed shut behind him, leaving you and his mother alone in suffocating silence.

“How can you…?” you began, your voice trembling with anger and disbelief. “How can you let him do this?”

Her expression softened, but her resolve remained. “Because I know my son. And I know he won’t find peace until he has faced this head-on.”

You sank back into your chair, your hands clutching at your chest as though to hold your breaking heart together. The letter lay between you and Lady Gojo, as if to remind you of everything you had both lost and everything that was yet to come.

──── ୨ৎ ────

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@necrowyrm asked: happy new year!!! enjoy the last little bit of homestuck before act 6! Anonymous asked: You have NO IDEA how much I was looking forward to your reaction to this flash :D @teddy-bearer-of-bad-news asked: a very late congratulations from me for making it this far! i gotta say, saving CASCADE for new year's is probably the smartest thing i've heard all week. may your experience be nothing short of righteous, comrade Anonymous asked: Cascade … Even years latter knowing it almost by heart, every once in a while I will take a little quarter of an hour to rewatch it, Say what you want about Hussie but there is a good reason Homestuck became so iconic. @adeptarcanist asked: The leadup to Cascade was honestly my favorite sequence in Homestuck, and maybe one of my favorites in any media ever? The way the narrative splits apart into all of the different scenes swirling in towards the critical moment, both advancing main plots and finding time to spend a moment of melancholy with characters who’d been left behind (The Jaspers and Nepeta scene :( )… it’s such a strong narrative device, and the tone it generates is impeccable. @calamitascalliope asked: I literally watched the flash again, and it still gives me chills every single time. Welcome to your post-Cascade life. You won't be able to think about anything the same ever again @iris-in-the-dark-world asked: "she looks so cool… but she’s so tragic… but she looks so cool…" has become a brainworm for me. i too love the handmaid's design btw, cascade time has been i think the most anticipated non-personal event of the entire year for me. i'm so excited @publicuniversalworstie asked: I want you to know that I also opened Cascade and started watching with you right after I saw your "oh my god it has chapters" ask, and I finished just as you posted "I will never be the same" !! And I bet lots of other people did too <3 so it's like we all watched it together!!!! Happy New Year and thank you for liveblogging!!!! It's been a pleasure！(and will continue to be) @krixwell asked: I would like you to know that your "Right, we're good to go!" and "oh my god it has chapters" posts were posted right as I was outside watching midnight fireworks ring in 2025 for the Central European timezone. Happy new year! @captorations asked:

hey remember when rose just up and fucking said that. anyway congrats on reaching cascade! it absolutely wrecked me back in the day, i think i stared at those flaming curtains for a solid ten minutes as my brain permanently reconfigured. the first few notes of the track alone still give shivers. getting your reaction to cascade was a wonderful birthday present. (speaking of getting older: aradia 🤝 dulcinea also got that "distressingly short lifespan only to die early anyway" story thread going on. the parallels are paralleling.) anyway happy new year and congrats you are… slightly less than halfway done with homestuck. have fun!

Hey, guys. Cascade was so fucking good.

Like, there's really no competition; this is the best Flash page in the comic thus far. Peak music, peak animation, and absolutely a peak narrative. It tied up mountains of plot threads, providing complete answer to questions we're been asking for literally thousands of pages. It completed over a dozen arcs, both big and small. It made me gasp three times in fourteen minutes. It let Jade become a furry.

11/10, and I'm glad people had as much fun here as I did on New Year's Eve. Happy 2025, and happy Act 6!

@morganwick asked: Sally, predicting Cascade: "I have approximate knowledge of many things." @morganwick asked: "You literally have the whole world in the palm of your hands." -Sally to Jadesprite, December 16, 2024 (You might also want to reread post/770701212350857216 in light of recent developments.)

Hah!

I mean, based on her powerset, it made sense that Jadesprite would do something like this eventually, but it's pretty funny that she did it more or less immediately.

And in the end, CD really was a tricky little bastard. We'll definitely need to keep a closer eye on him, next time around.

Anonymous asked: Take a moment to consider that if anyone were to use the Homestuck website as it stands now instead of the Collection program, Cascade would have been presented in the YouTube player in Standard Definition, artifacted to hell, with a clear boundary showing the dimensions of the video from the very start. Preservation is so important.

Jeez, you're not kidding. The 1080p is fine, I guess, but it certainly doesn't hit like the Flash version does, especially with its lack of moving panels.

I know something had to change when Flash kicked the bucket, but surely there was a better way to preserve the video's soul.

Anonymous asked: to give you some of an idea of what homestuck fandom looked like during this time period, im cribbing from a very popular homestuck post: “first, this upd8 was something that we had been waiting for for WEEKS. A literally unprecedented wait period at the time. We were used to suckling at the teat of daily updates, a constant stream of conversation and plot twists and buildup, and as EOA5, we were finally going to figure out what all these countdowns and plot threads and disconnected elements were building up for. And when the progress bar reached 100%, and when the page FINALLY loaded on 10/25/11, it was chaos. This was 2011, a primetime peak point and growth period of Homestuck fan density.” (…) “MSPA crashed, as it had started to during the last few big [S] updates. Hussie had already bought new servers in advance, but even when allegedly thousands of dollars were spent it couldn't handle the accidental DDOS attack of Homestuck fans. People were up all night waiting for this upd8, the curiosity was killing me. I know at some point he was receiving at least 1 million unique visitors per day to his site [correction: according to Hussie’s tumblr, upwards of 2 million during this time], and even though Hussie had foreseen such traffic and thusly hosted [S] Cascade on Newgrounds, a dedicated video streaming site, Newgrounds was similarly unprepared for the sheer amount of people frantically mashing the play and refresh buttons, and also crashed. Immediately. MSPA and Newgrounds crashed definitively for at least two nights in a row” (…) “Andrew Hussie has gone on record to say this was one of the few times he thought Homestuck wasn’t worth it, because the sheer unbelievable cost (was it $10,000?) [correction: according to Hussie’s tumblr, it looked like it was going to cost $100,000 to keep [S] Cascade up for several days] of servers and the chaos of no one able to see the upd8 and crashing nearly every site after. He was tweeting during the whole debacle, stating he was reluctant to put it up on Youtube because of all the moving elements of the flash, and style, and how youtube degraded the quality of the file size, and how he tried to scratch out buffer time and pauses by putting periods of silence between each section of the 14 minute upd8, the longest upd8 yet” “So after Newgrounds patooted, he didn’t put it on youtube and instead put up the entire flash file on Megaupload, where it could be downloaded in it’s entirety to be watched. UNFORTUNATELY, Megaupload also crashed very quickly, which Hussie felt much headache over. But before that happened I managed to get the file, since I happened to be up very early that night! Next it was on dropbox, which didn’t crash but had “link unavailable” on and off. ”Spoilers were flying everywhere, people didn’t understand everything that had happened, and by the time the timeline of events in and out of [S] Cascade was all straightened out, people became even MORE hype. Like this whole thing lasted at least four days, and on top of that, the upd8 was good. Fandom exploded.” it is impossible to quantify the experience. The fact hussie was going to have to fork over A HUNDRED THOUSAND DOLLARS to host it is crazy. I am never going to be over it.

Cascade's complete obliteration of the Flash-hosting internet says a lot about huge Homestuck truly was - but I think an even bigger indicator of the comic's success is the fact that Hussie dropped literally thousands of dollars on server upgrades to host the thing. That's not an investment you make unless you're expecting some serious returns.

[snailpebbles]

your fic about Chishiya was so good I feel like you captured his character perfectly 😩 will you write more about him? I can barely find any good writings about him and yours is truly so perfect 😔💓

Patchwork Love

pairing: Chishiya Shuntaro x gn!reader

summary: after being injured in a game, Chishiya drags you off and is somehow more silent than usual. What's his problem?

tags: friends to lovers, hurt/comfort, angst, fluff, they're both so stupid

warnings: descriptions of injuries including blood, non-sexual unwanted touch, emotional constipation, Chishiya cries lmao

a/n: hope you enjoy :) my writing is rusty lol but I love this trope

.　 . • ☆ . ° .• °:. *₊ ° . ☆.　 . • ☆ . ° .• °:. *₊ ° . ☆

Everything was going fine at first; you were on your own in a level three spades game, lightwork! It was a construction zone with many metal rails and walkways, and multiple wide pipes at the very top. The objective was simple - get to the top before the time runs out. At first it was that simple, that is until the freezing cold water began to pour in randomized sections. A game of strength and luck it seems. There were others from the Beach with you, so of course you figured you'd just team up and make sure no one slips. Wrong! To save their own asses just as the four of you were getting towards the top, they used your body as an easier to grip ladder. Not only did you feel violated, you also felt icy cold fear mixing with white hot rage. What the fuck? You pulled those three up so many times at the risk of drowning and for what?

The water pours down on you as they cheer from the top with just two minutes left, freezing and blinding you as you struggle to actually breathe. Two hands on one thin bar that's already trembling under your suspended weight. Fuck. Everything felt like a blur as you hauled your leg over another bar, using all your strength to not drown from the water rushing across you and to pull yourself onto the walkway. For a moment it seems like something had snapped, your leg overstretched and arms overexerted. You aren't built for this! Your life before consisted of studying and absolutely destroying kids on x-box! As you lay on the metal grating, water having ceased with a heaving chest, Chishiyas face flashes in your mind. Well fuck - you're realizing you like him at the worst possible time. With that motivation in mind alongside the need to deck those three in the balls, you force your aching body up the rest of those rails with ten seconds left on the clock.

The three boys are obviously shocked to see you alive and rush off, once again leaving you behind with no transportation back. Lovely.

You aren't quite sure how you managed to get back to Beach but by the time you do, the sun is beginning to rise. Damn, what if they vacated your room? The morning air is chilly and you know you have some sort of hypothermia if your chilled fingertips are anything to go by, not to mention the way your head is beginning to swim - pun intended.

As your torn up, shaking form stumbles through the gates past a few surprised militants and even more surprised party-goers, Kuina barrels towards you. She looks both put together and a mess, her eyes red rimmed and seeming to water - pun intended - as her warm hands cup your ice cold cheeks. She chokes up at this realization and ushers you inside, muttering something about Ann being a little busy with some project as she leads you two to a familiar door.

Chishiyas face, as calm as ever, cracks when Kuina barges in. He's up in an instant and wasting no time as apparently one look at you is enough to know what you need - or maybe he just knows you. A blanket is around your shoulders before you can blink and now you're on his bed, unfortunately not in the context you'd wish for now. Kuina runs off after Chishiya instructs her to get a whole load of things, but you honestly have no idea what because you're too busy staring at him. Chishiyas face is contorted in a way you've never seen before or at least haven't been the recipient of. His eyes are focused in solely on you, his brows furrowed and typical smirk gone in favor of a grimace. Most notable are his hands resting heavy on your shoulders as if you'd shrug the warm blanket off. Those hands you now realize match those in your dreams are surprisingly warm and unsurprisingly steady - Chishiya was a little less smart than you thought if he didn't know by now that you knew of his profession. The idea of him in a doctors coat distracts you as he gets up from where he was crouched in front of you, reappearing with bandages and disinfectant.

"So..how'd your game go?" You break the awkward silence and feel your cheeks warm at how scratchy your voice is. Must've been the borderline constant drowning. His sharp gaze makes you almost flinch with the weight in it, your own eyes dropping back to your lap. Of course he doesn't respond, only making some vaguely disapproving noises as those eyes scan your wounds. His silence begins to piss you off, that rage from earlier being misdirected at him. Seriously, you almost died in a frankly horrific way and this is all he has to give?

"I can patch myself up. I'm not helpless." The tension rises, twisting uncomfortably in your gut as Chishiya stays in place while you glare at him. With a huff as he refuses to speak, you get up on weak legs. This seems to snap him out of it as he grabs your hips - and just at the right time. Your legs give way as the exhaustion hits all at once to only fuel that anger, a frustrated sound coming from you as Chishiya tuts disapprovingly again.

"Stay still. You're hurt and too tired to move." His voice is rough and annoyingly calm. Is he allergic to worrying? You obey though as he unravels the bandages and uncaps the disinfectant, steeling yourself for the following pain.

The blond has the grace to look at least a little apologetic at every wince and soft cry your battered form gives, even letting you hold onto either his shoulders or jacket. The cuts, scraps, bruises, and blood staining your body worry him even if he doesn't show it. Images begin flashing in his mind of internal bleeding, broken ribs, torn muscles-

"Are you..crying?" Your soft voice breaks the less tense silence, your own tears having dried up some time ago. Chishiya pales as he becomes aware of the liquid dripping down his cheeks and hastily wipes them away, refusing to meet your gaze or lift his head.

"No." He replies shortly, heart picking up its pace as he realizes he has to patch your torn hands. You follow his gaze and readily hold both hands out, skin raw and bleeding still. He winces internally at the sight of your beautiful hands so heavily marred.

Warmth spreads through you as he takes your hand in his non-dominant one to carefully disinfect it, whispering apologies as you hold back cries of pain. Somehow you aren't too shocked by this display of care, an inner part of you having sensed something was different by the lingering looks and the way he is always there. Chishiya wraps your hand with a gentleness you weren't sure he possessed, repeating the process with your other hand until every wound is patched up. Not a word was properly shared, your eyes rarely met, and you didn't comment again on the occasional slip of tears you caught.

"Go change in the bathroom." He mutters after passing you actual clothes, aka his own sweatpants and a t shirt. Once you step back out of the bathroom - definitely not after taking a moment to admire yourself in his clothes - Chishiya does just what you definitely didn't. The admiration is well hidden yet you catch it in the way he turns his head slightly to the left and steps back, as if you're a danger.

"These are really comfy, thanks." An appreciative smile brightens your face and threatens to blind him, so he sits down where you were moments earlier. You take a seat beside him and try to hide your steadily growing flustered state when that damn white jacket is placed around your shoulders. He says nothing so neither do you, the silence now companionable even as sparks burn its edges.

"What happened." It's not a question and you know that, just as you know what happened isn't your fault. The tears, anger and irrational shame, prick your eyes anyways. He doesn't comment, he only takes your pinkie with his.

After a deep inhale and calming exhale, you speak. "It was an easy spades game and I teamed up with three guys from here, but towards the end they just.." You choke up momentarily, but with the way his hand moves to rub your forearm, you know you'll get it out.

"They knocked me down so I was hanging and used me like a fucked up bridge- their hands were everywhere and I know it was for survival only but it was so..so dehumanizing." The words come out softer and softer until you aren't even sure Chishiya can hear, but he does. He only ever listens for you. His face is as calm as ever as you cry, arm light as it wraps around your shoulder to bring you into the only safe haven you have in this fucked up place.

Time passes, you aren't sure how much but you are sure you've dozed off, yet Chishiya hasn't moved once. He holds you close and his fingers still rub circles on your shoulder, mindful of a bruise there as he's memorized your injuries. There's some snacks and another blanket on the small dresser, presumably brought by Kuina.

Chishiya knows you've slipped into that numb state, so he doesn't mind helping you eat some crackers and drink that tea you're so obsessed with. He doesn't mind keeping you right there, right where he can protect you and you can rest; where you can heal yourself. What he does mind is you deciding to break out of this numbness by pestering him.

"You cried." You whisper, poking his chest lightly as his arms tenses around you. For a moment you fear you may have misjudged the air and his actions, envy flooding - pun unintended - through you at the idea that maybe all his patients get such treatment. His answer calms your thoughts.

"Yes, you could say I was..worried. Don't do that again." His warm breath brushes across the top of your head and a faint smile tugs at your lips from the slight roughness to his typically smooth voice. Your head props up on his chest so you can see him and he can't resist looking down at you. His eyebrow raises in a silent question that has you grin, that familiar smirk returning.

"If it gets me this treatment.."

"No."

"Worth a shot."

"..You don't need to be hurt to get my attention." The one-sided banters comes to a halt as your eyes widen, staring at his ever calm face like he hand painted the stars for you. If he could, he would.

With a slight grunt you manage to sit up a little better, worry flickering over Chishiyas face at your show of pain. Damn you could get used to this. Words aren't his thing so what better communication than action? Even with bandages, your hands ever so carefully cup his jaw, moving slowly incase he doesn't want this.

Chishiya really fucking wants this. With the way you're being so gentle, so considerate, when others in his life haven't almost keels him over. But you're injured, mentally and physically, so slow and steady will win this race. The kiss is soft and unhurried, as if there isn't an invisible timer looming over your heads. Time is irrelevant when he whispers your name oh so quietly and his hand oh so carefully caresses your matching tear stained cheek. With every touch, every shared breath, the previous hands are washed away for now. They'll haunt you at night but Chishiya will be there to wipe them away, whether that be with affection or simply being there as you get a snack to soothe your brain.

You know why he cried, why he looked so worried, why it's his clothes you're wearing, and why Kuina said Ann was busy when you actually passed by her lounging in the hall. He loves and he cares, the same as you. It only took almost losing you to realize it.

As you separate slowly and lay down, drawn together as if magnets, you drift off. Chishiya waits patiently as your breath evens out before slipping away.

It's the next morning when you wake up alone in the cold bed, insecure heartbreak seeping in until Chishiya quietly walks into the room, not hesitating with the gentle squeeze to your shoulder and kiss to your head. No words are exchanged when you settle in the chair next to him by his desk, watching him build who knows what as you munch away on those snacks. His ankle his hooked with yours and that is all that matters - you can ignore the split knuckles and prideful hint to his face because he's yours, and you're his.

[agirlinthegalaxy]

Hi! Fellow person with an English degree, along with working for an academic company that has a short college textbook about AI! One of the things that was discussed was hallucinations, which is incorrect information that AI presents as fact. Because the thing is, AI isn't capable of critical thought on its own. It takes in all of this information from the internet, but, as well all know, the Internet isn't inherently a trustworthy source of information and AI isn't capable of actually verifying this information.

One of the ways that we demonstrated this in our textbook is by inputting "Who won the 2022 presidential election?" This was using a previous ChatGPT model, but it actually would answer the question genuinely as if there had been a 2022 presidential election. Another way that I found personally is that I would begin discussing television shows and push it, and without fail, it always began making a lot of errors about obvious plot points and would be unable to keep it straight. Here's an input where I ask for an explanation of the finale of the Charmed (1998) series. (Spoilers for that ahead, but also the show ended nearly twenty years ago, so.)

While a lot of people probably don't know a lot about the show, here's the most relevant part: the entire Ultimate Power section is a complete fabrication because, while they exist, they're distinct characters with a completely different background. (And before anyone says anything, the point isn't about how recognizable the show is, it's about the AI literally makes up false information and presents it as truth when it's very easily disproved.)

Another way of illustrating AI's hallucinations is asking an either/or question, presuming that an event happens. Now, in full transparency, I have not read Dracula since 2021/2022, but I'm about eighty percent sure that this is an example of a hallucination. If not, my apologies, but I'm sure you can find a hallucination if you input it enough similar statements.

Beyond clearly just knowing what is accurate or not, AI also, like the previous OP said, doesn't know what is important. In many classes, when you're discussing some kind of novel, small details will of vital importance whether it about character, plot, or theme of the book. Demonstrated by one of my professors who asked us about the symbolism of the horse that Thomas Sutpen rode into town in the beginning of Absalom, Absalom only to very loudly proclaim that it was between his legs as a phallic symbol, which honestly was probably correct with the author William Faulkner being who he is. Side note, but he was a weird man, and I still don't like his works. If I was a student in that class today, here are the two different shortcuts I could have gotten.

(ChatGPT)

(SparkNotes)

Between the two, even disregarding that SparkNotes' summary is four paragraphs to ChatGPT's three (since the girl in the og Twitter post used three), SparkNotes just provides so much more information and detail. I'd argue that ChatGPT doesn't even summarize it efficiently anyways. So if you're just trying to cheat for class, ChatGPT still isn't a good option.

But I think the worst thing is that the people in the original Twitter convo aren't even reading for class. They're (presumably) reading for enjoyment, which makes it so much more bizarre to me. Because the thing is, and this is a rare one for me to say, you don't... have to read if you don't enjoy it? Once you've left school, very few places (unless you intentionally opt into it or have a very specific job) will make you read novels in your free time. Furthermore, I really can't fathom problems that ChatGPT solves that, say, an audiobook can't? Discussing these two specific instances individually:

If you're wanting to learn more about what Aristotle said in more readable English, baby, he's Aristotle. I can almost guarantee you that there is some kind of book out there, or even something online if you'd like to use the Internet, explaining his philosophy in easier to understand terms. Also with philosophy, I think that "main gist" can be a bit of a trick in of itself because it's designed to make you think critically about these ideas. Sometimes, the "main gist" is even the opposite of what they may seemingly be arguing because they're mocking it.

As for reading a book recommendation by a friend. ... girlie pop, you literally could just not read the book. I've gotten plenty of book recommendations that I've never read and my friends are not insulted at it. If it's a bid for connection, I'd argue that this is more insulting than simply not reading it because if you don't want to invest the time into it, that's fine but this weird shortcut way as if it's beneath your time is... oof. But especially if you want to discuss it, because AI will not include every beat and a lot of a novel is in the way it's written, the pacing or tension, etc. Things that an AI summary can't define out for you to have an actual meaningful conversation. That's something I do when I see a movie that looks halfway interesting but don't care enough to actually sit down and watch it. And even then, I'd never go back to that friend and act like I actually consumed that media; I'd probably just say that it sounds good because I still have not actually truthfully engaged with it!

This is a very long post, but I have a lot of thoughts and feelings about AI, especially in classes, literature, and media in general. Most of them are very negative, but I mean, please don't hand over your critical thinking of what you're consuming to artificial intelligence. Its intelligence is artificial; yours is not.

what is HAPPENING

[hotvintagepoll]

Danny Kaye (The Court Jester, The Inspector General)—Danny Kaye, idol of my childhood, maker of the weirdest faces! This man SETS HIMSELF ON FIRE and then puts himself out in a bucket in a movie based on a Gogol short story. In the same movie (Inspector General), he flirts by playing a carrot as a musical instrument. In Wonder Man, he's brilliant but struggles with things like riding buses. I have been envious of his fake Italian/French/German/Spanish monologues in The Court Jester for the past three decades. As Walter Mitty, he is SUPREMELY SILLY yet also somehow manages to be a comic foil for none other than Boris Karloff. All this is to say nothing of The William Tell Song (TV, thus not linked, but great.) I adore him.

Robert Helpmann (The Red Shoes, Chitty Chitty Bang Bang)—an extremely enticing combination of graceful and balletic and scrungly weirdo who looks kind of like if you put fred astaire and young boris karloff circa the black cat into the splicer machine from the fly. a literal actual ballet dancer, choreographer, shakespeare actor, and theater director, who left a mark on the psyches of many children as the terrifying child catcher in chitty chitty bang bang. undeniably scrungly but elegant and spidery in his scrungliness. in powell and pressburger's opera film tales of hoffmann he can be seen playing four different characters!

This is round 3 of the contest. All other polls in this bracket can be found here. If you’re confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Danny Kaye:

He's so stupid. I love him.

Robert Helpmann:

In the interests of honesty i will say that I have only seen Robert Helpmann in Chitty Chitty Bang Bang , but honestly does it get weirder, scrunglier or more delightfully creepy than the Child Catcher? REALLY. He is so gracefully off-putting (and thereby utterly captivating). One of my very favourite aspects in one of my favorite chilhood movies. And ASIDE from the child catcher, just LOOK AT HIM!!!

I know we all know him from our childhood traumas from Chitty, but he was also an extremely talented dancer. you can see him here in the red shoes (he is the one who plays her lover).

[shivunin]

Notes in the Aftermath

Prompted by @greypetrel for "a note between companions about Rook." Here is a series of notes from after Tearstone Island:

(Lucanis/ Rook Ingellvar | 341 Words | Major end-game spoilers, mention of character death)

A single page of notes, extending to both sides of the paper. It sports a large cut in the lower left corner and has been crumpled and smoothed more than once. 

Emmrich—

Is there any word from the Mourn Watch? Did you find that spirit of hers? It must know something. I am leaving with Davrin now to make contact with the Wardens. Please find me as soon as you are able. 

—Lucanis

Lucanis, 

I’m afraid there is no news to provide. Vorgoth and Myrna continue to monitor the Fade for any stirrings that might indicate that Rook has passed through. I was indeed able to locate Grief, who states that she felt Rook mourning Lace for only a moment before the sensation was cut off. “Cut off,” not faded, as such things do with time; I confirmed as much. She wished for me to tell Spite that she is sorry. 

I will continue to work on our secondary solution with Neve. Please feel free to seek me out once you have returned if you would like any additional details. 

—Emmrich

Emmrich—

Taash and I are leaving to seek a path into Minrathous. 

I have moved   She left her violin in my   Spite wouldn’t stop

Rook’s violin is on your desk. I think it will be safer in your library. Please take it to   make sure that  Please look after it until she returns. 

—Lucanis

Lucanis, 

Of course. I will make sure it remains safe until she returns. I have spoken with Neve, who has agreed to take this and some food with her when she leaves to find you. Our decoy is nearly complete. I will debrief the team when everyone has returned this evening.

Take heart, Lucanis. There is still much yet to try. We will do everything in our power to find her. 

—Emmrich. 

Below, a blade has punctured the page. The cut is followed by three words, pressed so deeply into the page that the letters have torn through in several places. 

BRING 

HER 

BACK

[sky-of-fantasy-stars]

THIS. THIS RIGHT HERE.

SPOILERS FOR THE GAME, PROCEED WITH CAUTION

It would be the stupidest decision for the company to steer from the original story line after how POPULAR the first game was and how HUGE OF A FANDOM it possesses.

There are so many ambiguities after the events of the first game, such as with Sebastian's quest line or Isidora's destroyed portrait. The game purposefully left the doors open and the perfect opportunity to continue the story in a second game. Veering off course could potentially risk the downfall of the fan base or even the second game just doing so poorly.

And it's not like it's impossible for it to continue: yes, MC defeats both Rookwood and Ranrok, and both are (presumably) dead, but it's not the most difficult to introduce another villain, especially since MC literally saved Hogwarts at the climax of the game. If anything, this reveals their Ancient Magic secret even more, and it's definitely possible for some other character to have a thirst for power. Perhaps it's someone within Hogwarts, or someone who has a connection to a villain we defeated prior. Regardless, Ancient Magic is incredibly valuable (which is why MC had to prove themselves as a Keeper in the first place), and there's no way only two groups were after it.

Even if this doesn't work, the devs could also steer off of Isidora's story, and perhaps dive further into her intentions or her uses of Ancient Magic. Perhaps this could reveal more about the Keeper's themselves, and who's more in the right, as that's another big moral debate among the community from what I've seen.

There's also the side characters themselves. Moving the story further into the future (eg. 1930s-40s, when Tom Riddle is at Hogwarts) completely eliminates any opportunities to expand on the side characters we already met, since they've already graduated and presumably started their own lives. We'd have no clear ending to Sebastian's story, we'd never get to learn anything about any of the minor characters, and even MC themselves would just completely vanish. While Natty and Poppy's quests are more complete (although it's possible to continue them in smaller manners), Sebastian's isn't. We never learn if MC's Ancient Magic can heal Anne, and we never know if they can rekindle a relationship after Solomon's death. We don't know if Anne dies from the curse, either, since it's unclear where she went. Does Sebastian even end up in Azkaban? There's some lines in the game suggesting that the game's canon is he doesn't...

But, disregarding those three, there's still so many more characters we spend little to no time with. I'd love to learn more about Ominis, but there's more than him, too. Merlin, there's Amit (who we go on like two quests with), Garreth (although he's a Weasley, so I'd understand him not getting as much attention), Leander, Imelda, Samantha, Lenora... the game has ample opportunities to add in new story options for characters we never got to see in the first game.

The fact of the matter is that a "connection" or "tie" is really ambiguous. Since the HBO series is based on the Harry Potter books, the story must obviously tie into the canon mentioned within those stories. For all we know, it could be regarding Dumbledore, as he would start his first year during MC's seventh. But even that doesn't solve the problem, as then we completely skip sixth year, and that presents more continuity issues.

In my opinion, the smartest thing they can do that would tie the game into the HBO series while simultaneously keeping the timeline of the game correct would be to either provide a relationship quest line with Ominis or to go deeper into his backstory. It's presumed that Marvolo (Tom Riddle's grandfather) is Ominis's brother, making Ominis Voldemort's great-uncle. Going into his backstory would absolutely provide an incredibly tie to the series, as Voldemort is the main villain and we'd get to learn more about what turned Marvolo into the nasty human that he is, which had a major domino effect. Plus, and don't quote me on this, but I'm pretty sure Ominis had a scrapped story line from the original game, so it would be very easy to take the pieces they had and tie it to what we witness a century later.

Overall, distancing from the game they had that already did so successful would be an awful move. The game obviously hasn't been released yet and is still in development, but seeing how much care they put into the first one, I really hope the devs decide to stick with the original story. Part of the reason I liked the game so much was it was a completely fresh start; we knew practically nothing about what happened in the earlier years before Voldemort was even alive. There are so many options they could have to keep the original game's line while making a connection to the HBO Series. If it comes down to it, and they do decide to change the story line, they shouldn't advertise it as Hogwarts Legacy 2. It would make more sense for it to be another entity entirely so fans aren't disappointed when their favorite characters don't return.

These are just my (very long) thoughts on the situation. I loved this game and I was, and still am, really excited for the future of it. Hopefully we'll get the game we were all dreaming of.

hey if the producers of hogwarts legacy 2 decide to completely erase the characters and plot from the first game in exchange for a brand new story, i will simply turn into the biggest hater!

there was so much left unsaid and unexplored for the og characters…. to completely forget about them and the plot would be so… silly….?? and to throw away all of that potential for what?? they could easily connect their stories to preexisting wizarding world lore if they just fucking TRIED

im gonna be so dramatic ab this

[bwat5-blog]

Collected Thoughts On Caitlyn From Last Few Days

**Spoilers From All Of Arcane**

So... as I have said many times in the past my thoughts come in bits and pieces over a day or two when I get locked onto a topic. That leads to the small blurbs all hovering around the same subject more or less. But this one seemed worth sort of putting all in one.

Amanda Overton confirmed the use of "The Grey" was strategic to a pinpoint but left the question to the asker if that made it forgivable or not. That is of course for each person to decide, but I will say this:

A- It isn't fatal. You can harp all you like about what may happen later. Vi may have CTE from getting punched in the head over and over. The shimmer in Jinx's blood may actually be breaking down her body little-by little over time, and same for Sevika. Timeline hopping may have irreparably damaged the cellular structure of Ekko's body and he only has days to live. We can only operate with what we know. There are many, MANY characters who have been openly exposed and appear to be just fine. And before you mention those images from Caitlyn's study when she is learning about the Grey, there is big difference between growing up surrounded by something every day of your life, and being exposed in a single targeted incident. B- The alternative was a full-scale Enforcer "invasion" armed with hex-tech, or. The strike team sans something that cleared innocents out of areas and left enemy soldiers standing and armed, instead of incapacitated and arrested.

2. Zaun is not an independent nation.

A- We know this since ya know.. they were voting on it before Jinx blew them up. B- This means that while Zaun it a separate city. It still falls completely under the jurisdiction of the council. C- When Caitlyn leads the strike team and uses a targeted, non-lethal crowd-dispersal chemical weapon, she is doing so not under any heading of war. But of peace keeping (using the term technically not emotionally. I understand they were not peaceful) and law-enforcement in a place that strictly legally speaking she has every ounce of authority to be in. (I am strictly speaking of legality and technical definition here. They were essentially a swat team sent to a really dangerous area. Not an invading army. Not a justification or excuse. But if we want to talk about this stuff we should do it properly). D- Zaun is under the council's jurisdiction. The council all agreed to martial law and let Caitlyn become the commander. Therefore this is the situation:

Caitlyn is the leader of a very small country with two cities, both under her control.

City A- Where she lives now.

City B- The other one. Where a dangerous terrorist is hiding who has almost killed her repeatedly, just assassinated three of their rulers and blew up a building, killed more than six enforcers and blew up another building, and as far as they know probably orchestrated the full scale attack at the memorial.

So what does Caitlyn actually approve? City B will be placed under lockdown until this woman who is quite clearly a massive threat to everyone's safety is caught.

Yep. there it is folks. "I am placing the city you all have given me complete authority over under control until we catch the person who tried to kill me,and has killed a bunch of us already. We will have patrols and set up checkpoints. People who violate the law will be arrested.

"Arrests require cause"

"Why is peace the justification for violence?"

She doesn't approve or give permission for any of the rest of that shit. the brutality, the experiments, none of it. And don't misunderstand me none of this is to say she didn't do anything wrong. But the dialogue around her is COMPLETELY. INSANE.

"War Crimes!"

"Fascist!"

"Dictator!"

Yall. She is literally getting up early to meet with a trade guild so they can bitch at her over supply issues. Dark Lord Kiramman she is not.

[yazzwrites6962]

please write more of your niragi fanfic!! i really loved it and im addicted to your writing!! 💗💗

Redemption ♡ Suguru Niragi ♡ Part Three

˚ʚ♡ɞ˚ Suguru Niragi x Fem!Reader ˚ʚ♡ɞ˚

Part Two: Here

Author's Note: UNEDITED! Not much Niragi is mentioned in this chapter. It's mostly you, Chishiya, and Kuina bonding! I know this chapter is pretty short. I promise I'm working on more! I should have the next chapter for this out pretty soon. I don't own any characters or images!

Genre: A little angsty

Summary: After your last game, you're left swirling with the pain of betrayal. Luckily, you have Kuina and Chishiya to help you recover.

Word Count: 1845

Warnings: OOC Chishiya and Niragi, talk of injury, blood, and betrayal

-ˋˏ✄┈┈┈┈

Trust and loyalty. The two most difficult things to find in the Borderlands. In a world of betrayal and death, rarely anyone was stupid enough to whole-heartedly believe in the good of another person.

Except, you did.

You trusted Niragi, for some silly reason. Despite all the warnings, you had faith in him. When you called out to him for help, you believed he would he there to give it to you.

Then you watched him walk away. As your blood ran down your arms and you were so close to making it out, you watched him turn his back on you. It was only a matter of seconds now before death would find you. It was sickening. The pit in your stomach felt bottomless.

You couldn't just wait to die. You had to keep going. You were so close, even without Niragi's help. Maybe you could still make it. You pushed yourself further, the barbs on your rope digging into your soft flesh as you reached for safety.

You couldn't see. You couldn't breathe. There was only pain. The sting of betrayal made it no easier to endure, but somehow, you endured. You clawed your way to the top, finally completing the deathly challenge, without the help of the man you thought was your friend.

You hazily found your key and pushed through your door. Your mind was foggy, and you couldn't remember much. You could only hear the sound of your heart beating in your ears.

Then, your vision went black. Yet, your heartbeat endured.

-ˋˏ✄┈┈┈┈

You felt your soft sheets beneath you as an echo of hushed voices surrounded you. Your body ached, and your head felt heavier than usual. Your eyes peeked open, and you were thankful to find yourself in your room with Chishiya and Kuina by your sides.

"Y/N!" Kuina cried, seeing your eyes open a crack. You attempt to sit up, putting pressure on your injured palm. The pain is excruciating, and you fall onto your back once more. Kuina gingerly helps you sit up, positioning you against the headboard.

You're covered in bandages. Around your chest, neck, arms, and legs. You feel almost like a mummy. Memories come flooding back to you. Hazy, but painful memories.

"Shinji! Did he make it out?" You suddenly recall the young boy who you had grown fond of during your game. Kuina and Chishiya give you a confused look, as if not really knowing who you're referring to. Of course, they wouldn't know. The Beach is filled with hundreds of people.

"What happened during your game?" Chishiya inquired calmly. "You lost a great amount of blood. Luckily your injuries were nowhere near fatal."

"Did you patch me up?" You study the wrappings around your body. They look clean. Professionally done. Chishiya shrugged, as if not really wanting to answer your question. "My game... It had three stages. I got these from the last one. I had to... I had to climb a rope that resembled barbed wire. I tried to wrap up my hands, but it didn't work exactly."

"I'm just glad you made it out." Kuina sighed. How did you make it out? You don't remember much. Only the pain and frustration you felt as you hoisted yourself up the rope. You vaguely recall the key, and your bloody fumbling hands pushing through your door seconds before the game was over.

"Niragi. He made it out, right?" You ask, your voice sounding weak. He left you there, struggling. Why? Why would he betray you like that? Just when you'd thought you were getting through to a softer side of him.

"He's the one who brought you back." Chishiya spoke up. "He carried you back to your room while you were unconscious." Kuina nodded, leaning forward to add on to Chishiya's statements.

"Chishiya and I noticed him hauling you up the stairs. We followed you guys all the way back here. We thought maybe he was going to... Do something to you, but no. He just left you here with us."

You hum, not revealing what had happened between you and Niragi during the game. Silence filled the room as your mind raced. Chishiya stared at you quizzically.

"Are you hungry?" Kuina stood, picking up a plate from the table in the corner of your room. "You missed breakfast, and lunch. We didn't want to wake you, but we brought you food."

"Thanks." You muttered softly, taking the plate from her. The food was cold, but you didn't have much of an appetite anyway. "You guys are great friends. I appreciate you." Kuina uncomfortably shifted, glancing at Chishiya. He stood; his hands hidden in his pockets as usual.

"We will give you space to rest." He said, removing a hand from his pocket to wave Kuina towards the door. "Should you need anything, you know where to find us."

With that, the pair exit your room. You're alone, with a pile of cold food and a sore body. You now understand that you can't fully trust Niragi, as much as you wanted to.

Yet, you would've never guessed the conversation going on right outside your door.

-ˋˏ✄┈┈┈┈

"Chishiya..." Kuina whined as your door shut. She didn't need to elaborate further on her thoughts. Chishiya already knew what she was going to say.

"We do not need to discuss this here." He began walking down the hallway, Kuina trailing behind him. She twiddled with her fingers nervously.

"She's nice. She's a good person. We can find someone else. Anyone else. You pick anyone else, and I promise I'll just go along with it." She pleaded.

"Kuina." Chishiya scolded, glaring at her. "We can explore your proposition. Just not here." Kuina's face lit up, now knowing that Chishiya was considering using someone else for the plan.

"Thank you." She sighed with relief, recalling your limp, fragile body being carried back to your room. She simply couldn't betray your trust like that.

"I don't consider it for your sake." Chishiya replied shortly. Kuina's better judgement told her not to question what this meant.

-ˋˏ✄┈┈┈┈

It felt like you'd been couped up in your room for an eternity. Kuina would bring you meals, and Chishiya often checked on your bandages. Fortunately, he claimed you were "healing nicely". All you had to pass the time were a couple of books and a sketchpad.

"I'm bored." You complained while shoveling food into your mouth. "I feel fine enough to walk and all. Can't I just go out and enjoy the sun by the pool?"

"Swallow your food before you begin speaking." Chishiya rolled his eyes. "Your wounds aren't entirely healed. While you are making good progress, it could still get infected. Imagine that disgusting pool water making its way into your bandages."

"The things people do in that pool are disgusting." Kuina sticks her tongue out, slumping beside you on the bed. "I can't even imagine what kind of germs are in that water. Does anyone even clean the pool?"

"Tatta does." Chishiya adds. In the past few days, he has grown slightly more talkative than usual. You find it pleasant to see Chishiya opening up more.

"I don't have to go by the pool. Just on a walk, or something." You finally swallow your mouthful of food. "I promise I'll be careful, and I won't run into any trouble."

"Why do you try to appeal to us?" Chishiya raises an eyebrow. "I'm not your keeper. I only advise that you remain here and rest. Yet, you are an adult who can make her own decisions."

"I don't know." You giggle, shifting yourself so your legs hang off the edge of the bed. "I guess you two are kind of like... Parents? Mama y Papa, y'know?" Chishiya and Kuina flash disgusted looks at one another.

"Okay, Y/N. Maybe you do need some fresh air. You're losing it in here." Kuina chuckles, helping you out of bed. Had they not found painkillers for you, you would be in agony.

Chishiya left the room as Kuina helped you get dressed. As much as you tried to hide it under your cardigan, your bandages still showed through your bathing suit.

"You still look beautiful." Kuina smiled, giving you a gentle hug and trying to be mindful of your injuries. "Now c'mon. We'll accompany you on your little outing."

"We will?" Chishiya groaned from outside the door. You laugh as you turn the knob, coming face to face with the blonde. He looks as though he would rather be anywhere, but out on a walk with you and Kuina.

"We will." Kuina huffed, interlocking her arm with yours carefully. "Don't be such a party pooper. Y/N is still hurt. Besides, it'll probably do you some good too."

Chishiya shrugs, shifting his hands comfortably in his pockets, before following you and Kuina down the hall. The stairs were a bit tricky, but you felt incredibly accomplished making your way all the way down to the ground floor.

As you make it through the doors of the building, you took a deep breath. The windows in your room didn't really open, so it was nice to feel fresh air filling your lungs.

You and Kuina dominated the conversation, chatting about life as the three of you walked through the front garden. Chishiya listened and followed along from behind.

"I'm still worried." You say, watching people pass you by. "I haven't seen Shinji at all. You know, the boy from my game?" Your eyes drop to the ground as you continue. "I... I don't think he had the time to make it. He was so... Young?"

"I'm sorry, Y/N." Kuina comforts. "It's cruel. What happens in these games... It's not fair. It's like all the best people are getting hurt and killed."

"I was unconscious the whole way back here. I don't know what happened. I don't know if he made it back to the car or anything." You sigh, carefully rotating your body as you and Kuina turn a corner.

"Ask." Chishiya finally spoke for the first time during the walk. Both you and Kuina turn your head to face him, questioningly. "Ask if he made it back to the car, if it's weighing so heavy on you."

"Who would I even ask?" You scoff. Your mind wandered back to who was in the car with you. The only person you really knew was Niragi, and you were terrified at the thought of facing him again.

"Him?" Chishiya motioned to somewhere ahead of you. You turned your head forward again, facing the direction he was pointing your attention towards.

Several meters away, stood Niragi. The one person you didn't want to see. His gun was slung over his shoulder, and he stared directly back at you.

Did he remember how he watched you struggle? Did he see the blood running down your arms as you reached to him for help? What was he thinking when he turned away from you?

And what was he thinking as he began to walk towards you now?

[a-bottle-of-tyelenol]

I love reading Eurylochus analysis but I don’t see people mentioning the beginning of Puppeteer all that often.

Eurylochus starts that song by immediately trying to tell Odysseus about what he did. Immediately. I know we like to characterize Eurylochus as cowardly (mostly because that’s how Jorge describes him and how he’s described in the Odyssey), but I think it says a lot that Eurylochus didn’t try to hide or pretend as if this hadn’t been his fault. He didn’t wait for Odysseus to confront him about it or try to avoid taking responsibility. It’s rather brave imo that he tried to say something and only didn’t because his captain ordered him not to.

I think a lot about the timeline of EPIC and how entering the lair of Scylla likely wasn’t that long after Puppeteer. Odysseus says they’ve been away from home for “about twelve years or so” and then there’s the obvious discrepancy of Odysseus telling Circe the same thing— explained away by it being a simple mistake on Jorge’s end. If we go by the likelihood that it hadn’t yet been twelve years when they met Circe and that Ody was lying, there’s a rough two-ish year period before Eurylochus actually tells the truth.

To some, this might be indicative of his cowardice, a show that he wouldn’t actually tell the truth and would prefer to hide away his greatest mistake for as long as he can manage.

I disagree. I think this could indicate a couple other things, though; namely that this is proof Eurylochus changed his perspective and decided to listen to Odysseus. Mutiny could only happen because Eurylochus realized his mistake in not believing Odysseus not just once, with the windbag, but twice when Odysseus went to save their men on Circe’s island. Three strikes, you’re out and Eurylochus is not that kind of man— side note: it isn’t hypocritical to change your viewpoint and then criticize someone for adopting your old one btw, it’s just how people function.

Different Beast does imply this a bit, but I think the fact that Eurylochus waited so long to tell Odysseus about the windbag is much more blatant. After all, Odysseus told him to wait, and he did. To me, it seems like Eurylochus read between the lines of Ody’s order (go make sure the island is secure, there’s only so much left we can endure) and took it to mean “wait to tell me when things have settled and we aren’t on the brink of dying”.

Which leads to the second implication, why did Eurylochus choose this moment? Obviously, he didn’t know the nature of Scylla or the danger that they were in, but what about this moment in particular left Eurylochus feeling secure enough to tell Odysseus? Well, the obvious answer is the ruthlessness Odysseus showed in Different Beast showing that they’ve reached that point of power and being able to defend themselves even from monsters that have slain so many sailors.

But another option could be the idea that Scylla was their “last stop” before going home. It’s a bit unclear if this remains true in EPIC, but in the Odyssey, Scylla and Charybdis are right next to each other and the trick is that you have to pick your poison— do you want to die to the whirlpool monster or the six-headed one? What is clear in EPIC is that Ithaca is just past Charybdis, meaning that Scylla, in theory, could’ve been their final stop before reaching Ithaca had Mutiny not happened. There is a very real possibility that they might not have gone to the first island they found if Odysseus hadn’t been knocked unconscious. They still might have just because they were hungry, but it can be difficult to tell which is fate and which is the result of man’s actions.

Either way, I think that a lot of people tend to gloss over the fact that it’s very apparent Eurylochus was going to tell Odysseus what happened as soon as he could and only didn’t because Odysseus told him to wait. It’s a very interesting aspect of his character to me and I think it reveals a lot in terms of his character motivations and how it contrasts to Odysseus’ perception of him throughout the show.

[wanderingmind867]

When you really think about it, Percy Jackson comes off worse than most of the other protagonists in the Heroes of Olympus series. Who wiped Iapetus's memory and then left him to rot? Percy did. Who promised to one day come back for Calypso, only to forget all about her? Percy did. Who asked for recognition for the minor gods, but only cared about a handful of them? Percy.

But you actually visited and checked on Iapetus? Nico. Who actually went back for Calypso? Leo. Who actually made sure all deities got honoured? Jason. Percy never lived up to the potential and the hype that Rick Riordan built around him. He's probably one of the most boring protagonists. I still remember how he initially felt ashamed to have Tyson as a brother. I know that he felt that way because of peer pressure and everything, but it still makes me uncomfortable to think about.

So I think that's my problem with Percy Jackson. Some of his character traits are relatable, but not nearly enough. He feels like a very three dimensional character, but he's also not that relatable to me. Percy was a kid who always got in trouble at school. I'm the kid who never speaks, and subsequently is usually tolerated. I was bullied once in grade 4, but that was it. Most of the time, nobody in school seems to hate me (I suppose it is hard to hate someone who never expresses themself, though). I feel more kinship with Nico di Angelo, Jason Grace, Frank Zhang, etc. I don't hate Percy, but he's not going to be in my top five favorite characters from Rick Riordan's books.

[lunarriviera]

What are your thoughts on the last ep of under the skin...that cant be shen yi right...im seeing a lot of twin theories but thats a weird plot twist honestly 😅

to answer this question i guess i have to get up off the floor first, where i have been lying facedown and motionless since uts2 ended over a week ago. two weeks ago? yesterday? today? i don't know anymore i've lost all track of time, who are you? where are we?

oh right—the s2 ending. you must mean this scene, right? what a great way to end things! du cheng, happy, walking to meet a group of friends at his birthday party! truly wrapped up the whole drama, and left us in such a heartwarming place with our favorite characters!

...oh you didn't mean that ending? you mean there's another one?

[mindless screaming behind the cut AS WELL AS SPOILERS]

[and this winds up being about all of s2 as well as the final tag, OOPS]

so okay listen before i can even address this without the mindless screaming, i have to level with y'all here: s2 was rough on me. there are only like three du cheng stans in all of anglophone cdrama fandom and i'm probably two of them ( @wannings-wontons is the other one, thank god for her). i've written eleventyleven fics from his pov so i am ferally protective of my big stupid hot cop son. this season put him through the goddamn wringer and for my taste there were just a few too many scenes of du cheng looking like he was about to burst into tears while shen yi was smiling winsomely, for all the world as if he were not the one personally causing his captain to experience devastating mortal agony. allow me to demonstrate.

in the driver's seat: unspeakable anguish. literally can't talk.

in the passenger seat: hey nice air conditioner! guess what i have a new friend! i spent the night at his place, talking about infinity and human potential! in a few more episodes he'll be a murder suspect!

(i'm getting to the cliffhanger, believe me i'm getting there, no really i am, we just have to spend a minute dealing with the divorce arc first)

because, while i absolutely adore angst bambi (as @whomst-art-thou-whomst-whomst has immortalized him), and thanks to @elenothar have firmly adopted him as a most beloved emotional support twink (not least because i suspect tan jianci is himself kind of a genius; no triple threat should be this good of an actor), i also honestly not infrequently this season wanted to drag shen yi into the men's room by his pretty hair and flush his pretty little head down the [redacted] until he came to his pretty little senses. because while later in the arc he clearly is, you know, attempting that deep-cover thing, and has to reject du cheng to his face, right in front of Evil Eugenicist Art Critic Weasel Man, in order to gain Weasel Moriarty's trust, etc.—

there are also a bunch of times when du cheng is visibly upset and miserable and in genuine pain, and shen yi just laughs. literally laughs at him. like tan jianci what are you doing, do you want the audience to dislike you? how are you trying to play this?? are we supposed to think, wow shen yi sure knows what he's doing? are we supposed to think he suddenly has the world's worst taste in men? because long before Weasel Man smashes a vase and snaps at his lab assistant and possibly kills someone and has assorted tantrums which start to tip off shen yi that maybe his new bestie is kind of a bag of dicks—long before that starts happening? shen yi just likes that guy. he LIKES him. enough to quote whitman to him (fang kaiyi you take his queer name out your mouth); enough to stay up all night painting the stars with him and we don't know what all else. enough to hang out in his lab for days on end, listening to junk science and pretending to understand the human genome and just what. shen yi. WHAT. he's literally a Bond villain styled like an asymmetric reptile—all this, just because he's tall? and he's gone to the symphony a few times? what, because he negged your painting, and that turned you on? i shouldn't have said any of that, but i did; and now i refuse to take it back. because inside me are two wolves, and they sound like this:

one wolf has been extremely online for many years, and thinks she's very hip and chill and jaded. this wolf talks in memes and laughs at herself, and she's like: “haha fun drama! Solving Crimes Through Art! lol i can't believe this turgid love song playing over a romantic montage, wow it's so stupid.” and also: “lmao divorce arc so hilarious, WELCOME HOME CHEATER lol get it, good joke right?” and: “oh my god why is there another pointless cliffhanger, they will NEVER GET a s3 what are they thinking. this scene is therefore not canon and can be safely ignored, just like the s1 tag turned out to be a ~~~dream."

but the other wolf is lying motionless in her barrow in the darkness flat on her stomach in mouldering leaves and mud head resting on crossed paws staring into the night with her old yellow eyes and she says they stabbed my son and left him alone in his blood and the last thing he saw was a cruel face worn by the boy he has come to love a boy standing at the end of the alley looking down at his phone who then moves past him and keeps on walking

and then, you know. then i lie on the floor for a week! which is fine, i'm an extremely psychologically healthy person who has certainly not at all outsourced her entire emotional well-being to an imaginary public safety bureau criminal investigator on the coast of southeast china.

so what do i think about the cliffhanger? here is what i think about it; and again, sorry for the hatchet job on shen yi but it was relevant:

1. i do think it's a dream, yes. they've already played that game with us—we waited two years to find out who was carving up shen yi's creepy murder-red self-portrait and whomst should it be but…nobody! just shen yi having nightmares about his future fling, apparently. (notice, too, how fang kaiyi GRABBED that craft knife, which shen yi had deliberately left on the easel, and didn't even ask why it was there. he might be tall and elegant and have good taste but he's nowhere near as smart as you are, shen yi. do better.)

2. whose nightmare is it, though: shen yi's, or du cheng's? remember that the first time du cheng meets fang kaiyi, he tells shen yi, "he reminds me of someone: the old you." (and shen yi laughs merrily, even though nothing about that is funny, either the observation or du cheng's immediate mistrust and jealousy. TAN JIANCI WHAT THE HELL ARE YOU DOING). then, later, on the precinct rooftop, after the case is all over, shen yi confesses yet again that there's something in him that's not altogether good, that he has quote "demons," and that if he hadn't met du cheng, he might have gone down some vague unspecified dark path. not quite sure how a portrait artist was gonna become a mass murderer or whatever, but okay i guess. there was something off about shen yi 1.0, and du cheng could see it even a decade ago and he didn't like it then any more than he does now.

given all that, then, the nightmare is probably shen yi's. he's prone to them anyway, and he knows now how badly he's hurt du cheng, and that he came dangerously close to, well, getting into bed with the enemy. i don't think it's even until fang kaiyi is so limpidly nonchalant about zhou shanshan's death that shen yi's inner moral compass comes shrieking back into play (and then it really does; shen yi who never raises his voice out there just shouting that man down).

there's one argument to be made for the case that it's du cheng's nightmare, though, which is the way that he looks up at the camera at the very end of the shot, and laughs. shen yi 1.0 is standing too far away for that to be his point-of-view. so who's standing over du cheng? and who would he laugh at, in recognition, like that? shen yi 2.0, presumably (or 3.5? not sure what version we're on anymore).

either way here's my final observation, and then i swear to god i'll shut up, before the shen yi stans come for me like maenads. i was chatting with @wannings-wontons and she said something that absolutely blindsided me, which is that the cliffhanger literalizes the arc of the series: shen yi did, in fact, metaphorically stab du cheng in s2. why else would either of them dream that? du cheng being badly, even fatally wounded by arrogant young artist shen yi is precisely what happened during the divorce arc. and their reconciliation was so heavily censored as to be, to some of us anyway, unpersuasive. (two cops, talking on a rooftop all night! five feet apart cause they're not gay!) as @wannings-wontons said: "the last scene just reflects how badly hurt he was. and we're left to decide whether he'll recover."

so which is worse, dreaming that your lover stabs you? or dreaming that something twisted inside you stabs the man you love?

tldr, shen yi doesn't need a soap opera evil twin: he's his own evil twin, and he knows this. and what is more, du cheng knows it now too. if there's ever a third season, which seems completely impossible to me, the writers have to know that they have NOT fixed this.

fortunately, we have something censored production companies don't have, and it's called fanfiction. so bring on the episode codas, my friends. bring on the long painful conversations and the shouted arguments (du cheng never even got to yell, except once in a parking lot because he was frantic). bring on the tender reconciliations that can only come after those blowout knock-down-drag-out fights, and are therefore real and grounded, not stilted, wooden, woefully inadequate mockeries of reunion. let people throw furniture and cry and try to explain and plead and confess and even, sure, why not, grab the other person and kiss him breathless, and say I don't want to do this without you, say don't put me through that ever again, say but this isn't enough and I need something different, say okay then let's figure that out together, say i'm sorry i hurt you, you're the most important person to me and that's the last thing i ever want to do.

it's up to us, not to leave them there in the alley like that. but the good news is if it's work, it's only work. and it's our work to do.

[ratnix]

Nevermore spectres as DBD killers

Recently I've been kind of obsessed with DBD (as you can tell from my profile pic) and I started thinking of the Nevermore spectres as DBD killers, yk with perks, moris etc

For those of you who don't know, Dead by Daylight is a survival horror game. You can play as one of four survivors or the killer. There are like more than 37 survivors and killers (each) I believe and each character comes with their own lore, perks and for the killers special powers and mori (a special way to kill the only survivor left after you've sacrificed the other three)

I've been mostly thinking about their Moris (you can find videos on YouTube on each killer's Mori though ofc tw for gore, blood, puke for the plague etc) and also here's what I've got so far

(Also ofc TW for here as well for graphic descriptions)

Will - For some reason I think the Unknown's voice would suit Will's spectre. For his Mori, I'd see him wrap his ribbons around the survivor to asphyxiate them to death while muttering "...sorry...sorry" with the Unknown's voice and his sad mask before dropping them to the ground and shaking his head

Montresor - Okay I feel like this man would have a blast chasing and sacrificing survivors. For his Mori, I can see him treating this like a game - Trickster style: Monty would laugh before closing his fist and cracking the ground in half, with a fire brighter and stronger than that of the Entity so the survivor has no way of escape. He then takes the chain off his chest and uses it to choke the survivor until they die and he tosses them on the ground like a ragdoll, like this game is over

Berenice: I can see Bee playing with the survivor like a predatory bird - grabbing them from their neck, taking them along with her to the sky, then dropping them and catching them again with her teeth and nails. She uses her teeth to rip off their throat and sucks their blood, until the body is drained and she tosses their head aside

Prospero: This man would treat it like a job - nothing fancy, he just wants to please the Entity and get this over with. He calls the rats after hitting his scepter on the ground once and causes a Sonic blast around them. The rats crawl on the survivor and munch on their body until there's nothing left

Will update with more spectres if I'm feeling creative 🗣️

[theside-b]

Awww See Your Love, I'm going to miss your weird and crazy energy. This finale really encapsulates the best (and worst) of the show, but if there was one thing that was consistent throughout the series, it was that unique Taiwanese flavor.

The final episode makes it clear that we are watching at least three different shows at once: a sweet romance between Shaopeng and Zixiang, an odd couple comedy with Feng Jie and Xin Jia, and a barely there sapphic storyline with Jessica and Shuhe. All with varying degrees of success. I'll start with my least favorite and go up from there: Whatever happened with Feng Jie/Jonathan was fun, I really had a good time with them, especially in the early rounds with the ridiculous assassination attempts and cat and mouse game they had going, but as time went on and the script didn't have much room for them and simply didn't know how to integrate Xin Jia into the main story, they lost the spark (I was a bit disappointed that we got the answer to what really happened in their "first night", I wish it had been kept a mystery).

We had Jessica and Shuhe for about three weeks - and 5 minutes of screen time - but it was enough to show clear potential, we never get saphic storylines in Taiwanese BL shows, so I was pleasantly surprised by their natural chemistry, the writing done for them was highly beneficial, avoiding some of the traps usually seen with this kind of characters. So it's a shame we didn't get more out of them, there was clearly a lot of potential here.

Now for the crème de la crème: Shaopeng and Zixiang… it was just… dare I say "perfect" might be the word for them. The writing, the direction, the craftsmanship behind the show, it was clear that the series revolved around them, and both actors stepped up to the plate and delivered easily two of the best performances in the genre. And I will single out Shaopeng's Jin Yun: simply the best acting of any Taiwanese show in 2024 (would go as far as to say one of the best in general television of the past year). Playing a deaf-mute character is no small challenge, but having a disabled character like him as the protagonist elevated everything, and in the hands of a lesser actor it could have been a disaster. Fortunately, he was more than ready, and while Raiden Lin's Zixiang did some heavy lifting, it was Shaopeng who kept the story moving forward.

This show was always deceptively cute and wacky. It often hid what it was trying to say behind silly visual gags and cartoonish sound effects, luring viewers into a false sense of security before delivering emotional punches that left everyone reeling.

With mixed results, I would say; many felt that the attempted assault scene with Shuhe was jarring and unnecessary — about that particular moment, I was a bit surprised that the audience was surprised, because Taiwanese shows often have a certain violent aspect to them, no matter how unassuming a show may be, and considering that we are talking about the team behind Kiseki: Dear to Me, it was to be expected.

If there was one aspect that never really clicked for me, it was the gangster subplot involving our beloved Nat Chen. Whatever they were trying to do here really felt disconnected from everything else and that is saying something, because the whole show was hanging by a thread.

After a series of shows that offered a very different taste (Unknown, The Only One, First Note of Love), this one goes back to Taiwanese BL roots and shares so much DNA with its direct predecessors (Be Loved in House: I Do, Plus & Minus, Kiseki) that it was somewhat refreshing. And after some stumbles and poorly conceived characters, Shaopeng stands as one of the greatest, if not the best, disabled protagonists a BL show has ever had.

(Also, where is my Taro and Kai cameo???)