#and that’s a whole different kind of complicated

[sublightdrive]

I say this a lot but I am constantly amazed at how the complex numbers aren't a convenient or useful extension that we stuck "on top" of real numbers, but rather it would be better to call real numbers a flat shadow cast by the more "real" structure of the complex numbers. Long example of what I mean by this under the break:

For an example of what I mean by this, we can consider the Taylor series expansion for the function

Now the whole idea of a Taylor series is kind of preposterous, this notion that certain functions can not only be approximated with an polynomial, but that if we allow that polynomial to have infinite terms that the two functions are actually the same function... so long as we stay inside a certain interval.

And it's that "inside a certain interval" that's the kicker, here. Because we're dealing with The Infinite, a tempestuous beast to wrangle on the best of days, and we have to be careful where and when we let it off the leash. The series expansion above is only true when you plug in x values between -1 and 1.

Inside that range, each additional term of the polynomial you calculate gets you values closer and closer to the original function. Pick an x value outside that range, and instead of each term getting you closer to the original function's value, they get you further away.

Which, okay sure. But why?

Well, if we take look at the very similar (but not quite the same) function

then that question has a more obvious answer. For this function, the series expansion diverges at 1 and -1... because the function itself does. Plugging in either -1 or 1 forces g(x) to divide by zero, exploding its output up to infinity. The series expansion does the same thing for a different reason, since when x is small, each subsequent term is getting smaller as you go down the polynomial, but if you pick a larger x-value the terms get bigger and bigger.

But what's the deal with our original function? It hasn't got any infinite spikes to speak of. If we plot it, it turns out to have a quite reasonable little graph that's nearly flat besides a pleasant little bump around x=0:

In fact, there's nothing notable at all about our points x=-1 and x=1. No asymptotes, weird wiggles, inflection points, nothing.

To see where the issue is, we need to step up into the complex plane. When we allow our choice of values to include imaginary components, then it becomes clear where the issue lies:

We have an asymptote (or, since we're in the complexes now, it would be more appropriate to call it a singularity) at x=i and x=-i. When we plot those points on the complex plane we get a hint toward what's going on:

The singularities at ±i define the radius of a circle that lines up perfectly with the range of divergence we originally saw that went from -1 to 1.

And as it turns out the range of values within which any function's series expansion works like it should depends entirely on how away we are from the nearest singularity on the complex plane, even when the original function was entirely real-valued.

When we look at functions purely as they behave over the real numbers, all we're seeing is the surface level behavior of a much greater and complicated structure, which exists in a more complete capacity in the complex realm. Under most circumstances that structure doesn't "interfere" with what we're trying to do, so it's not obvious that it's there. But it is always there, dictating the way real valued functions behave.

I picked up this specific example from Tristan Needham's Visual Complex Analysis, which really opened my eyes to how a lot of the (seemingly) arbitrary "rules" of complex analysis can be seen as the straightforward consequences of what he calls the "amplitwist". I highly recommend it to anyone who, like me, loves pictures and visual thinking to make sense of bigger ideas.

where are my maths enjoyers i need some maths positivity on the dash please

no hate allowed on this post btw go make your own post this is for maths enjoyers only

please tell me your favourite maths topic ill go first i love algebra :]

[ennn]

Hello :) I really enjoy reading your analysis on AAA!

What conversations do you think Agatha and Rio had between “because the truth is too awful “ and “what Billy wants is a violation”?

The shift between topics was so abrupt. What would they talk about to make Agatha want to make a deal to never see Rio again?

Hello Anon! Thank you for reading 💚 Okay so I think there's 2 parts to your question here, which is (a) why the change in topics between the conversation and (b) how it leads up to Agatha's deal.

Let's take a step back a bit. If we look at the first conversation, it already starts out about the Problem of Billy right?

And the whole Billy issue only exists in the context of what happened with Nicky. If Nicky had never been a thing, Agatha and Rio and their dynamic would be entirely different. Nicky was the breaking point of their relationship – a relationship with love and lust but also wrapped up in their opposing natures.

The conversation quickly escalates, shifting from Billy to their history and relationship. Rio, direct as ever, airs what must be a long-long-simmering grievance:

Rio: No one in history has had special treatment like you. Agatha: You call what you did "special treatment"? You gave me nothing. You took. Rio: And that's usually your move right.

Now the anger and frustration is starting to boil and Agatha tries to push past and get away from Rio – but Rio stops her and tries to deescalate this argument.

In other words – and to address your ask – the topic shifts because Rio is trying to have a conversation and not fight. Rio knows that Nicky is Agatha's deepest scar, and Agatha is a runner when she doesn't have control.

You can see Rio taking a second, watching Agatha, her tone softening as she asks the question:

Why do you let them believe those things about you, hm? About Nicky?

I think Rio tries to deescalate because she does need Agatha's help with the Billy situation: she can't kill him or reap his soul on her own. It's not a thing Rio is happy about or wants but she's got a job to do.

BUT in this show things are usually complicated: more than one thing can be true at the same time: I think Rio also cares about Agatha and wants to understand why.

After all it was Rio who told the group in episode 5 that Agatha killed her original coven because they tried killing her first. Agatha doesn't bother defending herself, if anything she plays up being this villain.

I mean, Rio loves this serial killer right. It's not the murder part of Agatha's reputation Rio cares about. Rio also has the unique insight of knowing exactly what happened to Nicky. This rumour that Agatha doesn't do anything to discourage seems to not only be an insult to Agatha but the memory of Nicky.

And then in a rare moment of vulnerability, Agatha decides to reveal her truth to Rio.

Because the truth is too awful

I read this moment as Rio trying to reach out and Agatha deciding to give an honest answer. Which again, is a precious rare thing coming from her.

I don’t think any transitional dialogue from this to the other conversation is really important, not as much as the emotional place this first conversation ends with, which allows for the second one about a potential collaboration to happen.

Also like, what do you say to something like that? Because wow there is a lot to unpack there.

Agatha’s implying that what Rio gave her and Nicky is worse than her sacrificing Nicky for power. That she isn’t trying to be cruel, she truly can’t see the gift of time Rio gave them. That she sees herself somehow responsible for what happened to Nicky. That she doesn’t just blame Rio, she blames herself.

If I had to plot out some kind of transition between these two conversations, I would do something like:

Let the silence after the admission drag on a bit. Rio looks concerned but doesn't say anything in the moment.

Agatha takes the opportunity to walk away. Rio doesn't stop her but follows. Agatha lets her.

After a moment of quiet walking, Agatha asks about when Rio knew about the Road hex and they compare notes for a bit (Rio probably throwing shade at the weird nature here). This time lets Agatha build up her walls again.

They sit down and talk about the point of the hex, which then nicely leads into their second conversation, starting with what Billy wants.

In their second conversation, what's interesting here how very reluctant Rio is about asking for Agatha's help. She knows Agatha and hates being in this position so much she doesn't even want to say it, letting Agatha piece together what she needs.

It must truly be a rare instance that Agatha has this kind of leverage over Rio, over Death.

Because Agatha reacts like a shark scenting blood in the water. She barely hides it.

This goes back to your question: Why does Agatha make such an deal that hurts Rio so badly?

My read is that Agatha basically reacts to this rush of power over Rio the same way she badly – almost instinctively – reacted to Alice presenting her with her magic:

She takes and takes and takes.

Because Rio's always been unstoppable but now Agatha can stop her. This is what's she's been hungering for.

That sense of helplessness she felt moments ago when she thought she had to let Billy go – like she let Nicky go – now turns to something with teeth.

You can see Agatha literally take a second to calculate the most cruel thing she can say to Rio to hurt her, to deny and reject her love.

Now that's the emotional side of things. On a more logical level, Agatha goes into scheming mode. This is like muscle memory for her at this point, she won't deny an opportunity to get ahead.

So she doesn't deny Rio's ask. She makes the price of her handing over Billy so awful to Rio it has maybe a chance of stopping her from her mission, or buying more time at least. For so much of her life Agatha has justified murder and lies and the worst behaviour with the need to survive and protect what's hers.

Once again: Calculated move, bad at math.

Because Rio accepts the deal. She's so wounded she doesn't even push back even a little. She reacts so badly to Agatha's rejection, to her taking advantage of this opportunity, that she gives into being the villain Agatha sees her as.

[signanothername]

What do u think of the trope where Blue/Swap joins the bad guy???

I have complicated feelings about it?

I love the trope in of itself, I think it would be a really interesting trope to explore

The problem tho? I never once saw it executed in a way that grabbed my attention or made me actually love the story it was used in

It immediately goes to the “asshole” Dream and Ink and “kind found family” Nightmare gang trope

Which again, if you don’t know, I hate the trope of Dream being somehow an asshole or somehow treating Swap as tho he’s less than him

Ink is a whole different story where the fandom simply villainize him just cause he’s soulless

And the kind found family Nightmare gang is a trope I love, but just like the trope of Blue joining the Nightmare gang, it’s poorly executed most of the time (and I mean, how can you call it a “Blue joins the bad guys” when the “bad guys” are shown to be good guys????)

Like, I opened so many different fics only to be hit with the same execution of this trope over and over, eventually just losing interest bxhxhdhdh

The idea of Swap not being able to “keep up” with Ink and Dream or is somehow neglecting himself to take care of Dream just doesn’t really intrigue me (or even make sense to me)

Like don’t get me me wrong, I’m an absolute sucker for the “Swap is literally the only anchor Dream has left in his life otherwise he’d fucking break down” but I dare say Swap is more than capable of handling it without it weighing him down to a significant degree

This is Swap for god’s sake, he’s literally Papyrus’ personality but in a Sans body, if anything, he’s the one who has his shit together the most and is able to go on with a genuine happy and determined smile on his face, no matter the shit that happens to him, it would make a lot more sense for Dream to be the one to try and catch up with Swap than the other way around

I get that the trope tries to show the limitations of Swap as a mortal compared to Dream and Ink who are both pretty much immortal, but what people tend to do is that they completely twist Swap to be absolutely pathetic just for this trope to work

Which *shakes the fandom* I promise you don’t have to completely change a character up to make a trope work

Like I saw stories that made Blue to be somehow a weak depressed anxious guy trying so hard and is failing and whatnot and I question myself whether that’s even Swap anymore hchcchcjvj

I think the problem I usually see when people try and write different tropes for different characters, is that they try to make the trope make sense, and so they twist the character around to fit around the trope

Which, imho, is ineffective, you should understand the character, and then think of how the character would deal with a certain situation and how that leads to the trope you’re trying to write, one step at a time without having to ignore/erase important personality traits of the character

Of course, that doesn’t mean the trope you’re trying to write can’t fundamentally change the perception, personality, or behavior of a character, but you have to show how it affects the character to such a fundamental degree, show how can the character be heavily influenced and affected in a way that makes sense for said character

For example, I’ve seen people write Swap neglecting to eat cause he’s trying to “keep up” or sometimes Dream and Ink don’t give him the chance to cause they pressure him to go on another mission or push him too hard

Here are some problems I see with this:

- why is the Nightmare gang even somehow attacking every single day? Have they got nothing better to do? Especially with the fact they’re a found family now?

- why is Dream and Ink going out for “missions” every day if the Nightmares aren’t attacking, like damn what are they even doing?? What are these “important missions”?? Since when was Ink so obsessed with “missions”?

- Swap would absolutely not let that shit stand, if anything, he’d be very vocal about it and tell Dream and Ink to sit down and eat his great delicious tacos (Swap’s voice always has power behind it, and his actions are a direct reflection of his beliefs not what others push him to do)

- Ink has a home in the doodlesphere, he wouldn’t even be around enough to push Blue, while Swap has an AU and a brother, there is pretty much no way he’d be with Dream and Ink 24/7, and if he was somehow, you think Swap Paps would let it slide? And even if we go with the idea of Swap not being part of an AU anymore, you think Swap himself would neglect himself just to please others even when it doesn’t align with his own beliefs?

And those are only few of the top of my head, I’m pretty sure if I sat down and thought about this for a few hours, I’d be able to write you a whole other set of problems

Not saying you can never write Swap neglecting to eat, you absolutely can, it’s just needs to make sense for Swap as a character, what would it take for Swap to start neglecting his health? It’s not others pressuring him or pushing him I can tell you that much

So yeah, good trope, not so good execution (for me at least)

I guess I’m way too focused on the logic of it to truly enjoy it for what it is, but then again I always love to complicate things way more than I need to

Not every trope or story has to make sense completely, but I guess seeing Swap be completely made into a pathetic mess with no actual grounds to support it beyond “he’s mortal and his friends aren’t“ just ruins it for me dhdhhdhd

[1lovslut]

my best friend (we’ll call her d) is like always always always making these jokes about me being part of her and her husbands marriage and like. yeah it’s funny and kinda true. i go on vacation with them sometimes i sleep in bed with them when i stay over and like it’s all super fucking normal right cause like that’s exactly how me and her have always been it’s never been like weird at all. even with her ex boyfriends we’ve just always been exactly this way so it’s just fucking normal for us and her husband has just always been super chill with it and i was like solid you can stay ANYWAYS we all went out last night and i spent the night at their house and d kept making all these little throuple jokes right we like took pictures together in the photobooth with all 3 of us and just ya know normal stuff. except d’s husband never like actively takes part in the jokes d makes. just laughs along with me about it. EXCEPT THIS PARTICULAR NIGHT. he was making all these lil jokes along with d. and i’m still just giggling along cause it’s funny and silly and so fucking comfortable. and then this morning we all wake up and d is helping get their daughter ready for school and her husband asks me if i want a coffee and i was like yes please and he made me a coffee and still all VERY NORMAL STUFF FOR US and it’s so nice to have this comfort and familiarity with people okay i adore these humans so much it makes my heart soft and warm so then we’re sitting on the couch together me and d and her husband just talking and i’m sat between the two of them and d is playing with my hair and her husband has his thigh pressed against mine and it’s so NICE. and he says “so i kind of really want to do this. like for real.” and i’m like ??? what are you talking about my dude and he’s like i want to date you for real i wanna know you in that way AND IM JUST LIKE GUYS WHAT IS HAPPENING and d is like luca we’ve basically been dating for the last 10 years let’s just do it officially AND I JUST DIDNT SAY NO AND WASNT LIKE IMMEDIATELY PUT OFF BY THE IDEA OF DATING THEM ??? but it could get so messy and i don’t want messy i don’t like messy messy would ruin this nice little comfortable place i made with them and i don’t want that don’t mind i’m just having a meltdown and i can’t talk to my best friend about this cause like ?????? SO IM JUST RAMBLING but like d know everything about me EVERYTHING but he doesn’t and he was just asking me questions and seemed so genuinely interested in knowing and that’s just so nice and we all went shopping and i walked off and tried on a jacket and he saw me trying it on and i checked the price and put it back lmao and walked back to them and he was like did you want to get that? and i was like nahhhh it’s expensive and he’s like are you sure ? it looks really good on you AND LIKE THATS SO NICE IDK IDK IDK IVE BEEN SO SAD LATELY AND EVERYONE SEEMS SO DISINTERESTED IN ME AND ITS SO NICE TO HAVE SOMEONE WANT TO KNOW ME BETTER IDK IGNORE ME IM REALLY HIGH AND HAVING A MOMENT

[technically-human]

can you draw Edwin doodling embarrassing shit like ‘Edwin Rowland’ or a little doodle of Charles’s face with hearts around it then Charles comes up behind him like what are you doing?

He had some very specific embarrassing doodles in mind

ko-fi

[gingermintpepper]

Day 3: Asclepius

Interpretation notes and trivia under the cut!!

Woo boy, this guy was another difficult character to settle on both a design and an interpretation for! Asclepius tends to have two big schools of thought for his tale, either he's the tragic doctor who resorted to illicit methods in order to save his patients or he's a strict scientist who was so skilled at his art that his resuscitations were called magic but were just science. I don't actually mind either interpretation, but due to the way I personally see Coronis and the way I chose to interpret Asclepius' birth story, I chose to focus on a different facet of Asclepius; Asclepius the family man. The theme of geneology and the inheritance of 'curses' through blood and birth is one that permeates this work and Asclepius, in a lot of ways, has not only inherited both his mother and father's banes but his actions and talents create new ones for his children. Throughout this, and all the many messy crimes Asclepius will commit in the name of what he thinks is necessary and right, he will willfully ignore the warning signs staring him dead in his face screaming that he will leave the burden of his work to his children and it will be easy. After all, Asclepius has made a career out of ignoring his own father's warnings and cautions, what are a few more red flags to ignore?

Less of a character note and more of a personal thing, but for a very long time I used his teenaged design when sketching out scenes and ideas but after tidying up my timeline, I realised that he would be an older man throughout the events of the story!! Since he's properly mortal, he would have to look his age and while that was slightly intimidating since I've not drawn many older characters, it also made me very excited since characters in the 40+ age range are rarely protagonists of these sorts of adventure/fantasy stories and working in the physical differences between him and his brothers was extremely fun!

Some fun trivia:

Youngest of Apollo's children currently alive and kicking. Maybe it was because Apollo so intensely regretted the way he dealt with Coronis but he doted endlessly on Asclepius and essentially personally oversaw his education and training. Because of this, Asclepius, without a doubt, is the child with the best relationship with Apollo between the brothers and believes unfalteringly in his father even if they have many practical and philosophical differences.

Has a bit of a sixth sense when it comes to necromancy and communing with the dead and spirits beneath the earth. Because he was rescued from the torch of death when he was babe, he has retained a connection with the chthonic. While he cannot exactly see figures like Thanatos or Hermes, he can certainly sense when they are afoot. Is very aware that Thanatos cannot stand him and expects to be taken by Ker when he does finally die.

Always keeps gold coins on him on the off chance he is spontaneously struck down while doing research or healing some previously unhealable disease. His father, upon realising that his warnings would be thoroughly ignored, pleaded for him to do at least that since after Asclepius is dead, Apollo would be unable to intercede for him.

Happily married and has four children! His eldest Machaon chose to follow his footsteps and became a gifted surgeon in his own right while his second eldest Iaso chose to follow her mother's footsteps and become more of a nurse than a doctor. He's endlessly proud of all of his children and hopes his research makes the world a better place for them.

Was recognised by Apollo at 15 and became Doctor Laureate at 17. Lost said laurels at 22 after he revived his second corpse from the dead and since then has been on a strict probation when practicing his medicine. Has a mark on his left wrist that will fill itself out if he commits such an atrocity again and then he will be marked for death and supposedly tormented until he forfeits his soul.

On very good terms with Orpheus and the two often work together and catch up when they happen to meet up while travelling. Never knew Eurydice but he gets the feeling that he would've really liked her.

Despite being a son of Apollo, has absolutely zero musical talent and cannot dance. He can't maintain his hair either and would've cut it multiple times over if Apollo himself didn't stop him and chastise him for even thinking about such a thing. Epione does his hair. The little braids in his beard are courtesy of the twins Hygiea and Panacea who enjoy putting little braids in anything they can get their hands on.

Doesn't resemble his father or his mother actually! The relative he resembles most is his paternal grandfather Zeus, a fact that gives his wife endless grief because his hair is thick but not curly, a trait she covets. Asclepius having thick body and facial hair was also very awkward considering Apollo is incapable of growing body hair and, for a while, his lack of curls and cascade of body hair when Asclepius started puberty made Apollo doubt whether Asclepius was truly his or if he had saved Ischys' child instead.

Has zero self preservation and will hunt monsters and creatures for their blood, teeth, claws and hides for his medicines. Like his father, he has a personal 'wall of horrors' where he stores everything from gorgon blood to pegasus feathers to hydra venom. Sometimes gods in the guise of men will simply give him precious materials because they know Asclepius is the one who will take their unsolveable cases in the face of disaster. It is a very risky exchange and has only barely skirted by Zeus' notice because actual money hasn't been exchanged (yet).

Preferred weapon is the scalpel and doesn't like fighting humans. Has a fire-retardant mantle made from chimera skin Apollo gave him when he was a child that doubles as a very good shield in a pinch.

Favourite colour is withy purple and his favourite food is goat butter spread on bread and topped with celery, tomatoes and olive oil. Has a lot of snake themed jewellry that he's passed on to his son because he thinks they're too gaudy for his old self to be wearing.

[smimon]

Giant K series #14: you can always count on Jesse 🧡

Okay this episode is a bit different so the text part goes in the beginning! Fair warning that this story is not comedic but very emotional, however with a hopeful conclusion 😊

Change of tone! Today we cry 🤧

[askblueandviolet]

Do you think you be Mayor could’ve been better friends (orsomethingmore) under different circumstances?

MASTER POST

Asks Start 💜🩷

Previous 💜🩷

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[ceiling-karasu]

World Building continued: Backstory for the wars involving Flower Hill, Teikoku, and Usuhan Jiyeog, and subsequent occupations.

Apologies in advance for this being so long. I wanted to know how widespread Japanese weasels are in real life, and found something interesting I could use.

Japanese weasels originate from three areas of Japan, that being Honshu, Kyushu, and Shikoku.

Coincidentally, Japan famously has three Ceremonial Regalia in the form of a sword, magatama beads, and a mirror. These items are not seen by anyone other than the royal family and certain priests (images on the internet are recreations of what they could possibly look like, and those seen in public are symbolic stand-ins), but they symbolize the authority of the royal family.

Which allows me to make a backstory for my AU to help explain the wars and occupations, very loosely based off of events and locations in history, especially since animal biology limits certain events from happening.

In the past, there was an Emperor, who preferred for Teikoku to be in isolation. Under his rule, and of those before him, are smaller prefectures run by princes, lords, or other lessor royal families.

Contact with the United States Alliance and other nations led to a period of aggression and imperialism surrounding the empire of Teikoku, as they strove to fight against a stagnating economy that believed in its own superiority in the world, as well as a strict caste system preventing innovation.

Eventually, after some time, three princes are sent out to conquer the final few neighboring islands, so that may join the empire, and provide a larger force for when they make a move for the peninsula and the mainland.

The three princes are named after their prefectures, and the Emperor has given them each one of the Imperial Regalia as proof of their superiority.

The Sword

Honshu is the main island of Japan, and is also known as the dragonfly island. Teikoku will call it Tonbo, which refers to dragonflies, which are fierce and deadly creatures. As such, their Imperial Regalia is the sword, Yūki no ken (the sword of valor), and is based off of Kusanagi-no-Tsurugi (Grass-Cutter). Tonbo is the main physical fighting force of Teikoku.

The Magatama Jewels

Kyushu is smaller than Honshu, but it had a lot of trade circuits around the ocean and the mountains. So I will make a prefecture named Kairo (Circuit), and have the area be responsible for trade and roads around the empire, as well as in the fighting forces. I would use the famous Magatama jewels (Benevolence) to symbolize their rule.

The Mirror

Shikoku means four provinces, and is the least populated area of the three areas. Shikoku also has a lot of temples (perhaps run by green pheasants, the national symbol of Japan), which draws in a lot of pilgrims. But they also maintain a lot of gateways to other prefectures. So maybe Genkan for entryway. They are responsible for planning and strategizing for the other two. They can have the Michi no kagami, mirror of the path to represent wisdom/truth, based on the Yata no Kagami.

VERY loosely taking inspiration from The Tale of the Heike, a collection of Japanese epic poetry with many translations and retelling (actually written down 200 years after said events supposedly happened), which says that the royal families that held these Regalia were defeated in a naval battle, and threw themselves and the treasures into the sea. Subsequent legends suggest that many search and diving parties have been led to recover the Regalia.

In my AU, I hold that the items were thrown into the sea, with the princes believing that they could return for them later even if they were captured, although they managed to escape. It was a complete disgrace for the Emperor, as without the Ceremonial Regalia, the legitimacy of the entire palace was thrown into question.

And then the box holding the Magatama washed up on the shores of the peninsula.

It is returned as a gesture of good will, but as no good deed goes unpunished, Teikoku believes that they must have taken the other Imperial Regalia for themselves, starting a land invasion. The small army is annihilated by farmers, fresh out of overthrowing their own monarchy, wielding guns, which Teikoku has never seen before.

Which results in a larger army being sent, which is also defeated and the princes captured and possibly executed by the hedgehog army in the north of the country. At this point, without the authority of the Ceremonial Regalia, and increasing economical desperation, the country is forced to undergo a reformation. While there is still an Emperor, he does not hold as much political power as he once did.

Teikoku left behind settlements of soldiers and colonists controlling the southern portion of the peninsula, which they name Usuhan Jiyeog, who take up ruler-ship and fish farming.

The hedgehogs use the proof of their power in defending their areas to take control of what they would name Flower Hill.

It is a strongly held belief that before they backed away from Usuhan Jiyeog, the Emperor promised that anyone who managed to retrieve the Ceremonial Regalia from Flower Hill would be reinstated as the next emperor, and be rewarded with power beyond their wildest dreams.

Did the other two, heavier, items, even wash up on the shores of the peninsula like the jewels, locked in an airtight box? Or did they sink to the bottom, as they were heavier? Who is to say...

But alongside the greed, desperation for power, and food production issues, the temptation of finding the supposedly stolen Imperial Regalia locked away in some distant stronghold is a good enough reason as any to attempt to occupy Flower Hill.

Now, I'm not about to retcon what I have already written and say that Commander Jogjebi wanted the sword and mirror, and Huinjogjebi is a weasel of science who would likely not be interested anyway. But claiming that Flower Hill stole precious items and symbols of their country in the past, and them not being able to disprove it, is enough of an excuse to make quite a few countries in the international courts turn a blind eye to the happenings surrounding Flower Hill.

Oil Production

I did figure out the oil and gas situation. I did go ahead and give the Jindo Empire a large amount of oil. The Venezuela country below the United States Alliance is now the República de Cultivos Oleaginosos, and is trying to prevent the wolves' country from occupying their regions.

Meanwhile, the vast majority of the world's oil in my AU is being produced in this country.

While it used to be many different nations in the past, the leaders understood that their vast oil and gas reserves would result in large scale invasions, and agreed to band together into the Equatorial Allegiance.

[officially-other]

Today I just realized something and the irony of it is not lost on me. I am an aquatic dragon. In this lifetime, though, I just so happen to also be chronically dehydrated.

I hate it here /j

[commsroom]

the way pryce degenders hera as a form of control feels even worse because there are a few occasions where she doesn't. "make it so she can't say her favorite word or give her a new recurring nightmare" and "trying to be the most adorable girl at the county fair"... it's reflective of pryce's general attitude towards others (less that she doesn't recognize their autonomy and more that she enjoys taking that autonomy away), and the particularly vulnerable position hera is in with even the most fundamental aspects of her identity, but it's also. just such a trans experience of womanhood. that even the people who want most to deny her any respect or recognition as a woman will still sometimes implicitly think of her that way and deride her within that context.

[coolfoxykitkat]

Not me casually sending my mom articles on QPRs to prime her for explaining the I am in fact marrying my best friend platonically and no it has not been a joke

[mechahero]

@viopolis asked- Character Setting! ( do tell! ) send me “character setting!” to learn about my muse’s home! (accepting!)

There's a certain section in Motor City where that street in particular is a permanent farmer's market. Trinkets, jewelry, clothes, food, just about anything you can imagine and most of it is going to be found in that part of the city. You're not going to be able to walk down that street without seeing something different at every single shop.

Newcomers to the city though may be a bit confused when it comes to getting something they'd like though. Items aren't purchased with money but instead, they're bartered for (or you can simply ask if you can have it, most people are willing to give up an item when asked politely enough) either with an item the seller might like or offering to do a task for that person. Time is just as a valuable after all.

[mainfaggot]

just watched challengers at the cinema w my little sister. it was so intense wtf

[running-in-the-dark]

I think tomorrow I'm gonna make a countdown of how many days are left until we'll move into our apartment

I feel like a whiny child except I'm not even missing my parents or anything like that, no I'm just missing my things and the environment I'm used to and being a able to walk around without being (quite this) anxious (I'm always anxious about that but it's much worse here)

(and it's really mostly my things. all my things in their place where they belong, the way it should be, everything right where I put it)

I just want to leave. I hate being here (at my husband's parents' house). I hate it. already had my first bad interaction with my mother-in-law today and. I can't handle it.

I don't tolerate being told what to do well (like. about things that are my own business. in this case it was about a health issue). I didn't even let my own mother do that when I was a literal child - but at least I could get mad at her. now with my mother-in-law? I just have to smile and nod and feel like I'm dying until she finally leaves.

[waywardsalt]

Linebeck is the Maui to Link's Moana. Or more accurately the Peter B Parker to Link's Miles Morales. He could have the most interesting and heroic past, but he has the vibes of Just Some Guy. I'd kill for a game set after Phantom Hourglass (but before Spirit Tracks) where we learn more about Linebeck's history, and how it plays into his newfound parental relationship with Link

Linebeck being more or less Just Some Guy compared to Link being this weirdly competent pre-teen is a fun part of their dynamic a lot of the time. There is a lot of time between PH and ST and that obviously is an opportunity for more storytelling between those characters, plus considering that we have very limited information on Linebeck's history or... anything, exploring him further is always a lot of fun, and could make for an interesting subject for anything before or after PH (or during), and further going into his relationship and dynamic with Link has a lot of potential for... a lot of different stuff!