#and that this is just fiction

[braxiatel]

I honestly and truly believe all good AUs should be a little “”””ooc”””” in the sense that good characterisation involves understanding that changes a characters backstory and circumstances will have an effect on how they respond to the world around them

Good characterisation isn’t about creating a perfect 1:1 canon replica it’s about understanding why a character is different in your work and about grounding the changes you do deliberately choose to make in canon character traits

[beepboopappreciation]

Is this anything

[talonsin]

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[let-them-fight]

can we stop doing this trope

[writersshitpost]

[sillystringpony]

THE AUTISM SISTERS!!!!!!!!

no text ver below :3

interactions hugely appreciated <333333

MY KO-FI <3

[blackkatdraws2]

[⚠️The Amazing Digital Circus SPOILERS] This episode was interesting!

[makenna-made-this]

Okkkkkk so where is Chicken Miku?

Anon the way i dropped everything when i saw this

HATSUNE BEAK-U

(based on the Onagadori chicken breed)

[lotus-pear]

soukoku as one of my dearest renaissance paintings

[souldagger]

fun discovery from today's internet rabbit hole:

the first lesbian magazine published in the US, Vice Versa (1947-48), was entirely hand-typed by one Edythe Eyde (better known by her pen name Lisa Ben - yes, that IS an anagram for lesbian). she worked as a secretary with a ton of spare time on her hands, and her boss would tell her he didn't care what she was doing so long as she "looked busy"... so she decided to use her free time to type out copies of a home-made periodical for lesbians, writing most of the content - editorials, book/film reviews, poetry, short stories, and more - herself!

overall, the magazine ran for 9 issues, 16 hand-typed copies of which lisa would mail to friends (well, until one of them advised her she could be arrested for sending "obscene" materials) and distribute at lesbian bars :)

[am3ya]

the issue with shipping aro/ace characters isn't putting them into relationships, it's the fact that no one adds how their sexuality impacts the relationship at large. And how it'll always be different from your average romantic relationship in some way.

[otp-more-like-killmeplease]

When will my love return from war

[collgeruledzebra]

the thing about trying to recommend fiction podcasts to someone who isn't familiar with them is that not only are so so many genres represented but also the level of production can fall anywhere from "basically an audiobook" to "major motion picture minus the pictures"

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.