#and someone took issue with that

[miraculous-ninjabird]

TLDR for my rant: it’s perfectly okay to admit you are bad at something, say something YOU made looks bad, and/or talk about the ways something you made didn’t live up to your expectations as long as someone does not internalize the message that because they are bad at something or did something bad doesn’t mean that they themselves are a bad person.

Desperately trying to explain to my therapist the difference between ‘I’m a terrible artists’ (self-derogatory and self-defeating) and ‘I’m a terrible artists (I fully acknowledge that I could be better at this skill given time and effort and that all art has value to someone. However. I am specifically choosing not to hone this skill due to a number of reasons and will never consider myself an ‘artist’. Thus, my art will never get better and I am okay with this)

And how I fall solidly into the latter category and how frustrating it is that it’s never seen that way. I say ‘I’m not an artist lol’ or ‘look at my terrible little drawing!” <-worst drawing you’ve ever seen but that’s okay. It’s always, always met by ‘don’t say that! Everybody is an artist!’ And ‘don’t talk bad about yourself and the things you create :(‘ like.

NO!

Some people do desperately need to hear and internalize those messages but I’m not one of them! My art is terrible! That’s the point! I’m never going to be good at it because I’ll never care to but damn if I’m not having the greatest time ever creating terrible art!

I don’t love the online implication (and real world implication when I tried to take art classes) that being okay with the fact I am bad at something is…a bad thing. A simple fact of life is that everyone is bad at something and it’s okay to both admit and be okay with that fact.

Tangentially related but it’s also okay to admit that when you are new at a skill…you’re probably gonna be bad at it. Like. Someone who’s still learning is gonna have some terrible first efforts and that’s the point. It gives you a growth point.

Example: I made a bag. I decided to add a zipper. It did not go as planned and the end result is in fact rather terrible. Simply a fact. However! I put a zipper! In a bag!! And maybe it does look horrible but that is something I’ve never done before and I did it all by myself and I can simultaneously admit it looks awful but be proud of the fact that I figured it out.

Like art I could be content with the success of finishing the project, but I can also use this as a launching point to get better. What I choose to do is up to me and I don’t appreciate people trying to tell me that I’m not allowed to call an objectively terrible finished project as such.

You cannot and will not ever get better at a skill if you are unwilling to accept that you will be bad at it. It makes that learning that acceptance all the harder when people are taught that they shouldn’t ever say bad things about what they make.

Rather than teaching the message ‘nothing anyone makes could possibly be bad in any way (skill wise)’ we would promote acceptance of ‘this is bad and that’s okay’

Thank you for coming to my TedTalk about ‘not every negative self-comment about something someone is self-deprecating’

[buntanteen]

cockwarming dilf!mingyu thoughts (nsfw)

summary: thoughts on reader cockwarming dilf!kim mingyu :3

contains: 18+ nsfw! mdni!!

✩ svt writing & fic rec masterlist ✩

thinking about cock warming and slow fucking dilf!mingyu

after closing the bedroom door behind him, mingyu turns to meet your gaze. the moment the two of you make eye contact, you both gravitate towards each other. the slow movements of feeling up his chest turn into rapid ones trying to undress each other.

walking backwards to mingyu bed, falling into the white sheets with him hovering about you. grazing open mouthed kisses and licks across each other's necks. nosing against each other’s skin as he slips into you. feeling so so so full as you grind down onto his pretty cock.

slow movements of mingyu's hips hitting every spot making you in absolute bliss. the pace slowing down to barely slow fucking. heavy breaths, quiet moans and slips of whimpers filling the room.

trying to keep quiet so none of his kids hear the two of you. mingyu having his arms wrapped around you and his head laying on top of your chest. you have one hand trailing down the curve of his broad back. the other hand is carding your fingers through his hair to move it away from his sweaty forehead.

the summer evening breeze cooling down your flushed skin. the sunset view illuminating his honey skin. the warmth of your and mingyu's bodies lulling the two of you to sleep.

ames note: my other mingoo writing -> bestie fwb!mingyu headcanons

author note: do not distribute my work on other platforms without my consent. if you see my writing in places other than this tumblr account, please let me know. my writings are purely fictional fantasises for fun. the people i write about are real human beings and should still be treated as such. please do not take my writings seriously or as truth.

[fawnnbinary]

finally,,, East Blue Polycule Smooches,,,,,,

[hemlock-dreams]

I love MJ. Peter must have really been devastated by her being affected when he was outed as Spider-Man. I have a few questions! You mentioned in the original universe she had a relapse — was it just the same universe changes that made Peter a criminal that caused there to be an MJ that was an addict? Would the venom have caused her to die in a while like most people, or no because Peter became her supplier and had presumably good control? Wouldn’t she have known the reasons he had hesitated to kiss long eventually, since he had to tell her everything to help with the venom thing? And does his venom just… come out automatically after a bit with anything, or is it possible for him to have situations where it’s not involved at all for a time? I’m sure he misses her and usually MJ and Peter are friends before they get together in many canons, so I’m really happy that he’s able to be her friend in the new universe and didn’t lose her entirely 🥺 even if he basically had to reform the relationship from scratch. (Also if Peter and Marko were such good friends, why was he willing to put him and his loved ones in danger by telling everyone?) all of this is very cool and fun ty for sharing.

So OG-MJ was an addict before she ever knew Peter(and before everything with the knock off venom.) She had been sober for two years at that point, and continued to stay sober for a few years after she and Peter officially got together.

However, Peter was always gone, flaking on all their special dates/anniversaries etc. He'd make plans and then never show up, or cancel at the last minute. And despite being super affectionate with his words, was always really physically distant. All of this left MJ feeling really alone and angry, as she was dealing with her own abandonment issues (foster care).

Eventually, everything was just a perfect storm of frustration (struggling with her boss, Peter flaking on another date, a new job opportunity not coming through) that she ended up reconnecting with some old friends who convinced her to try 'this sick new upper'.

The issue with manufactured venom (gonna call it Aurora) is that in it's impurity, it had extremely degenerative effects at lower doses. Peter's venom, while just as bad, was 'cleaner'. He can secrete it at will, but his body starts automatically pumping it when he gets excited (not to mention his fangs do not retract!!!) (They are very sharp!!!)

As for Marko, he'd been Sandman for a while before he revealed Spiderman's identity. Not only was he mentally very unstable, but he'd been very bitter over Peter going 'straight'. They were supposed to be ride or die, but Peter kept drifting away and eventually cut ties with him when it was obvious that Marko was never going to leave the lifestyle.

Then one day, during a fight with Spiderman Marko just...recognized the body language, the words, just...something clicked, then broke. Because not only did Peter leave Marko, the guy who had his back all those years in prison, his supposed 'ride or die' was also fucking Spiderman. The guy who had been actively fucking up Marko's life for years. The enemy.

Payback was an easy decision for a guy who held tight to grudges.

And for the kicker, he didn't even sell the information, just gave it to JJ for free-- that's how much he wanted to hurt Peter. Later, he would really regret it, but it would be too late at that point.

After Marko threw Peter's life into the fire, he and MJ had a blowout fight. At the height of it, MJ told Peter to 'prove he loved her' and used her own addiction as a way to control his time and attention after being starved for so long (kind of holding herself hostage).

Yeah...it all kind of went to real shit after Lmaoo

Once again, thank you SO much for the support and all these amazing asks!! <3 <3

[wigglebox]

Destiel Pride - Day 14; Transition

[mewguca]

POTS is acting up again so I project on my fave to cope once again

(it's my fault for not taking care of my health properly but hyperventilating because I decided to Stand Up And Walk is still rather annoying and unpleasant)

[project-sekai-facts]

Do you think An's mourning went too quick?

if we consider the amount of time between lutf and oyf (a few days), then maybe. first off, you gotta consider genre and storytelling here. vbs is very shounen-like, not that i really know anything about manga but they're basically always working towards the goal, most conflicts are resolved within the event, maybe with some things lingering afterwards but the main conflict (for lutf it was obviously the truth around nagi's death) is always mostly/completely resolved.

also in terms of event pacing, the next event had to be their arc ender (both lutf and oyf are very clearly rushed but the 2nd arc enders are an issue with like 2 other units as well so this is not a vbs exclusive problem). they didn't have the time to stretch out an's grief to more events, plus there was already the in-universe issue of taiga leaving for the US like 3 days after lutf. and yes, an did have let's study hard, but that was always going to be 1-A focused since they didn't have an event yet and needed it before there was no more 1-A.

however, there are multiple card stories and area conversations that show an grieving, and we get to see this in events like break down the wall and the ending of over rad squad to some degree. obviously less intense since time has passed, but there's still an obvious impression that she's mourning nagi. also this.

and as i said earlier, maybe. people grieve differently and for different amounts of time. people will also show it differently. a few days is a bit quick, but again you can put that down to the storytelling. in this kind of game that needs to tell its story quickly you don't have that kind of time. for the type of person an is and the age she is at, i think it was handled quite realistically. i do think it was rushed, but i don't think An would spend a very long time in a state of mourning. also lutf plays with the idea that she kind of already knew. she didn't know nagi was actually dead so she couldn't experience it fully, but there was always that slight sense of anger and denial at nagi having left without saying goodbye and never once talking to her for years. she was already grieving nagi, she just never once seriously thought about the situation.

[missingn000]

hey all, i wrote a fic about the complex father-daughter dynamic between doflamingo & baby 5 from crocodile's outsider pov! i’d really love if you gave it a read. thanks so much!

link

happy reading!!

[yappacadaver]

Crazy wild shit man

[fiona-fififi]

Since I'm digging myself a hole tonight, I kind of actively hate the "But I am ready for something, and I think maybe that something could be with you."

Like, my first instinct was that it was sweet and that Buck was taking back a little bit of agency there and asking for what he wanted.

But I don't know. In so many ways, it also actually feels like it feeds into a very unhealthy pattern for Buck.

I mean, I might just be projecting because I cannot imagine ever being so infatuated with someone that I'd be like "I want to try a relationship with you" after only knowing them for 30 seconds and being left on the curb after a failed first date, but I digress.

But just. I don't know. This feels like such a pattern for Buck. Have someone express interest, only to then be rejected (Abby, Taylor, Natalia, now Tommy) and then chase them that much harder.

Like, Buck. Darling. PLEASE. Your value is not defined by the people for whom you have to prove your worth.

And I don't even mean this as anything directly against these partners. But Buck gets so caught up in forcing a relationship that he speedruns things without actually giving anyone (including himself) any space to grow into it, and it just feels kind of devastating that that's still where he is with himself.

[good-beanswrites]

john x fuuta ?👉👈 or 090309

I love the dynamic between them all, thank you for the request! I went with an earlier meeting for them (well, one of the first times Fuuta's aware of speaking with John, at least). As much as I joke about Fuuta being starstruck by his strength in the attack, I tried to take a more serious route for the "something to rely on" vibe.

John’s eyes flicked over Fuuta, sprawled out on his bedding and looking up expectantly.

“Man, you look like shit.”

Fuuta scowled deeper. “I asked for the reason you’re here in the middle of the fucking night, not your opinion.”

“That is the reason I came.”

Somehow, amid all the other things he had to worry about given the horror of the past few days and exile that followed, Mikoto had still found the time to lose sleep over Fuuta’s condition. John had always liked the guy, but he wasn’t in the business of watching over people he didn’t truly care about. He didn’t know what Mikoto saw in him to cause such an overreaction.

Though, with the futon dragged to the bars of the cell, and bathing him in the dim light of the guard’s tower, it was becoming clear that Mikoto’s concern was indeed warranted. Fuuta appeared deathly. The fresh injuries had been bandaged, but there were stains where blood was beginning to seep through. His eye – the one that had survived the ordeal – was bloodshot and rimmed with dark bags. His hair was as tangled as the rumpled hoodie it poked out of.

Fuuta was still staring in anticipation. It took John a moment to understand why. 

“You recognize me.”

“No shit. Mikoto came in here like a fumbling idiot earlier today. He wanted to make sure I was okay or whatever. Like I’d be okay after what happened!” He paused, a clanging from someone else’s cell briefly distracting him. “But you… the way you carry yourself… it’s different.”

“Not that different. I’m here for the same reason.”

The plan was simple. Once Fuuta slept, Mikoto would relax, and everyone would be happy. If it turned out to be his injuries keeping him awake, John didn’t mind crushing Fuuta’s pride and explaining his weakness to the doctor to get more painkillers. If it was noisy neighbors, he’d teach one of those girls a lesson the following day. If the problem was just plain insomnia, well, John’s swinging arm was still completely functional...

“I just want to make sure you’re sleeping.”

“Don’t tell me you’re as disgustingly sentimental as him.”

John’s expression twitched. He didn’t appreciate the condescension. That was Mikoto’s most admirable trait, after all – offering help to others even when he was falling apart himself. He was so selfless, so self-sacrificial. It was no wonder John felt compelled to do the same for him. But Fuuta…

“Ugh, he’s always trying to be buddy-buddy with everyone around here, it makes me sick. Nice words don’t do shit. Look where his friendship with Kotoko got him, eh? That’s what these fools still don’t understand – you need to face these things head-on.”

“Oi, don’t be hard on me just for caring.” He didn’t say it as any sort of gentle encouragement; it was a command, and Fuuta understood. He snapped his attention away from where he’d been peering around the bars. “The world needs more people with that kindness. That optimistic view of life, of others, no matter what – it’s why I’ll do everything I can to save me.”

Silence stretched after the intense comment. Fuuta was looking away again, and John couldn’t read him. When he did speak, his voice came out more defeated than expected.

“Tch. Well. Not all of us have that luxury.”

“Of what?”

“Of you.”

His eyebrows raised.

Cheeks reddening, Fuuta hurried to add, “I mean someone to have your back like that. I wish I could be half as relaxed as that, but I can’t afford to let my guard down. I need to be strong myself, I don’t have anyone else to take care of my problems for me.”

It hit him suddenly, that everything came down to that. Relief washed over him, now that a clear, easy, (and nonviolent) solution had presented itself.

“What if you did? I could take over your little sentry duty for the night.”

“W-what do you –?”

He gestured to where Fuuta was laying. “No need to play dumb. You’ve been keeping an eye on everything, even the other side of the guard’s tower. The sounds from around cell eight have caught your attention. You’re positioned so you can see cell six, but haven’t moved all the way over, because cell ten has easiest access from the right.”

“The others would say it’s pointless, or that they’re handling it. I’m not buying it, though. I don’t care if they say it’s crazy of me to do.”

“I think…” John’s posture softened. “I think it’s very selfless of you.”

He was constantly amazed at Fuuta’s tendency to react to everything as if it were some world-shattering statement just told to him.

“So?” He prodded before Fuuta’s expression could grow any more wide-eyed. “How about it?”

 “I mean… they told me about the attacks… what you did…”

John set his jaw. No matter how many times it had happened in the past few days, it still stung to see how quickly people turned against him because of the fight. He thought they all had come to terms with each other’s capabilities for violence, but as usual, the moment he showed his true face, the world turned against him.

Of course Fuuta could never relax knowing such a violent and unpredictable person was sitting right beside him through the night. It was a miracle he hadn’t panicked immediately at the sight of yet another cold, towering figure appearing at his door in the middle of the night.

John stretched his right arm across his chest. It looked like his original solution still stood. Fuuta said problems should be faced head-on. Surely he’d understand this was for his own good.

“…Yeah, okay.” Fuuta gave a decisive nod. He beckoned with a jerk of his head. “I trust you.”

“I –” John blinked. “What?”

“You understand me. You understand what it takes to be in a place like this.” His gaze flit away momentarily. “You’re incredibly strong. You’re prepared, and have good instincts, and your confidence is –" Noticing how intently John was listening, he interrupted himself to bark, “but don’t think I couldn’t handle this on my own! It’s only because you offered, and it’s a smart move. I’ll just sleep for a bit, we can take shifts. Wake me in three hours, okay?”

“Fine by me.” A little lying was definitely better than what else he’d had in mind.

Fuuta moved his futon over a few feet so John could settle into his carefully chosen spot on the ground. Everything was all set to begin keeping watch, until a new sound rose up to drown out the other noises in the panopticon – soft snoring from beside him.

He glanced over in disbelief at the instantaneous security Fuuta had sunk into. All the tension had melted away from his face and shoulders. He lay completely at peace.

John had achieved his goal. He should be celebrating. Instead, he couldn’t help heaving a heavy sigh.

How did he end up with two self-destructive idiots to watch over?

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[crystalrainfall]

[utilitycaster]

I genuinely believe the fact that so many popular Imogen/Laudna fics are no-powers AU is, if not the main cause, at least a factor in why so many people resist or even are hostile towards any interpretation of Imogen that isn't largely sweet and harmless. Like, write the fic you want, but Imogen in particular is someone so fundamentally shaped by her powers that to write a no powers AU is to write what is essentially a completely original character who happens to share her name.

I think it's made even more obviously a factor because many of those fics try to reconstruct aspects of Imogen's personality by giving her anxiety or agoraphobia (or both) but the problem is that those are purely mental illnesses, rather than something that both gives her powers and penalties (again, the X-Men problem). Some real-world mental illnesses cover the symptoms of Imogen's abilities, but none cover the abilities themselves. It's quite literally a removal of agency: they take away what she can (and frequently does) do with her powers, leaving only the negative effects on her behind while eliminating the negative effects she can have on others. No wonder there's this overwhelming push to woobify her from that corner; they've utterly defanged her and are now crying that other people who can still see her fangs (and even like them) are talking about them.

And the thing is, for all I can be negative about fanon, it is, ultimately, fine - so long one can either keep it separate in one's mind from canon or else remain in a particular fanon sandbox. But unfortunately people leave the sandbox, and when other people respond to the canon Imogen, who as of episode 81 (RIP CRStats) has voluntarily used Detect Thoughts/Open Mind 60 times and has openly stated her intent to use it specifically to know what her party members are doing in advance and theoretically prevent it, the fanfic crowd is utterly unable to react to this intelligently. The idea of Imogen they have is sweet girl with severe anxiety and a goth girlfriend. The problem is this construct exists only in their favorite fanfic writers' domestic fluff modern AU no powers setting. And frankly, I'm not interested in talking about that warped mirror version of her when I could have all the fascination, complexity, glory, and agency of the real thing.

[umhuhwellthen]

Usagi Yojimbo Theory/Headcanon:

Usagi's Mother

It's a possibility that Usagi's mother died during childbirth or when he was so young as to have no memory of her as we haven't really seen any mention of her. When Usagi comes back to his village he only says he's come to pay respects to his father's/family's grave(Idk exactly what he said but again either the whole family's grave or just his father, no mention of mother). And then there's the weird coincidence where every time Usagi has found a maternal figure he's become close enough to call mother...

He's either directly or indirectly responsible for their deaths, kind of as if it's an allusion to whatever hand he had in his own mother's death (for example, complications from his own birth?). Wait holy shit typing this out as I'm thinking it, but Sōshōbō's wife Nozomi? She's dead too, and while this may be reachin for straws here, she had more of a teacher's scary wife/big sister vibe to him imo, she was an older women who looked after him do you seeeee, three times??? Three times?

It's becomes another awful, tragic cycle for the women in Usagi's life. An eternal loss of maternal figures. The women in his life having bad fathers figures; Tomoe, Inazuma, Kitsune, doomed/failed love interests; Mariko, Tomoe, Chizu, the princess, the DEAD ones.

Anyway this may mean absolutely nothing and be an odd coincidence but just had to get these thoughts out of my fuckin head,like it was too specific to not not mean something right, it weird that it happened twice(thrice if we count Nozomi)? what do y'all think?

[trekkele]

youd think the whole … literally separated into two bodies would have clued people in, but apparently it isnt obvious enough that Zur isnt Bruce? And possibly isnt even based on Bruce at all? Not just in a “my own worst impulses outgrew me” way but in a “my teacher violated my consent and implanted a horrific version of my alter ego into my mind” way. Like. Hello??