#and thats not something i say about my art a lot

[dreaming-of-mogai]

Hi there! Mod Pink Diamond here!

I just want to say something i think is important since i have seen more posts about the topics lately, especially since both kind of apply to us.

First of all before i even begin i want to thank everyone so much for following and sticking around despite us not posting much lately, its really kind and i appreciate the support and hard work everyone is doing.

Anyways! Lets begin.

First topic: No energy / spoons / creativity etc.

I think a lot of mogai ( now liom and qai (?) Creators who pump out flags every day or almost every day are amazing and i genuinely appreciate their hard work and creativity.

But i think its also put a lot of pressure onto those who are low/no spooned, not a lot of time, etc due to whatever reason, that they too must put out a lot of work so they can be noticed, and thats just not right.

For most people / creatures like me, Flag creating is just a hobby, another type of art. Its not a job and I'm not being paid for it. It can come with a great deal of pressure or anxiety when it comes to be too much or no longer a fixation or even just when theres too many requests ( which by the way, "too many" can mean two requests, not a hundred ).

People / Creatures do not owe anyone requests or time. I get its fun seeing new content all the time but if you want something sometimes waiting is better for both you and the creator !!!

And no no, don't get me wrong, I'm not gonna be one of those posts that say "Theres too many posts about the same term!!!!!" No i enjoy the multiple options of "cakes".

This is a reminder for mogai / liom / qai creators that it is okay to take breaks, long or short. Its okay to not do a request for a long time. Its okay to not take requests often. Its okay to not post every day. Its okay to not have spoons for ID too by the way. There are blogs who will help you and you can always edit it in when you do feel like it.

Second topic: aesthetic blogs.

I know we may kinda fall under that, but i want to explain something. I notice a lot of blogs who don't have an aesthetic ( reply icons, a fancy pinned post, pretty set up etc ) get lost in the wind for those who do, whether they make content every day or not, whether they have id or not.

And that isn't really fair, you know? People who don't have super aesthetic or the cutesy / kawaii / anime aesthetic can make just as great content as those who do!

This is NOT a bash on those who have an aesthetic blog, not one bit! I just think those who don't have or want an aesthetic blog should get more attention.

Thank you for reading, have a good time zone my crystal gems! - Mod Pink Diamond

[0yorixu]

redraw of my fav desert duo piece (right 30/7/2022)

so if u knew me on insta I had a rlly big desert duo phase and I really loved (still do now tbh) 3rd life and hermitcraft from their povs

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[biblically-accurate-dca]

moon n ballora

[spaciebabie]

see i absolutely despise jimmy (and curly) as a character(s) but as a literary freak i can appreciate the way hes used as a story device with his relationship to curly. i could type this more eloquently but currently ive had a glass of champagne and i havent drank in like 6 months so my tolerance is low so forgive my writing but. jimmy cannibalizing curly. yeah.

theres multiple messages here, theres the message that jimmy is doing what curly (assumedly) did to get into his position and, employing another metaphor, taking the "dog eat dog world" saying to heart. and literally. devouring his competition. or maybe curly didnt do that. and thats what jimmy thinks curly did and so he aims to do the same. choose whichever one you like more they're both interesting storywise.

theres the message where jimmy "consumes" curly in some twisted expression of love. devouring curly so that he remains a part of him, an expression that he is the gold star captain and something to aspire to. admiration for something he'll never be and so he chooses to consume him in order to potentially absorb some of his skill or become more like him.

and then there is curly sitting there helplessly being devoured. its something he has no say in, not something that he chose to happen to him, its something hes become swept up in. he becomes devoured by jimmy in the literal sense of cannibalism, but also in the sense that he became so absorbed in his friendship w/jimmy he ignored his wrongdoings and ultimately led to anya's assault as well as the death of the whole crew.

curly and jimmy intertwined so that one is always consumed by the other. curly in a literal sense, jimmy in a more psychological one. i mean like its really quite crazy they did the "im consumed with thoughts about this guy and want to be him so i must literally consume him" thing quite well. when examining mouthwashing's narrative you find new things to admire every time. each little story element has a place in creating a wonderfully complex and heartbreaking story. its very well done and honestly something to aspire to from the perspective of someone who enjoys studying/writing literature.

all of this is to say i think that there should be more art of jimmy covered in blood and engaging in this cannibalism like the stupid little leech he is

[lorillee]

im really normal about them <- lie

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[redheadedfailgirl]

From 'Dream of a woman' By Cacey Plett.

This sums up exactly how I feel about most transition timelines. As much as they reflect people's experiences, they are also a narrative. And the narratives that get shared the most tell a lot about what our values are. The timelines that get the most attention are the ones where people go from sad, loser, nothing boys into beautiful women.

But if you go to /r/transitiontimelines or a similar place, and sort by controversial or look at what has the least likes, its people who made timelines when they still don't 'pass' yet. Even if they're happy as can be, that's not what people are looking for.

I think it says a lot about what people expect from trans women, that they only want to see us be beautiful. In some cases, that they want to believe they can be beautiful. So there is no value in trans life if you're not beautiful.

[moeblob]

What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?

What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.

[red-dyed-sarumane]

i need people to start paying me for every time they tell me "oh but ur arts so good ur wasting ur talent u need to do it professionally" wrong i need to do art to draw beautiful characters that not a single other person cares about while feeding every ounce of love i have into my work or to convey thoughts & feelings beyond words and to even think of doing otherwise is to deny my own nature "oh but u can do what u want and then sell it" why is everything about money to you why cant u just enjoy things at what point in ur life did u forget how to have fun

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[theunconcernedembalmer]

Was the recent drawing/ask reply you did in someway a reference to danganronpa v3 korekiyo? It looks like a very similar pose to his one sprite. If not cool regardless lol

Its exactly That Sprite. Finger guns

I was looking on the blog for a post for a bit because I know I drew this exact pose for sop years ago and I found another korekiyo shinguuji pose that I drew him in....... theres also going to be more stay tuned for that HAHAHAHA

I'm currently on mobile so I can't link the replies with the poses now. Did not tag those so they're lost in the cesspool of this blog

[spagheddiesquash]

oooh theyre looking at u… furrowing their brows…. im sorry that expression is like my own dreamworks face its just really fun to draw. drew this bc i wanted to test out these cool free procreate brushes that i found on pinterest.

EDIT. reblogs >>> likes!! if u like it pls reblog so more ppl see it tyyyy

[thedeadthree]

🥀💌🕯️💀 <33

*old person yells at cloud* THEORY TIME <3 but i was thinking of the skill trees screens we’ve seen so far and i am like…… super certain that ingellvar is the mourners surname and soo that calls for an update to irulannes pin interest board <33

(ill cry change it if it isn’t though but hehe anyway im stoked to at last have a surname for when i save her edits bc rn her folder says i.datv xixjjxhx *WHEEZE* 💀)

[vero-niche]

a fellow english major, really happy to see someone who's proud of their degree <3

you know that "no love, no matter how brief, is wasted" line? i think the same applies for knowledge too - no matter how useless it may seem, knowledge acquired is never in vain.

[bacchuschucklefuck]

the boy-but-not-that-way-ism of riz gukgak send tweet