#and the fact that it's TRADITIONALLY DRAWN?
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returntosunder · 17 days ago
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i got a challenge for you. draw your human ink in the most realistic way possible.
(if you're struggling to find wasian/half japanese references, maybe try using jaiden animations as a reference!)
Huhhhhh i suck at realistic people sorry it looks mid lmao. Please be kind
Side by side of my style
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I TRIED I PROMISE
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greypetrel · 2 months ago
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We who were born of water, in the warm slow ancient years, Love it to-day for all we pay Of terror and loss and tears. The child laughs loud at the fountain, laughs low in the April rain, And the sea's bright brim is a lure to him Where a lost life lives again. - Water-lure, Charlotte Perkins-Gilman
(maybe I have a title. Anyway, some original story shenanigans feat. the girls and me gently kissing my ecoline bottles for being so docile, also here's an article on the specific earring Aisling's wearing, su coccu from Sardinia. The coral branch is also typical of the city her mother comes from.)
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arolesbianism · 4 months ago
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I found some more old eternal gales art today and it was bizarre in many ways but truly the most bizarre thing is how much joy and whimsy I gave Looser in this doodle. Why does he look so genuinely happy that's not allowed
#rat rambles#oc posting#eternal gales#hes very cutesies tho I should draw him like this again at some point#well not like this but y'know. happy and cutesies.#but yeah these doodles were fascinating because they're relatively recent in terms of eternal gales traditional art#and by that I mean they were maybe drawn some time during 2020 so y'know. not that recent. but y'know.#but this relative recentness is relevant to me because it was in these sketch pages that I first started drawing looser with his markings#and the relative recentness also makes the fact that I apparently had at a time drawn some of the staliens with three pairs of chest#plating fucking terrifying I genuinely do not remember doing that why did I do that thats so scary#and again only some of them like dancer still just had the two ig I was just experimenting with giving the taller staliens more maybe?#but yeah the real reason you can tell its relatively recent is because I had actually attempted to draw characters physically interacting#and by that I mean looser and sier specifically#also because of. the cr fanart. sigh.#again not recent but on the me doing traditional art timescale its as recent as it gets#which is also probably why there rly wasnt that much art in either book I looked through#I tried to sniff around a bit to see if I could find any more old notebooks or sketchbooks but alas#Im glad I was able to find these tho I knew that the looser sier art existed and it was driving me crazy that I couldn't find it#the plus side of both books being mostly blank is that I could use them to try to start drawing traditionally again#Im not sure if I want to tho since the old art is scattered throughout the book#Im not sure if I have an empty sketchbook laying around anywhere but I might so Ill look at some point
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pleb-the-original · 9 months ago
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Mangrove by SabertoothSketch
Funfetti by PrismaticStarz
Cyber Bee by beenary
Reaper Knight by SabertoothSketch
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roserefrain · 1 year ago
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trying to get back in the swing of drawing,,,,
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fernsnailz · 1 year ago
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my comic from the @neverturnbackzine! truly one of my favorite zines i've been a part of :]
some extra insight/fun facts about the process of this piece below the cut 💥💥💥
posting pieces from collaborative zines is always something i struggle with because i look back and think of how i would do things differently now, but i learned a lot working on this comic and even developed some style techniques that i still use!
Fun Fact 1: the panel where shadow Fucking Disintegrates That Guy is technically traditionally drawn! i couldn't get it right in clip studio so i just started frantically scribbling in a notebook and got it eventually lol
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highly highly recommend scribbling stuff out in a notebook, scanning it on your phone, and then dropping it into a canvas to edit later if you ever have trouble sketching something.
Fun Fact 2: a lot of the overlay/background effects were made in Kid Pix Deluxe 3D. i created a whole collection of various textures/abstract effects for this comic that i've been using in my art since last year. you can even find them scattered through my team dark zine lol. here's a few of them:
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similarly, the background at the bottom of page 2 is actually a warped photo i took of a bunch of headphone wires. this is the original:
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Fun Fact 3: i made this comic during a very busy and wild period of time last year so this is what the final panel looked like for a while before i fully finished it LMAO
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ok yay thanks for reading bye
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wachinyeya · 2 months ago
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When Stockholm’s Traffic Office conducted a general assessment of street traffic in the Swedish capital in 2001, it came to the shocking conclusion that two-thirds of all trees in the city center were dead or dying.
City authorities agreed that an urgent response was needed to nurse these leafy urban ecosystem pillars back to health.
Enter Björn Embrén, Stockholm’s first “tree officer.”
Under his leadership, various technologies and materials were tested in an attempt to create a more suitable living space for trees in the urban environment.
“I knew that they could grow if the circumstances were right,” says Embrén, a former professional gardener.
“It’s like putting a plastic bag over your head and tightening it over your neck,” says Embrén. “That’s what happened to the trees in Stockholm. They were dying.”
Eventually, inspired by railroad embankments — which require only a small amount of organic matter for healthy trees to grow — Embrén concocted what was to become known as the “Stockholm tree pit” model.
By 2002, Embrén had drawn up designs. And by 2003, they were already building.
The design involves digging a pit and constructing a frame underground around the tree’s roots, and then filling said pit with a mixture of soil and stone, sometimes including biochar, to both aerate and fertilize the soil. These permeable layers are very strong and physically adaptable but also allow stormwater to flow in, meaning the trees are provided with sufficient air and water naturally. They also allow rainwater to be soaked up — a necessity amid more extreme weather brought on by climate change.
“We found that the more breathable the materials we used, the happier the trees were,” adds Embrén.
Proponents say the method has a number of benefits, including the fact that pits can be installed around existing trees, they can bear the weight of heavy-vehicle traffic, they require little topsoil — a resource that is becoming scarce — and they need less watering than traditionally-planted trees.
This approach, which allows tree roots to thrive beneath hard surfacing, ergo allowing healthy trees to grow within the modern built environment, is particularly relevant as cities attempt to re-green and reforest in the face of climate change.
According to the United Nations Economic Commission for Europe, urban forests can help “future-proof” cities, which are responsible for about 75 percent of global CO2 emissions. Sustainable urban forestry, it says, can bring multiple benefits, such as lowering temperatures, improving public health, creating habitats for biodiversity, sequestering carbon, generating green jobs, and mitigating risks of floods and landslides.
“It’s more important now than ever before,” says Ryan Klein, an assistant professor in the Department of Environmental Horticulture at the University of Florida. “We have these massive populations in urban areas. And we’re seeing more extreme weather like hurricanes, wildfires and prolonged droughts. Trees can help to offset some of these negative effects.”
However, amid the rush to rapidly reforest cities, experts like Klein warn that due to ineffective methods and techniques being used, it’s common to see urban trees in poor health, and trees planted in cities often have very high mortality rates.
“We have the understanding of how to grow healthier, more sustainable and resilient forests,” says Klein. “The research backs it. Unfortunately, we don’t always invest the time, money or internal know-how on implementing this.”
A review of 16 scientific studies on urban tree mortality, published in 2019, found that in the first five years after planting, 6.6 to 7 percent of trees died annually.
“Urban soils are not very tree-friendly currently,” says Rik De Vreese, leader of the Urban Forestry Team at the European Forestry Institute. “It’s quite a serious threat.”
When trees aren’t properly anchored, De Vreese adds, it can also lead to other issues, such as trunks falling over and causing damage or roots warping sidewalks.
However, the Stockholm Tree Pit method — and the way that it’s been implemented in Sweden — is helping urban forests genuinely take root.
One of the first locations where Embrén introduced a tree pit was Erik Dahlbergsallén street in Stockholm, not far from the popular Swedish Museum of Natural History.
There, according to research by the municipality, the circumference of a selection of those planted trees increased from 30 to 35 centimeters to 70 to 83 centimeters between 2004 and 2013, even surpassing that of trees without the tree pits that have been there for more than 80 years. The latest figures from 2024 saw them reach between 100 and 136 centimeters.
“It’s easy to see how effective the pits have been,” says Embrén.
The municipality estimates that 2.3 million liters of rainwater are managed by the trees per year, and consequently, 4,600 square meters of roofs and sidewalks have been disconnected from the sewage system, reducing the burden on water treatment services.
This technique has proven so successful that it has become the standard for all other development projects in the public spaces of Stockholm. Embrén says he has been directly involved in constructing more than 3,000 tree pits, and while he has since retired, there are now three “tree officers” who have taken on the expanding role. 
Britt-Marie Alvem, one of the current tree officers, estimates that the city now builds between 500 and 1,000 tree pits a year.
These days, the tree pits are also in almost every Swedish city — with a few variations.
“Some have copied and changed a little bit, like adding pumice to the stone mix,” says Embrén.
Stockholm’s tree pits are now spreading across Europe, too. In Budapest, Hungary’s capital, the tree pits can be found all over Bartók Béla Boulevard and Arany János Street. Embrén says the Spanish city of Madrid has implemented the method using local materials. And it’s become increasingly popular in the U.K.
Ben Rose, the principal arboricultural consultant at U.K. tree service Bosky Trees and the founder of Stockholm Tree Pits, a U.K.-based company that produces the equipment required to make tree pits, says that he has planted about 500 trees using the Stockholm model in the U.K. since he began in 2019, mostly as part of small-scale pilot projects.
“The approach is very suitable for use in urban situations, particularly in car parks, in plazas, and beside walkways or cycle paths,” says Rose.
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Yet there are some drawbacks to the system. Installation costs can be high, the pits can require a large amount of space to install, and it is impossible to reuse existing soil. In addition, for now there is a relative dearth of professionals who know how to construct tree pits.
“Our main concern is the price,” says De Vreese, whose team is currently studying the importance of “structural soils” like those deployed by the tree pits. “Excavating the soil surrounding the tree and refilling it is no small job.”
And while Professor Klein praises the Stockholm Tree Pit’s use of structural soil and how effective it’s proven to be, he notes that the long-term success of urban forestry also relies on other factors such as the supply of high quality nursery stock and proactive tree management such as routine pruning by municipalities.
“If we don’t have these we are setting ourselves up for failure,” he says. “Some cities do the bare minimum. In the U.S.A., it’s the wild west. But others, like Stockholm, are proactive, and they have public officials seriously behind it. That’s what we need.”
By: Peter Yeung, March 4, 2025
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raven-at-the-writing-desk · 3 months ago
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i cant really tell if yuu's involvement in ace's character is more for fanservice reasons or because they really did play a part in his character development.
like in nbc we have malleus choosing to focus on finishing the task at hand as quickly as possible so that they can then find the prefect rather than drop everything there at that moment and prioritizing finding yuu. (iirc) and compared to that we have ace who does put a lot of emphasis on finding yuu especially when no one seems to remember it during the halloween event it feels very traditionally fanservice-y ? and i cant really tell where the line is drawn for ace anymore. and you did mention a lot of other points in another post that you made esp with ace's dream recently dropping and the fact that hes the only guy whos dream yuu was actively involved in idk its a little confusing for me i hope im making sense TT no shade to the shippers im just a little slow in comprehending it all bvbvsjdj
your posts are always really neutral and accurate it just helps to clear up a lot of my confusions and questions i have when playing so thank you for your hard work!
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[Referencing this post; you might also find this related post useful in the discussion of Ace and Yuu's relationship!]
DISCLAIMER: I do not mean to invalidate or detract from Ace x Yuu or Malleus x Yuu shippers or anyone who may interpret their relationship as romantic. You should ship what you like and have fun doing it. My reply aims to be more objective, but that should NOT impede on your enjoyment or whatever it is you choose to ship.
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iufipaerasfeao Thank you for the feedback! I'm glad you find my posts helpful. I try my best to be objective when it comes to analyzing the story and characters, but there's no true way for someone to be completely neutral. There are definitely times when I have an aside to insert my two cents on a situation or I get super heated about a particular topic. Hopefully I still leave enough space for everyone to come to their own conclusions.
I think it's both fanservice and because Yuu actually plays a big part in Ace's character development? Like, it's technically fanservice but it does not feel egregious because it fits Ace’s teasing nature and Ace's bond with Yuu has been established from the start. He was the first student we met at NRC and we spend so much time with him since then; there's no way Yuu wouldn't have had an impact on him, especially when book 7 is now paralleling the two as people with insecurities about being weak/unable to do anything + not contributing enough and Yuu encouraging him when he finally gets his UM.
I commonly see people joking about Malleus having "missed the meeting about Twst not being a dating sim" and holding him up as "the main love interest". (And to be clear, Twst isn't a dating sim, nor do all Twst fans see the characters romantically; I am only speaking about this in a romantic lens in the context of this post.) However, I think there's a very strong case to be made for Ace as well. The thing is, I also feel that Malleus and Ace fundamentally appeal to two different groups of yumejoshi. Malleus is the tall, dark, and mysterious type you can "fix", the type of guy that would burn the world down for you. Ace is the teasing and approachable boy-next-door that has your back and supports you even when the entire world is against you. This is also evident in the ways they're set up in the main story; Malleus is introduced in a way that encourages much more "filling in of the gaps" due to how little he actually shows up in front of Yuu in the main story. It gives the player a lot of space to imagine what their relationship with him is like because there isn't a ton of interactions in canon to go off of. Meanwhile, Ace has many more canonized interactions with Yuu (eating lunch, doing homework, watching movies, playing video games, etc.), so the effort of thinking about what they actually do over the course of their relationship is already done for you. There is an established friendship and connection with Ace, but you barely see Malleus enough to truly have a strong impact on him or to change him. Does that make sense?
IADUPADF9A9FSBdb I do find it sort of funny that Malleus is basically like, "Oh, something unexpected happened (ie Yuu is missing). We'd better solve this." Not really showing much emotion about them being gone in Nightmare. (Malleus only gets annoyed when Leona begins to take charge; he is not mad at the fact that Yuu is gone.) Meanwhile Yuu is missing in Endless Halloween Night and Ace is the FIRST person to excuse himself to check Ramshackle for them.
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If you consult the fandom and the fandom alone, you'd think the situation would be reversed. Edit: Malleus does have his moments of intimacy with Yuu (which I won’t be getting into here because then I fear this post would veer into shipping wars), but the English speaking Twst fandom has a VERY strong bias for Malleus x Yuu. Because of that, there is a tendency to misinterpret or misattribute every little thing that Malleus says and does to support the idea that "Yuu is his most important person". (For example, even though Malleus provides no reaction at all when Skully kisses the back of Yuu's hand, many Malleus fans claimed that he would be very jealous or would harm Skully for doing such a thing. In another Halloween event, Glorious Masquerade, people believed he was angry at Rollo for harming Yuu even though this was not the case; the event states that he was mad because the invitation he had been extended was a fake one.)
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It is because of thinking like this that a lot of English speakers genuinely believed Malleus would OB in book 7 in a desperate attempt to prevent Yuu from returning to their original world. Misinterpretations, headcanons, misattributions, and personal projections were conflated with canon, leading to many people to believe that Malleus was closer with Yuu than they actually are. Instead, Malleus ended up OBing because he feared Lilia leaving and he barely even considers Yuu after he OBs. And, ironically, Ace is the character whose dream prominently features Yuu and a scenario in which Yuu doesn't have to leave them forever. It was always Ace that we had a strong relationship with, not Malleus.
Ace is often overlooked even though he has far more canon interactions with Yuu in the main story. I think this could maybe to chalked up to a combination of him being "boring" compared to the literal DARK FAE OP CROWN PRINCE M. Draconia over there and the fact that so many of those "gaps" are already filled by the main story. There's less room for imagination because the game has already defined what Ace and Yuu's relationship entails. Malleus is just so much more appealing when it comes to intrigue and mysteriousness. When you look at it objectively though... Yuu only meets Malleus face-to-face like 5-6 times for brief conversations. (Edit: I’m not counting voice lines because those are arguably directed at the player, not Yuu, to endear the character to you and/or all characters get similar voice line fanservice. The canonicity is questionable since the same familiarity in voice lines is not carried over to the main story.) 5-6 times… That's not nearly long enough to make a huge impact or change in his life (unless you as the player extrapolate and imagine more Malleus and Yuu interactions outside of the ones we see in the main story). At best, I think you could say Malleus is glad he can have a special little friend who doesn't know of his name and status? He doesn't really change because of that relationship though. Malleus doesn't even show up until book 2. But Ace has literally been there since the beginning, canonically spends tons of his free time with Yuu, and has been through several near-life experiences with them (several OBs). He has the chance to bond with Yuu. Malleus does not. (He has given Yuu advice once, sent them a card once, and reassembled a stage for them once; all other interactions in the main story are short talks.)
It makes a lot of sense that Ace would be the one "touched" by Yuu's influence, whether you see it as romantic or platonic. Both he and Malleus (and all the other characters, really) get their moments of fanservice--but very few characters' development is directly impacted by Yuu's presence. Yuu might be there for most of the main story, but they actually get only a few moments to engage with the other boys in the cast to the point of actually changing them. It feels like the changes that occur are more often the result of the other boys (Trey standing up to Riddle and holding his hand afterwards, Epel and Deuce bonding on the beach, the twins telling Azul he's lame but also being the first to check up on him following the OB, Idia finalizing his farewells with Ortho, etc.) Ace just so happens to be an exception to that, as Yuu very clearly plays a big role in his development.
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lua-stellar · 11 months ago
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What is Your Next Lover's Love Language?? ✨ Tarot Divination
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reading was done via tarot cards, lil side note i (personally) find the concept of love languages recessive and rigid. Most people including ur guys' next lovers will likely show all 5 love languages. However i think its rly fun for tarot readings and for communicating what ur future lover is like enjoy :)
consider tipping me on ko-fi if you liked this reading :))
pile 1
cards drawn: reversed page of pentacles, the hierophant, reversed four of swords
so I get the vibe that your next lover will have a problem, or problems in the past with commitment, or they have been in relationships with people who were not very into commitment which can hurt someone. But i feel that this person, it takes alot for them to actually want to commit to a relationship. I think the commitment thing ties into the fact that they want to feel very safe and comfortable in a relationship,they want to be with someone who is a good choice for them, someone who they can be themselves around and be in control around. They are someone who wants to spend alot of time with someone and get to know them before 100% committing to a relationship, because although commitment is a big topic in this reading as in its scary for this person, the truth is they want nothing else except commitment. They want to be with someone in the long term, ideally, they want to be able to go to the next step with someone they truly love, like marriage for example. Like i get some polarizing energies from this person like a real all or nothing vibe. There is a chance that this person might even be arospec, like im getting demi-romantic vibes you know. This person's love language might definently be strong on quality time, possibly acts of service and recieving gifts but quality time is STRONG in this one tbh. You will likely spend alot of time with this person before eventually becoming their lover, they might even be a future friend first (or a current friend maybe?? if the shoe fits >w>)
pile 2
cards drawn: page of wands, reversed strength, judgement,
this person is someone who wants to take you out on dates, they want to spoil you and they are someone who in the future will likely be very attracted to you and realllyyy like passionate about you i feel. They are someone who is all in commitment wise, and they are ready to take things further with you, they are however incredibly insecure person. Like strong acts of services vibes but also this person will likely also be big on words of affirmation because they are so insecure, you will likely have to 'affirm' them as this person is very insecure to a fault. They are big on communication which is a big plus, even though they are very committed to you they will want to know if you are as well and they will want to be able to work out any potential problems you two have, they are someone who wants to communicate, take things further, etc etc. The main energy i get from your next lover is that they will be big on acts of services and words of affirmation because they want to communicate with you and they want to know if you are as committed as they are.
pile 3
cards drawn: reversed the sun, the emperor, reversed eight of wands,
I feel as though this person may not know what they want out of a relationship, so they may not see the good things right away and get bored easily. This person would honestly, probably require quality time because if not they will get bored, they are probably emotionally immature. This person however, even if they can't see the good things right away, feels very stable with you. In the future its obvious that they will like you alot and even be protective of you! Big acts of service vibes just for that protective energy they have, im getting a vibe that this person most likely will be male, but they can be any gender they might just have some traditionally masculine qualities. I'm not sure what love language this falls in but this person wants to take things slow, they probably feel anxious or unsure when they feel things are moving too fast they want things to move slowly, and it's probably better that way with this specific personality as they will need time to see the good things. They probably focus ont he negative alot, but give them time to warm up to you basically.
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drchucktingle · 1 year ago
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do you have any advice for writers who are trying to get their first book published?
as usual i will preface this with the reminder there is no 'correct' way to make art. i am not universally 'right' about any of this, but i can let you in on my thoughts and things i have noticed if that helps
more than anything what i would recommend to any artist is to find joy in the TROT, not the result. set goals that are in the action of doing, not in some future ending where you have 'become' something.
in other words, i have never dreamed of being a writer, i dream of writing.
its not about being an actor one day, its about a life of acting. its not about being a painter one day, its about a life of painting. its not about being a singer one day, its about a life of singing. if you can find joy and gratitude and RESONATE WITH THIS TIMELINE through the act of creation, then there really is no stopping you because you are not relying on any external systems to reach your goals you are fueled entirely from yourself. this also accounts for the fact that LUCK AND CIRCUMSTANCE are a huge factor in many of these big dreams, but they are rarely a huge factor in your ability to simply create. you are already a creator, we are all creators
when you do this the timeline will bend to you, not the other way around
as a BUSINESS BUCKAROO i will never do anything that is me BEGGING AND PLEADING for attention from a larger entity (publishing company, tv studio, what the heck ever). i am not over here worried and biting my fingernails. anything that feels like a LOTTO TICKET where i say 'please please please pick me' is not how i operate. instead i love working with buckaroos who see me as an equal entity and the discussion is 'you are cool, we are cool, lets trot together'
how did i get to the place where this is a mutual conversation instead of chuck begging for crumbs of attention? i focused on LOVING THE ACT OF CREATING not the desire to be a creator.
chucks big five publishing deal happened because i wrote a horror novel myself and then tweeted out 'would anyone like to traditionally publish this book?'. no query letters, no agent, THATS IT.
but that is ALSO the short version. the long version is that i spent a decade creating and publishing my own stuff BECAUSE I LOVE CREATING AND PUBLISHING MY OWN STUFF
THAT is how i would recommend approaching these things. YOU are doing your cool as heck thing and when that starts to resonate with this timeline others will be drawn to it. if that means sending out query letters to agents and all that then HECK YEAH go for it bud, just so long as you maintain the MENTALITY that you are looking for an equal partner not a one in a million ticket BECAUSE YOU WILL BE MAKING THIS INCREDIBLE ART ANYWAY, AND IF THEY WANT TO COME ALONG AND RIDE WITH YOU THEN LETS TROT, AND IF NOT LETS STILL TROT BECAUSE YOU ARE A VALID, WORTHY CREATOR REGARDLESS
so i guess thats my publishing advice
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gb-patch · 1 year ago
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Saw an ask about an apparent problem of people drawing Qiu whiter than he is and whitewashing. With that in mind, I think you should hold the same standard for Tamarack for artists that draw her darker than she is to outright black. Tumblr and Twitter in general have an obsession with coloring traditionally white/pale characters the complete opposite race or adding details like kinky/coiled hair and see no issue with it but raise hell the moment a poc is one hue lighter. It erases their identity just as much as everyone says whitewashing does but everyone constantly falls back on the "only whites can be racist so changing their identity in art is okay!!" pipeline
Tamarack comes from a German family and is white, so please take the same level of importance when artists "blackwash" her or any other character in your series.
You know generally, I don’t like to use this blog to as a place to act like I’m the best, most correct person in the world and respond to things where I’m simply telling an anonymous person they’re wrong. I’m just someone who has people following me because they like the stories this company makes.
However, this is something that people should know. If our POC players draw our characters having a darker skin tone than they do in-game and/or give them a different hair texture, that’s alright. I’ve fallen off on reblogging stuff on Tumblr but it’d still be liked or reposted on Twitter.
Whitewashing means far more than the literal act of a single individual making someone look white in a fanart. If a trans player wanted to headcanon a cis character was trans, that’s one thing. If a cis person decided to take the only trans character for miles and insist they are, in fact, cis, well that’s another matter entirely. Your experience with your race and your experience based on sexuality or gender aren’t the same things, it’s not a one-to-one comparison at all. But can people who don’t get it at least start to see how there can be a difference in impact here?
The people who are oppressed in this country aren’t hurting you by trying to enjoy the media that most of the time intentionally excludes them. POC weren’t the ones dehumanizing white people in horrific ways. The overwhelming majority of stories and representations of heritages out there have been and still are white people’s already. Anyone reading this who was thinking along the lines of what’s in this ask need to get comfortable understanding and accepting that. And if you don’t, maybe you should find another game because I’m not going to “protect white identities” from being drawn as people of color. In fact, I think it’s actually really nice if our characters are fun and comforting to people of color so much so that they’d like to imagine those characters being included in their own culture. I think it’s strange that someone would be angry about it.
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thinkingofausername · 8 months ago
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Micah Bell headcanons:
He's only ever seen sleeping after he's gotten drunk so I imagine he has nightmares (aside from the fact he has extreme trust issues and can't let his guard down enough to sleep)
He didn't have a relationship with his mother or she died when he was little or she was abused by her husband. He never mentions her, we don't know anything about her. We know what his view on women is like. I imagine he got it from his father. He definitely wasn't born out of love
He took the majority of his father's wrath. We know firstborn Bells are traditionally named the same, so I believe there was a lot of pressure there
He's actually not all that cynical. He wants to be. All that talk of "nothing matters" is him trying to convince himself
He secretly wants companionship. It's been confirmed that he wanted Dutch to be a part of some sort of family of his. I don't think he's as much of a lone wolf as he wishes he was
He has abandonement issues. His brother left him and made another family and it affected Micah. It's seen in the fact he wrote to Amos as well as his behavior after his brother's answer. After Amos cuts ties with him for good he says "I want tomorrow to mean more than today. I want this whole damn shitshow to have some kinda meanin I haven't understood". He secretly resented his brother for doing what he never could - make a connection. He can only talk to people if he's riling them up
His father definitely forced him to perform his first kill. Probably when he was very young, so he would "toughen up"
In theory, I can see him having a somewhat good relationship. If his partner was tough they would have his respect. Trust would definitely take a while, vulnerability even more so, but I think he would show care in his own way - being posessive and protective, letting them handle his guns and horse (peak trust). We know how much he cares for his belongings. There would probably be passionate, adrenaline-filled sex after action, patching up wounds, cleaning guns together. A "partners in crime" sort of thing
He'd probably like bites and scratches during sex. Marking up his partner as well
He gave into the "hardened outlaw" life because he believes those are the cards he was dealt and the only ones he would ever have. He probably never thought he had a chance to be anything else
He definitely has a phobia of dogs or something similar. He very avidly reacted to Cain every time he got close, he even flinched one time
He genuinely laughed with Javier when they were drunk. He even said "I love you fellas". There was definitely a humane side of him, very deep down
His father never held any pride for him, god forbid praise. He craves hostility because it's the only thing he knows. He purposefully riles people up and laughs off every insult he receives
He obviously held genuine respect and admiration for Dutch. He wasn't just using him or manipulating him or buttering him up for betrayal. I genuinely believe he was looking for a place of his own. He never really showed an authoritative side or desire to lead. He said it himself that he's a survivor. It wasn't ambition, it was just searching for shelter and stability. That's why he ratted - the stability was gone
He died miserable. I could go on and on about his death but the main points are - he calmly accepted getting shot, he shrugged and silently fell to his death. That was not a man who saw a future for himself
I left the most biased headcanon for the end. Not to be the "I can fix him" girl but I genuinely believe a softer side of him could've been drawn out. I believe he could've had a "ride or die" person of his own. Two survivors, watching each other's back, suspicious of others but not each other, enjoying the uncertainty and freedom of life, two loose ends but tied together
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astroyongie · 1 month ago
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Hello Yongie!!!
If possible, could you do a reading/headcanon whichever (I am not sure (⁠ ⁠;⁠∀⁠;⁠)) for TXT when drunk?
I think it will be cute (⁠^⁠~⁠^⁠;⁠)⁠ゞ
Thank you!!
TXT When Drunk
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Yeonjun
𖤓 Somehow Yeojun is the type to always look put together when he even when hammered and that's because he has a good tolerance and also a good self control on how to present himself
𖤓 To the point that even when he is trying to talk with others he can still be logical while wasted. and when people are asking him what he has been drinking he would shrug and say “water.” before going back to his philosophical conversations
𖤓 Biggest flirt in the room tho. Because even if he can be logic he can also use his charms. Yeojun will bat his eyelashes to that crush in the room, run a hand through his hair when the person is looking, and act like royalty because he knows he can
𖤓 It's important to know that at one point and depending on how wasted he is, he won't be always around. Yeonjun doesn’t just drink, he goes on an adventure. Will try to party-hop across the entire city or room or even depending on where he is
Soobin
𖤓 You can totally see when he is drunk. He is either totally spaced out or spilling his deepest thoughts with the room. Soobin might start talking about past lives or aliens or some random stuff that has people saying, "yep, he wasted"
𖤓 Also based on his chart, Soobin would talk in random tangents. “You know what’s crazy? TIME isn’t even REAL.” and he would proceed to give himself and everyone else a life crisis
𖤓 But be aware, because Soobin always starts out reserved. He is shy, he doesn't talk much as he focus on his drinks but once he drink enough? A party animal emerges from his inner self
𖤓 Flirts with EVERYONE IN THE DAMN ROOM. And the fact that he knows how to act, Soobin is smooth, elegant, and completely unaware of how much he is doing it until he realizes the next day what he has been to.
Beomgyu
𖤓 What is funny about Beomgyu is that he will try to act like he is not drunk, but his weirdness increases tenfold after he had a few drops of alcohol and it's just so visible-
𖤓 Depending on his previous mood, he can be the type to be either super social or suddenly deep in a bizarre conversation with the most random people.
𖤓 based on his Venus placements, it also seems like Beomgyu would be the type to flirt aggressively, as for example he would grab your face and say, “You’re SO hot. We should make out.” out of no where
𖤓 Super loud and unfiltered tho so you must be ready when you go out with Beomgyu to hear some crazy roasting facts. "Dude, I love you, but you’re kind of an idiot." kinda of confesses without doing it
Taehyun
𖤓 Taehyun is the type of person that will either drink in silence while analyzing the room and the people in the party, or goes full on chaos mode. No in-between.
𖤓 Based on his chart, he would usually start off serious an trying to look under control but Taehyun gets funnier as he drinks and ultimately when he is drunk he becomes half a clown.
𖤓 Taehyun isn't the type to flirt traditionally when he is wasted but people are still weirdly drawn to him. perhaps it's because of the way he looks or the way he is just letting go of his free spirit that makes people drawn to him
𖤓 he would also either starts a fight with someone for something super stupid (he can be aggressive when wasted) or a drinking competition with whoever is in the party. again, there’s no in-between.
Kai
𖤓 Honestly Kai is the type you can confess to when he is drunk because he will take secrets to the grave. Plus, good luck getting him to admit how drunk he is, he will be In denial.
𖤓 Kai also the type to give everyone advice like a therapist even when people didn't ask him anything. “See, your problem is, you don’t set boundaries.” he would start and sometimes he can make sense
𖤓 obviously and based on his chart, he would also try and flirt like he is in a rom com. “I think I was meant to meet you tonight.” he would try out and god he would be embarrassed on the next day
𖤓 it's important to point out that when he is drunk, Kai loves being the center of attention. he will start a speech or do a backflip just because.
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maxdibert · 7 months ago
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The sad thing is that we don’t even get to see any uncomplicatedly happy memories of his innocent childhood friendship with Lily. There’s this pervasive sense from the start of that chapter that JKR thinks that even 9 year old Lily was too good for him (the horrid judgemental use of the word ‘greedy’ and that quote she once gave where she said Snape’s tragedy was that he was drawn to but couldn’t emulate Lily’s innate goodness makes me hurl - what was so innately different about them aged 9 other than her good looks and middle class parents?) and so every single scene is her chastising him for something or other. Like she couldn’t allow saintly Lily to be seen as genuinely choosing and enjoying the company of someone as prickly and offputting as Snape, so she time skips 5 years and just tells us instead of showing us that they’re best friends. Unfortunately by failing to show any gentle, unspoiled moments the whole thing comes off like Lily sees him as a charity case she condescends to hang out with on occasion, while Severus fails to get the picture that clinging hard to someone who doesn’t want that is always going to end in a toxic place for both parties. Sorry for the super long post! It’s just rare to find someone who doesn’t buy into JKR’s intended reading of the Potter parents.
This is quite an interesting topic because even years ago, when I re-read the series at 19 or 20 and was quite involved in political groups and unions at university, I got the impression that Rowling creates a world where classism is constantly justified unless you are on the side of the bad guys. That is to say, Draco being a classist is wrong because he’s Draco, and he’s bad, and he’s Slytherin. But then you have quite a few characters who have clear classist attitudes and nothing happens because they are part of the heroes of the story, and so we’re going to completely overlook it. For example, Sirius is a classist; he always has been and even has nothing against slavery and treats his house-elf like rubbish. He doesn’t even consider him a conscious and independent living being; he’s just a bug to him. The Weasleys have a clear class resentment; they are humble and are sold to us as open-minded and tolerant people, but the reality is that if someone doesn’t fit into their narrow standards of “goodness,” they shut down and are just as petty and prejudiced as any blood supremacist. The best example of this is how the Weasley women treat Fleur simply because, instead of being a humble pick-me girl, she’s posh. But the fact is that Fleur has done absolutely nothing wrong for Ginny and Molly to treat her that way; her only sin is being beautiful and feminine, end of story. It’s supposed to be a story to learn that prejudices are wrong, but Hermione spends her life labelling other girls like the Patils or Lavender (before Lavender gets involved with Ron) as frivolous because they like doing things that are traditionally classified as feminine, which reveals that Rowling has quite a few prejudices against certain groups of women and their attitudes, stemming from a clear internalised misogyny that is present throughout the novel. You only have to look at how she glorifies motherhood as the pinnacle of female fulfilment and the real way to become a moral and brave example within the saga (Lily and Molly, Narcissa being redeemed ONLY because she loves her son) compared to the female characters who either haven’t seen motherhood as a dream come true (Merope Gaunt) or who have no children (Bellatrix), who are portrayed as little less than the worst of the worst in the story.
What I mean by this is that Rowling has quite a significant cognitive dissonance when it comes to establishing the moral values of the story. Because this is not A Song of Ice and Fire; it’s not a multi-voiced story with various perspectives from which you can develop your own complex criteria. It’s a story told from a single point of view where the dichotomy between good and evil is a central point of conflict, but is often blurred by quite a few contradictions that have no explanation, not even theoretically. I mean, the social themes in this story are terribly mismanaged and portrayed in a very superficial way. In the end, the conclusion you draw is that Gryffindor’s mission, the Order, or Harry’s is basically to defeat Voldemort to continue preserving the same status quo in which the magical world has always been immersed, with no intention of going to the root of the problems and taking action for real change. But well, we’re talking about a story written by a woman who turns her protagonist into the magical equivalent of a cop. I mean, LOL. I mean, ACAB, what can I say.
I say all this because when we talk about James and Lily, all of this applies in the same way. James and Lily make no sense. James and Lily are an example of what should NOT be done when writing a script, for instance. In screenwriting, the premise is always show, don't tell. But Lily and James are purely the tell. Lily and James are known for what other characters tell us about them, totally subjective characters, especially those who were friends with the couple. They are presented as great heroes when the reality in canon is that they did nothing. They joined the Order, were in it for a year, and then spent a year and a half holed up at home with their child, then they died, and that’s it. They can be treated as something tragic, but heroic? I wouldn’t say so.
They are also shown as paradigms of "the good ones," of the "correct morality," especially Lily, who is basically the Virgin Mary of this story and seems to have no flaws at all. But the reality is that if we go to canon, everything Lily does is a constant failure. Lily is condescending to Severus from the very beginning, probably because he is poorer than she is. Then she treats him as a charity case, which is already annoying her because he’s too geeky, odd, and marginal, causing her problems in her social circles. Then she half-smiles at his abuser while he is mistreating and humiliating him in front of the entire school. And then she marries that abuser. You can tell me whatever you want about Lily Potter, but what you’re showing me is rubbish, and if you show me rubbish but tell me wonderful things, there’s something that doesn’t add up, and for me, that’s the greatest failure of all.
If I have to be honest, I go back to what I mentioned before: for me, Lily had a huge inferiority complex. She felt inferior in the Muggle world because perhaps she wasn’t poor, but her family didn’t live in a good area either; they were probably lower middle class, without status or a promising future. At Hogwarts, she felt inferior for being the daughter of Muggles, so throughout her life, she secretly wanted to be part of the elite, to stand out, to be popular, to be seen as something important. That a boy like James Potter—handsome, wealthy, popular, with pure-blood status—would take an interest in her never displeased her. Deep down, she liked it; it was what she wanted. In the end, she gave in and married him, and she was probably very happy with her decision because that way, she ended up at the pinnacle of the social ladder. Of course, she liked James deep down for a long time; as Rowling once said. She liked what James represented, what he could mean for her. She would no longer just be the good student, pretty, nice, and popular; she would also have one of the most popular boys in school as a partner, who was also rich and of pure blood. I think that deep down, she and Petunia are quite similar in that regard, both seeking social ascent, each in their own way. After all, they were sisters.
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fourormore · 4 months ago
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[Image description: A polyam flag with the words “four or more Valentine's Flash Fiction Madness" in distorted letters on it.]
AO3 COLLECTION | SQUIDGEWORLD COLLECTION
Happy New Year! I'm already looking forward to creating about the complicated relationship dynamics that come up when you have four or more people in a polycule. What are you looking forward to this year?
Well, hopefully, you're looking forward this event.
Let me introduce to you: the 2025 Four or More Valentine's Flash Fiction Madness collection!
What's this? It's a writing-focused challenge, however all mediums are welcome in the collection. The idea is to purposefully create in smaller chunks for your favorite relationships with #fourormore people with the intent of promoting your favorite ships and populating those tags of polyamorous goodness.
This event will run from February 7th to February 21st.
This is a low-stakes, personal challenge. There's no penalty for going over the limit. In fact, if you manage multiple works that go over the limit, you have my admiration.
GUIDELINES
Any medium! Any rating! As long as your work focuses on a relationship with 4 or more people, it's allowed!
All works must be your own and not previously posted. AI generated works will be deleted from the collections.
You may combine these with other events, as long as the other event allows it (such as @polyamships PolyamShippingDay or @febuwhump)
Small fandoms and complicated relationships more than welcome!
Don't forget to comply with the community guidelines.
MEDIUM SPECIFIC GUIDELINES
Minimum wordcount for fics is 100 words. Maximum is 2000 words.
Minimum for art is a sketch (digitally or traditionally drawn. Figure sticks allowed!). There is no limit to the quality or effort you want to put in your fills.
Minimum for moodboards is a 2x3 grid (6 images individually or edited in one image). Maximum is a 3x 3 grid (9 images individually or edited in one image).
Minimum for podfic is a 100-word fic. Maximum is 2000 words. There is no restriction on length or special effects.
Minimum for fanvids is 30 seconds. Maximum is 1minute and 30seconds.
Other mediums don't have a minimum nor maximum. Do you want to make an in-universe magazine for your ship? A cross stich pattern? A sculpture? Go ahead and do it! I look forward to all the things you can create.
FAQ
Q: How much do I need to create? A: As much or as little as you want! Even one more work in your ship tag is better than none!
Q: Why isn't X allowed? A: Just because.
Q: I don’t have a Dreamwidth account. Can I join? A: Of course! You don’t even need an AO3 account if you wish to post only on tumblr.
Q: My work contains [INSERT WARNING HERE]. Can I still participate? A: Yes. This is a CNTW (Choose Not To Warn) space.
Q: I don’t want to see [X] content, can you please remove it? A: No. The only content that will be removed will be that that does not comply with the rules.
PROMO POSTS
Please promote your works! Create reading lists! Send us on a treasure hunt to unlock a secret fic! If you are posting on tumblr please @ us @fourormore and/or use the tag #fourormore, and your work will be archived to the blog.
--
If you have any questions, send us a message!
Have fun and bon appetit!
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pocketsizedquasar-3 · 5 months ago
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my brain may be on starhab lockdown but i have not forgotten my boys!
read my Moby Dick webcomic!
part of some sketchbook dumps that i’ve posted on Patreon over the last week or so 💖 felt like coloring this one so here they are! many more such gay shenanigans over there @ pocketsizedquasar
[ID: Traditionally (pencil) drawn, digitally colored sketches of Ishmael and Queequeg. In both sketches, they are drawn from the chest up, leaning close in conversation with Queequeg’s arm over Ismael’s shoulder. The first sketch has Ishmael featuring with his hands and an absent expression, while Queequeg looks at him fondly. A speech bubble from Ishmael says “*questionable whale facts*” and an arrow pointing at Queequeg says “enamored.”
In the second sketch, Queequeg is explaining something to Ishmael, who looks at them with rapt attention. The speech bubble from Queequeg says “*batshit insane story*” while Ishmael is now the one with an arrow labeled “enamored.”]
bonus doodle of flustered ishmael + just the lines without color under the cut
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[ID: first, a zoomed out picture of the same sketchbook page as above, with an additional sketch at the bottom of Ishmael looking extremely flustered (labeled “+1 gey”) at a Queequeg rubbing something from his chin. Second, the same as the previous image but without the color, just the pencil sketches.]
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