#and the shippy bits are there
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lena-in-a-red-dress · 14 days ago
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It's a Wonderful Knife AU (Supercorp)
It's a Wonderful Knife is about a girl who, one christmas eve, witnesses and ultimately kills a spree killer (aka The Angel), who kills her best friend and a couple other kids. Once dead, the killer is revealed to be none other than Morgan Edge, the local sleaze who'd been trying to commercialize the small town of Angel Falls.
A year later, the following Christmas sees her clinically (yet untreated) depressed, unaccepted to her dream college, and overlooked by her family in favor of her cousin (who she saved the night of the killings). When she discovers her boyfriend has been cheating on her for the entire year, it's the final straw.
On her way home, she looks up to see the Northern Lights. As if they were a wishing star, she gives voice to the heaviness that has been growing in her since that fateful night.
"I wish I never existed."
She blinks, and suddenly the lights around her are dark, the previously festive boulevard now shadowed and eerie. Immediately on edge, she approaches a man to ask if the power went out-- only for him to collapse as he turns towards her, a knife in his gullet.
The Angel then appears like a ghost. Kara screams, running for help. She eventually runs into the local sheriff-- one of Edge's right hand men. Who definitely wasn't sheriff, last she checked. The oddities keep adding up, as she learns that not only is The Angel alive, he's been active for a full year. Her family home is dark and grieving for a lost scion-- her cousin who died the christmas before, because Kara hadn't been there to save him.
Kara isn't in any of the family portraits, her family doesn't recognize her, nor do her former friends when she tracks them down at the annual get-wrecked holiday party. In the absence of all that's familiar, she turns to the relatively unknown-- the local weirdo.
"Weirdo" is the slender goth girl who hangs around the periphery of their age group, appearing at large events without anyone seeming to invite her. This year she has her hair in space buns and though she says nothing as Kara frantically pleads for anyone to recognize her, her sharp green eyes take everything in. So when Kara finally turns to her, and their gazes meet, Kara feels a tinge of relief.
"You know who I am?"
The weirdo gives a nervous little smile, but doesn't balk. "Hi. I mean, no. I mean. I'm Lena?"
Lena's mere act of not ignoring her almost brings Kara to tears. She unloads everything onto the poor girl, who listens with wide eyes and a slightly bewildered look. But when Kara mentions The Angel, Lena perks up.
"You want to stop The Angel?"
"What?" Kara asks. Out of everything she's said, that's what the weirdo locks onto? "Yeah, but--"
"Come with me," Lena says quickly. She grabs Kara's hand and pulls her away from the party, out the door and across town. They don't stop until Lena tugs her up the front walk of a house with darkened windows. Unlocking the front door, Lena leads Kara inside the empty house.
Kara frowns. "Are you always alone on christmas?"
Lena's cheeks flush, but instead of answering she makes her way deeper in the house. "I want to show you something."
When Kara steps into Lena's bedroom, she's shocked to see one whole wall serving as a murder board-- literally. Thumbtacks mark the location of known murders on a large map of the city, with notecards detailing facts of each victim.
"Most of them are teenagers related to business owners in the town," Lena tells her. "Well, mostly former owners, now."
"It's Edge," Kara states bluntly. "He's The Angel. He's the one doing the killings."
Instead of dismissing her outright, or asking how Kara knows, Lena's brow furrows. She studies her board thoughtfully.
"Most of the families who've lost children to the attacks have closed up and left town... Edge, he--" Lena's eyes widen. "He's acquired every single one of them!" She mutters a curse to herself. "I can't believe I didn't see it!"
Before long, Lena is also hypothesizing on the how of Kara's circumstances. Kara relates the glowing aurora that still lingers above the town, and Lena gives a thoughtful hum.
"It's unusual to see it this far south," she observes. "It could be related, or it could be complete meteorological happenstance. But... the aurora does generate via a confluence of fluctuating solar energy. What if-- and I can't believe I'm about to say this, but-- what if, when Edge died in your reality, his spirit... lingered? And if it did, perhaps his ill intent, combined with the energy of the aurora, facilitated the change?"
Kara goggles at her. Lena blushes again, and scrambles to fill the stunned silence. "Of course, that's assuming this is a matter of different realities, which are purely hypothetical and I am *not* saying are real, let alone suggesting travel between them is even a feasible concept--"
"I had no idea you were so smart," Kara says bluntly.
Lena freezes, eyes flashing up to meeting Kara's. Her blush deepens as she reaches up to tuck the flyaway hairs at her temples behind her ears.
"There's a lot people don't know about me," Lena says softly.
Guilt forms solid and heavy in Kara's belly. "I'm sorry," she says. "For how people have-- how I've treated you."
Lena shrugs. "It's--"
"Please don't say it's okay," Kara urges, leaning forward intently. "You've just... existed, and we've acted like..."
Holding Kara's gaze, Lena's arrest softens. "Maybe things would be different, if you'd been here."
Shame courses through Kara's body, but she refuses to voice the knowledge that even in her reality, while never cruel to the weird girl in the corner, she'd never been kind.
"It will be," she says instead, firmly. She offers a crooked grin. "After all, who's George Bailey without her Clarence?"
Lena beams, a bright laugh bubbling out of her. Kara's smile grows, and for a moment, the world doesn't seem so grim.
---
The solution in returning the world to its rightful place is clear. They kill The Angel, Kara goes home. But before they can decide just how to execute their plan, Kara gives in to her desire to see her family. For help, maybe, to help them in their grief for Clark, she isnt quite sure.
When they get there, they find Kara's uncle in his office. Seeing his despondency, Kara can't help but reach out to him. She tells him she's a friend of Clark's and they spend the next few minutes reminiscing about some of Clark's most memorable moments-- his football career, the time he saved an elderly neighbor's life, etc.
But when Kara tells her uncle that she knows who killed Clark, their reverie snaps back to reality. Her uncle grows cold, and when Kara tells him it was Morgan Edge, she learns that this version of her uncle not only works for Edge, but considers Edge to be a close friend-- one who paid for Clark's funeral.
He shouts at her to get out of his house, and Kara bolts, with Lena following on her heels. Once outside, Kara bursts into tears. Lena envelops her in a fierce embrace, holding her until her sobs subside.
"We'll fix this, I promise," Lena says. "We'll fix-- augh!"
Lena's cry of pain jolts Kara into a state of panic, when the source of the long slice in Lena's arm proves to be The Angel. They bolt for safety, and in the ensuing chase Lena devises a plan that has them splitting up. The Angel chases Kara, leaving Lena to loop back around behind him and shove him sprawling into the snow. Kara grapples him for the knife, and as soon as it's in her hands she plunges it deep into Edge's throat.
Except it's not Edge.
When they remove their would-be killer's mask, it exposes instead the face of Kara's uncle. Kara vomits, then wraps her arms around herself as the sobs return.
"I don't understand," she wretches. "It-- it was supposed to be Edge."
"I don't know," Lena murmurs, rubbing her hand against Kara's back. "But it doesn't matter. That isn't your uncle. This isn't real, not for you. And you did it. You got the killer. Now we can get you back to your real family."
Lena supports Kara to the boulevard where the shift first manifested. Once there, Kara offers a watery smile. "Thank you," she whispers. "I don't know-- I don't think I could have done this without you."
Green eyes gaze at her, warm and sparkling in the light if the aurora overhead. "I should be the one thanking you," comes the hoarse reply. "To be honest, I--"
When sudden emotion chokes Lena's voice, Kara reaches out in concern. Lena swipes at the tears gathering in her eyes.
"I'm okay. I just-- this was going to be my last christmas, Kara."
Kara blinks. It takes a long moment for her to connect the words to their meaning, and when she does, her heart lurches.
"Lena, no--"
"It wouldn't have mattered," Lena whispers. "Not to my family, or the kids at school. Not to anybody."
"Yes, it would, Lena. *You* matter."
Lena nods, tears falling free from her eyelashes. "I think maybe we got it all backwards," she says, huffing a soft laugh. "I wasn't your Clarence after all. You were mine all along."
They hug, and then it's time. Kara looks up at the aurora and wishes with all her might that she lived, that she existed. She wishes for her life back. Not just to have her family back, to have Clark and her uncle, but to have Lena too.
Nothing happens.
It doesn't matter how much she wishes, then pleads, then curses at the universe-- the world stays exactly as it is.
Kara stares helplessly at Lena, who can only shake her head. "I don't know," she says. "I don't know--"
She's interrupted by the squawk of a microphone coming to life in the nearby square. The voice of Morgan Edge soon follows, drawing them both to the periphery of the crowd gathered around the stage where Edge stands before the town's christmas tree.
Rage overcomes Kara at the sight of him. She pushes through the crowd towards the stage, only vaguely aware of Lena following close behind lest the crowd separate them. Before she knows what she's doing Kara vaults onto the stage and slugs Edge right in the face.
As his henchmen move to wrestle Kara away from her victim, Lena spies a familiar looking knife lying the podium-- The Angel's knife. Her gaze flicks to where Edge marches towards a restrained Kara with rage in his eyes. The decision she makes in that moment is hardly a decision at all.
She snatches the knife from the podium and slits Edge's throat from behind. Her only regret is that it showers a surprised Kara with arterial spray. For a moment they, the guards, and the gathered crowd all stare frozen at Edge's gurgling body, until it finally falls quiet.
Then, a clap issues from the crowd. A single person, clapping slow and deliberate until it grows into raucous applause. The guards reach for Lena, only for the townsfolk to intervene, giving Lena and Kara the opportunity to slip unseen from the mayhem.
They sprint to the boulevard, coming to a breathless stop under the rippling aurora that's slowly brightening.
"Go," Lena urges. "Now, before--"
Kara kisses her soundly. Her world becomes the feel of Lena's lips against hers, the scent of blood thick between them, and the pull of Lena's arms as they wrap around her neck--
She opens her eyes to the ceiling of her bedroom.
Morning light spills in through the windows, illuminating the world in warm relief. Kara bolts downstairs to find her family hale and whole, and nearly loses herself in the sweeping joy of her life returned-- until Lena's features flash across her mind. Lena's features, and the echo of Lena's murmured confession: "this was going to be my last christmas."
In a instant she's back on her feet and sprinting to Lena's house. She pounds on the door until it opens a crack for Lena to look warily out.
"What do you want?"
Kara's heart plummets, but she forges ahead without stopping. "Lena, this is going to sound crazy, but you have to believe me, because it was real, and you were there, and whatever you're planning *please* don't--"
The door opens further, revealing Lena in a cozy sweater with a puckish glint in her eye.
Kara stops short, hardly daring to believe. "You... you remember?"
Lena answering smile beams in affirmation, prompting Kara to sweep her up into a giant twirling hug. Lena squeals, but it ends with a delighted giggle.
"I love you," Kara says, kissing Lena. Their hands clutch together, holding tight as though the world might reset and tear them apart once more.
Lena smiles, sighing happily as she rests her forehead against Kara's.
"Merry Christmas, Kara."
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batbabydamian · 11 months ago
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hihi! i’m the anon that asked what your damijon looked like! AND THEY WERE SO CUTE OMGMG, but i’d also like to ask what your super sons damijon looks like as well? 🥹 tyty 🙏
hii thank you for that ask, and i'm glad you liked it!! here's a super sons ^^
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cyellolemon · 7 months ago
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Bleach art dump!! The hyperfixation you had from your 11 to 16yo never leaves
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hyakunana · 1 month ago
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Pocky Valen when?
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snick-cooler · 1 year ago
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AAAAAnd to finish my art dump, something cute
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danwhobrowses · 4 months ago
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Ashton "I serve the weak, I serve the forgotten, I serve the dirt beneath our feet" Me "Saviour of the broken, the beaten and the damned?"
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gabelew · 1 year ago
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i don't draw ship art often,,, but even I'm not immune to office desk smooching aesthetics
and i already had this whole room designed so
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joifee · 5 months ago
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Our 4th life
for day 2 theres a little new life smp throwback and also some wither roses^^
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sillylilfang · 4 days ago
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bites you bites you bites you
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averaillisa · 1 year ago
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tao & rina doodles
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mephoj · 7 months ago
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late night chat
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#meeple.png#inanimate insanity#inanimate insanity invitational#ii oj#ii mephone4#ii mephoj#not inherently shippy but it is based on the weird gay little version of iii in my head#anyway i think they should've had some kind of summer romance in iii that changes their view on their lives forever#and leaves them haunted by eachother in a way that neither will want to address but it sticks with them#oj is Stuck in his shitty hotel job and kind of caged himself into that the more he insists its Just the way it is and hes fine with it#while mephone has simply gotten used to running away and hiding as much as he can#neither are good coping mechanisms but the kind of experience and perspective they have could be exactly what they need to hear#oj needs to Fucking Quit while mephone needs to let himself find community and let others know him#so he doesn't feel like he Has to run or he Has to do it alone#oj has connections albeit some messier than others#and hes a bit of a bitch but definitely more liked than mephone#and mephone has the If It Sucks Hit The Bricks mentality and the bluntness to get that through to oj#oj also has the perspective of being a s1 vet which means he has a very different view on mephone than others might#and that could do some good in getting through to mephone how his host behavior can negatively affect the contestants involved#mephone views oj as more equal to him as theyre business partners. hes very friendly to him (even if one sided.) he might just listen#sorry if this rant is redundant btw im not reading back any of this HAHA
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mxmarsbars · 9 months ago
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“I keep tallies, I keep score
I’m a petty thing on a high, high horse.”
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more impulsive clock duo art everybody say “thank you mxmarsbars”
anyways this is THEIR song and their song ONLY literally argue with the wall (that is a joke to each their own) but I WILL write a personal essay to anybody about it and how it fits them so so so well like it’s concerning /j
see if you can find all the lil details :3 (they’re nothing crazy just little things)
(also this was so unprompted and impulsive so I’ll probs redraw it again at some point with loads more planning and better poses and stuff I’m sorry if this disappoints anyone because it’s disappointing me kinda but I spent way too long on it just for it to never see the light of day)
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h-didanart · 7 months ago
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I could try to make this a whole comic, but I don’t have the patience to. So….
Bloodmoon giggled to himself as he scurried away. It wasn’t always that he could get such a good glance at the Daycare idiot’s daily routine, but when he did, boy was it a blast.
Some odd creature emerged from the portal and some confrontation took place, he was excluded from it, having been up in the rafters and all, so he had been in a perfect position to see the absolute frustration in the Sun-Man’s face as the creature toppled over his precious barrel towers, and then, and then— he snorted just remembering— and then the Sun-Man chased around the creature screaming every single swear word that could ever be said.
He had almost fallen off the rafters from laughing too hard, which had sadly gotten him spotted by the computer, which meant he had to leave. But still, it had been very amusing, so now he was on his way to the place he and the little Pumpkin Sprout usually met at— the theatre basement, with its infinite food supply and stuff— and he was going to talk to them about it, because they had to know.
He entered the space, bouncing in place at seeing the pumpkin bot already there, and he approached them.
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Hmm, Little Sprout didn’t usually go for knives that quickly. Nor did they usually tackle him that quickly, nor would they aim for his eye, nor would they be the ones to start a sneak fight, nor— okay this was just not how Jack normally acted. Which meant…
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fulgurbugs · 10 months ago
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It’s close enough to Valentine’s Day that I feel like doing another chrobin for f!robin Friday is justified lol
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1-marigold-1 · 8 months ago
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you're mad about xisuma and wels... so welsuma maybe? :>
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this is purely platonic since I don't do romantic ships with Xisuma (he's aroace in my heart <3) but yeah! They seem like dudes that just meet up sometimes and talk about stuff, they both have pretty chill vibes
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transturbo · 3 months ago
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I imagine Felix must've had a lot to think about after the yknow. King Candy Turbo incident. right. listen
I mean what are you SUPPOSED to think when your fucked-up ex-neighbor has somehow been alive and in hiding this entire time & then died for real right before your eyes. in the span of just a day
And that's just something he knows now. How would the rest of the arcade react? Do they even need to know? He certainly would've been better off not knowing any of this. He's doing everyone a favor by keeping his mouth shut, yeah that's it.
All he wants now is for things to be as they were(with the added factor of NOT BEING CLASSIST TO RALPH), back to following the program. Things are great & he's totally fine & not bottling up anything. Haha
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