#and remember kids. everything makes you who you are. especially your flaws.

[jakejeffreyperalta]

this post gets even more important after the live action series because they literally took everything that made sokka such an iconic and important character and scratched it 😭 yes, sexism is bad, but sokka being sexist in the beginning was good for his character because it forced him to grow and change and adapt to the world he was thrown into suddenly (which are all qualities of a leader) and correct the error of his ways and say sorry. it showed the viewers that it IS possible to grow and become a better person, it's just your choice to do it. that's the point !!! that's the fucking point !!! how do you miss it so bad !!! goddddd

the live action believes that "morally correct" or "good" characters cannot be flawed, which is so stupid. sokka being flawed is the POINT of his character !!! his sexism isn't perpetuating sexism, it's there to show how utterly stupid sexism actually is, because he keeps getting proven wrong over and over. and him overcoming his sexism doesn't just happen when someone says "hey man being sexist isn't cool ♡ pls change." it happens after he gets humbled by his sister SO MANY TIMES, then humbled by the kyoshi warriors and suki yet again. it happens when he bows down to suki and begs her to teach him, it happens when he wears the uniform of the kyoshi warriors and wields their weapon, it happens when he is proud of his sister for being stronger than him, instead of ridiculing her. and it's only when he's not sexist anymore that the narrative actually gives him liberty to grow further as a character, which is SOOO interesting, because usually these type of characters are introduced and let go in one or two episodes because they're supposed to be a lesson, but now sokka isn't sexist and there's three seasons left, and it's such a satisfying journey to see him geniuenly grow and become everything he said he was, but actually EARNING it this time.

when you take away the flaws and the imperfections from sokka's character, he's literally nothing, because his character is supposed to tell you that EVERYONE is flawed and a little bit stupid, but it is literally so easy to decide to change and grow. you just have to be brave enough to make that choice. sokka doesn't have powers and he's not a god - which is everything that he's insecure about, but also his biggest strength. him being "normal" lets his character grow and it's PERFECT for him, because he is not bound by anything like godhood or having only one ability to be perfect at - he can do whatever he wants and do it badly, but he can DO IT. he can be an artist, an engineer, an inventor, a swordsman, a poet, a politician, a soldier, a leader, and he doesn't have to be the best at any of these things, which is technically a "flaw" but it also isn't, not when he grows and learns every passing day and becomes BETTER, not when he keeps trying and failing and trying yet again. at the end of the day, he's not the best swordsman, but he's a quick thinker and he's smart, so he can hold his ground. but he's not the smartest person and gets outsmarted and manipulated by someone much younger than him on multiple occasions, but he's adaptable and flexible, so he's fine. he's an inventor, but not the best at actually putting things together, but it's fine, because he's practical and every idea he has is actually doable. is he the best artist? no. is he the best swordsman? no. is he the most strong-willed? no. is he the smartest? no. all of these can be considered "flaws" or "imperfections" but it makes him who he is, and his different capabilities pick up where the others lack, to make him everything he wants to be.

sokka's character is a love letter to the viewers, i think, telling us it's okay to be flawed, to be normal, because you're still loved and accepted and we are so so proud of you for trying.

cannot stress this enough but sokka is literally how u are supposed to handle a comic relief character like he's funny but he's also smart, he's a leader, he's charming and strategic and is respected by everyone. he's allowed to be vulnerable and emotional but that doesn't stop him from being brave and courageous, that doesn't make him any less of a fighter. he's allowed to be himself and flaunt ALL of his qualities. he's allowed to have flaws, but he's allowed to grow and learn to be a better person.

[daiziesssart]

a humiliatingly long character analysis of lily evans

Someone sent me an ask that briefly mentioned how misunderstood Lily is, and before I knew it I was typing out this monster. I am. sorry. This is literally just me rambling about her, what I find compelling about her character, and why her character is so often misunderstood.

This is long as hell so I'm putting it under a read more lolol

Part of the reason I like Lily so much (other than my being ginger and projecting onto any redheaded female character I see) is that even though she isn’t explored as much as her other Marauders Era counterparts, we know enough about her to start building the framework for her character. And what I see is a girl who was incredibly interesting, kind, and flawed.

One thing I always think about in regards to Lily is that she was dealt with a pretty unfair hand. As soon as she receives her letter, she’s basically torn between two worlds, both of which have been less than welcome to her. On one hand, we have the muggle world that she’s known all her life, but once she starts integrating into the wizarding world, she likely feels a bit of a disconnect with that world. To twist the knife further, her sister- whom she loved dearly and grew up so close with- starts outwardly resenting her with such unbridled hostility that they likely couldn’t even be in a room alone together without major conflict. 

On the other hand, we have the wizarding world– a world she’s not as familiar with and one she soon learns holds a demographic of people who hate everything she is and would rather see her excommunicated or even dead. And even though finding out you’re a witch/wizard is probably such an exciting and life-changing moment, I can’t help but also take note of the difficulties, especially if you’re the only one in your family with magic. You’re essentially uprooted from the only way of life you’ve known at an already complicated age, and now you have to quickly become acclimated to this new world that you only just found out existed. Not only that, but now you’re suddenly attending a school with classes that are primarily focused on this world of magic (which is still brand new to you), and you have to work extra hard to play catch up in order to do well. Like, that all seems like… a lot for a kid to handle.

And then I remember how young she was when she was thrown into that mess. She was only 11, and kids that age desperately crave any sense of belonging. I mean, that’s something that still holds true for adults, but it’s especially critical for a developing child. So imagine Lily, ages 11-15, struggling to stay afloat in this weird purgatory between these two parts of herself, both of which have been the cause for major and traumatic experiences relating to rejection in her life.

(I say it was the “cause” even though it’s obvious that those things were never her fault at all, but when you’re a young kid navigating the world, the only thing you’re able to process is that the common denominator is you, therefore you’re the one who must shoulder the blame.)

So now we have this tween-teenaged girl who has a dysfunctional relationship with two major parts of identity and probably feels absolutely lost. 

This is why her hesitancy to end her friendship with Snape makes sense to me. Even though by fifth year he’s already well past toeing the line with the dark arts, Lily was willing to overlook some pretty egregious and troubling things in order to maintain the relationship. I kind of interpret that as her way of desperately clinging on to any sense of belonging she has left; her relationship with Petunia has already been poisoned, and now there are people who resent her existence as a witch; if she loses Severus too, what and who else does she have? And what tone does that set for her, if everyone and everything she’s come to hold close to her ends up turning her away?

It’s also important to note that not only is Severus one of her few remaining connections to the muggle world, but he’s also a wizard who grew up in the muggle world; he understands her, and I don’t doubt that he gave her some stability at times when she needed it (her finding out about her being a witch, her having trouble acclimating to the wizarding world, etc).

I see this as being one of her flaws and I can actually appreciate how relatable and realistic it feels. Lily is not a bad person; on the contrary, you’d be hard pressed to find anyone to describe her as such. Not to get all clinical and boring, but the interesting thing about (unhealthy) coping mechanisms is that it can actually be really hard to identify them in your own behavior. Unless you’re in therapy and/or are actively psychoanalyzing yourself, you likely don’t even realize how many of your common behaviors are born from self defense mechanisms put in place by your brain after past events.

To me, it makes sense why she avoided actually confronting the idea that Snape was too far gone. We know that she was aware of the path Severus was taking, but it almost seems like she was still convinced that she could save him, and could possibly steer him back in the right direction. It’s only when she becomes the target of his bigotry that she realizes that the Snape who called her a ‘mudblood’ was not the same Severus who was the one who held her hand and introduced her to this new, exciting world.

In a general sense, yes, it is selfish, to only take a stand when something starts affecting you personally. But I also think it’s important to note that it’s unlikely that this was a conscious decision on Lily’s part. In my eyes, it was easier to delude herself into thinking she still had a chance to save him before it was too late when she was able to separate him from his actions (considering, a lot of the time, she was only hearing about them after the fact, rather than seeing them firsthand). But the elusion is shattered once she sees that the Snape she grew up with– her friend, Severus– is, in fact, the same person who’s out there calling other students slurs, dismissing the malicious use of Dark Magic on others as just “a laugh”. There we see a Lily who is actually revealed to have been somewhat aware of Snape’s involvement with the darker side of magic, and genuinely feels pretty ashamed about her inaction.

Also, this is in no way me being a Snape-anti, and I actually could do an entire separate analysis on his character alone and why I find him so interesting.

Anyways, that moment in SWM is probably somewhat of an epiphany to her. It’s like a dam that’s been broken, and now she’s overwhelmed with the realization of exactly how much she overlooked in order to keep their friendship afloat. And for someone like Lily Evans, someone whom we know is opinionated and unafraid to call others out on their bullshit, that can be hard to swallow and feel pretty mortifying and shameful. And I think this was a huge turning point for her- at that point, she doesn’t have the luxury of avoiding uncomfortable truths anymore and now that she’s getting closer to graduating and being thrown out into the world on the brink of war, this was probably a really sobering discovery.

This is where we don’t have as much info to go off of, and a lot of it is up to interpretation. But we actually have little crumbs to go off of following her graduation and leading up to her death.

One of my favorite little tidbits isn’t in the books, and @seriousbrat's post reminded me about it. Here's the actual entry on Pottermore for anyone who's interested, but I'll summarize: after James and Lily began dating, Lily brings James to meet newly engaged Petunia and Vernon. Everything goes downhill, because Vernon is a smarmy asshole, and James is still pretty immature and can’t help but mess with him (which… fair, I guess). Petunia and Vernon storm out after Petunia letting Lily know that she had no intentions of having her as a bridesmaid, which causes Lily to break down into tears. I mention this because I also think it’s a pretty important aspect of her character; like we’ve seen in her past friendship with Snape, Lily seems more than willing to forgive others most of the time. Petunia is a bit of a complicated character herself, but she was objectively very cruel and unfair to Lily once it became obvious that she was a witch and Petunia was not.

Something that always stands out to me is just how desperate Lily is to earn Petunia’s trust and approval again. Even up until her death, she was more than willing to mend the relationship, were Petunia ever to consider. 

This is a detail about Lily that I feel is misunderstood quite a bit. I’ve seen a lot of instances of her character being reduced to a one-dimensional archetype with little to no complexity. And often, that archetype is “know-it-all, prudish, self righteous bookworm who is also a goody two-shoes with a stick up her ass”. What annoys me is that the reason for this is most definitely the scene in which she blows up at James in SWM for bullying Snape, and hurls quite a few insults at him directly after an extremely devastating and overwhelming situation for her. This frustrates me because we know for a fact that she’s the polar opposite of this archetype I’ve seen her reduced to. 

In actuality, she’s referred to as popular, charming, witty, bright and kind. From flashbacks we also are shown that she’s opinionated, bold, and not afraid to challenge others. With other context, like her interpersonal relationships, we can also see that she’s pretty emotionally driven and wears her heart on her sleeve. 

(I know Remus didn’t mention Lily much in the books, but I really love how he described her in the movies. He tells Harry that the first thing he noticed about him was not his striking resemblance to his father, but his eyes, the same eyes Lily had. He also calls her a “singularly gifted witch” and an “uncommonly kind woman”.

“She had a way of seeing the beauty in others, even and perhaps most especially, when that person could not see it in themselves.”

I know there are mixed feelings on whether or not the films count as canon source material, so take it with a grain of salt, but I personally cannot see a world in which Lily and Remus didn’t become close friends.)

Here we have a direct description of what she was like and who she was, corroborated by recounting of memories of her, and yet for some reason, this feels like the thing that is most commonly lost in translation.

I don’t think I can say why I think that is without mentioning the dreaded M word (misogyny- it’s misogyny), but I also don’t want to get too off topic so I’ll be brief: female characters are typically not given the same grace as male characters. When we have an undeveloped male character, he’s awarded the assumption that despite his lack of depth, there still exists a complex and multifaceted character– it’s merely just potential that hasn’t been tapped into. Whereas when we have underdeveloped female characters, they are taken at face value, meaning that not much exists beyond the little information we have of them. They are not presumed to have a life or a story that exists beyond the surface of what we know like male characters are. That’s why I think characters like Regulus, Evan, or Barty (just to name a few) are more popular than Lily, despite being less developed than she is.

(Before anyone gets defensive, no, I don’t think it’s an individual problem that you alone need to be shamed for. I think it’s the result of a deeper issue regarding misogyny in media as a concept; these are things that we’ve all unknowingly internalized and while it’s not our fault, we still have to do the work to deconstruct those learned prejudices.)

What I find really cool about her character is that despite how much she’s been hurt, she’s also still known as one of the most loving, kind, and considerate characters. There were so many times in her life where the love she received was conditional and ripped away from her– and I think that’s what makes her sacrifice even more poignant. She was able to protect her infant son from an extremely powerful dark wizard, wand-less, knowing that her husband was just murdered in cold blood, just from how much love she felt for Harry. Her love was a force of nature on its own, and I just think that’s such an amazing thing about her. 

I know I’m biased, given that she’s one of my favorite characters, but even upon delving into this, I still just find it so incredibly hard to understand how anyone can actively hate her (not indifference, but actual dislike). In my opinion (again, no one is unbiased, and she is a favorite character of mine, but trust me when I say that I’m trying to be objective as possible when I say this), she’s probably one of the most likable characters of the Marauders Era. I think perhaps a lot of people haven’t given her a chance or really taken the time to learn about her character, but it could be a myriad of other reasons that I’ll never understand. 

There's so much more I could say but this is long enough and I will stop myself

Lily Evans, u will always be famous to me

[cherry-bomb-ships]

Hello everyone! Welcome to our Valentine's Week mini Self Ship event!

Pr*sh//ip please dni

From February 12th to the 18th, I'd like to invite you all to participate in a self ship event all about love! This is meant to be a low-effort, laid-back event where the hardest thing you'll probably have to do is interact with other people 😅 Each day will have a different theme for every type of f/o and self shipper! The themed days are listed below:

February 12th - Familial F/o Day! This day will be all about focusing on your familial f/os! Parents, siblings, kids, or any other character you consider part of your family. ❤️❤️

February 13th - Platonic F/o Day! This day is dedicated to all our fictional besties!! Give some appreciation to the f/os that are there for a good laugh and a shoulder to cry on. 💛💛

February 14th- Romantic F/o Day! Of course, Valentine's Day itself will be dedicated to the special f/os in our lives who are there for us through thick and thin. Our f/os love us every day and we love them, but we'll give them extra love today! 🩷🩷

February 15th - Self Love Day! Sure, it can be argued that all of self ship is a form of self love, but I really want us all to focus on it today, by thinking about and maybe even listing out the things that our f/os would especially love about us. 💝💝

February 16th - February 18th - F/o Takeover & Letter Writing Weekend! This one is a bit of a player's choice; option one, an f/o takeover! Y'all know the drill on that one by now, let your f/os of choice answer questions on your blog for the weekend. ❤️ Option two, for those not into takeovers, is to spend the weekend writing love letters to your f/os! They can be as short or long as you like, while also making as few or as many as you'd want to. I'd also like to highly encourage sending out f/o letters to your fellow self shippers from their own f/os! ❤️

There we have it! That's our weekend, laid out in its entirety. However, these are more guidelines than strict rules. You can really run the week any way you like, as long as you're enjoying yourself!

I would also like to add that this month, for those who don't know, is Black History Month, so while you focus on your ships, don't forget to show some love to my black brothers and sisters in the self ship community as well! 🧡🧡🧡

I'll have some more suggestions on things to do below the cut, but I'll end it here up top, because this is long enough as it is. Feel free to reblog to get the word around, and for just one week, let's only think about love. ❤️💝🥺💝❤️

Now then, here are some suggestions on things to do over the week on our themed f/o days:

For our creative types, you could create some art and doodles, writing and drabbles, gifs, screenshots, or any other type of content for your f/os of the day.

For those who want a more chill experience, just some good ol' gushing will work perfect! I'll also be trying to make some short ask games full of questions for each themed day.

For the self-love day in the 15th, I highly encourage everyone to make a list of things that their f/os love about them. Of course not everything is always perfect, so if you'd like, you can also talk about your flaws and the way that your f/os would still love you with them. I don't wanna see any self deprecation though, because I know all of you are much more wonderful than you may think! ❤️❤️

Lastly, for the weekend, as I said earlier I would love to see people sending out letters to other self shippers. If anyone remembers the To My S/i events from a few years back, as much as I would love to run an event like that, I know that's setting some people up for disappointment when they don't receive any letters, so I want it to be something that's encouraged but not expected. That being said, it's still highly encouraged! Even if you're worried about how accurately you may write someone's f/o, I believe you should still give it a try anyway! 💝💝💝

That's about all the suggestions I have, except for this last one: while this week is about love for our f/os, I still wanna see love for our fellow self shippers with plenty of interaction going around, even something as small as a reblog or question sent for an ask game makes a big difference! And remember, just like the New Radicals said, "you only get what you give."

If you're reading this far, then thank you! Go ahead and throw a "btw my f/os love me" into your tags to let me know you got this far. I hope everyone enjoys the event!! 🩷❤️💝❤️🩷

[natt-writes]

~5 Writing tips that actually help~

(These tips are meant for fiction books, especially fantasy. so if you’re writing nonfiction a decent amount of these won’t apply to you. Sorry!)

Find your writing voice.

one of the biggest issues I find in things written by beginners is a lack of emotional connection with the narration. Sure the story can be great, but without personality, without looks into the characters minds, without little quips here and there, it really isn’t all that interesting. Something that really helped me to realize this was a book called the tragical tale of birdie bloom. It’s a kids book but it honestly has such a good narrator (and storyline tbh) that you can look past the little kiddy-ness. I recommend you check the book out if you’re looking for some inspiration. I will be making a post about how to develop your writing and character voices soon so if you want some extra help with that, stay tuned!

2. Get to know your characters.

I know that you all probably already know this, but characters are one of, if not the most important part of a book. Readers don’t want to read about a flat, boring character who just feels like a vessel for the horrifying amount of trauma you add to your story. They want to read about people that feel real, people with flaws and feelings and hobbies and backstories. When I wanted to develop my characters I started going through the drafts, the plot outlines, everything and seeing what the characters did, said, felt. Then I took their basic backstory and started lining things up. Like if a character decided to get into a fight with another character, I would see what had happened to them that might have caused this. Maybe they had been abused as a child and thought that any disagreement meant they had to fight for their life. Maybe this person reminded them of a former enemy. After you start to figure out what connects the characters to the big plot points, you can then start to develop subtle things. You could start writing something, realize this situation would have triggered a character, and then drop subtle hints towards them feeling uncomfortable. Go nuts with it, after all you can never over-analyze a character.

3. Describe things uniquely.

Descriptions are what help us to understand what’s going on in a scene. They can tell us about the tasty drink a character is enjoying, the slick dress that someone is wearing or the way a characters muscles tense when a certain someone enters the room. But sometimes descriptions a fall a bit flat and that can ruin the experience for the reader. Something I always try to remember is to try and come up with new words describe something, for example; “her eyes were a beautiful shade of brown.” Is a very basic and over used description, instead you could try; “her eyes sparkled as she sat across from me, gleaming a rich chocolate shade as the light from the candles reflected off of them”. This is a much stronger sentence as it gives both environment hits and a description of the eyes, all while staying away from overused terms. I often see this theme in stories written by beginners, things being described in a very straight forward manner. And of course this is ok once in a while, especially if this isn’t a very important topic, but it still sounds better when you branch away from that basic sentence structure. I always like to use descriptive sentences to push things forward. Here is another example; “she was wearing a fluffy green dress with lots of lace. She walked over to the door and opened it.” Vs “the lacy trim of her green dress dragged on the floor as she walked towards the door. She smiled wide as she held it open, inviting her guests into the building.” Making strong sentences is very important, so please toy around with different words, structures, etc, until the sentence fits the type of book you’re trying to write.

4. Make trauma realistic.

Yes, even if you’re writing a fantasy book, characters experiences have to be realistic. Something that always gets on my nerves is when writers come up with a good idea for some trauma, so they just give to a character, even when it doesn’t suit them at all. if you are going to give a character trauma you need to explain it, set it up so it actually fits into their character arc, then have the character actually be affected by it. They can’t just randomly be like “I got shot by a dude.” And that’s it if there is no way that character could have gotten shot given their life experiences. Also if you want a character to be relatively unaffected after an extremely traumatic event you have to plan it out so that they have a specific and consistent trauma response that makes them not react shortly after an event like that. Characters are supposed to be like people, and no two people react to trauma the same way, so you do have some leeway if necessary, but people also don’t just stay the same after something horrible happens, they are affected by it and that has to be accurately portrayed. This does get easier the more you get to know the characters though, as soon you will know how they react to things and how to plan trauma that suits them.

5. Make a plot outline.

I cannot stress this enough, make a plot outline. Making a plot outline literally saved my book, and they are really easy to make! I recommend you download a spreadsheet app like XL spreadsheets or Apple numbers but you could even use google docs if you want. You want to put in all the chapters and then give each chapter at least six spots to write scenes. Add a spot for adding the main event of the chapter/a summery of what you have to write. This will help you to understand what you have to write for that chapter and how it fits into the next chapter. After that you start to fill all the scene boxes in with your plot information. Having a plot outline is great as it can be super vague and messy, but still hold all your ideas. It also helps to prevent unnecessary rewrites later, as you can just edit the plot outline before you start writing the first draft. You can even make a plot outline after you’ve started writing your book. That’s what I did and I promise, it still is very helpful. (Example of a plot outline below.)

[wonderfull-star]

Is it just me or do people just overestimate Peri in some aspects?

Especially people on reddit. I haven't watched the entire cartoon yet, but damn. Some people SERIOUSLY think Peri is a super caring perfect godparent and a really kind character. Like, the best version of Cosmo. Are you serious?? It feels like some people who think that haven't watched the original series. Because people there clearly overestimate Peri and underestimate Cosmo. Yes, Cosmo is far from a genius, but he's definitely not a complete idiot either. And he definitely has a lot more experience than his son. He's already thousands of years old, while his son is only in his 20s…

I feel sorry for Cosmo and Dev 😭

Well, yes, Dev is a spoiled kid. Yes, he used magic for bad purposes. However, he is still just a child who, despite everything, tries to become better. Even if he does such thoughtless and bad things. Well, what else can you expect if no one in particular was involved in his upbringing, and his father himself does not pay enough attention to him.

I am also sure that when Peri first met Dev, he was more worried about his job at first. Which is understandable. After all, it was his first time and he was afraid of making even the slightest mistake. Because of all these rules and his peculiarity of magic, he developed severe anxiety.

I think the idea of ​​creating Poof as an adult is to show through his character the real difficulties that people go through at this age and the pressure of society. And you know, it suits him so well. In the original series, he was always in the spotlight and everyone always had high expectations for him. It is clear that at an older age, this will not affect him in the best way.

Still, sometimes Peri didn't behave in the best way. He had just gotten his job at the first time. Even with all the education he had gone through, it wouldn't make him a good godparent right away, that's for sure. After all, what's important in this job is not the training but the experience itself, which he clearly doesn't have yet. People also forget that Peri initially wanted to be a tooth fairy not a fairy godparent. So I wonder: wasn't it primarily the influence of his parents and the fact that THEY wanted to see him in this job and not Peri himself? In real life, unfortunately, this often happens and all this later ends in a not very good way.

So even if Peri had Hazel as his godchild, it still wouldn't have solved the problem. And not because he's bad as a godparent, but because this job is simply not right for him. In some moments, he acted pretty disinterested even when Dev wasn't acting like an egoist. Yes, now people will throw various excuses at me about this, but still. However, it's even clear that Peri clearly doesn't enjoy this job. Seriously, if you remember Cosmo and Wanda from the original cartoon, they mostly enjoyed what they do (although they've been doing this for thousands of years). The thing is that they just get along well with children and find a common language with them. Perhaps I think the creators wanted to show the problem in choosing your profession and what you really like to do in life. And what difficulties you have to go through to find what you really like to do.

But some people just don't care about it, considering Peri the best in literally everything. In fact, they consider him as tumblr "star"man and Dev as a simple spoiled child. Crazy fans forget that almost every character has their own shortcomings and bad sides. Well, and also the opposite of all this. I consider Peri more as a neutral character with his good qualities and flaws. Still, it is impossible to deny that in some moments he really did not act in the best way.

Peri’s simps detected 📸(don’t take it seriously lol)

And this is a very common situation in fandoms…

[erinwantstowrite]

do you have any dc /marvel opinions that you'll defend with your life?

Helena Bertenelli was already an awesome anti-hero for the Batfam. She has an interesting story and I like reading about her and her goals. Jason's resurrection is a great plotline because I think it could reasonably force character development for everyone PLUS he was done dirty in the first place. He deserved a second chance and the writers had every opportunity to create a comeback for his character. But they wasted it. When he came back, it should have been his goal to protect the new Robin. I also would have loved to see him struggling with the mindset of being the kid he was, but also someone entirely different. Jason still trying to be full of hope and maybe seeing this resurrection as a chance to prove to himself and others that he could be a good hero... Something about it destroys me.

If they wanted him to be angry at his dad and brother, that could still be accomplished. It would be a far more interesting dynamic, especially for when Damian comes into play later on. Jason deserved to be angry, and I like his character. But I wish they had written him to still try everything in himself t be kind. Seeing Robin/his little brothers and wanting to do everything in his power to make sure they don't end up like him? With Jason being good with kids + that, it would have set him up for being an awesome teacher, both as a civilian and as a hero. Him becoming the mentor after struggling to figure out what he wants to do with his new life, only knowing he wants to help people?

I also believe that a lot of the writers that are hired don't know the character they're writing all that well. Any comic that makes Bruce a man that would hurt his children, especially on purpose, is not a Bruce that I think should be canon. It's one thing to write your hero as a person with flaws, because every human being has them. It's another to write out your character as someone that would intentionally hurt a child, let alone HIS child, and then still proclaim them as a hero. You can not be an abuser and be a hero. It doesn't work that way. I can't remember who said it, but I saw a quote, "If you can not picture Batman comforting a child, then you have not written Batman."

(They also hate character development of any kind, and it's really annoying.)

[cyren-myadd]

Avatar official account posted their screenplay of the Sullys arrived at the Metkayina clan on their TikTok. This part here caught my eye. Neytiri has a secret shame that her kids are half half-human.

What's your thoughts?

oh man, I have some really mixed feelings about this ngl...

First thing I want to say before I get into my rant is remember that not everything in the old script is canon, so Neytiri feeling ashamed of her children isn't canon as of right now, but there's a possibility this will be confirmed in a later movie.

A little self-disclosure, I'm engaged to a guy who is from a different race and culture than me, and I'd like to have a kid with him at some point. My partner and I have discussed the fact that our kids would be mixed, and we've already made plans to teach them both of our native languages and make sure they're exposed to both of our cultures. Even though my kids will be different from me in some ways, I don't care, I'll still love them no matter what and I can't imagine ever being ashamed of their differences-- especially since I was the one who chose to have children with a man who was a different race/culture.

While Avatar is completely fictional, the romance between Jake and Neytiri is a clear allegory for a real-life mixed-race couple, with their children's "hybrid" traits being an allegory for real-life mixed-race children feeling insecure about their features. Obviously, not everything is a one-to-one allegory, since Neytiri has been directly and violently victimized by Jake's people and most modern mixed-race couples in my country deal with more systemic forms of oppression instead, but the allegory is still there.

To be completely honest, if the writers actually follow through with this line from the script and show Neytiri being ashamed of her children on-screen, I might actually start to hate Neytiri. Her other character flaws, like her chauvinism, her resistance to change, and her hypocrisy about Jake vs Spider, are completely understandable, especially since she's been through unbelievable amounts of trauma because of humans. I still like Neytiri a lot even with her flaws. But being ashamed her own kids? The kids she chose to birth/adopt, knowing they were hybrids? These two babies right here?

I am really, really trying to be understanding here, 'cause Neytiri's been through trauma that I could never imagine, but still... ma'am those are YOUR babies. I don't think any kind of trauma justifies being ashamed of your children for something they have no control over.

Whenever I see that screenshot, all I can imagine is Kiri or Lo'ak finding out their mom feels ashamed of them. Could you imagine? They would be absolutely crushed. I think Lo'ak especially would have some kind of a crisis over it, since he's already so insecure about being a hybrid. Even Miles freaking Quaritch, the vengeful colonizing monster, isn't ashamed of his son being so different from him.

For the record, I know the only reason I feel so strongly about this is because I'm projecting my own feelings about being in a mixed-race relationship and planning to have mixed-race kids onto Neytiri. But I feel the way I feel, and if this ever becomes canon I would never be able to look at her the same way, so I'm hoping this idea stays in the old script and never sees the light of day again.

No matter what happens, this is James Cameron's story, and I trust him to deliver a fantastic movie even if I don't like everything about it. Besides, this is only one line. It doesn't go in-depth into the nuances of Neytiri's feelings. Maybe if they choose to go with this concept and flesh it out better, I'll change my mind about it, who knows.

I'm also gonna add this here, cause I know how tumblr is: these are just my personal feelings on the topic-- my personal feelings that are completely subjective and are greatly effected by my own life experiences. I know some people like this idea and think it would be a great thing to explore for Neytiri's character, and if you think that, then great, good for you, no hate to anyone with a different opinion.

[barrenclan]

just binge read the entire thing up till the recent update (up till 6 am. Don’t do this) and went nuts looking at things for asphodelpaw bc MM MM I love a well crafted narrative. She reminds me of a character I have as well, whose been affected by generations of trauma, but he deals w it in such an immature, teenager-y way bc well. He is. And so was she. She lashed out at Pinepaw bc she desperately wanted approval, some kind of warm reception from an authority figure, and bc her mother has been so distant, she didn’t seek it from her, instead she looked to her mentor Plumstripe (who, admittedly in very nature of being a mentor, had assumed not just an authority role, but a familiar one, one that was supposed to be close, like family.) and Plumstripe, having internalized the cruelty and generations long self inflicted torture Barrenclan does, began to pass down not just that, but the feelings dredged by a splintered relationship w her sister and family. Plumstripe, who validated her own feelings by passing them down and seeing them repeated. And Asphodelpaw so desperate to be close, to be useful, to feel valuable, gave her everything. And yet none of it was enough. (I noticed that while she didn’t try pursuing Cormorantpaw like Daffodilpaw did, she seemed to try and make up for that by needling her brother, something that Plumstripe, from her constant fights w her sister amd the laugh she gave upon actually being there for some of the sniping, clearly liked. At least to try and catch up w Beenose, who was seen being smug abt Daffodilpaw trying to get Cornorantoaw to open up.) And as time went on, the burden of loneliness, frustration, and despair cracked the walls and mask she had built. And the biggest crack came from Slugpelt trying to reconcile w her children, and Pinepaw coming out and trusting his family w that vulnerable secret. Something that shook her enough that she couldn’t help but look inward, to see that she was unhappy, to look outward, and see that the place and people she had looked up to so blindly were hurting her. And she made the right choice, something that speaks so much abt her character. She didn’t withdraw deeper into herself or double down on this performance for the clan she’d been doing, she said “wait, this is wrong. It shouldn’t be like this. And I have the power to change that.” And she HAULED ASS. She went to Egrettail for advice on her feelings of isolation from the culture and pressure the clans have toward she-cats, and finding her footing in her identity that she had grasped for but never realized she could reach until now. She went to Pinepaw and apologized, something that’s surprisingly hard to do, ESPECIALLY for a kid. Her character arc had hit a new track, and she was building a new, authentic confidence. And then all at once she died. And now she’ll be frozen there, never completing her journey, haunting the world she was ripped from. It’s AWFUL (<- said w a smile) I love deeply flawed characters, they’re just so real. Kind hearted and well-meaning characters like Pinepaw are great too, but to me there’s something so visceral abt characters that do the immature things, the selfish things, etc.

You’ve crafted a very interesting story here, with lots of little lore tidbits that make the world feel so much more real, and you’ve backed it up w characters and narrative w so much passion and thought. You care, not just about the story and characters you are writing, but the narrative it presents, the reaches it has. Thoughtfulness is one of the marks of a good writer, and you’ve got lots of it here. Thanks for making such a cool story. If you ever finish the human version, I think you’d have a solid chance at getting it published as an actual book. But if that’s not something you want, please be proud of your hard work and remember to sit back and admire it sometimes.

Thank you both for your very kind words on completely opposite ends of the spectrum.

[artist-issues]

Ya'll remember the Tigger Movie?

(you thought I was finally going to talk about Mulan but no, it is Autumn, therefore the Tigger Movie)

The Tigger Movie had no right to be as good as it was.

Especially because nowadays, people love the "chosen" family trope.

But the connotations of that trope can sometimes be really selfish. Like, "I've decided to pick and choose who I'm committed to based on who's committed to me--" but sometimes your birth family is committed to you. They just don't agree with everything you do, or find you pleasant 100% of the time, or enjoy all the exact same things you enjoy. So then some people go "nope, I choose my own family! They never find me annoying and they like all the same things I like and they are just generally more like me than my birth family."

...and that's how Tigger feels at the beginning of the movie.

He's like "I wish I could find others like me." Instead of focusing on the people around him who are his family already; they choose to love him, they choose to put up with his flaws, and they choose to celebrate his good points, too. They already chose him. They even try to dress up like Tiggers because they think it'll make him happy--they try to be "more like Tigger" not because they really want to, but to pander to his emotions.

But of course it doesn't work, and that might've been what Tigger wanted, but real families (who love unconditionally) know that what their loved ones want isn't always actually the best thing for them.

What was actually best for Tigger was to look at the good thing he already had, even if it wasn't perfect, and love the people who already chose him.

Even Roo has the same moment, where his adoration for Tigger makes him start to think a bit like Tigger--and he says, "I wish I had a big brother like Tigger!" And his mom (who is the best) goes, "why wish that, when you have a Tigger like Tigger?"

The truth is, all family is "chosen" family. To be a family, you have to selflessly love the people in it more than you care about what they think of you, and you have to focus on what's really good for them instead of what they feel like having in the moment.

There comes a point when birth parents have to decide to love their kid like that. Flaws and all. There comes a moment when kids have to decide to love their birth parents like that. Flaws and all. Same thing with brothers and sisters.

So then the question is, what are you basing your choice on? Do you want everyone to fit your ideal and your reality? Or do you want people who will love you selflessly, even if they sometimes get annoyed with your flaws? Even if they're not on the same wavelength as you, and therefore always easy to be around?

I mean, the most wonderful thing about this movie is that both parties are learning something. Pooh, Eeyore, and even Rabbit are all learning that even though they love Tigger, they have to do an even better job of showing it; they have to remember to be kind even when Tigger annoys them or his recklessness breaks their stuff. And then Tigger has to learn what I said already: that he already has people who are his family, because they’re there for him, even if they aren’t doing it perfectly or lose their tempers or like different things than he does.

And the fact that it’s set in Autumn? With Winter around the corner, and all this pressure to “prepare” for winter? That forces all of the characters to make choices: either they focus on their own stuff, or focus on their loved ones’ stuff. Tigger kicks it off by focusing on his own stuff (he wrecks the machine they’re trying to use to help Eeyore so that they’ll hang out with him faster) and then every other character has to drop their stuff (their winter preparations) in order to find Tigger when he goes missing, or help try and explain to him that he doesn’t have other family—

The truth is, when they focus on themselves, things go badly. When Tigger focuses on himself, he distracts the people who love him from taking care of their responsibilities. And when they refuse to focus on Tigger’s crisis, he gets even more confused and tangled up. But when everyone focuses on “outdoing one another in love,” they are acting like a family—and getting through the winter together. You can focus on what others need—and the hope is, they will focus on what you need. (Not want. Need.)

UGH THIS MOVIE IS SO GOOD

[nekropsii]

Hi! I've recently gotten into homestuck and I've read quite a bit of it, as well as other people's blogs analyzing and criticizing the media. I've heard a Lot about Dave's arc being centered around internal homophobia and toxic masculinity, so it surprised me to hear taht you disagreed! I was wondering why you think that, and what are your thoughts on what his arc actually is? I know you don't like writing about the alpha/beta kids, so feel free to ignore this ask completely if you want. Thank you, I hope you have a great day!

Hello, Anon! I'm glad you've been having fun with Homestuck lately!! Despite its many flaws, it is a deeply compelling piece of fiction, and I'm always glad to see new eyes on it and new voices being added to the analytical sphere. To answer your question...

Personally, I have never seen what people are talking about with regards to Dave's whole character arc surrounding overcoming Internalized Homophobia and Toxic Masculinity. These are fundamentally not what his arc is about, and this is never what his arc has ever been about. I'd honestly never seen that analytical lens until after DaveKat rose into prominence (mostly due to Post-Canon's heavy featuring of the pairing), and I feel as if these things are related. It is easier to make easy-to-stomach, shippy angst out of addressing your own personal shortcomings than what Dave's arc is actually about. No shade intended. This is because...

Dave's character arc is, and always has been, about Recovering from Childhood Abuse.

This is the conflict we are made aware of in his introduction, and it's a theme that persists all throughout the story. We meet Dave as a 13 year old boy suffering some pretty extreme abuse at the hands of Bro- Physically, Mentally, Emotionally, and Sexually. Dave's home life is such an active threat that he struggles to even admit to himself that it is abuse in the first place- that's an admission that takes a level of vulnerability that he just could not afford, and it's something he's only left to truly unpack during the Meteor Arc.

I have a couple major problems with the "Toxic Masculinity and Internalized Homophobia" takes. Firstly, Toxic Masculinity is not inherent to any expression of Masculinity. The only Toxically Masculine trait we see that's applicable to Dave is that he struggles deeply with vulnerability and sincerity in his emotions. However... These don't really have anything to do with what his views on what a man is or should be. They have everything to do with the fact that he was abused by someone who punishes any display of weakness, because Bro excused his abuse with it being "Training". Secondly... Dave is Bisexual. Even if the process of Dave struggling to accept being attracted to men was a major point in the story, it would not be called Internalized Homophobia. It would be called Internalized Biphobia, because Dave is canonically Bisexual, not Gay. We have seen Dave be attracted to more women than men, and attraction to both genders was present simultaneously. It was not Compulsory Heterosexuality. If it was, it'd be actually written into the story. Bisexual people exist. This is not a Homophobic argument to make; I am literally a Gay man.

It's anthropologically fascinating how this take arose... Basically out of nowhere from my perspective, especially considering how all of Dave's most iconic dramatic lines have something to do with him having to sort through his own abuse. Does no one remember the rooftop scene between Dave and Dirk, where Dave starts telling Dirk all about the horrible way that Bro raised him, and how deeply it affected him?

If not, I'm posting the most striking part of it here.

[Homestuck, page 7749.]

... So, yeah, no. Dave's character arc is not about "Overcoming Toxic Masculinity and Internalized Homophobia". It's about Abuse. Dave is an Abuse Victim. Point blank period. Any trait even loosely attributable to the ideas of Toxic Masculinity and Internalized Homophobia are a consequence of how he was raised, and how he was abused. This does not mean that this is what his character arc is about. That just means that's included within his character arc. It's a way to show growth, not a way to define his arc in its entirety. That is legitimately not how character writing works. To claim such would be to express a remarkable amount of Tunnel Vision.

Inclusion does not equate to Totality. There is a bigger picture, and that bigger picture is Abuse Recovery.

[purrfectly-nina]

IN SEMI-DEFENSE OF JACKSON <3

Jackson hate is a little forced imo cause he’s really just a teenage boy battling depression and grief and is constantly stressed and anxious about things being out of his control for really no reason. Like you have to remember Jackson has known these people for only a couple of months at this point and they bullied him and Exer made his life shit for a good bit of it 😭 now I love Exer that’s my princess and Jackson has made mistakes but it’s what makes him an interesting and dynamic character, people complain all the time that Jackson is boring and one note but he’s really not if you pay attention to his flaws as character traits and not just “oh Jackson here we go again 🙄”

+

For just season 3 stuff so far he’s kept 1. leaving therapy a secret from Pam 2. Not telling anyone about the diary and Used the diary to manipulate Exer (both consciously and unconsciously) and 3. Spent time with the reds as a form of getting information and its kinda manipulation tbh so I just wanted to give my 2 cents on it in defense and criticism of Jackson cause he’s paralleling Exer in a lot of ways and it’s unfair that he gets shit on so much when Exer is loved and praised by the fandom (again Exer is my favourite character).

+

1. Leaving therapy a secret from Pam is not a good thing Jackson is doing, he shouldn’t have kept it from her and he shouldn’t have lied that it wasn’t that big of a deal because a big theme in this comic is that keeping secrets and lying really hurts people and relationships and you need to be open and honest with those you love. That being said it’s a really hard subject that he’s still getting over himself, therapy was a safe space for him where he was finally in control and was heard not just listened to. He’s still getting over this and he could barely even talk to Harry for weeks without feeling horrible so yea it’s a really troubling thing for him to think about. He told the detention kids because sometimes it’s easier to be open with friends who get the situation than your girlfriend who you don’t want to disappoint because she was so happy you were getting better and how do you tell her your world fell apart all over again and you’re scared. I’m not saying this excuses his actions I just think there needs to be a bit more understanding here, Jackson should have told her sooner and tell her that he’s not happy about it but he’s also not ready to talk about it just yet, it’ll be good for him to open up to Pam more instead of trying to keep up an illusion that he’s doing great but it’s a hard thing to shake.

+

2. Telling anyone about the Diary, especially Exer is not fucking easy at all. Some of you are making it sound like if he just told them everything would go smoothly and well and that he’s the bad guy for keeping it hidden. So go on and tell me how exactly you’d tell the person who bullied you over petty reasons that you might have accidentally manipulated and fabricated their feelings and that you’re the reason he apologized, you’re the reason he got a job and started over, you’re the reason he confessed as is dating his boyfriend and that none of it is real and that you did it all by accident. Because that’s exactly what Jackson thinks he did, while I don’t agree with Jackson’s theory he’s convinced of it himself. For all Jackson knows Exer really is that prick back in season 1 and the only reason he changed is cause he wrote it down. That’s a lot of weight on your shoulders especially the whole romance thing I mean Jackson wholeheartedly thinks he accidentally manipulated Exer into falling in love with someone and that’s a very heavy burden to carry cause wtf do you do with that as a 17 y/o depressed child. Not to mention that the Diary is his therapy journal so that’s his one healthy outlet destroyed and he feels guilty about ever coping using it so that only fuels his self hatred and mental health issues. All of this without mentioning he’s still grieving over his mother who gave him the damn thing and now he can’t even have that once connection he has with her because of course it’s tied to Exer the person who’s made his life so difficult up till now. NOW!! Pause, this does not excuse his actions but it does explain them, Jackson is not in the right here because at the end of the day he does need to talk to Ex about it because, accident or not, he’s manipulating him and he needs to know. It’s actually incredibly interesting how much this parallels to season 1 Exer, Exer who started purposely using his magic to cause harm and then slowly losing control and doing it by accident (all while not telling Jackson he has magic which made it hurt so much more) versus Jackson’s harm being on accident at first but now he’s experimenting and knowingly causing changes to Exer. This is a big flaw of Jackson’s, he wants to understand before he takes action but only in ways that benefit him. He wanted to understand Exer’s magic before he told Pam and now he wants to understand his own before he tells anyone and we all saw how that turned out with Pam and the others in season 1/2 so Jack’s definitely going to learn his lesson. Remember that if Exer got that mad cause he was jealous over petty things how do you think Jackson, who thinks he’s one of the only reason Exer became nice, thinks Exer is gonna react to something as big as this!!

+

3. This is a bad thing aaallll around and Jackson needs to stop 😭!!! Jackson hanging out with the reds just because he wants to study Exer is not a good thing but it’s an interesting character flaw!! This goes back to what I was saying earlier, he wants to know and understand and will fixate on it so bad he neglects the consequences. Not only is he harming the reds by manipulating them into thinking he cares and is friends with them he’s also really hurting himself. As much as I would love for them all to be friends again, Jackson just isn’t in that headspace right now where he can. He’s so obsessed with the magic and how it’s affected him that he can’t get over the bullying, he can’t get over how Exer used his magic to hurt him, he can’t get over him hurting Pam, he can’t accept the many apologies, he hasn’t even accepted that Exer wasn’t in control all the time. He just can’t move on. He needs to move on and not because what happened wasn’t hurtful and is all in the past now (it’s been like 2 months since Halloween mind you) but because he needs to let go and prioritize himself instead of holding onto all this anger. He’s not just an asshole who can’t get over being bullied (which like even if he was that’s valid to a degree), he’s so obsessed with regaining control of his life and understanding what the fuck is going on that he’s actively choosing to hurt himself to hang out with people he doesn’t like. He doesn’t have to be their friends and he doesn’t have to forgive them, yes they’ve gotten better and yes they’re sorry but tbh if my bullies apologized and everything I would not forgive them and I’d certainly not be friends with them. They just need to go their separate ways until Jackson knows what he wants. But it’s hard. Being 17 and struggling with mental health (IN THE 80s!!) is very very hard and that’s before you even begin with the magic shit so cut him some slack.

Anyways this was so long and rambley I’m sorry, I just don’t love the Jackson hate I see when he and Exer are so similar but he doesn’t get the grace of being adored and pawed at. Do I love Jackson? Not as much as I do Exer but I get him, I get being a teen trying to save myself while everything around me keeps trying to push me down so I respond in anger and I’m so over everyone being so mean to him. I could go on for ages and make more points but that’s it for now so!!!! Anyways support Paola on patreon 🩷🩷🩷

[harukamitsuki]

Hello, I saw your tumblr pop up and I saw that you are very critical of lances character. I mean absolutely no harm and want to have just have a conversation.

I’m not going to bash you completely because that’d get absolutely no where. I understand a lot of the points you’ve made. The way Lance treats his other teammates (especially Keith and allura) are to say the least… not great.

His one sided rivalry is terrible especially because Keith really is just a kid. He’s got a lot of family issues and now he’s being hated on by some kid he doesn’t even remember/recognize. Allura is dealing with 10,000 years of guilt not being able to save her planet and especially her father. Then ofc Lance comes in and immediately flirts with her.

Neither of these are good things. However, I’d argue that it helps in largely with his growth (if the writers actually cared).

In the first episode when the trio get in trouble Iverson immediately states to Lance that he’s only here because Keith isn’t.

And considering how easily he says this it very much feels like something that’s said often to him.

I don’t think Lance just started the rivalry because he just decided to hate Keith’s guys but because he’s having to be reminded that all he is, is a “cheap replacement” in a sense.

If they (writers) explored this idea more thoroughly I feel as though it would’ve made lances character more understandable. Not better (because even tho something happens doesn’t give anyone the excuse of whatever) but more to show that he’s human.

I would’ve loved to see an apology to Keith for this but obv it never happens.

I will say he does grow more with Allura though. Yes he still flirts but considering in season 5 the scene where Lance is comforting Allura really shows a change in lance.

I feel as though he really changes but the thing is Allura treats him in the end almost as a rebound (not bashing on her or anything). She clearly is more in favor of Lotor and even kisses the hallucination of him and never tells Lance when they’re together.

Moving on, I believe you’re characterizing Lance a little too unfairly. He does not get everything on a silver patter. He gets to be a fighter pilot because he’s the only thing closest to Keith’s record. He is constantly made the joke to the point where even Veronica his older sister find out that they’re being killed because she thinks Lance is an idiot (despite actual evidence mere 5 seconds ago proving it wrong). The whole bob episode makes fun of him. The team kinda leaves him behind. Hunk who’s supposed to be his best friend rarely interacts with him and is more pidges best friend than anything. Season 5s whole thing with Kuron and Lance gets scrapped instantly.

Is Lance a flawed character? Absolutely. But he is very much not given everything. In all honesty I believe Keith is the one who is the most “spoiled” in the show.

Season 1 and 2 lovely. However when shiro dies everything kinda changes.

I understand what the writers were going with but in truth Keith is by far (in my opinion) the worst option for being the black paladin.

Yea Keith has a fucked up backstory. He didn’t want to be the black paladin. he was forced into it.

But that doesn’t mean he is the right one. When he starts he almost kills everyone. Yes he’s starting out but afterwards he doesn’t become his own leader. He just steals shiros character.

When the clone comes in he dips. Sure ita because there isn’t space anymore but considering how easy it is for him to leave is what makes me think of him as spoiled.

The others don’t get an out. If the others had to leave they couldn’t. They don’t have galra genetics that can make them a marmora. They don’t have a space mom to travel with.

They’d have to stay in the castle because there is no where else to go for them.

Keith in the other hand gets an out. He is half galra he has a mom out there in space.

We never see him interact with the others again or even think about them. He only ever thinks about shiro.

When he comes back all of a sudden everything that the paladins have been working on is flipped on their heads. Now Keith has to save the day. Kuron goes bonkers and instead of using all that build up with Lance it’s Keith.

Keith leaves the team defenseless and without Voltron to deal with Lotor.

Gives absolutely no remorse on killing Kuron and just allows shiros mind to be put into his body.

Then he doesn’t give a rats ass about shiro anymore. He never gives him the black lion back (despite that being the original reason he left in the first place)

Shiro becomes a cardboard cutout of who he used to be. And to top that off despite the buildup between shiro and sendak Keith kills him off (despite shiro not even getting injured)

Now as a shiro fan yes I am biased. But, even then this doesn’t give Keith the excuse of being a Mary sue.

The mission where Veronica calls Lance stupid is the one where he leaves the team again to do his own thing.

Despite him agreeing with the others to take off the armor their tracking to run and hide the next scene we see is all of a sudden him being the savior of the episode.

no one else gets this. especially not Lance.

Yes lance is selfish. But I’d rather watch him be the black paladin than Keith.

Because in that Lance can learn and grow. Show that yea being a leader of a team isn’t as “cool” as you think. I wouldn’t loved the paladins being mad at him and him having to actually learn to grow up and be better.

Keith being the black paladin is just him being a recycled shiro.

I wish in all honestly that we got to see the characters be more flawed. and see them ACTUALLY grow instead of being either a carbon copy of another or just completely being thrown.

I hope you see this and I’d love to see your feedback.

Okay. At first, I was really liking this ask. I agreed with a lot of your points about Lance. While I have been heavily critical of him, that's only really because of how much people adore him and are afraid to criticise him. I've already stated, in my original 'Lance bad' post, that I didn't have an issue with Lance in season 1. I liked where his character started, but it was only in later seasons that I started disliking him.

I liked that he was insecure, but there was no pay-off to it. Maybe there were a few times he was reassured by someone, whether it be Allura, Shiro, Keith or whoever, but it feels like less of a trait/flaw and more of a way for him to be comforted. There's no scene in which Lance's insecurity puts the team in actual jeopardy, which would be a great way for his character to develop and to put some actual meaning to making him insecure.

I liked that he was flirty and goofy, because the cast needed a balance between the serious characters and the comedic ones. I liked that, even though he was goofy and comedic, the staff still tried to take him seriously. (Unlike Hunk).

So, yeah. There is stuff I do like about Lance, which is why I'm still treating him as fairly as possible in my rewrite. His insecurity is alluded to early, he's actually best friends with Hunk and it's not just saying that, he at least tries to defend his friends against Iverson, he is quite protective of Pidge, and he is capable of speaking to Allura (in SEASON ONE) without flirting every ten seconds.

But. In canon? I can't stand him. You say he doesn't get everything handed to him on a silver platter, but I don't see your point being proven. Instead, you point out how he's the constant butt of a joke. In season 7 and season 8. Yes, he's made fun of, but that doesn't mean he's not spoilt?

You also say that Keith is spoilt the most, because he gets the Black Lion and 'gets an out'. I feel like you just wanted to see Lance in the Black Lion more.

You claim that Keith is the worst option. That just because he has a fucked up backstory and was forced into it, it doesn't mean he's the good option. Um. That isn't why the Black Lion chose him?? Keith was the only one who didn't have selfish reasons for entering Black. Pidge and Hunk were basically goofing around but they're mostly comfortable where they already are. Lance wanted Black for selfish reasons, to prove himself. That's fine and all but it's not what Black was looking for.

Allura and Keith are the only ones who didn't want the Black Lion for themselves. A lot of people think Allura should have been the Black Paladin, which is fine but I honestly prefer Allura in Red and Keith in Black. Keith only went into Black's cockpit because Shiro wanted him to and the universe needed a Black Paladin. He did it for selfless reasons.

Onto your next point. About how Keith led them into danger and near death when he started. Um. He's just started out? And nobody has comforted him about losing Shiro (AGAIN). Instead, we have Pidge calling him a loner, Lance accusing him of using Shiro's death for his own gain, and everyone just being overall mean and nasty to Keith, RIGHT AFTER SHIRO DIED.

Honestly, I'd love to see you try to lead a team that seems to hate you. At least Keith gets his head screwed back into place before long. And calling him a B-tech Shiro? Should I remind you of: "You want me to lead Voltron? This is how I lead!" The whole point of that was to show how different their leading is. Shiro would rather play it safe unless he's emotionally compromised like at the end of season 1. Keith would rather hold nothing back and go at it 100 percent.

Also, I seem to keep having to bring this up. When Shiro was still there but was knocked out or unavailable, guess who was the one issuing orders? Yeah, that's right. It was Keith. Keith was always the first to ask Shiro what's wrong and then issue orders until Shiro gets back. He was always meant to be the Black Paladin, it's you guys who refuse to see it. I mean, if you look at his clothes, you will very quickly notice that it's not Red's colours. Mostly black with some red, white and yellow? Hmm, that's-- Oh yeah! That's Black's colour scheme. He was always meant to be in Black.

Also saying that Keith is spoilt because he 'gets an out' is stupid. Yes, I am insulting you because that's so far from the truth? Lance could have been dropped off on Earth while Allura stays as Blue and Keith goes back to Red. Allura could have taken a step back and let Lance go back to Blue and Keith to Red and Shiro to Black. Shiro could have stayed dead like he was supposed to and let nothing change.

That first episode of season four? Voltron are doing parades. The BOM are searching for important information to take down the Galra Empire. What, did you want Keith to do the parades? Surely, the people could understand that the Black Lion is out on a mission. There's no need for all five to be there. But, no. Of course, Keith is in the wrong. Regris dies right in front of him and he nearly dies out in space and he's doing incredibly dangerous and important work. But when he gets back, surely the others will be there for him after a fellow Blade died and he nearly did? Right? Nope. They just glare at him because there was an attack nobody could have predicted.

Keith leaves and nobody stops him. Keith leaves so Lance can stay happy in Red and Allura can stay happy in Blue and Shiro can get Black back. He leaves, not because he gets an out or is spoilt. The work he's doing is arguably MORE dangerous than Voltron's work. He isn't hiding inside a Lion, he's doing all this in person.

Saying that he gets to go around on Space Whale with his mother? The same one who abandoned him? While reliving past memories such as his father's death? While having to go through future scenarios again and again, essentially dying over and over to Shiro. His brother.

The whole point of setting some stuff up between Lance and Kuron is to compare with Keith and Kuron. Keith who would have been able to hear Shiro. He would have heard Shiro be cruel and snappy and he would have been on that case immediately. He would have done everything to find out what the hell is happening.

Keith is not spoilt. Lance is not spoilt either. Yes, Lance is given mostly everything he wants, but he still suffers. It's not directly correlated to what he wants/gets, but he suffers nonetheless. Keith is the furthest from spoilt. The only time he can get to relax? Um... He doesn't. Not even in the two-year time skip on the Space Whale because he's constantly suffering from images of the past and the events of the future.

Also, it's ironic that you call Keith a carbon-copy of Shiro, even if they're completely different. Because that's what viewers want Lance to be. They never admit or outright say it, but they want it. They want him to be traumatised, kind and serious, and they want the Galra to take something from him (like, say, a limb), and they want him to struggle to rely on others. That's Shiro. They want Lance to be Shiro but Cuban.

Lance would be a horrible pick for Black Paladin. As I've said time and time again. The reasons are in a pervious post if you want to find it. I've only just woken up at the time of writing this. It's kind of funny to me that I can provide a good reponse to this while I still have sleep in my eyes and I can barely remember the multiples of seven.

If Lance was white, I wonder how many people would still love him.

[beginningobserver]

Something that keeps coming back and forth in my mind is that, since the Advverse has this concept of the digimon representing their human partner's heart (or being their "other-self")... And this can also be applied to Rui and Ukkomon, in my honest opinion.

Especially when it comes to how the human psyche also affect the evolution of a digimon, which is why you get Taichi being reckless and (according to the novel) a prideful idiot resulting in SkullGreymon back in Adventure'99 (and also why Daisuke lacking any strong negative emotion during 02 never forced him to dark-evolve V-mon)

I'm not very good at meta-ing things like these, so please feel free to correct me if I'm missing something out!

To start this meta-post, i'd like to remember a few details from Rui's backstory:

His dad was extremely sick and on a deathbed status;

His mother was basically doing everything to keep everything in control, to keep his dad alive and to raise Rui at the same time, so she was constantly under stress;

Despite her being under stress all the time, she seemed to not understand Rui at all. She would just snap at a 4 year old (!!) when he didn't do things the way she expected him to do. She never had patience to explain stuff, and just wanted Rui to act like a grown up already;

In a very not-so-subtle scene, we see that Rui has a ton of bruises potentially implying she hit him countless times for not "obeying" her orders;

She also claimed that Rui "never kept his promises" and assumed things like "I made burger steaks, your favorite!" without even asking if Rui really liked those.

There's also a few hints that she never heard him at all, which escalated into Rui never being able to voice his own needs, the things he liked and hated, and to just accept anything offered to him without hesitation in order to not get hit by disagreeing;

Also, thanks to that he just seemed to be very obedient and did not even argued with the 02 group when Daisuke dragged him back and told "we're already involved here!" and then had to politely cooperate with them. The only good outcome from this was that he simply learned his own part of the problem and managed to solve it... even if later that year he was being quite paranoid about what happened and got dragged into the Dark Ocean.

You see, Rui had a very... troublesome backstory which contributed to a doomed relationship with Ukkomon and then assuming that everyone with a digimon is his fault and that now everyone was fated to an awful life of their digimon fighting til the death to protect them.

Ukkomon also reflects all of Rui's problems too, he has enough parallels with both Rui and Rui's mom (the latter at least in a scene), and Rui's whole narrative could've been affected by Rui's psyche and making him mix his grief and anger by reaching this part of his backstory again.

The thing is... Rui was basically continuing the abusive parenting he had been suffering before Ukkomon appeared. His whole version of the story tries to frame Ukkomon as the bad guy, someone who stepped in and deceived him this whole time. It's not different from Rui's mom accusing Rui to never keep his promises, and then hitting him for not doing what she asked in the exact way she expected him to do. (ma'am HE'S JUST FOUR YEARS OLD can you chill please!!?)

The 02 kids siding with Ukkomon does not mean they were invalidating Rui's feelings -- something that i saw people be quite uncomfortable with it previously, especially about Hikari's line re: Ukkomon -- none of them put the blame on him or did the same awful things his mom did, they all pointed out the flaws in his judgement and in a respectful way.

But back to Ukkomon... In the movie and Drama CD we realize a few traits he shared with Rui:

He also lacks social skills and talking with others, I suspect he never had contact with other digimon if he's directly linked to a "big entity" as he told Rui (and at the end of the movie this sole information is confirmed because whoever is linked to Ukkomon realized that the digivices were not needed anymore because humans and digimon can form strong bonds without those devices);

He has the tendency to take the blame and run away (Rui had been running away from his own problems as well);

Ukkomon being quite insensitive and lacking awareness of what's morally accepted in the human world is what led Rui to finally show a trait he had in common with his mom: He can be quite violent when triggered.

Yes, I used the right word: Rui gets really triggered when Ukkomon misinterpreted his desire of having friends and "people like me" and then says he wished for all of those. Rui is right there sitting watching a news report of the events from the movie "Revenge of Diablomon", which takes place in March 25-26, 2003 in the timeline.

By saying "It's what you wished for", Ukkomon immediately hit a very awful sore point in Rui, and resulted in their pettiest ugly spat. Note that in this scene, Rui definitely attacks Ukkomon at first, just like his mom would do every time he disobeyed her. But then, he stops and starts trying to break the digivice instead, since he either had no courage to kill Ukkomon, or he was still believing Ukkomon was some sort of "god-tier" like digimon.What i mean is that Rui really had the same destructive and violent behavior his mom had.

And this is also present in Ukkomon's final form.

His final form, BigUkkomon, connects to Rui's anger and sorrowful state (because, BigUkkomon's main attack is swinging its countless, supermassive tentacles, crushing and gouging targets over a vast range -- according to the Bandai/null lore profile.)

Another thing about Ukkomon himself is that the scene of him giving his eye to Rui in order to "fix" a mistake can be read as Ukkomon simply destroying himself (literally!) in order to keep Rui smiling and happy, which there's a few suspicion that Rui being all bubbly and smiling in the very first scene he, Ken and Daisuke witness by themselves in-movie meant that he wasn't exactly happy and just repressing a ton of frustration and sorrowful in order to not make his mom angry, and him never voicing his own needs was his own "self-destructive" manner to trying to keep her "happy" and perhaps not "worried".

But that's my own interpretation ok.

[bucket-barnes]

I like the way you think- this is gonna be a multi part, we’ll start with the most fun

(Suggestion from @panthera-tigris-venenata, I’ll be leaving out Claudine however as I don’t think I’m qualified to write about that)

Harriet Hook- the unforgiving sea

Heads up: still not a doctor, my knowledge on these topics are limited and I embellish for dramatic effect. If you know more than I do about these topics…suspend your disbelief for a little

Winter on the Isle of the lost was always brutal, especially down by the water. Pirates would often drink until they couldn’t feel the cold cutting into their skin or staying below deck where it was slightly warmer but…not by much

Harriet Hook already had a lot on her shoulders, her dad was a drunk and she had two siblings to take care of, granted, Harry was more independent than CJ, given his age…but if it weren’t for Harriet, his psychotic tendencies probably would’ve sent him to an early grave by now. Harriet took care of her family with a sense of honor, she was the glue that kept her family together, she was the support for her siblings…but Harriet’s kind heart often came to her detriment

It wasn’t a secret that Isle kids weren’t well taken care of. Their parents were neglectful or downright abusive, most of these poor kids didn’t even have decent winter clothes. Harriet would often see these kids when making her rounds, she’d give them whatever she could, her only pair of gloves that don’t have holes in them, a mostly intact scarf, whatever she had on her. When she came home with less clothes than she left with, Harry would ask but his sister would always insist it was fine, she can handle a little cold

The winter months continued and Harriet’s closer dwindled, something her brother wouldn’t let go unnoticed. Whenever she came home with frozen lips, dark blue fingers, and a bone-deep chill, Harry would do everything he could to warm her up…admittedly because he was worried about her, he was a pirate too, a first mate at that, he’s watched what the cold has done to his own crew mates, including himself…he wasn’t gonna let that happen to his big sister. Almost every day (or at least when he could) Harry would boil some water, put it in a bowl, and Make Harriet put her hands on it in an attempt to halt any damage…it didn’t really do much, but he was trying!

Her brother’s efforts were sadly in vein, by the time the barrier around the Isle came down, Harriet had gotten frostbite so many times she was close to sharing a namesake with her father. Her hands were always a little stiff and in pain, she had to be careful in the cold now. Harriet still did her best to help the Isle kids, even being invited to join the isle affairs council…but there was this small part of her who saw this caring nature as a fatal flaw, she lost things because of her kindness, she constantly felt pain because of the kindness she displayed for so long…there were days she’d struggle to hold her sword…

Whenever she thought that way, she’d remember the faces of all those children she helped throughout the years, from her own siblings, to random street rats, the looks of gratitude on those kids faces somehow made it all worth it

Hope you like this! Ironically enough frostbite is actually something I’ve done some research on. You have a descendants character you want to see me fuck up? Tell me immediately, I will do it!

[taddymason]

What are your thoughts on each of the Ninja? I'm just curious

Ooooo okokok this is going to be so long, I'm going to explain my first impression of them when I was a child and how it has changed over time.

Cole: I really didn't care much about Cole when I saw the series for the first time, like, as I remember he was my least favorite character on the team and he seemed boring to me. Now? Easily my favorite ninja. It's funny because of the team it's easily the one I identify with the most in terms of personality. I LOVE how most of his arcs have to do with the potential of his elemental powers, probably one of the ninjas who has grown the most in terms of skills over the course of the series. I know I don't talk much about the way they develop him and how much he matures throughout the series, especially how he becomes more and more open with the team, but he is one of my favorite characters.

Zane: I always liked Zane and he always remained my second favorite ninja. One of the parts I like most about his development is how he becomes more confident and sassy, especially in the new seasons. What I do not like is how many other ninjas's jokes about him are limited to "Zane, we need to adjust your honest/sarcasm ciurcuits", etc. It gets pretty tiring and somewhat contradicts the whole point of his character to be reminded that he's a nindroid when the whole point is that he actually sometimes ends up being a lot more human than everyone else but that's it. (ALSO Why did the writers forget that he had a falcon?)

Lloyd: sooo Lloyd is a complicated one because I don't really have strong feelings about his character. I guess one thing that kept me away every time I rewatched the show was thinking that he's like they put every cliche of a protagonist in a blender and most of his arcs feel that "predictable" when you compare him to the others. BUT I like what they are doing with his character on DR and I think it is his best season so far, SO definitely in DR it is more entertaining to see his development and his relationship with the kids.

Kai: Kai is a character that for me... is fine, I don't love him too much like most of the fandom. Again I think that in DR they are doing justice to his character since he feels that in Wildbrainera he was quite forgettable as if the creators didn't know what to do with him (like, I'm not a fan of his arc in S11 because we have definitely seen that lesson a Lot of times). I really love the development of him anyway and his relationship with Nya & Lloyd is one of the best parts of the series.

Nya: I'm going to be honest, I only started to like Nya in S9, before that with the sexist way the writers wrote her in the first seasons when I first saw the series I found her annoying (and S3 and S6 didn't help) . I think her character definitely improved after the Oni trilogy onwards because the creators began to give her REAL CHARACTER FLAWS and take her more seriously because then I started to like her character more.

Jay: soo, when I saw the series for the first time Jay instantly became my favorite ninja. I liked that there was a balance between the sarcastic jokes and the fact that he would then do something surprising like being the first to do spinjitsu, being a genius on roller skates, him shooting in space, etc. It's those moments in which he proved to be the thinker outside the box of the team that were very entertaining along with his humor, his powers, the duality in which he could be a bastard, an idiot and a genius at the same time was what made him that was my favorite on the team

Now, I'm not a fan of Jay when it comes to the new seasons where they basically removed all the traits I'm listing and turned him into a man child who only makes pee jokes. They literally took away EVERYTHING that made him a useful member of the team, he is a completely different character that really the only thing he has is... he is just the "uwu guy on the team". Honestly, it could be a whole essay explaining how I hate Jay from S11 onwards but I'll just leave it at that I hope DR gives him real development (and for a change it doesn't have to do with Nya)

[whistwhistler]

some thoughts on jane tennant & kate whistler and the awful takes i’ve seen on their characters so far...

I think there’s a particularly harmful narrative out there that has been started that Jane “uses & abuses” the people around her (namely, Whistler) when she needs something or when she’s in trouble and I just think that’s incredibly antithetical to who she’s been designed and created to be as a character. Do you really think the writers would a) do that to Vanessa (or Tori), b) be so careless in handling an incredibly complex, woman of colour (and in senior leadership, no less) who has been involved in the espionage game and all the toxicity surrounding espionage, war, intelligence and politics in this current political climate and c) write female friendships/working relationships to be so toxic in an age where females doing literally anything on tv are scrutinized for no good reason? Do you think that maybe, just maybe, it was intentional from the start to highlight how at the core of Jane’s being, that she’s not an inhuman byproduct of what the CIA creates its operatives to be?

NCIS: Hawaii, so far, has been deeply intentional in the way the seasonal story arcs/thematic arcs are crafted. Everything about each season has led up to what happens in its finales. The first and second season has established and zeroed in on the theme of family/found family/etc., and that’s not something that’s just thrown in there because it sounds pretty or cute. The theme of family is constantly reinforced because it’s the backbone that drives this series. Ohana. It’s what sets the Hawaii office apart from the other shows. It’s not as dark, gritty, violent, or depressing, and that actually works to its advantage. Family drives every aspect of this show and its characters. And you know what else? Family is messy. And while I still have my own grievances on how they’ve focused so heavily on Jane (again, for obvious reasons), her family/kids, and her past and not so much the other characters (yet), I also believe it’s worked to their advantage. I haven’t seen a show do flashbacks and retrospective character study on its characters, and do it well, in a while especially for a “police procedural.” For us to even have flashbacks and character-centric episodes is a gift for a procedural, and we have to remember that. We’ve seen bits and pieces of Jane’s past, and now we see how it all plays into this storyline of how her past is coming back to haunt her. Jane is a woman who fiercely loves and cares deeply for those who are close to her heart, but even to those who cannot fight for themselves, or are in deep trouble. That was made so beautifully highlighted in 2x18. That’s what makes her an incredible boss, an incredible leader, and most importantly, a wonderful friend. Has your boss ever invited you to their office for a drink? Let alone to their own home with an open door policy? Has your boss risked their life to rescue not just themselves but others who are wounded and are in desperate need of medical attention, all the meanwhile being badly injured themselves? Jane’s life revolves around family and caring for others because it’s something she was deprived of as a child. Her mother was not around. She did not have siblings. She had a loving father, but with him being in the military, she would have had to move from base to base. Her childhood would not have been steady. Friends would have come and gone. Her entire life was on the go. She’s had to fend for herself growing up. She’s had to stand up for herself. Jane Tennant is a woman who is deeply informed and shaped by her experience and leverages that to be the person she needed as a child to those around her. It’s what has made her an extraordinary SAC. But Jane also isn’t perfect. She has flaws, and they’re making themselves known in this finale.

So now, despite Jane being the Special Agent in Charge of the Entire Pacific Rim™, she also has a past. We can’t ignore that. Jane Tennant has a past. And it’s a CIA past. And from the sound of it, it’s a past she’s not particularly proud or fond of. We can see that Jane’s CIA past has deeply affected her, as it should. You’ve all seen (in some shape or form, fictional or non fictional) the extent of what the CIA is, what it represents, the shadiness and the dark side of how it operates, and what its people are capable of. We know the toxic culture of secrets, lies, deadly surprises and betrayal that can follow with being involved with the CIA. Jane has been involved with all of that. And she is still, unfortunately, involved with that despite having switched agencies and careers. She no longer is a covert CIA operative, she is the SAC of the NCIS Hawaii office. But that doesn’t mean she won’t slip back into covert CIA operative mode the moment she finds out she’s in danger. Like everyone else, Jane has a fight or flight response... She just happens to do both. So what does this mean?

Well, if Jane is in danger and it involves her extremely dangerous, shady CIA past, everyone in her life will inadvertently be in danger as well. Why else would Ernie call Jane out that she was being shady? She doesn’t really have a choice. She’s played the intelligence game long enough to know that secrets, information, and data can get people killed. The people she’s dealt with are extremely dangerous, and if they get the slightest idea of who is important to Jane, they will stop at nothing to eliminate those around her to hurt her. To torture her. Can you imagine the weight of that? Knowing that your past has put your kids at risk for being targets? Your closest friends, your colleagues - your family? Hell, I’d be shady too. Jane is incredibly smart. She knows the loopholes, she knows what angles to play. She knows the risks she has to take. She has been through it and knows exactly how to manipulate and play the system. That’s what makes her such a polar opposite to the character Kate Whistler is. 

Okay, enter Kate. Because I know what you’re all thinking. What was the point of reinforcing the family theme with Kate with the amount of Jane/Kate interactions we’ve had all season only for Jane to use her to get into the bank in Venezuela and then handcuff her to a column in a kitchen, basically leaving her to dry? What was the point of all of this if Jane going rogue anyway is going to put everyone in danger? Wouldn’t Kate be pissed as hell for Jane getting her into this mess, risking her career, putting her in danger, etc etc etc? Well, I’m glad you didn’t ask, because I’m still going to tell you anyway. 

Short answer, Kate didn’t see it like that. Long answer, Kate Whistler isn’t a chump and is a foil to Jane Tennant’s character. Aka, Whistler is everything that Jane is not, and yet, is everything that Jane needs. I’m not saying Whistler is an antagonist (maybe it seemed like she was in the first season, but we’ve seen how she’s grown since then - keep this thought tucked away in the back of your minds for later). But why else would they have introduced Whistler the way they did in the pilot, if they weren’t going to use her to balance Jane out? And vice versa? Why else have they spent so much time developing Whistler’s character, despite her being an agency-adjacent character (AKA, a non-NCIS character on an NCIS show)? Why have they spent so much time writing scenes and moments between the two women and developing that friendship? One, it’s because they’re establishing Whistler to be just as an important part of the NCIS team despite her being interagency, and two, it’s because Jane and Kate both need each other. And most importantly, they trust each other. Keep this thought pinned. Trust. Whistler looks up to Jane, despite her sticky way of operating. And Jane looks up to Whistler because of how brilliant she is. How unlike Whistler is to herself. Jane recognizes that Whistler is someone she needs in her corner; not because she has malicious intents of using Whistler for what she can do, who/what she knows, and what she’s capable of, but because Whistler is just wired differently, and she needs that - dare I say, craves that. Jane has spent so much of her life depending on and trusting people like Maggie who are like her, only for people like Maggie to betray her in the end. She knows that Whistler will never do that, because she knows what Whistler is driven by (protecting the intel/secrets/data to the highest degree, etc.) Whistler knows, understands, and can play the intelligence game just as well as Jane can, and Jane sees how much of a breath of fresh air she is. And for Whistler, despite Jane’s way of not doing things by the book, it’s yielded results. Jane’s methods have worked, and that’s what Whistler has seen and understands of Jane and who she is as a leader. She sees and appreciates Jane’s ideology as a leader, reminding her of the kind of person, perhaps one day, the leader (ASAC, SAC) she wants to become.

And that’s why she’d listen to Jane in going to Venezuela.

Okay, let’s back it up a bit. Jane’s methods have worked.

... But they don’t always do.

Alas, the moment you’ve all been waiting for - Jane’s habits of slipping back into a covert, secretive, protective and shady operative, is not working. Jane going rogue is not working.

And yes, it puts others in danger. It puts herself in an immense amount of danger. 

Okay, so that part was obvious, so what am I getting at? Once again, I’m glad you didn’t ask (because I did, for you), so here we go.

As we can see in next week’s promo, Jane is kidnapped, and is being tortured by Adrian Creel, a dangerous person from her past. Not only that, but is someone who she thought was dead. Both her past and present worlds are colliding, and she’s now scrambling to do damage control. So she goes rogue. We have to remember that Jane is highly intelligent, calculated, and cunning. That combination of words is absolutely fucking terrifying if used for harm instead of good. But that’s not who Jane is. And we saw that in a flashback.

This is what sets Jane apart from the person that Maggie Shaw is. Maggie is a textbook CIA operative. She has little regard for those who cross her and will do whatever it takes to get a job done. Spies are trained to not get attached to others. To push aside their emotions and feelings. And despite Maggie having a soft spot for Jane and becoming a mentor/mother figure to her (which makes her betrayal so deeply wounding to Jane not having a mother of her own in the picture), Maggie and Jane are fundamentally different people. One sees people as assets, assignments, collateral, or worse - collateral damage. The other sees people as human beings. One is completely unaffected by betrayal. The other is deeply affected. One is unfazed by death. The other is. You catching my drift?

Jane’s CIA experience has shown her how terrible the world of espionage can be. How messy, interwoven, terrible, and haunting it can be. Right now, it’s haunting her, and coming back to bite her in the ass. So what do you do when your past is coming back for you in the present? You pull every stop necessary to protect those you care about the most. To protect your family, the people you’d easily lay your life down for. Jane is not the kind of person that would intentionally get others she cares about into messes, nor is she the kind of person that gets people into messes that she herself wouldn’t be able to pull them out from. These are calculated risks Jane is taking. It’s not that she doesn’t know or think that her actions won’t cause problems for herself or others later on, she absolutely knows and understands the weight of every outcome and every choice she has to make. She wouldn’t put her team or colleagues in more danger than they need to be. Please understand this language. She can’t protect them from everything that could possibly happen, but if she has the smallest chance of controlling what she can control, then she’ll put herself on the line first. So she’ll make the choices that have the least collateral damage. She voluntarily pulls herself off the case from NCIS to protect her team. She would rather risk herself getting fired or killed before there’s a slightest chance of danger coming towards her team. She reaches out to Whistler, not because she doesn’t care about Whistler as much as she does with her own team or doesn’t care about her enough to not put her in harm’s way, but because Whistler is the only person she can trust right now (and that’s a massive thing for Jane after being betrayed by the one person she thought she’d never, ever get betrayed by). Jane knows that Whistler is absolutely vital in ensuring that whoever is after her, will never be able to reach Whistler, her team, or her kids. Her team can’t do that (lead her to Venezuela) for her. In a weird way, Jane knows that she cannot do parts of her mission alone, but she also recognizes that she cares too much about Whistler to fully let her accompany her in a mission that she knows that she may not come back from alive. This is the grey area of the espionage game that Jane is playing. Jane going rogue and the espionage world is not black and white. Things just aren’t that easy. And it’s baffling that so many people think “well if Jane would have just been honest and let her team help her they wouldn’t be in danger.” It literally doesn’t work like that. Why else would they continue to highlight the stickiness of Jane’s CIA past? Why even highlight the CIA at all? Simple: to show how drastically different NCIS is, how NCIS operates, but also how much Jane has changed since getting out of the spy game, and how much she’s affected the people around her because of the person she is. It’s not that she’s gone rogue and isn’t letting people in and is putting everyone in danger like everyone sees it to be, but she’s trying to keep everyone safe from how deep and messy things are when they’re not taken care of (i.e. “I made a mistake and I need to fix it”), and how much of a splintering effect it can have if not dealt with the way things need to be dealt with (and I mean “dealt with” in the CIA terms of killing someone). For Jane, Creel cannot know that Whistler helped her get close to him (despite her not knowing Creel was alive this entire time, just that someone has impersonated her and has emptied out the account). Creel cannot know that Jane has kids. Creel cannot know that she is in charge of multiple offices full of NCIS Agents and American government personnel. Creel cannot know anything. The stakes are so fucking high.

Jane is involved in a war that has now involved death, and will continue to do so. And she’d rather it be Creel’s, or hers. What if Jane had allowed for Whistler to accompany her to the house of her impostor in the name of not keeping Whistler in the dark? What if Whistler had been the one that was shot instead of Charlie-1 because none of them had vests on? Or conversely, what if Whistler had been kidnapped along Jane and had been the one getting tortured by Creel in retaliation of what happened to him?

Jane would never forgive herself if harm (or death) came Whistler’s way. So handcuffing Whistler to the column was genuinely to protect her. Not because she’s an ungrateful asshole who just uses Whistler for access or that she doesn’t trust in Whistler’s ability to handle herself in the field or that Whistler wouldn’t have her back, but because Jane knows the violent outcome of what this will be. And she’ll do everything in her power to avoid Whistler (or anyone else in her life that is important to her) to become collateral damage or fall victim to her dangerous past. It’s not that Whistler is a rookie that Jane can’t trust to have her back in the field; it’s that Jane can’t afford for harm to come her friend’s way: for Whistler to get injured, tortured, or die on her account. Jane can’t afford her closest friend to fall victim to something they will never come back from. It’s not perfect, it’s messy, but it’s Jane’s way of keeping her safe. Once again, Jane is built like a spy. Secrets and lies and shiftiness is unfortunately, a part of her DNA. But she also isn’t a heartless, unemotional, ghost of a shell. She cares so deeply for the ones she loves, and it motivates her to do the things she needs to do to keep them as far away from imminent danger as possible.

Okay, now back to Whistler. (I told you it was long)

I think what was greatly overlooked was Whistler’s reaction. She wasn’t angry, hurt, or betrayed by Jane cuffing her to the column. Frustrated, yes, but Kate immediately recognized the gravity of the situation that Jane is in, and once again, worries for her friend diving headfirst into danger. Kate doesn’t yell at Jane, she calls out her name because she fears for her friend’s life. Listen to the tone of their exchange closely. It’s not one that’s done in anger or rage. Both of them know how dangerous this has become. Again, Kate isn’t a poor chump that walked into Jane’s mess. Whistler understood what Jane has asked of her to risk. She didn’t like it, but she also can’t stand around and do nothing while her friend is in danger. Of course she’s going to help. Whistler understands immediately what Jane has walked back into. Whistler knows exactly who Jane is from her time in the DIA. I have no doubt in the back of my mind that she’s run extensive background checks on Tennant and the team while she was at the DIA because of how much of a liability the NCIS team was with the DIA (hence, her having to liaise and almost babysit them in terms of data sharing and collection.) Whistler has seen Jane’s dossier, and she’s probably studied the woman’s profile like she would’ve studied material from grad school or studied a profile on a terrorist. That’s what made Jane Tennant the bane of her existence, but it’s also what fascinates her the most: how unlike Jane is for someone that has worked for the CIA. That Jane puts others first, treats her team like they’re her family, and fiercely cares for them. This baffles Whistler to the core, because she’s worked with CIA/NSA/DEA/all government acronyms type personnel. She’s worked with spies. She’s interrogated terrorists and traitors. She knows the formula of what makes a covert operative. Jane has been everything but that. And on top of that, Whistler has worked with upper brass. She’s worked with bosses, admirals, generals, commanders, ASAC’s and SAC’s. She’s worked with people who don’t care about you unless you have impressive accolades and accomplishments that are worth listening to. So for her to cross paths with SAC Tennant... It drastically changes the way that she sees world; the people that she works with, has worked with, and it changes the way she approaches things. Whistler is a type-A personality; likes to plan ahead, likes to know exactly what is going on; every detail, and overarching piece. DIA Whistler would never have allowed for this to happen - in fact, she probably would’ve been the one to inform the brass about what was going on and would immediately have Tennant arrested for treason. But Kate Whistler, friend of Jane Tennant sees that her friend is in need of her help, and that’s what informs her decision to help Jane and go to Venezuela, despite her not actually knowing what the outcome of this entire thing will be. Despite the high risk she’s taking. Despite the fact she could very well lose her job over this if things go south. Despite seeing how much her friend has shifted back into fight or flight CIA mode. Whistler realizes how much danger Jane is in. So no, she’s not angry. 

But she sure as hell isn’t going to sit around and do nothing either. 

This is where things get real juicy, because once again, DIA Whistler would never. But FBI Whistler has spent enough time around Jane Tennant to know the kind of person she is and her value of others, that people are the priority. And when people are in danger, she will stop at nothing to come to their aid. This entire season has highlighted Whistler coming to Tennant’s rescue in sticky situations (2x08, 2x11, 2x18) and some being situations she didn’t particularly like, but have followed her and/or sent aid, or has gone to rescue Jane herself. And so far, the finale has been the culmination of that. Not because Whistler’s a pawn in Jane’s game, but because of the incredible growth that has transpired in Whistler’s character to become someone who will take risks for others, despite every ounce of her being saying otherwise. To play things safe, by the book. Whistler’s unlearning her patterns and habits of going by the book, being a stickler for the rules, because not everything in life will happen by the book. Having a relationship with someone you work with isn’t in the book. Having a drink with your co-worker at her home after having a 50-cal gun aimed and shot at you by a Yakuza member isn’t in the book. Your friend having a dangerous CIA past isn’t in the book. Not everything is in the book. Whistler is starting to see that. Whistler could’ve easily packed her shit up and angrily gone home. But she stays to go after Jane to try and rescue her. Because that’s who Whistler is.

So, finally, what’s the point of all this again?

Ah, yes. The Tennant-Whistler relationship and how it will be affected by all of this. (Oh, yes, sorry. I forgot to mention this is actually the thesis. I just hoped you would entertain my thoughts long enough and read this far, so if you did congrats. But also, I’m sorry.)

There’s a few articles out there already teasing how this will affect the team in the future - how Jane’s secrets and past will affect everyone, and immediately, how this whole “come with me to Venezuela and help me but also I’m going to handcuff you in the kitchen to keep you safe even though I might die” discourse will affect Jane and Kate’s relationship moving forward. Because on the surface, Tennant asking Whistler for this massive favour feels incredibly transactional and one sided. But if you’ve been watching the same show as everyone else has, this wouldn’t have happened if their relationship wasn’t built slowly on trust. The Whistler we see now isn’t the same Whistler that was introduced to us. The Whistler that helps Jane in Venezuela is a Whistler who, like Jane, is being formed by her experiences, which informs the decisions she makes. The Whistler we see now is someone who would lay their life down for their friend because she knows that Jane would do the same for her. The Tennant-Whistler relationship, aside from the romantic Kacy relationship, has pretty much been the forefront of this season. The tension/disagreements, the favours, the seeking out wisdom and advice, comfort & encouragement, coming to each other’s (mostly Kate coming to Jane’s) rescue. If I may be so bold to say, I actually don’t think this will affect the others as much as it will affect Jane and the choices she’s made. It’s very Jane-centric. It will be Jane-centric in the way it shapes her as a boss, a leader, and a friend. Everyone else is very secure in who they are, in their ability, and who they’re working for. It’s Jane that needs to see that she cannot continue acting on the lone wolf mentality. I wouldn’t be me if I didn’t say that I think this is still very much building into NCIS Hawaii’s overarching theme of family but also how this now could be flipped on its head in later seasons as we explore more of the other characters and their pasts. But like I mentioned earlier, Jane has a past. But so does everyone else. And they needed to establish Jane’s character, all her strengths as well as her flaws, in order for people to see why she goes the absolute lengths that she does to protect who she loves (I’m still so convinced that Whistler’s DIA past and involvement in various top-secret assignments and the many people/contacts she has everywhere will also come back to haunt her in the future and when that time comes, Jane will 110% return the favour Whistler has constantly been doing for her by coming to her rescue this entire season but that’s a theory for another day), but also why the people she loves will also do the same for her (Jesse’s line in the promo, “I’d put my life on the line for you”, and Whistler coming to her rescue literally 4x this season). Jane wouldn’t abuse that. We know that Jane is going to be fine, but in light of these revelations, Jane is going to have to make some major changes regarding the way she operates as a person as a result of what happens from this entire situation. We already know that the season will conclude in its trademark ohana-esque manner (thank you promo pics), but it’s not to say that this won’t cause tension in the future. Family is messy. I can’t stress this enough. But all of them are mature enough to understand that what Jane was doing, was ultimately to protect them all. Even Alex understood the gravity of the situation. They might not like it, but they understand. And that’s an important word - the understanding. They will come to the realization that the damage control Jane was doing was very much for their safety, despite how in the dark they all felt. It’s not invitation for them to be petty, bitter, or angry with Jane. When they find out that Charlie-1 is dead and that Jane was kidnapped and tortured, they’ll see just how dangerous her past life is, and why Jane did what she had to do. Because getting shot or being kidnapped or tortured could have easily been one or more of them, had Jane not played her cards right.

Back to the Tennant-Whistler dynamic. I think Whistler and Tennant are going to continue to have their moments, but I think the establishment of this dynamic (over, say, Jane’s dynamic with Kai, Lucy, Jesse, or Ernie) has been so vital this season, a) because it shows not only how much trust has been built between the two, but how fundamentally different their dynamic will be moving forward from how Jane and Maggie’s relationship was, b) how Kate has never really had a friendship or relationship with someone like Jane ever, and aside from her own relationship with Lucy, and how much Kate also needs Jane as a figure in her life. Both women have been able to lean on each other for support and both women recognize how much they need each other. They see each other as equals; they are each other’s professional/career match (and I will die on this hill despite Kate being significantly younger than Jane, but I think Kate’s career has invited her to tables that people her age would never normally be invited to, but because of her intelligence, high capacity and ability to see things quickly and put things together has placed her higher up quicker than anyone else) and c) the theme of Whistler coming to Jane’s rescue this season will eventually come to a reversal where Whistler will find herself in trouble and will be needing Jane’s support or even rescue, and Jane will be there for her. They’ve hinted at how equally dangerous Whistler’s job is this season. They’ve hinted at Whistler being in the field more, gaining more experience. They’ve hinted Whistler leading teams, working with CI’s, setting up sting operations and leading join efforts in busts. They’ve hinted at the kind of criminals she deals with (serial killers, terrorists, assassins, etc.) This undoubtedly is going to come into play in the future.

Jane values family over everything else. But she also realizes that she can’t just use them when she needs something. She’s going to have to learn how to let her family in, and she’s going to learn that family isn’t transactional, but unconditional. And I think that’s the angle they’re going to play in the latter half of this finale, as well as building into future seasons. The lone-wolf thing will never work. We’ve seen it with Kai in the pilot. We’ve seen it with Lucy (especially in 2x19). It’s not going to work for Jane either. I mentioned earlier, Jane is not perfect. Nobody is. She’s going to have to unlearn things from her past, and she’s going to have to work towards letting people in. She’s going to have to learn to take her own advice. Yes, she’s been badly burned, and being in the espionage game has traumatized her. She’s got literal scars and experiences to show for it. But the beautiful thing is that she has a family surrounding her that will be with her every step of the way - she just has to let them be there for her the same way she’d be there for them in a heartbeat. Yes, this can be so hard to do when you’ve lived on your own and had to fight for yourself for so long, but NCIS Hawaii wouldn’t be NCIS hawaii without these incredibly important themes and arcs, and I’m thankful they’re exploring this with Jane. We’ve gotten a taste of how fiercely protective Jane is with her team and family. When a situation in the future calls for her to step into action, she absolutely will lay her life on the life for her colleagues and team the same way they would for her. I think Jesse’s line to Tennant will be the turning point for her, and she’ll do better moving forward. They needed to do this in order to set up the future story arcs for others in future seasons. Family is messy. But we’re all in it for the ride, and so are they.