#and that's only including main characters and i would like to try to do recurring characters afterwards
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uhhh no (sweating) i definitely didn't forget Chekov when i said i was done with my tos portraits. i would never forget my Russian son... (i'm so sorry. i left him at the dilithium refueling station.)
anyways! next week we'll definitely be onto tng!
monochrome trek portraits 7/?
#i'm gonna try to start doing one of these a week. considering i have AT LEAST 36 more to get through 90s era trek#and i haven't even counted for new trek characters yet#and that's only including main characters and i would like to try to do recurring characters afterwards#pavel chekov#tos#star trek tos#star trek the original series#star trek#fanart#star trek art#my art#my posts#monochrome trek portraits
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tbh I wish people would remember that that's the case on any show. recurring characters should get less screentime than main characters. I want to see buck have a story on his own without people complaining about not seeing tommy. tommy is a love interest, and we didn't see taylor 24/7 either
prefacing all of this by saying i did include myself in that post in that there are so many characters id love to see more of (tell me where carla is, we need more karen, what do the buckley parents REALLY think about tommy and bucks sexuality, i miss may!!!! whatever happened to harry???? will josh EVER get a boyfriend???). but the tommy of it all -
(which of course i am biased so maybe my opinion here is skewed and for that i ask forgiveness)
this is funny bc i feel like i don’t see it that much with tommy, mostly it’s just people having a laugh. like most of us didn’t even think we’d see him in the premiere at all so that’s even why we were so excited and happy for what we did get w chris’ birthday party. (obviously i don’t follow everyone so just my perspective.) i think most tommy fans are pretty realistic about what we’ll get while also wanting more about him. i definitely, at the very least, didn’t see anyone complaining after the premiere.
but i also think we have to remember that tommy is a very large part of bucks story right now, and i would argue since he is a first responder, has the potential to be part of the procedural narrative in a way that, say, taylor wasn’t. (and i would also argue in season 5 she had a LOT of screen time.). he knows everyone and has a history with the 118 and gerrard that would be interesting to explore. it’s different from your normal love interest who really only has a connection to one person and then knows everyone else through that person. in fact, tommy knew literally every other main character besides maddie before he knew buck - he even befriended eddie before buck. i don’t think it’s strange to want to explore that.
that being said, no, i don’t expect him in every episode or story, but i do expect him to be a heavy part of bucks story as he goes through whatever he’s about to go through and gets more settled in himself. it just makes sense.
but i’m going to be honest, this feels like a bad faith ask and anon just wanted a chance to complain about tommy. i’m sorry if that isn’t the case. i know i don’t follow everyone in fandom, but outside of silly little headcanons and spec that is for fun, i haven’t seen anyone complain we don’t see enough tommy or that he has too much screen time.
and i’m also going to add that most of the over the top love for tommy/lou, especially on official 911 channels comes from a place of trying to drown out unnecessary hate - you have to remember here that lou has gotten death threats, that just him being in that bee puns video has waves of people commenting that he was a jumpscare who should be warned for. so if people love him a little extra to try and be louder than the people who are being gross and nasty about him, well.
i’ve gone back through this and think i have given it fair thought and a thoughtful reply but idk it’s super early in the morning.
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Ninjago Character Search Engine
I made a tool where you can search Ninjago characters by name, type, allignment, species, gender, season, or a combination of all those factors. If you want to play around with it here's the link. I compiled all of the data myself so there's likely a few errors. I've already corrected where I had accidentally labeled Zane's dad as a serpentine. Please let me know if there's any problems!
How to use it
Basically, you just input the criteria you're interested in seeing. For instance, if you wanted to see all of the nindroids in Ninjago, you would do a search as follows.
An important thing you may notice here is I not only input "Nindroid", but I also input "New." I did this because my index has a new entry for each character each season. If you choose not you choose not to put "New," the output will include 21 Zanes, which is great but may not be what you're looking for.
Another thing to note is that if you're not searching by name, you need to make sure the name box is completely blank or you will get 0 results like in the following search where I left a space bar in the Name box.
If you are searching by Name, make sure the name exactly matches the entries or nothing will show up.
You can either view the entry in the index on the next sheet, or you can just find the person by inputting the proper criteria.
I also left some comments on the sheet with some useful tips! Feel free to ask any questions!
Criteria
I think it's important I explain how I created and employed my criteria as it can be pretty subjective.
Type
Type is one of my more subjective criteria. The options are Main, Supporting, Recurring, Guest, or Ensemble and I agonized over some of these placements. For instance, did Mr. F fulfill a supporting or Recurring role during season 9? Very difficult to say. Still, generally, these were my definitions. Main: Ninja (usually) or someone who significantly contributed to the plot and had a large percentage of screentime (it takes a lot for me to demote a ninja from main, but I had to in DR) ex: Lloyd in season 4
Supporting: A character that has a significant degree of screentime, their own personality/backstory, and helps another character push the plot along ex: Garmadon in season 4
Recurring: Pretty much any character that speaks in more than a few episodes ex: Chope and Kapau in season 4
Guest: A character with personality who speaks or otherwise makes a mark in only one episode that season ex: Morro in season 4
Ensemble: A character that's only in the background and/or has no personality of their own and/or is just sort of filling out an army ex: Acidicus in season 4
Allignment
Allignment is also a very tricky category. I had to make a choice about whether neutral or good would be the default for characters I don't know much about. I went with good as I feel like it fits the tone of the show. Thus, I assume for instance that Mara from Nya's class is a good person even though she's done nothing to demonstrate that.
Good: Default. Also, if you help save the world, I usually let it overshadow previous bad behaviour. ex: Arin in Dragons Rising (S1)
Neutral: You have to be pretty morally ambiguous to get this designation. I generally assigned it to influencers, anti-heros, somewhat redeemed villains, and members of morally unclear societies. ex: Agent Rodrick Allen in Dragons Rising (S1)
Evil: I generally assigned this to all antagonists, even if they weren't actively trying to destroy the world. ex: Rapton in Dragons Rising (S1)
Species
Here's a list of each species I included in my index.
Human Nindroid Demigod Skeleton Dragon Serpentine Beast Oni Ghost Djinn Hunter Construct Formling Munce Geckle Islander Merlopian Devonian Tide Unknown Miscellanous
Most of this criteria is pretty objective, so I'll only clarify the less obvious ones.
Beast: Any animal, monster, or creature. ex: Krag from the Ice Chapter
Construct: I applied this to any character created by another whether it be through magic or engineering. I excluded Nindroids because they're a large enough sub-category. ex: Bonzle from Dragons Rising or MiniPix Seven from Crystalized
Unknown: This just applies to the Forbidden Five as we don't know much about them but they don't appear human. ex: Nox in Dragons Rising
Miscellaneous: I only applied this in rare categories where not only was their species a bit unclear, but they appeared to be the only member of that species on screen. ex: Benthomaar from Seabound
Gender
Oh no, it appears I accidentally created a gender cascade. Anyway, I based character's genders primarily off of the gender of their VA , but I also took into consideration the pronouns other characters used to refer to them. I didn't do a thorough transcript search though, so let me know if I've made any errors. I designated some characters as unknown, usually because they neither spoke nor were spoken about.
Season
Season, like species, is also pretty objective but I'll clarify some of my choices. I only used titles for Day of the Departed and the Islandbecause they don't really fit into the numbered seasons. I used numbers rather than season names for the most part because they're more concise. I designated Dragons Rising seasons 1 and 2 as 16 and 17, primarily because that's how I view them, but also for this conciseness factor. I split season 17 into two seasons (17 and 17.5) because they're two unqiue arcs that different casts of characters, some of which have changed their allignments/types between part 1 and 2. I may do the same for 11 and 16 in the future.
New/Old
I put a new entry for each character so it was necessary for me to designate whether this was the first entry of the character or a repeat entry. Having multiple entries allows you to view how characters changed over seasons rather than only being able to see their initial criteria. It also allows you to see the full cast breakdown for each season.
That's pretty much it! Here's the link again. Please do play around with the search and let me know if you find anything cool. The link also includes all of my previous spreadsheets so peruse that at your leisure if you're interested. Thanks as always for reading this far and let me know if you have any feedback, made the exact same thing previously (looking at you @agenericplaceholdername ), or have requests for new spreadsheets or charts. I have a lot of options now that I've created this tool and I've very excited to use it!
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The insane, untapped potential of Rebecca from Murder Drones.
Hello Murder Drones Tumblr. My name is Markiplier, and I'm the fastest man alive.
To the outside world, I'm a regular Reddit user hiding in their mother's basement, but secretly, I've done nothing except consume Rebecca content for the past 72 hours, with only one objective in mind: spread the truth about this one, singular character that I didn't give a single damn about to convince you that she could have been someone important in an alternate universe.
To do so, I had to consult the classics. Rewatch the entire series again, hogging the murder drones rebecca tag, checking out her Wikipedia page (which has to be rewritten by the way, cause it sucks), create a new Rebecca centered gallery on Pinterest, and stalk the channels of her main worshippers, all in the name of my research.
Once I had collected enough data and ideas, I was finally ready.
Today, I'm going to shed light on some unknown traits and misconceptions surrounding the character, all the while showcasing all the ideas that I've gathered that would have made Rebecca a more prominent part of Uzi's and maybe even N's development.
This was by far the hardest undertaking I've ever imposed upon myself in the history of this blog. Please, enjoy the following content at your own risk and expense.
Chapter 1: The Origins.
Some context for those of you who are uninitiated in the Becca cult, Rebecca is this girl:
She's a minor side character inside of episode 3 and 4, and a background character inside of episode 2; she's infamous in the community for being a "bully" and trying to steal N from Uzi while already dating and making out with other classmates.
Despite never committing genocide and being the only member of the cheerleader trio to not have been responsible for anybody's death, she's pretty hated by the fanbase at large or plainly forgotten/dismissed, at best people just don't care about her and see her as just too unimportant to be hated, at worst they kill her in the most gruesome of ways or accuse her of racism, homophobia, eccetera (before killing her, of course).
Although pretty unpopular, she still has her own niche of fans who gather up at the table to worship her; furthermore, there are a lot of fanarts from people who don't even like her where she survived the events of Cabin Fever but is now disabled and confined to a wheelchair.
The reason behind such treatment is due to the fact that Rebecca has committed five of the worst cardinal sins a fictional character can make: being an obstacle to the most popular ship in a fandom; being mean to a fan favourite such as the main character without any clear motivation; being annoying by proxy according to other characters reactions without doing anything to disprove it, thus reinforcing the idea in the audience that you are annoying; being unimportant to the overall story without having any obvious redeeming or interesting qualities while being perceived as graving in each and everyone of your few scenes; and, of course, being a woman.
But besides all that, whose mostly common knowledge, what else is there to say about Rebecca? What are some of her less noticeable traits and characteristics that make her worth it of an analysis and a rewrite to better include her inside the plot?
Well, unfortunately, the answers are not as uplifting and as satisfying as Rebecca's stans were hoping they would be. Even in an alternative universe, I doubt she would really be as important as some of the other characters, more so an important character for Uzi's development. Maybe even N's.
But don't let this statement fool you into safety: I genuinely believe canon Rebecca is simultaneously so much better and so much worse than the community believes her to be. Rebecca is as much of a freak as Uzi, but not in her obnoxious, extroverted way, nor in Doll's sociopathic, introverted way: she's their uncommon middle ground who somehow manages to be more messed up than the both of them in certain aspects.
Chapter 2: "The quirks"
Upon commencing my research, I've quickly realised that I might be even more unnerved by Rebecca than I was with Yeva, and it's all due to the fact Rebecca facial expressions and body gestures might be the single most obtuse and undecipherable details that Liam has decided to insert into the background of his story. You probably don't understand what I'm talking about because you haven't been losing sleep at night like I did, but let me show you the pictures:
Noticing anything wrong?
Everyone else upon seeing V is immediately frozen in terror or just surprised by the Disassembly Drone presence, but Rebecca instead just looks mildly.... annoyed? Intrigued? It's hard to tell by the image's shots alone but the only time where Rebecca's facial expressions change to the shocked looks of the Worker Drones on the right is when Lizzie says her infamous line and socially excluses her from the popular kids table.
There could be more to say about Rebecca's following lines "Fine, I forgive her! Settle." and how they don't really mean what you think they mean, because, just like we are going to see in a moment, Becca really doesn't give a damn about murder, in some ways, even more than the other Workers, but I haven't found a single more compelling meaning besides, you know, Rebecca's family, which we are soon going to be talking about.
Other weird facial expressions that she does are the weird look that she has when escaping Prom, her reactions to people dying in Cabin Fevers, and probably every single scene she's in when you think about it hard enough.
She also does this weird thing with her fingers. A sign of anxiety? She looks fairly inexpressive. Yet again, she might have learned to mask her emotions and the hand gesture could be a way to let it all out without putting too much attention upon herself. But why? Is the guy standing right beside her one of her parents? More of that in a minute.
Finally, and this is the biggest point of speculation, there's a high possibility that Rebecca might have sensory issues, a possibility that we are going to treat as fact, thus explaining why she's so afraid of falling out of the boat in this scene: aside from the fact that Worker Drones are probably not waterproof judging by the text in episode 1; Rebecca is literally experiencing sensorial discomfort from the erratic movements of the boat, and even if she was able to survive in water, she wouldn't be able to swim due to her disability. (Other possible evidence of this is the squirm she emits when the door of the abandoned cabin Uzi is in slams shut. Darren also reacts to it, but in a much more normal manner).
But now you might be asking: "If she really had sensory issues making these moments where she lacks balance scarier, why did she pick up cheerleading?" Which nicely segway's us into the next part:
(Side note, I've only specifically searched for sensorial discomfort in relation to sex, and based the rest on preemptive knowledge, thus I might have messed up some parts of this analysis; I'm sorry to anyone who experiences these issues and didn't find their inclusion in this essay accurate.)
Chapter 3: Becca the 13th
In the following segment, the line between canon and fanon, reasonable and made up blurs, but I beg you to stay patient and follow my thought process: the far fetched parts are based on the elements already present in the show to make Rebecca a more interesting characther while tying her to the themes of the show and to the preexisting dynamics.
In my research to answer the question "Why did Rebecca pick up cheerleading" I looked up a site explaining all the reasons why girls decide to get into cheerleading, and I've singled out these answers as the most likely possibilities for Rebecca's interest in the sport.
Passion for the Sport: Many women who become cheerleaders have a genuine passion for cheerleading and enjoy the physical and artistic aspects of the sport. They may see cheerleading as a way to express themselves creatively and be part of a team.
Opportunities for Performance: Cheerleading provides opportunities for women to perform in front of large audiences, which can be a rewarding experience for those who enjoy being in the spotlight and entertaining others.
Team Camaraderie: Cheerleading often involves working closely with a team of other cheerleaders, which can foster a strong sense of camaraderie and friendship. Many women value the sense of community and teamwork that comes with being a cheerleader.
Scholarship Opportunities: In some cases, cheerleading can provide opportunities for women to earn scholarships for college or other educational benefits. This can be a motivating factor for women who are looking to further their education.
Personal Development: Cheerleading can help women develop valuable skills such as teamwork, communication, leadership, and time management. These skills can be beneficial in both personal and professional settings.
Love for Dance and Performance: Cheerleading often involves elements of dance and performance, which can appeal to women who have a passion for these art forms. For some women, cheerleading offers a creative outlet to express themselves through movement and choreography.
Which one of them is the most likely?
If your answer is all/some of them, then you are probably right, as there could always be more than one reason driving an individual to commit the actions that they do.
If your answer is none of them, then you must be pretty bold to make such an assumption, but you can't be blamed as it's finally time to bring up the two big elephants in the room:
These two.
Rebecca's relationship with the other cheerleaders can't be anything but toxic, it just makes sense to me: Lizzie's not afraid to throw people under the bus if it means that she gets to stay on top of the social hierarchy, with Doll being the clear exception at this point of the story due to their closeness and intimacy, making Rebecca the most direct victim of Liz and Doll the main target of Becca's jealousy; she can't act too much on her jealousy though, cause Lizzy can just cut out her wings whenever she feels like, so most likely all of the bullying that she does on Doll is subtle and only at most convenient of times. Doll probably doesn't react to Rebecca's bullying seeing as she is Lizzy's second best friend and killing her would inconvenience the cheer's squad, but if her reaction to Rebecca's speech in The Promening is anything to go by then she has at least built up a certain resentment for her throughout their time spent together.
Rebecca is kind of like Heather Duke with the personality of Heather McNamara and Veronica's shaky presence inside of the trio. No, I'm not going to diagnose Doll and Lizzy as Heathers, do that yourself.
But we're going to bring back up the DLR trio back in a moment, as the time has come to fire up the Chekhov's gun:
Remember when I said that we were going to bring up Rebecca's family later on? It's finally time.
In the same boat scene that we talked about earlier, Rebecca asks N this question: "So, my friend wants to know if you've killed her family... and are single."
In case you didn't pick up on it, this is a common tactic used to taste the waters in a relationship, when someone uses the excuse of having another friend who has a crush on you to see if you are up for dating. Naturally, the underlying message of this tactic is "I'm the one friend who I was talking to you about, I'm interested in you. Are you interested in me?" but that's not where Rebecca's sentence stops, no, before doing that Rebecca specifically asked N if he might have killed her friend's family, with the implication that she's talking about her own family.
So... Rebecca is without parents, just like Doll and she was probably left with just her dad much like Uzi. Where the differences between Rebecca and the rest of the cast starts to shine is in her reaction to the death of her parents. Where Uzi's and Doll's mood worsened after the death of one or both of their parents, Rebecca seems to be happier for it.
We can take this a step even further and assume that the possibility that N might have killed her family could be the big reason as to why she's so attracted to him, even more than the other classmates (keyword "family". It means that she could have had a brother or sister too, though I doubt it): she hated her parents, is happy with their deaths, and views N as her saviour and white knight in the dark for killing them.
If we look back at the shot from episode 2, we can come up with a couple of theories: she's probably alone at the parents teachers conference, or, and this is the most interesting alternative, the guy who stands right beside her is her dad, the weird hand gesture that she's doing with her fingers could be genuine anxiety about her dad finding out that her teacher has some bad things to say about her school performance and punishing her for it, which could also further explain why she does anything that Lizzie says if the theory that Lizzie's father is the Teacher is true.
Due to her sensory issues, it's possible that Rebecca's hatred for her family stems from a streak of physical abuse received at home and exacerbated by her already frail physique. She probably has been living alone with her dad for a while, like the girl from the 2017 It movie; so for her to hate her mom too, unless she was still alive and didn't show up to the parents/teachers conference, there are a couple of possible explanations: A, her mother died when she was too young for her to give a s##t about her; B, her mother was also just as abusive as her dad; or C, the most compelling explanation, as it parallels Khan's and Uzi's relationship: Rebecca's father uses the death of her mother as an excuse to wallop into self pity and be abusive, similarly to Khan but ten times worse, thus leading Rebecca to hate her mom even if she never knew her just by virtue of constantly hearing her name being used as justification for her dad's awfulness.
Rebecca could have, in just a couple of minutes, grown attached to N in the same way Uzi's grown attached to him throughout the course of the series: by viewing him as a sort of comfort net for the horrible things that have happened to her and as the one who saved her from her awful home life (by killing her parents).
Her dad probably did the interview right after Khan and thus implying a small space of time where he left her alone for god knows whatever reason, died to Eldritch J right before Uzi and N came in to stop her and Khan finally arrived to the crime scene, thus leading Rebecca to assume that N killed him in episode 4 and, through a connection made up by her wild immagination, her mom aswell.
So, for Rebecca, unlike Uzi and Doll, the day her parents died must have been the best day of her life; knowing how Doll lost her parents and looked pretty happy on the outside, Rebecca took this as a positive that her life could only improve; leading to the time spent between the ending of episode 2 and her death in episode 4 to be happiest period of her life, especially after episode 3 where Doll was revealed as a serial killer and went into hiding, making Rebecca the only friend Lizzie had left and solidifying her place in the social hierarchy.
When you think about it, we never see Rebecca being "happy" before episode 3, and while it could just be because we don't see enough of her, it could also really be that she was unhappy with her home life; Lizzie and Doll clearly weren't helping as despite Doll being at the bottom of the abuse trio of Lizzie and Rebecca, it's pretty clear by the framing of the show that Rebecca was always the most replaceable member of the trio, Lizzie was the master manipulator holding all of the cards of the social hierarchy thanks in part to her dad's influence, and Doll was Lizzie's irreplaceable (until V) main enforcer who at any moment could have just snapped and physically threatened Lizzie with her powers; leading Rebecca to feel constantly anxious of her every move. Plus, it must have been fairly obvious to the entire school that Doll and Lizzie had an affair going on and Rebecca wasn't part of it, therefore other students could have definitely picked up on her anxiety and started a gossip behind her back, leading her to feel even worse about herself than she already was. Which also, in turn, parallels Uzi and her feelings of being socially ostracized, making them even more of a foil to each other, with the main difference being that Uzi tried to fit in by becoming a hero to the colony and failing, while Rebecca carved her own unstable niche into society that she has to constantly struggle to maintain (Doll being at the positive end of the spectrum in this case, by being popular without struggling and willingly giving up said popularity for her revenge fantasies).
Her fear of losing the social stability and bullying immunity provided by Lizzie and Doll eventually turned into paranoia, forcing her to make up lies about dating people, like the guy "Brad" who she supposedly went to Prom with despite that apparently never being the case. To maintain the lies as truthful, she eventually benefitted from the ripple effect that those lies had created for her thanks in part to her good looks: now having the reputation of a nymph, she could get people to have sex with her, probably using it as an excuse for never actually being in a relationship with anyone (Darren is one of those people, she wasn't dating him, she was just making out with him).
There's also much to be said about the way Rebecca views sex and relationships as a whole; I'm not too sure about this talking point due to the aforementioned sensory issues that she has, but she could view sex as a sort of escapism fantasy, which also carries over in her love fantasy of N, and her relationship with the other cheerleaders as a semi functional support system, yet again other similarities with Uzi who, at the start of the series latched onto her fantasy of becoming a hero as escapism from her unfortunate school and home life, and, with a little stretching, we could say that Lizzy and Doll were to Rebecca what N and V are to Uzi, though not quite as healthy.
To ensure that Rebecca's views and actions on sex don't jive with her possibly having sensory issues, I've looked up information regarding the way people with these types of problems engage in sexual activity, and luckily for me, none of what I've found seemed to contradict any of the points I've brought up.
Here I have isolated all of the results of my research that fit Rebecca the most. Note: all of these apply to "some" individuals, not "every" individual. You don't have to check out all of these to have sensory issues regarding sex and other similar activities. I'm not a medic, so don't take any of these as gospel.
Perhaps the most obvious way that disordered sensory processing can affect sexuality is through physical touch. Some individuals may dislike hugs and embraces. Others may seek out a lot of touch or intense touch experiences.
Bright lights may agitate individuals with disordered sensory processing during intimacy. Play around to find the best lighting for you and your partner. Try using candles, soft bedside lighting, or turn off the lights completely! Avoid engaging in intimacy directly in front of a window or another uncontrollable light source.
An environment with a surplus of visual stimulation can be overwhelming and distracting. A cluttered environment can limit your partner’s ability to engage in intimacy because they are using energy to process visual inputs. For this reason, seek out clean, neutral, and minimalist spaces! In turn, assure your partner that it is okay to close their eyes during intimacy. This can help to calm their senses and allow them to focus on you, rather than the environment.
Background noises such as music, television, or roommates speaking next door may be distracting to individuals with disordered sensory processing. Find a quiet, private place to engage in intimacy. Avoid integrating music into the environment unless your partner suggests it!
Some individuals with disordered sensory processing have difficulty understanding where their head is in space; they may become disoriented or sensitive to different head positions. On the other hand, they may seek out intense vestibular sensations by engaging in extreme movements and positions. While some individuals may feel more comfortable being stable and stationary, others crave motion.
Sex is also most likely viewed as a coping mechanism for Rebecca, even if the main reason why she probably does it is to remain upon the popular girls in the school.
All of this added context makes Rebecca's death in episode 4 far more tragic, yet less random than some of the other campers. It comes as a result of one, yet fatal flaw: Her need to stay at the top of the food chain.
At this point in the story, Rebecca was getting closer to N, she could have just simply kept nurturing this relationship until it would have developed into something more genuine and mutual. It could have come to the point where eventually, once N would have chosen Uzi over her (because of course he would), she could have come to accept it and move on with her life instead of keep chasing her escapism fantasies and fawning over her parents possible murderer, maybe she would have even befriended Uzi in the process. But no. Her ego was her downfall: once N went away and could no longer satisfy her current needs, she decided to keep improving her social position, an easier thing to do now that Doll was out of the hierarchy, and proceeded to reinforce her reputation by making out with Darren, which got her accidentally killed by Uzi.
Accidentally, just like the death of her parents probably was.
Her death is almost perfect, even better than some of the others in the show: while Doll's death was brutal and heart wrenching but not really satisfying, Tessa's death mostly happened in the background and the show spent very little time on it, Alice's, Beau's, Yeva's and her husband's death depend on how you view their characters and if you think it fits, and V's death is the closest to perfect but wonky in certain aspects of its execution (just like V's arc in general), Rebecca's death is the perfect conclusion to her character.
She dies segmented, broken in pieces, part of her still lives for a couple of minutes, while the other gets eaten by what is essentially the character's foil of the one girl she was jealous of, and whose disappearance greatly benefited Rebecca. While crawling to the other campers, she must have suffered the whole time, just like she suffered her whole life before episode 2, the split of her torso represents her inability to pick up just one road, and in a meta context represents the fact that she is the middle ground between various character's situations.
It also represents the split in her life's trajectory: she was unhappy with her parents and was happy when they died, then became happy with her life and is now unhappy as she's slowly dying of a pain comparable to the one provided by her dad. All of this because of her ego.
And then lastly, as the final nail in the coffin, once she finally reaches the other students, her insides spilling out (reference to Melissa-titanium Doll's death post), everybody immediately forgets about her, just like they did with Uzi. She spent so much time climbing the social ladder, afraid and paranoid that she might tumble down and her parents would punish her for it, only for her to be immediately forgotten about once her systems shut down, still considered meaningless, tying her death also to Doll's and possibly Uzi's one, as the middle ground exploration of the theme of failure: Uzi fails but manages to achieve everything she had ever wanted, Doll fails but manages to achieve nothing, Rebecca fails but manages to achieve half.
It also ties back to Tessa as an alternate version who got freed from her parents abuse and had a chance to live a better life but still died soon afterwards because of a mistake she made.
Chapter 4: The Results
As you can see, just by using all the stuff present in the show if you squirm hard enough for it, with some added details we get a lot of utility out of Rebecca as a character:
- She develops Uzi, develops N, and develops and challenges Nuzi even more than she does in canon, but in a much more meaningful way.
- She works simultaneously as a foil to Uzi and Doll due to her benefiting from the death of her parents, and as well as a foil to Uzi and Tessa, who both had pretty bad parents but never wanted them to die.
- Her relationship with her dad also serves as a foil to Uzi's and Khan's father/daughter relationship, possibly helping to strengthen Khan's arc by showcasing a worse version of himself to the audience, rendering the reconciliation between father and daughter all the more sweeter.
- She deepens Uzi's and Doll's relationship in a different way than the Nori/Yeva parallels, by showcasing us a middle ground between the two characters that is simultaneously so much better and so much worse than the both of them.
- She also deepens the parallels between Uzi and Tessa, by showing us what could have happened if Tessa had the same sadistic tendencies of Uzi and left her parents to die intentionally (side note: Rebecca leaving her parents to die intentionally is also what could have happened in this made up canon. I doubt Rebecca finds joy in other people's suffering, but I can't help but think that she might have finally felt relief when the source of abuse in her life was finally gone), basically doubling as the middle ground between Uzi and Tessa but without their engineering skills, yet again, being so much better and so much worse than both characters.
- She serves to make Uzi more interesting by virtue of being foils but not in the obvious, narrative way of Doll, rather, in a more subtle, social way: if played right, her death could have hunted Uzi in ways the deaths of her other classmates didn't, by finally making Uzi question if she was ever in the right or if she isn't as much of a monster as Doll is.
- Further explores the themes of abuse present in the show and better ties said themes to Lizzy and Doll, who are currently lacking.
- She could have been used as a "tease" for Cyn, something that I haven't talked about until now (Uzi's and Cyn's middle ground). From what we know about Cyn, it seems like she was coded with some sort of robo neuro divergence, similar to the one that Rebecca possibly possesses; the details of Bec's story could have been reworked to parallel some of Cyn's story details, giving Uzi (and the audience) a taste of what Cyn's story or personality is like before meeting the real deal.
- She also, canonically, served to develop me.
Before I started working on this project, I never gave too much of a care about Rebecca. I didn't hate her like many people did, I actually liked her even if that liked soon turned into contempt once the serious writing for this essay actually started, but now I can confidently say that I'm a Rebecca enjoyer, the ideas that I've come up with for her are just too interesting for me to view her in the same way ever again, and I hope that this lecture might have also slightly changed your opinion of Rebecca as well.
#murder drones rebecca#rebecca from murder drones#md rebecca#murder drones uzi#serial designation n#serial designation v murder drones#murder drones doll#murder drones lizzy#murder drones darren#murder drones teacher#md khan#md nori#md yeva#tessa james elliot#murder drones louisa#murder drones cyn#character analysis#essay#sensory issues#murder drones ep 2#murder drones ep 3#murder drones ep 4#cabin fever#murder drones emily#cheerleading#coping mechanism#child abuse#character death#school#toxic relationship
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So with Hazbin Hotel finally releasing in just a couple more months, I thought I’d talk about what might be the biggest underlying question a lot of us have:
How much, if any, crossover will there by with Helluva Boss?
Now to start with, despite Blitzo and Moxxie having originated conceptually as side-characters/villains in Hazbin, I think we should NOT be expecting any kind of major or even minor appearances of I.M.P. in Hazbin Hotel. And frankly, I think that’s a GOOD thing. These two shows really should be allowed to stand on their own without relying on any kind of crossover/cameo appeal. Not to mention that these two casts of characters don’t really have much reason to cross over, given that they occupy pretty different circles. Like just the fact almost all of Hazbin’s cast (human Sinners) are confined to the Pride Ring of Hell while Helluva’s cast are often traveling between the various rings and even going to Earth kind of limits the potential points of interaction. All in all, despite how much many of us might hope for it, I think we should be expecting appearances from the I.M.P. crew in Hazbin Hotel. Though barring one, VERY SPECIFIC possible scenario I’ll dive into later.
Instead, the potential crossover between these two shows that I’m actually very curious about comes not from Helluva’s main characters, but rather from some of the supporting cast.
Specifically, I’m very curious if we’ll get cameos from the other Sins.
Because whereas Blitzo, Moxxie, Millie or even Stolas run in entirely different societal circles than either Charlie or the Sinners she’s trying to help, with the Sins it’s an entirely different situation.
Not only are the other Kings of Sin we’ve met the fellow rulers of Hell alongside Lucifer, we’ve also gotten implications that they do see each other more or less as family. Which by extension, could very well mean they are family to Charlie as well. Basically, Ozzie, Bee, Mammon and the rest could absolutely be presented as Charlie’s aunts, uncles or cousins, depending on whether Lucifer is an ‘older brother’ or outright ‘father’ to the group as a whole.
Which all taken together means that the Sins actually have all the reason to make an appearance or two in Hazbin. Like we know from the trailers that we’re going to have a flashback to Charlie’s childhood of her spending time with her father. Imagine how cool it would be if said flashback included a couple cameos from the other Sins?
Obviously I don’t think we should expect Asmodeus, Beelzebub or any of the rest to be any kind of major recurring presence in Hazbin Hotel, especially when we consider that the vast majority of the action of Hazbin is going to be locked to the Pride ring. But it does feel very natural or even outright necessary to the narrative that they make an occasional appearance. Particularly when we consider that it’s pretty much inevitable that Hazbin dives into the backstory of Lucifer, Lilith and the creation of Hell as a whole, at which point it would be pretty weird if the other sins DIDN’T show up in some major capacity, especially if they are indeed fallen angels like Lucifer.
And of course I think we can all agree that it would be pretty awesome just to see any of the Sins show up in an episode of Hazbin, even if whatever they’re doing is largely unrelated to the events of Helluva Boss. Like imagine an episode or arc where Charlie and Vaggie have a big argument, and Charlie ends up getting advice from ‘Uncle Ozzie’? Like even if you haven’t seen Helluva Boss, the idea of Charlie getting relationship advice from the King and Embodiment of LUST is hilariously surreal on its own, but the fact that it would almost certainly be actually GOOD advice just makes it funnier. While those who have seen Helluva can appreciate, among other things, the parallels between Charlie’s relationship with Vaggie and Asmodeus’s relationship with Fizzerolli.
Now with that all being said, as I alluded to earlier there is ONE specific scenario where I can see the I.M.P. crew making AN appearance in Hazbin Hotel:
Given the fact that Blitzo and Moxxie did originate as Hazbin side-characters, I do think it wouldn’t be surprising if we got an episode of the show meant to pay tribute to this fact. Basically have an episode where Blitzo, Moxxie, Millie and Loona show up as one-off pseudo-villains as an episode-long ‘in-joke’ referencing the origins of Helluva Boss and giving the team a chance to give an idea as to what Blitzo’s and Moxxie’s original roll in Hazbin would have been.
Say, Charlie and co. are dealing with a sinner who is particularly fixated/obsessed with ‘unfinished business’/grudge from their life with Charlie trying to get them to let go of that grudge by convincing them there just isn’t anything they can do about it from Hell. Cue perhaps Angel Dust ‘helpfully’ mentioning that he’s heard of some people who do exactly that, or perhaps simply a rather familiar jingle can suddenly be heard over a nearby TV, and we’re off to the races.
Again, more or less doing an homage to what Blitzo and Moxxie likely would have originally been doing as Hazbin side-characters.
#hazbin hotel#helluva boss#hazbin hotel theory#hazbin-helluva crossover#charlie morningstar#hazbin lucifer#hazbin lilith#helluva sins#helluva asmodeus#helluva beelzebub#helluva mammon#helluva blitzo#hazbin hotel rambling
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FIXING BIT CITY - PART 1
okay this is a very long post and i apologise - i didn't mean to have this many thoughts on bit city but i do so i would really appreciate if you read through this whole thing and hear me out completely:
so, i think we can all agree that the smosh main channel right now isn't doing so well, this time last year, most of their videos on main had a good 1 million+ views, especially after food battle. but nowadays, most of the bit city sketches get from 400k - 900k on average views, 2024 youtube sucks is the only bit city sketch to get above 1 million views.
i think a big reason for this drop in numbers is for 2 reasons, 1. the fact that smosh put hold on all their other sketches that they were doing on the main channel for bit city, and took a whole 2 month break for it, for the end result being, well, average. and the 2nd reason being is that, well, bit city as a whole isn't the best show and while it has it's strong points, it's not a good enough show on it's own that will make your average viewer want to tune in and it's also just, not, that good. now im a big smosh fan and i only want the best for the channel, which is why im gonna try and break down the reasons why bit city isn't really working and how to fix it, hopefully if we spread this around a little bit in the smosh fandom here on tumblr, we'll be able to spread some news (ill post this on reddit as well).
okay now the breakdown. let's start with the concept of bit city, from what i've gathered, bit city is basically trying to be the 'snl'/late night with jimmy show of smosh, the all in all sketch show that has a bit of everything (like a variety show). now i don't watch snl much but from what i know of it, snl episodes have a typical format that they fall into, they start with a cold open, followed by a monologue, then 2-3 sketches, then commercial break which is where a lot of commericial parodies happen, then a musical performance, then weekend update, and sometimes an addtional performance by a musical guest, and then credits. and you can see smosh borrowing some of those segments for bit city, now this as an idea is great. i think that smosh could pull it off if they wanted to, they have a whole multiverse (literally) of characters to choose from for sketches, they have multiple cast members who are great at hosting and who are able to carry segments on their own, and they have a good enough budget to pull different parts of these segments off.
however, where smosh breaks away from the snl format is the fact that they have structured their show more like a late night show would, having a host and a guest, now this is where smosh starts to lose me a little bit. not because i hate the idea, but because, late night humour is very different from sketch comedy, late night tv's comedy typically relies on topicality (meaning the current things going on in today's society like politics, pop culture, etc.), interviews with guests and recurring segments (think mean tweets on jimmy kimmel), yes they do have sketches, but the format of the sketches is very different. that being said, i think waht smosh was going for in the end, which was a 'late night' esque show where the 'guests' are characters or impressions by the cast, is a geneuienly great idea.
where bit city starts to fail or let me down is the execution, now they cast chanse and angela as the hosts, which i do actually really like since i think they both have a lot of personality, they both are entertaining to watch, and they have a good dynamic which viewers can watch and be entertained by. so i think it was a good choice to have them be the hosts. where i think bit city starts to really lose me is, well, the bits, the sketches.
so far, there have been 6 episodes of bit city, and so far, the bits and characters that have stayed in my head and that i think are truly memorable include the one direction reunion, the "straight eye" cast, the kardashians bit and the ianthony bit (although i personally was let down by that it was very popular in the fandom so im including it), that is it. every other bit has been either average or forgettable, in fact, the only episode of bit city which i think lands on every level is the straight vs gay episode.
why? let's break it down.
bit city as a show follows a general structure, the show opens with a 'cold open' of sort where angela says something like 'XX PERSON DID WHAT?' and chanse replies with something along the lines of 'yeah bitch' or some one liner response, after that they have a bit of bantering between chanse and angela which goes on either too long or too short, before cutting to their first set of commercials, after that they return with their first sketch or bit which is typically an interview or a reunion with the 'guest' being either an impression or character by the cast, in the middle of the interview they cut to the commericals again before returning to the bit again, after the bit hits it's "climax" of sorts, then they cut to a third set of commercials, before returning for either an improvised segment with members of the cast as themselves playing games ie. straight vs gay trivia. or the 'hot goss' section where they have tommy read off a teleprompter some jokes about modern day pop culture before interviewing another guest (sometimes they cut to commercials here as well but not always), before having the show come to an end with chanse jumping over a car.
now, let's go bit by bit (pun not intended) on every part of this show and break it down bit by bit (okay this time intended).
the cold opens - imo this is one of the weaker parts of the show, i get what they're going for with it, but it just feels so dry and bland, i get that they can't do a full opening monologue and they need something to open the show in that way, but eveyr joke in the cold open section has since fallen flat for me, so really, my only advice here is get better writers or write better jokes.
the banter/improvised section - this is one of the better parts of the show which i do like (althooguh i do think that it does in some cases go on for way too long) but it's mainl because chanse and angela are such likable people that it works, recently they've started adding in some bits to this section like the rib cam and the erewhon taste testing, so i think if i have any real advice for this section of the show, it would be to a. shorten it and not make it drag on as long or b. if you're not gonna shorten it, then at least add more improvised or bits like the rib cam to this part of the show, this would be also be part of the show to bring back segments like smoffice or let's do this on a smaller scale (although ill add more about let's do this later) to have somehting entertaining for this part of the show
commercials - the commercials are one of the most disappointing part of the show to me not because they're bad, but because they could be so much more. like the concept of parody commercials in a sketch show is SOO good, for one, it can help point out flaws in advertising and commercial industry in general, but they can also just be the perfect ground space for character building ro for expanding the smosh universe, but every bit city commercial, the the humour jsut feels so, generic? and it falls so flat every time. and this falls into one of my main critiques of the show, which is, so much of the show feels like such average level humour, like this is smosh, the channel which literally thrives off of characters and over the top bits, so why aren't they utilising that? i can't think of 1 commercial which has stayed in my head or which i would call memorable in this show so far, besides maybe the straight vs gay 'straight boyfriend os' commercial (but even that cuold have been better imo). my real advice for the commercials in the show is a. cut it down, don't have 3-4 commercials in every bit city episode (especially if they're gonna be so average), but b. if you're gonna have this many, use them to expand the smosh universe. have commercials like idk, Mr. Pervert's coffee shop, now hiring, or Fred Dart's new single just launched, anything that will actually add value to the smosh universe and not just be some one off. but if they want to do one off commercials, they could also return to their 'apple product commercial' esque skecthes, like the apple vision pro sketch they did? yeah, do that and split it up into 4 parts instead of all at once, and you have 4 commercials for a bit city episode.
interviews - the interview segments have been okay so far. i liked the one direction reunion, i liked the kardashians one, i somehwat enjoyed the old smosh reunion (but im not that much of an og smosh fan so i didn't enjoy it as much as others) and i really liked the 'straight eye' cast one. i think my main critique for the interview sections of bit city is the same for the commercials in that, it could jsut be SO MUCH more. i for one would love for them to maybe do stuff like a 'smosh the sitcom reunion' with all the characters like kevin, krungle, young sebastian, chosen, etc. or a 'chosen special' where chosen gives us a deep dive into being a chosen, waht it takes to be a chosen, who is or isn't chosen, etc. these sketches in my opinion would be a. more funny than just random pop culture references, and b. interesting deep dive into the pre-existing characters of smosh. and that's not me saying that i think they need to completely erase the pop culture elements of the show, im jsut saying, lean into more of the smosh specific character work of the cast instead of focusing more on the pop culture elements, you can still have reunions like the hsm or the teletubbies reunions (which btw i think were top tier smosh sketches) but just don't make that the focus of the show. also i do think at one point having actual guest features for this section of the show could be interesintg, but seeing how things are going right now, i don't think that will be happening in the near future.
improvised 'games'/recurring segments of the show: so far, what i think they're trying to do in the second half of bit city episodes is try to have one of those 'recurring segment' bits like they have on late night tv with the smosh cast, basically where the cast and host s play improvised games, now this isn't a bad idea but imo it is kinda pointless. liek i don't hate it as a segment, but i think it takes up a lot of run time which could instead be used for stuff like, idk, actual sketches? but if they are trying to do bits like this, i think what would be better is to bring back the 'google search history/watch history' sketches they used to do for this part of the show, since it actually fits quite perfectly. also, my advice for this segment of the show to elevate it a bti more is to really lean into the audience participation part of the show, i think they're trying to do that with the 'crew stories' part but so far they're kinda falling flat/hit or miss, so i think what would be better is to do stuff like have audiecne shots liek they do in real late night tv, play games which involve the audience, or if you wanna involve the crew stories,maybe do it in the format of like in the live show for under the mistletoe (or maybe it was UTI i dont remember) where they have one crew memeber or audience memebr on stage interacting with the cast in characters (like in UTI they had lisa's exes) or just have the crew member tell a story from their life and show them in the audience. that would be better imo.
hot goss - now for every episode where they don't do an improvised game or recurring segment, they do hot goss, which i think you can tell is trying to act as like the 'weekend update' of this show btu more leaning into pop culture elements, which, im sorry, i love you tommy, but this segment is very hit or miss. i don't hate tommy as a host, i think he has a lot of personaltiy which makes him likable and entertaing to watch at times, but this segment is just, very glass half full for me. i liked the stephen king's son episode i think that was well done, but i think my real advice for this segment is the same for the rest of bit city which truly is lean more into the character element of smosh, do stuff like 'deep dive into krungle's dating life' or 'GERALD CAKES TELLS ALL' stuff like that. or if you really want a segment to be about pop culture, then i think a better way to do that would be to maybe bring back the teleprompter bits that they used to do in smosh pit weekly back in like 2016 or so, OR, just get better writers (also cut it down - we do not need like 10 mins+ of amanda being chappell roan and sabrina carpenter's agent - which btw is SUCH a good idea for a character, but as all bit city bits, it fell flat).
--> ,however, i think a better way to do this type of 'weekend update' type show is bring back a smosh pit weekly esque segment - smosh weekly or bit city weekly - and THAT'S where you bring in the topical element of bit city, it's a much better way to do it imo. and you can still keep hot goss if you want to for as i previously siad the character gossip deep dives or the pop culture characters, but alos have this weekly show drive the 'topical' parts of bit city.
chanse jumping over a car - really have no commenrs on this one, i like it as a bit, i think it'll get old really quickly, but for what it is, i like it
@lilac-hecox @smoshkidtv @guessitrunsinthegenes @wazurenaide
#bitcity#smosh#courtneymiller#shaynetopp#ianhecox#anthonypadilla#ianthony#SMOSH#angelagiarratana#chansemcrary
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To be honest, your discussion of Minase's positive and negative qualities piqued my interest. What do you think are the main recurring fgo writers' strong and weak points? Also where would you rank the lilim harlot event?
For the sake of brevity, I'll stick to one per writer. Picking apart everyone to the extent I did with Minase would take forever and would be better done after their respective Ordeal Calls.
I hesitate to call Higashide's comedy his strong point because his huge hits are about as frequent as his huge misses. I suppose I'll go with clarity for Higashide's main strong point. Even when I think he sucked at delivering his point, I can always tell what he's trying to say, which is not something I can say about Sakurai's most compressed scripts. His weak point is his lack of ambition. It's nice to have at least one person in FGO's team who will never try to escalate things, but I can't see it doesn't make his stories more forgettable in the long run.
Minase was already detailed in his own post.
Meteo’s best quality is a tone setter. Requiem, Salem, and all his events come with an atmosphere that feels very tangibly different from what FGO usually does. Often his events are bad, but never they lack a unique identity. Which segues into his weak point, being that many of his events are comedy events and the man is simply not funny. Bullying Erice is his only consistently good joke, and when he tries other things, the results are more miss than hit. See Las Vegas and Wandjina World Tour for major examples of comedy events that failed hard at the comedy side.
Nasu is a master recycler. I don't know how he does it but the man is constantly reusing the same structures, the same themes, or the same dynamics and somehow it never feels repetitive. There is always something that makes the whole recipe feel fresh and unique despite being so easy to recognize the same usual ingredients there. And what I dislike about Nasu in FGO is how he's still stuck at the concept of selling waifus from the girls with routes days. Everyone has their list of characters who get ship tease with Fujimaru but only in Nasu's case it feels like an overwhelming majority and that some of the choices create too large of a difference between the summoned character and the character in the main story. Was it really necessary to do this with, say, Morgan? Melusine? Tenochtitlan?
And Sakurai I saved for last because one major reason this post took this long is that I was struggling to sort out what is characteristically good and bad about her. Well, even now I don’t have a simple and satisfying answer. Things can’t be simple with Sakurai, unfortunately. One friend of mine described the experience of reading Sakurai scripts as “playing chess against an opponent that doesn’t tell that you are in a game of chess” and that’s honestly a fascinating way to phrase it.
Sakurai is an intriguing combination of inflexibly ambitious and inflexibly professional. She has grand ideas for her characters and she will include them in the script without fail. But she's also strictly adherent to script size limitations. While Nasu is making Camelot and Avalon le Fae with total disregard to every possible limit, Sakurai is cramming so much into Septem's and London's microscopic file space that it becomes utterly incomprehensible. Nasu wrote Last Encore's plot as a whole ass novel and hired Sakurai to convert that into anime scripts because Sakurai is his expert in fitting a lot of stuff into tiny spaces. Tunguska was tossed at Sakurai because probably no one else could fit into its raid event constraints. And because she doesn't compromise on what goes in, her alternative is not revealing the mysteries about her characters but laying out all the hints so the players can figure it out themselves, which is a really fun thing once you're used to it (read: aware that you're playing chess against her).
And the answer to "Where would I rank the Lilim Harlot event" is 1st place.
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Adventure Time Watch List
With Fionna and Cake currently airing, a lot of people have gotten interested in possibly watching Adventure Time lately - either for the very first time or returning to the show after having dropped it at some point. I've already started helping a friend watch through the show with me and have talked to other friends who expressed interest in doing the same.
For the above reasons I thought it would be fun and helpful to create a watch list, and then I thought it might be of use to others! It's a list I'd describe as lightly curated, but keeping things extremely easy for anyone to choose how they, personally, would prefer watching the show by leaving all info/options available.
Personally, I think Adventure Time is a show worth watching in its totality! At least once, anyway. But I acknowledge it's intimidating to get into a show with 10 seasons and over 200 episodes, plus some people are mostly interested in specific characters or plots, or have watched through most of the show before and want a faster way to catch up on 'key info' without running through the first five seasons with a fine-tooth comb.
So, the document! It includes:
A key for how I marked every single episode (based on their necessity for understanding the overall plot, which eps introduce and expand on recurring concepts/characters, which are arguably "totally skippable", etc.)
Highlights marking all F&C episodes and each of the mini-series arcs.
Colored hearts which mark major character appearances (Ice King, Princess Bubblegum, Marceline) and significant episodes that center on/continue the arcs of Finn and Jake respectively.
>>> You can view it here! <<<
(if any of my choices on this doc are ones you disagree with, that's fine! but please don't try to argue with me or complain to me about anything if you think something is marked wrong or missing. this was mainly done for personal/friends use. feel free to take this list and use it as a base to make one of your own!)
The idea is that you can use the list to curate your own experience in watching through the show. If you want to watch everything, you can! But maybe you only want to refresh yourself on the main plot, or maybe you only want to watch all of Marceline's episodes, etc etc.
I would like to emphasize one more time this was very casually made. Hopefully, if nothing else, it works for anyone who's interested in AT but doesn't know where to start beyond just watching the show from the beginning.
I also wanted to put out a list like this because I've heard of the existence of watch lists that will recommend skipping a majority of episodes outright, including entire seasons, which ??? sounds absolutely insane to me! Even the earliest seasons of AT contain episodes absolutely crucial to the overall plot!!
(This probably comes from the idea that the earliest seasons of AT are "worth skipping" because they're "not as good" as later seasons, or that early AT is only okay but "gets better" around the middle. I heartily disagree with this; some of my favorite episodes are within the first three seasons. I will of course acknowledge that some of the earliest episodes probably won't suit some folks' tastes even if what comes a little later on definitely will; hence, this list.)
Anyway, I hope this helps anyone interested in watching! If you do give Adventure Time a try, I hope you have a great time with it! It's a fun show and I think watching the whole thing is definitely worth it~
#banebabbles#at watch list#do i want to put this in the tag. probably not lol#i can and WILL lock reblogs on this post if folks start acting like clowns
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yo, do ya have any favourite lyrics and/or line distributions? akito getting multiple lines about dogs is neato
Hoshizora no Melody has my favorite lyrics in the game it's not even a tough choice. I love how well every character's arc is conveyed through only a few lines it's so good. Emu could never and would never leave PXL (her grandad) behind, and WxS was able to finally change things for her and help her protect it. Rui was outcast his whole life and he came to accept it as something that would never change - it wasn't until WxS (Tsukasa) reached out to him and let him be passionate about his dreams without judging him that he was finally able to turn things around. Tsukasa throws his all into theatre (making people happy) and it's something that is so deeply ingrained as a part of himself, but WxS let him actually pave the way to make his dream a reality. Nene was too shy to face anyone and couldn't get over the things in her way (her past failures), but she was able to rediscover her passion for singing and is able to sing for everyone once again.
The prechorus parts too, Emu and Tsukasa sing the part about realising that the world can make people smile because both of their dreams are to make people smile. Emu and Rui singing about the world giving life back to things they'd given up because Rui gave up on the thought of belonging and Emu was going to have to give up the Wonder Stage. Rui getting the part about celebrating the colors of the world because his dream is to create shows that anyone can enjoy regardless of identity.
As you said I think Akito getting lines about dogs is a nice little bit of recurring irony. I particularly like this example from Gekokujo that conveys his unwavering determination and drive even when he's faced with forces pushing against him really nicely. Also just Gekokujo's lyrics as a whole I think reflect the event so well.
N25 probably has the best lyric game like there's so many good examples from their songs. Particular favorites would have to be Engeki for summarising basically Mafuyu's entire life in such a gut-punching way, and Tricologe for a similar reason for Hoshizora in that it just does such a good job of representing every character.
IDSMILE/lower parallels my beloved <3
Gunjou Sanka is another favorite of mine. If you couldn't tell by now I love stuff that either tells a story or describes a character. Or both. All of Gunjou Sanka is so good and really packs a punch with the emotions but I really like the first verse and prechorus here where it describes the basics of each main story in just one or two lines each. I especially love the Leo/need segment about being able to believe in wanting to stay together since they've moved on from their pasts and are reuinted now.
And how could I forget Mr. Showtime. This one has such clever lyrics and I love the use of parentheses to add secondary meanings to certain parts. The whole song is perfection but I'm particularly fond of this section here, specifically the last line because it understands Tsukasa so much better than like half the fandom does. Theatre is something that Tsukasa genuinely dedicates everything to, in some ways (every way) it is his life. Phoenix is a great example to demonstrate that because it highlights just how much it means to him and how he's willing to put it above everything else, including his own wellbeing, to try and overcome the obstacles he faces. At the end of the day though, even if it's tough and can feel like it's taking too long or isn't worth it, the roadblocks he doesn't anticipate are the ones that help him improve most and get closer to his dream than anything else.
also just this one lyric from Showtime Ruler I love character development. Karasuyasabou actually says that's his favorite in the song, and he talked quite a lot about the lyrics for the rest of the song in his corocoro interview. I'd suggest giving it a read because it's pretty interesting what he says about how he wrote it.
this is getting a bit long so i'll stop here haha
#honourable mentions to I Am We Are and Tenshi no Clover that I had to cut out due to length#i think both of them are brilliantly written and convey minori and shizuku's struggles and ambitions so well#asks#mod talks
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Thinking Actors Gewis Au
stealing this from the show Arrow. They are filming for a tv show. Lewis is the main actor. George was only supposed to be in the first episode only but Lewis and everyone was so impressed by George that he became a recurring character in season 1. Then season 2 onwards, he is a regular character. Lewis was supposed to have someone else as his love interest but George and Lewis’ on screen chemistry changes the love interest discourse. The producers and writers building up a storyline for the characters since the beginning but it’s a slow burn. The characters don’t get together until season 4? maybe?
the chemistry is chemistrying from the starting for the fans. they wouldn’t mind having two beautiful men get together in the show.
the chemistry is chemistrying outside of the show too but it’s jokingly more than anything when the fans see them in interviews and promotions stuff until…
the premiere of season 2? 3? (don’t ask me the timeline. i have no clue). During one of the fan event, Lewis is talking about music and karaoke and a fan shouts Shakira (there were dating rumours months ago) but Lewis goes “Hips don’t lie doesn’t suit me. It suits him” while pointing at George and continuing “he would say his hips don’t lie.” And then George brings up how he always hears Lewis sing in the room next door and he doesn’t know if Lewis is trying to distract him or soothe him (of course i brought this in, i just had to). The fans (it’s us. we are the fans) go crazy because those are some very insane things to say about your co-worker. that’s when the real shipping starts
^^yes i had to include that moment. why wouldn’t i
a fan asks Lewis if he is dating George and Sebastian replies “he wishes”
a fan asks George if he is dating Lewis and Alex replies “in his dreams” with the biggest smile
^^not on the same day or even the month. Just wanted moments where Alex and Seb are being little shits
one of the scenes in the earlier season gets too intense. Everyone on set thought Lewis and George were gonna kiss the way they kept leaning in closer so the director yells cut. Lewis is glad they did because he was definitely gonna kiss George (the intensity of the characters’ first kiss makes the build up worth it)
during an interview, the interviewer brings up Gewis shipping. George tries to steer back the conversation back to the show but Lewis realises what he is doing. Lewis being the evil menace he is, he puts George on spot by cutting in and saying “no. they mean Gewis as in me and you.” George is too stunned to speak and just looks at Lewis
or maybe vice versa. Lewis tries to change the subject but George goes they are talking about me and you (i don’t know which option i like more—actually no, that’s a lie. i think i like the first option more)
little interview moments where they are blatantly staring at each other. one interview had george yapping as always and lewis staring at him while licking his lips the whole time
their characters finally kiss and get together on the last episode of the season. it’s trending on twitter for days
when Gewis and the other actors are asked what their favourite filming scene from that season, Gewis answer their kissing scene. They don’t elaborate on it
the speculations get worse during the break between the seasons and Gewis are seen hanging out together all the time
the worst of it happens when someone from the casts posts a picture of the cast getting dinner. there is a hint of lewis’ hand on George’s thigh. fans catch on it. we would know that tattooed hand anywhere
+ Bonus
their relationship is confirmed years later when Lewis wins an award and he gives a thank you speech and talks about George. George rushes to the stage and kisses Lewis
or George wins an award and Lewis is the one presenting it so when he gets on stage, he just kisses Lewis and it’s the first thing he does (even before collecting his award)
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As promised, the theory heights of the Octo2 crew based on my best guess from the official arts. These are not canon heights (or headcanon heights), they're my best theory for the general heights the art team was using based on recurring heights in official arts.
I used several official arts, but this was the main art I used for ref:
This is (currently) the only official art where all the characters are standing more or less on the same plane, without being too far in front of or behind others. Also they're spaced out nicely, which made sketching mockups of their proportions much easier.
I also went ahead and threw my lineup onto an actual height chart (US system, sorry) to try and guess at their heights, and got...these:
Again, these are super not canon (or headcanon), and even for theory territory this falls more into the wild speculation side of things. But this was my best guess, since placing Osvald in the 6' range made Agnea and Hikari way too short. Ochette is a beastling, and as far as I can tell they have a different set of proportions as well as anatomy, so I'm assuming her smallness (which is very consistent in official arts) is intentional on the art team's part.
(I also didn't include Ochette's ears in her height estimate, but it should be noted that while I used the concept arts from the artbook bc they provided the most consistent "character is standing in an upright pose" artwork, Ochette's ears are actually a bit larger in all official non-concept artwork).
Anyhow, I also included my entire process for how I extrapolated under the cut. As a treat.
So I started with the main art I showed above and drew out quick mockups measuring each character from the top of their head to bottom of heel, not counting heels on shoes. For characters in dynamic poses, I sketched out a quick "puppet" using major anatomical points (head, torso, hips, knees, heel) as guidepoints, which I then "straightened out" separately to figure out the "height" (as seen with Ochette, Partitio, Hikari, and Throne; I forgot to save a copy of my Osvald sketchover but since his stance was so wide I knew he was going to loose a bit of height if I didn't sketch a puppet).
Agnea is mostly upright, but she's leaned forward a bit, and I wasn't going to be able to figure out how tall she was if she wasn't leaning forward with a puppet, so I gave her a bit of height in her mockup using my best guess as an artist for where the top of her head would be if she wasn't leaning forward. I took the same liberty with Hikari after straghtening out his sketch-puppet, since he's also leaning a bit forward. I couldn't actually see the bottom of either of Partitio's heels, so I went with my best "I'm an artist how would I have drawn this" educated guess.
Then I grabbed images of the concept artwork from the artbook scans (special thanks to @octopathartbooker for the scans) and adjusted each character to the mockup, and then put all the mockups so that the bottom "heel-line" was level for every character, getting this:
Note that Throne is in a wide stance for her concept art but that I still scaled her to the mockup for ease of visual reference (even though as I've scaled the art, it looks like she'd be taller if she were to stand upright, but I needed the visual more than I needed the pose accuracy). I also ignored the position of Agnea's foot in favor of having her heel on the heel-line, so she looks kind of awkward. These things happen, but considering how a few of the heights bounce around a tiny bit in official arts, I think this is the best I could do.
Because a few of the heights just...didn't look right (Partitio being that tall, and Ochette being that small) I also referenced a few other key official arts. First off, the "thank you" art:
This was useful for checking Throne's height against Osvald, since if I were to draw perspective lines then the top of Throne's head would be about level with Osvald's shoulders. This art also shows Ochette as being about half Throne's height, which is also consistent with my mockups.
I also checked the "nighttime" artwork for the soundtrack:
This art isn't actually as useful given how much perspective depth is used in the illustration (Agnea looking taller than Osvald bc she's in the midground and he's in the background being a good example of the depth I'm referring to), but it does show Ochette next to Hikari, and again, she is small. Also Partitio towering in the background supports the idea that he's actually just like, really tall.
The final official art I used to check heights was the endgame artwork, which is naturally a huge spoiler, so go ahead and skip this if you don't want to see it, bc aside from my notes on the artwork there isn't anything after it. (J is the hotkey that'll let you skip to the bottom of a post, though I dunno how this'll look if you're on mobile, sorry).
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This art is...somewhat helpful. I can't see anyone's feet and Ochette appears to be floating (although again, she is tiny compared to everyone else), and there's still some depth of perspective at play, and some of the characters look like they're standing on a higher elevation than others. But! Here we can see that yeah, Partitio is about as tall as Osvald and that's with his head leaning forward (tall enough to use Osvald as an armrest, Parti buddy). Agnea also looks like she could be about two feet shorter than Osvald and this art does nothing to suggest that Hikari isn't short, but again it's hard to tell with some of the perspective choices. Mostly this the art that convinced me that, okay, yes, Partitio is that tall.
#octopath traveler#octopath traveler 2#octopath ii#HERE IT IS#this theory project consumed my interest out of nowhere for two days#don't take the height chart w/ measurements on it too seriously#I honestly don't think the art team has official heights for the characters#bc I don't think they would have chosen those heights if they did#mostly I just think that they had a general ''this is how tall everyone is'' to use for ref#but like there's a LOT of artistic liscence in all the official arts so like again#this is a theory and not canon and also not headcanon bc these are not the heights I'd have chosen if I was just making up headcanons#oracle of lore
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So glad it wasn’t just me who noticed the lack of Eddie in that promo 😑 and the only shots focused on him were like old footage from s2 and 3. None of his s5 breakdown or hostage situation badassery or May Day cool moments (like smashing the glass with the fire extinguisher), not even any of his sassy faces from s6. And not a single line of dialogue from him. My motivation to watch s7 dropped about 10 points. The shot of buck and death doula didn't help either 😑
Thank you @blutterlie for the ask.
I noticed the lack of Eddie immediately then I watched the promo again to make sure I didn't miss him but I realized I was right the first time. I was pissed they didn't include any of Eddie's badassery from all the seasons he's been on the show. Let's check notes on how Bad Ass Cool Under Pressure "Sexy Eddie Diaz" is for a minute.
First and foremost, Eddie Diaz is the best dad there is. He's been raising Chris and he sacrifices EVERYTHING for him!
He removed a live grenade from a man's leg and everyone who doesn't remember should realize EDDIE WAS GOING TO GO INTO THE AMBULANCE BY HIMSELF!
(I can't find the GIF I made of him doing the damn thing but if anyone wants to see it, they can watch 2x1 to see sexy Eddie do it because he's the one who KNEW THE ORDINANCE.)
The man was trapped in a well and swam to safety on his own while the team was above ground trying to figure out what to do to save him.
He was shot by a sniper.
He was held hostage by an escaped convict.
He had a mental breakdown and went to therapy to get better.
He climbed a 70-foot ladder to rescue Buck after he WAS CATAPULTED OFF THE BASE OF THE TRUCK WITHOUT BEING HARNESSED IN!
But the season 7 promo didn't include any of that.
What else does Eddie have to do to get some damn respect?
It was my main issue with season 6 and it looks like they're going to repeat history and it appears Past will be Prologue for them because they continue to ignore Eddie, Bobby and Chimney. They weren't in the promo that much either but you know who was, Buck's ridiculously short-term love interest ND who's been around for like 2 minutes. It's season 5 all over again, ND is the new TK and I'm not here for it.
They didn't even show Karen, Denny or that much of Ravi in the promo. Or Josh or Linda and these ARE ALL RECURRING CHARACTERS WHO'VE BEEN ON THE SHOW FOR YEARS!
I'm so sick of this BS. They never treat Eddie right and they've been sidelining him for too long. And for those who always holler, "Eddie had a big storyline in season 5" the amount of screen time he receives shouldn't have anything to do with that and if we're being HONEST, all of Eddie's scenes are made to be about Buck and his reaction to Eddie being hurt. Also, Eddie's scenes are usually crammed into the last 5 minutes of the episode and are rarely given the attention they deserve.
HE'S A MAIN CHARACTER BUT THEY KEEP SIDELINING HIM! But they sure don't have a problem giving Buck a lot of recurring characters for his gazillion storylines. Hell, he had 7 in season 6 alone but all they gave Eddie was some raggedy dating storyline and set him up with a chick who's more in love with her brother. 🙄
It would have been better if they would have included ONLY THE MAIN CAST AND LEFT ND OUT OF IT. SHE SHOULDN'T HAVE BEEN INCLUDED AND I'LL KEEP SCREAMING IT AND NO ONE IS GOING TO STOP ME!
FREE EDDIE DIAZ FROM 9-1-1'S RIDICULOUS SIDELINES AND GIVE HIM THE SCREEN TIME HE DESERVES.
Thanks again for the ask and I know my response is long but I'm still pissed off by the lack of Eddie Diaz in that damn promo.
#buddie#eddie diaz#evan buckley#911 on abc#911 abc#911 spoilers#911 speculation#911 meta#911#Eddie Diaz is BAE!#eddie diaz character study 911#christopher diaz#anti natalia#anti connor and kameron#anti taylor kelly#Canonically Observing 9-1-1 Speaks
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How I would fix Helluva Boss
I've been getting the passion to talk about (and criticize) this show lately, and I'm planning to make a giant post about season 2 covering each of the episodes (and my issues with each of them), so that post will come soon (though it might take awhile since I need to rewatch each episode). We all know that Helluva Boss has become kind of a mess, so how could we fix this show and make it good? With all the writing issues it has how could we fix it all?
It's actually quite simple, really. In my last post talking about this show I pointed out how it barely actually revolves around its main premise and how only 3-4 out of 15 episodes are related to it. So the way to fix Helluva Boss is to make it revolve more around its premise.
Since we're revolving the show more around its core premise, it's best to get rid of every single plotline that isn't tied to it (The stolitz stuff, Moxxie's abusive dad, Stolas' drama, Blitz trauma, his feuds with Verosika and Fizzarolli, etc), and only relove the show around the core premise. This would fix the problem of the show barely revolving around its actual premise and would also make it feel more focused since now there are fewer plotlines to focus on (one of the show's major problems is that it's waaaaay too unfocused).
Basically, just remove a majority of the show's plotlines to make it more focused on the I.M.Ps going to the human world to kill people for clients (like the actual premise). The exceptions here are the Cherub and Dhorks plotlines, since those are tied to the show's premise, they can stay, and maybe make both groups recurring antagonists that get in the way of our main characters doing their jobs.
Just make the show a fun episodic adult comedy show about a group of assassins going to the human world to kill people...ya know, like how it was advertised before Viv decided to make the show into a drama with fan fiction-level writing.
Other things would include developing some of the characters more (please for the love of god give Millie and Loona more than one or two character traits), and of course, with these changes, this would also mean that we would have to remove all the episodes that aren't tied to the show's premise...which is most of them. So we're just gonna delete every single episode EXCEPT for Murder Family, Cherub's, Truth Seekers, and Unhappy Campers. We would also need to change the ladder two episodes a bit by removing any connections they have to the plotlines we just removed, the first two can stay the same.
And...that's it really. Now we have a fun episodic dark comedy show that's more focused and wouldn't have a majority of the writing issues that the show we have right now does. In all honesty, Helluva Boss would have been better off as a semi-episodic show because I think it's clear that Viv does not know how to write a serialized show with an overarching story and character development, which is due to a combination of poor planning and incompetent writing.
Helluva Boss does not feel like it was planned at all, and if it was it was planned very poorly, and looking at the writing it clearly shows. Plotlines so far have gotten rushed and underwhelming or straight-up insulting resolutions and the show keeps throwing so many ideas at a wall it quickly becomes very unfocused. Like I said the show suffers from there being too many plotlines and the writers not knowing how to write them.
That's why I decided to gut all of the darker and more complex plotlines that weren't tied to the show's premise, because it's clear the writers don't know how to write a lot of these plotlines and again, the show has too many of them and removing them makes it far more focused. And I left the Cherubs and Dhorks plot lines because those ones actually tie into the main premise. And trying to fix every single plotline would be almost extremely hard to near impossible so it's best to just gut most of them.
Helluva Boss should have been what is initially promised to be; a fun episodic show featuring some assassins going to the human world to kill people for their clients, not this poorly written unfocused mess we have now.
TL;DR: Revolve the show more around its actual premise and gut a majority of the plotlines so it could feel more focused.
Soooo...ya, that's how I would fix Helluva Boss. See ya.
#helluva boss critical#helluva boss criticism#helluva boss critique#hazbin hotel critical#vivziepop critical#I promise some non helluva boss related posts are coming soon#I don't want this blog to become a Vivziepop critical blog...#though this won't mean this will be the last time I criticize this show lol#so...ya#bye
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Author Questionnaire Tag Game
Tagged by @the-letterbox-archives thanks ^__^
About Me
When did you start writing?
I was writing by kindergarten at least, so…1996 or thereabouts. I do still have some writing from this time. I actually decided to be an author when I was 8 so that would be 1999. :)
Are there genres/themes you enjoy reading different to the ones you write?
I mean probably, I love to read and I read widely. Generally though, if I like something I will try to write it as well even if I'm not good at it. The biggest one I can think of would probably be cozy mystery novels, but I am still planning to try and write some of those.
Is there an author you want to emulate, or one to whom you're often compared?
I read a lot of Mercedes Lackey growing up, and I think that people who are familiar with her work might be able to tell from the way that I approach world building and especially magic. It's not really intentional though, it's just because I read so much of her work at a formative age. I'm not really trying to emulate anyone, I'm just being myself.
Of course I also love fairy tales, folktales, and legends so my work is very much inspired by that kind of storytelling. You'll see fairy tale and folktale elements everywhere.
Can you tell me a little about your writing space?
I have a lap desk so that I can make it easier on my arms when I'm writing by hand. I will use that either at my office chair (the height and incline of my desk is not right for me) or while sitting on the couch. Otherwise, because I use dictation, I'm always writing at my desk.
What's your most effective way to muster up some muse?
I just sit down and write. Writing is its own reward to me, so I'm always motivated to do it. I've never had a problem with that kind of thing.
Did the place(s) you grew up in influence the people and places you write about?
I shouldn't think so. I never write about the real world, and I never intentionally include references to any real places or people I know.
Are there any recurring themes of your writing, and if so, do they surprise you at all?
My writing is all themes really. There is a running narrative of "home" being the people that you're with, and so finding the "place" you belong by finding the people that you belong with. Also themes of coming to terms with yourself, and moving forward.
There are plenty of themes, aesthetics, and other little Easter eggs that show up in a lot of my work. For instance, I love to write about forests, I love to write about the ocean. I often include gryphons in my work because they're cool! I really like sun/moon imagery, I really like elemental imagery…lots of little things.
My Characters
Would you please tell me about your current favourite character?
I'm legally required to only have one answer, my Main Babe(tm) Ithea! Ithea's got everything. She's elegant, glamorous, and intelligent, she is also very manipulative and loves the power of violence. Her favorite hobby is treason. She uses sex as a weapon. She also uses weapons as weapons. She'll also kill you with her bare hands if you give her the opportunity. She's always smiling. How can you tell if Ithea is lying? Well, is her mouth moving? She loves her partner's kids more than anything in the world, she can, will, and has killed for them. The level of her arrogance is entirely unparalleled. Her goals are completely inscrutable. She lives a dramatic life and dies at 36. What's not to love?
Which of your characters do you think you'd be friends with in real life?
I honestly think I would have difficulty getting along with a lot of my characters. But I could probably hang out with Dante, Gheist, Temitope, and Kadife. I would love to be able to say I could get along with Nelli, and maybe that would be true. She can be a little rigid for my taste though.
Which of your characters would you dislike most if you met them?
Most of them. I love writing about people who cause problems on purpose, and I love writing about people who are very arrogant and manipulative. But in real life I don't like that kind of personality at all. But I also write about a lot of characters that I would personally consider too pathetic and would not be able to deal with.
I'm the kind of person who takes things in stride and continues forward no matter what. I'm extremely even-tempered. People who are too energetic are kind of exhausting for me, and people who are willing to give up annoy me for a different reason. But I'm not really the kind of person that would make a very interesting character, now am I? Hahaha…
Tell me more about the process of coming up with your characters.
I usually start with the sort of relationship that I want to explore, and then I make up what sort of characters need to exist in order for that relationship to logically happen. When it comes to their development I might start thinking with some kind of scene that is the peak idea of…well, the core of their relationship, maybe. From there I can go backwards and forwards to figure out who they were to get there, and what's going to happen because they know each other. But sometimes I just have a very vague idea and I start writing with nothing else. In that case I end up making a lot of characters just to fit the story, because they need to be there.
Do you notice any recurring themes/traits among your characters?
I love writing about women who are ambitious and arrogant and manipulative. I love writing about men who are so soft and sweet. Secondarily, I love to write about women who are practical and down to earth, and I love to write about men who are extremely prickly and emotionally wary. I love writing characters (of either gender) who are way overly dramatic or purposefully annoying.
Also. I mean. Most of them are gay.
How do you picture your characters?
Vaguely. I've talked about it before, I have almost complete aphantasia so picturing things is not really my strong suit. I generally will have a collection of descriptors and traits, and that's why I draw them myself or hire artists to work with. I only picture things in snapshots and even then only with a great deal of effort. I have a lot better idea of how my characters dress than what they look like. I talk about clothing a lot.
My Writing
What's your reason for writing?
I simply love it. There's no other reason.
Is there any specific comment or type of comment you find particularly motivating coming from your readers?
I love getting key smashes, and things that are in all caps, and other representatives of people YELLING. But I screenshot every comment that I get and I keep them on my computer because I love them all ^__^
How do you want to be thought of by those who read your work?
I don't need to know what they think about me LMAO I write stories that I love, and when other people love them too I'm flattered. But that's the extent of my relationship with most people, if they aren't actually my friends. And people who are my friends will think about me in much different contexts than just as an author, one would hope. If I have to say something though, I do hope that the people reading my work can tell that I was having a good time when I wrote it.
What do you feel is your greatest strength as a writer?
I love writing dialogue, and people often like the dialogue that I write! I know people also often like my characters, and as a character driven author, that is very pleasing to me. I struggle with description because I'm not good at visualizing so it's not very important to me. On a line by line basis I don't think that my writing is particularly beautiful. I'm just not that kind of author. It's difficult to get things out of my writing if you only see one line. But I write about character growth and dialogue, and if you look at my writing in chunks it's exactly what I want it to be.
What have you been frequently told by others is your greatest strength as a writer?
My dialogue and my characters. But one time someone told me that my writing reminded them of The Princess Bride, and I've carried that with me to this day.
How do you feel about your own writing?
I love it! I constantly crack myself up. I know in the grand scheme of things I'm not a particularly funny person, but I think my writing is hilarious. After all, I'm writing for an audience of one (1) person, so if I'm not enjoying it, what's the point?
If you were the last person on earth and knew your writing would never be read by another human, would you still write?
The only thing that will stop me is the cold, hard embrace of the earth. Honestly, even if I knew for a fact that not one of the eight billion people currently on the earth would ever read a single word I had written, I would still do it. I'm not here for them.
When you write, are you influenced by what others might enjoy reading, or do you write purely what you enjoy? if it’s a mix of the two, which holds the most influence?
I write purely for myself.
Tagging @did-i-do-this-write @thegoddesswater @mrmissmrsrandom @outpost51 @bloodlessheirbyjacques
@magefaery @italiangothicwriteblr @tryingtimi
Honestly, I wouldn't mind seeing everyone do it hehe
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This thought ran through my mind today and I would like to know your thoughts on it:
So, if the law and order universe was like Grey’s Anatomy (I feel like everyone is dating/sleeping with everyone in that show) how would the pairing history be of the characters? 👀🫣💕
You don’t have to answer ofc 💕 and you choose which characters to include, as in you don’t have to bring in every single main/recurring character from the shows 😅🫣💕
omg lolol! everyone *really is* sleeping together/dating on Greys, its fucking insane. (although, you work in one place long enough it's bound to happen anywhere.lol)
This will likely get long, so it's going under a cut. Also it will very likely get chaotic. There will be lots of ships, a variety of characters and lots of crossing over. don't hate me if your faved ship isn't here... I also will likely just list all the canon ones down at the bottom and not delve into hc's about them.
omg now i have to try and not forget anyone LOL. so we're gonna start at the beginning.
Starting with an obvious Alex Cabot x Olivia Benson:
these two had chemistry, they flirted, they had lingering looks and touches. They had some form of relationship over s2-5. They definitely slept together, and had a lot of conflicting emotions as they tried to figure things out. I'd like to think that they were dating and in the midst of talking about making things official/taking it to the next level right before Alex got shot. They had no choice but to end it to keep Alex safe and by the time she got back in s11, things were different, weird, Alex wasn't the same person she was before and wasn't in the same place. They do try and go on a couple of dates after Alex has settled, but it's more of a "lets get this friendship back on track" because woof the girls be *fighting*
Casey Novak x Elizabeth Donnelly
it wasn't what either of them expected, when Casey transfers into SVU Liz is her direct supervisor. It's not *wrong* but it's also a little on the shady side when it comes to breaking the rules. Which is exactly what pulls them together more. I think Liz sees a lot of herself when she was a baby prosecutor in Casey. She wants to protect her, esp after Alex has been "killed". This is proven by not once, but TWICE Liz steps down from the bench to defend Casey in court. They're fiery, it's a mentor/men-tee relationship that likely spurred into a sexual one somewhere along the way. It's also VERY likely that Liz helped Casey figure out her sexuality. Liz was married before, but is in the age range that gay marriage was wrong when she was growing up. Casey we know was brought up very catholic. So homegirl doesn't even know what's going on in he head, and after Charlie, she's not sure she wants to date a man again. Liz helps her figure that shit out, and likely guides her through a couple of sexual experiences and they kinda keep things going from there on. THEN in s9 we obviously see the absolute demise of their relationship. I still believe that Casey only returned to the DA's office after hearing that Liz retired. BUT, Liz had her called before the bar to SAVE her career and license (as McCoy earlier said he would yank her license if she fucked up again in Blinded)
It was supposed to be/actually was more casual with Liz, but because she was Casey's mentor, Casey valued her opinion of her a lot higher than she would have otherwise. Their emotional side of their relationship was very foggy and lines scrambled because of that kinda thing, if that makes sense?
Casey Novak x Melinda Warner
definitely dated. Melinda wants to protect her girl, they're bad ass crime fighter, break a few rules to do what's right. There are a few cases/episodes where you can tell they're definitely hanging out. I like to think that it had pretty good potential, but they just figured they'd be better off as friends. And again, casey disappears after her suspension.
Elizabeth Donnelly x Lena Petrovsky
you cannot tell me these two have not fucked
Chester Lake & Casey Novak
these two didn't have anything happen sexually, but he was definitely crushing on her (can't blame him) and i think she accepted that dinner offer, but made it clear it was on a platonic base only. I think these two had such intertwined arcs across s9 that they definitely hung out a few times after work and I like to think that Casey goes to visit him in prison every couple of months (at one point i had a fic idea about that but i can't remember details now. LOL. maye it will return to me)
Dean Porter x Olivia Benson
While i don't think they actually ever managed to fuck. I really think they had the best chemistry out of all the toxic dick choices that were available to her.
Dana Lewis x Olivia Benson
They fucked your honour. Even Calvin knows they have "this your girlfriend?" like.... cmon...
Alex Cabot x Casey Novak
the ever favourite and popular ship despite only having one episode together. Now, in the "real world" these two likely would have known each other prior to alex's death, they would've worked in the same building, same social circles, hell they would've been at school at the same time. They're technically sharing the da's office in s12/13. Which is the prime time for their relationship. Alex is back in NYC, she doesn't really know how to be herself, she's not sure if she can/wants to do the job that almost killed her. She's unsure of herself, on shaky legs persay. Casey's waiting out her suspension, unsure of what to do, and if it's worth it to keep fighting. They somehow run into each other and that's when it all starts. They're both lonely, a little lost, don't feel like themselves anymore kinda thing. They find solace in each other, comfort, a sense of belonging. This is one of my fave ships for Casey, because it truly does have amazing potential. They date, it's serious, likely living together. I think they stick it out when Alex goes to the congo, but when she leaves the da's office again to do vigilante shit, they break up. Not that Casey doesn't support her decisions, they just know they have to go their separate ways.
Rafael Barba x Rita Calhoun
obviously they go on this list. They are a divorced couple who were never married. Whether they dated in college, or shortly after being back in NYC, it happened. Hell maybe it did actually get serious and that's why they know each other *so* well. But they just don't quite fit together long term. Rita spoils too much, Barba finds it overwhelming. (however when things open up to poly, I think they could definitely work) They remain really good friends and I'd honeslty believe they have a "50 and still single" pact kinda thing and are known to still hit each other up for sex because they know it's good and there's no annoying legwork of having to pick up someone new.
Rita Calhoun x Olivia Benson
Now, these two were never going to be endgame and EVERYONE knows it. It was never even a relationship. A couple nights here and there when they were both stressed and needed a relief. It's very likely far before Noah comes along, and Rita is very upfront about her views on children. It's more that they're friends who Olivia enjoys doing different things with that like, Cassidy won't do with her
Rafael Barba x Sonny Carisi
in the world where things make sense, Rafael would have likely been mentoring Carisi through his final year at law school, letting him sit second chair or do more help on the law side of case work with him. One ep of that was stupid, it shouldve been way more. I like to think that somewhere in one of those late nights, a couple glasses of scotch, there's admittance of "you know i don't actually hate you" "oh i know, you tease out of admiration" kinda thing that leads to a little more. I can see them actually dating, but I can also see it just being casual, cause Sonny still has heart eyes for amanda the entire time. Whatever they have going on obviously drops off the face of the earth when Barba leaves.
Rita Calhoun x Amanda Rollins
now this one, is a handful of hook ups and nothing more. Amanda is too chaotic for Rita, their worlds also don't collide very well. Amanda's more likely to be found smoking in some dive bar and avoid the high end places that Rita likes. I like to think that this happens somewhere between Amanda x Nick, and early s17 when Amanda finds out she's pregnant. i DO also believe that Rita kinda keeps her under her wing a bit, encouraging her to cut off her family, let her know if she ever needs help with things (and of course amanda is too stubborn to ever ask for that) but in moments where like, kim has fucked her over, yet again. Amanda finds some anonymous donation and it's like, this unspoken thing between them because you also can't say no to Rita.
William Dodds x Olivia Benson
again, they fucked your honour. and even if there were never officially "dates" they would regularly use each other as plus ones to events that they had to go to for work.
Rafael Barba & Olivia Benson
it never happened, but i had to include it. It was a constant "will they wont they" likely even with money down on it from the squad. They deeply care for each other, love each other, but can never quite figure it out. They're also both so fucking stubborn and there are times when they both have sticks up their asses and hold grudges, neither ever willing to admit defeat or apologize and they know that wouldn't be a healthy relationship.
Rita Calhoun x Casey Novak
my beloved.
these two are a ship that i will die for. It's one of if not the most solid relationship Casey has ever had. They might be endgame. While there's a chance that they would have crossed paths earlier on, they don't really start to pay attention to each other until post suspension/alex leaving.
They might have a case against each other, Casey might be finding prosecution a little stale for herself now. She wants something more. She was so intertwined with alex before that now that she's off pursuing something more, she feels the need to do the same, even if it's within the legal world. Enter Rita, where she can learn about working defence, but not necessarily criminal defence, ya know?
They end up complimenting each other super well, it's the prime golden retriever x black cat, and the smol/tall vibes, which is always hilarious because casey has like, four inches on rita. So i see them in a long term serious relationship.
Kat Tamin x Pippa Cox
Pippa's nervous post hank bs, simply returning to NYC is hard enough, but she finds this solace in Kat. She wasn't around for the whole thing so she doesn't have the subconscious judgment that a lot of other people have. Kat's great with the kids, she's got lots of energy and she's absolutely going to *worship* pippa. Pippa's also likely going to wean her onto a healthier eating style cause Kat is known to crush two pizza's and a litre of pop for dinner kinda thing. Endgame material.
Peter Stone & Sonny Carisi
now, these two haven't directly hooked up. it's not Peter's style. BUT, they've definitely had a few threesomes together with another girl. there's no doubt in my mind.
Kat Tamin x Grace Muncy
these two have hooked up. kat is a daddy. grace is a brat. it just works. they were probably casual fuck buddies/fwb's for a while.
Grace Muncy & Tonie Churlish
they've either hooked up, dated, or mutually pined for each other up until Grace left. I'm in the midst of rewatching Grace's eps so I'll get back to you. lol
Joe Velasco x Grace Muncy
i'm not saying i ship it. I'm saying that these two have this teasing, bantery sibling ISH relationship, and they're likely each other's wingman's more often than not. BUT, there was probably at least one super drunk night that they don't really remember but they woke up together and basically never talk about it.
Samantha Maroun & Rita Calhoun
I can lowkey see a couple of dates here, but it ending up not leading any further than friends. They've both got really good style, Sam wears a lot of colour similar to rita, they probably shop together and i think they'd get along really well.
Honorable mention to Joe Velasco x Amanda Rollins
because if they had met any earlier? they would've hooked up. even just once. they had good chemistry when they did meet and I could see it happening, but she was obvi already with Carisi
I know I must be missing a couple. And there's probably characters I've forgotten about, or not included in this, or just don't have any thoughts about. Also not including any canon ones cause we all know the canon ones. There's also LOTS of other "omg they'd be best fucking friends" that i skipped over cause this was more relationship based. (like, casey, dodds, carisi, kat and grace all have chaotic golden retriever vibes)
Could potentially see Grace x Bobby(?) from OC being a thing, but i can't remember if he's got a gf/wife or not because I clearly don't pay attention when I watch that show lol.
Thank you so much for this ask bestie!! I hope this wasn't too much detail LOL.
Now I'm going to spend the rest of the night thinking about svu x greys anatomy crossovers and who would've slept with who and that is going to be a fucking large list and I'm already thinkin it's a daunting idea LOL.
#law and order svu#alex cabot#olivia benson#casey novak#elizabeth donnelly#melinda warner#kat tamin#pippa cox#grace muncy#joe velasco#tonie churlish#rita calhoun#sonny carisi#amanda rollins#rafael barba
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PROPAGANDA
SONIA HEDGEHOG (SONIC UNDERGROUND)
1.) She’s basically the only recurring female character in the show, she’s stereotyped as vain and petty in un unflattering manner, basically every male character except her brothers keeps hitting on her, she’s victim to the classic sonic 'every female character has full outfit while the boys just have gloves and shoes’ she’s frequently drawn with more realistic body proportions than the other hedgehogs to make her appear 'sexy’ even though she is canonically a minor (17 years old.) Half of the conflicts in episodes focused around her (which are few and far between) are about how she wants something and and won’t listen to reason, so she puts herself or the other characters in peril to get it. Her main voice actor is Sonic’s VA doing a weird voice, she’s intentionally written to be naggy and annoying to her brothers, and always cares more about her appearance than anyone else, which frequently gets her into danger.
ELEKTRA NATCHIOS (MARVEL COMICS)
1.) Elektra was created by the misogynist himself, Frank Miller, who would write female characters like garbage including her. Throughout her entire existence within a majority of Daredevil comics, Elektra has been treated as a character made to be a trophy for Matt Murdock. Daredevil writers love making her life revolve around Matt in a way that its framed as romantic when the reality of their relationship should be framed as a tragedy due to their conflicting ideals (and in my honest opinion, I think she should start hating him).
Frank Miller’s Man Without Fear completely butchers Elektra’s character by changing her character to this “crazy woman with voices in her head who loves to kill anyone and anything” completely shitting on the original backstory of her being a sheltered rich girl who was very kind and sweet until her father’s death that shattered her hopes and dreams, leading her to become vengeful and turn into an assassin who believes that all she’s good at is killing and that she can’t ever live a happy normal life.
[…]
And of course thanks to the mcu, that influenced current Daredevil writer Chip Zdarsky, who ruins her character EVEN MORE by trying to follow up on the MWF backstory AND make it align with the mcu version as well to this spy that was sent by the Hand to purposely seduce Matt just like how mcu Stick did in the show. Zdarsky writes Elektra in a way that ruins her character completely and makes her infantalize/belittle Matt by calling him naive and foolish despite in previous incarnations where she UNDERSTANDS why Matt wouldn’t follow in her footsteps and wouldn’t kill and WOULD NEVER TRY TO CONVINCE HIM OTHERWISE (and Zdarsky made her fetishize Matt’s blindness in a way in which she would never do if she was in character). Zdarsky made her stop her ways JUST FOR MATT and then writes Matt to constantly disrespect her and call her a murderer despite in previous iterations where he WOULDN’T DO THAT AND ALSO UNDERSTANDS WHY SHE’S LIKE THIS WITHOUT CHANGING HER. (Zdarsky wrote everyone OOC in his run but the most who suffered from it is def Matt and Elektra). Then Zdarsky made Elektra become Daredevil which yeah, the suit is cool, but the implications of it sucks as Daredevil is not an identity that anyone can pick up on like Spider-Man. Daredevil is explicitly an identity that Matt took up bc of the injustice his father received after his murder along with the desire to protect the victims of the justice system. Elektra is a foil to Matt so her uprising as Elektra wouldn’t align with becoming Daredevil. How he framed it was essentially on par of a woman taking up the husband’s last name but so much worse. Elektra as Daredevil doesn’t work because it completely erases her identity as Elektra and further pushes the idea that she only exists to serve as Matt’s trophy, as his pain, as his wife, as his tragedy, etc etc.
Not a single male Daredevil writer should ever LOOK at Elektra ever again until they know how to write her because she has been done so dirty and receives misogyny on EVERY SINGLE ASPECT OF HER EXISTENCE. There’s only been a few times where Elektra’s been done well and a lot of them had Matt be involved very little in it and it really makes you think.
2.) Both show and fandom perperativing the sexist and racist troupe of a dragon lady: overt sexual and physical aggression, untrustworthiness, and mysteriousness. The fandom is notorious for saying Elektra is toxic, instead of recognizes she’s an abuse victim working for her abuser. More often that not, all nuance is thrown out the window
(Comics and show) Killed for Matt’s(Daredevil’s) pain/fridged
3.) Constantly mischaracterized and used as a prop for Matt Murdock/Daredevil, especially in the case of his netflix series and his ongoing comics written by Chip Zdarksy (where she is so intensely out of character she’s almost unrecognizable, and in the case of the current Daredevil run parts of her origin story have even been heavily retconned to more closely resemble her Netflix counterpart which is. Oh my fucking god its infuriating.) But it’s an issue really like half the time she shows up in any given daredevil comic (im being generous)
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